CARDART Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: HERE

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Await Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kevin Peterson. 2019 Signed & Numbered Limited Edition Await Edition of 100 26x20 inches / 66x50.8 cm Fine art print on 290gsm paper Hand signed and numbered by the artist Kevin Peterson’s Await: Urban Isolation and the Quiet Power of Companionship Kevin Peterson’s Await, released in 2019 as a signed and numbered giclée limited edition of 100, captures a hauntingly tender moment within the decayed remains of an urban structure. Measuring 26 x 20 inches and printed on 290gsm fine art paper, the work brings together hyperrealistic detail and narrative symbolism through the lens of Street Pop Art & Graffiti Artwork. A young boy sits on the floor of an abandoned building, his body language quiet and contemplative. He is not alone—a fox rests by his side, and two crows linger near a shattered window. Behind them, vibrant graffiti commands the wall, asserting presence in a space otherwise forgotten. Peterson continues his thematic exploration of childhood resilience in fractured environments. The child, dressed in a blue shirt and sneakers, becomes the emotional center of the piece, gazing into the distance as if waiting for something uncertain. The fox—calm, alert, and intimate—sits with him like a watchful companion. The crows hover on the boundary between inside and out, motion frozen mid-flight. These animals are not placed for aesthetic decoration—they are symbols. The fox often signifies cunning, adaptability, and trust in folklore, while crows bring with them meanings of observation, change, and memory. Together, they form a trio that blurs the lines between survival and stillness. Decay as a Canvas for Meaning The setting of Await is rendered in stunning detail, with cracked concrete, broken window panes, overgrown weeds, and dust-covered tile telling a story of abandonment. Yet the walls are not silent. Behind the boy, the word “UBRT” explodes in saturated graffiti. The boldness of the lettering stands in stark contrast to the muted greys and crumbling surfaces of the environment. The wall’s artwork becomes a voice—vivid, expressive, and alive—asserting that this space, though forgotten by the world, still holds energy and identity. Peterson treats the graffiti not as a backdrop, but as a character in its own right. The use of street art as part of the composition affirms the work’s alignment with Street Pop Art & Graffiti Artwork. Peterson is not merely documenting urban environments; he is mythologizing them. These ruins are not empty—they are sacred arenas where inner lives play out, where emotion survives despite absence. The boy’s paper crown, lying near his feet, adds another layer of poetic symbolism. It evokes lost innocence, imaginative sovereignty, or the fragile authority children construct in unstable realities. Stillness, Survival, and Street Pop Allegory What elevates Await beyond realism is its sense of sacred quiet. Peterson’s figures do not pose—they exist. The boy and his animal companions do not dramatize their condition; they endure it with grace. The lack of spectacle intensifies the atmosphere. The viewer is invited not just to look, but to sit with the scene, to inhabit its silence. The title itself, Await, implies anticipation—but for what remains unknown. The answer is left to the viewer, suspended like the crows midair, fluttering at the edge of an open window. Peterson’s work belongs to a school of Street Pop Art that replaces the bombast of rebellion with narrative intimacy. He shows us that the city, even when broken, remains a place of encounter, symbolism, and inner transformation. Await is not about spectacle—it is about presence. In a world often moving too fast to notice moments like this, Peterson slows time down just enough for us to see the waiting, the watching, and the quiet beauty in staying still.

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The Fly Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Johnny Dombrowski Graffiti Street Artist Modern Pop Art. Screenprint. Hand-numbered.

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Smile Portrait- Red Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Heart and Soul Original Pen Ink Drawing Art on 320gsm Handmade South Indian Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Ballpoint pen drawing on 320 gsm handmade South Indian paper Size: 62cm x 43cm Unframed Drawing is protected by an archival UV protective matt varnish spray 16.9x24.4 Mark Powell – Heart and Soul in Street Pop Art & Graffiti Artwork Heart and Soul by British artist Mark Powell is a striking original pen-and-ink drawing executed in 2021 on 320gsm handmade South Indian paper. Measuring 62 x 43 cm (16.9 x 24.4 inches), this piece features a meticulously rendered dead hare and pheasant, hung upside down by string in a composition that instantly evokes classical still life yet pulses with contemporary subtext. Drawn entirely with a ballpoint pen and sealed with archival UV-protective varnish, Powell’s rendering elevates this modest medium to a tool of expressive clarity. Though absent of color or overt graffiti marks, the work stands firmly within the lineage of Street Pop Art & Graffiti Artwork through its subversive detail, its interrogation of mortality, and its commitment to technical excellence layered with conceptual weight. Powell is known for using found paper, vintage documents, and aged materials in his broader practice, though in Heart and Soul, he opts for clean, handmade paper—still retaining the rawness of imperfection in texture. The subject matter draws upon the tradition of vanitas and memento mori, while also referencing the vernacular of field sport culture in a way that challenges sentimentality. This visual honesty—showing death with beauty but no spectacle—is a gesture that resonates deeply with the ethos of street and pop-inflected art. It’s a confrontation with finality, with heritage, and with consumption. The Ballpoint Pen as a Tool of Dissent and Precision What separates Powell from traditional fine draftsmen is his unorthodox use of the ballpoint pen—a tool associated more with classroom doodles or blue-collar notebooks than high art. In the context of Street Pop Art & Graffiti Artwork, this choice mirrors the use of spray cans or permanent markers: democratic, accessible, and unpretentious. Every feather, fur strand, and shadow in Heart and Soul is executed with surgical precision using this common tool, elevating it to something sacred. Like a tag scratched into a subway door or a throw-up on a crumbling brick wall, Powell’s marks assert permanence against fragility. The imagery is clean yet jarring—animals that once lived now suspended, motionless. The vertical tension of the ropes holding them reflects themes of control and helplessness, drawing a subtle parallel to how bodies—whether in life or in art—are often manipulated, positioned, and consumed. These symbolic references are aligned with urban artistic movements that seek to expose the hidden systems beneath culture, whether through abstraction, realism, or text-based intervention. Contemporary Still Life in the Street Pop Art Narrative Still life traditionally served as a showcase of abundance, fragility, and temporal beauty. In Powell’s hands, that tradition is disrupted, made raw. The careful rendering of animals is not a romantic homage—it is a meditation on stillness, loss, and what it means to hold onto something after it has passed. By choosing subject matter often glorified in upper-class sporting culture and presenting it without drama or glorification, Powell reclaims the narrative. This reclamation mirrors the objectives of many street artists who challenge dominant visual histories by injecting alternate perspectives. There is a quiet radicalism in Heart and Soul—a refusal to decorate or dilute. The honesty of the composition, the weight of the medium, and the choice of paper all work together to create an artwork that is as much about process and material as it is about meaning. This approach reflects Street Pop Art & Graffiti Artwork’s core value: that beauty, rebellion, and reflection can emerge from the simplest of materials, when handled with vision. Mark Powell’s Position in Modern Pop Draftsmanship Though not a graffiti artist in the traditional sense, Mark Powell’s aesthetic and thematic sensibilities place him in close proximity to the conceptual edge of street art. His commitment to drawing as an act of observation and confrontation, along with his use of humble materials and deadpan subject matter, places his work within the wider umbrella of street-conscious fine art. Heart and Soul does not shout, but it never looks away. It is an elegy rendered in ink—a ballpoint requiem that speaks with the same depth as murals, stencils, and protest posters inked on alley walls.

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The Blob Bat Limited Edition Maple Dinger Baseball Bat Sculpture Artwork by Modern Fine Graffiti Street Artist Efdot. Efdot's Blob Bat features his signature abstract-meets-figurative Blob pattern, wrapping around the glossy black barrel of the wooden bat. Efdot logo and Ef. monogram are included on the surface above the grip of the bat. The first blob bat was originally featured on Efdot's Topps Project 2020 Mike Trout card. Only 10 black/gold Blob Bats will be made in this special edition for MLB Opening Day 2021. Bat Details: Size: 33' in length with a large barrel with a medium handle Material: D-318 Maple In collaboration with Dinger Bats "Baseball is not included in purchase Fulfilled by Efdot Studio in Brooklyn, NY.

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Another Day In the Coal Mine Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled Navigating the intersections of pop art, street art, and graffiti art, Shepard Fairey's "Another Day In the Coal Mine" emerges as an evocative piece that resonates deeply with contemporary themes and societal introspections. This large format artwork is a manifestation of Fairey's unparalleled skill, a hand-pulled 4-color serigraph print that captivates with its intricate design and vivid colors, all meticulously rendered on custom cotton Coventry rag paper. The composition presents a harmonious blend of patterns, ranging from the radiant sun-like designs to the serene floral motifs, juxtaposed against stark industrial imagery. The title, "Another Day In the Coal Mine," subtly hints at the labor-intensive, often unrewarding tasks that many endure in their daily lives. Yet, amidst this seemingly bleak narrative, the vibrant bird on the bottom right stands as a beacon of hope, a symbol of resilience and perseverance. Crafted in 2023, each of these limited pieces, measuring 45x26, has been hand deckled, adding an authentic touch to the artwork's overall aesthetic. With only 100 prints in circulation, each signed and numbered by Shepard Fairey, the exclusivity of the piece is undeniable. Embedded within its fabric is the unmistakable Obey publishing chop, discreetly positioned in the lower left corner. Beyond its visual appeal, the artwork carries a deeper purpose. Fairey, in his continuous commitment to environmental advocacy, pledges the proceeds from this piece to Greenpeace. As a testament to the power of art, "Another Day In the Coal Mine" not only engages viewers visually but also drives action for a more sustainable future.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Untitled Canvas III Original One of a Kind Mixed Media Acrylic & Spray Painting Artwork on Gallery Wrapped Canvas by Popular Street Graffiti Artist Crash- John Matos. 2022 Signed Original Spray Paint & Acrylic Painting Size 12x12 John Matos' "Untitled Canvas III": A Symphony of Color and Form "Untitled Canvas III," an original mixed media piece by the renowned street graffiti artist Crash, whose real name is John Matos, exemplifies his role as a critical figure in the evolution of street pop and graffiti art. Known for his vibrant use of acrylic and spray paint, Crash continues to capture the dynamic energy of urban life on gallery-wrapped canvases. This piece, completed in 2022, is a 12x12 inch square canvas that vibrates with the intensity and controlled chaos Crash is celebrated for. Crash's Mastery in Street Pop Art and Graffiti In "Untitled Canvas III," Crash's expertise in manipulating acrylics and spray paints to create textured, layered works is evident. The piece features an array of geometric shapes and vivid colors that interlock and overlap, making a sense of depth and movement. His signature bold lines and sharp angles reflect the influence of graffiti art while incorporating various forms and colors, which is reminiscent of the pop art movement. Each element in this artwork is carefully crafted to maintain a visual balance, echoing the rhythm and beat of street life. A Closer Look at "Untitled Canvas III" Crash's "Untitled Canvas III" showcases his artistic skills and his ability to communicate through visual language. When viewed in totality, The seemingly abstract forms suggest a narrative left to the viewer's interpretation. This enigmatic quality is a hallmark of Crash's work, inviting audiences to delve into the painting and discover personal connections with the imagery. The piece's size adds an intimate dimension, allowing for a unique interaction between the artwork and its beholder. The Influence of Crash's Work on Contemporary Art John Matos' impact on the art world through his persona Crash has been profound, particularly in the street pop art and graffiti art scenes. "Untitled Canvas III" is a testament to his enduring relevance and innovation as an artist. His work has been instrumental in challenging traditional boundaries and perceptions of fine art, bringing the authentic voice of the streets into the refined atmosphere of galleries. As a signed original, this piece holds a special allure, offering collectors a tangible connection to the energy and spirit of contemporary urban art. In summary, Crash's "Untitled Canvas III" vibrant represents street pop art and graffiti artwork. It encapsulates the essence of Matos' artistic journey, showcasing his distinctive style that has both defined and transcended the genres he works within. The piece stands as a colorful narrative of urban life and a significant addition to the discourse of modern art.

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Think Small Artwork Screen-Print Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Justin VanGenderen. Justin VanGenderen " Think Small" (NYCC 2015 Exclusive) signed and numbered by the artist limited edition screen print only 250 copies made 16.5" x 20.5" Unframed: $35 More

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Vader- Standard Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Marly Mcfly. 2021 Signed & Numbered Limited Edition of 40 Artwork Size 16x16 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Stylized Star Wars Villian Darth Vader. Embracing the interplay between street art's raw edge and pop culture's omnipresence, Marly Mcfly's "Vader-Standard" is a striking limited edition piece that reimagines one of cinema's most iconic antagonists. This archival pigment print captures Darth Vader in a stylized form, employing bold colors and graphic elements that are the signature of graffiti and pop art. Each print is meticulously produced on 290gsm Moab Entrada Fine Art Paper, a high-quality substrate favored for its ability to render the rich, saturated colors and sharp details essential to Mcfly's aesthetic. With a limited edition of only 40 pieces, "Vader-Standard" presents exclusivity and collectibility, highly valued by art enthusiasts and collectors. Sized at 16x16 inches, the artwork provides a substantial canvas for Mcfly to explore the complexity of Darth Vader's character through a lens that is visually striking and culturally relevant. Mcfly's Vader is not just a reinterpretation of a film character but a representation of the villain as an icon in the global lexicon, resonant with symbolism and open to the interpretation inherent in street art. Mcfly's work often navigates the themes of fame, power, and the dichotomy of good versus evil, employing a vivid, comic book-like style that challenges and engages the viewer. By selecting Darth Vader as a subject, Mcfly taps into the collective consciousness, exploring the depths of the character's symbolism. The character's visage is layered over a collage of text and imagery that references the chaos and order inherent in the character's narrative and street art's traditional public dialogues. This piece stands as a testament to Marly Mcfly's ability to bring together the subversive streak of street art and the mass appeal of pop culture icons, creating a body of work that is not only aesthetically bold but also profoundly nuanced in its commentary. "Vader-Standard" is a prime example of how contemporary artists can bridge various forms of visual expression to create something entirely new, something that speaks both to the art lover and the pop culture enthusiast alike.

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Palm Trees Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

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Drifting Artwork Giclee Limited Edition Print on Fine Art Rag Paper by Pop Culture Graffiti Artist Logan Hicks. Giclee Print Paper dimensions 21x27.5 inches Art dimensions 18x24 inches Signed Numbered 320 GSM, 100% rag paper This giclee is an edition of 35. This print was originally released at the "Thin Veils and Heavy Anchors" exhibit in Los Angeles on March 8th, 2013. The print was released during the opening and then opened to the public afterwards. Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Geant Serigraph Print by Linda Le Kinff Limited Edition Hand Pulled Artwork on Wove Fine Art Paper Modern Street Graffiti Pop Artist. 2006 Signed & Numbered Limited Edition of 350 Artwork Size 9x10.5 Blond Women  Classical Opera Singer & Violist Orchestra Performance. Linda Le Kinff's "Geant" Serigraph: A Modern Art Marvel Linda Le Kinff's "Geant" emerges as a vibrant serigraph that captures the essence of modern street graffiti and pop art. This 2006 signed and numbered limited edition of 350 pieces, measuring 9x10.5 inches, is a testament to Le Kinff's mastery over the serigraphic process and her ability to convey complex human emotions through bold, colorful imagery. Crafted on wove fine art paper, "Geant" reflects the artist's deep engagement with the aesthetics of modern art and her commitment to producing works that resonate with the energy and spirit of contemporary urban culture. Transcending Boundaries with "Geant" Linda Le Kinff's "Geant" represents a unique fusion of traditional serigraphic techniques with the thematic boldness typically found in street and pop art. The artwork features a dynamic composition that draws the viewer into an intimate moment shared between figures, rendered with an elegance and fluidity that belies the typically rough-hewn nature of street art. Le Kinff's choice of colors and her precise application of ink speak to the influence of graffiti art's spontaneity and pop art's fascination with the spectacle of daily life. The Impact of Linda Le Kinff's Artistic Vision The serigraph "Geant" stands as a pivotal piece in Linda Le Kinff's oeuvre, encapsulating the artist's innovative approach to creating modern art that is accessible and emotionally impactful. Her work does not simply hang on a gallery wall but interacts with the space and the onlooker, inviting interpretation and introspection. The limited edition nature of "Geant" further emphasizes the value placed on each piece, ensuring that every print is not just a reproduction but a unique work of art in its own right. Linda Le Kinff's "Geant" celebrates modern street graffiti and pop art, showcasing the artist's ability to blend classic artistry with contemporary themes. Her work inspires and captivates audiences, securing her place as a significant figure in the modern art world.

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Multi Tags Series 7912 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 30x42 Multi Tags Series 7912" is an original graffiti painting by Seen UA, an influential artist. Seen UA, also known as Richard Mirando, is a pioneer in graffiti with a career spanning over four decades. He started in the late 1970s, tagging New York City's subway trains and streets with his iconic, dynamic lettering style. As the name suggests, "Multi Tags Series 7912" is likely part of a series of works featuring multiple graffiti tags in different styles and colors. The series might showcase Seen UA's diverse graffiti techniques and the evolution of his style over the years. UA's work has gained international recognition, and he has transitioned from the streets to the fine art world. His art has been exhibited in galleries and museums globally, earning him a place among history's most respected graffiti artists. Collectors appreciate Seen's work for its vibrant colors, bold lettering, and intricate designs, reflecting the energy and spirit of the urban landscape.

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Alien Hidden Glow in the Dark Papyrus Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 25 Size 14x17 Alien Pharaoh on Papyrus Silkscreen That Glows in the Dark in Egyptian African Gold Style Marwan Shahin Alien Hidden Glow in the Dark Papyrus Silkscreen Print Alien Hidden Glow in the Dark Papyrus by Marwan Shahin is a 2022 hand-pulled silkscreen print that fuses ancient Egyptian royal iconography with futuristic extraterrestrial imagery, firmly situated within Street Pop Art & Graffiti Artwork. The composition presents a frontal alien pharaoh figure rendered with symmetrical precision, elongated eyes, and a polished black cranial dome that suggests cosmic depth. The figure wears a traditional nemes-style headdress accented in rich Egyptian gold tones, while a stylized winged chest emblem anchors the lower portion of the design. The textured papyrus background introduces an organic earth-toned surface that contrasts with the sharp graphic line work and luminous color accents layered on top. Egyptian Regalia and Contemporary Sci Fi Influence Marwan Shahin is an Egyptian contemporary artist who remains active and is recognized for integrating Pharaonic symbolism with global pop and speculative themes. In this variation, the alien pharaoh wears a face covering rendered in purple and blue tones, adding a contemporary visual layer that connects ancient authority with modern global realities. The fusion of cobra motifs, winged emblems, and celestial head elements with alien facial structure creates a hybrid deity that challenges fixed historical narratives. Within Street Pop Art & Graffiti Artwork, this synthesis reflects the movement’s broader practice of remixing cultural heritage with modern iconography to produce new mythologies. Shahin’s work suggests that power, divinity, and identity are constantly reimagined across eras. Glow Elements, Diamond Dust, and Limited Edition Details This edition measures approximately 14 by 17 inches and is signed and numbered in a limited run of 25. The hand-pulled silkscreen process incorporates glow in the dark ink that activates under low light, transforming the alien features and select design elements into luminous highlights. Diamond dust is applied to create reflective texture, intensifying the gold accents and enhancing dimensional contrast against the papyrus surface. The use of authentic Egyptian papyrus connects the artwork to one of the earliest artistic materials in recorded history, grounding the futuristic subject in traditional craftsmanship. As a piece aligned with Street Pop Art & Graffiti Artwork, Alien Hidden Glow in the Dark Papyrus stands as a collectible fusion of ancient symbolism, speculative imagery, and refined limited edition printmaking.

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Let's Burn It All- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Riot Cop 1000% BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toys Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. This large 1000% Bearbrick figure stands at 70cm!

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Dali Pop Street Artwork Hand Painted Multiple HPM Limited Edition Giclee Print on 300gsm Somerset Satin Paper by Urban Graffiti Modern Artist PANG - Fipsi Seilern. Signed HPM Edition of 40 Giclee print on 300 gsm Somerset Satin paper Hand Finished by the artist all unique signed by the artist Dimensions: 60 x 72 cm 2021

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Dead On Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Nature Of Yin Versus Yang Gold Leaf Fluorescent Red Artwork Full Bleed Hand-Embellished Spray Paint Gold Leaf HPM Archival Limited Edition Print on 300gsm Archival Rag Paper by Urban Artist Shark Toof. 2017 Signed & Numbered Limited Edition of 15 Artwork Size 18x18 Gold Foil

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Sprout A Skateboard Art Deck by Al Maser Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2021 Signed & Numbered Limited Edition of 75 Skateboard Artwork Size 8x31 Skateboard Art Deck Graffiti Skateboard, Art Deck Collecting, has become a popular niche in skateboard and art communities. Collectors often seek skateboard decks featuring graffiti-inspired artwork for their unique designs, creativity, and connection to skateboarding culture. Graffiti Skateboard Art Decks are a unique and vibrant fusion of street art and the skateboarding culture, making them an irresistible addition to any enthusiast's collection. By purchasing one of these decks, you'll not only be investing in a stunning piece of functional artwork, but also in the talented artists who use their creativity to express their passion for art.

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Skull Face 100% & 400% Be@rbrick Art Toy by Madballs x Medicom Limited Edition Vinyl Art Toy Urban Collectable Art Figures 2021 Madballs Be@rbrick Skull Face 100% and 400% Collectible Set stands approximately 2.75 and 11.02 inches tall. New in Box. The Intersection of Street Pop Art and Collectable Culture: Madballs x Medicom's Skull Face Be@rbrick In the ever-expanding universe of urban collectible art figures, the collaboration between Madballs and Medicom Toy Corporation has resulted in a striking creation: the Skull Face 100% & 400% Be@rbrick. This limited edition vinyl art toy set, released in 2021, is a tangible celebration of street pop art and the collectible culture that has flourished around such items. Standing at approximately 2.75 inches and 11.02 inches tall, these art toys manifest the playful yet edgy spirit that characterizes much of contemporary pop art, street art, and graffiti artwork. The Be@rbrick, a collectible toy designed and produced by the Japanese company Medicom Toy Incorporated, is a canvas for artistic expression that bridges the gap between traditional art and the more accessible realm of street pop art. The Skull Face Be@rbricks, adorned with the iconic imagery from Madballs—a series of toy rubber balls created in the 1980s and known for their grotesque designs—is a homage to the nostalgia of past pop culture and the modern aesthetics of urban art. Cultural Significance and Artistic Value of Be@rbrick Collectibles The significance of the Be@rbrick in the landscape of modern collectibles cannot be overstated. It has become a cultural icon in its own right, serving as a unique platform for artists and brands to showcase their creativity. The Skull Face Be@rbrick set is a perfect example of this, marrying the irreverent and provocative designs of Madballs with the clean, minimalistic form of the Be@rbrick figure. The result is a collectible that is both a piece of art and a part of a broader cultural conversation that includes street pop art and graffiti artwork. Each figure in the Skull Face Be@rbrick set is a testament to the detailed craftsmanship and artistic integrity that Medicom Toy is known for. From the intricate skeletal patterns that adorn the figure's surface to the vivid contrast of colors, every aspect of the design has been carefully considered to create a visually compelling piece. The statistics, new in the box, are meant for display and represent the collector's appreciation for the art form and its cultural narrative. In a broader sense, the Skull Face Be@rbricks act as a symbol of the democratization of art. By translating the aesthetic commonly associated with street pop art and graffiti artwork into a tangible object, Medicom and Madballs have created an accessible artifact to a broad audience. The collectible nature of these figures allows for the appreciation of street art-inspired designs beyond the walls and galleries, fostering a community of collectors and art enthusiasts who can share in the joy of these miniature sculptures. The Skull Face 100% & 400% Be@rbrick set is a vibrant node in the network of street pop art, offering a playful yet profound commentary on the fusion of art and consumer culture. As collectibles, they stand at the intersection of artistry and production, serving as a testament to the evolving nature of art in the public sphere. These vinyl art toys are not mere objects but vessels of cultural and artistic significance, encapsulating the essence of a movement that continues to shape and influence the world of contemporary art.

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Andy Gill Anti-Hero 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist.

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Williamsburg 3-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x24 Graffiti Street Scene

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Rooster of the Dead 1-Color Hand-Pulled Limited Edition Gold Metallic Ink Silkscreen Print on Black Fine Art Paper by Ernesto Yerena x Philip Lumbang. 2014 Signed & Numbered Limited Edition of 150 Artwork 10x8

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Blue Dumpster HPM Limited Edition Hand-Painted Diecast Metal Graffiti Art Toy Collectible Artwork by Street Artist Amuse126. 2021 Signed Limited Edition of 26 HPM Embleshed Custom Graffiti Mini Dumpsters 4x4 Street Dumpster Series 1 Diecast Metal AM Throw Up Bubble Letter Hand Painted HPM Hand-Embellished Run of 26, Signed 2021

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Obsidian 3- Suspension 4-Color Full Bleed Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Obsidian 03 - 'Suspension': Weightlessness under the water allows all objects to hover in place. 4 color serigraph - 16 x 20 inch - on smooth natural stock. Regular colorway in a limited edition of: 50

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Super Sport Camaro Supreme Tray Limited Edition Porcelain Art Glass Collectible Plate Artwork by OG Street Graffiti Artist Lady Pink. 2021 Lady Pink/Supreme Tray - Super Sport Camero - Shop - Supreme. Porcelain tray with printed graphic and printed logo on bottom. 5.9 x 7.1

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Broken Geisha No. 1 Artwork Giclee Limited Edition Print on 315gsm Innova Smooth Natural White Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. Giclee on 315gsm Innova Smooth Natural White Cotton Rag Signed and Numbered SIZE: 22.5 x 16.5 INCHES EDITION: 50

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Liberty- Pink Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Anatomy of an Awesome Bear Limited Edition Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art.

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Supreme Drip- Red Archival Pigment Fine Art Limited Edition Print on #80 Cover Stock Paper by Artist Peter Van Flores, Street Pop Art Graffiti Legend. 2022 Signed Edition of 20

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The Sea Also Rises: The Beast 7-Color Hand-Pulled Limited Edition Silkscreen Print on 100lb Cougar Cover Paper by Tim Doyle Rare Street Art Famous Pop Artwork Artist. The Sea Also Rises: The Beast by Tim Doyle Limited edition of 100 (signed & numbered) 7-color screenprint on 100lb Cougar Cover Oversized at 24" x 36" Printed with ♥ by Nakatomi Inc. "The idea of rising sea levels, and the animals of the sea (mythic or otherwise) coming into areas they aren't normally seen is fascinating to me" -Tim Doyle

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Black Cat HPM Silkscreen Print by Jen Collins Hand Colored and Pulled Screen Print on 190gsm Textured Fine Art Paper Limited Edition Pop Street Art Artwork. 2014 Signed & Numbered On Back HPM Hand Colored Details Limited Edition of 38 Artwork Size 5.85x8.3 "Black Cat HPM Silkscreen Print" by Jen Collins is a silkscreen print that features a black cat as the main subject. Jen Collins is an illustrator, ceramicist, and designer based in the UK, known for her unique and whimsical style, often characterized by the use of bold colors and playful, hand-drawn illustrations. The print would likely be a limited edition piece, with each print being part of a numbered series, as HPM (Hand-Painted Multiple) refers to an art edition where each print is individually enhanced, either with hand-painting or other creative techniques, making it unique from the others in the series. Collins' work often showcases a love for nature, animals, and human connection, with the black cat being a recurring subject in her illustrations. This particular silkscreen print may be inspired by her affection for cats or meant to celebrate their mysterious and enigmatic nature.

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A Lad Insane PP Printers Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print With Metallic Silver on 290gsm Stonehenge Fine Art Paper by Luke Chueh Rare Street Art Famous Pop Artwork Artist. PP Printers Proof Signed & Numbered 5-Color Screen Print With Metallic Silver on 290gsm Stonehenge Fine Art Paper Size: 12 x 12 Inches Release: February 05, 2020 Run of: 78

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MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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On the Shady Side of the Street- Black on Yellow 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Limited edition of 125 Hand-pulled 14 x 20.5” black on Yellow screenprint on 290gsm Coventry Rag Paper with deckled edges. Signed and numbered. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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The Greatest of All Time 4 (Damaged) Muhammad Ali x Leon Spinks Pop Street Artwork Limited Edition Giclee Print on Heavy Watercolor Paper by Modern Artist Alec Monopoly Brand. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 36x24 Tear to mid-right section, about 3 inches.

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Unrested Limited Edition 4-Color Hand-Pulled Silkscreen Print on 275gsm Fine Art Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. Created from original paintings at Lazarides gallery. Dave Kinsey (American b.1971), 'Unrested', 2008, screenprint in colours on off white paper, signed, dated and numbered from an edition of 200 in pencil, published by BLK MRKT Editions; sheet: 66 x 66cm

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If We Remain Standing Still HPM Giclee Print by Al Diaz Limited Edition Hand Painted Multiple on Fine Art Paper Pop Artist Modern Artwork. 2022 Signed & Numbered HPM Hand Embellished Print Limited Edition of 30 Artwork Size 17x11 Giclee Art. "If We Remain Standing Still We Die In Place" If We Remain Standing Still" is a piece of artwork by Al Diaz, an American artist known for his work as a street artist, graffiti writer, and collaborative efforts with Jean-Michel Basquiat on the SAMO© project. The HPM Giclee Print refers to a limited edition reproduction of the original artwork. HPM, or Hand-Painted Multiple, is a term used in the art world to describe a series of unique, hand-painted reproductions of an original piece of art. These editions are produced in small quantities, often signed and numbered by the artist. Like his street art and graffiti, Al Diaz's work often incorporates text and thought-provoking statements to engage the viewer and provoke conversation. "If We Remain Standing Still" likely includes a message or statement intended to inspire reflection and stimulate dialogue about social or political issues. The exact meaning of the phrase can be open to interpretation, as art is often meant to evoke individual thoughts and reactions from its viewers.

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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SF Fire Escape Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2011 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print  SF Fire Escape by Shepard Fairey - Street Pop Art & Graffiti Artwork in Urban Symbolism Shepard Fairey’s 2011 silkscreen print titled SF Fire Escape captures the architectural and cultural energy of San Francisco through the lens of Street Pop Art & Graffiti Artwork. Printed on cream Speckletone fine art paper in a signed and numbered edition of 450, this 18 by 24 inch hand-pulled silkscreen distills Fairey’s signature use of graphic contrast and political commentary into a dynamic composition of urban geometry. Utilizing his iconic red, black, and cream palette, the work presents a striking fire escape cutting across a modern building facade, marked with the bold face of Fairey’s now-famous Obey Giant icon peering through a window. The structure’s vertical lines intersect with diagonal staircases while an urban billboard pronounces no turns and one way, placing metaphorical emphasis on control, restriction, and the illusion of directional certainty. Architectural Linework and Urban Power Structures Fairey’s SF Fire Escape transforms mundane urban design into charged visual content. The fire escape, typically seen as a symbol of safety or last resort, becomes a jagged line of escape from conformity. Its stark white angles against the rigid grid of the building evoke urgency and possibility. The red and black panels lend a sense of urgency and institutional rigidity, while the silhouetted billboard adds a layer of societal direction or imposed path. Fairey’s placement of the Obey Giant face within the fire escape window interrupts the grid with an unexpected humanized symbol, referencing the artist’s ongoing critique of media saturation, surveillance, and systemic structures. It also acts as a quiet observer embedded in the architecture, watching yet contained. Screenprint as Political Medium in Street Pop Art Silkscreen printing has long served as Fairey’s chosen tool for reproducing messages quickly and accessibly. SF Fire Escape continues this legacy by maintaining the aesthetics of poster-making while functioning as a collectible art object. The choice of cream Speckletone paper, combined with bold silkscreened layers of ink, recalls the DIY ethos of flyposted propaganda art found throughout city streets. Fairey’s refined yet aggressive visual language harnesses the technique of repetition, limited color palette, and contrast to amplify urgency and power. This composition doesn’t merely portray an architectural moment but translates the city’s built environment into a metaphor for cultural lockdown and authoritarian cues masquerading as guidance. Embedded Iconography and Urban Resistance The Obey Giant face is not simply branding or ornament—it operates as a resistance symbol embedded in the built fabric of city life. By placing this face within the context of an urban fire escape, Fairey plays with the idea of surveillance, autonomy, and escape. His use of directional signage adds a layer of irony, questioning whether individuals in modern society are truly free to choose paths or simply navigating a framework of control. SF Fire Escape exemplifies Shepard Fairey’s ongoing role in reshaping contemporary Street Pop Art & Graffiti Artwork into socially reactive and politically charged print-based media, grounded in both the visual language of rebellion and the structure of the everyday.

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TITLE Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jen Collins, Street Pop Art Graffiti Legend. INFO

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DELUXE Stay Melty Book Hand Painted Rare Limited Edition Art Book With Graffiti Street Artist Buff Monster Modern Pop Artworks. 2022 Signed & Numbered Edition of 100. 256 pages, 6.75 x 8.75”, hardcover. Handpainted & HPM Silkscreen Cover, One of A Kind Original Art As Seen In Picture. This special version of the new book features a cover that has been hand-painted by me and then silkscreened by hand. The colors of the paint and the silkscreen vary widely, so each one is truly unique (and will be shipped randomly). It's signed and numbered (in an edition of 100) on the back. Also, each book has a thick durable protective plastic cover and is presented in an elegant black fabric slip-case with metallic silver foil stamp. The first version of the book was published in 2015 by Gingko Press. That book is packed full with over 600 photos of murals, paintings, toys and everything in between. Now over 6 years later, I’ve full updated the book. From the endpapers, to the section dividers, to the content in each section, I’d say it's mostly NEW. Of the existing pages, I consolidated and edited them to make room for 6 more years of paintings, murals and editions. We also added around 30 pages to the total page count. So it’s an even denser and larger overview of all of my various artistic endeavors, and still includes the awesome essay by the legendary Carlo McCormick. This new version also has more captions than before, and even comes with a small sheet of stickers! So whether or not you have the original version, this is one you’ll want to have!

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Wrestling With Faile Block Archival Print by Faile Limited Edition on Deckled 290gsm Cotton Entrada Rag Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 250 Artwork Size 12x16 Archival Pigment Fine Art Wrestling Wrestler Hanging Out With Hsi Friend a Giant Teddy Bear with Rainbow. Exploring the Vibrant Nexus of Culture in Faile's "Wrestling With Faile Block" Archival Print "Wrestling With Faile Block" is a striking archival print by the artist collective Faile, a name synonymous with the innovative fusion of pop graffiti and street art. This 2023 limited edition piece, signed and numbered with a release of only 250 copies, is a testament to Faile's unique position in the modern art world. Measuring 12x16 inches and printed on deckled 290gsm Cotton Entrada Rag fine art paper, this work captures the essence of street pop art and graffiti artwork through its archival pigment delicate art process, ensuring the vibrancy of its colors and the sharpness of its imagery for posterity. The piece itself presents an intriguing tableau—a wrestler in a moment of repose with a giant teddy bear set against a rainbow backdrop. This juxtaposition of the tough, muscular wrestler with the innocence and softness of the teddy bear creates a compelling contrast characteristic of Faile's work. The image is framed by the playful suggestion of a wrestling magazine cover, replete with satirical headlines and quips that contribute to the narrative richness of the piece. In "Wrestling With Faile Block," the collective leverages the visual language of comics, advertising, and pop culture, repurposing them in a way that celebrates and critiques these mediums. The inclusion of the rainbow, often a symbol of peace and diversity, in this context of wrestling—a sport known for its aggression and combativeness—invites myriad interpretations, from the reconciliation of opposing forces to the celebration of unexpected friendships. Faile's approach to art is characterized by a desire to break down barriers between high and low culture, merging the accessibility of street art with the exclusivity of gallery-bound fine art. Their work often features a textual and visual narrative open to interpretation, encouraging the viewer to engage with the artwork on multiple levels. Cotton Entrada Rag fine art paper adds a tactile quality to the print, emphasizing the physicality of the subject matter and the craft of printmaking. Like much of Faile's work, this piece is deeply embedded in the context of street pop art and graffiti artwork. The collective's roots in the streets inform their aesthetic choices and thematic explorations, allowing them to create art reflecting urban life and a commentary on broader societal issues. Through works like "Wrestling With Faile Block," they continue to contribute to the dialogue surrounding the value and potential of street art within the contemporary art canon. Collectors of Faile's work can appreciate the intricate layering, the interplay of text and image, and the cultural references that are hallmarks of their prints. "Wrestling With Faile Block" is not just an artwork; it is a cultural artifact that captures the spirit of its time, a snapshot of the evolving narrative of street pop art and graffiti artwork. It stands as a vibrant example of how these forms of artistic expression can transcend their origins to make a lasting impact on the landscape of modern art.

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The Speeder- Oversized Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adam Fujita, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 10 Size 42x21 Hand Deckled Adams recent neon-style work has been an exploration of protest and resistance through the use of the medium of street art and the internet.

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