Rest Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Tran Nguyen Modern Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 20x20 Archival Print Tran Nguyen, an artist renowned in the spheres of modern, pop, and street art, offers a mesmerizing visual experience with "Rest." Crafted in 2019, this piece encapsulates the haunting beauty and intricate detailing for which Nguyen is celebrated. The artwork showcases a juxtaposition of life and mortality, symbolized by the ethereal figure of a woman and a skeletal figure, both enveloped in a tapestry of flowing hair and ornate patterns. The vivid contrasts of dark backgrounds against the pale, luminescent skin of the woman, and the opulent greens evoke emotions of serenity, contemplation, and the inexorable intertwining of life, death, and nature. The print, titled "Rest," stands as a testament to the prowess of archival pigment printing, known for capturing every nuance and stroke of the original masterpiece. Utilizing 290gsm Moab Entrada Paper, a medium revered for its ability to hold rich colors and provide an impeccable texture, the artwork promises longevity and a pristine visual appeal. Each piece, measuring a balanced 20x20 inches, becomes a statement of elegance and profundity, perfect for art aficionados and collectors alike. Further enhancing its allure, "Rest" is a limited edition offering, with only 50 prints available worldwide. Each of these prints is meticulously signed and numbered by Tran Nguyen, ensuring authenticity and exclusivity. The artwork serves as a sublime representation of Nguyen's artistry, where the realms of the real and the ethereal meld, provoking introspection about existence, beauty, and the transient nature of life.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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King Janky The 5.5 "General Janky’s Hot 'n Sweaty Wings" SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2020 Displayed With Box. The fifth-and-a-half heir to the throne likes his wings like he likes his flings – hot 'n sweaty! Includes sign, chili crown, milk carton, and plenty of saucy to go around.

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Cromie Stilettos Silkscreen Print by Faile Hand-Pulled 6-Color on Cotton Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 20 Artwork Size 27.56x39.37 Silkscreen Print of Punk Woman With Switch Blade Stiletto Knife. A compelling blend of vibrancy and edge, the Cromie Stilettos silkscreen print by Faile stands as a definitive representation of contemporary pop and street art. Created in 2023, this artwork is a hand-pulled 6-color print on high-quality cotton fine art paper, capturing the essence of modern aesthetics with traditional craftsmanship. The limited edition, with only 20 signed and numbered pieces available, measures 27.56x39.37 inches, making it a sizable statement piece for any art collector or enthusiast. The central imagery of a punk woman holding a switchblade stiletto knife is not just an arresting visual but also a powerful commentary. It resonates with themes of empowerment, rebellion, and the raw, unfiltered energy of urban life. The choice of colors, the intricate patterns, and the contrasting play of light and shadow showcase Faile's exceptional ability to weave complex narratives through visuals. The background, awash in vibrant hues and adorned with intricate motifs, adds layers of depth to the portrait, making the viewer pause and delve deeper into the story unfolding on the canvas. For those familiar with the realms of pop and street art, the Cromie Stilettos silkscreen print serves as a testament to the genre's evolution. It pushes boundaries, challenges conventions, and invites conversations. Faile's expertise in blending cultural motifs with contemporary themes ensures this artwork isn't just a visual treat but also a thought-provoking masterpiece.

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Pop Can- Yellow 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. 2019 Signed Limited Edition of 40 Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism. “In my experience, if you can make someone laugh you can make them think. I use humor in some of my works for this fact, to open the dialogue. I really don’t know why people buy my work but I am grateful to have fans and collectors that help perpetuate my career.

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C/S III 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P3 Unveiling the Essence of C/S III by OG Slick and Chaz Bojorquez C/S III emerges as a distinct piece in the collaborative series by OG Slick and Chaz Bojorquez, two luminaries in street pop art and graffiti artwork. This 9-color hand-pulled limited edition silkscreen print, set on a 250gsm Stonehenge White Fine Art Paper, embodies the spirit of Los Angeles' street art scene. 2016 marked the inception of this rare artwork, with each piece meticulously signed by OG Slick and Chaz Bojorquez and numbered P3 in a series limited to 150 editions. The painting serves as a visual spectacle and a narrative vessel, carrying the legacy of street art's evolution within its layers. OG Slick's hand in the collaboration is evident in the playful yet assertive cartoonish hands and the spray can that dominates the foreground of C/S III. This imagery, often associated with the rebellious nature of street art, becomes a symbol of the artist's roots in the graffiti movement and his adeptness at capturing the urban landscape's pulse. Slick's approach to street art embraces the pop culture influences of his time, reflecting a deep connection with the younger demographics and street art lovers who find familiarity in his visual language. Chaz Bojorquez's Contribution to the Visual Dialogue of C/S III Chaz Bojorquez contributes to C/S III with his iconic calligraphic touch, a feature that has become synonymous with his name. His style, deeply influenced by the Cholo graffiti culture, brings an intricate and flowing contrast to the stark boldness of Slick's figures. The backdrop of the print is a canvas of Bojorquez's signature lettering, which creates a visual depth and speaks to the historical roots of graffiti as a form of street-level communication. Bojorquez's work transcends the aesthetic, engaging with themes of cultural identity and social commentary and celebrating the often-underrepresented communities that form the backbone of urban street culture. The distressed pearl white finish of the print adds a layer of complexity, introducing a sense of age and resilience that mirrors the often-temporal nature of street art. This finish, combined with the premium Stonehenge White Fine Art Paper, imbues the piece with a sense of permanence and sophistication, allowing it to occupy a space that bridges the gap between ephemeral street expressions and enduring art collectibles. The Cultural Relevance of C/S III in Street and Pop Art C/S III holds a place of cultural relevance in street and pop art. As a limited edition piece, it reflects a moment in time when the raw energy of graffiti and the boldness of pop art converged through the hands of OG Slick and Chaz Bojorquez. The collaboration is a testament to the transformative power of street art, showcasing its ability to evolve while honoring its roots. Collectors and enthusiasts of the genre cherish the piece for its artistic merit and its representation of the dialogue between different eras and styles within street art. The impact of C/S III extends beyond its visual appeal, challenging traditional perceptions of art and its place within society. Through their joint efforts, OG Slick and Chaz Bojorquez invite audiences to explore the narratives embedded within urban landscapes, using the language of street pop art to communicate stories that are often overlooked. The limited edition nature of the print, its meticulous craftsmanship, and the prestige of the artists' signatures come together to cement C/S III as a significant work within contemporary art history. Legacy of C/S III and Its Artists The legacy of C/S III lies in its representation of a dynamic and ever-changing art form that remains intrinsically linked to the streets from which it originates. The collaboration between OG Slick and Chaz Bojorquez is a powerful reminder of street art's potential to influence and inspire. As a piece of rare street art, C/S III carries with it the stories, struggles, and triumphs of the communities that have shaped the genre, ensuring that the voices of the streets continue to echo within the halls of fine art.

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Trouble !! Ice Cube Silkscreen by Mark Drew Hand-Pulled 4-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 1425 Artwork Size 18x18 Snoopy Playing Basketball Sport in a Fade Thinking "Get Me On The Court An Im Trouble" The artwork "Trouble !! Ice Cube Silkscreen" by Mark Drew captures a playful and nostalgic sentiment through its striking visual language. This hand-pulled 4-color screen print on fine art paper is a testament to Drew's ability to blend pop culture with the tactile charm of street art. The limited edition piece, signed and numbered by the artist, presents a unique juxtaposition of Snoopy, the beloved canine from Charles Schulz's "Peanuts" comic strip, engaging in a game of basketball. The image of Snoopy poised to play, paired with the thought "Get Me On The Court An' I'm Trouble," offers a whimsical take on athletic prowess and determination. Crafted in 2022, the artwork measures 18x18 inches, showcasing Drew's skill in utilizing a bold and vibrant color palette that stands out in pop and street art. The screen printing process used by Drew allows each layer of color to be applied with precision, creating a crisp, clean image that is both modern and evocative of the classic street art style. The limited edition nature of this piece adds to its exclusivity and collectibility, making it a coveted item for enthusiasts of pop art, street art, and those who appreciate the crossovers between popular culture and fine art. Drew's work often explores themes of nostalgia, blending childhood icons with contemporary elements, and this piece is no exception. The playful energy of Snoopy as an athlete, combined with the urban aesthetic of graffiti art, reflects a cultural narrative that spans generations. It's a visual commentary on the influence of popular media on our collective consciousness, a celebration of how characters like Snoopy have shaped and been reshaped by artistic movements like pop art and street art. In the broader context of Mark Drew's portfolio, "Trouble !! Ice Cube Silkscreen" is a reflective and innovative creation. It embodies the fusion of various artistic expressions, from the simplicity and charm of comic strips to the raw vitality of street art. This artwork is not just a character representation; it is a cultural statement that resonates with a wide audience, capturing the spirit of a character well-loved for his adventures and now for his unexpected prowess on the basketball court.

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Anatomy of an Awesome Bear HPM #4 Limited Edition Hand-Embellished Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art. Hand-Painted Multiple Panda Bear Dissection.

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Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Warning Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Health Flammability Special Instability Hazard  Warning Label Uline S-724 Sticker.  Slap Up In Perfect Condition. Artistic Alchemy on Hazardous Grounds The transformation of ordinary objects into visual spectacles is a hallmark of Street Pop Art and Graffiti Artwork. In this vein, the "Health Hazards Slap-Up Label Sticker" by Saber, real name Ryan Weston Shook, from the United States, stands out as a captivating fusion of warning label iconography and graffiti artistry. Created in 2020, these pieces symbolize how graffiti artists repurpose everyday items, such as health flammability and particular instability hazard warning label stickers, to make bold statements through art. Saber's original permanent marker art drawings on these glossy arrow stickers testify to the genre's ingenuity and ability to imbue commonplace materials with new life and meaning. Symbolism and Significance in Saber's Work Saber's art on hazard warning stickers is particularly poignant. The stickers' inherent message of caution and danger is juxtaposed with Saber's tags' freeform and expressive nature. This contrast is not merely aesthetic but symbolic, alluding perhaps to the inherent risks and hazards of graffiti creation. In the urban jungle, the graffiti artist is both a creator and a transgressor, and Saber's work captures this duality perfectly. The use of bright, contrasting colors over the hazard symbols does not obscure the warning but instead invites the viewer to reflect on the layers of meaning within the piece. Reflections of 2020 in Street Pop Art 2020 was not just another year in the annals of history but a turning point for societies worldwide. The original slap-up graffiti art tags on these health and hazard stickers by Saber reflect a year marked by global upheaval and a reevaluation of what is considered safe and dangerous. In his 4x4 marker-tagged creations, Saber captures the spirit of an era where the world grappled with health crises and societal instability. By signing each piece, Saber not only claims authorship but also anchors the artwork in time and place, offering a permanent marker — literally and figuratively — of a moment in time through the lens of Street Pop Art and Graffiti Artwork.

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Lovers Rock AP Artist Proof HPM Hand Finished Archival Print by Prefab77 Limited Edition Print on 350gsm Somerset Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2021 Signed & Marked AP Hand Finished Limited Edition Artwork Size 19.29x33.46 Archival Pigment Fine Art. The Signature Style of Prefab77 in "Lovers Rock AP Artist Proof HPM" The "Lovers Rock AP Artist Proof HPM" by Prefab77 is a striking piece of modern artwork that is a testament to the collective's ingenuity in Street Pop Art and graffiti Artwork. As an artist's proof, this particular print holds a special place in the production process, representing a trial piece used to judge the quality of the print run. This print, measuring 49 x 85 cm, is executed on 350gsm Somerset fine art paper, a high-quality medium chosen for its durability and ability to faithfully present the rich, archival pigment inks used in the print. This work is distinguished by its hand-finished elements, which ensure that each piece within the limited edition is unique. Hand-finishing, which can involve a range of techniques from painting to drawing, imbues the print with a one-of-a-kind character that sets it apart from standard reproductions. Prefab77's signature style, which seamlessly melds illustrative and typographic elements, is fully displayed in this artwork. Each print comes signed, stamped, and numbered, underscoring its authenticity and the personal touch of the artists. The visual language of "Lovers Rock AP Artist Proof HPM" is a cacophony of pop culture references, political statements, and bold graphic design. The piece's narrative comments on the intersection of love and rebellion, a recurring theme in Prefab77's body of work. The title, "Lovers Rock," could be seen as an allusion to the romantic yet defiant sub-genre of reggae, hinting at the fusion of softness and strength that characterizes the piece. Exploring the Depth of "Lovers Rock AP Artist Proof HPM" Beyond its surface aesthetics, "Lovers Rock AP Artist Proof HPM" delves into the complex interplay between pop iconography and gritty street motifs. The image central to this piece features a portrait overlaid with a collage of graphical elements, suggesting a multifaceted identity shaped by various cultural forces. This blending of styles reflects Prefab77's capacity to navigate different worlds, from the underground scenes of street art to the polished galleries of fine art. The artwork's compositional elements are reminiscent of the layering found in graffiti art, where messages and images are superimposed to create a rich tapestry of meaning. However, unlike the transient nature of street art, the archival quality of the pigments and paper used in "Lovers Rock AP Artist Proof HPM" ensures that the piece will endure, preserving the energy and message of the artwork for future generations. The choice of Somerset paper, known for its textured finish, adds a sensory layer to the work. The paper's tactile quality complements the print's visual complexity, making "Lovers Rock AP Artist Proof HPM" not just an artwork to be seen but one to be experienced. This sensory engagement is crucial to understanding the ethos behind Prefab77's creations — the desire to create immersive and evocative art. Cultural Impact and Legacy of "Lovers Rock AP Artist Proof HPM" As an influential work within the Street Pop Art and graffiti Artwork genre, "Lovers Rock AP Artist Proof HPM" has the potential to impact cultural narratives and the art community. Combining pop art's mass appeal with the raw authenticity of street art allows for a dialogue that transcends social and cultural barriers. Prefab77's commitment to producing limited edition prints ensures that each piece is a snapshot of the cultural zeitgeist, capturing the mood and movements of the times. The presence of an artist's proof in the market also serves as an educational tool, providing insight into the printmaking process and the value placed on each step leading to the final work. For collectors and enthusiasts, acquiring an artist's proof is a way to connect more deeply with the creative process, offering a glimpse into the artist's intent and the evolution of the artwork. "Lovers Rock AP Artist Proof HPM" is not just a piece of artwork but a cultural artifact representing the intersection of various art forms and influences. Prefab77's dedication to their craft and ability to constantly innovate within the Street Pop Art and graffiti Artwork space assures that their work, including this print, will be remembered as a significant contribution to the ongoing dialogue about the value and place of street art in contemporary society.

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Radioactive III Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Radioactive Symbol Warning Sticker by Graffiti Artist Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Radioactive Warning Label Uline S-13849 Sticker.  Slap Up In Perfect Condition. Radioactive  Expressions in Street Art In Street Pop Art and Graffiti Artwork, the "Radioactive III Slap-Up Label Sticker" series by Saber, legally known as Ryan Weston Shook, stands out as a profound commentary on the interplay between hazard and creativity. His 2020 series of original permanent marker art drawings on the quintessential yellow and black radioactive warning stickers transform these danger symbols into compelling pieces of modern street artwork. Each 4x4 piece, tagged with Saber's moniker on the Uline S-13849 sticker, carries the weight of its message through the juxtaposition of the universally known hazard symbol with the personal style of the graffiti artist. Confronting Perceptions with Tag Art The choice of the radioactive symbol, a globally recognized sign of lethal materials and the presence of unseen dangers, is intentional and provocative. Saber's tags across these stickers confront our perceptions of risk and the unseen forces that shape our world. By marking these warning labels with his art, Saber injects a human element into the conversation about the hazards surrounding us, both seen and unseen, tangible and intangible. The act of tagging these specific stickers is a bold statement, challenging the viewer to consider the potential for harm that exists not just in the physical realm but in the realm of ideas and expression. Saber's Artistic Legacy An American artist, Saber utilizes his work to provoke and challenge the status quo. His artistry on the "Radioactive III" stickers reflects his capacity to take warning symbols and transform them into symbols of identity and resistance. The series, signed and dated, is a testament to a year marked by global unrest and a reevaluation of what constitutes a threat to our collective well-being. Through his work, Saber raises questions about the role of art in a world that is increasingly aware of and responsive to the dangers it faces, be it environmental, political, or social. In each piece, Saber's signature style — bold, assertive, and unapologetic — captures the essence of street art's capacity to engage with its environment in a dialogue that is both critical and hopeful. The radioactive symbol, once a stark warning, becomes through Saber's intervention a canvas for exploring the boundaries of art and the power of an artist's touch to change how we see the world around us. As an active contributor to the graffiti and street art scene, Saber's work continues to resonate, ensuring that his voice and vision are as enduring as the radioactive elements his chosen canvases warn us about.

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Generative Mask Pink Original Acrylic Painting by Mysterious Al One of a Kind Artwork on Stretched Canvas Ready to Hang by Street Art Pop Artist. 2023 Signed Acrylic Spray Paint Mixed Media Painting Original Artwork Size 36x36. Mysterious Al used a AI to select the colors, the hand painted the artwork. "These two paintings were done together with me using an algorithm to choose the colours! It's the first time I've done this and it really worked." -Mysterious Al Exploring the Fusion of AI and Street Pop Art in Mysterious Al's Acrylic Paintings In the dynamic world of Street Pop Art, innovation is the pulsing heartbeat that keeps the genre thriving and expanding. Mysterious Al, a contemporary artist who has carved out a unique niche within this field, demonstrates this through his creative synergy of technology and traditional artistry. The artist's latest contribution to Street Pop Art is a striking acrylic painting titled "Generative Mask Pink," which stands out as a significant milestone in his artistic journey. Born in Australia, Mysterious Al has become synonymous with vibrant street art and is currently active, continually contributing to the evolving landscape of modern art. The Creative Process Behind "Generative Mask Pink" The creation of "Generative Mask Pink" marks a fascinating moment in the intersection of digital technology and human creativity. Mysterious Al has taken a novel approach by employing an algorithm to decide the palette for his artwork. The use of AI in art is not new; however, integrating AI in the color selection process while maintaining the manual craft of painting by hand introduces a compelling collaboration between artist and machine. This 2023 original artwork is a testament to the innovative spirit of Street Pop Art, where boundaries are pushed and new territories are explored. It features a one-of-a-kind canvas, measuring 36x36 inches, ready to adorn the walls of those who appreciate the blend of graffiti culture and technological advancement. The use of AI to select colors is more than a mere gimmick; it is a thoughtful strategy to incorporate a machine's impartial, sometimes unpredictable, choices into the inherently subjective process of art-making. This allows for a fresh perspective, one that is untainted by the artist's conscious and subconscious preferences. The result is a bold, unexpected composition that still bears the distinct touch of Mysterious Al's hand. The brushstrokes, the application of paint, and the final touches - are all human elements that bring warmth and life to the calculated coolness of an algorithm's decision. "Generative Mask Pink" is a Hallmark of Street Pop Art The "Generative Mask Pink" piece reflects the core attributes of Street Pop Art. This genre is characterized by its ability to take the pulse of contemporary culture, often bringing together high and low art forms in a democratic expression of creativity. Mysterious Al's work embodies this spirit through its accessibility and appeal. Street Pop Art is as much about the message and the medium as it is about the final image, and in this artwork, the process becomes a part of the narrative. In Street Pop Art and Graffiti Artwork, there is a profound appreciation for the raw, the spontaneous, and the gritty. Mysterious Al's painting, with its vibrant colors and abstract form, nods to these elements. The artwork does not strive for a pristine, polished look; instead, it celebrates the beauty in imperfection, the charm in asymmetry, and the power of intuition. It is a visual feast that pulls the observer into its depths, inviting them to decipher its story, origins, and meaning. To observe "Generative Mask Pink" is to experience a dialogue between the calculated and the instinctual. The shapes and patterns that emerge from the canvas are intentional and serendipitous, a manifestation of controlled randomness that only this collaboration between Mysterious Al and AI could achieve. The art stands not just as an object of aesthetic admiration but as a statement on the evolution of the creative process in the digital age. In a landscape where Street Pop Art continues to push against the traditional boundaries of what art can be, Mysterious Al's "Generative Mask Pink" is a vibrant example of this relentless drive for innovation. The artwork, with its roots in street culture and branches reaching into the digital heavens, symbolizes what happens when the past and the future converge in the hands of a skilled artist. It is, above all, a celebration of possibility – a showcase of what can happen when the barriers between technology and human creativity are not just crossed but dismantled entirely. In this piece, Mysterious Al reminds us that street pop art is not static; it is constantly in flux and influenced by the rhythms of our digital world. "Generative Mask Pink" is a snapshot of this moment in time, where algorithms can influence art, and artists can interpret algorithms. It is a compelling narrative, not only of color and form but of an era where the boundaries between the creator and the tool are forever blurred.

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Heist II Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Prefab77 . 2022 Numbered Limited Edition of 35 Skateboard Artwork Size 8x31.875

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Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

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The Greatest of All Time 3 Muhammad Ali x Sonny Liston Pop Street Artwork Limited Edition Giclee Print on Heavy Watercolor Paper by Modern Artist Alec Monopoly Brand. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 36x24

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Utopia Limited Edition 7-Color Hand-Pulled Silkscreen Print on 100% Coventry Cotton Paper 290gsm by Dave Kinsey Graffiti Street Artist Modern Pop Art. 7 color screen print Printed on 100% Coventry Cotton Paper 290gsm Signed: YESNIK / Numbered / Stamped Edition of 115 Size: 19 x 22 inches / 48.25 x 56 cm Year: 2018

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Skull Face 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by New Rule Collective Rare Street Art Famous Pop Artwork Artist.

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Jackpot- Yellow Limited Edition 4-Color Hand-Pulled Silkscreen Print on Die-Cut 290gsm Coventry Rag Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my childhood which are utilized to express myself.

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Remnants #6 Limited Edition Archival Pigment Print Art on Ceramic Plate Artwork by famous graffiti street artist Brandon Boyd. In his painting and drawings, Boyd reveals a personal, freeform, ambiguous kind of visual style that focuses on magic, serendipity, curiosity, and mystery. Describing his art-making process as a kind of “blissful, familiar trance,” Boyd’s works carry both the evidence of the beautiful chaos and the power of revealing the narratives inside of it.

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Mask I Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Prefab77 . 2022 Numbered Limited Edition of 35 Skateboard Artwork Size 8x31.875

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Cloud 9 Silkscreen Print by Trust iCON Hand-Pulled 2-Color Screen Print on 375gsm Lambeth Cartridge Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 23.62x23.62 Symbolism and Technique Behind Trust iCON's Cloud 9 The fusion of street art with refined silkscreen printing techniques has given rise to a new echelon of contemporary art, exemplified by Trust iCON's Cloud 9 Silkscreen Print. This hand-pulled 2-color screen print is a testament to the artist's adeptness and the evolving landscape of street pop art. Trust iCON, a name that resonates within the circles of modern street artists, has encapsulated the essence of pop culture with the stroke of street art's rebellious spirit in this limited edition artwork. This piece, confined to a hundred hand-numbered editions, echoes the scarcity and exclusivity that collectors crave. The artwork is rendered on 375gsm Lambeth Cartridge Paper, a material choice that speaks to the durability and quality inherent in fine art prints. Measuring 23.62x23.62 inches, the print commands presence, its dimensions offering a generous canvas for the artist's vision. Trust iCON's Cloud 9 is not merely a visual treat; it's a symbolic piece that harmonizes two distinct art forms—street art and silkscreen printing. The artwork features iconic cloud imagery, a motif often associated with euphoria and transcendence, juxtaposed with the gritty realism of urban life. It's a bold statement on the artist's interpretation of what it means to find joy and escapism in the concrete jungle of the cityscape. The technical prowess of creating a 2-color screen print cannot be understated. It requires the artist to plan and execute two screens, each laying down a specific color and part of the design. This process ensures that each color is vibrant and stands out, contributing to the overall impact of the piece. The hand-pulled nature of the print further adds a layer of authenticity and craftsmanship, as each print bears the unique touch of the artist's hand. Trust iCON's Contribution to the Street Pop Art & Graffiti Artwork Movement Trust iCON has firmly planted its feet in street pop art, a movement that merges pop art's focus on popular culture with street art's raw, unfiltered expression. This limited edition print is a testament to the artist's commitment to pushing the boundaries of street art when brought into the sphere of fine art printmaking. By signing and numbering each print, Trust iCON guarantees authenticity and elevates the piece from mere street art replication to a collectible work of art. This action reinforces the print's status within the art market while ensuring that each piece has a personal connection to the artist. The concept of limited edition prints holds a special place in pop and graffiti art. It allows the art to remain accessible to a broader audience while creating a sense of urgency and exclusivity among collectors. Trust iCON's decision to limit the Cloud 9 print run to 100 pieces fosters an environment of exclusivity and desirability, driving the narrative that these works are not just art pieces but investments that hold the potential to appreciate over time. Furthermore, limited editions democratize art ownership, offering a bridge between the often inaccessible original works and the mass-produced posters that lack the nuance of the original. By owning a limited edition print like Cloud 9, collectors engage with the art deeper, participating in the legacy of street pop art and graffiti artwork. Trust iCON's Cloud 9 Silkscreen Print embodies the spirit of street pop art and graffiti artwork. Its limited availability and the artist's signature mark it as a sought-after piece for collectors and enthusiasts alike. It is a vivid example of how traditional art techniques can blend with the dynamic energy of street art to create something truly unique and resonant with the times.

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Blokes Neon Acrylic LED Giclee Print by Futura 2000- Leonard McGurr Artwork Limited Edition Print Graffiti Pop Street Artist. 2023 Light Up LED Neon Print on Acrylic Plastic & COA Limited Edition of 100 Artwork Size 25x20 Includes Remote Welcome to the exclusive world of limited edition creations - this masterful LED neon sign is one of only 100 pieces worldwide. Each piece is unique, individually numbered, and comes accompanied by an officially sanctioned Certificate of Authenticity, guaranteeing the artwork's provenance and adding a further touch of exclusivity to the ownership experience. The artwork is a stunning amalgamation of abstract artistry and dazzling light. It stands as a testament to the artist's unique ability to tap into a realm of unexplored creative potential. Vivid hues of blue, yellow, red, white, and hot pink converge and diverge, creating a vibrant dance of color and form that is both hypnotic and exhilarating. Fluid lines weave across the sign, creating intricate patterns that confound, excite, and entrance in equal measure. Each piece, with its dimensions measuring 25 x 20 inches or 64 x 52 cm, serves as a doorway to a scintillating universe of artistic expression. It's an invitation to step beyond the confines of everyday reality and immerse oneself in a radiant spectacle of abstract brilliance. The result is a mesmerizing composition that breaks away from the traditional norms, offering viewers an immersive journey into a dazzling realm where art meets technology. Our LED neon artwork is not just about impressive visuals, it also speaks to sustainable practices. The energy-efficient tubing ensures that the artwork illuminates your space with minimal environmental impact. But it doesn't stop there; the printed backing proudly features Futura's artwork, adding yet another layer of depth and complexity to this remarkable piece. Designed to radiate beauty, this avant-garde piece not only brightens your living space but also stands as an illuminating testament to the intersection of modern technology and timeless artistry. Witness how it transforms an ordinary space into a vibrant art gallery, beckoning onlookers with its brilliant colors and hypnotic charm. Leonard McGurr, better known as Futura 2000, is a pioneering figure in the world of street art. He is particularly renowned for his unique ability to merge pop art, graffiti art, and street art, creating pieces that are visually striking and deeply emotive. One of his most compelling works is the "Blokes Neon Acrylic LED Giclee Print." This vibrant creation harmoniously blends the raw energy of street art with the polished aesthetics of gallery presentations. The piece itself boasts a riot of color, using neon acrylics that serve as a callback to the neon lights often associated with city life and urban culture. Its electrifying palette is magnified through the use of LED lighting, which is ingeniously incorporated into the Giclee print. The merging of the traditional printing method with modern technology is symbolic of Futura 2000's work - a seamless blend of old and new, tradition and innovation. The subject of the work, "Blokes," could be interpreted as a commentary on the everyday person's place within the vibrant, chaotic world that Futura 2000 portrays. Each figure is rendered in his signature abstract style, a nod to his graffiti roots, and the neon colors add a pop art twist, drawing in the viewer's attention. This piece, like many others by Futura 2000, explores the boundaries between high art and street art. It reaffirms his place in the art world as an artist unafraid to push boundaries and challenge conventions. The "Blokes Neon Acrylic LED Giclee Print" serves as a testament to Futura 2000's creativity and innovation, a luminous beacon within the realm of contemporary art.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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And Then Things Got Better- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Mike Brown/Putin Dog- Pirates Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Mike Brown/Putin Dog- Pirates

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Peace Bone Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 16x19 Silkscreen Print of a Skull & Its Grin. The realm of contemporary art has seen an evocative fusion of traditional art forms with urban and street art influences, resulting in masterpieces that resonate deeply with a modern audience. Among the notable contributors to this amalgam is Cleon Peterson, whose works are often distinguished by their dark themes, confronting aesthetics, and provocative imagery. "Peace Bone", a silkscreen print, stands testament to Peterson's mastery over the craft and his ability to merge pop art undertones with elements emblematic of street art. This magnificent piece has been meticulously crafted on a Hand Deckled 290gsm Coventry Rag Fine Art Paper, a material renowned for its premium quality and the subtleness it brings to artworks. It's no surprise that Peterson chose this medium, as it accentuates the intricate details, bringing depth and dynamism to the piece. Limited to just 75 pieces, each silkscreen print is signed and numbered, indicating its exclusivity and the artist's personal touch. With dimensions of 16x19 inches, the artwork predominantly showcases a skull and its evocative grin – a motif frequently seen in street art, representing various themes from rebellion, impermanence, to societal commentary. Such limited edition artworks not only enrich the collector's portfolio but also add an emblem of modern pop and street art history. As urban influences continue to permeate traditional art galleries and spaces, pieces like " Peace Gold" by Cleon Peterson reaffirm the powerful narrative that street and pop art bring to the global art discourse.

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Paint Mug With Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size XXX Matte Black & White Mug With Magic Marker Pencil & Pen Statue. "Paint Mug With Brushes" stands as a testament to the evolving world of pop art, street art, and graffiti art. The artwork is an original ceramic hand-painted sculpture by the renowned artist, Joshua Vides. Known for his unique approach to the street art scene, Vides has made a significant mark through his Shattered Dreams Series. This particular piece from 2023 is not just any art; it's an intimate expression of Vides' passion for blending the everyday with the extraordinary. The sculpture is crafted meticulously, emphasizing the artist's signature style. With matte black and white as its primary colors, it starkly represents the urban aesthetic that is so prevalent in graffiti art. The choice of these colors also denotes the raw and real emotions behind graffiti, emphasizing its honesty and candidness. Further, the ceramic piece brilliantly captures a mug accompanied by magic marker, pencil, and pen statues, signifying the tools of a graffiti artist. The choice of a mug – an everyday object – represents the everyday canvas of life that street artists choose to adorn. On the other hand, the brushes and markers symbolize the artist's arsenal, through which they breathe life into mundane spaces, transforming them into pieces of art. Signed and dated by Joshua Vides, this hand-made sculpture stands out as a one-of-a-kind testament to the enduring legacy of street art. It encapsulates the essence of graffiti as an art form, challenging conventional norms and proving that art is not just confined to canvases in galleries. Instead, art is everywhere, waiting for the right artist, like Vides, to shape it into something unforgettable.

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Guard Your Grill Naughty by Nature A.P. Silkscreen Print by Mark Drew Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. A.P. Artist Proof 2018 Signed & A.P. Marked Limited Edition Run Artwork Size 11.73.x16.5 Exploring Urban Narratives in Mark Drew's Screen Print "Guard Your Grill Naughty by Nature" is a compelling silkscreen print by artist Mark Drew, encapsulating street culture's raw energy and ethos. As an Artist Proof from 2018, this hand-pulled screen print on fine art paper signifies a limited edition run that captures the essence of the crossover between street art, graffiti, and pop culture. The artwork, sized 11.73 x 16.5 inches, is marked with the artist's signature and the distinctive A.P., asserting its status as a rare and valuable proof within the edition. This piece is a testament to Drew's mastery in combining textual and visual narratives to create a piece that is as evocative as it is aesthetically striking. The print's title, "Guard Your Grill," references a song by the hip-hop group Naughty by Nature, suggesting a theme of vigilance and resilience. Drew's work often delves into the lexicon of hip-hop, bringing its language into a visual format that resonates with a broad audience. Combining these lyrics with imagery reminiscent of classic comic strips indicates the artist's signature approach to Street Pop Art and Graffiti Artwork, where he bridges generational and cultural gaps to offer commentary on contemporary society. Mark Drew's Artistic Process and Cultural Impact Mark Drew's artistic process involves carefully balancing handcrafted techniques and thematic street and pop culture exploration. The screen printing process, a favorite among street and pop artists for its ability to produce vibrant, clean lines, allows Drew to create modern and timeless works. The Artist Proof designation of "Guard Your Grill" underscores the meticulous nature of Drew's practice; these proofs are typically pulled before the main edition to ensure the quality of the print, and often, they are kept by the artists themselves or sold as highly collectible items. Drew's integration of hip-hop lyricism into his work does more than pay homage to the genre; it serves as a medium for cultural commentary. By selecting phrases from hip-hop culture and integrating them into visual motifs from mid-20th-century comics, Drew fosters a dialogue between past and present, highbrow and lowbrow, and the mainstream and the marginal. This dialogue is a defining characteristic of Street Pop Art, where the interplay of different cultural elements can lead to a deeper understanding of the issues at hand. The cultural impact of Drew's work is significant. By immortalizing hip-hop's language within the framework of visual art, Drew preserves and honors the music genre's cultural significance while expanding the conversation around it. His pieces, including "Guard Your Grill," function as cultural artifacts that capture the spirit of their time while providing a lens through which future generations can understand the historical context of the 90s hip-hop movement. Drew continues to contribute to the rich tapestry of Street Pop Art and Graffiti through his art, ensuring its relevance and accessibility to a diverse and global audience.

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C/S I 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P1  Exploring the Intricacies of C/S I by OG Slick and Chaz Bojorquez The collaboration between OG Slick and Chaz Bojorquez has given rise to C/S I, a 9-color hand-pulled limited edition silkscreen print that showcases the nuanced synergy between street pop art and graffiti artwork. Crafted in 2016, this work is part of a limited series, each piece bearing the artist's signature and numbered P1 out of 150, marking its exclusivity and importance as a collector's item. The collaboration between these two stalwarts of the street art scene synthesizes their distinct artistic voices into a unified visual statement that resonates with the energy and ethos of the urban landscape from which it draws inspiration. OG Slick, whose roots are firmly planted in the street culture of Los Angeles, brings his iconic imagery to the collaboration. His contributions to the C/S I print are characterized by the cartoon-like gloves that gesture towards the viewer, a direct and impactful use of imagery that has become a signature of his work. This graphical element starkly contrasts the intricate background, inviting a dialogue about the interaction between pop culture and the subversive nature of graffiti art. Signature Elements and Cultural Commentary in C/S I Chaz Bojorquez's influence within the C/S I print is unmistakable. His signature calligraphic style, derived from the Cholo writing of East Los Angeles, provides a rich textual backdrop to Slick's bold graphical elements. The layers of text in print are reminiscent of the palimpsest nature of street art, where messages are layered upon one another, creating a complex tapestry that speaks to the community's pulse. Bojorquez's artistry with letters goes beyond mere aesthetics, delving into the identity politics and social narratives that have always been at the heart of his work. The distressed pearl white finish on the print adds a dimension of age and texture, suggesting a weathered quality often found in street art exposed to the elements. This choice of finish not only enhances the visual depth of the piece but also bridges the gap between the transient nature of street art and the permanence sought by fine art pieces. The Stonehenge White Fine Art Paper, known for its quality and durability, reinforces the intention to preserve the fleeting beauty of street art in a form that stands the test of time. The Limited Edition Nature of C/S I and Its Collectibility The limited edition nature of the C/S I print underscores its value within street pop art and graffiti artwork. The fact that only 150 of these prints exist, each signed by the artists OG Slick and Chaz Bojorquez, elevates the work from mere reproduction to a coveted art piece. Collectors and enthusiasts of street art are drawn to the visual appeal of the work and the cultural capital that such a limited series represents. Owning a piece of this series is akin to holding a fragment of street art history, a snapshot of the moment when two renowned artists converged to leave an indelible mark on the art world. Impact of C/S I on the Perception of Street Art The impact of C/S I goes beyond the boundaries of traditional graffiti and street art. By situating the work within the context of pop art, OG Slick and Chaz Bojorquez challenge the viewer to reconsider the distinctions between high art and urban art forms. The collaboration speaks to the versatility and adaptability of street art, its ability to comment on and absorb influences from various artistic movements, and its persistent quest to gain legitimacy and respect within the art hierarchy. The print's visual elements reflect a sophisticated understanding of cultural symbols, iconography, and the power of the written word, all staples in street pop art and graffiti artwork. The collaboration between OG Slick and Chaz Bojorquez on C/S I is symbolic of a movement that refuses to be categorized simplistically, instead insisting on a complex identity as fluid and vibrant as the streets from which it originates. Through their artistic fusion, these artists contribute to the ongoing narrative of street art as a form that constantly evolves yet remains true to its roots in the urban tapestry.

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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Anatomy of an Awesome Bear Limited Edition Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art.

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They Say Raps Changed Dr. Dre Snoop Dog A.P. Silkscreen Print by Mark Drew Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. A.P. Artist Proof 2019 Signed & A.P. Marked Limited Edition Run Artwork Size 17.01x10.98 Mark Drew's Commentary on the Evolution of Hip-Hop Mark Drew's "They Say Raps Changed Dr Dre Snoop Dog" is an Artist's silkscreen print that speaks volumes about the shifting landscape of hip-hop through the medium of Street Pop Art and Graffiti Artwork. This hand-pulled screen print on fine art paper is a significant work within Drew's oeuvre, demonstrating his ongoing engagement with the dialogue between music and visual art. The artwork is 17.01x10.98 inches and is part of a limited edition run. It is distinctively marked with Drew's signature and the A.P. stamp, indicating its status as an artist's proof and exclusivity within the series. The phrase "They say rap's changed" is a direct nod to the commentary on the evolution of hip-hop culture and music, a prevalent theme in Drew's work. Using screen printing, a technique with a rich history in pop art and street art, Drew creates a visual bridge between the current perception of hip-hop and its roots. The piece serves as a nostalgic reminder and an invitation to reflect on how the genre has grown and transformed over the years. Interplay of Music and Visual Art in Drew's Work The interplay of music and visual art has always been at the heart of Mark Drew's work. His silkscreen prints, often featuring lyrics from iconic hip-hop songs, go beyond mere representation; they comment on the cultural significance of the words and the imagery chosen to accompany them. In "They Say Raps Changed," the use of characters from vintage comics in conjunction with the poignant phrase highlights the contrast between the past and the present, the evolution of an art form, and the universal nature of change. Drew's decision to utilize an artist's proof for this print underscores his art's experimental and innovative nature. Artist proofs are often where the artist finalizes the details of the print, and they carry with them a sense of immediacy and authenticity that is highly valued in Street Pop Art and Graffiti Artwork. This particular piece, with its crisp lines and bold colors, is a testament to Drew's skill as a printmaker and his understanding of the power of street art to communicate complex messages in an accessible way. The silkscreen print "They Say Raps Changed" is a cultural artifact that encapsulates the spirit of a particular moment in hip-hop history while engaging with contemporary dialogues about the genre. Mark Drew continues contributing to the discourse of street art, pop art, and the intersection of visual culture and music through his work. His prints are aesthetically compelling and serve as historical commentaries, bridging gaps between different eras and genres and inviting viewers to explore the deeper connections between them.

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Mask II Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Prefab77 . 2022 Numbered Limited Edition of 35 Skateboard Artwork Size 8x31.875

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Socrates' Philosophies Wu-Tang Clan Silkscreen Print by Mark Drew Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2021 Signed & Numbered Limited Edition of 150 Artwork Size 16.5x11.73 Silkscreen Print Mark Drew's Blend of Classical Thought and Modern Rhythms Mark Drew's silkscreen print titled "Socrates' Philosophies Wu-Tang Clan" represents a unique intersection of classical philosophy and contemporary hip-hop, embodied within the medium of Street Pop Art and Graffiti Artwork. The limited edition piece, hand-pulled on fine art paper, was released in 2021 in a numbered series of 150, each piece bearing the artist's signature. The artwork, measuring 16.5x11.73 inches, features a silkscreen print that stands out for its creative fusion of an iconic historical figure with the lyrical genius of the Wu-Tang Clan, a seminal group in the landscape of hip-hop music. The print alludes to a famous line from the Wu-Tang Clan's "Wu-Tang Forever" album, where rap is elevated to the status of philosophical discourse. Drew's artistic rendition captures the essence of this comparison by depicting a cartoon character in deep contemplation, surrounded by the chaos of flying bees, symbolizing the swarming ideas of Socrates' philosophies with the swarm of the Wu-Tang Clan's collective creativity. This work celebrates the enduring relevance of philosophical inquiry, cleverly juxtaposed with the enduring impact of hip-hop on modern culture. The Cultural Commentary of Drew's Artistic Expression The cultural commentary in "Socrates' Philosophies Wu-Tang Clan" is multi-layered. Drew uses the art form to explore the dialogue between ancient knowledge and the poetic expression found in rap lyrics. Much like his other works, this piece showcases Drew's ability to transcend traditional boundaries of art, music, and thought. The visual narrative invites viewers to engage with the complexities of communication across time, illustrating how ancient wisdom resonates in the contemporary lexicon of music and Street Pop Art. Drew's choice of the silkscreen printing process is particularly fitting for this piece, as it allows for the precision and boldness necessary to convey the complex message. With its roots in both commercial art and the DIY ethos of street art, the technique lends a pop art aesthetic that is immediately recognizable and accessible. The limited edition nature of the print speaks to the exclusivity often associated with fine art, while the subject matter maintains the accessibility and cultural connectivity of street art. This artwork serves as a bridge, connecting the reflections of a classical philosopher with the modern narratives of the Wu-Tang Clan, whose work is often described as cerebral and steeped in Eastern philosophy. Through this print, Mark Drew celebrates the timeless nature of intellectual discourse, manifested through the rhythm and rhyme of one of the most influential hip-hop groups ever. The result is a piece that is visually striking and intellectually stimulating, embodying the core of what makes Street Pop Art a powerful medium for cultural expression.

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Cowgirls #2 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art.

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Four-Four Biggie AP Silkscreen Print by Mark Drew Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. A.P. Artist Proof 2013 Signed & A.P. Marked Limited Edition Run Artwork Size 11.42.x16.54 The Fusion of Hip-Hop and Comics in Mark Drew's Silkscreen Print The "Four-Four Biggie" silkscreen print by Mark Drew epitomizes the intriguing blend of street culture and pop art sensibilities. This Artist Proof hand-pulled screen print on fine art paper is a striking example of Drew's limited edition work that seamlessly merges iconic images from classic American comics with lyrics from seminal 90s hip-hop tracks. The piece, marked as an Artist Proof from 2013 and signed by Drew, is a highly collectible item within Pop Street Artwork and Graffiti, representing a limited edition run with 11.42 x 16.54 inches. In this artwork, Drew pulls a quote from The Notorious B.I.G.'s "Kick in the Door," juxtaposing it with the innocence of a cartoon character. This stark contrast is symbolic of his style, which often explores the relationship between childhood imagery nostalgia and hip-hop culture's more grown-up themes. The result is a layered piece that speaks to the complexities of memory, cultural identity, and the passage of time. Artistic Significance of Screen Printing in Street Pop Art Screen printing has a storied history within pop, and street art is celebrated for its ability to reproduce vivid colors and crisp graphics. Drew's adoption of this technique for "Four-Four Biggie" allows for the precision and clarity needed to bring together the boldness of hip-hop lyricism with the simplicity of comic strip art. Hand-pulling each print ensures that every piece is unique, adding individuality to the work collectors and admirers of Street Pop Art and Graffiti Artwork often seek. Artist Proofs, like the one Drew has created for "Four-Four Biggie," are traditionally the first prints pulled from a new screen, used to check the quality of the print before the complete edition is run. They are often kept by the artists themselves, making them rarer and highly prized than the edition prints. The A.P. mark on this print indicates its status as proof, and Mark Drew's signature certifies its authenticity, increasing the artwork's value and desirability. Impact of Mark Drew's Work on Contemporary Art Mark Drew's influence on the contemporary art scene is evident in how his work resonates with audiences. His ability to draw from various elements of urban culture and synthesize them into something new and compelling places him among the innovators in the field. The "Four-Four Biggie" print is a testament to his creative vision, where the past and present collide to create a dialogue that is as relevant today as when the song lyrics were first penned. The appeal of Drew's work lies in its accessibility and its depth. The familiar images draw viewers in, and they are challenged to delve deeper into the meaning behind the juxtaposition of text and image. This characteristic of Drew's art aligns with the broader goals of Street Pop Art and Graffiti Artwork: to engage the public in a visual conversation that is both entertaining and thought-provoking. Through pieces like "Four-Four Biggie," Drew continues contributing to this vibrant and ever-evolving art form.

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Remnants #5 Limited Edition Archival Pigment Print Art on Ceramic Plate Artwork by famous graffiti street artist Brandon Boyd. In his painting and drawings, Boyd reveals a personal, freeform, ambiguous kind of visual style that focuses on magic, serendipity, curiosity, and mystery. Describing his art-making process as a kind of “blissful, familiar trance,” Boyd’s works carry both the evidence of the beautiful chaos and the power of revealing the narratives inside of it.

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Jaguar Shark Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ryan Berkley. Ryan Berkley - "Jaguar Shark" limited edition fine art digital print signed and numbered edition of 50 copies 8" x 10"

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Warning Addictive/New Deal 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

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Cape Girl Silkscreen Print by Jen Collins Hand-Pulled 3-Color Screen Print on Recycled 280gsm A5 Card Stock Paper Limited Edition Art Artwork. 2014 Signed & Numbered On Back Limited Edition of 50 Artwork Size 5.85x8.3 Cape Girl Silkscreen Print by Jen Collins is a piece of artwork created by the artist Jen Collins. Her work spans various mediums, such as ceramics, textiles, and prints, and often features themes related to nature, relationships, and self-expression. It is common to find her work gracing the pages of magazines and books or adorning various products. The Cape Girl Silkscreen Print by Jen Collins represents her distinct artistic style, employing her signature elements in a limited edition print.

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The Artist's Unconscious Mind(Self-Portrait Digital Ultrachrome Giclee Print by Turf One- Jean LaBourdette Artwork Limited Edition Print on Photo Rag Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2010 Signed & Numbered Limited Edition of 50 Artwork Size 16x24 The Artist's Unconscious Mind: A Glimpse into Turf One's Psyche "The Artist's Unconscious Mind (Self-Portrait)" is a digital ultra-chrome giclée print by Jean LaBourdette, known in the art world as Turf One. This limited edition print, released in 2010 with only 50 signed and numbered copies, is a quintessential example of his foray into street pop art and graffiti artwork. The artwork size of 16x24 inches, printed on Photo Rag Hahnemühle fine art paper, is a testament to Turf One's commitment to quality and his respect for the craft of fine art printing. Symbolism and Technique in Turf One's Giclée Print The piece stands out for its symbolic complexity and meticulous detail, common threads in Turf One's artwork. The choice of a chimpanzee wearing a fez and contemplating a human skull is evocative of the classical theme of 'vanitas,' touching upon the transient nature of life and the pursuit of knowledge. This recurring motif in art history, most famously depicted in Holbein's "The Ambassadors," is given new life and meaning in Turf One's contemporary interpretation. The use of ultra-chrome, a modern printing technique known for its color accuracy and longevity, bridges the gap between traditional fine art mediums and the digital age. This method allows the depth and nuance of Turf One's original paintings to be captured with high fidelity, making the prints true to the artist's vision. Intersecting Street Art and Traditional Imagery Turf One's work often intersects the gritty reality of street art with the intricate and symbolic nature of traditional imagery. "The Artist's Unconscious Mind" is no exception. It offers a commentary on the artist's internal dialogue and the intersection of animalistic instincts with the intellectual pursuit of self-awareness. By juxtaposing the primitive with the enlightened, Turf One presents a tableau ripe for interpretation and reflection. The fez, often associated with Eastern mysticism and philosophy, suggests a connection between wisdom and the primal aspects of our nature. The chimpanzee's human-like pose and contemplative gaze bring forth a sense of kinship with the animal kingdom, a subtle nod to the evolutionary aspects of human consciousness and artistry. The Influence of Street Pop Art on Turf One's Expression In "The Artist's Unconscious Mind," Turf One incorporates the immediacy and rawness often associated with street pop art and graffiti artwork. The fine art paper chosen for the print adds a tactile quality that echoes the texture of walls that serve as canvases in the street art world. Even as a print, the artwork carries the weight and presence of a piece that could adorn an urban landscape, bringing the reflective nature of fine art to the public sphere. Turf One's approach to street art is not about vandalism or territory marking but a deeper exploration of personal and collective identity. His work transcends the typical boundaries of street art, challenging viewers to consider the profound questions of existence and self, all while maintaining a connection to the urban roots of his medium. Collectibility and Impact of Turf One's Limited Edition Prints The collectibility of "The Artist's Unconscious Mind" is heightened by its limited run, making each print a coveted piece for collectors and admirers of Turf One's work. The scarcity of the prints ensures that each piece remains a treasured artifact of the artist's exploration into the depths of the unconscious mind. Like many limited editions, this artwork is more than just a representation of Turf One's artistic talent; it is a vessel for the ideas and themes that permeate his body of work. The print is a physical manifestation of the dialogue between the artist and the audience, a dialogue that continues evolving with each viewing. Reflecting on Turf One's Artistic Journey "The Artist's Unconscious Mind (Self-Portrait)" encapsulates Turf One's journey through street pop art and fine art printing. The print is a mirror reflecting the dual nature of the artist's world - one foot in the raw, expressive world of graffiti and the other in the contemplative, reflective world of fine art. This piece is a testament to the enduring power of art to convey complex ideas and emotions, regardless of the medium. As such, it is a significant work within Turf One's oeuvre, embodying the essence of his artistic spirit and the transformative potential of street pop art.

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C/S II 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P2 The Fusion of Styles in C/S II by OG Slick and Chaz Bojorquez The collaboration between OG Slick and Chaz Bojorquez on the C/S II silkscreen print represents a significant moment in street pop art and graffiti artwork. This piece, created in 2016, is a fine example of how two artists can merge their distinctive styles to create a unique work that reflects their individual artistic identities. The 9-color hand-pulled limited edition distressed pearl white finish silkscreen print on 250gsm Stonehenge White Fine Art Paper is a testament to the meticulous craftsmanship and artistic vision shared by the two legends of the street art scene. OG Slick, an artist with a background deeply rooted in the Los Angeles graffiti movement, brings his iconic imagery and urban sensibilities to the piece. Known for his bold and often subversive visual language, Slick’s contribution to C/S II is immediately apparent in the stylized cartoon hands and contemporary iconography that speaks to street culture's commercial and gritty aspects. His work has often been characterized by a playfulness that belies a more profound commentary on social and cultural issues. This is evident in how he manipulates familiar symbols and characters to challenge viewers’ perceptions. Chaz Bojorquez's Signature Style in C/S II Chaz Bojorquez’s influence in the piece is equally profound. His signature style, which draws from the Cholo graffiti tradition and his sophisticated understanding of typography, complements Slick’s more whimsical elements with a sense of gravity and history. The calligraphic strokes and the intricate lettering in the background of C/S II are unmistakably Bojorquez’s, showcasing his mastery over form and ability to convey a rich cultural narrative through his art. His work captures the essence of a subculture that has often been marginalized, elevating it to a level of fine art that demands recognition and respect. The collaboration between these two artists on C/S II is a dialogue between different eras and styles within the street art genre. While OG Slick’s work is often seen as a bridge between the early days of street art and the modern aesthetic, Bojorquez represents the soulful, enduring aspects of graffiti art woven into the cultural fabric of urban life. Together, their work on this print creates a complex interplay of color, form, and symbolism that celebrates street art’s past and a bold statement about its future. Cultural Significance of the Limited Edition C/S II Print The cultural significance of the C/S II print lies in its embodiment of the spirit of street pop art and graffiti artwork. Limited to an edition of 150, each print is signed by OG Slick and Chaz Bojorquez, making it a rare and collectible piece that holds great value for street art lovers. The decision to limit the edition not only underscores the value of the artwork but also speaks to the ethos of street art, where the fleeting nature of the medium often means that works can be temporary and transient. By capturing this transient essence in a tangible form, OG Slick and Bojorquez have created a lasting artifact of street culture. The piece is particularly notable for its distressed pearl white finish, which adds texture and depth to the print. This finish gives the artwork a tactile quality that invites closer inspection and suggests a history behind the image as if it has been weathered by time and the elements – a nod to the real-world conditions of street art. The use of Stonehenge White Fine Art Paper further elevates the piece, marrying the raw energy of graffiti with the refinement of fine art printing techniques. Impact and Legacy of C/S II in Street Art and Pop Culture The impact and legacy of C/S II in street art and pop culture are significant. By bringing together two influential artists from different generations, the print bridges the early days of Los Angeles graffiti and the contemporary street art scene. It reflects the genre's evolution, showing how it can be a personal means of expression and a sophisticated art form. The print’s aesthetic, marked by the interplay of Bojorquez’s calligraphic skill and Slick’s graphic sensibility, exemplifies the potential of street art to engage with broader artistic movements and to be recognized in the wider context of pop art. As a piece of street pop and graffiti artwork, C/S II is a powerful example of the genre’s ability to adapt and grow while retaining its core principles. It is a reminder of the enduring influence of artists like OG Slick and Chaz Bojorquez, who continue to shape and inspire the trajectory of street art. Through works like this, they ensure that the streets' vibrant energy, defiance, and creativity remain a vital part of our cultural landscape.

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Light Cult Crypto Club- Mortons Bulb Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ron English. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Flush Giclee Print by Ron English Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 30 Artwork Size 37x25 Flush Giclee Print by Ron English is an artwork created by the contemporary artist Ron English. Ron English is an American artist who is known for his provocative, colorful, and often satirical works that combine elements of pop culture, advertising, and contemporary politics. He has been referred to as the "Godfather of Street Art" and has been influential in the development of street art and culture jamming. A giclee print is a high-quality, fine art digital print made using a specialized inkjet printer. The term "giclee" is derived from the French word "gicler," which means "to spray" or "to squirt." Giclee prints are typically created using fade-resistant archival inks and are printed on high-quality, acid-free paper or canvas, resulting in a print that has the look and feel of an original piece of art. The Flush Giclee Print by Ron English likely features the artist's signature mix of cultural commentary, humor, and surrealism. However, without a specific description or image of the artwork, it is impossible to give a detailed analysis of the content and subject matter of the piece. If you're interested in acquiring or learning more about this particular print, consider reaching out to an art gallery or the artist himself to obtain more information.

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John Ellis/ Cigar Smoking Man- Yankees Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: John Ellis/ Cigar Smoking Man- Yankees

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Peace Gold Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 16x19 Silkscreen Print of a Skull & Its Grin. The realm of contemporary art has seen an evocative fusion of traditional art forms with urban and street art influences, resulting in masterpieces that resonate deeply with a modern audience. Among the notable contributors to this amalgam is Cleon Peterson, whose works are often distinguished by their dark themes, confronting aesthetics, and provocative imagery. "Peace Gold", a silkscreen print, stands testament to Peterson's mastery over the craft and his ability to merge pop art undertones with elements emblematic of street art. This magnificent piece has been meticulously crafted on a Hand Deckled 290gsm Coventry Rag Fine Art Paper, a material renowned for its premium quality and the subtleness it brings to artworks. It's no surprise that Peterson chose this medium, as it accentuates the intricate details, bringing depth and dynamism to the piece. Limited to just 75 pieces, each silkscreen print is signed and numbered, indicating its exclusivity and the artist's personal touch. With dimensions of 16x19 inches, the artwork predominantly showcases a skull and its evocative grin – a motif frequently seen in street art, representing various themes from rebellion, impermanence, to societal commentary. Such limited edition artworks not only enrich the collector's portfolio but also add an emblem of modern pop and street art history. As urban influences continue to permeate traditional art galleries and spaces, pieces like " Peace Gold" by Cleon Peterson reaffirm the powerful narrative that street and pop art bring to the global art discourse.

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