Gromit 100% & 400% Wallace and Gromit BE@RBRICK Limited Edition Medicom Vinyl Artwork Medicom Toy Collectable Art Figure. 2021 From the popular British claymation comedy series, Wallace and Gromit, comes the silent yet loyal and intelligent anthropomorphic dog: Gromit as a Bearbrick set by Medicom Toy. Stands at 7cm and 28cm tall.

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The Long Night Print on Wood Panel Framed Ready to Hang by Glenn Barr Modern Pop Artist. 9 x 9 in. (22.86 x 22.86cm) Exclusive fine art wood print on 3/4" sustainable Birch, bright white finish. Limited edition of 50 fine art wood canvas prints hand signed by Glenn Barr. Betty Rubble From the Classic Cartoon TV Show Flintstones

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Deer Glade Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Little Showcase Graffiti Street Artist Modern Pop Art.

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Fate of the Palantiri Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Clint Wilson Graffiti Street Artist Modern Pop Art.

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Prowess Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jason Limon. Jason Limon "Prowess" Archival Pigment Print Edition of 50 Signed and Numbered by the Artist 20" x 20"

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Acid B & V Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Glenn Barr pop culture LSD artwork. Glenn Barr's surreal creatures, specters and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan or as he coins the phrase “B Cultural-ism”.

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Bricks Graffiti Bubble Original One of a Kind Mixed Media Spray Paint Painting Artwork on Stretched Canvas by Street Art Pop Culture Artist DrNuse89. 2022 Signed Original Painting Size 9x3

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Never Look Back 1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Andrew Bell.

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Lux Artwork Giclee Limited Edition Print on 340gsm Cold-Press Natural Heavy Paper by Pop Culture Graffiti Artist Wendy Ortiz. Paper: Cold-Press Natural Heavy Fine Art 340gsm Ink: Epson Ultrachrome HDR Size: 8" x 12" on 11" x 14"Edition: 75Printed by: Rhino Barking Sparrow Hand signed and numbered by the artist.

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1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back

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Just Like Us AP Modok Marvel Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell counter-culture street artist art. Artist Proof 2014 Signed & Marked AP Artwork Size 8x10 Modok Flying Ninja Kick From Mondo x Marvel Giclee Print by Mike Mitchell Just Like Us AP Modok Marvel in Street Pop Art & Graffiti Artwork Just Like Us AP Modok Marvel by Mike Mitchell is a vibrant and humorous take on one of Marvel’s most bizarre villains. Released as an artist proof in 2014, this limited edition giclee print is a part of Mitchell’s Just Like Us series, where he reimagines pop culture characters with a satirical twist. The 8x10-inch print captures Modok in an exaggerated, cartoonish style, blending the aesthetics of street pop art and graffiti artwork with Mitchell’s signature wit. The Playful Depiction of Modok Modok, originally created by Marvel Comics, is known for his oversized head, cybernetic enhancements, and menacing presence as a villain. However, in this rendition, Mitchell strips away the character’s intimidation and replaces it with an almost comedic charm. With his exaggerated scowl, tiny limbs flailing, and jet thrusters propelling him forward, Modok appears more like a frustrated child than a super-intelligent conqueror. Mitchell’s work thrives on taking characters out of their usual contexts and presenting them in everyday or absurd scenarios. By portraying Modok in a moment of exaggerated movement, he transforms the typically sinister character into something amusing and relatable. The smooth, bold outlines and flat color application echo the aesthetics of classic comic books, reinforcing the nostalgic appeal that is a common theme in street pop art and graffiti artwork. Stylistic Influence and Cultural Commentary Just Like Us AP Modok Marvel is a testament to how street pop art reinterprets cultural icons. The piece follows a visual style that is reminiscent of vintage cartoons, merging elements of comic book art with modern design sensibilities. The warm, sepia-toned background enhances the retro feel, making the character stand out while grounding the piece in a nostalgic atmosphere. Mitchell’s ability to distill a character to its essential traits while injecting humor speaks to the nature of pop art and its relationship with consumer culture. Street pop art often challenges the way people perceive familiar imagery by presenting it in unexpected ways. In this case, Modok’s usual air of power is undercut by his goofy expression and frantic movements, making him appear more human than machine. This transformation not only adds comedic value but also invites the audience to rethink their relationship with pop culture figures. The Just Like Us Series and Its Impact The Just Like Us series by Mike Mitchell is widely regarded for its playful reinterpretations of beloved characters. The collection features numerous icons from movies, comics, and television, each depicted in a way that makes them seem more relatable or absurdly mundane. By placing extraordinary characters in humorous or everyday situations, Mitchell strips them of their larger-than-life personas and reminds viewers of the inherent absurdity in many fictional narratives. In the world of street pop art and graffiti artwork, where parody and satire are common tools, Mitchell’s approach resonates with both collectors and casual fans. His work captures the joy of fandom while simultaneously poking fun at the exaggerated traits that define these characters. Just Like Us AP Modok Marvel fits seamlessly into this artistic ethos, proving that even the most powerful supervillains can be reduced to amusing caricatures. Why Just Like Us AP Modok Marvel Stands Out This limited-edition print continues to be sought after by fans of both street pop art and Marvel Comics. The combination of crisp digital illustration, bold color choices, and a humorous reimagining of a classic villain ensures that the piece remains an engaging and conversation-starting addition to any collection. Mitchell’s ability to bring out the absurdity in well-known characters while maintaining a high level of artistic craftsmanship is what makes this work so compelling. It bridges the gap between comic book culture and the fine art world, demonstrating how street pop art can be both fun and thought-provoking. Just Like Us AP Modok Marvel exemplifies how artists like Mike Mitchell continue to redefine the boundaries of contemporary art by transforming pop culture into something fresh, unexpected, and undeniably entertaining.

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Bored & Horny Lithograph Print Limited Edition Artwork on Fine Art Paper by Glenn Barr, an urban graffiti pop street artist. Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”.

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Lincoln-Selleck- Act Like Ya Know 2-Color Hand-Pulled Limited Edition Silkscreen Print on Speckletone Recycled Paper by Eddie Colla Rare Street Art Famous Pop Artwork Artist. This 25"x19" 3 color hand screen printed poster features 2 great American icons. Abraham Lincoln and Tom Selleck, the dream team. They stand in all their glory against the backdrop of The Bay Bridge and Twin Peaks. Also featured is the Ferrari 308 GTS from Magnum P.I. The poster is screened in Black, Dark Red, and Metallic gold on 80lb Cover Speckletone recycled from the French Paper Company. Forget Crockett and Tubbs, act like ya know.

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Turnt HPM Archival Print by Bask Limited Edition Hand Painted Multiple on 290gsm Moab Fine Art Paper Pop Artist Modern Artwork. 2019 Signed & Numbered HPM Hand Embellished Print Limited Edition of 35 Artwork Size 24x15 Archival Pigment Fine Art

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Gold Foil Patch Original Marker Drawing by Saber on Antiqued Raw Fine Art Paper Modern Street Pop Artwork. 2023 Signed Original Marker & Gold Foil Drawing Size 5x6  

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Prowess Artwork Giclee Limited Edition Print on 300gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. "Each of the pieces was created using acrylic on a 16x16” piece of birch. Back in 2008, I did about 9 tiny headdress pieces, each featuring strange objects in an ornamental and ceremonial fashion. I liked the idea of using the craft of the headdress to display the objects and ideas we worship in modern society. After abandoning the idea for many years I came back to it last year with the intention of developing the original though in a more intricate, yet ambiguous fashion. Pun intended. These pieces were made in November of 2012 for the Prisma Collective’s group show “Second Sight” at Trifecta Gallery in Las Vegas." - Casey Weldon

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1st Camo Chogokin 400%- Yellow Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bape x Bearbrick Medicom Collectible Size 400% New In Box

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Barney X 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Barney Malcolm X crossover from the 2014 riots/protests. Barney X Burn Baby Burn ! ! 18″ x 23 14/16″ Designed & Signed by Frank Kozik Limited Edition of 50

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U.V.B.C. Love Thy Neighbor 1997 Montreal Canada Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 350 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. U.V.B.C. Paper Route Tricky Woo Bionic S.S.G. Showcase 3-8-1997 Immersed in the distinctive visual culture of the late 20th century, the "U.V.B.C. Love Thy Neighbor" silkscreen print by Frank Kozik stands as a testament to the artist's influential role in pop art, street art, and graffiti movements. Created for a musical showcase in Montreal, Canada, on March 8th, 1997, this piece is a striking amalgamation of rock 'n' roll ethos and a call for communal harmony, encapsulated by the phrase "Love Thy Neighbor" prominently displayed across a montage of band memorabilia. The hand-pulled print on fine art paper exudes Kozik's signature style—bold, graphic, and often imbued with a sense of irony. The limited edition print, with only 350 copies signed and numbered by Kozik, presents a collection of items traditionally associated with the punk and rock subcultures, including a grenade and a knuckle duster. These symbols, entwined with the olive branches and the commandment to love one's neighbor, create a juxtaposition that challenges viewers to question societal norms and the often contradictory nature of human behavior. This artistic expression goes beyond simple concert promotion, delving into the realm of social commentary while remaining rooted in the visual language of pop and street art. The event itself, featuring U.V.B.C., Paper Route, Tricky Woo, and Bionic at The 360 in Queen West, is memorialized in a manner that elevates the ephemeral nature of a gig poster to a lasting piece of art. Kozik's work, including this print, serves as a cultural milepost that captures the zeitgeist of its time—a visual lexicon for the music and the message, embodying the D.I.Y. aesthetics that define the era's underground music scenes. The print's size and the vibrancy of its colors command attention, with each element meticulously chosen to convey the artist's vision and immortalize a moment in Montreal's vibrant music history.

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Get in the Van Followed Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art.

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Master Dog Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Hellboy Artwork Giclee Limited Edition Print on Glossy Fine Art Paper by Pop Culture Graffiti Artist Mark Hammermeister.

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Jaguar Jag Mandala Limited Edition 4-Color Hand-Pulled Silkscreen Print with UV Clear Layer on 290gsm Coventry Rag Fine Art Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. "Jag Mandala" by Chris Saunders is a silkscreen print that showcases the artist's fascination with vibrant colors, intricate patterns, and the spiritual symbolism of mandalas. hris Saunders is an American artist and illustrator known for his multidisciplinary work in the fields of fine art, design, and animation. He is known for creating highly detailed, kaleidoscopic pieces that often combine traditional and digital techniques. His works span a variety of subjects, including surreal landscapes, visionary art, and spiritual themes. The term "mandala" refers to a spiritual and ritual symbol that represents the universe in Hinduism and Buddhism. Mandalas are typically composed of intricate geometric patterns and symmetrical designs that radiate outward from a central point. The creation of a mandala is often a meditative process, and the completed work serves as a tool for focusing the mind during meditation.

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Detroit Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jim Darling, Street Pop Art Graffiti Legend. 2022 Signed Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 18 x 24 Inches Release: February 03, 2022 Run of: 45

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MC Supersized- Wood 2021 Designer Con Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Ron Ron English- POPaganda X SFBI MC Super Sized Wood Version This was a convention exclusive at this years Designer Con. If you were not able to attend this is your chance to try and pick this variant up and put into your collection. Stands 8" Tall

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Goonie 031 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. Naoto Hattori's Integration of Surrealism into Street Pop Art The art world continually evolves, especially within the domains of Street Pop Art & Graffiti Artwork, where each piece serves as a pulse to the vibrant lifeblood of contemporary visual culture. Naoto Hattori's "Goonie 031" is a striking manifestation of this evolution, a piece that interweaves the ethereal aspects of surrealism with the grounded, accessible nature of street art. This 2013 original watercolor painting captures the viewer's imagination, much like a piece of graffiti captures the eye of a passerby. At the heart of "Goonie 031" is Hattori's signature style, a merger of the fantastical and the real, encapsulated in the 3x3-inch painting space. The painting is set within a custom 8.5x8.5 inch frame, a choice that reflects the artist's dedication to the craft. Every aspect of this work, from the fine art paper to the watercolor technique, has been carefully considered and executed by Hattori, highlighting the meticulous nature often found in the creation of graffiti art. Reflecting the Street Art Ethos in Watercolor Medium With its inherent fluidity and capacity for subtle gradations of tone, the watercolor medium might seem at odds with the often bold and aggressive style of street art. However, in "Goonie 031," Hattori uses this medium to channel a soft yet poignant voice that speaks the language of street art through a different dialect. The painting's subject, an enigmatic figure with an expressive gaze, carries an urban tale within its contours, a narrative that resonates with the viewer on an intimate level. Like the unexpected discovery of street art in an urban landscape, the small size of "Goonie 031" invites surprise and discovery. It compels the viewer to step closer and engage with the artwork on a personal level, much like how one might stumble upon a hidden mural in an alleyway. The painting's custom frame acts as a border, creating a window into Hattori's world, just as a building's wall frames a piece of graffiti, offering a glimpse into the street artist's mind. The Collectible Nature of Hattori's Original Artwork In collectible art, especially pieces rooted in the tradition of Street Pop Art & Graffiti Artwork, originality and authenticity are paramount. "Goonie 031," a signed and framed original work by Hattori, possesses a high degree of collectibility, much coveted by fans and collectors. The personalized touch of the artist's hand, evident in every brushstroke and the careful selection of framing materials, ensures that the artwork is a visual expression and a tangible piece of Hattori's artistic journey. This collectibility is further enhanced by the artwork's unique positioning within street pop and fine art crossover. Although delicate, Hattori uses the watercolor medium to challenge the normative expectations of street art, thereby expanding the definition of what street-inspired artwork can embody. "Goonie 031" thus is an intriguing piece for collectors who value the intersection of diverse artistic practices and the innovative use of traditional mediums in contemporary art. Cultural Dialogue Through Hattori's Artistic Expression "Goonie 031" is a cultural artifact that captures the conversation between the street and the individual, between the public space and the personal experience. While firmly rooted in the conceptual frameworks of surrealism, Hattori's work engages with the cultural and social dialogues typically associated with street pop art. Though silent in its stationary frame, the watercolor painting speaks volumes through its expressive subject and the emotional resonance of its colors. In a broader cultural context, Hattori's "Goonie 031" contributes to the narrative of street art's influence on the fine arts and vice versa. It exemplifies how street pop art and graffiti's authenticity, rawness, and immediacy can be translated into a more traditional art form while maintaining its connection to the viewer. Hattori's work encourages a contemplative interaction reminiscent of the reflective nature of the best street art, which often prompts passersby to pause and consider the message conveyed through the visual medium. In sum, "Goonie 031" is a testament to Naoto Hattori's talent and ability to transcend traditional art boundaries. It invites viewers to reevaluate their perceptions of Street Pop Art & Graffiti Artwork, offering a watercolor narrative that holds as much power and presence as any large-scale mural found on the bustling streets of a city.

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Once Upon A Time No More- Lenticular Holographic Changing Limited Edition Giclee Print on Vision Shifting Paper by Mimi Yoon Counter-Culture Street Artist Art. 2021 Signed Limited Edition Artwork Size 21x27

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Breed Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Bird on Bike Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. ED 2

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On the Shoulders of Tiny Giants I Limited Edition Archival Pigment Fine Art Prints on Canvas by Graffiti Street Art and Pop Culture Artist Dave Pollot. 2021 #1/25 Signed & Numbered Limited Edition of 25 Artwork Size 31x40 Large Format Canvas Print on pH neutral 17 mil canvas. 2" of white margin surrounding the image. On the Shoulders of Tiny Giants I: Archival Pigment Fine Art Print by Dave Pollot On the Shoulders of Tiny Giants, I is an archival pigment fine art print on canvas created by the graffiti street art and pop culture artist Dave Pollot. Released in 2021, this piece is a limited edition of 25, signed and numbered by the artist, with the first print (#1/25) measuring a substantial 31x40 inches. Pollot's ability to blend traditional landscape paintings with modern pop art and graffiti elements is showcased in this large-format artwork. The use of pH-neutral 17 mil canvas ensures the longevity of the print, providing both durability and a rich, textured appearance. Exploring the Layers of Tradition and Modernity in Pollot's Work Dave Pollot's work often centers around the playful intersection of classical art forms and contemporary cultural references. In On the Shoulders of Tiny Giants I, Pollot takes what appears to be a traditional landscape painting at first glance and disrupts it with a graffiti-inspired burst of modernity. The foreground of the piece depicts a peaceful, pastoral scene, with trees lining a tranquil river. The colors are muted, evoking the soft, earthy tones characteristic of 19th-century landscape art. The landscape itself seems to invite the viewer into a serene world where time stands still. However, Pollot's signature approach is to blend these traditional elements with a bold, contemporary twist. In the center of the image, the painting seems to tear away, revealing a chaotic, cartoon-like graffiti pattern underneath. This underlayer is filled with abstract doodles and tiny characters, evoking a sense of frenetic energy and urban street art culture. The effect is both jarring and mesmerizing, as if the tranquil surface of the painting has been ripped apart to expose the vibrant and often chaotic world that lies beneath. This contrast between the old and the new, the serene and the chaotic, is a central theme in much of Pollot's work. He invites viewers to question their assumptions about art and culture, asking whether the old and the new can truly coexist or whether one will always dominate the other. In this piece, Pollot seems to suggest that the two are inextricably linked — that modern culture, with all its noise and chaos, is built upon the foundations of the past. The Influence of Street Pop Art and Graffiti Pollot's use of graffiti-inspired visuals in On the Shoulders of Tiny Giants I ties directly into the tradition of street pop art. Street pop art often takes elements of urban graffiti and recontextualizes them within the framework of fine art. In this piece, Pollot does just that, using the ripped-away section of the canvas to reveal an intricate world of graffiti-like doodles and characters. The characters in the underlayer are reminiscent of the playful, sometimes absurd figures often found in street art, lending a sense of humor and whimsy to the piece. At the same time, the graffiti element serves as a commentary on the tension between high and low art forms. Traditional landscape paintings are often seen as part of the "high art" canon, while graffiti is typically associated with street culture and countercultural movements. By combining the two, Pollot challenges the viewer to question the hierarchies that exist within the art world. Is one form of art inherently more valuable or legitimate than the other, or do both have something important to offer? Pollot's choice to depict the graffiti layer as something hidden beneath the surface of the traditional painting also raises interesting questions about what is visible and what is concealed in art and culture. Graffiti is often created in public spaces, yet it is frequently painted over or removed, its presence deemed undesirable in certain contexts. In On the Shoulders of Tiny Giants I, Pollot brings this hidden layer to the forefront, forcing the viewer to confront the vibrant, chaotic world that is often just out of sight. The Technique and Materiality of the Print Pollot's attention to detail is evident not only in the composition of the piece but also in the materials and techniques used to create it. The archival pigment printing process ensures that the colors remain vibrant and true to the artist's vision over time. This is particularly important for a piece like On the Shoulders of Tiny Giants I, where the contrast between the muted tones of the landscape and the bold, colorful graffiti layer is central to the overall impact of the artwork. The use of pH-neutral 17 mil canvas provides a sturdy, high-quality surface for the print, allowing the texture of the canvas to enhance the richness of the image. The size of the print, at 31x40 inches, makes it a statement piece. The large format allows the viewer to fully appreciate the intricate details of both the landscape and the graffiti elements. Pollot's use of a 2-inch white margin surrounding the image further enhances the sense of depth and space, drawing the viewer's eye inward toward the center of the piece. This margin also serves a practical purpose, making it easier to frame the print while maintaining the integrity of the image. The Evolution of Modern Art in Pollot's Work On the Shoulders of Tiny Giants I is a prime example of how modern artists like Dave Pollot are rethinking the boundaries of art. Pollot's work is part of a larger movement within contemporary art that seeks to break down the distinctions between high and low culture, tradition and modernity, fine art and street art. By blending these elements together, Pollot creates a visual dialogue that speaks to the complexity of modern life. Pollot's decision to incorporate graffiti elements into a traditional landscape also reflects the growing influence of street art within the world of contemporary fine art. Artists like Banksy and Shepard Fairey have brought street art into the mainstream, challenging conventional ideas about what art is and where it belongs. Pollot's work builds on this tradition, using the language of street art to disrupt the conventions of classical painting. On the Shoulders of Tiny Giants I is a testament to Pollot's ability to navigate the complex terrain of modern art. His work is both a celebration of the past and a commentary on the present, inviting viewers to reconsider their assumptions about art, culture, and the world around them. The limited edition nature of the print, combined with Pollot's signature style, makes this piece a valuable addition to any collection of contemporary art, particularly for those who appreciate the intersection of street pop art and graffiti culture with traditional fine art forms.

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Illinois Earbuds Limited Edition 1-Color Hand-Pulled Silkscreen Print on 100 lb. Cougar Natural Cover Stock by Sean Mort Graffiti Street Artist Modern Pop Art.

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Bendy- Grey Rare Painted Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Kaws- Brian Donnelly. 2003 Limited Edition Size 13-3/4 x 3 x 1-1/2 inches Displayed With Box In Fantastic Condition Stamped. KAWS (b. 1974) Bendy (Grey), 2003 Painted cast vinyl 13-3/4 x 3 x 1-1/2 inches (34.9 x 7.6 x 3.8 cm) Stamped to the reverse Produced by Medicom Toy, Tokyo KAWS' Bendy: A Fusion of Street Pop Art and Modern Sculpture KAWS, the artistic moniker of Brian Donnelly, has become a juggernaut in the world of Street Pop Art and Graffiti Artwork, known for his ability to navigate the confluence of commercial and fine art. "Bendy" is a testament to his creative prowess, a piece that exudes the essence of his style while embodying street art's playful yet subversive spirit. Released in 2003, "Bendy (Grey)" is a rare painted vinyl art toy sculpture that illustrates the artist's flirtation with form and space. The sculpture measures an impressive 13-3/4 x 3 x 1-1/2 inches and is presented in a state described as a fantastic condition, signaling the care collectors have taken to preserve this work of art. The grey rendition of "Bendy" is particularly notable for its understated elegance and the way it captures light and shadow, accentuating the fluidity and dynamism of the form. This piece is stamped to the reverse, a signature of authenticity and a hallmark of the collaborative efforts between KAWS and Medicom Toy, Tokyo. Medicom Toys is revered for its dedication to quality and its role in elevating the status of designer toys as a severe form of contemporary art. The Collectibility and Cultural Impact of KAWS' Bendy "Bendy" occupies a unique position in the pantheon of KAWS' creations, representing an early foray into three-dimensional art that would define much of his later work. The collectibility of "Bendy" is derived from its limited-edition status and its place within the narrative of KAWS' evolution as an artist. Collectors and enthusiasts of Street Pop Art admire "Bendy" for its rarity and innovation in the art toy genre, a segment that KAWS has been instrumental in popularizing. KAWS' "Bendy" serves as a cultural artifact that bridges the gap between the insurgent beginnings of graffiti and the polished galleries of modern art. It is a manifestation of the artist's journey, encapsulating the raw energy of street art and the refined finish of contemporary sculpture. Much like the rest of KAWS' work, this piece is not simply a collectible object; it is a narrative in vinyl, a story of progression from the streets to the echelons of high art. Exploring the Artistic Language of KAWS Through Bendy The artistic language of KAWS employs a visual lexicon familiar to many, featuring motifs and figures that echo characters from pop culture. Yet, through works like "Bendy," KAWS subverts these standard forms, infusing them with a distinct sense of emotion and humanity. The grey color of this particular edition of "Bendy" echoes the urban landscape, a nod to the concrete canvases of street artists. It's a color that also conveys a sense of the industrial, mass-produced, and ubiquitous themes often explored in Street Pop Art and Graffiti Artwork. In the art toy "Bendy," there is a playful defiance, a bending of the rules that govern traditional sculpture. This piece showcases KAWS' inclination to push boundaries, to stretch and contort the familiar into something new and unexpected. This willingness to experiment, to blend the irreverent with the sophisticated, has endeared KAWS to both the street art community and the fine art world. "Bendy" is not just an object of desire for collectors; it is a pivotal chapter in the ongoing story of street pop art, a testament to the transformative power of KAWS's artistic vision.

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REM Sleep Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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In The Nature of Daydreaming No 2 PP HPM Archival Print by Helice Wen Limited Edition Hand Painted Multiple on 290gsm Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP HPM Acrylic Paint Hand Embellished Print Limited Edition Artwork Size 17x24 Archival Pigment Fine Art. Exploring the Fusion of Street Pop Art and Graffiti in Helice Wen's "In The Nature of Daydreaming No 2" The art world has witnessed a captivating blend of styles and mediums in recent times, exemplified by Helice Wen's "In The Nature of Daydreaming No 2". This piece is a stellar example of how modern artists are intertwining elements of street pop art and graffiti to create innovative, visually striking artworks. Released in 2020, this limited edition hand-painted multiple (HPM) archival print showcases Wen's unique vision, merging traditional fine art techniques with the raw, expressive energy of street art. Helice Wen, an artist renowned for her emotional and evocative work, brings a fresh perspective to pop art. Her piece "In The Nature of Daydreaming No 2" is particularly notable for its use of acrylic paint on 290gsm fine art paper, a choice that speaks to the blend of durability and delicacy in her work. The artwork, measuring 17x24 inches, is a testament to her mastery of both scale and detail. The Significance of Printers Proof (PP) in Contemporary Art The PP, or Printers Proof, edition of this artwork holds a special place in the art community. Traditionally, printer's proofs were seen as a part of the printmaking process, reserved for the printer's use and not typically for sale. However, in contemporary art, these proofs have gained value as unique pieces, often more sought-after than standard editions due to their rarity and the direct involvement of the artist. Wen's decision to sign and mark this piece as a PP HPM further elevates its exclusivity and appeal to collectors. Hand Embellishment: A Bridge Between Fine Art and Street Aesthetics The hand-embellished nature of this artwork is a crucial aspect of its charm and value. Hand embellishments in art involve the artist adding individual touches to each print, making every piece in the edition unique. In the context of Wen's work, this practice blurs the line between traditional fine art prints and street art's spontaneity and individualism. The use of acrylic paint for hand embellishments in "In The Nature of Daydreaming No 2" not only adds texture and depth to the piece but also infuses it with the raw energy characteristic of graffiti. Archival Quality and Its Role in Modern Art Preservation The use of archival pigment in fine art is another aspect that sets Wen's work apart. Archival pigments are known for their long-lasting quality, ensuring that the artwork does not fade or deteriorate over time. This longevity is essential for collectors and art enthusiasts who view the purchase of such pieces as an investment. The 290gsm fine art paper used in this print further contributes to its durability, striking an optimal balance between weight and texture. In summary, Helice Wen's "In The Nature of Daydreaming No 2" is a fascinating example of how contemporary artists are melding the worlds of street pop art, graffiti, and fine art. Through her choice of medium, hand embellishments, and attention to archival quality, Wen has created a piece that not only stands out in the modern art landscape but also challenges and expands the boundaries of traditional art forms.

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The Great Unknown Hand-Pulled Limited Edition Silkscreen Print on 410gsm Somerset Satin Paper by Eelus Rare Street Art Famous Pop Artwork Artist. 2022 Signed Limited Edition of 75 Artwork Size 16.53x21.26

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Acid Test Diploma Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Zane Kesey pop culture LSD artwork. Zane Kesey is the son of the infamous psychedelic icon and author Ken Kesey. He currently owns and operates Key-Z Productions, a small mail-order company out of Pleasant Hill Oregon. His hope is to enlighten people of their psychedelic past and to enable them to learn about the people who brought them to the present.

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Ken Dayley/Retro Farmer- Cardinals Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Ken Dayley/Retro Farmer- Cardinals

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Luigi Trece Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Bob Dob. 2020 Signed & Numbered Limited Edition of 30 Artwork Size 16x20 Signed 2020 giclee print 16 x 20 inches signed and numbered edition of 30 with graffiti by Greg 'Craola' Simkins inspired by Mario Bros.

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KAWS Companion 2020- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Kaws. 2020 Open Out of Print Edition Kaws Rare Collectible Size 17.13 X 8.86 X 3.15 IN New In Box. Reflective Artistry in KAWS Companion 2020-Brown Marking a milestone in contemporary art, the KAWS Companion 2020-Brown is a vinyl art collectible that celebrates the 20th Anniversary of the iconic KAWS Companion. Launched on December 17th, 2020, this piece resonates with a global audience, mirroring the collective experience of that year. The figure's prone position, lying face down, captures a moment of stillness and reflection, an attribute that has made it a symbolic piece for display. Measuring 17.13 x 8.86 x 3.15 inches, this out-of-print edition adds a somber yet elegant touch to the series with its earthy brown tones, contrasting the typically vibrant KAWS palette. The KAWS Companion 2020-Brown embodies the street pop art movement's evolution, offering a form that is both a commentary on the year's events and a celebration of two decades of KAWS' contributions to the art world. Its flat design is a distinctive stylistic choice and enhances its displayability, making it a favored piece among collectors and enthusiasts of street graffiti art. KAWS Companion 2020-Brown: A Symbol of the Times The KAWS Companion 2020-Brown serves as a symbol of its era, encapsulating the feelings of pause and contemplation that defined the end of 2020. This collectible artwork, new in the box, extends beyond its function as a mere object. It takes on a narrative role that speaks to its viewers with an intimacy uncommon in limited-edition releases. The Companion's downcast form is a poignant reminder of the year's challenges, yet its existence as a piece of art also signifies hope and the enduring spirit of creativity. This figure's release demonstrates KAWS' awareness of his audience and the cultural moment, aligning with the essence of street pop art and graffiti artwork. The Companion 2020-Brown, through its very posture and color, communicates a universal sentiment that resonates across different contexts, bridging the gap between art and lived experience. Companion 2020-Brown: A Continuation of KAWS' Legacy The KAWS Companion 2020-Brown continues the artist's legacy and is a significant entry into the street pop art genre. Its rarity as an out-of-print edition has only increased its value as a piece of art history. KAWS, a pivotal figure in bringing street art into the collectible domain, showcases the maturation of his work through this figure, presenting a collectible that is as contemplative as it is captivating. The Companion 2020-Brown's flat design allows it to rest with a unique poise, inviting viewers to engage with the artwork personally. It is a testament to the potential of vinyl art toys to transcend their initial perception as playful objects and become profound statements within the artistic discourse. As street pop art continues to gain recognition, KAWS' Companion 2020-Brown stands as a testament to the genre's depth, diversity, and capacity to reflect contemporary narratives.

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Sea Lion Woman Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Pinnacle Indian Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. With this Indian image it goes from the original poster in 1968, then to the Traffic poster, then to the Hippie Nation poster in 2007, then the image we have today as a blotter." - John Van Hamersveld

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Cinderella’s Dress Limited Edition Archival Pigment Fine Art Prints on Hahnemuhle Photo Rag Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2016 Signed Cinderella’s Dress Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 60 Signed and Numbered by the artist 13 x 20” (paper), 11 x 19” (image) 2016

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Head Limited Edition 4-Color Split Fountain Hand-Pulled Silkscreen Print on Fine Art Paper by John Smith Graffiti Street Artist Modern Pop Art.

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Missing Peace Psyche B Deck Fine Art Limited Edition Mixed Media Archival Pigment Transfer & Screen Print on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Pushead. 2021 Large Signed & Dated Across Front Lip 10x32 Transfer Bottom & Screen Printed 2 Headed Frog

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War By Numbers VSE- OG Colorway Variable Stencil Edition Acrylic Artwork on Hand Deckled Fine Art Paper by Street Artists Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey. 2022 War By Numbers VSE- OG Colorway 20x26.5 inches. Signed & Numbered Ultra Rare Edition of 14. Variable Stencil Edition (VSE) on Paper. Signed by Shepard Fairey, Hecho Con Ganas publishing chop in the lower-left corner. "Created during the Iraq war, but the quest for peace requires perpetual vigilance, and the current invasion of Ukraine is a reminder of the brutality of war. The “War By Numbers” image is a statement about not becoming desensitized by war to the extent that it becomes as banal as a paint-by-numbers image. The “Peace Elephant” is an appeal to our sense of Karma and harmony with the world around us." - Shepard Fairey A profound intersection of artistry and activism emerges in "War By Numbers VSE- OG Colorway," an emblematic piece presented by the collaborative brilliance of Shepard Fairey, Ernesto Yerena Montejano, Hecho Con Ganas, and Obey. Showcased on meticulously hand-deckled fine art paper, this 20x26.5 inch artwork not only exemplifies the prowess of its creators but also delves deeply into the social and political fabric of contemporary global scenarios. Dated 2022, this piece holds the distinction of being an ultra-rare Variable Stencil Edition (VSE) on paper, with only 14 such editions in existence, each one thoughtfully signed and numbered. Notably, the presence of the Hecho Con Ganas publishing chop in the lower-left corner augments its authenticity and intrinsic value. While the artwork itself is a marvel of color interplay and design, its underlying message is both timeless and urgent. Shepard Fairey's own words elucidate the motivation behind its creation, highlighting its inception during the Iraq war. Yet, its resonance extends beyond that particular conflict. The piece emerges as an enduring reminder of the costs of warfare, particularly with the poignant backdrop of the recent Ukraine invasion. Fairey astutely draws attention to the dangers of becoming inured to the horrors of conflict, suggesting that society must never allow war's devastation to become as commonplace and mundane as a paint-by-numbers image. This sentiment is further emphasized by the inclusion of the "Peace Elephant," symbolizing the universal aspiration for harmony and an appeal to humanity's collective conscience. In the vast realm of pop art, street art, and graffiti, "War By Numbers" stands as a testament to art's ability to transcend aesthetic appeal, challenging viewers to confront and engage with the world's most pressing issues.

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Thursday Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

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Presence Limited Edition Hand Pulled 4-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. "This piece is about a “presence”, higher power, greater conscience, god, or whatever you believe it to be. The words are “presence” written in many different languages to illustrate the universal presence. No one religion has a copyright on angels, they all basically come from the same source.The white of the wings and hair are the white of the paper." - Derek Hess

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