Pop art emerged in the 1950s and 1960s as a reaction against the dominant art movements of the time, such as abstract expressionism. Pop art celebrated the ordinary, the mass-produced, and the popular, often incorporating images from consumer culture and mass media. Blade Runner's imagery and themes are perfectly suited to the pop art aesthetic, with its depiction of a dystopian future dominated by commercialism and consumerism. One of the most iconic images from Blade Runner is the giant Coca-Cola advertisement that looms over the cityscape. This image has been referenced and parodied in countless pieces of pop art, including works by artists such as Keith Haring, Banksy, and Shepard Fairey. These artists use the image of the Coca-Cola sign to comment on the pervasive influence of advertising and the commodification of our daily lives. Another aspect of Blade Runner that has influenced pop art is its use of neon lighting and other futuristic design elements. The film's visual style has been referenced in numerous works of pop art, from Andy Warhol's Electric Chair series to the album art of electronic music pioneers such as Kraftwerk and Daft Punk. The film's use of bold, bright colors and sleek, futuristic design has become a staple of the pop art aesthetic. Street art emerged in the late 20th century as a form of artistic expression that was often created illegally, using public spaces such as walls, sidewalks, and buildings as canvases. Street art has been heavily influenced by popular culture, and Blade Runner's imagery and themes have had a significant impact on the genre. One of the most striking elements of Blade Runner is its depiction of a decaying, dystopian cityscape. This vision of a bleak, urban environment has been referenced in numerous works of street art, from the graffiti murals of Banksy to the wheatpaste posters of Shepard Fairey. These artists use the imagery of Blade Runner to comment on the social and political issues facing contemporary cities, such as gentrification, homelessness, and environmental degradation. Another aspect of Blade Runner that has influenced street art is its portrayal of replicants, humanoid robots who are indistinguishable from humans. The film's exploration of the boundaries between human and machine has been a recurring theme in street art, with artists such as D*Face and Invader creating works that blur the lines between organic and synthetic forms. These artists use the imagery of Blade Runner to explore the ways in which technology is changing our understanding of what it means to be human.