Peoples Power Original Painting Mixed Media Stencil & Spray Paint on Cut Out Wood Panel by Icy & Sot Graffiti Street Artist Modern Pop Art. 2015 Signed Original Spray Paint & Stencil Painting on Cut-Out Wood Artwork Size 21x46 "Life Size" "American Dream is inspired by the homeless guy holding ag Starbucks cup and asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the Empire State Building so he can be noticed more." - Icy &. Sot Decoding the Visual Language of 'People's Power' The artwork titled 'People's Power' by the street artist duo Icy & Sot is a striking example of modern pop art that interweaves the raw intensity of graffiti with the engaging allure of stencil work. Created in 2015, this original piece was meticulously crafted using mixed media, predominantly stencil and spray paint, on a cut-out wood panel. The artists' choice of materials and their technique tell of their deep roots in the traditions of street pop art and graffiti artwork, where the use of spray paint is iconic, and stencils allow for sharp, repeatable imagery that can be rapidly executed in the often tricky environments of public spaces. Artistic Expression on Social Realities 'People's Power' resonates with the ethos of street art by boldly tackling socio-political themes. Icy & Sot's work often reflects a keen awareness of contemporary issues; this piece is no exception. The narrative behind the 'American Dream' — the inspiration for 'People's Power' — stems from the artist's observation of a homeless individual in New York City, cradling a Starbucks cup while begging for money. This poignant scene, set against the backdrop of towering skyscrapers, sparked the creation of an artwork that seeks to amplify the presence of the often overlooked and marginalized figures in urban landscapes. The Symbolic Imagery of 'People's Power' In 'People's Power,' the central figure is depicted as larger than life, overshadowing the iconic Empire State Building. This artistic choice elevates the subject, literally and figuratively, granting him a visibility that is usually denied in real life. The mixed crowd surrounding the central figure appears to be in solidarity, suggesting a collective uprising or a unified stand against societal issues. The vibrant colors splashed across the face of the central figure add a sense of vitality and perhaps a glimmer of hope amidst the stark black and white of the crowd. Technique and Form in Icy & Sot's Creative Process The technical prowess of Icy & Sot is evident in the stencil work's precision and the spray paint's controlled chaos. By opting for a wood panel as the substrate, the artists step away from the transient nature of street walls, allowing 'People's Power' to exist as a portable manifesto of their artistic and ideological stance. The cut-out form of the artwork disrupts the conventional rectangular canvas, giving the piece an almost sculptural presence that echoes the three-dimensional experience of encountering street art in the wild. Contextualizing 'People's Power' Within Street Pop Art 'People's Power' is more than a visually captivating piece; it is a cultural artifact that encapsulates the spirit of street pop art. Icy & Sot have successfully harnessed the expressive potential of graffiti artwork to communicate with a broad audience, transcending linguistic and cultural barriers. The artwork's accessibility is crucial to its impact, following the tradition of street art that speaks directly to the public, unfiltered by the gatekeeping norms of traditional galleries and museums. Impact and Legacy of 'People's Power' The legacy of 'People's Power' lies in its ability to confront and converse with its audience about uncomfortable truths. As with many seminal works in the street pop art genre, this piece's value is amplified by its relevance to contemporary societal discourses. Icy & Sot's commitment to addressing the uncomfortable facets of modernity is what positions 'People's Power' as not only an object of aesthetic admiration but also as a beacon of social consciousness in the realm of modern art.

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Drifting Artwork Giclee Limited Edition Print on Fine Art Rag Paper by Pop Culture Graffiti Artist Logan Hicks. Giclee Print Paper dimensions 21x27.5 inches Art dimensions 18x24 inches Signed Numbered 320 GSM, 100% rag paper This giclee is an edition of 35. This print was originally released at the "Thin Veils and Heavy Anchors" exhibit in Los Angeles on March 8th, 2013. The print was released during the opening and then opened to the public afterwards. Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

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Three-Piece Etching Limited Edition Etching with Aquatint Print on Hand-Decorated Fine Art Paper by Zwy Milshtein is a pop art graffiti artist art. 1970 Signed & Numbered Limited Edition Etching Art Print. Artist: Zwy Milshtein Title: Three Piece Etching Medium: etching, with Aquatint Size: 21 x 30 inches Edition: Signed in pencil and marked 26/75 Zwy Milshtein: A Maestro of Etching and Aquatint Zwy Milshtein's artistic narrative is one of movement, not just across geographies but also through the evolution of his distinct style and technique. Born in 1934 in Kichinev, now known as Moldova, Milshtein's journey through the turbulence of World War II led him from Russia to Romania and eventually to Israel. However, in Paris, to which he moved in 1955, Milshtein found his enduring artistic home. Here, he became renowned as both a painter and a master engraver, celebrated for his etchings and engravings that capture the complexity of human experience. The Intertwining Paths of Engraving and Street Art The "Three-Piece Etching" by Milshtein is a testament to the craftsmanship and depth of engraving as an art form. Completed in 1970, this signed and numbered limited edition etching with aquatint, measuring 21 x 30 inches, is a fine example of Milshtein's adeptness with aquatint—a technique that allows for the creation of tonal effects, producing rich textures and a range of shades that lend a painterly quality to prints. This artwork, part of an exclusive series marked 26/75, is particularly notable for its abstract composition and the intriguing use of negative space, which engages the viewer in a visual dialogue reminiscent of contemporary street art and graffiti. Milshtein's Impact on Contemporary Art Milshtein's influence on the art world is well-documented through numerous exhibitions and retrospectives. His work was featured at ARC, the Museum of Modern Art in Paris, and in 1978, the Bibliotheque Nationale in Paris hosted a retrospective exhibition of his engravings. His artistic achievements include participation in the Hans Christian Andersen House project 1997, where he, along with other top European artists, paid tribute to the Danish author's bicentennial birthday. The aesthetic choices and technical skill displayed in works like "Three-Piece Etching" echo the visual strategies found in street pop art and graffiti. Milshtein's art, while distinct in its medium and execution, shares the spirit of innovation and subversion that is a hallmark of street art. His engravings invite the public to explore themes of identity, memory, and existence, much like street art and graffiti often do within the urban landscape. Zwy Milshtein's contributions to the world of engraving and his explorations in aquatint have secured his reputation as an artist of great skill and depth. "Three-Piece Etching" is a prime example of his ability to communicate complex ideas through printmaking. His legacy continues to inspire and influence artists within and beyond pop art, street art, and graffiti, affirming his artistry's enduring power and relevance.

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Ghoul's Night Out Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Christine Wu.

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Stagger Limited Edition 2-Color Hand Letterpress Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Smithe pop art graffiti famous artist art. 2022 Signed 2-Color Letterpress on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 20 x 21 Inches Release: January 17, 2022 Run of: 35

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Ebb Tide Limited Edition 2-Color Hand Letterpress Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Smithe pop art graffiti famous artist art. 2022 Signed 2-Color Letterpress on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 20 x 21 Inches Release: January 17, 2022 Run of: 35

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