Pink Nature Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Pink Nature Limited Edition Archival Pigment Prints by DAIM Pink Nature by DAIM is a striking example of street pop art & graffiti artwork, demonstrating the artist’s mastery of three-dimensional lettering and depth-driven compositions. The limited edition archival pigment print on museum fine art paper represents a continuation of DAIM’s exploration of form, structure, and identity within the world of graffiti. The use of bold shading, explosive movement, and fragmented angles transforms traditional graffiti into a sculptural, almost architectural composition that pushes the boundaries of visual perception. DAIM’s Signature 3D Graffiti Technique As one of the pioneers of three-dimensional graffiti, DAIM, whose real name is Mirko Reisser, has built an unmistakable style that blends mathematical precision with organic motion. His graffiti lettering breaks free from flat surfaces, giving the illusion of objects bursting into reality. In Pink Nature, the carefully arranged sharp edges, shadowing, and light play create an almost tangible depth and texture, reinforcing his reputation as one of the most technically skilled graffiti artists in the world. His influence spans murals, street art installations, and fine art prints, all of which demonstrate his dedication to letter-based abstraction. Every line and color gradient in his work is meticulously calculated, yet the result feels spontaneous and explosive. The dynamic splashes of paint and carefully placed highlights in this print further enhance the raw energy that graffiti is known for, while maintaining a refined, futuristic aesthetic. The Concept of Self-Portrait Through Graffiti DAIM has often spoken about his graffiti name as a form of self-portrait, evolving alongside his personal and artistic growth. His focus on lettering reflects not only his technical skill but also his philosophical approach to the graffiti movement. He believes that by continuously refining and reinventing the way he presents his name, he is also capturing his own personal transformation over time. Pink Nature belongs to a series of works that encapsulate DAIM’s evolving artistic vision, emphasizing how his approach to graffiti art has matured over the years. The interplay of pink, green, and earth tones in the piece conveys a sense of organic growth and destruction, mirroring the cycle of creativity itself. The bold angular letter fragments appear to explode and reconstruct simultaneously, offering a visual representation of the tension between creation and decay that exists in street art culture. DAIM’s Impact on Modern Street Pop Art DAIM has been instrumental in pushing graffiti into the realm of contemporary art, gaining recognition not only on city walls and abandoned buildings but also in galleries and museums worldwide. His scientific approach to graffiti design, combined with his dedication to realism and depth, sets him apart in the movement. Pink Nature, with its meticulous execution and controlled chaos, embodies the fusion of graffiti and fine art, demonstrating how street pop art & graffiti artwork can be both raw and refined, explosive yet controlled. By transferring his iconic street techniques onto archival fine art prints, DAIM ensures that his work remains preserved, appreciated, and celebrated in multiple artistic spaces. His ability to translate the energy of graffiti into high-art formats continues to inspire new generations of street artists and pop art enthusiasts alike.

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Workspace Tats Cru Original Spray Painting by BG183 One of a Kind Artwork on Gallery Wrapped Canvas by Street Art Pop Artist. 2022 Spray Paint & Acrylic Painting Original Ready to Hang Artwork Size 20x16 Workspace by BG183 of Tats Cru – Original Spray Paint and Acrylic Artwork in Street Pop Art & Graffiti Artwork Workspace is a 2022 original spray paint and acrylic painting by BG183 of the legendary graffiti collective Tats Cru, created on a 20 x 16 inch gallery wrapped canvas. This one-of-a-kind piece captures the energy and visual rhythm of an artist’s creative space, fusing classic wildstyle graffiti with abstract color fields and studio ephemera. Dominating the composition is a loose, vibrant recreation of a real-time desk scene where a BG183 sketch on paper rests atop a layered, paint-splattered canvas, accompanied by a single pink pen. This illusion of depth and process becomes a central narrative element, transforming the artwork into both a finished composition and a freeze-frame of graffiti in progress. The paper features bold, bright lettering in pinks, blues, yellows, and oranges, reading BG183 in clean, classic block-buster style. Surrounding it is an explosive field of green, black, and white splatter against a deep teal base, evoking the chaos and freedom of a graffiti writer’s working surface. Layered Surfaces and the Energy of Process The surface of Workspace operates on multiple levels. At first glance, it presents itself as a snapshot of a physical workspace. Closer inspection reveals that every element—from the sketch to the shadows to the pen—is rendered in paint. This trompe-l’oeil technique is BG183’s way of breaking the boundary between creation and presentation. The splatter zones mimic the buildup of years of paint application found in real studios, yet here they are meticulously composed to balance motion and contrast. BG183 uses these painterly gestures not just to energize the background, but to embed it with the DNA of graffiti process—the layering, the accident, the impulse, and the saturation of tools in action. Graffiti Lettering as Centerpiece and Identity The central lettering on the faux-paper sheet showcases BG183’s iconic style. The block letters are inflated and stylized, outlined with bold definition and filled with smooth gradients and cartoon-like accents. The use of highlights, shadowing, and color contrast pays homage to the classic New York graffiti structure that shaped BG183’s development as an artist. It is both a tag and a signature piece, declaring authorship with energy and control. The inclusion of the Tats Cru name reinforces the crew’s presence and legacy, reminding viewers that this piece is not just about individual style but also about collective history and contribution to global graffiti culture. Studio Intimacy in Street Pop Art & Graffiti Artwork Workspace reflects the moment where raw graffiti meets studio discipline without sacrificing authenticity. BG183 captures the immediacy of street culture and places it inside a controlled frame, not to tame it, but to honor it. The paint splatters, ink trails, and organized chaos of the desk environment serve as a portrait of the artist in motion—of graffiti not just as a public act but as a private rhythm. In the broader context of Street Pop Art & Graffiti Artwork, this piece is both homage and artifact. It offers a rare glimpse into the personal world of a master graffiti writer, layered in spray, history, and creative tension, all captured in a work that celebrates process as subject and canvas as storyteller.

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Slumscape Apps #8 Small Sponge Limited Edition Hand-Embellished HPM Archival Pigment Prints on Watercolor Paper by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2021 Signed From a Series of 43 Unique archival pigment prints with a light touch of hand-embellished collage and watercolor Paper 13 x 20”, image 11.25 x 19” 2021

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Terminator Examining Old Krylon Can Original One of a Kind Acrylic/Spray Paint Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. 16”x20” Inch Canvas With a Cool Detailed Painting of a Terminator From the Movie Franchise the Terminator Is Examining a Old Krylon Spray Paint Can Left Behind by Rd357 All Hand Painted by rd357 a True Graffiti Writer Who Has Out Lasted the Rest in the NYC Graffiti Racket Nick Naming Him ‘’’The Last Man Standing ‘’’’’From His Era’ By Rd #357 Rd Is the Real Deal He Has Been a Graffiti Writer for Over 40 Years Starting on the Irt Subway Trains of New York City Rd Has Graffiti Tags in Many Many Movies & TV Shows & Books Filmed in New York City (Film Documented Proof) Stretching Out Threw the 38 Years.

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257 Days Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "My model ‘Kim-Fu’ is sporting the latest in football jersey tan lines in this piece. The stadium in the background is of the old Cleveland Municipal Stadium (RIP)." - Derek Hess

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The Cavalry Above The Clouds Original Acrylic Painting by Ben Kehoe One of a Kind Artwork on Wood Board by Street Art Pop Artist. 2013 Signed Acrylic Original Painting Size 20x16 Ready To Hang Ben Kehoe The Cavalry Above The Clouds Original Acrylic Painting 2013 The 2013 original acrylic painting The Cavalry Above The Clouds by American artist Ben Kehoe stands as a striking example of narrative imagination within contemporary Street Pop Art & Graffiti Artwork. Created on wood board and measuring 20 x 16 inches, this one-of-a-kind hand-painted piece blends surreal fantasy with symbolic undertones, demonstrating Kehoe’s signature ability to balance storytelling, humor, and social reflection through painterly technique. Signed by the artist and ready to hang, the work encapsulates the spirit of modern pop surrealism while remaining deeply rooted in the visual language of folk and street-influenced art. Imagery and Composition Set against a glowing orange sky filled with sweeping clouds, the painting depicts a lone figure riding a massive bald eagle through the heavens. The eagle, rendered in meticulous detail with layered feathers and a stern gaze, exudes both majesty and power. The rider, modest in scale and dressed in muted tones, grips the reins with a sense of calm determination, suggesting a symbolic partnership between human courage and natural strength. The backdrop’s warm tonal gradient evokes both serenity and tension — a dreamlike atmosphere that merges the mythic with the contemporary. The juxtaposition of the enormous bird of prey and the tiny rider introduces themes of freedom, dominance, and the pursuit of transcendence. Symbolism and Thematic Interpretation In The Cavalry Above The Clouds, Ben Kehoe explores the intersection between power and vulnerability, suggesting a narrative of human ambition soaring beyond earthly constraints. The eagle, long a symbol of freedom and national identity, becomes here a vessel for introspection rather than patriotism. The rider’s presence evokes the individual’s quest for control amid vast, unpredictable forces — an allegory for humanity’s ongoing negotiation with nature and self-determination. The painting’s surreal yet deliberate tone reflects Kehoe’s approach to allegorical storytelling, transforming fantastical imagery into layered social and psychological commentary. Ben Kehoe’s Artistic Vision Ben Kehoe, an American painter associated with the pop surrealist movement, is celebrated for his intricate narratives that blend humor, melancholy, and the absurd. His art often features anthropomorphic figures and fantastical scenes that mirror human emotion through metaphor and symbolism. Working primarily with acrylics on wood, Kehoe achieves a textural warmth and painterly precision that connect his work to both folk traditions and contemporary street-influenced aesthetics. The Cavalry Above The Clouds embodies his signature fusion of narrative depth and visual allure, offering a window into an imagined world where the boundaries between myth and modernity dissolve — a hallmark of Street Pop Art & Graffiti Artwork at its most contemplative and poetic.

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Death To Damien Hirst Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Ryan McCann Graffiti Street Artist Modern Pop Art. "This is part of the “Death to...” series that has culminated in a solo show highlighting the death of 8 living contemporary artists. It is now on view at Guy Hepner Contemporary in West Hollywood.The concept came to me over a year ago and took about a month to finish. I thought about having my assistant paint the whole piece for me in true Damien Hirst fashion but decided against it because painting is fun. I am fascinated by the career of Damien Hirst and as I learned more about his work I started to feel really bad for the butterflies and approached the work from their perspective." - Ryan McCann Very Minor Crease To Upper Tip In Margin.

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Sea Also Rises- Canals of Midtown Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Title: The Canals of Midtown Poster artist: Tim Doyle Edition: 1st edition hand signed and numbered out of only 100 that were printed Year: 2013 Type: Limited edition screen printed poster Size: 20x30 Location: Nakatomi, Inc. Venue: Sea Also Rises

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Sideshow Buzz- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. Sideshow Bob Simpsons Cartoon Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Size: 20 x 20 Inches Release: November 26, 2021 Run of: 25 In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Materiality, societal values and meaning are some of the elements, which Frost is actively incorporating into his art, without providing any answers and, subsequently, creating an open space of reflection.

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Monolithic Interruption Limited Edition Archival Pigment Fine Art Prints on 100% Cotton Rag Archival Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe. 20" x 16" including 1.25" x 1" white border Printed on Innova Smooth Cotton 315gsm, High White, 100% Cotton -signed and numbered

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89 Days Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "My model ‘Kim-Fu’ is sporting the latest in football jersey tan lines in this piece. The stadium in the background is of the old Cleveland Municipal Stadium (RIP)." - Derek Hess

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Bookshelf Chicago 2016 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100 lb. Cougar Natural Cover Stock by Sean Mort Graffiti Street Artist Modern Pop Art. Famous Chicago IL Buildings and Landmarks Arranged As Books on a Shelf. 20 x 16 inches, 3 color screenprint on Cougar Natural, a 100% recycled 230gsm paper. All prints are signed by the artist and will be sent first class recorded The print will fit perfectly in this frame All prints were designed and hand-printed by me in my spare bedroom in Leeds. Screen printing is often a long, messy process and I work hard to make each print as good as I can but each print has it’s own little imperfections and the price of the print reflects this. All prints in my shop have passed the Sean Mort quality test. If you are looking for 100% perfect printing, it’s probably best not to buy my prints. -Sean Mort

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Sunset On The 5 And The 110 PP Archival Print by Stephanie Buer Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 20x13 Archival Pigment Fine Art Stephanie Buer's "Sunset On The 5 And The 110 ": A Moment Captured in Urban Landscape Stephanie Buer's "Sunset On The 5 And The 110" captures a moment in time, a snapshot where the urban landscape meets the transient beauty of the sunset. This archival print, produced in 2019, is a testament to Buer's dedication to exploring the often-overlooked nooks of city life. As a Printer's Proof (PP) on 290gsm Moab Entrada fine art paper, the work is part of a limited series that has been personally overseen and approved by the artist. Each print within this limited edition is signed and marked 'PP,' distinguishing it as a direct artifact of Buer's vision. Measuring 20x13 inches, the artwork is rendered with archival pigment, ensuring that the subtle gradations of light and the vividness of the urban graffiti are preserved. Buer is known for her detailed and nuanced portrayal of derelict and abandoned urban spaces, often focusing on the textural interplay between the natural world and human-made structures. Her work in "Sunset On The 5 And The 110" is emblematic of this style, as it meticulously depicts the convergence of nature and the urban environment at a specific moment. The print showcases Buer's ability to capture the essence of street pop and graffiti artwork within a fine art context, inviting contemplation on the transient nature of the urban sprawl and the art that adorns it. The interplay of Light and Texture in Buer's Work Buer's attention to detail is evident in the realistic rendering of the scene. The contrast between the organic silhouettes of the hills and the concrete geometry of the overpass is softened by the warm hues of the sunset, encapsulating the dialogue between the built environment and the natural one. The graffiti, a hallmark of street art, is depicted not as an act of vandalism but as an intrinsic part of the urban tapestry. This perspective indicates Buer's approach to her subjects, where elements often seen as decay are portrayed with a sense of dignity and inherent beauty. The choice of Moab Entrada fine art paper speaks to the quality and longevity of the print. Known for its premium feel and ability to hold pigments without degradation, the paper complements Buer's intricate and layered technique. The archival pigment used in the printmaking process ensures that the work's refined details, down to the texture of the concrete and the fading light of the sky, are captured with fidelity. Reflections of Street Pop Art in Buer's "Sunset On The 5 And The 110" Buer's work stands at the intersection of street pop art and fine art, incorporating elements from both to create something transcending either category. "Sunset On The 5 And The 110" does not simply document a scene; it communicates the silent narratives within urban spaces. The graffiti present in the artwork is a nod to the street artists and an acknowledgment of the layers of history and expression that they contribute to the cityscape. "Sunset On The 5 And The 110" by Stephanie Buer is a poignant reminder of the beauty found in transient moments within the urban landscape. As a Printer's Proof, it holds an exceptional value for collectors and admirers of Buer's work, offering a tangible connection to her artistic process. Buer elevates the every day to the extraordinary by portraying the interplay between light, texture, and structure, inviting viewers to see the world around them through a lens of nuanced appreciation. Her work continues to resonate within the spheres of street pop art and graffiti artwork, capturing the quiet magnificence of scenes that might otherwise go unnoticed.

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Be A Doll Hand Embellished Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant. 2021 Signed & Numbered HPM Limited Edition of 50 Embleshed Artwork Size 20x20 Thick Dobs of Hand Laid Paint Caused Minor Waving In Paper During Curing Process, Will Mount Flat. Thick Impasto embellished print of "Be A Doll". Each Giclée is hand-retouched by Alex with a highly textured thick acrylic/gesso/heavy gel for maximum relief. Each print is unique with 3D texture in the shirt, hair and dotted background area. A metallic touch is also added to the shirt. Limited edition of 50 only Signed and numbered by the artist Matte finish 20x20 ( frames at 14x14") Paper thickness: 10.3 mil Paper weight: 192 g/m² 3/8" white border with signature and edition number

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Harper and John R Archival Pigment Fine Art Limited Edition Print on 290gsm Museo Portfolio Rag Paper by Urban Pop Artist Stephanie Buer Modern Artwork. 2015 Signed & Numbered Limited Edition of 20 Artwork Size 20x16

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Nothing More Than A State of Mind Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Pop Artist Alex Garant Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 20x24 Alex Garant – Nothing More Than A State of Mind in Street Pop Art & Graffiti Artwork Nothing More Than A State of Mind by Alex Garant is a 2022 archival pigment print that exemplifies the artist’s signature optical style. This 20x24 inch fine art edition, limited to just 50 signed and numbered prints, features a portrait of a young woman staring forward in a blank expression, yet layered with unsettling multiplicity. Her face is adorned with duplicated eyes and lips—perfectly rendered but visually fractured—forcing the viewer into a moment of cognitive dissonance. Garant’s portraiture operates like a visual glitch in the system, questioning perception and exploring the psychological distortions of modern life. While presented in a fine art format, this piece deeply aligns with the sensibilities and visual tactics of Street Pop Art & Graffiti Artwork. The subject’s red and cyan windbreaker pops with graphic intensity, set against a neutral background that brings the face—and its duplications—into sharp focus. The color blocking, the confident brushwork, and the emotional ambiguity speak to a visual language born in public murals and wheatpaste posters. By disrupting facial harmony, Garant disrupts the viewer’s comfort zone. This is not a portrait made to soothe or flatter. It is designed to challenge how we see others—and ourselves—in a world shaped by constant digital reflection and emotional overstimulation. Disrupted Identity Through Street-Level Surrealism Alex Garant’s signature double-vision technique is not merely stylistic—it carries conceptual weight. In this work, the layered facial features suggest states of mind fractured by repetition, social pressure, and information fatigue. The portrait feels like a living glitch, where a static identity cannot exist. This aesthetic tension is deeply resonant with graffiti culture, where visual interruption is both an act of defiance and a method of storytelling. Like a street tag scrawled over a polished billboard, the duplications in Garant’s painting refuse polished perfection, opting instead for multiplicity and distortion. This thematic approach mirrors the psychological undercurrent of street pop art. Artists within this movement frequently use surreal figuration and visual overload to comment on perception, consumerism, and mental fragmentation. Nothing More Than A State of Mind does this by presenting a human subject not as a fixed image but as a shifting mental projection, embodying emotional complexity and instability. Technique and Symbolism Aligned with Street Pop Culture While Garant paints using traditional methods, her portraits carry the graphic punch of street art. The bold primary colors, the focused symmetry, and the almost digital visual effect of duplication reflect the impact-first aesthetic of graffiti and paste-up culture. The piece reads like a visual echo, vibrating with emotional and symbolic frequency. It forces the eye to work, to reprocess, to re-evaluate—a demand familiar to viewers of street murals that often overwhelm, confront, or provoke with scale and content. The title Nothing More Than A State of Mind adds conceptual depth, suggesting that perception itself is unstable, fluid, and subject to distortion. In an era where curated digital personas and algorithmic filters shape how identity is consumed, Garant’s work acts as both mirror and warning. Her subject is not broken—she is multiplied, haunted, possibly trapped within a psychological or emotional loop. This message aligns with the core of graffiti art’s critical tradition: to reject surface appearance and instead reveal what lies beneath. Alex Garant's Place in Modern Pop Surrealism and Graffiti-Influenced Fine Art Alex Garant’s contributions to Street Pop Art & Graffiti Artwork extend beyond gallery walls. While her paintings are highly collectible and refined, their emotional rawness and visual subversion place them firmly within the movement's boundaries. Her work has gained attention from global art publications and exhibitions, standing out for its bold defiance of visual norms. Rather than celebrate static beauty, Garant fractures it—exposing the psychological truths hidden inside perception. Nothing More Than A State of Mind is not just a portrait—it is a visual philosophy, a layered reflection on identity and instability, executed with precision and pop-infused emotional grit. Its surreal technique and symbolic messaging connect deeply with the tools and tactics of street art, proving that visual rebellion is not limited to spray cans and alleyways—it lives wherever an artist dares to distort the expected and reflect the fractured human experience.

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War By Numbers VSE- OG Colorway Variable Stencil Edition Acrylic Artwork on Hand Deckled Fine Art Paper by Street Artists Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey. 2022 War By Numbers VSE- OG Colorway 20x26.5 inches. Signed & Numbered Ultra Rare Edition of 14. Variable Stencil Edition (VSE) on Paper. Signed by Shepard Fairey, Hecho Con Ganas publishing chop in the lower-left corner. "Created during the Iraq war, but the quest for peace requires perpetual vigilance, and the current invasion of Ukraine is a reminder of the brutality of war. The “War By Numbers” image is a statement about not becoming desensitized by war to the extent that it becomes as banal as a paint-by-numbers image. The “Peace Elephant” is an appeal to our sense of Karma and harmony with the world around us." - Shepard Fairey A profound intersection of artistry and activism emerges in "War By Numbers VSE- OG Colorway," an emblematic piece presented by the collaborative brilliance of Shepard Fairey, Ernesto Yerena Montejano, Hecho Con Ganas, and Obey. Showcased on meticulously hand-deckled fine art paper, this 20x26.5 inch artwork not only exemplifies the prowess of its creators but also delves deeply into the social and political fabric of contemporary global scenarios. Dated 2022, this piece holds the distinction of being an ultra-rare Variable Stencil Edition (VSE) on paper, with only 14 such editions in existence, each one thoughtfully signed and numbered. Notably, the presence of the Hecho Con Ganas publishing chop in the lower-left corner augments its authenticity and intrinsic value. While the artwork itself is a marvel of color interplay and design, its underlying message is both timeless and urgent. Shepard Fairey's own words elucidate the motivation behind its creation, highlighting its inception during the Iraq war. Yet, its resonance extends beyond that particular conflict. The piece emerges as an enduring reminder of the costs of warfare, particularly with the poignant backdrop of the recent Ukraine invasion. Fairey astutely draws attention to the dangers of becoming inured to the horrors of conflict, suggesting that society must never allow war's devastation to become as commonplace and mundane as a paint-by-numbers image. This sentiment is further emphasized by the inclusion of the "Peace Elephant," symbolizing the universal aspiration for harmony and an appeal to humanity's collective conscience. In the vast realm of pop art, street art, and graffiti, "War By Numbers" stands as a testament to art's ability to transcend aesthetic appeal, challenging viewers to confront and engage with the world's most pressing issues.

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Gravity AP Giclee Print by James Bullough Artwork Limited Edition Print on 300gsm Smooth Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2022 Signed & Marked AP Limited Edition Artwork Size 20x30 Exploring the Essence of James Bullough's 'Gravity AP Giclee Print' The 'Gravity AP Giclee Print' by James Bullough is a testament to the seamless integration of delicate art sensibilities with the raw energy of street art. This limited edition print, produced on 300gsm smooth fine art paper, showcases Bullough's commitment to quality and his dedication to the craft of creating Street Pop Art and graffiti Artwork. The artwork size, a substantial 20x30 inches, allows the viewer to fully engage with the intricacies and nuances of Bullough's technique. Artistic Features and Significance James Bullough's 'Gravity AP Giclee Print' is a visual narrative that captures the fluidity and motion inherent in our physical world. The subject, depicted with a remarkable level of detail, exudes a sense of movement that is both dynamic and arresting. Using a fragmented style, a signature motif in Bullough's work, adds a layer of complexity, inviting viewers to consider the interplay of form and space. This print is exceptional as an Artist Proof (AP), marked and signed by Bullough in 2022. This distinguishes the piece as a part of a select group of prints, valued for their closeness to the original work and often sought after by collectors. The Interplay of Realism and Abstraction In 'Gravity AP Giclee Print,' Bullough continues to explore the juxtaposition of realism with abstract elements. The subject's hyper-realistic representation contrasts with the conceptual background, creating a striking visual tension. This contrast is further heightened by the bold color choices and the use of geometric shapes that propel the fragmented form forward. Bullough's expertise in rendering the human form is evident, as is his ability to disrupt the conventional portrayal with unexpected and thought-provoking twists. The Influence of Street Art on Bullough's Work The influence of graffiti and street art is palpable in the 'Gravity AP Giclee Print.' Bullough's background in street art informs his approach, as he brings the spontaneity and authenticity of graffiti culture to the piece. The print does not just represent an image; it embodies the spirit of street art, characterized by its accessibility, engagement with the urban landscape, and challenge to traditional art norms. This piece exemplifies how street art can transition from public spaces to the more private realms of personal collections while retaining its inherent vibrancy and immediacy. The Cultural Impact of 'Gravity AP Giclee Print' The 'Gravity AP Giclee Print' is a powerful example of how Street Pop Art and graffiti Artwork can transcend their origins to become a part of the broader conversation within the art world. As a limited edition print by James Bullough, it encapsulates the artist's vision and skill, and its availability to collectors allows for a broader appreciation of the art form. The piece is a cultural artifact that speaks to the enduring influence of street art and its capacity to challenge and redefine artistic boundaries. Through works like this, Bullough contributes to the ongoing dialogue about the value and place of street art in contemporary society.

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Burned Out Original Hand-Painted Multiple (HPM) on Acrylic on Laser Etched Wood Panel by Derek Hess Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Burnt Wood & Acrylic on Wood Panel Artwork Size 20x10 Ready To Display "This 'Burned Out' is burned or etched into the wood, the red on the arms I laid down with a wire brush, I worked fast with the crude tools to keep the feel consistent with the rest of the piece. The first laser-etched piece done with 1xRUN, Hemorrhage, came out so nice and true to the original that another one would be cool to try. Burned Out was a no-brainer, it's burned out.. What is cool about these pieces is they are all part of an edition, all the figures are handled the same, so it is a true edition. But at the same time, each one is unique because the red is different on everyone. What I find very cool about this piece is you get a unique one of a kind signed and numbered edition print, it's the best of both worlds." - Derek Hess

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The Kiss- Foil AP 3-Color Hand-Pulled Limited Edition Silkscreen Print on Holographic Foil by Brian Ewing Modern Pop Culture Artist. AP Artist Proof Signed 2017 24x18 Rare Unique Colorway

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La Marne Artwork Archival Pigment Print Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Sergio Lopez. Sergio Lopez's "La Marne." Archival Pigment Print Signed and numbered by the artist Edition of 40 18" x 20"

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Shadow Limited Edition Archival Pigment Prints on Museum Fine Art Paper by DAIM Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 100 Artwork Size 20x13 "In 1989 I wrote my writer’s name for the first time. After all those years I still see this lettering as a self-portrait. By concentrating on a certain idea, the technique or a style, by working on a certain piece for a long time frame, by totally engaging in this process, you get to know a lot about yourself and your personality. And this of course can be seen again in the works, that I create.I wanted to realize something special: The series of these three prints is chosen so that you can reproduce the entire spectrum of my work. My use of the name DAIM is becoming more and more complex in them. My development as a human being strongly corresponds with this process. It has something to do with personal maturing, the general situation of aging." - Daim Shadow Limited Edition Archival Pigment Print by DAIM Shadow by DAIM is a striking three-dimensional graffiti composition that explores the contrast between depth, structure, and abstraction. This archival pigment print on museum fine art paper presents the artist’s trademark illusion of sculptural lettering, where sharp, angular forms appear to emerge from and recede into the background. The play of light and shadow in this work enhances its monumental presence, making it a prime example of modern graffiti transformed into fine art. Three-Dimensional Lettering and Architectural Influence DAIM, born Mirko Reisser, is internationally recognized for his pioneering role in three-dimensional graffiti lettering. His approach integrates architectural precision with abstract movement, resulting in compositions that seem to break free from the two-dimensional plane. Shadow embodies this mastery by using layered depth, shading, and an interplay of light and darkness to create the illusion of floating structures. This piece utilizes a muted palette of grays, blacks, whites, and hints of blue, creating a stark, industrial aesthetic. The shadows cast by each fragment of the lettering give the impression that the composition exists within an atmospheric void, emphasizing the dynamic energy of destruction and reconstruction within the piece. The letterforms remain highly stylized yet nearly deconstructed, symbolizing the fluidity of identity and artistic evolution. Personal Evolution and Graffiti as Self-Reflection For DAIM, graffiti is more than a visual statement—it is a self-portrait. His approach to lettering has evolved over the decades, becoming increasingly complex and introspective. He has described his work as a reflection of personal growth, with each composition marking a distinct phase in his artistic and personal journey. Shadow represents a refinement of his three-dimensional technique, stripping down elements to their most essential yet impactful forms. The controlled chaos of the composition reflects a balance between movement and stillness, showcasing DAIM’s ability to create a harmonious tension within his work. The controlled drips along the edges of the piece allude to the organic roots of graffiti, reminding viewers of the raw, urban origins of the art form. The Impact of DAIM on Street Pop Art & Graffiti Artwork DAIM’s contributions to street pop art & graffiti artwork have established him as a leading figure in three-dimensional urban lettering. His work blurs the lines between graffiti, architecture, and contemporary abstraction, challenging traditional notions of what street art can achieve. Shadow stands as a testament to the depth and sophistication of graffiti as an art form, pushing the boundaries of lettering into the realm of fine art and modern design. By mastering light, perspective, and structure, DAIM has elevated graffiti into a fully immersive visual experience, leaving an indelible mark on the art world. His ability to transform simple letters into multidimensional sculptures continues to inspire the next generation of urban artists.

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Barney X 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Barney Malcolm X crossover from the 2014 riots/protests. Barney X Burn Baby Burn ! ! 18″ x 23 14/16″ Designed & Signed by Frank Kozik Limited Edition of 50

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He-Man & Battle Cat Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe HE-MAN and BATTLE CAT Figures. The sculpture stands 16.75 inches tall. MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life HE-MAN® and BATTLE CAT® sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020. Measuring 17 inches tall and sculpted in an 80's cartoon style with a spray of jaw dropping modern-day street-style graffiti artwork, we proudly présent the most famous hero in all of Eternia", HE-MAN and the ferocious BATTLE CAT® in a manner that truly blurs the lines between toy and art masterpiece. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box MADSAKI x MOTU – He-Man & Battle Cat in Street Pop Art & Graffiti Artwork The He-Man & Battle Cat limited edition vinyl sculpture by MADSAKI, produced in collaboration with Mattel Creations in 2020, is a vivid collision of nostalgia, pop culture, and urban rebellion—an unmistakable contribution to the world of Street Pop Art & Graffiti Artwork. Originally unveiled as a centerpiece at MADSAKI’s 1984 solo exhibition at Tokyo’s Kaikai Kiki Gallery, this scaled-down 17-inch version captures the wild energy of its monumental counterpart while delivering a high-octane dose of '80s cartoon absurdity, rendered in riotous color and graffiti-style flair. With fluorescent green, electric pink, and piercing orange as the dominant palette, the piece transforms two of the most iconic characters from the Masters of the Universe franchise—He-Man and Battle Cat—into contemporary street art figures. Far from being a simple homage, MADSAKI’s version reimagines the figures as avatars of pop mythology filtered through a graffiti artist’s eye. The weaponry, armor, and pose remain true to the original animation aesthetics, but the exaggerated colors and chaotic paint styling push this artwork into a new domain where fine art, vinyl collectible, and graffiti sensibility coexist. Nostalgia Weaponized in Urban Neon MADSAKI’s approach is rooted in remix culture, a cornerstone of Street Pop Art. By appropriating the visual language of childhood—He-Man being one of the most recognized animated heroes of the 1980s—and subjecting it to the visual distortion of neon saturation and aggressive outlines, he elevates kitsch into critique. This isn't just about remembering Saturday morning cartoons. It’s about weaponizing those memories and examining how commercial entertainment shaped identity, masculinity, and fantasy in late capitalist culture. Battle Cat, usually a symbol of strength and raw primal energy, becomes a neon-soaked beast of postmodern absurdity, outfitted in shocking pink and radioactive green. MADSAKI transforms him from a beast of war into a graffiti-coded monument of cultural excess. He-Man, still holding his power sword aloft, looks less like a heroic defender and more like a psychedelic gladiator from the subconscious of a street artist raised on VHS and irony. From Canvas to Vinyl: MADSAKI's Street Pop Mutation MADSAKI is no stranger to remixing icons. Known for his drippy-eyed renditions of Western masterpieces and manga figures, he blends Japanese street sensibilities with New York-style graffiti lineage. His transition into vinyl sculpture with Mattel represents the natural evolution of Street Pop Art—where the gallery wall meets the collectible shelf, and where nostalgia is no longer passive but radicalized. This figure blurs lines between sculpture and street installation. The color choices mimic spray can aesthetics, and the glossy surfaces echo the polish of vinyl murals and toy design. Like KAWS, Sket-One, or Ron English, MADSAKI proves that sculptural vinyl can be a medium of confrontation—not just consumption. The figure comes with a hand-signed certificate and gloves for display, reinforcing its identity as both an artwork and a cultural artifact. MADSAKI’s Place in the Graffiti-Pop Canon MADSAKI’s He-Man & Battle Cat is a definitive artifact of modern Street Pop Art & Graffiti Artwork. It combines satire, technical precision, collectible appeal, and cultural critique. Rather than separating art from toy or low from high, MADSAKI merges all categories into one ferocious drop that challenges the viewer’s nostalgia and their assumptions about what constitutes fine art. This sculpture is not simply fan service—it’s subversion. It transforms childhood heroes into fluorescent avatars of postmodern identity, rendered in the chromatic chaos of graffiti language. By injecting the streets into the plastic skin of global pop icons, MADSAKI cements his place among the artists reshaping visual culture one spray, sculpt, and scream at a time.

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Prowess Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jason Limon. Jason Limon "Prowess" Archival Pigment Print Edition of 50 Signed and Numbered by the Artist 20" x 20"

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Tratos Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Tratos, Street Pop Art Graffiti Greats. 2022 Artist: Tratos Title: "Tratos" Medium: Archival Pigment Print Edition: 50 Markings: Signed and numbered by the artists Dimensions: 20" x 20"

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You’re New Around Here, Aren’t You?- Glow Limited Edition 10-Color Hand-Pulled Silkscreen Glow In The Dark Print on 100lb Natural Paper by Bernie Wrightson macabre artist modern pop art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 AP Artist Proof, Glow in the dark variant is 11 colors (including the glow), measures 20×30, and is signed in an edition of 75. Printed on 100lb natural stock.

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Arcane Science Limited Edition Archival Pigment Fine Art Prints on 100% Cotton Rag Archival Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe. 20" x 20" including 1" x 1" white border Printed on Innova Smooth Cotton 315gsm, High White, 100% Cotton

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Cinderella’s Dress Limited Edition Archival Pigment Fine Art Prints on Hahnemuhle Photo Rag Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2016 Signed Cinderella’s Dress Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 60 Signed and Numbered by the artist 13 x 20” (paper), 11 x 19” (image) 2016

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Bud Heads- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Bevis & Butthead MTV Cartoon Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper "Bud Heads- Oversized Edition" is a distinctive contribution to the ever-evolving landscape of modern pop art, offering a visual narrative that weaves together iconic elements of 90s pop culture with contemporary societal observations. Pioneered by the celebrated Modern Pop Street Graffiti Artist Ben Frost, this piece seamlessly merges the animated misfits Beavis and Butt-Head from the famed MTV cartoon series with the intriguing background of marijuana drug tests. Such a synthesis beckons viewers to contemplate the juxtaposition of nostalgic television and the modern dialogues surrounding recreational drug use. Executed with the precision and clarity of archival pigment, this work promises longevity in its brilliance and detail. The canvas of choice, the 290gsm Somerset Hot Press Fine Art Paper, elevates the visual allure, providing a medium that truly mirrors the piece's artistic intentions and intricate details. This paper, known for its impeccable texture and ability to capture delicate nuances, becomes an apt stage for these iconic characters to converse with the observer. With its 2021 release, "Bud Heads- Oversized Edition" is a treasure limited to only 25 prints, ensuring its exclusivity. Every piece is authenticated with Ben Frost's signature, affirming its originality. As with his other masterpieces, Frost here showcases his prowess in blending classic television icons with current societal themes, carving a niche in the interstice of street art, pop culture, and contemporary discourse. It's an artwork that resonates, provoking thought while offering a generous dose of nostalgia.

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Packard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Stephanie Buer. Packard • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 16 x 20 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20 Misprint on COA "Parkard"

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X Æ A-12 Limited Edition Archival Pigment Fine Art Prints on 315gsm Matte Velvet Rag Paper by Graffiti Street Art and Pop Culture Artist Dave Pollot. 2021 Signed & Numbered Print Artwork Size 24x20

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Sarah SPF 25 Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "First of my “Tan Line” ongoing series. One of the things I’m trying to achieve with these prints is to get the white of the paper to make the tan and the line pop.Sarah happened to be 25 years old when this was done, that’s where the “spf 25” comes from." - Derek Hess

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Dab Devil- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Tasmanian Devil Loony Toons Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Dab Devil- Oversized Edition embodies the confluence of pop culture and the audacious spirit of street art, brought to life by the acclaimed Modern Pop Street Graffiti Artist Ben Frost. Through this artwork, Frost masterfully integrates the iconic Tasmanian Devil from Loony Toons into a contemporary context, sparking a dialogue about societal norms, juxtapositions, and the constantly evolving nature of art. Crafted using archival pigment, this piece not only showcases the brilliance of the artwork's theme but also emphasizes a meticulous approach to ensuring the longevity and vibrancy of each detail. Printed on 290gsm Somerset Hot Press Fine Art Paper, it further elevates the quality of the work, enhancing the richness of colors and the sharpness of details. Such a medium is known to breathe life into artworks, ensuring each piece resonates with its intended message and allure. The choice of Tasmanian Devil against the backdrop of marijuana drug tests is a bold, possibly cheeky, commentary on popular culture and its intersection with contemporary issues. 2021 saw this masterpiece released as a signed and numbered edition, limited to only 25 prints. This limitation accentuates its exclusivity and value in the world of art collectors and enthusiasts alike. With Dab Devil- Oversized Edition, Ben Frost invites viewers to immerse themselves in a world where traditional cartoon nostalgia meets modern-day themes. It's a testament to the artist's ability to challenge perceptions, compel introspection, and celebrate the dynamism of pop, street, and graffiti art.

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Joe Blow AP Archival Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on 7mil Performance Bond Paper Pop Artist Modern Artwork. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 20x17

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Virus Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. VIRUS 20 x 20 inches (50.8 x 50.8 cm) High-Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 100

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