57 Great Jones Jean-Michel Basquiat's Studio HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 14x17 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

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Battle Damaged Qwiky Signed Gold & Black Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x QUICCS. 2020 Signed Autograph Gold & Black Battle Damaged Colorway Limited Edition of 200 New in Box Artwork Size 3x5.5 Canz Art Toy. Vast Majority Not Signed. The Intersection of Street Pop Art and Vinyl Collectibles: The Battle Damaged Qwiky Canbot Canz The street pop art and graffiti world has always been vibrant and constantly evolving, with artists seeking new mediums to express their unique visions and connect with audiences. Among these mediums, vinyl art toys have emerged as a powerful form of collectible artwork, seamlessly blending the ethos of street art with the culture of collectible memorabilia. A shining example of this fusion is the Battle Damaged Qwiky Signed Gold & Black Canbot Canz , a limited edition vinyl art toy collectible created by a collaboration between the renowned street graffiti artist Czee13 and the prolific creator QUICCS. This piece is not just a toy; it's a statement, a slice of the street brought into the collector's domain. The Battle Damaged Qwiky Canbot Canz stands out with its distinctive colorway—a stark, contrasting scheme of gold and black. It symbolizes the wear and tear of urban art, the marks of time and experience that give graffiti its character. Limited to an edition of 200, this Canbot Canz is a rare piece, with the vast majority of the collection not signed. Those that bear Czee13's autograph are thus highly sought after by collectors and fans of street pop art and graffiti artwork. The Essence of Collaboration in Street Art Translated into Vinyl The collaboration between Czee13 and QUICCS is a testament to the collaborative spirit inherent in street pop art. Their partnership for the Battle Damaged Qwiky Canbot Canz showcases a blend of their styles—QUICCS's love for mecha aesthetics and hip-hop influences converges with Czee13's organic and raw street art visuals. Each Canbot Canz reflects a narrative that speaks of resilience and survival in the urban jungle. Measuring 3x5.5 inches, this Canbot Canz is a compact powerhouse of artistic expression. It's important to note the significance of the toy's condition, dubbed 'battle damaged.' This term references the visual storytelling standard in street art, where every scratch and mismatched spray line tells a story of the artwork's life in the public sphere. This Canbot Canz 's design deliberately includes elements that mimic such 'damage,' turning what would traditionally be imperfections into badges of honor, much like in real-life street art that stands the test of time and the elements. The Cultural Impact of Limited Edition Art Toys The rarity of the Battle Damaged Qwiky Canbot Canz adds to its appeal and is a strategic move that mirrors the fleeting nature of street art—often here today, gone tomorrow. Limited to 200 pieces, this exclusivity creates a sense of urgency and a deeper appreciation for the artwork, much like the impermanent graffiti that may only exist briefly before being painted over or removed. This scarcity also reflects the underground roots of street art, where access and knowledge of certain pieces create a subcultural currency of cool. While most of these collectibles are not signed, those featuring Czee13's signature are elevated in status. They become a direct link to the artist, akin to having a piece of signed wall art in miniature form. This personalized touch is a nod to the tradition of graffiti artists leaving their mark and tag as a signature on their works, making each signed Canbot Canz a coveted piece for those who collect street pop art and graffiti artwork. The Canbot Canz as a Medium of Street Pop Art Expression The Battle Damaged Qwiky Signed Gold & Black Canbot Canz by Czee13 and QUICCS transcends being merely a collectible piece of contemporary street pop art that carries the essence of graffiti culture into a new form. It's a manifestation of street art's dynamism, a tangible piece that captures the spirit of the streets in a way that can be held, displayed, and treasured. For collectors, it's not just about owning a piece of vinyl; it's about holding a fragment of street art history, a moment of artistic collaboration, and a symbol of the culture they admire and want to preserve. This Canbot Canz is a statement, a conversation starter, and ultimately, a bridge between the tactile world of art collectors and the often ephemeral realm of street graffiti.

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Pop Can- Pink PP Printers Proof 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Denial Rare Street Art Famous Pop Artwork Artist. PP Printers Proof 2019 Signed Limited Edition Artwork Size 18x24 Signed & Numbered 2019 7-Color Screen Print on Fine Art Paper Size: 18 x 24 Inches Release: November 30, 2019 PP Printers Proof Denial is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff. I love referencing things that people are so familiar with. With humor and nostalgia, you can open up communication. I’ve done that for years, used elements of humor and familiarity to open a dialogue because then you can slide in some real issues and different things you’re trying to convey in your work. You have a lot more open stream to the person’s consciousness and experience towards how they’re taking your art. If you can get them to laugh at it, remember something or relate to some image.  

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Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English- POPaganda Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

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Off On A Fast One- Savage Sacred Young Minds Series 17-Color Hand-Pulled Limited Edition Silkscreen Print on 310gsm Coventry Rag (Deckle Edge) by Faile Rare Street Art Famous Pop Artwork Artist. Savage Sacred Young Minds Series FAILE (American, est. 1999) Title: Off On A Fast One 2016 Medium: Screenprint on 100% Cotton Rag Archival Paper with Deckled Edges Savage Sacred Young Minds Series

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Trippy Felix Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ziero Muko. 2022 Signed & Numbered Limited Edition of 20 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Diaspora Ono Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew Diaspora Ono Original Painting by Askew One Diaspora Ono is a striking original painting created in 2015 by renowned graffiti and Street Pop Art artist Askew One. Using enamel and acrylic on plexiglass, this piece exemplifies Askew One’s ability to merge abstract forms and bold color palettes with deeply meaningful narratives. Custom framed and measuring 20x14, the painting stands as a testament to the artist’s ability to explore themes of cultural identity and migration through his unique artistic lens. The Context and Inspiration Behind Diaspora Ono Diaspora Ono was part of a larger body of work created during Askew One’s time in Los Angeles while preparing for his solo show at Known Gallery. The piece is reflective of the themes explored throughout the exhibition, particularly the concept of migration across the Pacific. Askew One delves into both historic and contemporary movements of people and ideas, creating visual metaphors that resonate with the complexities of cultural exchange. The series, which included both abstract pieces and portraits, featured models such as Sereima, a friend of the artist and a representation of the modern Pacific identity. Her Fijian descent and dynamic presence were key influences, inspiring Askew One to move away from traditional portraiture and capture energy, exuberance, and transformation. Diaspora Ono, while abstract, carries this spirit of migration and evolution through its vibrant colors and intricate layering. The Artistic Style of Askew One Askew One’s work is known for its fusion of graffiti influences with fine art sensibilities, and Diaspora Ono is no exception. The use of enamel and acrylic on plexiglass creates a sleek, reflective surface that amplifies the vibrancy of the colors. The bold lines, dynamic patterns, and textured details evoke the movement of waves, winds, and cultural exchanges that define the Pacific diaspora. The circular composition of the painting draws the viewer’s eye inward, symbolizing a continuous cycle of migration and connection. Askew One’s signature approach to Street Pop Art is evident in the interplay of abstraction and meaning. By combining the raw energy of graffiti with a polished, modern aesthetic, the artist elevates the medium while remaining true to its urban roots. Diaspora Ono exemplifies his ability to transform everyday materials into powerful storytelling tools, bridging the gap between the personal and the universal. The Significance of Diaspora Ono in Street Pop Art Diaspora Ono is a significant work within the Street Pop Art movement, as it highlights the role of urban art in addressing global and cultural issues. Through its abstract design and vibrant colors, the painting captures the fluidity and complexity of identity in a world shaped by migration. It reflects Askew One’s deep connection to his Pacific heritage while engaging with broader conversations about cultural exchange and transformation. This original painting, part of an influential series created during a pivotal moment in Askew One’s career, demonstrates the artist’s versatility and dedication to pushing the boundaries of graffiti and Street Pop Art. Diaspora Ono is not only a visual celebration of movement and identity but also a powerful reminder of the interconnectedness of people and places. It remains an essential piece for collectors and admirers of contemporary urban art.

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Jellyfish Eyes Black 2 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75. Comes Framed in 2 Frame Styles, Modern Blck Frame Size 22x22, Beige Matte Frame Size 28.75x28.75 Jellyfish Eyes Black 2 by Takashi Murakami – Floating Optics in Street Pop Art & Graffiti Artwork Takashi Murakami’s 2004 lithograph Jellyfish Eyes Black 2 stands as a vibrant continuation of his exploration into recurring motifs of vision, surveillance, and playful abstraction. Measuring 19.75 x 19.75 inches, the print is part of a signed and numbered limited edition of 300, released under the TM/KK imprint. Executed on fine wove art paper, the composition features a constellation of color-saturated, stylized eyes that hover and merge across a velvety black field. The piece is available in two distinct presentation options—modern black frame at 22 x 22 inches, and an elegantly soft beige matte frame at 28.75 x 28.75 inches—each emphasizing the spatial fluidity of Murakami’s floating forms. In the context of Street Pop Art & Graffiti Artwork, this piece emerges as both a study in surface aesthetics and a philosophical meditation on perception and presence. Murakami’s Animated Language of Form The visual structure of Jellyfish Eyes Black 2 builds upon the iconography of its predecessor, deploying a series of floating eyeball-like entities that fuse pop animation with organic drift. Set against a deep black background, the circular forms appear to pulse and glow, shifting subtly in tone and layering. Each figure is constructed with concentric rings of bold color—lime greens, blush pinks, scarlets, turquoise, ochres—punctuated with lashes, droplets, and slight distortions. The connective tissue that flows between the eyes resembles both mycelium and neural pathways, suggesting a symbiotic or collective intelligence. Within the lexicon of Street Pop Art & Graffiti Artwork, this mapping of interlinked optics translates as a metaphor for social networks, media vision, and collective consciousness. Murakami’s abstraction is not random; it is tightly ordered chaos, echoing both Japanese folklore and cybernetic futurism. Optical Play and the Superflat Aesthetic True to Murakami’s Superflat manifesto, Jellyfish Eyes Black 2 rejects the illusion of spatial depth while simultaneously creating tension and layering. The eyes are rendered in a graphic, poster-like style, referencing both commercial design and the techniques of Japanese anime and manga. The lithographic medium allows for pristine color reproduction, retaining Murakami’s digital sharpness and uniform flatness. This results in a visual experience where each element competes equally for attention, much like signage in urban space or characters in graffiti murals. The framing options further influence viewer reception—one suggesting sleek modernity and the other a nostalgic museum-grade presentation. Both emphasize the contrast between high-end collectibility and subcultural rawness. Eyes as Agents of Identity and Control In Jellyfish Eyes Black 2, the floating eyes are both whimsical and menacing. They call to mind not only the innocence of animated characters but the omnipresence of surveillance and digital observation. Murakami leverages the symbol of the eye to reflect the watching, documenting, self-aware nature of modern identity. The multiplicity of eyes within the same space speaks to fragmentation, overload, and an inability to escape the gaze—whether from others, institutions, or ourselves. In the realm of Street Pop Art & Graffiti Artwork, eyes often appear as markers of territory, vision, and spiritual assertion. Here, they become avatars of psychological atmosphere. Takashi Murakami’s Enduring Influence in Global Pop Visual Culture Takashi Murakami continues to serve as one of the most influential artists at the intersection of commercial design, conceptual painting, and urban culture. His approach unites Japanese Edo traditions with the immediacy of contemporary visual storytelling. Jellyfish Eyes Black 2 is emblematic of this approach—deceptively simple, richly layered, and hauntingly joyous. It occupies a space where traditional craftsmanship meets hyper-modern aesthetics, and where personal mythologies intermingle with digital consumer culture. The piece is not merely collectible—it is a portal into a stylized cosmos of symbolic resonance, humor, and introspection, rendered in flawless print form for the language of the street and the gallery alike.

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UnReal Estate- Mr St Hilary- Glow Followed Limited Edition Glow In The Dark 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Transformers, Superhero, TV, Movie, Spaceship, Mountain, Plane, Jet, Woods, Nature, UnReal Estate

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Tony Tone 79 Photo Print by Joe Conzo Jr Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Print Limited Edition of 5 Artwork Size 16x20 Archival Pigment Fine Art of DJ Tony Tone Being an MC at a Show in 1979. Tony Tone 79 Photo Print by Joe Conzo Jr The Tony Tone 79 photo print by Joe Conzo Jr is a robust visual encapsulation of the foundational days of hip-hop culture. This limited-edition archival pigment print, created on 290gsm Moab Entrada Fine Art Paper, captures DJ Tony Tone in 1979, fully immersed in his craft during a live performance. Signed by Joe Conzo in 2023 and limited to only five prints, this 16x20 artwork stands as both a historical document and a work of art, bridging the worlds of Street Pop Art and graffiti artwork with the musical energy that fueled the rise of hip-hop. DJ Tony Tone: A Pillar of the Cold Crush Brothers Tony Tone, a founding member of the Cold Crush Brothers, is one of the unsung heroes of hip-hop’s formative years. As a DJ and MC, his role extended beyond spinning records; he was a curator of sound, atmosphere, and creativity that drove the energy of the hip-hop movement. The Cold Crush Brothers, formed in the Bronx in the late 1970s, became an iconic group known for their lyrical battles, dynamic routines, and innovative cultural contributions. This photograph captures Tony Tone at the height of his craft, showcasing the intricate work of a DJ who was both a performer and an artist. His focused posture, hands on the controls, and the technical equipment in the frame highlight the dedication and skill required to create live music experiences. It is an intimate glimpse into the world of a DJ who played a pivotal role in shaping the sound and structure of early hip-hop. Joe Conzo Jr: The Visual Chronicler of Hip-Hop’s Birth Joe Conzo Jr’s photography is synonymous with the emergence of hip-hop as a cultural force. As one of the first photographers to document the genre, Conzo captured not just the performances but the ethos and energy of the Bronx in the late 1970s and early 1980s. His work reflects the intersection of music, art, and community that defined the era, providing an authentic and unfiltered look into the lives of hip-hop pioneers. The Tony Tone 79 print exemplifies Conzo’s ability to turn performance moments into timeless art. His compositions often emphasize the relationship between the artist and the environment, bringing depth and context to his subjects. This image is no exception, as it frames Tony Tone in the act of creation, emphasizing the technical and artistic mastery that DJs brought to hip-hop. The Artistic and Cultural Significance of Tony Tone 79 The Tony Tone 79 photo print bridges music and Street Pop Art, serving as a reminder of the artistry embedded in early hip-hop. Using archival-quality materials ensures that every detail, from the texture of the vinyl records to the subtle play of light and shadow, is preserved for future generations. The 16x20 size amplifies its impact, making it a centerpiece for collectors and urban art and music history enthusiasts. This limited-edition artwork is more than a photograph; it is a tribute to the ingenuity and passion that built hip-hop from the ground up. By capturing Tony Tone in action, Joe Conzo Jr has created a piece that resonates with the cultural significance of the Bronx’s golden era, celebrating the DJs who turned turntables into instruments and live sets into art. The Tony Tone 79 photo print is an essential addition for those who value the intersection of music, history, and Street Pop Art.

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M=bw² Collage 36x48 Large Format Silkscreen Print by Mr. Brainwash- Thierry Guetta  Hand-Pulled 13-Color on Deckled Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 18 Artwork Size 48x36 Silkscreen Print of Albert Enstine Holding Love is the Answer Sign Standing by a Highly Detailed Graffiti Tagged Wall. Confluence of Genius and Street Art: Thierry Guetta's Masterpiece In the vibrant sphere of street pop art, few pieces resonate with the intellectual depth and visual impact of "M=bw²," a commanding large format silkscreen print by the eminent street artist Thierry Guetta, known professionally as Mr. Brainwash. The 2024 signed and numbered limited edition release stands out with its striking dimensions of 48x36 inches. This print captures the iconic visage of Albert Einstein standing against a meticulously detailed wall, bathed in graffiti, with a sign declaring "Love is the Answer." This artwork is not merely a tribute to the theoretical physicist but a bold statement in the conversation between science and street pop art, merging the realms of theoretical physics with the visceral, color-splashed world of graffiti artwork. Artistic Interpretation of Einstein's Legacy Albert Einstein, a figure synonymous with genius, becomes the focal point in Mr. Brainwash's visual narrative, where the theoretical underpinnings of the universe meet the expressive freedom of street art. Guetta's piece distills the complexity of Einstein's contributions to science and his cultural significance into a single image that is as thought-provoking as it is aesthetically striking. With each of the limited 18 pieces, "M=bw²" presents a unique color palette, expertly hand-pulled across deckled fine art paper, which gives the artwork an organic edge and tactile presence that echoes the textural quality of graffiti on a brick wall. The interplay of Einstein's contemplative pose with the vibrant chaos of the background graffiti invites the viewer to reflect on the relationship between order and entropy, theory and practice, restraint and expression. This silkscreen print embodies a cross-disciplinary dialogue, encouraging interpretations that cross the borders of art, science, and philosophy. Guetta's Visual Ode to Street Pop Art and Graffiti Artwork Mr. Brainwash's choice to depict Einstein in the context of graffiti is revelatory of the artist's appreciation for the inherent wisdom and revolutionary potential within both science and street art. The "M=bw²" collage becomes a symbolic gesture, aligning the transformative power of love, as alluded to in Einstein's sign, with the transformative power of street art. By superimposing such a profound message onto a wall that bears the marks of numerous anonymous street artists, Guetta pays homage to the communal and often revolutionary spirit of graffiti. The artwork thus becomes an anchor point in the larger narrative of Street Pop Art & Graffiti Artwork, asserting the value of love as a fundamental, universal answer, much like the answers Einstein sought in his equations. In each layer of paint and every deliberate silkscreened line, "M=bw²" reflects the multifaceted nature of human knowledge and creativity. Guetta's work is a testament to the ongoing influence of iconic historical figures and the power of art to reinterpret and repurpose their legacies in ways that resonate with contemporary culture and social discourse. As a medium, street art has often been a visual language for the marginalized and the voiceless, and in "M=bw²," it articulates a message that combines the intellectual and the emotional, the historical and the immediate. Through "M=bw²," Thierry Guetta continues to shape the pulse of street art, ensuring its role not just as a mode of artistic expression but as a medium for profound social and intellectual commentary. The work serves as a reminder that the essence of significant figures like Einstein can find new life and new relevance in the hands of visionary artists and that the questions of our existence remain as pertinent in the alleys adorned with graffiti as they do in the annals of science. In Guetta's print, the message that "Love is the Answer" stands as a universal truth that traverses the domains of art, science, and human experience.

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Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard

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Don't Listen To Them Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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42 Print Hand-Pulled 42-ScreenLimited Edition Silkscreen Print on Fine Art Paper by Sam Chivers Rare Street Art Famous Pop Artwork Artist. '42' hand-pulled screen print by Sam Chivers. Measures A2, 42cm x 59.4cm. Signed and numbered by the artist. Edition of 42.

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Cobra Soldier Graffiti Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Les Schettkoe Graffiti Street Artist Modern Pop Art. Cobra Soldier Graffiti by Les Schettkoe Print- A Cobra soldier from GI Joe is busted spray painting over the famous GI Joe cartoon logo and he doesn't care. Rare special limited edition out-of-production art print.

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Not Great Men 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Not Great Men Screen Print 18 x 24 inches Edition of 450 August 20, 201 The Not Great Men print was inspired by the Gang of Four song of the same name from their album “Entertainment”.. Gang of Four are a great band musically and lyrically with many of their songs tackling subjects like consumption, capitalism, obsession with power, exploitation, narcissism, and class structure. The song Not Great Men has long struck me as a wise indictment of the contradiction or paradox of leadership and power. It takes assertive, charismatic people with self-confidence to be leaders, but on the dark side, leaders are often power hungry, manipulative, and abusive of their power.

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Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Bob Tewksbury/ Bald Man- Yankees Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Bob Tewksbury/ Bald Man- Yankees

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Legislative Influence For Sale AP Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof 2011 Signed & Marked AP Artwork Size 18x24 Silkscreen Democrat Propaganda Print of United States President Ronald Regan Holding Sign That Reads "Legislative Influence For Sale" like one side is innocent. "Legislative Influence For Sale AP Artist Proof" stands as a testament to the profound intersection of politics, pop art, and street aesthetics, epitomizing the essence of the genre through the lens of Shepard Fairey, a defining figure in the contemporary street art scene. Created in 2011, this 2-color, hand-pulled limited edition silkscreen print on fine art paper captures not just the vibrancy and rawness of Fairey's visual language, but also a poignant commentary on the nature of political power and influence in the United States. Marked by its emblematic use of stark contrasts, the print features a depiction of the 40th United States President, Ronald Reagan, clutching a sign with the audacious declaration "Legislative Influence For Sale". Such a visual rhetoric draws attention to the controversial claims about money's role in shaping political outcomes, highlighting the nuances of the relationship between governance and monetary interests. At the same time, by juxtaposing Reagan – who often stands as a symbol of conservative ideals – with a sign suggesting political malfeasance, Fairey challenges the viewer to question and confront their preconceived notions about innocence and guilt in the political arena. In context, Shepard Fairey's artwork – often released under the OBEY moniker – has continually been at the vanguard of pushing the boundaries of street art, evolving it from mere visual spectacle to a medium that communicates pressing societal messages. This piece is no exception. Merging the populist overtones of street art with the iconographic representation reminiscent of pop art, Fairey's "Legislative Influence For Sale AP Artist Proof" is more than just an artwork. It's an embodiment of a time, a statement, and a call to awareness in a world where art and activism seamlessly intersect.

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Dissection of Smurf- Anatomy Sheet No 27 Hand-Pulled 1-Color Limited Edition Silkscreen Print on 300gsm Munken Pure Paper by Medical Pop Artist Nychos. 2018 Signed & Numbered Limited Edition of 200 11x17 Illustrated by NYCHOS 1-color Screen Print on 300 g/m² Munken Pure Paper Size: 11 x 17 Inches / 27,94 x 43,18 cm Limited Edition of 200 Year: 2018 Imprint & stamp of authenticity Numbered and signed by the artist The REM Anatomy Sheets focus on the anatomy of pop culture cartoon characters. In this new collection of black and white limited edition screenprints, Nychos lets the viewer engage with details of the anatomy of toons.

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Supreme Vampire Boy Deck- Black Limited Edition Skateboard deck art by Designer Brand Supreme SS21 2021 Supreme Dracula Bat Skateboard Deck

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Companion- Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Artist Kaws. 2016 Unopened Package Limited Open Edition 10.5 X 4.5 X 2.5 / 16.7 X 11.4 X 6.4 CM KAWS' Companion in the Landscape of Street Pop and Graffiti Art The Companion series by KAWS, a contemporary modern pop artist, has imprinted itself firmly into the collective consciousness of street pop and graffiti art enthusiasts. The "Companion- Black Limited Edition Vinyl Art Toy Collectible" is a prime example of this, merging the commercial accessibility of toys with the avant-garde edge of art. Released as a part of a much-coveted series in November 2016, this particular edition coincided with KAWS's "Where The End Starts" exhibit in Fort Worth, Texas, marking a significant moment in his artistic timeline. This collectible stands out for its aesthetic and cultural value and as a commercial phenomenon, illustrating the intersection of art and consumerism that KAWS navigates so adeptly. With dimensions measuring approximately 10.5 x 4.5 x 2.5 inches, the Companion occupies a physical space that is both intimate and significant, allowing for a personal interaction that is often lost in more giant sculptures. The figure's striking black form is a stark canvas for its emotive detailing, particularly the crossed-out eyes that have become synonymous with the artist's work. The Significance of KAWS' Companion as a Cultural Icon KAWS' Companion, particularly in its black vinyl form, has transcended the realm of mere collectibility to become an icon of street pop art. Its appearance in various forms across different mediums—from massive sculptures to small toys—speaks to its versatility and the artist's ability to adapt street-influenced art for diverse contexts. The Companion's uniformity and the simplicity of its form allow it to become a vessel for multiple interpretations, akin to how graffiti art often carries layered meanings. The 2016 limited open edition of the Companion series is a testament to the character's enduring appeal and resonance with themes of isolation and camaraderie prevalent in street and graffiti art. The flayed versions, revealing the anatomy beneath the surface, offer a commentary on vulnerability and authenticity, themes deeply rooted in the ethos of street culture. This series, especially the black version, was made available through coveted outlets such as KAWSONE, MoMA, and the Modern Art Museum of Fort Worth, illustrating the blurring lines between high art institutions and street pop art collectibles. KAWS' Companion and the Evolution of Street Pop Art The Companion figure by KAWS is not just a static piece of art; it's a narrative, a character that has evolved and adapted over the years, much like the artist himself. Its journey from a graffitied image to a sophisticated collectible encapsulates street art's evolution into a consumable form yet retains its edge. Standing 11 inches tall, the Companion is an homage to and a departure from traditional graffiti artwork. It embodies the subversive nature of street art while being an object of mainstream desire, bridging the gap between underground art scenes and the polished world of art collectors. The release of the Companion- Black Limited Edition Vinyl Art Toy Collectible was a culturally significant event, signaling the peak of KAWS' artistic influence and the growing acceptance and celebration of street pop art in contemporary society. This collectible is a snapshot of the time when street art was being redefined, no longer just seen on the walls of urban landscapes but also occupying space on the shelves of art lovers, signaling a new era of Street Pop Art and graffiti Artwork.

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El Halcon del Mar- Black Limited Edition Archival Pigment Prints with Black Screen Print on 310gsm Fine Art Paper by Stinkfish Graffiti Street Artist Modern Pop Art. "I found this magazine in a second-hand bookstore in downtown Bogota. I used a traditional ink fine marker over the magazine cover. It is a Chilean magazine from 1959.I usually draw over these kinds of surfaces, like vintage records and magazine covers. It's inspired by my street works, I work on portraits mixed with free hand styles with a spray can." - Stinkfish

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Spacewalker: Ninja Star- Wars Limited Edition Graffiti Artwork Off-Set Lithograph Print on Fine Art Paper by Asian Themed Artist Steve Bialik. 2022 Hand-Numbered Limited Edition of 450 Size 11x27

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Nyx No. 1 Artwork Giclee Limited Edition Print on Bright White 100 lb. Cougar Cover Paper by Pop Culture Graffiti Artist Handiedan. Nyx No.1 Handiedan 6 Color Screen Print Bright White 100 lb. Cougar Cover Signed and Numbered Size: 19.7 x 29.5 Inches Edition: 100

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King Janky The 6.5 "Platinum Panama" Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure The "Capo dei Capi" of the Janky royal family is back from hiding out in Panama from the feds, and he’s got a plan to right the wrongs brought against the familia. This boss on the run features Tommy gun, "nice guy" fedora, and newspaper headlining the hoodlum—it won't be long until one of the three is soaked by the blood of neighborhood narcs. 3.5-inches tall, soft vinyl, and drenched in family disgrace. Just 999 made.

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Burger Skull- Color Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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Harriette Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 8x10.25 Female Skull with Blond Hair & Feather. Introducing "Harriette" by Bec Winnel Bec Winnel's "Harriette" is a giclée print that captivates the viewer with its haunting beauty and intricate detail. This 2014 creation is part of a limited edition series of 25, each piece signed and numbered by the artist, with dimensions of 8x10.25 inches. The artwork's subject, a female skull adorned with blonde hair and a feather, is not just an exploration of mortality but a deeper delve into the themes of ephemeral beauty and the intersection of life and death. The Ethereal Aesthetics of Winnel's Portraiture Winnel is renowned for her ability to capture the essence of her subjects with a palpable tenderness. In "Harriette," juxtaposing a lifeless skull with vibrant, lifelike hair and a delicate feather creates a stark, unsettling, and beautiful contrast. This contrast is heightened by the presence of a butterfly—a symbol of transformation and rebirth—hinting at the cycle of life and the inevitability of change. The artwork is a testament to Winnel's mastery of mixed mediums, as she employs pastel, pencil, watercolor, and metallic elements to build up layers of texture and color. This layering technique results in a soft, almost otherworldly visual experience characteristic of her style. The gentle gradations and the meticulous attention to detail in "Harriette" invite the viewer to ponder the transient nature of beauty and the permanence of art. Street Pop Art and Graffiti Influences While Winnel's work traditionally occupies the space of fine art, the limited edition nature of "Harriette" and its striking visual impact resembles the ethos of street pop art and graffiti. Like street artists' fleeting yet powerful statements, "Harriette" commands the viewer's attention; its limited availability adds to its allure and value. The work engages with pop culture's fascination with the macabre and the beautiful, combining them in a way that would not be out of place on the walls of a metropolitan alley or a modern art museum gallery. Winnel's artistry blurs the lines between traditional portraiture and the rebellious spirit of street art, creating pieces that are both accessible and profound. Reflections on Femininity and Mortality "Harriette" reflects Winnel's ongoing exploration of femininity, romanticism, and nature. The skull, void of life yet adorned with symbols of beauty and nature, speaks to the complex relationship between life's fragility and the enduring nature of feminine spirit. Winnel's choice to blend these elements against a dark background further accentuates the subject, emphasizing the recurring theme of emerging and fading in her works. This piece is more than a simple portrait; it is a narrative of life's delicate balance, a commentary on the dichotomy between the temporal and the eternal. Winnel's exploration of aesthetic nostalgia is evident in the work's vintage feel, reminiscent of a time when such representations were common in literature and art, intended to remind of life's impermanence. Bec Winnel's "Harriette" is a compelling piece that encapsulates the artist's signature style while engaging with broader themes prevalent in pop and street art. It is an artwork grounded in the fundamentals of fine art yet speaks a language that resonates with the contemporary viewer, bridging the gap between different art forms and periods. Through "Harriette," Winnel invites us into a contemplative dialogue about beauty, life, and the legacies we leave behind.

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Sweet Sins- Blue 2-Color Hand-Pulled Limited Edition Embellished HOM Silkscreen Print on Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. Edition of 250 Acrylic and Silkscreen Ink on Lenox 100 Paper This is the blue/red colorway. Signed, Stamped & Numbered, Faile

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Hush-Hush Archival Print by Giorgiko Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of TBD Artwork Size 30x36 Archival Pigment Fine Art of Boy or Girl Holding a Cookie. Image size is 27" x 33" with 1-1/2" white borders. Printed by Static Medium. Hush-Hush by Giorgiko – Limited Edition Archival Print in Street Pop Art & Graffiti Artwork Hush-Hush is a 2023 archival pigment print by the artist duo Giorgiko, printed by Static Medium on cotton fine art paper. Measuring 30 x 36 inches with an image area of 27 x 33 inches surrounded by 1.5-inch white borders, this piece embodies Giorgiko’s signature blend of innocence, introspection, and symbolic contradiction. In this limited edition release, a gender-neutral character—marked by the classic blank, oval eyes and soft, rounded facial features familiar to Giorgiko’s recurring figures—is shown holding a cookie while wearing a ruffled Renaissance collar and a dark cap, standing against a dreamy, cloud-filled sky. The soft, glowing light paired with high-fidelity textures gives the character an almost mythic presence, while the humorous absurdity of the cookie grounds the image in modern whimsy. Visual Juxtaposition and Emotional Stillness Hush-Hush merges visual contradiction with narrative subtlety. The Renaissance collar and puffy jacket evoke historical formality and ceremonial grandeur, yet the baseball cap and chocolate chip cookie undercut this formality with quiet absurdity. The contrast creates a tension between tradition and playfulness, high art and youth culture. The character’s expression, despite lacking defined features, suggests hesitation or contemplation. Giorgiko’s approach to emotional storytelling relies not on overt gestures but on posture, silhouette, and context. The figure appears paused in motion, mid-thought, suspended between indulgence and restraint. This ambiguity creates an emotional space in which the viewer can insert their own reflection, making the piece as much about internal narrative as it is about aesthetic execution. Technique and Symbolism in Contemporary Street Pop Art Giorgiko’s Hush-Hush is printed using archival pigment on high-quality cotton paper, delivering vivid tonal transitions and painterly textures that highlight the studio’s hybrid technique. While Giorgiko often draws influence from classical oil painting, their compositions are informed by urban and graffiti-inspired aesthetics, using minimalism and cartoon stylization to generate universal emotional resonance. The oversized collar nods to portraiture traditions from Western art history, while the cap and modern streetwear textures tie the figure back to contemporary cultural identity. The cookie, humorous and unthreatening, becomes a symbol of simplicity and self-soothing, a quiet rebellion against the weight of the world. Through this intersection of classical reverence and everyday absurdity, Hush-Hush extends the language of Street Pop Art & Graffiti Artwork to embrace stillness, contradiction, and narrative restraint. Giorgiko’s Unique Voice in Modern Figurative Work As a collaborative project between Darren and Trisha Inouye, Giorgiko continues to create a distinct narrative space where archetypes, emotional silence, and visual poetry intersect. Hush-Hush exemplifies their ability to take a single moment and elevate it into an archetype of modern emotional experience. Rather than relying on overt protest or visual chaos, the duo uses softness, ambiguity, and surreal calm to explore identity, detachment, and the quiet humor embedded in life’s contradictions. In the broader field of Street Pop Art & Graffiti Artwork, Giorgiko’s work stands out for its subtle yet immersive world-building, inviting viewers to pause, reflect, and find connection in the stillness of a cookie held quietly against a pastel storm.

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Outstanding Print on Wood Panel Framed Ready to Hang by Sabek x OuterSpace Project Street Art Modern Pop Artist. 2019 Signed & Numbered Framed Limited Edition of 50 Artwork Size 14x14 Ready To Hang Outstanding by Sabek 14 x 14 in. (35.56cm x 35.56cm) Exclusive fine art wood print on 1/2" sustainable Birch, bright white finish hand signed and numbered Edition of 50.

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Cave Drawing Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Drawing of an adventurer cat exploring a cave.

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Melted Limited Edition 3-Color Hand-Pulled Silkscreen Print Fluorescent Pink, Fluorescent Green Ink on Archival White Cotton Cardstock by MFG- Matt Goldman Graffiti Street Artist Modern Pop Art. The signature style I developed for my prints, inspired by the graphic complexity and macabre iconography of Dia De Lost Muertos, was characterized by visuals decorated with persistently rising drops of color. The fluorescent inks and bright white paper are designed to shine in blacklight but stay pretty bright in the light of day. Best framed with a 1" solid black. -MFG- Matt Goldman 9 x 6.75 inches Screen Print Fluorescent Pink, Fluorescent Green Archival White Cotton Cardstock Edition of 80 Released 2008

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Azalea Shhh... Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Christine Wu.

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The Final Solution- Atomic Bomb Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist SSUR- Ruslan Karablin. 2014 Signed Limited Edition Artwork

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Stop Asking For Permission- Silver Limited Edition Screen Print with Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Skateboard art by street pop culture artist Eddie Colla. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Cosmica Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sam Chivers. 24x24 Giclée print on Hahnemuhle fine art paper. Edition of 100

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Mad World Artwork Giclee Limited Edition Print on 300 GSM Certified Archival Paper by Pop Culture Graffiti Artist Graham Curran. Graham Curran titled "Mad World," inspired by the movie Donnie Darko. Measures 11" x 14", and printed on 300 GSM Certified Archival Paper. Signed by the artist and hand-numbered.

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Vengeance Lucha Bat Giclee Print by Brian M Viveros Pop Street Artwork Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper Pop Street Artist. 2022 Signed & Numbered Limited Edition of 66 Artwork Size 20x20 Printed by Static Medium Vengeance Lucha Bat by Brian M. Viveros: A Bold Fusion of Street Pop Art The Vengeance Lucha Bat giclee print by Brian M. Viveros is a powerful piece of Street Pop Art and Graffiti Artwork that showcases the artist's mastery of blending iconic imagery with his distinct, edgy style. Created in 2022, this limited edition of 66 prints was meticulously produced on hand-deckled 290gsm Moab Entrada paper, offering a luxurious and tactile finish. Measuring 20 by 20 inches, the print is signed and numbered by the artist, emphasizing its exclusivity and appeal to collectors. The collaboration with Static Medium ensures exceptional quality, with vibrant colors and intricate details preserved through archival giclee printing. This artwork reimagines the classic bat motif with a fusion of superhero iconography and the bold aesthetics of lucha libre culture. The central figure wears a mask and cape adorned with gold floral patterns, contrasting against a vibrant blue-and-yellow backdrop filled with silhouetted bats. The character's intense gaze and confident pose, paired with the gritty details of her torn costume and scarred chest, evoke themes of resilience, empowerment, and vengeance. Viveros’s attention to detail, from the shine on the mask to the texture of the fabric, highlights his ability to blend hyper-realism with conceptual storytelling.  The Power of Symbolism in Street Pop Art Brian M. Viveros’s Vengeance Lucha Bat embodies the bold visual language of Street Pop Art, using a mix of cultural and symbolic elements to create a striking narrative. The figure’s bat mask and cape nod to classic superhero tropes, reinterpreted through the lens of lucha libre’s dramatic flair and cultural significance. The fusion of these two worlds creates a character who is both iconic and original, representing strength, independence, and a willingness to confront adversity. The golden floral patterns on the costume contrast sharply with the gritty elements of the figure’s scars and torn attire, highlighting the duality of beauty and struggle. This juxtaposition resonates with the core ethos of Street Pop Art and Graffiti Artwork, where raw, urban energy meets refined artistic expression. The bats in the background, scattered across the golden moon, add a sense of movement and mystique, reinforcing the themes of vengeance and transformation. Giclee Printing as a Tool for Artistic Excellence The use of giclee printing for Vengeance Lucha Bat underscores Brian M. Viveros’s commitment to quality and detail. Archival pigment printing on 290gsm Moab Entrada paper ensures that the vivid colors and intricate details of the artwork are preserved with precision. The hand-deckled edges add a unique, artisanal touch to each print, enhancing its appeal as a collector’s item. Static Medium, known for its expertise in fine art printing, collaborated with Viveros to ensure the highest standards of reproduction. The result is a print that captures the essence of the original painting, with textures and colors that draw the viewer into the narrative. The limited edition of 66 prints adds an element of exclusivity, making Vengeance Lucha Bat a standout piece in contemporary Street Pop Art. Brian M. Viveros: Defining Contemporary Pop Street Artwork Brian M. Viveros has earned acclaim for his ability to combine cinematic influences, cultural motifs, and intricate details into his Street Pop Art creations. His characters, often battle-worn yet fiercely confident, challenge traditional portrayals of femininity and strength. Vengeance Lucha Bat exemplifies his ability to reimagine cultural symbols in ways that are both visually captivating and conceptually thought-provoking. Through this piece, Viveros explores themes of resilience and defiance, presenting a character who is unapologetically strong and unapologetically herself. The artwork’s blend of superhero imagery, lucha libre aesthetics, and fine art techniques makes it a compelling addition to the contemporary art landscape, celebrating the power of visual storytelling in Street Pop Art and Graffiti Artwork.

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You Reaper You Sower- White 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Cleon Peterson Street Art Pop Artwork Artist. 2022 17 x 17 inch. Hand-pulled screen print. printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125.

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Relics of Youth- II Limited Edition Hand-Embellished HPM Stenciled Montana Gold Spray Paint and Acrylic on Wood Panel by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed Original Painting Artwork Size 18x18 Signed 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021 Run of: 1

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Stop The Violence! Voices of Parkland 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. "Voices of Parkland" Screen Print on Cream Speckle Tone Paper by Shepard Fairey. It measures 18" x 24"

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Isolation Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Meagan Magpie Rodgers. 2021 8”x10" signed and numbered giclee print on fine art paper. Only 80 will be made.

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Holy Grails Yeezys Papyrus- Side 2-Color Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 10 Size 14.25x10 Golden Kayne West Yeezy Shoe Stylized With Egyptian Elements From The Side Custom Papyrus Paper. Holy Grails Yeezys Papyrus – Side by Marwan Shahin: A Golden Convergence of Sneaker Culture and Ancient Legacy Holy Grails Yeezys Papyrus – Side is a 2022 limited edition silkscreen print by Egyptian pop and graffiti artist Marwan Shahin, merging modern sneaker mythology with the sacred aesthetic of ancient civilizations. Measuring 14.25 x 10 inches and screen printed by hand on traditional Egyptian papyrus, this piece showcases the side profile of a Yeezy sneaker drenched in gold and adorned with rich iconography. It is part of an ultra-exclusive edition of only 10, each signed, numbered, and authenticated by the artist with an embedded Fine Art Ledger NFC chip—a digital authentication system bridging the physical and blockchain worlds. Shahin’s meticulous design strategy transforms the Yeezy sneaker—already a cultural artifact of status, design, and influence—into a gilded tapestry of ancient and contemporary symbolism. The silhouette is covered in intricate Egyptian-inspired motifs, including stars, chains, hieroglyph-like geometry, the all-seeing eye, and spiked elements that echo both regal and rebellious energy. With diamond dust infused into the gold screen print, the image gleams with shifting brilliance under light, giving it a relic-like shimmer reminiscent of ancient tomb treasures. Symbolic Wealth and Power Encased in Pop Iconography Where sneaker culture often revolves around scarcity, identity, and performance, Shahin elevates the Yeezy into an object of metaphysical and historical weight. His intricate design invites interpretation—each symbol layered over the shoe draws from centuries-old representations of power, protection, and prestige. Elements such as pyramids, ankhs, and cosmic motifs are blended into the industrial lines of a modern-day fashion staple, creating a hybrid visual language that resonates across time periods. The use of papyrus is more than aesthetic; it roots the piece in ancient storytelling traditions. Used historically for religious texts and governmental decrees, papyrus paper adds spiritual gravity to a modern product that has come to define wealth and influence in a different context. By choosing a side profile of the Yeezy, Shahin emphasizes its recognizability and form, turning the silhouette into a platform for cultural annotation. The result is not just a sneaker print, but a commentary on luxury, devotion, and cultural appropriation. Marwan Shahin’s Street Pop Art: From Cairo to Global Walls Marwan Shahin’s work has long examined the politics of image-making. Known for using street pop art and graffiti artwork to challenge authoritarian structures and explore cultural iconography, Shahin continues his legacy of visual resistance with this piece. The Holy Grails series amplifies his skill in blending media and meaning, positioning objects like the Yeezy not just as fashion or utility, but as vessels of complex identity and aspiration. The addition of digital authentication underscores Shahin’s role as a contemporary artist who respects tradition but remains sharply in tune with the digital age. The NFC crypto-chip built into the piece secures its provenance and originality, allowing it to exist simultaneously as a rare physical object and a digitally verified collectible. This duality—analog craft and digital security—mirrors the artwork’s thematic focus on bridging eras and ideologies. A Modern Relic of Artistic Alchemy Holy Grails Yeezys Papyrus – Side stands as a striking symbol of how modern luxury items, like sneakers, have taken on roles once reserved for religious artifacts and royal regalia. Through his distinct artistic lens, Shahin casts the Kanye West Yeezy as both cultural symbol and sacred object, layering its surface with historical gravitas and street-level relevance. With its rarity, handcrafted technique, and radiant finish, this piece offers more than visual impact—it invites discourse on material worship, artistic legacy, and how contemporary art continues to rewrite the visual language of value and belief.

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Cowgirls #2 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Expression of Cowgirls by Zane Thomas Cowgirls, a limited edition 3-color hand-pulled silkscreen print by Zane Thomas, embodies the bold and dynamic energy of street pop art and graffiti artwork. Created in 2013 as part of a signed and numbered edition of 50, this piece merges pop culture references with the raw edge of urban art. Measuring 8.5 x 11 inches, the composition captures the spirit of rebellion, independence, and strength that cowgirl imagery has long symbolized in American culture. Through the use of bold lines, stylized figures, and a carefully selected color palette, Thomas injects new life into this traditional motif while maintaining his distinctive graffiti-inspired aesthetic. The Symbolism of the Cowgirl in Street Pop Art and Graffiti Artwork The cowgirl has been a powerful symbol of resilience, freedom, and individuality, making her a fitting subject for street pop art and graffiti artwork. In this print, Zane Thomas embraces the iconography of the American West while reinterpreting it through a contemporary lens. By incorporating elements of bold color blocking, exaggerated linework, and an expressive composition, the piece bridges the classic Western aesthetic with modern urban visual culture. The cowgirl figure resonates with themes of defiance and independence, aligning with the rebellious spirit of street art. This visual reinterpretation challenges traditional narratives while celebrating the strength and confidence embodied by the cowgirl. The Craftsmanship Behind the Hand-Pulled Silkscreen Print Silkscreen printing is a process that allows for vibrant, layered compositions, making it an ideal medium for an artwork like Cowgirls. The three-color design showcases Thomas’s ability to create depth and movement within a limited palette. Hand-pulled printing methods bring an element of craftsmanship to each piece, ensuring that no two prints in the edition are exactly alike. The precision required in layering different ink colors enhances the artwork's visual impact, emphasizing sharp contrasts and bold outlines. This attention to technique highlights Thomas’s expertise in blending traditional printmaking methods with the raw energy of graffiti-style art. The Cultural Impact of Cowgirls by Zane Thomas Cowgirls stands as a powerful statement within street pop art and graffiti artwork, reflecting both historical imagery and contemporary artistic movements. By incorporating Western themes into an urban art format, Zane Thomas creates a visual dialogue between past and present, tradition and rebellion. This piece challenges conventional perceptions of the cowgirl by placing her within a modern, graffiti-inspired aesthetic, reinforcing her role as a cultural icon. As part of a limited-edition series, it holds significance for collectors who appreciate the fusion of classic themes with the dynamic, ever-evolving language of street art.

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Born To Ride Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Born to Ride" from Marwan Shahin's archives, one of the most renowned works from the "BANNED" series discussing women driving in the Middle East. "Born to Ride” 2012 27x39 Giclée on Etching Rag Signed print AP Edition, the same exact print was exhibited at The Wignall Museum of Contemporary Art 1/1 AP Artist Proof Damaged, Medium Scratches Along Black Bottom, Small Scratches Throughout, Still Presentable, See Detailed Photos

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