Made in USA Flag Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed US Flag Made in USA America Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Sticker. Unfurling the American Narrative Through Graffiti: The Made in USA Flag Sticker Art The potent symbol of the American flag has been a recurring motif in various forms of art, not least within the vibrant world of Street Pop Art and Graffiti Artwork. Within this context, the 'Made in USA' flag slap-up label sticker stands out as a canvas for expression, especially in the hands of graffiti artists. Layered with original tag art, these stickers serve as miniature yet powerful vehicles for cultural and political commentary, recontextualizing a national symbol within the urban landscape. Saber's Interpretation of the American Iconography Renowned graffiti artist Saber Ryan Weston Shook has significantly contributed to this expression. His original permanent marker art drawings on glossy US flag stickers are more than just aesthetic creations; they are a form of modern street artwork that captures the essence of American identity and the spirit of its people. His work, created in 2020 and signed, embodies a raw and compelling narrative, each tag measuring 4x4 inches – a small but striking testament to the artist's skill and vision. Saber's use of the American flag as a backdrop is particularly resonant, given the flag's strong associations with patriotism, freedom, and national identity. By superimposing his tags over this symbol, Saber disrupts the viewer's usual perception, challenging them to reconsider the meaning of 'Made in USA' in the context of street art. His bold and unapologetic strokes introduce a dialogue about ownership, creativity, and the very definition of what it means to be American-made. The Evolution of Tagging and Its Cultural Relevance Tagging has evolved from straightforward signatures to complex works of art that communicate the artist's identity and status within the graffiti community. It is a practice steeped in the history of street art, one that demands attention and commands space. Regarding the 'Made in USA' flag slap-up label stickers by Saber, the tags are not just marks of territory but statements of existence. The choice of gold and silver markers adds a layer of irony, contrasting precious metals' perceived value with graffiti art's often misunderstood value. The cultural relevance of such art is immense. It taps into ongoing conversations about national pride and consumerism, questioning the authenticity of the 'Made in USA' label in an era of globalization. Moreover, it embodies the ethos of Street Pop Art, a genre that borrows from popular culture to create art that is both accessible and deeply meaningful. In Saber's hands, the flag sticker transforms into a manifesto, a declaration that art made on the streets by the hands of the many is as quintessentially American as the flag itself. The 'Made in USA' flag slap-up label stickers adorned with Saber's tags represent a microcosm of the larger narrative that Street Pop Art and Graffiti Artwork continually narrate. Through such pieces, artists like Saber assert their place within the American saga, crafting a version of the flag that is as diverse, complex, and vibrant as the nation it represents. These stickers are not just tags; they are emblems of a culture that celebrates the freedom of expression and the indelible marks of individuality.

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Dissection of Little Mermaid- Anatomy Sheet No 24 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Holiday Space- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2020 Limited Open Edition 11.5 X 5 X 4.5 IN / 29.2 X 12.7 X 11.4 CM EACH. It was displayed With a Box. KAWS' Holiday Space-Black: An Artistic Odyssey The Holiday Space-Black figure by KAWS is a bold statement in the ever-evolving narrative of Street Pop Art and graffiti Artwork. Released as a limited open edition in August 2020, each figure in this series measures 11.5 x 5 x 4.5 inches and is presented with a specially designed box that complements the work. This release continues KAWS' influential line of collectible art and a symbolic gesture that transcends traditional boundaries of art and space. In an unprecedented move that exemplifies KAWS' innovative approach to art, the Holiday Space Figure was sent over 135,000 feet above ground level, attached to a weather balloon. This act merged the realms of art and aerospace in a public spectacle that was shared globally, further cementing KAWS' reputation as an artist who is unafraid to push the limits of imagination and possibility. The figure itself, reflective of the iconic MTV Moonman Trophy that KAWS redesigned for the 2013 MTV VMAs, is an homage to the artist's influence on pop culture and street art. Celestial Imagery and Pop Culture: The KAWS Holiday Space Figure The KAWS Holiday Space-Black figure is a testament to the artist's iconic status in modern pop culture. Its space-themed journey before release added an experiential dimension to the collectible, creating a narrative beyond the physical art object. This figure's sleek black design and the reflective quality of its surface play with light and shadow, crafting a visual experience that is otherworldly and grounded in the aesthetics of street pop art. By referencing the MTV Moonman, KAWS connects the Holiday Space-Black figure to a broader cultural context, acknowledging the symbiotic relationship between street art and mainstream media. This collectible is a coveted item for art enthusiasts and a piece of history that encapsulates a moment when street art's influence soared to new heights—quite literally. The release through the DDT Store website made the Holiday Space-Black figure accessible to a global audience, ensuring its place within the international art community. The Holiday Space-Black Figure's Place in Art History KAWS' venture with the Holiday Space-Black figure into the stratosphere was more than a spectacle; it was a statement on the boundless potential of street pop art. By elevating the art form to new heights, KAWS challenged preconceived notions about the scope and reach of street-inspired artwork. With its interstellar backstory and connection to the celebrated MTV Moonman, this figure is as much a piece of art as it is a part of pop culture lore. As the Holiday Space-Black figures were released to the public, they immediately garnered attention for their design, the artist's prestige, and their adventurous ascent into space. The figures symbolize the limitless possibilities of modern art, where the only boundaries are those of the artist's imagination. KAWS, through his Holiday Space series, continues to redefine the landscape of Street Pop Art and graffiti Artwork, proving that the influence of this art form is not just global but, indeed, cosmic.

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David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat David with Machine Gun Silkscreen Print 2008 The 2008 David with Machine Gun silkscreen print is a collaborative edition created by Shepard Fairey, known as OBEY, and French stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and produced in a signed and numbered edition of 100, this 18 x 24 inch print merges the strengths of two iconic street artists across generations. Both signatures on each print elevate it to an important collector’s piece within Street Pop Art & Graffiti Artwork, highlighting not only a striking image but also the historical significance of the collaboration itself. Imagery and Commentary The print features a reinterpretation of Michelangelo’s classical sculpture David, here transformed into a provocative figure holding a machine gun. The juxtaposition of the Renaissance ideal of human beauty and form with the stark brutality of a modern weapon serves as a sharp critique of war, violence, and the distortion of cultural ideals. By placing David in a gritty, graffiti-covered urban environment, the work questions how art and society repurpose historic symbols to address contemporary anxieties. This powerful reimagining reflects both Blek le Rat’s tradition of stencil interventions in public spaces and Shepard Fairey’s skill at repurposing cultural icons into tools for social commentary. Collaborative Significance Blek le Rat, born Xavier Prou in France in 1951, is celebrated as one of the earliest and most influential stencil graffiti artists. Shepard Fairey, born in Charleston, South Carolina in 1970, became internationally known for his OBEY campaign and his later political works, including the Barack Obama Hope poster. Together, they bridge the early roots of European stencil art with the graphic and politically driven evolution of American street pop art. Their joint works, such as David with Machine Gun, serve as cultural dialogues between two eras, reinforcing the continuity of street art as a platform for protest and public discourse. Political Resonance and Collector Value David with Machine Gun functions as a visual protest, reworking an image of purity, youth, and beauty into a statement about the corruption of ideals through militarization and violence. The collaboration underscores both artists’ shared commitment to making politically engaged art accessible to broad audiences. With its limited edition of only 100, dual signatures, and thematic strength, the print has become a significant and sought-after work for collectors. It captures the way Street Pop Art & Graffiti Artwork can take familiar imagery and transform it into a searing critique of the modern world, cementing its role as both cultural artifact and fine art object.

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Love Catcher Pink Silkscreen Print by Mr Brainwash- Thierry Guetta Hand-Pulled 6-Color on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 22x22 Silkscreen Print by Mr Brainwash- Thierry Guetta Mr. Brainwash, whose real name is Thierry Guetta, is a French-born, Los Angeles-based street artist and filmmaker. He was born on November 11, 1966, in Garges-lès-Gonesse, France. Mr. Brainwash came to prominence through the 2010 Oscar-nominated documentary "Exit Through the Gift Shop", which was directed by the renowned British street artist Banksy. Initially, Guetta began as a videographer who was interested in street art and decided to document the phenomenon. This endeavor led him to meet and film numerous street artists, including Shepard Fairey and Banksy. However, in a surprising twist, Banksy turned the camera on Guetta, encouraging him to become an artist himself. The result was Mr. Brainwash, a pop artist known for his large-scale productions and eclectic style, drawing heavily from pop culture references and the work of other street artists. His work often blends elements of pop art with the raw, edgy aesthetics of street art. Since his emergence, Mr. Brainwash has held numerous exhibitions and his work has gained significant attention in the art world, both for its bold, distinctive style and for the controversy surrounding his sudden rise to fame. He is known for his energetic and often humorous installations, sculptures, and stenciled artworks. Despite criticism from some quarters who view his work as derivative, Mr. Brainwash has continued to maintain a successful career in the contemporary art scene. Mother's Day is a celebration that honors mothers and motherhood, maternal bonds, and the influence of mothers in society. It is celebrated on various days in many parts of the world, most commonly in the months of March or May. The modern American holiday of Mother's Day was first celebrated in 1908, when Anna Jarvis held a memorial for her mother at St Andrew's Methodist Church in Grafton, West Virginia. Anna Jarvis's mother, Ann Jarvis, had been a peace activist who cared for wounded soldiers on both sides of the American Civil War, and created Mother's Day Work Clubs to address public health issues. Anna Jarvis wanted to honor her mother by continuing the work she started and to set aside a day to honor all mothers because she believed that they were "the person who has done more for you than anyone in the world". In 1914, Woodrow Wilson signed a proclamation designating Mother's Day, held on the second Sunday in May, as a national holiday to honor mothers. Since then, Mother's Day has become a day that children celebrate their mothers with cards, gifts, and activities. The holiday has been adopted by other countries and it's celebrated in different ways worldwide. For example, in the United Kingdom, it is traditionally known as Mothering Sunday and it's celebrated on the fourth Sunday of Lent. In Mexico, it's always celebrated on May 10th, regardless of the day of the week. It's important to note that Mother's Day can bring different feelings for different people. While it's a joyous occasion for many, it can be a difficult day for those who have lost their mothers or who have strained relationships with them. It's also a day to honor and remember mothers who have passed away.

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My Shadows Got My Back Original One of a Kind Mixed Media Spray Paint &b Acrylic Painting Artwork on Canvas by Popular Street Graffiti Artist Chris RWK. 2022 Signed Original 24x30 Canvas Painting A child of the 80s, Chris’ world was often completely flooded with the imagery and ideas presented by his television, his comic books, and the music and movies of the time. Immersed in these various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”.

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The Greed Depression Large Format Silkscreen Print by NoName x Shepard Fairey- OBEY Hand-Pulled on Deckled Archival Cotton Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 80 Artwork Size 23.75x31.5 Silkscreen Print "My friend No Name and I collaborated recently on a print inspired by my cover for George Orwell’s “Down and Out in Paris and London” and our mutual irritation with greed and the brutality of many aspects of capitalism. No Name and I are both frustrated by the forces which convince much of the public to fall in line with a system that grinds them (and most of us) in its gears, and contributes to feelings of insecurity. With that in mind, don’t buy this print if you should use the money for something better or nothing at all. Should you think it over and still want a print, your money will support No Name’s public art endeavors and survival within the gears of capitalism… oh, and mine too! We both appreciate the support. No Name wrote about the print in greater depth, so I’ll let him take it from here!" -Shepard Fairey "I was introduced to Georg Orwell’s novels back in the late ’90s through my english teacher, an insignificant-looking sarcastic little man, who mantra-like implanted us the adage “use your common sense.” Nearly one decade later, I rediscovered Orwell’s books – and thoughts – through the appealing cover layout design by the kindred spirit street art activist Shepard Fairey, who I’m glad to call a friend today for many years. Shepard and I were discussing his illustration for “Down and Out” which he actually, for some reason, hadn’t made as a print edition yet. Due to the fact that Orwell’s dystopian books were/are one of the leading inspirations for our philosophy and work, Shepard offered to team up and use the illustration for a collaboration." -NoNAME

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They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

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The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

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Jean Michel Basquiat #7 100% & 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures 2021: The 7th collaboration with Medicom Toy features Basquiat's 1984 work called "Untitled." Basquiat created this, and many other artworks during his critically acclaimed primetime as graffiti turned contemporary neo-expressionism artist. New in Box. Embracing the Neo-Expressionist Legacy: Jean-Michel Basquiat #7 BE@RBRICK Set In the confluence of street pop art and the urban collectible scene, the Jean-Michel Basquiat #7 100% & 400% BE@RBRICK set emerges as a profound statement piece. This limited edition vinyl art toy set, released in 2021, is a testament to the enduring impact of Jean-Michel Basquiat's work and his pivotal role in the transition from street graffiti to acclaimed neo-expressionist art. The BE@RBRICK, produced by Medicom Toy, stands as a canvas, reflecting the raw and vibrant essence of Basquiat's 1984 "Untitled" masterpiece and, through it, his critically acclaimed period of creativity. This particular set is part of the seventh collaboration between Medicom Toy and the estate of Jean-Michel Basquiat, showcasing the artist's signature style, marked by a fusion of words, symbols, and figures. The Be@rbricks, standing at 2.75 and 11 inches tall, have been crafted using a hydro-dipping technique, ensuring that each figure possesses a unique pattern that echoes the spontaneity and individuality of Basquiat's original artworks. This process not only celebrates the distinctiveness of Basquiat's art but also aligns with the unpredictable nature of street pop art and graffiti artwork, where each piece is inherently one of a kind. The Fusion of Street Art and Collectible Culture The BE@RBRICK serves as a testament to the versatility and influence of Jean-Michel Basquiat, an artist who managed to bridge the gap between the underground street art scene and the high-end contemporary art world. By emblazoning the figure with the artwork of Basquiat, Medicom Toy honors the legacy of an artist who famously quoted, "Believe it or not, I can draw," challenging the perceptions of critics who doubted the legitimacy of graffiti artistry. The release of this BE@RBRICK set pays homage to Basquiat's talent and cements his work as an integral part of the narrative of street pop art and graffiti artwork. The Jean-Michel Basquiat #7 BE@RBRICK figures symbolize the storytelling power of art toys in the modern era. Each figure encapsulates a story, a piece of Basquiat's soul, and a snapshot of the era he influenced profoundly. They are at once a celebration of his artistry and a continuation of his artistic dialogue, offering a new platform for his work to be appreciated by a contemporary audience. Collectors of these figures are not just acquiring a toy; they are inheriting a piece of art history. The BE@RBRICKs are three-dimensional canvases that carry the weight of Basquiat's artistic contributions to street pop art and neo-expressionism. As limited edition pieces, they represent the ever-evolving appreciation for art that transcends traditional mediums and enters the realm of the personal and the everyday. The Jean-Michel Basquiat #7 100% & 400% BE@RBRICK set is a modern collectible that carries the legacy of one of the most significant artists in the transition from street art to mainstream acceptance. It stands as a bridge between the past and the present, between the streets and the galleries, and continues to spread the message that art is for everyone, everywhere.

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Lace Shawl- Foil Variant 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 5 Foil Variant

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King of Baltimore Followed Limited Edition 4-Color Hand-Pulled Silkscreen Metallic Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Printing III

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Pakalolo Green 420 Marijuana Cannabis Special SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Limited Run of 888 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. The Pakalolo Green SuperKranky is an art toy designed by OG Slick in collaboration with SuperPlastic, a leading designer toy company known for producing high-quality vinyl toys in limited editions. OG Slick is an iconic graffiti artist from Los Angeles who has made a name for himself in the street art and urban vinyl toy scene. His distinctive style blends street culture, the 420 marijuana cannabis holiday, and fine art, creating visually striking and memorable pieces. The Pakalolo Green SuperKranky is a vinyl toy featuring the signature character "SuperKranky," which takes inspiration from a spray paint can. This edition comes in a bright, bold green color with black and white accents, showcasing OG Slick's graffiti-style artwork. The toy features movable parts and usually comes with additional accessories like a removable cap and a "rattle" sound, emulating the sound of a real spray paint can. As with most art toys, the Pakalolo Green SuperKranky by OG Slick and SuperPlastic is produced in limited quantities, making it highly sought after by collectors and fans of the artist's work. Its unique design and connection to street art make it popular in the urban vinyl toy community.

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Supreme Vampire Boy Deck- Green Limited Edition Skateboard deck art by Designer Brand Supreme SS21 2021 Supreme Dracula Bat Skateboard Deck

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Demagogue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musician Franz Ferdinand. Signed & Numbered Screen Print 18 x 24 inches Edition of 500 October 18, 2016 I’ve been a big fan of the band Franz Ferdinand since they first hit the scene in 2003. Stylistically, Franz mixes a pinch of glam rock, a nice serving of post-punk and a bit of dance-punk to create a sound that is irresistibly infectious. The band is undeniably stylish in their fashion and their album artwork which is frequently inspired by Russian Constructivism, one of my biggest inspirations as well. The lyrics of singer Alex Kapranos are witty, charming, and often insightful about human nature. Franz Ferdinand is a band of style and substance. -Shepard Fairey

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Supreme NYC HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 17x14 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

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Skull Pennant 1-Color Limited Edition 1-Color Silkscreen on Cloth Felt with Fringe Tapestry Artwork by Graffiti Artist Mike Giant Art. MIKE GIANT Skull Pennant, 2021 1-Color Screen Print on Felt with Fringe 18 x 24 in (45.7 x 60.9 cm) Edition of 50, w/ Signed COA World-famous tattoo artist Mike Giant honed his chops in New Mexico on a steady diet of graffiti, heavy metal, punk rock, BMX biking, skateboarding, and hip hop. His black and white works now walk the world in the form of tattoos, paintings, photography, fine art prints, streetwear and more.

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The God MC Rakim Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 16x20 Archival Pigment Fine Art of Rakim aka The God MC Rapper Music Artist at the Mic. The God MC Rakim Photo Print by Joe Conzo Jr The God MC Rakim photo print by Joe Conzo Jr is a captivating tribute to one of the most influential figures in hip-hop. This limited-edition archival pigment print, created on 290gsm Moab Entrada Fine Art Paper, celebrates the artistry and legacy of Rakim, often referred to as The God MC, for his pioneering contributions to rap music and lyricism. Signed by the photographer in 2023, this exclusive edition consists of only five pieces, each measuring 16x20 inches. The artwork captures Rakim in an iconic pose at the microphone, merging the worlds of Street Pop Art, graffiti artwork, and hip-hop culture. Rakim: A Revolutionary in Rap Music Rakim, born William Michael Griffin Jr. in Wyandanch, New York, is widely regarded as one of the greatest MCs in hip-hop history. Known for his intricate wordplay, complex rhyme schemes, and philosophical lyrics, Rakim redefined the art of rap in the late 1980s as part of the duo Eric B. & Rakim. Tracks like Paid in Full and Follow the Leader, showcased his lyrical genius and influenced generations of artists who followed. The photograph by Joe Conzo Jr captures Rakim in his element, standing confidently at the microphone. His relaxed yet commanding presence reflects the essence of his music, which balances intellectual depth with streetwise charisma. This moment immortalizes Rakim as a rapper and a cultural icon whose impact extends far beyond music. Joe Conzo Jr: Documenting Hip-Hop and Urban Culture Joe Conzo Jr, often referred to as the man who took hip-hop's baby pictures, is a renowned photographer whose work chronicles the early days of hip-hop culture in the Bronx. His lens has captured everything from live performances to intimate behind-the-scenes moments, documenting the people and places that shaped the movement. In this collaboration with Rakim, Conzo brings his distinct photographic style to a modern icon, blending the energy of live performance with the contemplative artistry of Street Pop Art. This limited-edition print aligns with Conzo's legacy of preserving hip-hop's visual history. The use of archival-quality materials ensures that the details and textures of the photograph remain vivid, allowing viewers to connect with the energy and authenticity of the moment. Street Pop Art Meets Musical Excellence The God MC Rakim photo print exemplifies the intersection of music, art, and culture within Street Pop Art and graffiti artwork. Rakim's status as a lyrical innovator is mirrored in the visual composition of the piece, where shadows and light converge to create a dramatic and timeless image. The black-and-white tones and the subtle sheen of the archival paper enhance the photograph's depth, making it a striking addition to any collection. As a limited-edition work, this print is both a celebration of Rakim's contributions to hip-hop and a testament to Joe Conzo Jr's ability to capture the soul of his subjects. Together, they create a piece that resonates with fans of music, urban art, and cultural history, solidifying its place as a standout in contemporary Street Pop Art.

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And Then Things Got Better- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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An Act of Faith HPM Acrylic Spray Paint Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2025 Signed & Numbered Spray Paint, Ink & Acrylic Paint HPM Embellished Limited Edition of 24 Artwork Size 25x38 An Act of Faith by Faile An Act of Faith is a hand-painted multiple silkscreen print created by the Street Pop Art collective Faile, executed in 2025 in a limited edition of 24. Each print measures 25 by 38 inches and is individually signed and numbered. The artwork is a hybrid visual tapestry constructed using silkscreen ink, spray paint, and acrylic hand embellishment on fine art paper. Its vivid imagery and comic-inspired text panels present a layered critique of media, gender identity, and the construct of self-perception. This piece continues Faile’s legacy of transforming vintage commercial design into complex visual puzzles that interrogate popular culture. Iconography and Satirical Power An Act of Faith presents an aesthetic rooted in mid-century pulp comics, twisted with modern irony and subversive commentary. The central image features a man gazing into a dressing room mirror, surrounded by fractured reflections of women, a wolf, and disembodied pop culture references. The phrase Who am I? I can’t tell which is the real Faile reinforces the identity distortion that plays across the surface. Each character is stylized with bold outlines, saturated color fields, and meticulous brushwork added post-screening, transforming the uniformity of the silkscreen process into a collection of unique variants. Faile, formed by Patrick McNeil and Patrick Miller, began their collaborative work in the early 2000s in the United States. Their projects often use found iconography, commercial typography, and nostalgic aesthetics to challenge consumerism, masculinity, and mass production. This print extends that method through its satirical reference to mass media with phrases like Art That Respects Your Intelligence and The Most Puzzling Story You’ve Ever Seen. These slogans mimic vintage comic book advertisements but are reappropriated to critique visual culture. Print Process and HPM Technique An Act of Faith is printed using a traditional silkscreen process, a hallmark of Pop Art that channels the commercial reproduction techniques famously employed by artists like Andy Warhol. However, Faile distinguishes their method by employing HPM, or Hand-Painted Multiple techniques. Each piece is enhanced with layers of acrylic and spray paint after printing, resulting in a vibrant and textured finish. This process ensures that no two works are exactly alike, blurring the boundaries between print edition and painting. Cultural Commentary in Street Pop Art & Graffiti Artwork Faile’s work exists at the confluence of fine art, urban decay, and consumer critique. An Act of Faith takes the format of a comic book cover and reconstructs it into a statement about authenticity, perception, and mediated identity. It confronts viewers with the question of who controls the narrative of visual culture—artists, corporations, or consumers. With its blend of nostalgic aesthetics and street art grit, this piece exemplifies the crossover of graffiti’s rebellious roots and pop art’s accessible critique. As part of the 2025 limited series, it reflects the evolution of street pop art into museum-worthy dialogue, maintaining its roots in public disruption and cultural satire.

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Fragment #2 What The Hell Original Mixed Media Painting by Ryan Thomas Monahan One of a Kind Artwork on Wood Panel Affixed to Frame 3D Street Art Pop Artist. 2022 Signed 3D Stacked Mixed Media New York NYC Street Manhole Scene Painting Original Artwork Size 11.25x9.25 Framed Fragment #2: What The Hell by Ryan Thomas Monahan – Urban Memory as Sculpture in Street Pop Art & Graffiti Artwork Fragment #2: What The Hell is a 2022 original mixed media work by American artist Ryan Thomas Monahan, created on a wood panel and presented in a framed 11.25 x 9.25 inch format. This one-of-a-kind piece captures a hyperrealistic street-level view of New York City, complete with a sculpted manhole cover, bits of food debris, torn signage, and a crushed takeout container rendered in painstaking detail. It is a physical fragment of the imagined street, an emotional terrain frozen in time. The textures are layered through 3D stacking and sculptural techniques, forming a tactile diorama of a forgotten sidewalk scene. Signed by the artist, the work is part of Monahan’s larger practice of constructing micro-environments that reflect on consumer culture, ephemerality, and the language of urban decay. Miniature Realism and Emotional Debris Ryan Thomas Monahan’s artistry is rooted in the act of remembering—through objects, through trash, through surfaces that most people overlook. In Fragment #2: What The Hell, Monahan builds a narrative through placement, imperfection, and meticulous realism. The partially visible manhole cover, etched with MADE IN NYC, grounds the work in a specific geography while allowing the viewer to connect with a universal street scene. Scattered remnants like the Chinese takeout box and torn WET FLOOR label add both humor and grit, evoking a space that feels lived in, walked over, and uncelebrated. These elements are not simply decorative—they function as emotional cues, anchoring the piece in memory and identity. The artwork’s title reflects the confusion and clutter that defines public space, suggesting a moment of bewilderment or absurdity embedded in the everyday. Construction, Texture, and Dimensional Intimacy This work exists in three dimensions. Constructed on a wood panel with mixed media materials, it includes real-world textures that mimic asphalt, metal, cardboard, and grime. The 3D elements are not exaggerated—they are subtle enough to suggest depth while preserving the illusion of a flat surface when viewed from a distance. This trick of the eye is part of Monahan’s signature technique, allowing viewers to become physically and mentally engaged with the scale and structure of the piece. Framed in black, the artwork is displayed with the formality of fine art, yet retains its street-level roots in every detail. The materials are layered, collaged, and manipulated to blur the boundary between sculpture and painting, between memory and documentation. Ryan Thomas Monahan and the Material Poetics of the City In the world of Street Pop Art & Graffiti Artwork, Ryan Thomas Monahan occupies a distinctive space. His work does not shout through color or scale, but instead whispers through detail, decay, and resonance. Fragment #2: What The Hell is not a monument, but a memory—a slice of overlooked reality pulled into focus. It reflects the detritus of culture, the poetry of trash, and the persistence of place. Monahan reminds viewers that beauty is found in the smallest fragments, and that the stories of the street are written not just in murals and tags, but in the crumbs, stains, and signage that mark every corner. This piece is not only an artwork—it is a sculpture of lived experience, preserved at human scale for those willing to look down and pay attention.

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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Total reBart Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Total Rebart” 2015 20 inches x 24 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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5 North Archival Print by Stephanie Buer Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 18x24 Archival Pigment Fine Art Stephanie Buer, the artist behind "5 North", presents an 18" x 24" archival pigment print. This limited edition artwork is numbered and signed by Stephanie herself, with only 40 copies available.

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Optimus Prime Transformers- Green 200% BE@RBRICK Limited Edition Medicom x Bape- A Bathing Ape Vinyl Artwork Toy Collectable Art Figure. New In Box- Medicom Toy teamed up with BAPE and Transformers to create a fully transformable Optimus Prime 200% Green Bearbrick. The Bearbrick x Transformers Optimus Prime x BAPE 200% figure features a Bearbrick donning splashes of black, green, grey and yellow. Using a lever on the back, this Bearbrick is fully transformable, switching from an ursine figure that resembles Optimus Prime to a more recognizable Optimus Prime figurine that appears ready for battle against the Decepticons. The Bearbrick x Transformers Optimus Prime x BAPE 200% figure in green was released in 2021

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Silver City Style B Day AP White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. AP Artist Proof 2012 Signed Limited Edition Artwork Size 24x18 Silver Metallic Ink City Style B Daytime 24x18

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Happy Hits 3 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rich Browd pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Lion Mandala Limited Edition 2-Color Hand-Pulled Silkscreen Print with Spot UV Layer on 130lb French Black Licorice Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Custom Framed in Distressed Gold Frame. "This piece was born from the inspiration of a personal struggle I was experiencing with overcoming certain obstacles in my life surrounding addiction. Not just chemical addiction, but addictive thoughts and behaviors that didn't serve my highest good. The lion archetype visited me in my dreams during this time of struggle with addiction. I dreamt I was a lion running with full force through a dense jungle. I had a thick rope in my mouth and as I ran through this jungle people were fighting to grab the free sides of the rope to try and slow me down from running so fast. It was getting snagged and I felt extreme pain in my body. The pain grew to the point my body caught on fire, I could feel my flesh searing. I remember fighting through it and eventually, the pain went away and I kept running forward. Pretty Intense! So I combined my vision of the lion with the mandala to mirror a frequency of courage, strength, and power to its the viewer and the space that it is hung in." - Chris Saunders

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Punk Skunk- Astrobite Lemon- Medium Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Ron English- POPaganda x SFBI Originals. Punk Skunk Astrobrite Lemon Yellow Medium Figure by SFBI Originals x Ron English- POPaganda PopagandaFigure stands at about 8"- 9" tall

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Dissection of Bugs Bunny- Anatomy Sheet No 20 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Baby Face Limited Edition 6-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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La Signora Capo HPM Limited Edition Hand-Embellished HPM Silkscreen on Hand Deckled Fine Art Paper by Dain Graffiti Street Artist Modern Pop Art. 2022 Signed Edition of 28- 24x36- Each piece is a one-color screen print on 24 inches by 36-inch deckled edge fine art paper. The prints are heavily hand-embellished by the artist making each print unique. From an edition of 28 these prints are extremely limited. One of the most influential street artists to emerge from New York, DAIN combines the visual language of graffiti with collaged old portraits of Hollywood glamour stars. Crossing genres and often working single pieces back and forth between the street and studio, DAIN combines wheatpasting, silkscreening, spray paint, collage, and acrylic.

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Shark- Gold Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.” Shark Toof

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Factory Stacks- Earth First 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard Factory Stacks – Earth First Silkscreen Print by Shepard Fairey Factory Stacks – Earth First is a powerful 6-color hand-pulled silkscreen print created in 2022 by renowned American artist Shepard Fairey. Measuring 18x24 inches and printed on thick cream Speckletone fine art paper, this signed and numbered limited edition of 350 pieces fuses the political energy of graffiti with the precision and control of modern screenprint design. The work is part of Fairey’s continued focus on environmental activism through art and contributes to the broader conversation around the role of industry, power, and public accountability in climate policy. Industrial Might as Graphic Metaphor The print features a factory with twin smokestacks emitting bold trails of smoke against a fragmented and stylized backdrop of red, yellow, and blue—colors associated with urgency, fire, and warning. The building looms large, rendered with clean vector lines and high-contrast forms, while geometric elements and cultural motifs hover in the background, including currency iconography, flames, and architectural symbolism. The stark visual contrast between the rigid industrial structures and the organic chaos of smoke and fire underscores the clash between mechanized progress and ecological fragility. This image serves as a critique of global dependence on fossil fuels and the prioritization of profit over environmental sustainability. Shepard Fairey is known for embedding meaning within tightly structured visuals, and here he uses the monumental scale of the smokestacks as a metaphor for entrenched systems of power. The print’s backdrop includes references to government currency and propaganda textures, further emphasizing the complicity of institutional economics in environmental destruction. Screenprinting as Political Craft Fairey’s technical skill in hand-pulled silkscreening is evident in the crisp linework, bold palette, and balanced layering of texture and flat color. The artwork’s speckletone paper enhances the handmade quality of the piece, giving it the presence of a protest poster while retaining the refinement of collectible street pop art. The 6-color process allows for vibrant layering and nuanced interplay of light and form, with the red and black palette lending a sense of urgency and confrontation. By combining the visual language of commercial design with fine art methods, Fairey continues his legacy of making politically charged works that are accessible, reproducible, and grounded in visual activism. This piece fits into his broader OBEY aesthetic, which draws from punk, graffiti, and socialist propaganda to awaken public dialogue. Art as Environmental Statement Factory Stacks – Earth First is not merely a visual statement; it is a functional activist tool. A portion of the proceeds from this edition was pledged to Greenpeace, supporting global campaigns to combat climate change. Fairey encourages viewers to reflect on systemic inertia, corporate greed, and the governmental failure to transition away from environmentally destructive practices. His recommendation of Naomi Klein’s book “This Changes Everything” provides further intellectual grounding for the print’s message, aligning the work with contemporary thought leaders in environmental justice. This silkscreen print exemplifies the power of Street Pop Art & Graffiti Artwork as both a form of protest and a call to action. By merging aesthetics with advocacy, Shepard Fairey transforms industrial imagery into a demand for ecological responsibility and human accountability.

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Zooka Pac Archival Pigment Fine Art Limited Edition Print on 308gsm Hahnemuhle Cotton Rag Paper by Marley Mcfly, Street Pop Art Graffiti Artist. 2022 Signed Limited Edition of 50 Artwork Size 18x24, #1 of 50 Marley Mcfly's "Zooka Pac": A Fusion of Street Art and Iconography Marley Mcfly's "Zooka Pac" is a compelling archival pigment fine art print that embodies the spirit of Street Pop Art and Graffiti Artwork. This limited edition of 50 prints, signed by the artist and spanning a canvas of 18x24 inches, is a vibrant blend of urban artistry and pop culture symbolism. Created in 2022, the work is part of a series that showcases Marley Mcfly's unique ability to blend graffiti's raw energy with the poignant stylings of pop art, culminating in a piece that is both a tribute and an original artistic statement. Marley Mcfly, a notable figure in the contemporary street art scene, uses 308gsm Hahnemühle cotton rag paper for this series, a medium known for its fine texture and durability. This choice underscores the importance of materiality in graffiti and street art, which often relies on the quality and character of surfaces to communicate messages. The "Zooka Pac" print stands out for its subject matter and meticulous attention to the craft of printmaking. Creative Expression in Archival Pigment Prints Creating an archival pigment print like "Zooka Pac" requires a balance of technical precision and creative flair. The archival nature of the pigment inks ensures that the artwork resists fading over time, preserving the vividness of Mcfly's color palette and the sharpness of his imagery. The 308gsm Hahnemühle paper, with its delicate yet robust composition, provides the perfect backdrop for the artist's dynamic interplay of color and form. In "Zooka Pac," Mcfly uses the visual language of graffiti art to pay homage to iconic figures, weaving together street art's spontaneity with pop art's focus on popular culture icons. The artwork features a graphic that captures the viewer's attention, a testament to McFly's skillful hand and ability to convey depth and personality within the confines of a two-dimensional space. The Impact of Marley Mcfly's Work Marley Mcfly's contributions to the evolution of Street Pop Art are significant. His works, including "Zooka Pac," are infused with the ethos of graffiti art while being meticulously crafted to meet the standards of fine art prints. This harmonious blend of street culture and acceptable art practices makes Mcfly's work highly sought after by collectors and enthusiasts who appreciate the confluence of different art forms. The release of "Zooka Pac" as a limited edition also plays into the exclusivity and community aspects of street art culture, where owning a piece of the edition can feel like belonging to an underground society of art connoisseurs. McFly's ability to create art that is accessible yet profound has cemented his reputation in the street art world as an artist who pushes boundaries and challenges perceptions. "Zooka Pac," as the inaugural piece of its series, marks the beginning of a journey into Marley Mcfly's exploration of pop culture through street art. The piece is not merely a representation of an iconic figure but a reflection of the era and a statement on the enduring influence of such figures in the collective memory. Through this work, Mcfly continues to foster a dialogue between street art's rebellious origins and its increasingly recognized status within the canon of contemporary art.

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The Joker Comic Book Cover #3 Limited Edition 1-Color Watercolor Paint Embellished HPM Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta. 2019 Signed & Numbered Limited Edition of 25 Artwork Size 34x46 Mr. Brainwash is pleased to announce a new addition to the ongoing series of comic book covers, this time featuring one of the most notorious supervillains, the Batman comic book cover featuring The Joker. A one-color screen print on hand-torn archival art paper, hand-finished with watercolor. Each print from the edition will be unique, and colors will vary from print to print. Print Size: 34 x 46 Inches Edition of 25

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Let's Burn It All- 24 x 36 Original Hand-Painted Multiple (HPM) Spray Paint Mixed Media Artwork on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2017 Signed Limited Edition of 10 HPM Hand Painted Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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LAFC Calavera- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist Proof 2021 Signed & Marked Limited Edition Artwork Size 18x24 The LAFC Los Angeles Football Club Soccer Calavera by Boyle Heights Artist Ernesto Yerena Montejano. “LAFC is LA culture. It was an honor to create a new Calavera symbol for this Club, and to honor loved ones who have passed.” -Ernesto Yerena Montejano Amid the bustling streets of Boyle Heights, a distinctive artwork captures the very essence of Los Angeles' vibrant soccer culture. The LAFC Calavera, created by renowned Latino artist Ernesto Yerena Montejano, exemplifies the fervent intersection of sports and art. Hand-pulled in the meticulous process of silkscreen printing on fine art paper, this piece is not just any artwork. It is an Artist Proof (AP) from 2021, indicating that it's among the first impressions made from the stencil, meticulously examined for quality and consistency before the final run. Ernesto Yerena Montejano, known for his commitment to producing resonating art under his brand "Hecho Con Ganas," has intricately designed this masterpiece. His depiction of the Calavera, a symbol commonly associated with the Day of the Dead, integrates seamlessly with the ethos of the Los Angeles Football Club (LAFC). As Montejano himself puts it, "LAFC is LA culture." The artwork is not just an emblem of a soccer club; it is a tribute to the departed, a nod to the cultural significance of remembering loved ones. Artworks such as the LAFC Calavera draw their lineage from the vibrant traditions of pop art, street art, and graffiti. These genres challenge convention, often merging disparate symbols and contexts to create meaning. Montejano's Calavera stands as a testament to the power of such fusion, intertwining the energy of LA's soccer scene with profound cultural symbols. The 18x24 signed and marked limited edition piece is more than just a visual treat; it's a narrative of identity, passion, and remembrance, immortalized in ink and paper.

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Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Walk on the Wild Side Mixed Media Silkscreen Print by Faile Acrylic Spray Paint on Hand-Pulled Deckled Thick Lennox Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18.11x25 Silkscreen Print, Acrylic Paint & Spray Paint Mixed Media. Faile Barking Dog Pasters on Brick Wall as Calssy Woman with Dog Walks By in New York City. Exploring the Urban Narrative: "Walk on the Wild Side" by Faile Faile's "Walk on the Wild Side" mixed media silkscreen print is a compelling testament to the dynamic interplay between street pop art and graffiti artwork. This limited edition piece, with only a hundred prints in existence, encapsulates the vibrancy of urban life through its meticulously crafted layers of acrylic and spray paint on hand-pulled deckled thick Lenox fine art paper. Measuring 18.11x25 inches, this artwork is not merely a visual statement but a narrative woven into New York City's aesthetic dialogue. Faile, a collaborative duo known for their impactful art that often adorns urban environments, has brought the street's essence onto a tangible canvas. Their use of the iconic barking dog — a motif recurrent in their work — set against a brick wall background speaks volumes of the city's untamed energy. The contrast between the grit of the street and the polished appearance of the passing woman with her dog creates a juxtaposition at the heart of street pop art. This imagery captures the essence of New York's diverse character, where the refined and the rough-hewn exist side by side. The silkscreen print technique employed by Faile for this artwork is a nod to traditional pop art methods, yet the inclusion of acrylic and spray paint introduces a tactile depth often found in graffiti. The choice of materials — the thick Lenox fine art paper with its raw, deckled edges — further emphasizes the blend of the refined with the urban edge. Each element of the print, from the medium to the imagery, is a deliberate choice that underscores the narrative of coexistence and contrast. Symbolism and Style in Faile's Street-Inspired Artistry The symbolism in "Walk on the Wild Side" is multilayered, with the barking dog pasters as a signature of Faile's street heritage. These posters, often seen on the city's brick walls, represent the voice of the streets — loud, unapologetic, and fiercely territorial. By transplanting this symbol onto fine art paper, Faile bridges the gap between street art's transient nature and the permanence sought by fine art collectors. The woman, depicted in a classic, almost vintage style, and her domesticated dog starkly contrast the wild, untamed expression of the barking dog pasters. It's a visual play on the duality of man's nature and the societal norms that govern our public personas versus our inner instincts. Faile's style in this print is unmistakably rooted in street pop art. The bold lines, stark contrasts, and the layering of different media all indicate an aesthetic that has evolved from the streets. Their work often reflects the visual noise of the city — the advertisements, the political posters, the graffiti — all competing for attention. "Walk on the Wild Side" is a curated slice of this chaos, presented with a clarity that allows each element to be appreciated for its merit and contribution to the whole. The Cultural Resonance of Faile's Mixed Media Print "Walk on the Wild Side" is not just an artwork; it's a cultural artifact that resonates with the heartbeat of New York City. Faile has captured a moment in time, a scene that plays out daily on the sidewalks of the metropolis, and elevated it to a piece of art that commands contemplation. The silkscreen print serves as a reminder of the city's relentless pace, the ever-present clash of cultures, and the beauty that arises from unexpected combinations. This work is a celebration of the city's identity, a snapshot of the mundane transformed into the extraordinary through the lens of street pop art and graffiti. The limited edition nature of the print adds an element of exclusivity, creating a tangible connection between the owner and the city's street art scene. Signed and numbered by the artists, each print is an original piece of Faile's artistic legacy. Collectors of "Walk on the Wild Side" are not just acquiring a piece of art; they are preserving a fragment of the city's cultural narrative that continues to influence the trajectory of street pop art and graffiti artwork globally. In the end, "Walk on the Wild Side" by Faile is more than a mixed media silkscreen print; it is an emblem of the street's voice, a dialogue between the wild and the cultivated, and a testament to the enduring allure of urban art. It encapsulates the essence of a city that is both a canvas and a muse, continually inspiring artists like Faile to create works as provocative as they are visually arresting.

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Chanel Dark Side HPM Stencil on Wood by Ben Frost Hand-Painted Multiple Panel Ready to Hang by ARTIST Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Edition of 3 HPM MEDIA Print Artwork Size 27.5x23.5 Acrylic and spray paint on board with synthetic rope handles

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Conceal N Bury- Fashion EDC SuperGuggi Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure by Artist Guggimon. Limited Run Made In 2021 8' Tall. With iconic guggi mask, ax, and a bag full of lavender-scented lye, this 8” psycho is the perfect accomplice to any crime of fashion

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Letter F Alphabet Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Hand Drawn Items That Pertain To The Letter F.

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Bullet Holes Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Bullet Holes by RD-357 Painting- This original artist stretched canvas mixed media spray paint graffiti painting features the RD tag with bulletholes and concrete in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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Back to the Future- Glow Print Limited Edition 8-Color Hand-Pulled Silkscreen Print on 100lb Natual Cougar Cover stock by Artist Tim Doyle Modern Pop Art. 2015 Signed & Numbered Limited Edition of 150 III Artwork Size 16x24 Back to the Future, Movie, Man, Woman, Car, Shark, Fish, Wild Gunman, Time Travel, SciFi

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This Is Bad Lands Green Blue 3-Color Hand-Pulled Limited Edition Embellished HPM Silkscreen Print on Deckled Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 250 HPM Hand Painted Multiple Artwork Size 12.5x19 Faile's "Bad Lands" art print – a limited edition masterpiece with a mere 250 copies available worldwide. As the newest addition to the 150 Series, this release features approximately seven unique variations within the edition, including multiple color schemes, hand-painted, stained, and printed versions. Crafted on durable, thick archival paper, the eye-catching Green variation is a highly sought-after piece that boasts an extraordinary texture. The print measures 12.5" x 19" and showcases two deckled edges and two straight edges. The front and back of the print are meticulously detailed, with the reverse side adorned with printing, stamping, and more. Each copy is signed, numbered, dated, stamped, and embossed by the artist, making it a truly exclusive and valuable collectible. Don't miss the chance to own this excellent art print – experience its stunning visual impact in person! The "This Is Bad Lands Green HPM Silkscreen Print" is a piece of art created by Faile, an artist collaboration between Patrick McNeil and Patrick Miller. Faile is known for their distinctive style, which combines elements of street art, graphic design, pop culture, and fine art. In this piece, titled "This Is Bad Lands Green HPM Silkscreen Print," is a hand-painted multiple (HPM) silkscreen print featuring red and blue colors and a cowboy driving a classic sports car. "Bad Lands" refers to a desolate or unwelcoming environment, indicating that the piece may convey a sense of danger or conflict. Faile's work often contains layers of imagery and intricate details, and their silkscreen prints typically involve multiple layers of color and texture. They often incorporate found materials, stencils, and wheat paste, creating a distinctive aesthetic that blends street art and contemporary fine art.

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