The Greatest of All Time 3 Muhammad Ali x Sonny Liston Pop Street Artwork Limited Edition Giclee Print on Heavy Watercolor Paper by Modern Artist Alec Monopoly Brand. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 36x24

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BunnyKitty Dream State- Teal 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Teal Variant Edition of 25 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Punk Skunk Artwork Limited Edition Giclee Print on Fine Art Paper by Propaganda Artist Ron English- POPaganda. 2017 Signed & Numbered Limited Edition of 25 Artwork Size 30x24 "Punk Skunk" is a vibrant and evocative work by the celebrated pop artist Ron English- POPaganda, known for his unique blend of pop art with street art under the banner of Propaganda. This piece is a fine art giclée print, characterized by English's characteristic fusion of high and low cultural touchstones, playing with themes of subversion and counterculture. Created in 2017, this particular artwork is part of a signed and numbered limited edition series, with only 25 pieces in existence, each measuring 30x24 inches, making it a rare collector's item. Ron English- POPaganda's "Punk Skunk" features a cartoonish skunk, an emblematic figure within his art, illuminated against a backdrop swirling with psychedelic colors and patterns. The character is infused with a rebellious spirit, encapsulated by the punk aesthetic of the skunk's design, including its prominent tail that morphs into a stylized marijuana leaf – a clear nod to the rebellious subcultures that challenge societal norms. The background is a kaleidoscopic array of colors, swirling in a manner that suggests motion and a particular fluidity of thought and being, which complements the central figure's stance on freedom and nonconformity. This artwork stands out for its bold color palette, a hallmark of English work, which uses color to evoke a sense of movement and energy. Each print is meticulously crafted, with the giclée technique ensuring that each color is vividly captured, replicating the artist's original vision with precision and clarity. Fine art paper provides a high-quality base that holds the inks with fidelity, giving each piece a durability that suits its status as a collectible art object. By releasing "Punk Skunk" in such a limited run, Ron English- POPaganda underscores the exclusivity and inherent value of the print, mirroring the ethos of street art, where the fleeting nature of a piece can often amplify its impact. Collectors of this edition acquire not just a piece of art but a statement that reflects on the boundaries between the elite world of art collecting and the lawless world of street art. English's work has consistently played with this boundary, and "Punk Skunk" is a compelling example of his skill in blending these realms to create thought-provoking and visually arresting.

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Flatstock 33 2012 Event Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Yellow Fine Art Paper by Jeremy Wheeler. Number 71 of 71. SXSW American Poster Institute March 14-17 2012 Austin Convention Center Texas

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Endless Power Silkscreen Print by Shepard Fairey Factory Stacks – Endless Power is a bold 6-color silkscreen print created in 2022 by Shepard Fairey, one of the most influential figures in Street Pop Art & Graffiti Artwork. Measuring 18x24 inches, this signed and numbered limited edition of 350 is printed on thick cream Speckletone paper and embodies Fairey’s hallmark aesthetic: a fusion of propaganda-style composition, socio-political messaging, and graphic design precision. It continues his Factory Stacks series, a visual campaign aimed at confronting environmental and systemic imbalances, particularly those surrounding the fossil fuel industry. Visual Language of Industrial Dominance This piece presents twin smokestacks emerging from a factory, exhaling thick plumes of smoke that bend into geometric arcs against a fractured backdrop. The composition is both imposing and elegant, rendered in Fairey’s signature palette of red, blue, cream, and black with accents of gold and grey. A section in the upper corner features graphic symbols such as currency and uniformed authority figures with the text “Endless Power,” visually connecting fossil fuel dependency to state and corporate control. Below, flames lick at the base of the structure, symbolizing destruction masked as progress. The stylized imagery and bold silhouettes evoke retro political posters, transforming the factory into an icon of unchecked industrial ambition. The title “Endless Power” is a biting irony. It speaks to the illusion of limitless energy consumption enabled by fossil fuels while referencing the political power structure that sustains this destructive system. Fairey uses the visual metaphor of pollution and fire not just as environmental warning signs, but as emblems of capitalism's refusal to pivot toward sustainability. Fine Art Printmaking as Street-Level Protest This edition is hand-pulled and silkscreened, showcasing Fairey’s technical prowess in layering crisp lines and vibrant color fields. The physicality of screenprinting—each layer applied with intention—parallels the artist’s belief in direct action. The Speckletone stock used adds texture and weight, reinforcing the piece’s physical presence and link to protest posters of the past. As a printmaker rooted in the street art tradition, Fairey embraces reproducibility without sacrificing uniqueness. His screenprints are both fine art artifacts and tools of mass communication. Factory Stacks – Endless Power does not rely on abstraction. It forces clarity, making its environmental critique visually immediate and emotionally provocative. Political Commentary Through Graffiti-Inspired Aesthetics Fairey’s work consistently straddles the space between fine art and graffiti, and this piece is no exception. By including symbols of nationalism, money, and smoke stacks, he aligns corporate power and environmental degradation in a single visual language. As part of the OBEY Giant campaign's broader ethos, the artwork invites viewers to question the legitimacy of authority, capitalism, and consumption. In the lower left of the piece, Fairey embeds the edition number and his signature, reinforcing its status as a collectible. Yet unlike conventional gallery art, this piece was made to communicate with the public. A portion of the proceeds from this release was donated to Greenpeace, underscoring the artist’s commitment to activism through art. Factory Stacks – Endless Power is not a lament—it is a visual demand. It reminds viewers that power, both political and industrial, is not endless unless people allow it to be. Through the bold format of Street Pop Art & Graffiti Artwork, Shepard Fairey transforms a grim industrial skyline into a battleground of ideas, urging action before the smoke becomes irreversible.

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Pop Can- Yellow 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. 2019 Signed Limited Edition of 40 Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism. “In my experience, if you can make someone laugh you can make them think. I use humor in some of my works for this fact, to open the dialogue. I really don’t know why people buy my work but I am grateful to have fans and collectors that help perpetuate my career.

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Love Life And Death Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Size: 32,5 x 60,9 cm // 12.8 x 24 inch Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered

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Beyond Thunderdome- Max Limited Edition Giclee Print on Fine Art Paper by Andy Fairhurst counter-culture street artist art. Mad Max Beyond Thunderdome movie featuring Mel Gibson.

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Shutov Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 24x24 Giclée print on Hahnemuhle fine art paper. Edition of 100

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Off! You Will Do What We Say 2-Color Hand-Pulled Limited Edition Silkscreen Print on True White Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2019 Signed Limited Edition Print. 18 inches x 24 inches Edition of 600 July 11, 2019 Punk rock band OFF! which includes members from Black Flag, Circle Jerks, Redd Kross, The Burning Brides, and The Black Heart Procession is making a movie called “Watermelon,” and according to their lead singer Keith Morris, “You will do what we say”…… is an MK Ultra mantra from out of the shadows. - Shepard Fairey

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Baby Face Limited Edition 6-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Tyto Alba 9-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville, Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Marked AP Limited Edition Artwork Size 18x24. Small Handeling Crease to Upper Left Facing Margin. Intricacy and Allure of Anville's Screen Printing Justin Anville's "Tyto Alba" is a striking example of the fusion between Street Pop Art & Graffiti Artwork and fine art printmaking. The 9-color hand-pulled limited edition silkscreen print is a testament to Anville's skill in utilizing traditional screen printing techniques to create artwork that resonates with the energy and rawness of street art, while also commanding the finesse and sophistication of gallery-quality pieces. Crafted in 2011, each print in this limited edition is signed by the artist, marked as an artist's proof (AP), and measures 18x24 inches, capturing the viewer's attention with its size and detail. The artwork's complex layering of colors highlights Anville's meticulous attention to detail and his commitment to the craft of screen printing. The small handling crease to the upper left-facing margin bears witness to the human element involved in the process of creating each individual piece, a subtle reminder of the artist's hand at work. The central figure of the owl, crowned and majestic, stands as a powerful symbol within the composition. The owl is often associated with wisdom and mystery in various cultures, and Anville's portrayal adds a regal dimension to these interpretations. This iconography is cleverly juxtaposed with the urban elements that frame the bird, creating a dialogue between nature and the constructed environment, a common theme in Street Pop Art & Graffiti Artwork. Contribution to the Evolution of Street Art Anville's "Tyto Alba" not only contributes to the evolution of street art but also stands as a bridge between the often separate worlds of street and fine art. His work elevates the graffiti art style into a fine art realm without losing the grassroots feel that defines street art. The rarity of the piece adds to its allure, knowing that it belongs to a finite set of prints, each one slightly different from the last, each one a unique piece of Anville's vision. The use of nine colors in the screen printing process is significant, allowing for a depth and vibrancy that can be challenging to achieve with fewer layers. Anville's choice of fine art paper as a substrate reflects a conscious decision to present street art not merely as ephemeral but as something to be preserved and cherished. The result is a rich texture and color dynamism that brings the artwork to life. Artistic Impact of "Tyto Alba" "Tyto Alba" serves as an emblem of Anville's artistic prowess and his contribution to the broader narrative of Street Pop Art & Graffiti Artwork. The piece's existence within limited edition collections across the globe speaks to its impact on both the art community and pop culture. Collectors of Anville's work appreciate not just the visual appeal of his art but also the commentary it provides on the blending of urban street culture with the more traditional aspects of art-making. Justin Anville's "Tyto Alba" is a profound representation of the modern-day synergy between street art and fine art printing. It stands as a vibrant emblem of the potential for Street Pop Art & Graffiti Artwork to transcend boundaries and enter into a dialogue with audiences across diverse spectrums of the art world.

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Alonzo Liter Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

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Night Lights Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. 2020 Signed & Numbered Limited Edition of 50 Artwork Size 16x24

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Hard: Holy Ship 5- 2015 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2015 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Blue, Fluorescent Yellow, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2015 EDM Music Bands: Skrillex , Fatboy Slim , Baauer , DJ Snake , Tommy Trash , Basement Jaxx , Claude Vonstroke , Ty Dolla Sign , Sub Focus , DJ Mustard , Jack Beats , Busy P , Green Velvet , Mat Zo , Breakbot , Brodinski , Destructo , Justin Martin , Alex Metric , Galantis , Cajmere , Tchami , Araabmuzik , Martin Buttrich , Lee Foss & Anabel Englund , Soul Clap , Mercer , Huxley , The M Machine , J Phlip , AC Slater , Kill Frenzy , Justin Jay , Milo & Otis , Valentino Kahn , Louisahhh!!! , Curses , Boston Bun , Wax Motif , Kastle , Friends Within , Anna Lunoe , Club Cheval , Shift K3y , Panteros 666 , So Me , Amtrac , DJ Pone , Sweater Beats , Posso , Cut Snake

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New York City Subway Maps IV Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 15 Artwork Size 17x24. New York City Subway Maps IV, 2019 Archival pigment print in colors with hand-embellishments on Moab Fine Art paper 17x24 inches (43.2 cm x 61) (sheet) Ed. 10/15 Signed and numbered in pencil lower left. Work displays a .5-inch tear in the lower left border. Embracing Urban Narratives: Cope2's New York City Subway Maps IV Cope2's "New York City Subway Maps IV" is a dynamic fusion of graffiti's raw energy with the refined aesthetics of modern Pop Art, embodying the pulse of urban life on a tangible artifact of the city's daily motion. This 2019 limited edition series, with only 15 signed and numbered pieces, represents a significant contribution to the Street Pop Art and Graffiti Artwork movement. Each 17x24 inch piece is a hand-embellished archival pigment print on Moab Fine Art paper, offering a unique blend of street culture and high art. Cope2's signature authenticates the work, and its edition number is penciled on the lower left, with one particular piece displaying a minor .5-inch tear, adding to the authentic feel of the artwork. The piece serves as a visual archive of New York's graffiti history, immortalizing the spontaneous, often temporary, art gracing the city's subway maps. Cope2, a Bronx native, brings authenticity and street credibility to his work, with a reputation for over three decades in the graffiti scene. His "New York City Subway Maps IV" reflects urban street art's layered, complex nature, where tags and symbols intermingle to tell the stories of the city's diverse inhabitants. Cope2's Intersection of Street Art and Fine Art Cope2's artwork stands at the intersection of street art and fine art, capturing the essence of one medium within the form of the other. His pieces are more than mere representations of street graffiti; they are the confluence of the artist's lived experiences and interactions with the urban environment. The bold, saturated colors and aggressive brushstrokes hark back to the golden era of graffiti in the 1980s and 1990s when artists like Cope2 were not just decorating the city but also marking territories and expressing identities. The limited edition nature of "New York City Subway Maps IV" and the hand-embellishments by Cope2 himself ensure that each print is a unique piece of art, embodying both the spirit of the original street art and the artist's personal touch. The series encapsulates the rawness of the graffiti subculture while elevating it through fine art printmaking, challenging traditional notions of what constitutes art and who is deemed an artist. In essence, Cope2's work is a celebration of the visual language of the streets, presented within the context of fine art. It offers a narrative deeply rooted in New York City's cultural fabric, providing a snapshot of a movement that has evolved from the margins to the mainstream. The "New York City Subway Maps IV" series not only pays homage to the history of street art but also asserts its place within the continuum of contemporary art. Through his work, Cope2 continues to influence and shape the dialogue around Street Pop Art and Graffiti Artwork, ensuring that the vibrancy of street culture remains a vital part of the art world's discourse.

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

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Let's Burn It All!- Standard Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lbs French Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2019 Signed Limited Edition of 75 Artwork Size 18x24 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Yogi on Xanax- Black 7-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Superfine UltraWhite Paper by Ben Frost Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Ben Frost Yogi on Xanax, 7-color Hand-Pulled Screen Print on Mohawk Superfine UltraWhite, 160 lb Cover 24 x24 in., 61 x 61 cm Edition of 25, signed & numbered by the artist Printed by POP!NK Editions Yogi on Xanax by Ben Frost – Pop Culture Intervention in Street Pop Art & Graffiti Artwork Yogi on Xanax is a 2022 limited edition 7-color hand-pulled silkscreen print by Australian-born artist Ben Frost, printed on 160 lb Mohawk Superfine UltraWhite cover paper. Measuring 24 x 24 inches, this silkscreen print was produced in a signed and numbered edition of just 25, crafted under the direction of POP!NK Editions. Known for his subversive blending of pop culture icons with controversial subject matter, Frost delivers a provocative image that fuses the innocence of Yogi Bear with the cold design language of a pharmaceutical Xanax label. This juxtaposition forces a confrontation between humor and critique, childhood nostalgia and chemical dependency, all while maintaining the graphic vibrancy and clean execution that define his studio practice. The piece is bold, glossy, and ironic—designed to trigger recognition and unsettle the viewer simultaneously. Pharmaceutical Satire and Cartoon Familiarity Collide Ben Frost’s work routinely challenges the sanitized narratives of consumer branding and media imagery. In Yogi on Xanax, the use of Yogi Bear—an animated figure associated with carefree antics and childhood television—is purposefully misaligned with the clinical, regulated world of prescription medication. The cheerful cartoon smile and brightly saturated colors stand in contrast to the red-labeled warnings and dosage marks of Xanax packaging. The artwork explores themes of escapism, emotional suppression, and the commercialization of health, suggesting that even the most innocent symbols are not immune to societal pressures. Frost’s treatment of iconography reflects the strategies central to Street Pop Art & Graffiti Artwork, where visual language is repurposed to expose hidden truths and cultural contradictions. Printing Technique, Surface Quality, and Material Precision Executed with precision on Mohawk Superfine UltraWhite paper, the 7-color silkscreen process ensures that every layer of ink sits cleanly atop the surface, producing striking contrast and tonal balance. This heavy-weight paper enhances the density of color and preserves the integrity of each line and text detail. The silkscreen technique, a mainstay of pop art production since the era of Andy Warhol, allows Frost to replicate the flat commercial style of packaging design while embedding it with sharp conceptual tension. Each print is signed and hand-numbered, reinforcing its collectibility and placing it within the canon of fine-edition Street Pop Art & Graffiti Artwork. POP!NK Editions’ involvement in the production guarantees a gallery-level standard of finish, ensuring that each print is not only conceptually rich but also technically flawless. Ben Frost’s Cultural Commentary Through Brand Distortion Ben Frost continues to push the boundaries of what pop imagery can convey in a critical, ironic, and visually arresting format. Yogi on Xanax operates on multiple levels—as parody, as product, and as visual disruption. It pulls from the mass media archive and reintroduces familiar icons with new, unsettling associations. This is central to the strategy of Street Pop Art & Graffiti Artwork, where repetition, appropriation, and recontextualization are not just aesthetic choices but radical acts. By placing a figure like Yogi Bear in the frame of medical necessity and emotional regulation, Frost questions how society assigns meaning and value to images. His art reflects a world where cartoons sell pills and pills sell calm, a world where branding and identity collapse into one unified surface. Yogi on Xanax is not just pop art—it is a sharp and unapologetic reflection of contemporary visual culture.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

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Night Ride- Green People Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Woman, Bike, Night, Moon, Green Hair, Bicycle

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Be Mine Always Limited Edition Giclee Print on Fine Art Paper by Jason Naylor counter-culture street artist art. Series 1

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Arches Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 18x24 on Unstretched Canvas

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Promised Land Day Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Coventry Rag Paper Hand DeckledLimited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Renowned for his striking and confrontational style, Cleon Peterson is an artist whose work brings to life the undercurrents of societal strife and conflict. Known for his vivid depictions of brutal scenes that reflect a world in chaos, Peterson is widely recognized as a significant figure in the realms of pop art, street art, and graffiti art. His work often provides a haunting mirror to societal tensions, rendering them visually captivating through the stark contrast between light and dark, order and chaos, violence and peace. One piece that exemplifies this distinctive style is his "Promised Land Night" silkscreen print. True to Peterson's style, the work explores the darker facets of human nature in a dichromatic palette - typically a stark contrast of black and white or, in this case, dark navy blue and white. It showcases figures engaged in what appears to be a chaotic, violent struggle, as a symbol of the perpetual conflict and power dynamics within societies. Despite its seemingly bleak narrative, the composition carries an undeniable magnetism, skillfully drawing the viewer in. The silkscreen print method, known for its bold, crisp lines and the ability to create vibrant, flat areas of color, serves Peterson's style perfectly. It underscores the harsh narrative of his work while simultaneously highlighting the meticulous detail of his composition. Each figure, while entangled in the wider chaos, holds its narrative, rendering the piece a compelling visual exploration of societal unrest. The "Promised Land Night" speaks volumes of Peterson's vision of the world – not shying away from harsh realities, but rather confronting and examining them through his artwork. With the ever-present contrast between the stark visual style and the dark themes, Peterson positions himself firmly in the continuum of pop and street art, challenging viewers to consider the depths of human nature and societal structures. It is through such bold pieces that Cleon Peterson cements his place in contemporary art, forever pushing boundaries and igniting necessary conversations about society and its structures.

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Aquaman: No Sea, No Life- Color 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Meggs Rare Street Art Famous Pop Artwork Artist. Aquaman: No Sea, No Life" by Meggs 18 x 24 Inches Regular (Color):6-color screen print | Signed & numbered limited edition of 35 "I wanted to re-interpret a mix of the classic & contemporary Aquaman in the form of a worn & well-loved comic book cover. " -Meggs

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Post No Bills- Untitled Original One of a Kind Spray Paint & Stencil Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Seen UA. 2018 Signed Original Painting Size 18x24 Craquelure throughout. Unlined canvas.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Bad Brains Punk Showcase- Rock For Light 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. 2016 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase - Rock For Light" is a striking exemplar of the indelible impact of street pop art and graffiti artwork on the domain of music and culture. This two-color hand-pulled silkscreen print on cream speckle tone paper is a tribute to the legendary punk band Bad Brains, known for their explosive fusion of punk and reggae and their message of "Positive Mental Attitude." The limited edition print, part of a signed and numbered release of 350 pieces measuring 18x24 inches, encapsulates the raw energy and ethos of the band while also showcasing Fairey's iconic style that has become synonymous with the OBEY brand. Fairey, a street artist and graphic designer, rose to fame with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant movement. This project aimed to stimulate curiosity and encourage people to question their relationship with their surroundings. The "Bad Brains Punk Showcase" piece continues Fairey's exploration of counterculture and music, prevalent themes throughout his body of work. His distinct approach to art, often characterized by bold, stylized images and a limited color palette, reflects his roots in the skateboarding scene and his admiration for the punk rock ethos. In this artwork, Fairey melds the band's iconography with his aesthetic to create a piece that is both a homage and a standalone work within the street pop art genre. The use of the star emblem, the dynamic composition, and the commanding typography are all hallmarks of Fairey's style while also paying respect to the cultural significance of Bad Brains. The result is a piece that resonates with fans of the band and Fairey's art, bridging the gap between music and visual art in a way symbolic of street pop art's role in contemporary culture. The artwork serves not only as a collector's item but also as an illustration of the synergy between visual art and music. It is a testament to the power of street pop art to transcend its origins and become a part of the cultural lexicon, capable of celebrating and immortalizing the pioneers of subcultures like punk rock. Fairey's "Bad Brains Punk Showcase - Rock For Light" is a vibrant reminder of the enduring legacy of Bad Brains and the rebellious spirit that fuels both their music and the world of street pop art.

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Promised Land Night Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Coventry Rag Paper Hand DeckledLimited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Renowned for his striking and confrontational style, Cleon Peterson is an artist whose work brings to life the undercurrents of societal strife and conflict. Known for his vivid depictions of brutal scenes that reflect a world in chaos, Peterson is widely recognized as a significant figure in the realms of pop art, street art, and graffiti art. His work often provides a haunting mirror to societal tensions, rendering them visually captivating through the stark contrast between light and dark, order and chaos, violence and peace. One piece that exemplifies this distinctive style is his "Promised Land Night" silkscreen print. True to Peterson's style, the work explores the darker facets of human nature in a dichromatic palette - typically a stark contrast of black and white or, in this case, dark navy blue and white. It showcases figures engaged in what appears to be a chaotic, violent struggle, as a symbol of the perpetual conflict and power dynamics within societies. Despite its seemingly bleak narrative, the composition carries an undeniable magnetism, skillfully drawing the viewer in. The silkscreen print method, known for its bold, crisp lines and the ability to create vibrant, flat areas of color, serves Peterson's style perfectly. It underscores the harsh narrative of his work while simultaneously highlighting the meticulous detail of his composition. Each figure, while entangled in the wider chaos, holds its narrative, rendering the piece a compelling visual exploration of societal unrest. The "Promised Land Night" speaks volumes of Peterson's vision of the world – not shying away from harsh realities, but rather confronting and examining them through his artwork. With the ever-present contrast between the stark visual style and the dark themes, Peterson positions himself firmly in the continuum of pop and street art, challenging viewers to consider the depths of human nature and societal structures. It is through such bold pieces that Cleon Peterson cements his place in contemporary art, forever pushing boundaries and igniting necessary conversations about society and its structures.

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Here & Now Gold Foil Serigraph Print by Cryptik Limited Edition Hand Pulled Artwork on Gold Foil Fine Art Paper Modern Street Graffiti Pop Artist. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 "The past no longer is, the future is not yet here; there is only one moment in which life is available, and that is the present.." ~ Thich Nhat Hanh Unveiling the "Here & Now" by Cryptik In modern street art, Cryptik's "Here & Now" stands as a sterling example of the genre's intersection with spiritual philosophy. The limited edition serigraph print, crafted on opulent gold foil fine art paper, carries a timeless message underscored by the insightful words of Zen Master Thich Nhat Hanh. Only 75 signed and numbered pieces were released in 2024, each measuring 18x24 inches, reflecting an exclusivity that parallels the uniqueness of the present moment it seeks to encapsulate. The Transcendental Aesthetics of Cryptik's Art Cryptik's distinct calligraphic style interweaves traditional Eastern motifs with the immediacy of street art, creating a visual meditation on the notion of the eternal 'now.' The gold foil serves as more than just a backdrop; it is a symbol of the sacred, often used in religious iconography, here repurposed to elevate street art to new heights of reverence and contemplation. Gold Foil Serigraphy: A Convergence of Technique and Message Serigraphy, or screen printing, is a method lauded for its ability to produce vivid colors and sharp lines, a technique that Cryptik employs masterfully. The meticulous hand-pulling of each print ensures every detail, from the delicate strokes of each character to the shimmering gold background, is rendered with precision. The "Here & Now" is thus not only an artwork but a bridge between the ancient practice of mindfulness and the contemporary pulse of street art. The serene complexity of "Here & Now" captures the viewer's gaze, inviting them to ponder the intertwined nature of time, existence, and art. In this piece, Cryptik offers visual stimulation and a portal to introspection, aligning with the essence of street pop art & graffiti artwork, which often prompts the observer to look beyond the surface. Cryptik's serigraph print serves as a reminder of the fleeting beauty of the present, encapsulating the impermanence of street art and the enduring profundity of spiritual thought. As much a philosophical artifact as a piece of visual art, "Here & Now" stands as a testament to the profound depths that street art can explore, marrying the visceral with the sublime. Through this work, Cryptik asserts that the most profound truths are often found in plain sight, woven into the fabric of our everyday surroundings.

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We Scared Each Other Pretty Good Blade Runner Foil Silkscreen by Tim Doyle Hand-Pulled 2-Color Screen Print on Holographic Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 Small Tape Residue Located On Lower Right Margin Blade Runner Movie Tribute, 4th Unreal Estate show

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Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered, Noise & Lies (Cream) Screen Print 18 x 24 inches Edition of 325 January 31, 2018 Gimmie Some Truth, Reject These Damaged Goods The realm of street art has been consistently energized by the compelling work of Shepard Fairey, a renowned artist best known for his iconic OBEY campaign and the Obama "Hope" poster. One of his works that significantly punctuates his unique style and pervasive influence is the "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print." The piece, produced on Fine Speckletone Art Paper, stands out as an exclusive demonstration of Fairey's expertise in producing rare street and pop art. Produced on January 31, 2018, this artwork not only exhibits the vibrant culture of street art but also serves as a reflective commentary on socio-political dynamics. This 18 x 24 inches silkscreen print, limited to an edition of 325, is adorned with Shepard Fairey's autograph, a mark of its authenticity and distinct value. Significantly, the phrases "Gimmie Some Truth, Reject These Damaged Goods" incorporated into the art piece amplify its critique of societal falsehoods and consumerist mentality, thereby echoing Fairey's counter-culture narrative. The artwork's cream-toned backdrop paired with Fairey's signature 2-color hand-pulled silkscreen print technique creates an enthralling contrast, enhancing the visual appeal of the art piece. This nuanced blend of color and texture is a testament to Fairey's mastery over his craft and his ability to communicate potent messages through his art. This composition, coupled with Fairey's renowned reputation in the realms of pop, street, and graffiti art, adds to the artwork's desirability and significance. In essence, "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print" by Shepard Fairey represents more than just an art piece. It embodies Fairey's distinct style, socio-political commentary, and his unparalleled contribution to the world of street and pop art, making it an invaluable piece in the domain of contemporary art.

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Shark Toof Cigarette Pack Limited Edition 2-Color Screen Print on 130lb Cougar Fine Art Paper by Shark Toof street artist modern pop art. 2016 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 "After a good full year of establishing the Shark Toof Icon on the streets, I didn't quite know where I wanted to move the Icon. It took some isolation to really stand behind my own beliefs without becoming a political artist. Thinking of iconographic shapes, I thought the cigarette pack is an easily identifiable shape which lead me to the idea of "Guilty Pleasures" and the Shark Toof Cigarette Pack. Although, I am not a smoker myself, I support every individual to indulge in whatever pleasures them as long as others aren't effected." - Shark Toof

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Ultra Trisauras vs. Ōkami Alpha Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Artist Robert Wilson IV. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 This print was produced initially for the STRANGE BEASTS show at Gallery Guzu. Print measures 18x24 inches and is signed and numbered by the artist in an edition of 75.

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Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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Nefertiti Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Fine art print by NYCHOS Limited Edition of 111 Artwork Size 18.5x24 Nychos, a renowned figure in the realms of street art and pop graffiti, presents a mesmerizing portrayal of Nefertiti in this archival pigment fine art print. The artist is globally recognized for his distinctive style, where he often delves into the intricate anatomy of his subjects, blending a keen scientific accuracy with a vibrant, almost surreal aesthetic. This particular piece, titled "Nefertiti," is no exception. With a backdrop of a bold red circle, the artwork unveils the internal anatomy of the ancient Egyptian queen, juxtaposing the magnificence of her external beauty with the intricate maze of her internal physiology. The details, from the network of veins and arteries to the intricate bone structure, are meticulously laid out, capturing the viewer's attention instantly. The use of vivid colors against the dark backdrop further accentuates the details, making it a captivating visual experience. Crafted in 2021, this artwork is a testament to Nychos's unparalleled talent and his unique approach to street art. The print is made using high-quality archival pigment, ensuring longevity and retaining the vibrancy of the colors. Produced on velvet cotton fine art paper, the texture complements the depth and intricacy of the artwork. As a limited edition release, only 111 pieces have been produced, each measuring 18.5 x 24 inches. Every print is signed and numbered by Nychos, guaranteeing its authenticity and making it a sought-after piece for collectors and street art enthusiasts alike. The blend of ancient iconography with contemporary art techniques results in a piece that bridges epochs and challenges the viewer to see beyond the surface.

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College Days in Space Artwork Giclee Limited Edition Print on Photo Rag Bright White Paper by Pop Culture Graffiti Artist Kilian Eng (DW Design). Print on paper (Photo Rag Bright White 310 gsm) 17 H x 24 W inch. Swedish artist Kilian Eng (DW Design) has a unique style and visual language that is sometimes described as retro-futuristic. "I’m very interested in creating environments in my work. I’m fascinated by architecture - ancient, futuristic, fantastic - so I often incorporate buildings or structures. The characters that inhabit the pictures are dropped in these unexpected surroundings." -Kilian Eng

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Legislative Influence For Sale AP Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof 2011 Signed & Marked AP Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale AP Artist Proof" stands as a testament to the profound intersection of politics, pop art, and street aesthetics, epitomizing the essence of the genre through the lens of Shepard Fairey, a defining figure in the contemporary street art scene. Created in 2011, this 2-color, hand-pulled limited edition silkscreen print on fine art paper captures not just the vibrancy and rawness of Fairey's visual language, but also a poignant commentary on the nature of political power and influence in the United States. Marked by its emblematic use of stark contrasts, the print features a depiction of the 40th United States President, Ronald Reagan, clutching a sign with the audacious declaration "Legislative Influence For Sale". Such a visual rhetoric draws attention to the controversial claims about money's role in shaping political outcomes, highlighting the nuances of the relationship between governance and monetary interests. At the same time, by juxtaposing Reagan – who often stands as a symbol of conservative ideals – with a sign suggesting political malfeasance, Fairey challenges the viewer to question and confront their preconceived notions about innocence and guilt in the political arena. In context, Shepard Fairey's artwork – often released under the OBEY moniker – has continually been at the vanguard of pushing the boundaries of street art, evolving it from mere visual spectacle to a medium that communicates pressing societal messages. This piece is no exception. Merging the populist overtones of street art with the iconographic representation reminiscent of pop art, Fairey's "Legislative Influence For Sale AP Artist Proof" is more than just an artwork. It's an embodiment of a time, a statement, and a call to awareness in a world where art and activism seamlessly intersect.

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Tidy Hand-Pulled 4-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Graffiti Artist Pose- Jordan Nickel Rare Street Art Limited Edition Artwork. 2017 Signed & Numbered Limited Edition of 150 Artwork Size 18x24

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King of Clubs Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Philip Lumbang Graffiti Street Artist Modern Pop Art.

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Sadistic Dog Walker- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered Screen Print SADISTIC DOG WALKER (RED) 24 inches by 33 inches Edition of 450 November 15, 2021 I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of police dogs being used to attack civil rights protesters, which contrasts intensely with the blissful perspective of white dog owners who pamper their dogs and hire dog walkers. Some of us never have to think about how the police abuse their power more frequently in non-white and lower-income communities. This “Sadistic Dog Walker” image encourages us to be aware of the “two Americas.” – Shepard

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Through The Depths AP Silkscreen Print by Dalek- James Marshall Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2023 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Through The Depths AP Silkscreen Print by Dalek – James Marshall “Through The Depths” is a 2023 Artist Proof edition by American contemporary artist Dalek, the alias of James Marshall. Sized at 18x24 inches and printed as a hand-pulled silkscreen on fine art paper, this signed and AP-marked limited edition reflects Dalek’s high-precision craftsmanship and evolving aesthetic vocabulary. Executed in a saturated palette of canary yellow, sky blue, orange, pink, and black, the composition bursts with kinetic intensity, centering on Dalek’s iconic Space Monkey figure whose limbs extend outward in dynamic motion. Space Monkey as Symbol and Structure The central character, the Space Monkey, is rendered with signature Dalek geometry—circular ears, a gridlike face, and exaggerated limbs that radiate with robotic intent. Armed with a pink hammer and seemingly suspended in a cosmic ritual, the figure is frozen in action, surrounded by a barrage of laser-like beams and geometric targets. The composition’s rhythm is tightly engineered yet playful, echoing the patterns of video game graphics, Japanese pop influence, and postmodern design theory. Dalek’s Space Monkey has long served as a vehicle for personal and societal commentary. While visually playful, it conveys narratives of surveillance, anxiety, identity, and conformity. In “Through The Depths,” the monkey appears caught between zones of order and explosion, as if navigating multiple psychic dimensions at once. The meticulously constructed background features layers of concentric circles and hard-edged squares, suggesting portals or conceptual thresholds. The title hints at a metaphysical plunge, as if this creature is pushing through layers of perception or psychological architecture. Technical Discipline in Multi-Layered Silkscreening Dalek’s mastery of silkscreen technique is showcased in the crispness of the lines, the seamless alignment of layers, and the even saturation of bold, high-contrast colors. Each color layer is independently pulled, requiring rigorous planning and precision. The final result feels like both a contemporary artifact and a psychedelic map, executed with razor-sharp control. The use of black outlines and vibrant fill tones roots the work in the traditions of graffiti and comic-based visual language while elevating it to fine art printmaking. The screen print’s surface is flat yet dimensional, built from intersecting fields of color and mathematical composition. The vibrant palette is balanced with structural weight, giving the artwork a formal elegance beneath its cartoonish exuberance. This duality—chaotic in imagery yet composed in execution—is central to the visual impact of Dalek’s Street Pop Art & Graffiti Artwork. Collectibility and Contemporary Resonance As an Artist Proof from a 2023 limited edition silkscreen series, “Through The Depths” holds unique value among collectors of street pop and urban contemporary art. Artist Proofs are often reserved for the artist’s personal archive, making them even more desirable due to their rarity and connection to the creator’s hand. James Marshall’s ability to translate the energy of street culture into a structured, collectible format positions him as a defining voice in the evolution of modern pop-infused abstraction. “Through The Depths” stands as a vivid declaration of Dalek’s continued innovation. It is a compact symphony of form and color, meditating on chaos, depth, and digital-age intensity while maintaining the optimism and graphic clarity that defines his Space Monkey mythos. This is a print that invites interpretation, demands attention, and rewards long-term contemplation.

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