Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

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Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

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Voting Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of Fannie Lee Chaney captures the day she found out her son, James Chaney, and two of his friends died at the hands of the Ku Klux Klan for registering African Americans to vote.

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Skeleton Board Cutout Ornament- Bone Pop Street Artwork Limited Edition Giclee Print on Articulated Paper Object by Urban Graffiti Modern Artist KAWS. 2021 Printed Moveable KAWS Skull 20x40 New in Original Packaging KAWS and the Intersection of Art and Anatomy KAWS, whose real name is Brian Donnelly, is renowned for his ability to navigate between various art forms, from graffiti to high-end fashion to toys. This piece, produced in 2021, showcases a moveable KAWS skull, highlighting the artist's fascination with the skeletal form — a recurring motif throughout his work. The skeleton, often seen as a symbol of mortality, is recontextualized by KAWS as a playful yet poignant reminder of the human condition. The articulated paper suggests movement and life, contrasting with the static notion of death typically associated with skeletons. The "Skeleton Board Cutout Ornament" by KAWS is a distinct piece that merges the artist's graffiti roots with a sophisticated approach to art production, reflecting the evolution of Street Pop Art and its place in contemporary culture. This limited edition giclee print on articulated paper objects is a fine example of how urban graffiti artists like KAWS have transitioned from illicit street tags to creating highly collectible and sought-after art pieces. The Artistry Behind the 'Skeleton Board Cutout Ornament' Giclee printing, known for its high quality and longevity, is utilized here to create a premium representation of KAWS' artwork. The print spans an impressive 20x40, making it a significant statement piece for collectors and enthusiasts of Street Pop Art. By translating his work onto a medium that allows for movement and interaction, KAWS invites viewers to engage with the art tactilely, further blurring the lines between traditional art forms and contemporary art toys. Like many of KAWS' works, this piece is imbued with the artist's signature aesthetic — the crossed-out eyes that have become synonymous with his name. This detail not only brands the work as distinctly KAWS but also serves as a commentary on the artist's view of the modern world: a place where the connection is often obstructed, and isolation can be prevalent. Cultural Significance of KAWS' Limited Edition Prints The limited edition nature of the "Skeleton Board Cutout Ornament" elevates its status within the art community, ensuring its place as a coveted item. Limited edition prints are a hallmark of KAWS' strategy to democratize art — by making it more accessible — and maintain a sense of exclusivity. This duality is a cornerstone of Street Pop Art, which often seeks to challenge established ideas about art and its audience. KAWS' choice to present the skeletal figure in a cutout format also pays homage to the DIY ethos of street art, where artists often create work with whatever materials and means are available. This approachability and inventiveness are critical aspects of what makes Graffiti Artwork resonate with a broad audience. It speaks to the ingenuity and resourcefulness often required in urban environments. Impact of KAWS' Work on the Art Market The art market's reception of KAWS' pieces, like the "Skeleton Board Cutout Ornament," reflects the shifting dynamics of what is considered valuable and collectible art. As street artists gain prominence in art, works that would have once been dismissed as mere novelties are now revered as important cultural artifacts. KAWS has played a significant role in this transformation through its strategic releases and partnerships. The "Skeleton Board Cutout Ornament" is not just a print; it is a statement on the permeability of art genres and the breaking down of barriers between high art and popular culture. It exemplifies how Street Pop Art can convey deep themes under the guise of simplicity and how an artist like KAWS can continue to influence and redefine the boundaries of contemporary art. Through such works, KAWS has cemented his place in the pantheon of artists who have successfully bridged the worlds of street art and fine art, thus enriching the narrative of both fields.

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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