Wall-e Pop Modern Movie Artwork Limited Edition Giclee Print on Fine Art Paper by Pixar Graffiti Modern Artist Raid71. 2022 Official Pixar print Wall-e 18 x 24 Giclee Signed Hand-numbered edition

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And Then Things Got Better- Pink Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Pink Variant And Then Things Got Better – Pink Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Pink is a 2021 archival pigment print by Canadian artist Denial, created as part of a series that reimagines classic comic book panels through a modern pop art lens. This edition is printed on 330gsm fine art paper using museum-grade pigment inks and measures 24 x 24 inches. Released as a signed and numbered limited edition of 25, the Pink variant showcases Denial’s signature blend of pop culture critique, emotional depth, and bold visual language. The composition captures a close-up of a woman’s face in dramatic profile, with vibrant pinks replacing the traditional comic palette to convey a contemporary mood of confidence and personal transformation. The upper caption panel reads And Then Things Got Better, rendered in soft pink with bold black lettering. The message, ambiguous and potent, hovers above an image rich in stylized tension, caught between vulnerability and reclamation. The Pink Palette as Emotional Architecture Color is central to the emotional tone of the Pink edition. Denial replaces the original comic yellow and blue hues with intense fuchsia tones and a warmer palette that redefines the scene. The deep pink in the woman's lips and hair provides a punch of contemporary energy while maintaining the flat, graphic intensity typical of pop art. Her gaze remains fixed beyond the viewer, carrying with it the weight of introspection, change, and unspoken resolve. The caption feels less ironic here than in other versions, lending the piece a sense of recovery framed through identity and empowerment. Denial often explores duality—conflict and healing, fear and strength—and this print manifests that exploration visually. The woman's poised expression and stylized tears challenge the boundaries between narrative and design, letting the viewer choose whether the message reflects sarcasm, survival, or both. Denial’s Commentary on Pop Culture in Street Pop Art & Graffiti Artwork Daniel Bombardier, known professionally as Denial, is based in Windsor, Ontario, and is internationally recognized for his fusion of graffiti culture and pop art sensibilities. His work often uses parody and appropriation of mass media aesthetics to question political, social, and emotional structures. And Then Things Got Better exemplifies his ability to twist familiar formats into powerful visual commentary. Denial pulls from the lexicon of comic books, advertisements, and signage, reworking these sources to address contemporary issues like emotional suppression, resilience, and personal awakening. Through this Pink edition, Denial continues to redefine how emotion and design operate in Street Pop Art & Graffiti Artwork, treating pop art not only as critique but as a vehicle for personal expression and empowerment. Craftsmanship and Collector Appeal of the Pink Edition This edition is produced using archival pigment printing techniques that ensure vivid color stability and detailed resolution over time. The 330gsm fine art paper provides a rich, tactile surface that complements the intensity of the design. Every print is signed and numbered by the artist, verifying its authenticity and enhancing its appeal to collectors of modern pop and street-influenced art. Limited to only 25 pieces, the Pink edition carries both scarcity and emotional resonance, reflecting Denial’s unique ability to merge bold visuals with conceptual weight. This work sits confidently within the larger canon of Street Pop Art & Graffiti Artwork, demonstrating how humor, drama, and color can coexist in one frame to tell a story that is at once universal and deeply personal. Denial’s Pink variant stands not as a conclusion, but as a vivid and emotional snapshot of transformation in motion.

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Autumn Arrives Limited Edition 6-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by John Vogl Graffiti Street Artist Modern Pop Art. Six color screenprint on French Speckletone KraftPaper 18 x 24 inches. Signed and numbered edition of 600 Released on Friday, September 6, 2013.

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Operation Oil Freedom Black PP HPM Wood Silkscreen Print by Shepard Fairey- OBEY Printers Proof Hand-Pulled 1-Color Screen Print on Cradled Wood Embellished Limited Edition Pop Street Art Artwork. PP Printers Proof 2007 Signed & PP Marked HPM Hand Pulled Artwork Size 18x24 Oil Freedom. Shepard Fairey (b. 1970) Operation Oil Freedom (Black), 2007 Hand pulled multiple on panel 24 x 18 inches (61 x 45.7 cm) P.P. Signed, dated, and annotated in pencil along lower edge Published by Obey Giant, Los Angeles Print Grade: 7/10 Moderate overall craquelure; mild surface soiling. Framed Dimensions 24.5 X 18.5 Inches Operation Oil Freedom Black PP HPM Wood Silkscreen Print is a piece of artwork created by Shepard Fairey, also known as OBEY, an American contemporary street artist, graphic designer, and activist. Shepard Fairey gained widespread recognition through his "OBEY Giant" campaign and his iconic "Hope" poster of Barack Obama. His work often combines elements of street art, propaganda, and activism, drawing attention to social and political issues. This particular piece, "Operation Oil Freedom Black PP HPM Wood Silkscreen Print," likely addresses the politics surrounding oil, energy consumption, and environmental concerns. As with many of Fairey's works, this piece employs a mix of bold fuel visuals and thought-provoking eagle burd imagery to engage the viewer and spark conversation about the subject matter. The use of silkscreen printing and wood as a medium further emphasizes the unique style and texture of the piece. Without seeing the artwork, it's difficult to provide a more detailed analysis of its specific visual elements or its exact meaning. However, it is likely that the piece carries a strong political and social message in line with Fairey's usual style.

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Golden Age Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Jessica Print x Stages NYC 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Custom Framed Floating Mat Signed & Numbered, Shepard Fairey (b. 1970) Jessica Portrait, 2009 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 272/475 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles I regret that Dina’s credit for the original photo was left off the making-of video about this piece, as well as the Stages 09 web site and exhibit documentation. She is a cancer survivor and should have been credited, and I apologize. – Shepard Based on a photograph taken by cancer survivor Dina Douglass / Andrena Photography Some Slight Dings and Scratches To The Frame.

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Yagharek Silkscreen Print by Andrew Ghrist Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 15x24 Silkscreen Print Yagharek Silkscreen Print by Andrew Ghrist Hand-Pulled on Fine Art Paper Andrew Ghrist is a contemporary artist known for his intricate linework, surreal imagery, and dynamic use of color. His limited edition silkscreen print titled Yagharek is an impressive example of his unique fusion of Street Pop Art & Graffiti Artwork. This piece, produced in 2014, was meticulously hand-pulled on fine art paper, making it a striking collectible for art enthusiasts. The print is part of a signed and numbered edition of only 50, measuring 15x24 inches, further enhancing its exclusivity and appeal. Symbolism and Aesthetic in Yagharek The imagery in Yagharek is both surreal and symbolic, capturing a sense of mystery and intrigue. The dominant presence of birds in the composition suggests themes of flight, captivity, and transformation. A large, dark-feathered bird with piercing eyes looms over an array of alchemical glassware, while a smaller, taxidermy-style owl sits encased in a glass dome. The juxtaposition of life and preservation, movement and stillness, creates a visually compelling narrative that speaks to deeper existential themes. The use of fine lines and detailed textures enhances the sense of realism, while the stylized, almost dreamlike composition keeps the work firmly rooted in Street Pop Art & Graffiti Artwork. Hand-Pulled Silkscreen Process and Limited Edition Rarity Silkscreen printing is a meticulous and labor-intensive process that demands precision and craftsmanship. Andrew Ghrist, known for his technical skill, personally hand-pulled each piece, ensuring a level of quality and uniqueness that digital reproductions cannot replicate. The layered application of ink results in a rich, tactile surface that highlights the intricate details of the artwork. This technique, often associated with legendary printmakers in pop and street art movements, gives Yagharek a tangible presence that speaks to both traditional craft and contemporary urban influences. The limited edition nature of this print makes it a coveted piece among collectors, as only 50 exist, each signed and numbered by the artist. Street Pop Art & Graffiti Artwork Influence Yagharek reflects the influence of Street Pop Art & Graffiti Artwork through its raw, detailed aesthetic and bold visual storytelling. While not directly a piece of graffiti, it embodies the energy and visual dynamism of the movement, combining intricate illustration with the rebellious spirit of urban art. Andrew Ghrist’s work often draws from street culture, incorporating elements of mythology, nature, and dystopian themes into a contemporary framework. His print serves as a testament to the evolution of graffiti-inspired fine art, bridging traditional printmaking with the conceptual depth often found in street-based artwork.

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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Trooper- Dot Foil 3-Color Hand-Pulled Limited Edition Silkscreen Print on Holographic Foil by Brian Ewing Modern Pop Culture Artist. AP Artist Proof 2021 Signed Limited Edition 18x24

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Portugal. The Man Seattle 2013 Music Limited Edition Gig Poster 10-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Smith for Portugal. The Man. AP Artist Proof

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The Foundation Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Koe Rodriguez. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 66 x 24 Inches Release: August 11, 2021 Run of: 15

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The Triumphant Warrior Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Buff Monster. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 24x24 "The Triumphant Warrior" is a testament to Buff Monster's distinctive style within pop and street art, brought to life through a limited edition giclee print on fine art paper. This 2012 piece is set against a stark and stylized landscape, featuring a one-eyed pink character reminiscent of soft-serve ice cream, triumphantly standing over a vanquished dragon. The print measures 24x24 inches and is part of a limited edition series, with only 50 signed and numbered pieces, adding to its value and collectability. Buff Monster's work is often characterized by its bright, vibrant colors and whimsical themes. It draws heavily from various cultural influences, including Japanese Kawaii—a style emphasizing cuteness, graffiti art, and classic American cartoon imagery. In "The Triumphant Warrior," these elements are on full display; the pink hue of the central character pops against the muted background, drawing the eye directly to the subject. The scene humorously subverts the classic trope of a brave knight slaying a dragon by replacing the knight with a playful, almost childlike creature wielding a spear with a cherry on top. This artwork not only captures Buff Monster's iconic use of the color pink but also incorporates his recurring eye motif, which together provide a signature look that is instantly recognizable. Giclée printing technology ensures that each detail, from the glossy shine of the creature's head to the intricate patterns on the fallen dragon, is reproduced with high fidelity. The fine art paper serves as an ideal canvas, ensuring that each print retains the visual impact of the original work. By releasing "The Triumphant Warrior" as a limited edition, Buff Monster creates a sense of urgency and exclusivity around the artwork, principles often seen in street art, where the impermanent nature of the medium is part of its charm. Collectors of this piece not only obtain a slice of Buff Monster's world but also engage with the dialogue between street art's transient nature and the enduring form of fine art prints. This piece encapsulates the playful defiance at the heart of Buff Monster's artistic expression, embodying a triumphant spirit that is both whimsical and heroic in its own right.

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Nothing More Than A State of Mind Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Pop Artist Alex Garant Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 20x24 Alex Garant – Nothing More Than A State of Mind in Street Pop Art & Graffiti Artwork Nothing More Than A State of Mind by Alex Garant is a 2022 archival pigment print that exemplifies the artist’s signature optical style. This 20x24 inch fine art edition, limited to just 50 signed and numbered prints, features a portrait of a young woman staring forward in a blank expression, yet layered with unsettling multiplicity. Her face is adorned with duplicated eyes and lips—perfectly rendered but visually fractured—forcing the viewer into a moment of cognitive dissonance. Garant’s portraiture operates like a visual glitch in the system, questioning perception and exploring the psychological distortions of modern life. While presented in a fine art format, this piece deeply aligns with the sensibilities and visual tactics of Street Pop Art & Graffiti Artwork. The subject’s red and cyan windbreaker pops with graphic intensity, set against a neutral background that brings the face—and its duplications—into sharp focus. The color blocking, the confident brushwork, and the emotional ambiguity speak to a visual language born in public murals and wheatpaste posters. By disrupting facial harmony, Garant disrupts the viewer’s comfort zone. This is not a portrait made to soothe or flatter. It is designed to challenge how we see others—and ourselves—in a world shaped by constant digital reflection and emotional overstimulation. Disrupted Identity Through Street-Level Surrealism Alex Garant’s signature double-vision technique is not merely stylistic—it carries conceptual weight. In this work, the layered facial features suggest states of mind fractured by repetition, social pressure, and information fatigue. The portrait feels like a living glitch, where a static identity cannot exist. This aesthetic tension is deeply resonant with graffiti culture, where visual interruption is both an act of defiance and a method of storytelling. Like a street tag scrawled over a polished billboard, the duplications in Garant’s painting refuse polished perfection, opting instead for multiplicity and distortion. This thematic approach mirrors the psychological undercurrent of street pop art. Artists within this movement frequently use surreal figuration and visual overload to comment on perception, consumerism, and mental fragmentation. Nothing More Than A State of Mind does this by presenting a human subject not as a fixed image but as a shifting mental projection, embodying emotional complexity and instability. Technique and Symbolism Aligned with Street Pop Culture While Garant paints using traditional methods, her portraits carry the graphic punch of street art. The bold primary colors, the focused symmetry, and the almost digital visual effect of duplication reflect the impact-first aesthetic of graffiti and paste-up culture. The piece reads like a visual echo, vibrating with emotional and symbolic frequency. It forces the eye to work, to reprocess, to re-evaluate—a demand familiar to viewers of street murals that often overwhelm, confront, or provoke with scale and content. The title Nothing More Than A State of Mind adds conceptual depth, suggesting that perception itself is unstable, fluid, and subject to distortion. In an era where curated digital personas and algorithmic filters shape how identity is consumed, Garant’s work acts as both mirror and warning. Her subject is not broken—she is multiplied, haunted, possibly trapped within a psychological or emotional loop. This message aligns with the core of graffiti art’s critical tradition: to reject surface appearance and instead reveal what lies beneath. Alex Garant's Place in Modern Pop Surrealism and Graffiti-Influenced Fine Art Alex Garant’s contributions to Street Pop Art & Graffiti Artwork extend beyond gallery walls. While her paintings are highly collectible and refined, their emotional rawness and visual subversion place them firmly within the movement's boundaries. Her work has gained attention from global art publications and exhibitions, standing out for its bold defiance of visual norms. Rather than celebrate static beauty, Garant fractures it—exposing the psychological truths hidden inside perception. Nothing More Than A State of Mind is not just a portrait—it is a visual philosophy, a layered reflection on identity and instability, executed with precision and pop-infused emotional grit. Its surreal technique and symbolic messaging connect deeply with the tools and tactics of street art, proving that visual rebellion is not limited to spray cans and alleyways—it lives wherever an artist dares to distort the expected and reflect the fractured human experience.

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Trooper- Some Like It Hoth Foil 3-Color Hand-Pulled Limited Edition Silkscreen Print on Holographic Foil by Brian Ewing Modern Pop Culture Artist. 2021 Signed Limited Edition of 15 18x24

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Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist.

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Snake Bottle OG- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Monroe POPfolio- Fragile Hand-Pulled 11-Color Silkscreen Print on Archival Paper by Pop Modern Artist Mr Brainwash- Thierry Guetta Rare Marilyn Monroe Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Straight Edges 11 Color ScreenPrint Signed and thumb-printed by the Artist.

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Lace Shawl- Moonlight Variant 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. 30″ x 24″ 5-color Screenprint on 100lb cougar white, and it is signed out of an edition of 20 Moonlight Variant

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Daydream Artwork Giclee Limited Edition Print on Cotten Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2017 Signed & Numbered Limited Edition of 50 Artwork Size 18x24 8 inch by 24 inch archival cotton paper edition of 50 signed and numbered by the artist.

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Home Sick Copper HPM Collage Silkscreen Print by MCXT- Monica Canilao x Xara Thustra Screen Print on 290gsm Hand-Stained Coventry Rag Fine Art Paper & Metallic Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Screen Print, Collage & Thread HPM Embellished Limited Edition of #1 First in the Series of 30 Artwork Size 12x24 on 290gsm Hand-Stained Coventry Rag Paper Heavyweight metallic paper is sewn to the bottom section of each print. Small Bump To Lower Left Facing Extreme Margin. #1 "Home Sick Copper HPM Collage Silkscreen Print" by MCXT, a collaboration between Monica Canilao and Xara Thustra, is a testament to the rich, multilayered dialogue of Street Pop Art and graffiti Artwork. This limited edition artwork, meticulously crafted on hand-stained Coventry Rag fine art paper with metallic paper sewn onto the bottom, showcases the convergence of various artistic disciplines that define the work of these contemporary artists. Craftsmanship in 'Home Sick Copper HPM' The craftsmanship in "Home Sick Copper HPM" is immediately evident. Choosing 290gsm Coventry Rag paper as the foundation speaks to the artists' dedication to quality and durability. This heavyweight paper, known for its ability to absorb ink and preserve the richness of color, provides a luxurious backdrop for the screen print and collage elements that adorn its surface. The hand-staining of the paper adds a unique, tactile quality to each print, ensuring that no two pieces in the edition are precisely alike. Adding heavyweight metallic paper, sewn rather than glued, is a nod to traditional crafts and the handmade. This technique of sewing paper into the artwork is a physical manifestation of the themes of home and connectivity central to the piece. The thread becomes a metaphor for the bonds that tie us to places and people, while sewing is a deeply personal, almost intimate gesture that imbues the work with a sense of care and attention. Aesthetic and Symbolism Aesthetically, "Home Sick Copper HPM" is a visual symphony of symbols and forms that dance across the paper. The architectural elements, reminiscent of fantastical structures, rise from the print as monuments to imagination and memory. Including eyes, stars, and other iconography lends a mystical air to the composition, suggesting a personal and archetypal narrative. The symbolic language employed by Canilao and Thustra invites interpretation, encouraging the viewer to reflect on notions of home—what it means to be rooted, what it means to be disconnected, and the universal longing for belonging. In this sense, the artwork transcends its material form to become a vessel for shared human experiences, much like the best of Street Pop Art and graffiti Artwork, which often serves as a mirror reflecting the viewer's thoughts and feelings. Reflection of Street Pop Art & Graffiti Artwork "Home Sick Copper HPM" reflects the ethos of Street Pop Art and graffiti Artwork in its accessibility and blend of high and low art techniques. The limited edition nature of the print does not detract from its approachability; instead, it enhances the value of each piece as a collector's item while still embodying the democratic spirit of street art. The work intersects acceptable art practices and street art's rebellious, DIY culture, bridging the gallery and the urban landscape. The collaboration between Monica Canilao and Xara Thustra celebrates the collaborative spirit often found in street art culture. By joining forces, the artists combine their unique visions and skills to create something neither could achieve alone. This partnership and the resulting artwork are a powerful reminder of the collaborative potential within the art world, echoing the community-driven nature of street art projects. "Home Sick Copper HPM Collage Silkscreen Print" by MCXT is a standout piece that captures the imagination and speaks to the heart. It is a testament to the power of collaboration and the enduring appeal of art that bridges the personal with the universal. As an object of art, it is a conversation starter, a statement piece, and a lovingly crafted work that bears the unmistakable mark of artists deeply engaged with their craft and message.

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And Then Things Got Better- Winter Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Winter Variant And Then Things Got Better – Winter Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Winter is a limited edition archival pigment print by Canadian artist Denial, professionally known as Daniel Bombardier. Released in 2021, this edition is one of only 25 signed and numbered prints, measuring 24 x 24 inches and produced on 330gsm museum-grade fine art paper. The Winter variant transforms Denial’s now-iconic pop art composition into a piece of icy emotional clarity. Replacing warm tones with cool grays and electric blues, this version evokes the stillness, isolation, and introspective chill often associated with winter months. The central figure—a comic-styled woman with sharply rendered features—is caught in a moment of frozen reflection, her hair swept across the frame in frosty blue strokes. The caption And Then Things Got Better sits in crisp black lettering against a blue background, both grounding and complicating the emotional atmosphere. Color as Emotional Temperature in the Winter Variant The Winter edition shifts the psychological tone of the original composition through its carefully chosen color palette. The grayscale halftone skin contrasts with icy blues in the hair, lips, and eyes, casting the entire scene in a tone of emotional suspension. Where other variants express fire, bloom, or warmth, Winter delivers stillness. The character’s expression remains subtle, her upward gaze neither fully hopeful nor despairing. It reads instead like the calm acknowledgment that change has arrived, but not without cost. The blue lips and tear-lined eye introduce a cold, resilient strength, suggesting a quiet form of endurance rather than celebration. Denial’s ability to use color as narrative structure allows this edition to function as a metaphor for emotional winter—a time of withdrawal, self-preservation, and stark realization. Denial’s Pop Language and Street Credibility Denial’s work remains rooted in the language of Street Pop Art & Graffiti Artwork, consistently blending commercial aesthetics, pop iconography, and emotional subtext. The And Then Things Got Better series explores the complexities of survival, identity, and transformation using the nostalgic format of mid-century comic book panels. By pairing these familiar visuals with ambiguous emotional content, Denial asks viewers to reconsider the narratives embedded in popular culture. The Winter edition, with its subdued palette and intense contrast, sharpens this question further. It places the viewer in a season of reflection—literal and figurative—and encourages a reassessment of what better truly means. Denial’s consistent use of irony, sincerity, and sharp visual craftsmanship keeps his work relevant both on the street and in the gallery. Material Quality and Collector Appeal Printed on 330gsm fine art paper with archival pigment inks, this edition promises long-lasting vibrancy and detail. The halftone dots and inky black lines are rendered with museum-level precision, giving the work a timeless print quality that honors its pop art lineage. Each piece is hand-signed and individually numbered by Denial, adding a personal layer to the already limited run of 25. The Winter edition stands as a striking chapter in a series that has become one of Denial’s most collected bodies of work. For fans of Street Pop Art & Graffiti Artwork, it offers a moment of calm contemplation in the midst of louder visual narratives. This print captures that rare, cold breath between endings and new beginnings—when things have indeed gotten better, but the thaw has just begun.

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New Breed Chief- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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And Then Things Got Better Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 And Then Things Got Better by Denial – A Bold Statement of Hope in Street Pop Art & Graffiti Artwork And Then Things Got Better is a striking archival pigment print created by the Canadian street pop artist Denial in 2020. Measuring 24 x 24 inches and printed on 330gsm fine art paper, this work was released in a signed and numbered limited edition of only 25. The piece draws immediate visual comparison to classic comic strip aesthetics but subverts expectations through a modern lens. Featuring a close-up portrait of a woman rendered in high contrast with bold black outlines, vibrant pink lips, vivid green eyes, and Ben-Day dot textures, the print captures the emotional intensity that Denial is known for. The panel’s yellow upper strip carries the titular phrase, printed in an all-caps comic font: And Then Things Got Better. This single line, combined with the woman’s dramatic upward gaze and tear-tracked cheek, encapsulates a surge of conflicted emotion—part relief, part disbelief, part residual pain. The composition is frozen in that precise psychological moment when change begins to arrive but healing is still in motion. Denial’s Subversive Pop Art Language Denial, born Daniel Bombardier in Canada, is an internationally recognized street and gallery artist whose work critiques consumerism, propaganda, and social norms through humor and graphic visual impact. Known for blending techniques from graffiti, signage, and mass media design, Denial’s prints and installations draw heavily from the legacy of pop art while injecting them with urban urgency. In And Then Things Got Better, he uses a format popularized by 1960s pop art pioneers but repurposes it to speak not about romantic melodrama but about resilience and psychological transformation. The woman’s expression is not one of shallow sadness but rather of deep processing, portraying an honest reckoning with personal or collective experience. Through limited text and bold imagery, Denial emphasizes that change, when it comes, is layered and uncertain—but worth embracing. Technical Execution and Print Quality Each print in this limited run is crafted using high-resolution archival pigment printing on 330gsm fine art paper, a museum-quality substrate known for its texture, color accuracy, and longevity. The use of pigment-based inks ensures that the vivid blues, intense blacks, and shocking pinks maintain their vibrancy without fading over time. The paper’s weight provides both tactile richness and physical substance, grounding the emotional weight of the artwork. As each edition is hand-signed and numbered by the artist, the piece becomes not just a reproduction but a personal artifact of Denial’s evolving catalog. The crisp precision of the linework, especially in the hair and lettering, showcases Denial’s control of visual rhythm and contrast. It is a piece that can exist comfortably in both street-influenced interiors and formal gallery settings. And Then Things Got Better as Contemporary Street Pop Art & Graffiti Artwork This artwork exemplifies the spirit of Street Pop Art & Graffiti Artwork through its fusion of pop iconography with modern emotional depth. While many works in the genre embrace irony or satire, Denial’s print finds space for sincerity without losing its graphic punch. It celebrates the ability of contemporary pop artists to use comic tropes and urban aesthetics not just for critique, but for emotional storytelling. The message of the piece is simple, but the context surrounding it—social upheaval, personal growth, psychological distress—makes it resonate profoundly. Denial manages to channel the graphic immediacy of street art with the structured punch of pop, giving voice to the hope that often emerges quietly after storms. And Then Things Got Better is not only a statement—it is a question, a moment of breath, and a visual reminder of survival through art.

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Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

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The Last Dance Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Michael Jordan Chicago Bulls Basketball Legend.

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Rest Haven Court Lounge Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Rest Haven Court archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

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Red Dawn Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jay Ryan Graffiti Street Artist Modern Pop Art. Signed and numbered by Jay Ryan, edition of 260.

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And Then Things Got Better- Summer Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Summer Variant  And Then Things Got Better – Summer Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Summer is a 2021 archival pigment print created by Canadian artist Denial, also known as Daniel Bombardier. Measuring 24 x 24 inches and printed on 330gsm museum-grade fine art paper, this limited edition artwork was released in a run of only 25 signed and numbered prints. The Summer variant infuses the original pop art-inspired composition with intense seasonal heat through a vivid red and warm earth-tone palette. The composition features a close-up of a comic-style female figure, captured in a moment of dramatic contemplation. Her gaze lifts upward while her hair whips across the frame in sweeping strokes of black and fire red. The caption, printed in dark text over a desaturated red background, reads And Then Things Got Better, a line loaded with layered emotional resonance and open interpretation. Color and Emotion in the Summer Variant This Summer edition is characterized by a palette dominated by deep reds, warm beige tones, and subdued mauves. These colors speak to intensity, transformation, and emotional pressure—the type often associated with personal growth in high-heat moments. The red eyes and lips of the character radiate intensity, matching the fiery highlights in her hair. Where other variants may evoke hope or reflection, Summer burns with unresolved passion, giving the print an emotional temperature that borders on eruption. The woman’s expression, as in the other versions, remains ambiguous—poised between vulnerability and defiance—but here, with the heightened red tones, her presence feels louder, more immediate. The composition suggests the heat of survival, the moment after impact, the quiet following the blaze of emotional confrontation. Denial’s Conceptual Power in Street Pop Art & Graffiti Artwork Daniel Bombardier’s work under the name Denial is grounded in the critical language of Street Pop Art & Graffiti Artwork. His bold use of comic book formats, consumerist aesthetics, and emotionally charged phrases speaks to a cultural environment overwhelmed by noise yet yearning for sincerity. In this series, Denial uses the familiar form of a pop art panel to explore how repeated messages—both personal and political—can lose or gain meaning depending on context. The Summer variant reflects his ability to merge psychological insight with graphic composition, using color not only as decoration but as narrative. The interplay of tension and visual rhythm draws viewers in, inviting them to read not only the figure’s face but the underlying emotional structure behind the statement. Craft, Technique, and Collector Appeal Produced using high-resolution archival pigment inks, this print ensures a depth of color and longevity essential for serious collectors. The 330gsm fine art paper enhances the tactile and visual quality, giving richness to the red tones and contrast to the black linework. Each print is hand-signed and numbered by Denial, further establishing the authenticity and rarity of this Summer edition. With only 25 pieces produced, this variant stands out not just for its design but for its place within a tightly curated collection of emotional studies in pop form. It exemplifies the kind of introspective confrontation that makes Street Pop Art & Graffiti Artwork so compelling—personal, provocative, and powerfully unresolved. And Then Things Got Better – Summer radiates with the truth that sometimes healing arrives not gently, but in flames.

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The Ambassadors Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2021 Signed & Numbered Print Limited Edition of 50 Artwork Size 24x24 Archival Pigment Fine Art Hans Holbein the Younger's Jean de Dinteville and Georges de Selve in Glitch Style Adam Lister, renowned for his pixel-inspired aesthetic in the realm of pop and street art, offers yet another masterpiece with 'The Ambassadors Archival Print'. This piece is a modern reinterpretation of Hans Holbein the Younger's iconic painting featuring Jean de Dinteville and Georges de Selve. In an audacious blend of old and new, Lister transforms this classic into a digital glitch artwork, inviting viewers to delve deep into the juxtaposition of historical context and contemporary style. Printed on a generous 24x24 canvas using 300gsm hot press matte fine art paper, the texture accentuates the geometric precision characteristic of Lister's style. The pixelated format abstracts the original details, yet the essence of the two ambassadors remains unmistakable. Their postures, the objects surrounding them, and even the mysterious anamorphic skull at the painting's base are all evident, albeit through a distinctly 21st-century lens. Lister's choice of subject matter reflects an appreciation for art's evolution. By transforming a 16th-century painting into a modern visual narrative, he bridges centuries of artistic expression. The archival pigment used ensures the vibrancy of colors, preserving the pastel backgrounds and the rich tones of the ambassadors' attire. Limited to 50 prints, each signed and numbered, this work solidifies Adam Lister's reputation as a visionary artist who seamlessly marries the annals of art history with the pulsating beat of modern culture.

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Spirit Of The Fox Limited Edition Archival Pigment Fine Art Prints on 310gsm Fine Art Paper by Pop Culture Artist Ana Bagayan. Archival Pigment Print on 310gsm Fine Art Paper Size: 17 x 24 Inches Release: March 12, 2018 Run of: 35

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Unsinkable Consumption AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed & Marked AP Artwork Size 18x24 Silkscreen Print. Sinking Titanic Style Cruise Liner Ship Sinking Cause of "Oil." Shepard Fairey's "Unsinkable Consumption AP" is a thought-provoking silkscreen print that resonates with contemporary environmental and socio-political issues. This artist proof, created in 2015, is part of a limited edition, hand-pulled with five colors on Cream Speckletone fine art paper, a testament to Fairey’s commitment to high-quality craftsmanship in his work. At 18x24 inches, the artwork captures the viewer's attention with its stark imagery and powerful message. The print portrays a sinking ship reminiscent of the Titanic, a vessel historically synonymous with human arrogance and the disastrous consequences of overestimating human engineering over nature’s forces. In Fairey’s rendition, the liner is juxtaposed with an oil rig symbol within a red warning circle, stark against the cream background. The word "CONSUME" looms above, a bold indictment of society's relentless exploitation of natural resources. This image resonates deeply with themes of ecological disaster and unsustainable practices, encapsulating the idea that, like the "unsinkable" Titanic, our consumption habits may lead to our downfall. Fairey's work often encompasses a blend of street art's accessibility and pop art's use of recognizable imagery to engage with the audience on critical issues. The sinking ship is a metaphor for the potential catastrophe of unchecked consumption, while the oil rig emblem represents the specific threat of fossil fuels. Signed and marked as an artist-proof, this piece holds a special place in Fairey's oeuvre, signaling its status as a significant work directly from the artist's hands. As a prominent figure in pop, street, and graffiti art, Fairey has continually used his platform to advocate for political and environmental awareness. "Unsinkable Consumption AP" exemplifies his approach to art as a means of provocation and dialogue. This piece not only stands out for its aesthetic appeal but also for its capacity to engage the public in critical reflection on urgent global issues. Through this print, Fairey underscores the vital role of art in sparking conversation and potentially inspiring action.

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Sleeping Horse Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Mike Stilkey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Love The World You Live in Silkscreen Print by Kunstrasen Hand-Pulled 16-Color on Somerset Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x24 Silkscreen Print Love The World You Live In by Kunstrasen – 16-Color Silkscreen in Street Pop Art & Graffiti Artwork Love The World You Live In is a 2023 hand-pulled 16-color silkscreen print by German artist Kunstrasen, created in a signed and numbered limited edition of 50. Measuring 24 x 24 inches and printed on Somerset fine art paper, this work exemplifies Kunstrasen’s masterful ability to combine visual storytelling with tactile authenticity. The piece features a seated girl in grayscale, rendered with delicate stencil-style precision, cradling a vibrant red heart that features a map of the Earth’s continents. The figure is set against a hyperrealistic depiction of a torn corrugated cardboard backdrop, contrasting fragility with resilience in both visual and conceptual form. Each layer of this multicolor print was applied by hand, ensuring rich tonal depth and a striking balance between fine art quality and raw, urban sensibility. Visual Narrative and Social Commentary Kunstrasen’s message in Love The World You Live In is both intimate and universal. The young girl gently examining the globe-shaped heart suggests themes of care, empathy, and reflection on the state of the world. The detail of the continents painted within the heart evokes a literal and metaphorical representation of humanity's responsibility to love and protect our shared home. The choice of a cardboard aesthetic—executed with illusionistic mastery—brings attention to issues of disposability and social neglect, especially in the face of growing environmental and humanitarian crises. The stark contrast between the muted tones of the figure and the saturated red heart commands immediate focus, directing the viewer toward the emotional center of the piece. Kunstrasen’s minimalist yet emotionally loaded approach to image-making allows the viewer to engage directly with the theme without distraction. Kunstrasen’s Role in Street Pop Art & Graffiti Artwork Known for merging stenciled compositions with socially charged iconography, Kunstrasen has become a significant figure in the evolving landscape of Street Pop Art & Graffiti Artwork. His name, meaning artificial grass, functions as a critique of superficiality in modern culture. His artworks, though often politically subversive or socially conscious, use visual clarity and irony to engage a wide audience. Love The World You Live In differs from some of his more satirical works by offering a gentle, compassionate tone. Here, the critique is not shouted but felt—delivered through symbolic imagery that encourages introspection. By referencing urban materials like cardboard while using traditional fine art printing methods, Kunstrasen blurs the lines between public art and gallery work, reinforcing the accessibility and relevance of his message. Production Value and Collector Significance Printed on Somerset fine art paper, renowned for its archival quality and rich texture, this 16-color silkscreen edition is an impressive technical achievement. The intricate layering and perfect registration of colors speak to Kunstrasen’s commitment to craftsmanship and conceptual depth. Each print is individually hand-pulled and signed, marked as part of a limited edition of 50—making it a collectible object that balances rarity with social significance. Love The World You Live In exemplifies how Street Pop Art & Graffiti Artwork can move beyond protest into a space of healing and responsibility. For collectors, it offers not only aesthetic strength but also a deeply relevant and timely narrative about care, community, and the emotional terrain of the modern world.

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