Translucid Giclee Print by Dalek- James Marshall Artwork Limited Edition Print on 308gsm Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 19.69x19.69 Translucid by Dalek: Psychedelic Geometry and Character Deconstruction in Street Pop Art & Graffiti Artwork Translucid is a 2022 limited edition giclée print by James Marshall, known globally under the moniker Dalek. Created in an edition of 50 and printed on 308gsm Hahnemühle fine art paper, the piece measures 19.69 x 19.69 inches and is both signed and numbered by the artist. Dalek’s work continues to explore the intersection of digital surrealism, animated abstraction, and character disassembly, all delivered through the lens of high-contrast saturation and urban visual syntax. In Translucid, Dalek revisits his Space Monkey universe but pushes it through an explosion of translucent layering, deconstructed movement, and psychedelic repetition, fully encapsulating the energy and philosophy of Street Pop Art & Graffiti Artwork. At the center of the composition is a hyper-stylized figure with bulbous limbs, cyclopean eyes, and aggressive posture. The colors are electric—neon greens, acid pinks, sky blues, and jet black clashing across a looping, rhythmic design. Each form appears duplicated in offset trails, creating a sense of motion, echo, and dimensional slippage. Arms extend wildly, one arm reaching into space as geometric beams stretch outward from the figure’s head, like a visual shout. Behind the main character, semi-transparent replications ripple outward, suggesting time-lapse, digital lag, or a multi-frame animation frozen in layered stillness. Color, Repetition, and Hyper-Controlled Chaos Dalek’s visual structure in Translucid is anything but accidental. His precise control over linework, curvature, and fill creates a sense of machine-assisted hallucination—balanced and ordered while still feverishly alive. The background cycles in soft circular shadows and bubble-like forms, contrasting against the sharper explosions of the foreground. The result is a tension between kinetic madness and graphic symmetry. This interplay mimics the visual philosophy of graffiti—where repetition, character tags, and layered symbols become identity marks in a sea of controlled chaos. The translucent effect is a key feature. Shadows, ghosted lines, and echo silhouettes hint at multiplicity within a single subject, blurring the boundary between the singular and the cloned. This approach mirrors the digital saturation of contemporary image culture, where icons are constantly remixed, repurposed, and looped across screens. Dalek captures this sensation of visual echo and overload in fine art form, reflecting the pulse of the street in a contained 19.69-inch square. Space Monkey Mutation and Visual Dialogue with Modern Culture The figure in Translucid may stem from Dalek’s iconic Space Monkey identity, but here it has mutated into something more abstract and dynamic. While earlier works presented Space Monkey as a flat, enigmatic observer, Translucid transforms the character into a conduit of movement, shape, and power. It dances, attacks, and glitches, no longer passive but fully integrated into the chaos it once surveyed. The distorted grin, radiating eyes, and disconnected limbs build a mood of paradoxical joy and digital exhaustion. Dalek’s work fits seamlessly into the language of Street Pop Art & Graffiti Artwork by maintaining an animated energy and conceptual looseness that still delivers refined structure. He distills pop culture, video game rhythm, and graffiti wall aesthetics into a composition that communicates without narrative. Translucid does not tell a story—it emits a frequency. It is a painting you can hear if you look closely enough. Translucid as Artifact of Pop Abstraction and Contemporary Identity Printed on 308gsm Hahnemühle fine art paper, the physical texture and pigment retention elevate Translucid into collector-grade territory while preserving the street-informed aesthetic integrity of Dalek’s work. Each edition carries the same intensity and depth of color, capturing every shadow trail and collision point with exact precision. It is both object and signal—a reminder that visual culture is not linear, and that repetition can be both expressive and destabilizing. James Marshall’s contribution to the Street Pop Art & Graffiti Artwork canon continues to expand through works like Translucid. This piece encapsulates the language of repetition, kinetic design, and psychedelic commentary, all while maintaining Dalek’s commitment to abstraction rooted in character evolution. Translucid is not about resolution—it is about motion, multiplicity, and the fragmented joy of navigating a world where meaning comes layered, duplicated, and infinitely alive.

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Taming of a Wild Mind HPM AP Hand-Pulled Limited Edition Silkscreen Print on 410gsm Somerset Satin Paper by Eelus Rare Street Art Famous Pop Artwork Artist. Artist Working Proof 2022 Signed HPM Limited Edition of 4 Hand Painted Artwork Size 19.69x27.56

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Habitats II Standard Lithograph Flouro Mix Print by Al Maser Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2019 Signed & Numbered Limited Edition of 75 Artwork Size 19.69x27.56 "A lot of my works focuses on relationships. That's stemmed from working in the public realm for the majority of my artist career. How the public interact and engage with my large outdoor murals, led me onto building interactive installations so people can engage with the '3d paintings' Over the past few years this idea of relationships and the environment has found me looking at botanics and their role and effect on us. Primarily out of interest but it has lead me to understand the importance of certain plants, in regards to our health, mental health, sleep, anxiety etc. It has naturally brought me to the National Botanical Gardens Dublin Ireland to sketch and take photos of the plants I've found of interest. From those sketches and photographs I've integrated their loose forms into my 'hard lined' art and applied the new compositions to my print works." - Maser Habitats II, a remarkable work by Al Maser, exemplifies the fusion of graffiti, street, and pop art elements, capturing the essence of urban contemporary expression. This captivating lithograph, titled "Habitats II Standard Lithograph Flouro Mix Print," is a celebration of Al Maser's deep engagement with public spaces, relationships, and the intricate dance of human interaction with nature. Hand-pulled with precision on high-quality fine art paper, this 2019 creation exudes vibrancy, both in its color palette and its inherent narrative. With a dimension of 19.69x27.56, it is a limited edition, showcasing Al Maser's commitment to exclusivity, as it is one among a mere set of 75, each authentically signed and numbered. Maser's artistic journey has been characterized by his fascination with relationships, shaped largely by his extensive experience in public art. This interplay between the public and his large-scale outdoor murals served as a catalyst, urging him to craft interactive installations that serve as tangible "3d paintings." This exploration of relationships further extended to the environment, steering Maser towards the realm of botanics and their profound influence on human well-being. His curiosity about the role of plants in regulating health, mental state, sleep, and anxiety led him to the National Botanical Gardens in Dublin, Ireland. There, he sketched and photographed intriguing plants, seamlessly integrating their organic forms into his characteristically 'hard lined' art. Habitats II, thus, stands as a testament to Maser's unique approach, translating his real-world observations into compelling print works that resonate with a wide audience.

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Cartoon Process 1 Silkscreen Print by MartÍ Sawe Hand-Pulled on 300gsm Extra White Inuit Fine Art Paper Limited Edition Screenprint Artwork. 2020 Signed & Numbered Limited Edition of 60 Artwork Size 19.69x27.56 Silkscreen Print Cartoon Process 1 by Martí Sawe Street Pop Art & Graffiti Artwork Cartoon Process 1 by Martí Sawe is a 2020 silkscreen print that fuses the dynamic edge of street art with the layered complexity of abstract pop visual language. Measuring 19.69 by 27.56 inches and printed on 300gsm extra white Inuit fine art paper, this hand-pulled edition was limited to only 60 signed and numbered copies. Sawe, a Barcelona-born artist, brings a distinctive voice to Street Pop Art & Graffiti Artwork by incorporating cartoon iconography, hand-drawn elements, machine graphics, and visual metaphors within color-blocked structures that mimic digital composition while remaining fully analog in technique. The artwork is both an investigation into image-building and a reflection of cultural overload, piecing together fragments of commercial design, urban symbology, and comic influence. Martí Sawe’s Visual Vocabulary and Conceptual Layers Sawe's work stands out for its fearless use of hybridization. In Cartoon Process 1, his practice of mixing clean digital motifs with expressive sketches and painterly textures forms a canvas of dual perception. On one hand, there is the suggestion of modern communication through signage, logos, and mechanical renderings. On the other, childlike hands and cartoon heads evoke memory, raw creativity, and an intentionally unpolished gesture. These coexisting elements challenge the viewer to process the artwork not in linear narrative but in layered fragments. The combination of technical rendering with expressive marks captures the duality of the contemporary urban landscape—digitalized yet messy, calculated yet spontaneous. Silkscreen as a Deliberate Choice in Street Pop Context The choice of silkscreen printmaking is essential to the impact of Cartoon Process 1. Silkscreen has long been embraced by pop and street artists, from Andy Warhol to Shepard Fairey, as a means to flatten and multiply images without sacrificing detail. In Sawe’s case, the medium allows for crisp separation of layered forms while still honoring the hand of the artist. The printing process used for this work enables an intricate play between opacity and transparency, allowing vivid color zones to remain distinct while textured overlays create depth. Each edition reflects the controlled craftsmanship behind graffiti-based fine art, echoing the balance between street spontaneity and studio execution. Cartoon Process 1 and the Urban Graphic Language of Martí Sawe Cartoon Process 1 fits squarely within Martí Sawe’s body of work, which consistently reflects an interest in pop culture, signage, and the absurd. Sawe operates in the in-between space of fine art and graffiti subculture, often experimenting with typography, character distortion, and playful collage. His fluency in visual languages across art, design, and street aesthetics positions his pieces as uniquely tuned to modern visual noise. The silkscreen print is not simply decorative but investigatory, prompting viewers to reflect on media saturation, image consumption, and symbolic architecture. Cartoon Process 1 is an exemplar of how Street Pop Art & Graffiti Artwork can remain raw and reflective while ascending into collectible fine art.

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