Bombs & Explosions

3 artworks

  • The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

    $954.00

  • Samiyam The Blind Pig 2011 Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler Samiyam The Blind Pig 2011 Silkscreen Print by Jeremy Wheeler

    Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

    $103.00

  • Britney Bomb Silkscreen Print by Joe King

    Joe King Britney Bomb Silkscreen Print by Joe King

    Britney Bomb Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Joe King. Ultra limited number 6 of 7.

    $218.00

Bombs & Explosions

Symbolism of Bombs and Explosions in Art

In the landscape of street pop art and graffiti, bombs and explosions have emerged as powerful symbols. These motifs often convey conflict, energy, disruption, and transformation messages. For many artists, the depiction of explosions represents a moment of impact—literally and metaphorically—a sudden release of energy that can imply destruction or the birth of something new.

Historical Context in Pop Art

The use of bombs and explosions in pop art can be traced back to the movement's origins, where artists like Roy Lichtenstein brought the aesthetics of war into the public eye through his comic book-style paintings. This imagery, often vibrant and jarring, invites viewers to contemplate the juxtaposition of violent content and bold commercial graphics—a commentary on the normalization of war in media and popular culture.

Evolution in Street Art and Graffiti

Street artists and graffiti writers have adapted the bomb and explosion imagery to fit the context of urban environments. Murals and tags depicting these themes serve as a form of social commentary or as metaphors for the artists' experiences and struggles. In the hands of street artists, these images can be inflammatory, provocative, and sometimes, a call to action.

Techniques and Styles

The visual representation of bombs and explosions varies widely among artists. Some may opt for a hyper-realistic approach, while others embrace a more abstract or stylized depiction. Techniques such as stenciling, freehand spray painting, and stickering are all employed to capture the immediacy and intensity associated with explosions. The style chosen by an artist often enhances the intended message, whether it is one of critique, celebration, or irony.

Contemporary Relevance and Interpretation

In contemporary times, bombs and explosions in street pop art and graffiti remain relevant as artists respond to current events and societal issues. The imagery reflects the times, capturing the collective consciousness and communities' reactions to the tumultuous events around them. Artists can preserve historical moments, spark dialogue, and inspire change through their work.

Footer image

© 2025 Sprayed Paint Art Collection,

    • Amazon
    • American Express
    • Apple Pay
    • Bancontact
    • Diners Club
    • Discover
    • Google Pay
    • iDEAL
    • Mastercard
    • PayPal
    • Shop Pay
    • Visa

    Login

    Forgot your password?

    Don't have an account yet?
    Create account