Ixtli- Hot Foil Hand-Pulled Limited Edition 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Saner Rare Street Art Famous Pop Artwork Artist. 2022 Signed 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 18 x 24 Inches Release: January 17, 2022 Run of: 25

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Queen of Clubs Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Philip Lumbang Graffiti Street Artist Modern Pop Art.

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Cut it Up Do it Yourself 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 550 Print Size 18x24 May 8, 2018 "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey

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The Shot Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork. - McFly

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Skrillex NY Takeover 4- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex, Spank Rock, and Zane Lowe at Roseland Ballroom Poster features "E" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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Bureau of Public Works Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Shepard Fairey is a renowned contemporary street artist, graphic designer, and activist known for his thought-provoking and often politically charged artwork. Born Frank Shepard Fairey in 1970, he first gained notoriety in the late 1980s with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant phenomenon. Fairey is also known for creating the iconic "HOPE" poster for Barack Obama's 2008 presidential campaign. The Bureau of Public Works Silkscreen Print is a piece of artwork by Shepard Fairey that likely showcases his signature style, which includes bold colors, impactful typography, and propaganda-inspired imagery. In his work, Fairey frequently combines elements from different cultural and artistic movements, such as constructivism, pop art, and graffiti, to create visually striking pieces that also deliver a strong social or political message. It is important to note that Fairey's silkscreen prints are typically produced in limited editions, making them highly sought-after collectibles. Owning a print like the Bureau of Public Works Silkscreen Print by Shepard Fairey - OBEY means owning a piece of contemporary art history, as well as supporting the work of an influential artist who uses his platform to raise awareness about important issues. As a collector or an enthusiast, it's essential to verify the authenticity of the print before purchasing, as forgeries have been known to appear in the market. When acquiring a Shepard Fairey print, look for an artist's signature, edition number, and any accompanying documentation that verifies its provenance.

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Tenochtitlan- Hot Foil Hand-Pulled Limited Edition 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Saner Rare Street Art Famous Pop Artwork Artist. 2022 Signed 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 18 x 24 Inches Release: January 17, 2022 Run of: 25

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Snake Bottle OG- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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Vogue- Black Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Stinkfish Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Vogue by Stinkfish Screen Print Edition of 60 | Signed by the Artist Size: 18" x 24" City: Bogata, Colombia. The first release was based on a Spanish language magazine Stinkfish had found - the second is based on an English language magazine they had found for him. His lively detailing abstract redefines the glamor and beauty of Kate Moss. Stinkfish and the Evolution of Street Pop Art The Colombian street artist, Stinkfish has carved a unique space for himself in contemporary art. His works, often characterized by vibrant colors and intricate stencils, reflect the dynamic energy of street culture. One of his notable contributions to the art world is a limited edition silkscreen print on fine art paper titled "Vogue," a work that seamlessly blends street art's rawness with pop culture's polished aesthetics. This particular piece from Stinkfish pays homage to the iconography of fashion magazines, explicitly drawing inspiration from a Vogue cover. It's a rare street art piece that elevates the familiar image of a fashion model to a work of famous pop artwork. Created in 2015, this signed and numbered screen print is part of an exclusive series, with only 60 editions made available, each measuring 18" x 24". The art was conceptualized in Bogota, Colombia, and it represents a significant departure from Stinkfish's often more spontaneously created public murals. The Artistic Process Behind Stinkfish's "Vogue" The "Vogue" silkscreen print by Stinkfish is particularly notable for its process and backstory. The inception of the artwork is rooted in the discovery of a Spanish-language magazine that caught the artist's eye. Later, a second iteration was based on an English language magazine provided for him, suggesting a narrative that spans cultures and languages. This cross-cultural journey is central to understanding the piece, reflecting the globalized nature of both street art and fashion. The artwork showcases Stinkfish's signature style, with intricate black patterns overlaying the photograph, transforming the image into something more abstract and lively. The patterns vibrate with life, giving the piece a kinetic energy that redefines the glamour and beauty associated with the fashion model, reportedly Kate Moss. Stinkfish's work disrupts the conventional portrayal of fashion figures, infusing them with a rebellious and celebratory spirit. Impact and Significance of "Vogue" in Street Pop Art "Vogue" is a testament to street pop art's transformative power. Stinkfish's approach to the piece—taking a symbol of high culture and reinterpreting it through the lens of street art—challenges perceptions of value and beauty in the art world. By incorporating elements of graffiti artwork, the print becomes a commentary on the permeable boundaries between high and low culture, between the exclusive elite of fashion and the inclusive, democratic nature of street art. The limited edition nature of "Vogue" also speaks to the changing landscape of art collection. Traditionally, street art is ephemeral, often illegal, and created in the public eye. By transferring his work onto fine art paper and limiting its production, Stinkfish bridges the gap between the fleeting nature of street art and the permanence sought by collectors. This rare edition allows for broader access to his work and elevates the status of street art within the fine art market. Stinkfish's "Vogue": A Cultural Intersection Stinkfish's "Vogue" silkscreen print is much more than a collectible piece of art; it is a cultural artifact that embodies the intersection of diverse artistic worlds. It encapsulates the essence of street pop art and graffiti artwork while respecting the polished world of fashion. This print is not merely a representation of a fashion icon but a redefined image that challenges the viewer to see beyond the surface and appreciate street art's underlying vibrancy and complexity. As such, "Vogue" by Stinkfish is a significant contribution to the discourse on the value and place of street art in contemporary culture.

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Hand Cut Alphabet Lime Green Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 20 Artwork Size 18x24

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Here & Now Tea Stained Serigraph Print by Cryptik Limited Edition Hand Pulled Artwork on Cotton Fine Art Paper Modern Street Graffiti Pop Artist. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 "The past no longer is, the future is not yet here; there is only one moment in which life is available, and that is the present.." ~ Thich Nhat Hanh Exploring the "Here & Now" Tea Stained Serigraph by Cryptik In the bustling milieu of modern street graffiti pop art, Cryptik stands out with his work, which resonates with a spiritual stillness. His "Here & Now" Tea Stained Serigraph Print, a 2024 release, is a meditative limited edition hand-pulled artwork on cotton fine art paper. The artist's signature and numbering suggest a contemplation of scarcity and value, with only 75 pieces available worldwide, each with a dimension of 18x24 inches. Cryptik's Calligraphy: A Dance of Elegance and Meaning Cryptik's mastery of calligraphy transcends mere artistry; it is a lexicon of more profound truths. Each stroke and curve in this piece draws from the vast reservoirs of Eastern philosophies, melding them seamlessly with street art's raw, expressive energy. The tea staining process adds an aged, almost antique quality to the work, reminiscent of ancient manuscripts and scriptures, reinforcing the timeless wisdom in Thich Nhat Hanh's words about the present moment's singularity. The "Here & Now" Print: A Canvas of Temporality and Timelessness Each serigraph in the "Here & Now" series is a unique testament to the artist's handiwork, reminiscent of the personalized strokes of traditional brushwork. Cryptik's approach transforms the act of viewing into an act of reflecting, urging the observer to dwell on the fleeting and eternal moment. This intersection of the now with the everlasting is a hallmark of Cryptik's artistic philosophy and is a golden thread that runs through the fabric of his creations. Symbolism in Cryptik's Art Beyond its visual appeal, Cryptik's serigraph print is a conduit for potent symbology. The intricate and flowing characters are more than text—they are symbols that embody the vibrations of sacred mantras and the silent echoes of meditation. Through this artwork, Cryptik harnesses the very essence of Street Pop Art & Graffiti Artwork, which often charges the public space with private introspections, offering each onlooker a personal rendezvous with the divine. Indeed, Cryptik's work does not merely hang on a wall—it lives and breathes with the viewer's consciousness. "Here & Now" is not a static piece but a dynamic interaction, a mirror reflecting the interior worlds of those who engage with it. The tea-stained backdrop, the gold-foil embellishments, and the depth of the black ink all converge to celebrate the present as a canvas of infinite possibilities. In sum, Cryptik's "Here & Now" is more than art—it's a philosophy rendered in visual form. It serves as a reminder of the impermanence of our experiences and the permanence of the wisdom we glean from them. The limited edition nature of the serigraph underscores the unique chance each person has to encounter the now, providing a space for meditation amidst the chaos of contemporary life. This piece encapsulates the transformative potential of Street Pop Art & Graffiti Artwork, asserting that within each fleeting moment lies the potential for timeless insight.

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Useless Idiot- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Size: 18 x 24 Date: 2019 Condition: NEW Artist: Cleon Peterson Hand-pulled black & red screen prints. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited Edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 80 Artwork Size 18x24 Political Democrat Silkscreen Print of Woman on a Horse Holding US Flag. Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print The Vote Keep Hope & Freedom Alive Black & Gold Silkscreen Print by Cleon Peterson represents a compelling example of Street Pop Art and Graffiti Artwork, merging political activism with striking visual design. Created in 2024, this piece is a limited edition, with only 80 signed and numbered prints, making it a coveted item for collectors. The print measures 18x24 inches and is produced on 290gsm Coventry Rag Fine Art Paper with hand-deckled edges, showcasing exceptional craftsmanship. The gold and black color scheme elevates its bold design, adding a sense of elegance and prominence to the artwork’s powerful message of hope and freedom. The Signature Style of Cleon Peterson Cleon Peterson, born in 1973 in the United States, is an artist known for his stark and impactful visual language. His art explores themes of conflict, resistance, and social power, often depicted through bold compositions and limited palettes. The Vote Keep Hope & Freedom Alive Black & Gold print features a central figure of a woman riding a horse, holding the American flag high, symbolizing resilience and determination. The use of gold in the design represents triumph and glory, while the black provides a grounding, dramatic contrast. This dynamic composition exemplifies Peterson’s ability to merge political commentary with aesthetically striking imagery. The Role of Street Pop Art and Graffiti Artwork in Political Activism Street Pop Art and Graffiti Artwork have historically served as vehicles for political expression, making them highly relevant in today’s cultural and social landscape. This print captures the spirit of democratic engagement, urging viewers to reflect on their roles as active participants in shaping the future. The woman on horseback, a recurring symbol of power and leadership, is rendered with clean lines and minimal details, ensuring the focus remains on the symbolism of action and movement. The gold accents bring an air of celebration, reinforcing the idea that voting is both a privilege and a responsibility. Craftsmanship and Limited Editions The hand-deckled 290gsm Coventry Rag Fine Art Paper adds a tangible sense of quality to the print, underscoring its status as a collector’s item. Limited to only 80 signed and numbered pieces, this artwork carries a sense of exclusivity while amplifying its political message. By blending the aesthetics of fine art with the accessibility of street and pop culture influences, Peterson bridges artistic worlds. His use of silkscreen techniques recalls the traditions of Pop Art while embracing the raw, urban energy associated with graffiti and street art, ensuring this piece resonates with contemporary audiences. This limited edition serves as both a visual statement and a call to action, embodying hope and freedom through the lens of modern art.

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Tornado Towers of Mankato Minn Silkscreen Print by Dan Black of Landland Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 95 Artwork Size 18x24 Silkscreen Print Tornado Towers of Mankato Minn Silkscreen Print by Dan Black of Landland Dan Black of Landland is known for creating immersive, intricate works that depict surreal yet deeply familiar landscapes. The Tornado Towers of Mankato, Minn Silkscreen Print, a hand-pulled, limited edition screenprint, is an example of his masterful approach to architectural illustration within street pop art & graffiti artwork. Released in 2013 as part of a signed and numbered edition of 95, this 18x24-inch screenprint captures a fascinating fictionalized interpretation of the Tornado Towers, a structure that may never have existed in reality but is presented with such meticulous detail that it feels entirely plausible. The composition of this print merges industrial frameworks with trailer homes, stacked and structured into multi-level towers that appear precarious yet methodically arranged. This urban-meets-rural juxtaposition is a recurring theme in Dan Black’s work, where he blurs the line between documentary and speculative architecture. The muted color palette of earthy browns, industrial greys, and faded greens gives the piece a sense of nostalgia, decay, and resilience, reinforcing its conceptual weight. Architectural Exploration in Street Pop Art & Graffiti Artwork Dan Black’s work within street pop art & graffiti artwork often explores the structures, spaces, and forgotten elements of urban environments. Rather than focusing on traditional graffiti-style abstraction or bold color blocks, he meticulously illustrates structures in precise line work, almost resembling blueprints of forgotten places. Tornado Towers of Mankato, Minn embodies this practice by depicting a fantastical but methodically designed urban relic, where trailer homes are elevated into multi-story dwellings, seemingly built to withstand the harsh realities of their environment. His work carries an aesthetic that feels at home in DIY punk culture, zine artwork, and urban exploration, presenting imagined landscapes that reflect real-life tensions between permanence and transience. These stacked trailer towers, held together by steel frameworks and staircases, symbolize adaptation, improvisation, and survival, common themes in graffiti and pop culture street art movements. Traditional Printmaking Techniques and the Handmade Appeal A defining characteristic of this limited edition silkscreen print is its hand-pulled craftsmanship. Unlike mass-produced digital prints, Dan Black and Landland embrace manual printmaking methods, layering colors carefully through silkscreen techniques. This dedication to traditional printmaking brings a textural depth to the piece, ensuring that each print maintains subtle variations, making every copy slightly unique. Hand-pulled silkscreen prints hold a significant place in street pop art & graffiti artwork, as the technique is deeply rooted in DIY culture, underground gig posters, and independent print shops. By using limited color palettes and meticulous layering, artists like Dan Black create works that possess an authenticity not found in digitally produced reproductions. The physicality of the ink, the imperfections in the press, and the labor-intensive process add to the value and collectibility of this print. The Concept of Memory and Place in Landland’s Work A significant aspect of Dan Black’s work is his ability to construct narratives around places that may or may not exist. The Tornado Towers of Mankato, Minn speaks to a mythical architectural anomaly, a structure that feels deeply ingrained in the landscape but also eerily fabricated. His re-imagined geography, often based on midwestern towns, abandoned buildings, and obscure roadside structures, gives his work a dreamlike but documentary quality, making viewers question whether they have encountered these places before. This piece, like many of Landland’s works, exists as a visual echo of forgotten spaces, turning something as ordinary as a trailer park into a multi-leveled, gravity-defying metropolis. It reflects themes of improvisation, human resilience, and how people create homes in the most unexpected ways, making it a fascinating addition to the world of street pop art & graffiti artwork.

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Hand Cut Alphabet Gray Black Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 20 Artwork Size 18x24

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Banned 1s 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Eric Pagsanjan Rare Street Art Famous Pop Artwork Artist. Banned 1s by Eric Pagsanjan | SneakerHeroes x Quiccs 4 Color Screen Print Edition of 88, Signed and Numbered by Artist Size: 18" x 24" "Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Anatomy of an Awesome Bear HPM #4 Limited Edition Hand-Embellished Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art. Hand-Painted Multiple Panda Bear Dissection.

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Mutant Vinyl Hardcore 7-Color Hand-Pulled Limited Edition Silkscreen Print on Cream-Colored French Paper by Scarecrowoven Macabre Art Pop Artwork Artist. Printed on cold-press watercolor paper signed and numbered edition of 50. 18x24

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The Black Stallion Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Nicolas Delort Graffiti Street Artist Modern Pop Art. Screen print. Hand numbered.

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Nightmare on Elm St- Midnight Evil 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Brian Ewing Rare Street Art Famous Pop Artwork Artist. 2021 Midnight Evil Edition of 50 Signed and Numbered

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Take Me Now Black & White Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 18x18 Silkscreen Print. A Striking Vision of Raw Power Cleon Peterson is an American artist widely known for depicting tense confrontations and stark imagery that highlight conflict between figures. This black and white silkscreen print titled Take Me Now showcases his signature style of sharp contrasts, bold silhouettes, and dramatic tension. The artwork features two imposing figures locked in a dynamic struggle, emphasizing a sense of intensity that draws the eye to the violent clash of bodies. Printed on hand deckled 290gsm Coventry Rag Fine Art Paper, this piece reveals Peterson's unmistakable ability to convey visceral emotions through minimal yet forceful contours. Viewers often recognize the influence of Street Pop Art & Graffiti Artwork in Peterson's deliberate choice of a monochromatic color palette and deliberately simplistic forms that channel raw energy into a vivid visual narrative. Captivating Themes and Masterful Execution Take Me Now presents complex themes rooted in aggression, dominance, and survival. The tension in the composition captures a fleeting instant where one figure appears poised to strike, while the other fights against subjugation. Peterson's silhouettes feel like timeless symbols of chaotic struggles that echo throughout human history. The absence of intricate facial details concentrates attention on posture and shape, highlighting the universal aspect of conflict. The stark black and white contrasts enhance the piece's timeless quality, offering a minimalist yet powerful aesthetic. Collectors and enthusiasts admire how Peterson employs a combination of fine art techniques and references to Street Pop Art & Graffiti Artwork, creating a style that feels both raw and refined. Collectible Limited Edition Artwork This 2024 signed and numbered work comes in a limited edition of 100, underscoring its exclusivity and collectible nature. Measuring 18x18 inches, the print delivers a substantial presence on any wall. Cleon Peterson's use of archival-quality, hand deckled 290gsm Coventry Rag Fine Art Paper ensures durability and a refined texture that pairs well with his bold graphic designs. The subtle deckled edges convey an artisanal quality, reminding viewers that each print is meticulously produced. Serious art collectors often seek out Peterson's pieces for their ability to fuse contemporary influences with a timeless, almost mythological essence of confrontation and conflict. Resonance in Street Pop Art & Graffiti Artwork Fans of Peterson appreciate how his work resonates with a lineage that includes Street Pop Art & Graffiti Artwork, forms that disrupted conventional gallery scenes with provocative visuals. His figures, stripped of superfluous detail, reflect a background where bold lines and strong contrast are common. Take Me Now channels elements of graffiti culture, where swift, decisive gestures define the style. At the same time, it carries the pop art notion of using stark, arresting imagery to communicate human turmoil. This collision of influences makes Peterson's art compelling for admirers of urban aesthetics and contemporary fine art alike. By merging aggression with elegance, Take Me Now exemplifies the power of a simple palette and unwavering lines to command attention, leaving observers with a lasting impression.

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Anatomy of an Awesome Bear Limited Edition Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art.

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Drive Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork.

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Interpretation Limited Edition Hand-Embellished Archival Pigment Prints, Spray Paint on 310gsm Fine Art Paper by Wane One Cod Graffiti Street Artist Modern Pop Art. "This piece was created solely for my 1xRun print release. It is part of an ongoing series called Rasta, (respect all subway transit artists). All of the pieces are painted on NYC subway maps.I painted on a 1972 New York City subway map because this version was the best-designed map in my opinion. Also, graffiti took to the city in the early ’70s and at that time went from the walls to subways. I painted a signature 'Wane' piece as it has a strong letter foundation which is what subway art is based on." - Wane One Cod

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Black Sabbath Silver Black Crescent Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2013 Signed & Numbered Limited Edition of 125 Artwork Size 18x24 Silkscreen Print of Metal Roc n' Roll Music Band Black Sabbath Featuring Ozzy Osbourne. "Black Sabbath has been one of my favorite bands for 25 years. I was fortunate to meet Jack Osbourne through my friend Big Dave in 2000. My relationship with Jack and Big Dave has led to several great Ozzy and Sabbath projects. One of my biggest “I’m not worthy!” moments occurred when Dave took me backstage to meet the Sabbath guys in 2004 at Ozzfest, and bassist and lyricist Geezer Butler was wearing an Obey shirt! Sabbath is still a phenomenal live band, and I’m incredibly honored to do my second(the first was in 2005) Sabbath/Obey tour poster. Sabbath released a great new record called “13” recently(produced by Rick Rubin) and are touring in support of the album." -Shepard Fairey- OBEY. Shepard Fairey's Interpretation of Black Sabbath's Legacy In 2013, Fairey, inspired by Black Sabbath's influence on his life and art, created a limited edition silkscreen print to commemorate the band's U.S.A. tour. This signed and numbered edition, limited to 125 pieces and sized at 18x24 inches, became an emblem of Black Sabbath's enduring impact on rock music and a collectible piece of street pop art. The artwork, hand-pulled on cream speckletone fine art paper, features iconic Black Sabbath symbols, such as the cross and the winged disc, alongside Fairey's signature style, which often includes elements like the star and the stylized imagery of the eye. The fusion of street pop art with music often manifests in gig posters, a medium that Shepard Fairey, known widely for his OBEY brand, has mastered with a distinctive style that resonates deeply within the pop culture landscape. His work for the iconic metal rock n' roll music band Black Sabbath, particularly the silver and black crescent silkscreen print, encapsulates the essence of the artist's and the band's legacies. The significance of Fairey's Black Sabbath artwork lies in its ability to bridge music's auditory experience with art's visual stimulus. The print does not merely represent the band; it evokes the rebellious spirit of Black Sabbath's music, the dark and mystical themes they explore, and the cultural movement they spearheaded within the heavy metal genre. Fairey's artistic trademarks, such as the word 'obey,' infuses the piece with a sense of authority and provocation that complements the band's ethos. Collectibility and Influence in the Art World Fairey's anecdote about meeting the band and finding Geezer Butler wearing an OBEY shirt is a testament to the reciprocal influence between artist and musician. It underlines how street pop art and music often come full circle, with artists influencing musicians and vice versa. The print is a celebration of the band's return with the album "13" and a nod to the historical relationship between the artist and Black Sabbath. It is this narrative that imbues the artwork with a personal touch, making it a profound statement within the realms of both pop culture and street art. As a collectible, the Black Sabbath silkscreen print by Shepard Fairey stands at the intersection of music memorabilia and fine art. Its scarcity and the reputation of its creator heighten its value not only in monetary terms but also as a cultural artifact. Collectors and fans seek such pieces for their aesthetic appeal and their ability to capture a moment in history, a period where music and street pop art intertwine to create a tangible representation of a musical era. In the broader spectrum of street pop art and graffiti artwork, Shepard Fairey's Black Sabbath print represents the genre's potential to transcend the streets and enter into the world of high art and collector's items. The piece, with its intricate design work and deep cultural connections, stands as a testament to the power of visual art to celebrate and immortalize the spirit of music.

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ASVP Figure No 11 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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Obey Radical Peace- Blue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Tupac Pennant 1-Color Limited Edition 1-Color Silkscreen on Cloth Felt with Fringe Tapestry Artwork by Graffiti Artist Mike Giant Art. MIKE GIANT Tupac Pennant, 2021 1-Color Screen Print on Felt with Fringe 18 x 24 in (45.7 x 60.9 cm) Edition of 50, w/ Signed COA World-famous tattoo artist Mike Giant honed his chops in New Mexico on a steady diet of graffiti, heavy metal, punk rock, BMX biking, skateboarding, and hip hop. His black and white works now walk the world in the form of tattoos, paintings, photography, fine art prints, streetwear and more.

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Baby Face Limited Edition 6-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Albatross- Silver Limited Edition 6-Color Hand-Pulled Metallic Ink Silkscreen Print on 100lb Cougar Cover White Paper by Ken Taylor Graffiti Street Artist Modern Pop Art. Melbourne-based Illustrator & Designer Ken Taylor works primarily within the music industry and is predominantly well known for his striking rock posters. Ken started in Perth Western Australia doing posters and album artwork for local bands. In 2001 He moved to Melbourne and slowly started to create a name for himself within Melbourne's music scene. In 2006 he went out on his own and started to work full time on music-based artwork. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Untitled Pointman & Vick Silkscreen Print by Verdy x Futura 2000- Leonard McGurr Hand-Pulled on Deckled Mohawk Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 40 Artwork Size 18x24  Silkscreen Print Stylized Vick Panda Rabbit holding a Pointman Sci Fi Creature in Red, Black & White. Verdy x Futura 2000: A Dynamic Dialogue in Street Pop Art & Graffiti Artwork The 2025 limited edition silkscreen print titled Untitled Pointman & Vick is a highly collectible collaboration between two titans of Street Pop Art & Graffiti Artwork—Verdy and Leonard McGurr, also known as Futura 2000. This hand-pulled 18x24 inch artwork, limited to only 40 signed and numbered editions, brings together two iconic characters born from very different visual traditions: Verdy’s Vick, a panda-rabbit hybrid pulsing with urban cuteness and punk energy, and Futura’s Pointman, an angular, sci-fi inspired alien form that has long represented the artist’s abstract evolution of graffiti since the 1980s. The synergy of these two figures positioned together on a stark white canvas creates a striking and unmistakable visual statement. Character Fusion: From Tokyo Subculture to NYC Futurism Verdy’s Vick, a staple of Japanese youth culture and streetwear, is rendered with bold lines, minimalism, and emotional defiance. Often seen in his works tied to Girls Don’t Cry and Wasted Youth, the Vick figure represents innocence crossed with resistance, captured here with expressive posture and his recognizable spiked hair and long ears. In this piece, Vick stands confidently while clutching Futura’s Pointman—a creature that has become emblematic of space-age graffiti abstraction. The Pointman figure, often portrayed as detached and observing, now appears anthropomorphized yet held in a position of connection, suggesting creative control, reverence, or even confrontation. Leonard McGurr, born in the United States, redefined graffiti art with his experimental use of shapes, negative space, and conceptual narrative. His Pointman character broke away from traditional lettering and tags, opting instead for a visual language that combined comic book energy, cosmic theory, and social metaphor. This character now enters Verdy’s minimalist playground, blurring lines between eras and aesthetics. Minimalist Form with Maximum Impact Printed in red, black, and white, the silkscreen’s visual economy amplifies the tension and harmony between the two characters. The limited palette makes the composition pop with clarity, a visual nod to both vintage animation and punk zine graphics. Each line is deliberate. Each shape speaks volumes. The exaggerated proportions and surreal character styling are a testament to both artists’ skill in balancing humor, symbolism, and subculture in visual form. The work functions as a mirror of mutual respect between two worlds—Verdy’s Japanese design-driven storytelling and Futura’s American avant-garde rebellion. A Collectible Print for the Global Art Vanguard As a signed and numbered edition of just 40, this 18x24 inch silkscreen print is a rare artifact that ties two global artistic forces into a single unified piece. It represents more than just collaboration—it embodies cross-generational momentum in street pop and graffiti art. Fans and collectors of either artist will immediately recognize the cultural and historical significance embedded in the composition. Verdy and Futura 2000 have together constructed a moment that celebrates character-based iconography as legitimate, emotional, and deeply impactful contemporary art. This print is not just a visual work—it is a document of two worlds shaking hands through their art.

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Obey Radical Peace- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Skrillex NY Takeover 5- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex, Skream & Benga, Koan Sound, and Tokimonsta at Termina 5 Poster features "X" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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Nets Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork. - McFly

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Obey Conformity Trance- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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New Breed Chief- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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King Conan- Gold Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Patrick Connan Graffiti Street Artist Modern Pop Art. Only 4 made! 5 Color Screen Print (including metallic Gold inks) AP Artist Proof Edition 18" x 24" Signed & Numbered

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Nosferatu Limited Edition 1-Color Hand-Pulled Glow-In-The-Dark Silkscreen Print on Fine Art Paper by Pop Artist Jacob Borshard. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Nosferatu is 18×24, Glow-In-The-Dark, hand-printed, and is signed and numbered in an edition of 100.

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Yaqui Day of the Dead Copper & Silver Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Ernesto Yerena Montejano's "Yaqui Day of the Dead Copper & Silver Hand-Pulled Silkscreen Print on Fine Art Paper" is an epitome of the fine fusion between cultural representation and modern artistic techniques. The 2019 release is a signed and numbered limited edition, with only 300 prints made available to the public, each measuring 18x24 inches. This piece, like many of Montejano's works, is a testament to the vivid amalgamation of traditional Latino symbols with contemporary art forms like pop, street, and graffiti art. Montejano, who identifies under the moniker 'Hecho Con Ganas', which translates to "Made with Will/Desire," brings forth an intentional depth and pride in his Latino heritage. The piece, illustrating the Yaqui Day of the Dead, captures the essence of a cultural ritual that celebrates the memories of the deceased, a theme which resonates deeply with Latino communities. The choice of copper and silver tones in the silkscreen print adds to the richness of the artwork, giving it a vintage yet timeless appeal. While many view street art or graffiti as ephemeral, the permanence of a hand-pulled silkscreen print like this allows for the preservation and continuation of cultural narratives. This piece, with its intricate details and impeccable technique, stands as a testament not just to Montejano's skill as an artist but also to his commitment to representing, celebrating, and forwarding Latino culture in the world of contemporary art. Montejano's choice of media, combined with the gravitas of the subject matter, ensures that this artwork remains etched in the annals of pop and street art history.

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Obey Wario, Destroy Mario 1-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 50 Artwork Size 18x18 Subversion in Pop Art Nate Duval's "Obey Wario, Destroy Mario" is a compelling silkscreen print that embodies the rebellious and satirical undertones of street pop art and graffiti artwork. This 2012 signed limited edition of 50, each measuring 18x18 inches, portrays the iconic antihero Wario in a style reminiscent of Shepard Fairey's "Obey" campaign, cleverly subverting mainstream pop culture and video game iconography. In "Obey Wario, Destroy Mario," Duval takes a familiar character from the beloved Mario franchise and flips the script, presenting Wario as a character in a game and as a symbol of counter-culture resistance. By appropriating the visual language of Fairey's work, which is itself a comment on propaganda and control, Duval challenges the viewer's perception of villains and heroes, suggesting a more complex narrative behind these characters. This piece is a vibrant example of how pop art continually evolves, drawing from diverse elements of culture to create new meanings and dialogues. Technique and Limited Edition Value The one-color silkscreen technique used by Duval in this artwork is a nod to the DIY ethos of street art, where simplicity and message converge to make a powerful statement. The stark black-and-white design accentuates Wario's mischievous persona, encapsulating the essence of graffiti's bold and direct approach to communication. The limited edition status of "Obey Wario, Destroy Mario" elevates its desirability. It offers an exclusive piece of Duval's thought-provoking art that is as much a collectible as a conversation starter. In contemporary art, "Obey Wario, Destroy Mario" by Nate Duval is a prime example of the intersection between the playful and the profound that characterizes Street Pop Art and graffiti Artwork. It is a testament to the power of visual art to reinterpret and critique cultural narratives, using the canvas as a battleground for ideas and ideologies. Duval's work continues to inspire and challenge, cementing his place as a significant voice in the narrative of modern pop and street art.

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The Godfather Limited Edition Giclee Print on Fine Art Paper by Marie Bergeron counter-culture street artist art. Based on Francis Ford Coppola's all-time classic - The Godfather. Exhibited at Hero Complex Gallery in LA for "A Life of Crime" show. Winner at the Cannes Film Festival / Film Doo alternative movie poster contest.

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Octo Girl Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Obey Radical Peace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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Ganas Vaquero- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2010 Signed & Marked Limited Edition Artwork Size 18x24 Ganas Vaquero is an emblematic work of art by the esteemed Latino artist Ernesto Yerena Montejano. This piece is not merely a testament to Montejano's creative prowess but also offers a nuanced commentary on the wider cultural milieu. Evident from its title which translates to "Cowboy Desire", this hand-pulled silkscreen print encapsulates a compelling juxtaposition between traditionalism and modernity, inherent within Latino culture. Crafted meticulously on fine art paper, the print mirrors the tactile and aesthetic quality that Montejano's oeuvre is celebrated for. As part of the "Hecho Con Ganas" series, this artwork is a shining example of Limited Edition Art, created with a sense of purpose and passion. The fact that it’s an AP (Artist Proof) from 2010 makes it especially rare and sought after among art collectors and enthusiasts. An artist proof, historically, refers to a print made from a plate during the process to check the quality. They hold a special place in the heart of printmaking and are often more valuable than regular prints because of their limited numbers and the artist's direct involvement in their creation. Positioned at the crossroads of pop art, street art, and graffiti, Ganas Vaquero exemplifies Montejano's unique ability to intertwine varied art forms while staying rooted in his cultural identity. The size of the artwork, 18x24 inches, ensures it captures attention while also being adaptable to diverse display settings. The signature of the artist affirms its authenticity, and the marking as a limited edition piece solidifies its exclusive status. Montejano's work thus doesn’t just serve as a representation of Latino heritage, but as a dialogue between global art forms, cultural identities, and individual creativity.

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SAMO©...Reclining on a Car Seat, West Broadway, 1978 Archival Pigment Fine Art Limited Edition Print on 310gsm Hahnemühle William Turner Matte Fine Art Paper by Modern Pop Street Graffiti Artist Al Diaz. Al Diaz "SAMO©...Reclining on a Car Seat, West Broadway, 1978" - Limited Edition of 25 - 18 x 24" SAMO©...RECLINING ON A CAR SEAT, WEST BROADWAY, 1978 • Autographed archival pigment print • Printed on Hahnemühle William Turner matte fine art paper, 310 GSM • Custom hand-torn deckled edges • Hand-varnished • 18 x 24 inches Hand-signed, numbered and dated in ink by Al Díaz in a limited edition of 25 • With additional "WE WERE SAMO©..." ink inscription

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