The Raise- 17x10 Limited Edition Archival Pigment Prints on Museum Natural Fine Art Paper by Earth Crusher Graffiti Street Artist Modern Pop Art. "The Raise is my interpretation of the regular goings-on in the office life of the corporate elite. This piece is the largest of a 4 part series of billboards I built for my solo show "The Chosen One Percent" at Artgang in Montreal, Quebec, March 2016. I became interested in advertising and propaganda in the beginning of my art career and I especially liked the billboard as a medium and started experimenting with it. I see the billboard as being outside of the control of the people, a symbol of power and manipulation. I decided I'd build my own as an attempt to take that power and put it behind my own messages." - Earth Crusher

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Holiday United Kingdom UK- Brown Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artist Kaws. 2021 Vinyl Fine Art Sculpture Holiday: United Kingdom (Brown), Painted cast vinyl 10-1/8 x 5-1/8 x 3-1/2 inches (25.7 x 13.0 x 8.9 cm) Stamped to the underside of the feet Produced by AllRightsReserved, Hong Kong. KAWS' Holiday United Kingdom UK-Brown: A Contemporary Collectible The Holiday United Kingdom UK-Brown edition is a celebrated piece by renowned street graffiti artist KAWS, released in 2021. As a vinyl fine art sculpture, this painted cast vinyl work stands at 10-1/8 x 5-1/8 x 3-1/2 inches, embodying the synthesis of street culture vibrancy and delicate art sophistication. This limited edition piece, marked by the artist's stamp on the underside of its feet, was produced by AllRightsReserved, based in Hong Kong. It comes new in its original packaging, enhancing its collectibility and appeal. The figure's rich brown hue conveys a warmth often associated with KAWS' works, inviting a sense of familiarity and nostalgia. It is a color that grounds the figure in the earthiness of the material world, even as it captures the imagination of collectors and art enthusiasts. The Holiday United Kingdom edition is a testament to KAWS's enduring influence on the street pop art and graffiti artwork scene, bridging the gap between an underground movement and the polished realm of high-end collectibles. Artistic Influence and Cultural Significance of KAWS' Work KAWS, a pivotal figure in the contemporary art scene, has a unique ability to elevate street art into coveted fine art collectibles. The Holiday United Kingdom UK-Brown edition reflects this talent, bringing together the raw edge of graffiti with the meticulous craftsmanship of sculpture. Like much of KAWS' work, this piece is not just a toy but an artifact that represents the artist's commentary on society, culture, and the art world. With one hand over its face, the sculpture's stance could be interpreted as a playful gesture or a deeper reflection on the nature of visibility in art and life. This dual interpretation is often a hallmark of street art's layered meanings. Produced by AllRightsReserved, a collaborator known for bringing innovative art to the public, this KAWS edition celebrates the unifying power of art across geographies and cultures, resonating with the essence of the United Kingdom's diverse and storied heritage. The Evolution of Street Art in KAWS' Holiday UK-Brown Sculpture KAWS' Holiday United Kingdom UK-Brown edition symbolizes the evolution of street art from ephemeral urban expressions to enduring collectible items. It is a physical testament to the shifting boundaries of street pop art, encompassing both the immediacy of graffiti and the permanence of fine art. KAWS' ability to navigate these realms has rendered his works among the most recognizable and sought-after pieces in the art toy collectible market. The intricacy of this figure, from its form to its finish, reveals the depth and complexity achievable in the medium of vinyl sculpture. The Holiday United Kingdom edition, with its accompanying packaging, is not just a product but a narrative piece that speaks to KAWS' journey as an artist and the journey of street art into mainstream consciousness. It stands as a notable piece within the continuum of Street Pop Art and graffiti Artwork, capturing the attention and admiration of a global audience.

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Feral Nude Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x18

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Best of the Best Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. 2012 Illustration Pro Show Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Sensation Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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My Rules Silkscreen Print by Glen E Friedman Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2004 Signed & Numbered Limited Edition of 200 Artwork Size 16x20 Silkscreen Print Glen E. Friedman's My Rules: A Testament to Street Pop Art & Graffiti Artwork Glen E. Friedman's "My Rules" silkscreen print is a visual manifesto that embodies the spirit of street pop art and graffiti artwork. This 16x20 limited edition print, part of a series of 200 signed and numbered editions, captures the raw energy and DIY ethos of the underground punk and skateboarding scenes. Published in 2004 on the occasion of the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibition, the artwork is a testament to the profound influence of subcultures on mainstream art and society. The photozine format of "My Rules," with its collage of expressive faces and anarchic energy, speaks to the rebellious heart of street culture. Friedman, a seminal figure in the documentation of punk, skateboarding, and hip-hop subcultures, uses the silkscreen print to transcend the temporality of the zine medium, cementing its contents in the annals of art history. The work is not just an object to be admired but a historical document that captures the zeitgeist of a pivotal moment in cultural history. The Significance of "My Rules" in the Evolution of Street Art The significance of "My Rules" in the evolution of street art is manifold. The artwork bridges the ephemeral nature of street culture and the permanence of fine art. By translating the dynamic imagery of his photography into the medium of silkscreen print, Friedman elevates the transient moments captured in his photographs to the status of high art. This elevation is a commentary on the value of street culture and its unwavering influence on contemporary aesthetics. Friedman's work has always been about more than just documenting subcultures; it is about understanding and conveying the underlying messages of defiance, creativity, and freedom that these movements embody. "My Rules" encapsulates this understanding, presenting the viewer with a raw and unfiltered look at the individuals who define these movements. The faces and moments he captures are not passive; they are charged with an energy that demands engagement and recognition. Provenance and Cultural Impact of "My Rules" The provenance of "My Rules" is rooted in the Beautiful Losers Archive and Iconoclast Editions, collections that celebrate the work of artists who have profoundly impacted the dialogue between street culture and fine art. These institutions are custodians of a history that might otherwise have been overlooked, preserving the artifacts of street culture's incursion into the art world. "My Rules," as part of these collections, is a piece that not only reflects the history of street art but also contributes to its ongoing narrative. The cultural impact of "My Rules" and the work of Glen E. Friedman is far-reaching. The print and its exhibition have played a crucial role in shaping perceptions of street art, demonstrating its depth and complexity. Street pop art and graffiti artwork, often relegated to the peripheries of the art world, are brought to the forefront through Friedman's lens, asserting their place as vital components of contemporary art discourse. Through "My Rules," Friedman challenges the art establishment, questions the boundaries of art, and celebrates the indomitable spirit of street culture. The artwork stands as a reminder of the power of visual documentation in capturing and preserving the essence of cultural movements. In the hands of Glen E. Friedman, the camera is as much a tool for creating art as it is for recording it, and "My Rules" is a vibrant illustration of this dual capability. The print is not just a reflection of a bygone era but a beacon for future generations to understand the cultural undercurrents that have shaped and will continue to shape the world of art and expression.

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Temple Dancer Klein Blue HPM Hand Embellished Silkscreen by Marwan Shahin 4-Color Print Acrylic Diamond Dust on Soy-Stained Egyptian Papyrus Paper. 2022 Signed & Numbered Acrylic Diamond HPM Embellished Limited Edition of 15 Artwork Size 14x17.5 Delving into the vast world of pop art, street art, and graffiti, Marwan Shahin's "Temple Dancer Klein Blue HPM" emerges as an artistic marvel, combining traditional elements with contemporary flair. This intricate 4-color hand-embellished silkscreen stands out not only for its design but also for the unique choice of materials that embrace its essence. Crafted in 2022, this artwork is printed on soy-stained Egyptian papyrus paper, a nod to ancient artistic traditions and the rich history of Egypt. The soy-staining technique offers a rustic and earthy touch, providing a warm backdrop for the detailed graphics of the temple dancer. Further enhancing its allure, the artist individually hand embellishes each print with vibrant paints, ensuring every piece stands as a unique work of art in its own right. The diamond dust incorporated into the design adds a touch of shimmer and luxury, juxtaposing the ancient feel of papyrus with contemporary opulence. The artwork, measuring 14x17.5 inches, is limited to a rare edition of just 15, emphasizing its exclusivity. Each of these pieces is signed, numbered in gold, and embossed, bearing the artist's personal touch. The acrylic branding further certifies its authenticity. In "Temple Dancer Klein Blue HPM", Marwan Shahin masterfully bridges the past and the present, offering art enthusiasts a piece that resonates with history while echoing modern-day artistry. This creation, with its intricate detailing and thoughtful embellishments, stands as a testament to Shahin's prowess in the dynamic world of art.

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Feels So Good Original Silkscreen Etching Print by D*Face- Dean Stockton Hand-Pulled on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2009 Signed & Numbered Limited Edition of 1 Original Artwork Size 33x54 Silkscreen Etching Print Custom Framed D*Face (b. 1978) Feels So Good, c. 2009 Etching and screenprint in colors on wove paper 54 x 33 inches (137.2 x 83.8 cm) (sheet) Ed. 1/1 Signed and numbered in pencil along the lower edge. No apparent condition issues. Floated and framed under acrylic. Framed Dimensions 59 X 37.5 Inches

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Muse #587 Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset. Signed 2014

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Boredom Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Sansho Copper HPM PP Printers Proof Silkscreen Print by Fin DAC 23-Color Screen Print on 330gsm Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. PP Printers Proof 2020 Signed & Marked PP Copper Leaf HPM Hand Finished Embellished Limited Edition Artwork Size 23.62x33.46 Concept and Execution in Fin DAC's Artwork The "Sansho Copper HPM PP" silkscreen print stands as a significant piece within the oeuvre of the artist Fin DAC, known for his distinctive fusion of street pop art and traditional painting techniques. The piece is part of a limited edition, highlighting the artist's intricate work with a 23-color screen print on 330gsm Somerset fine art paper, a testament to the high quality and attention to detail hallmarks of Fin DAC's art. In "Sansho Copper HPM PP," Fin DAC showcases his mastery of color and form. The image is a striking portrait featuring a subject adorned in traditional Asian attire, overlaid with vibrant, explosive color patterns and copper leaf embellishments. This contrast of the subject's serene, almost stoic, expression with the dynamic splashes of color reflects the artist's aim to juxtapose the calm of the figure with the chaos of the surrounding environment, a theme prevalent in street pop art. Artistic Significance and Cultural Impact The artwork is marked PP, denoting 'Printer's Proof,' indicating its status as a rare piece outside the standard numbered series. Fin DAC's decision to sign and mark these proofs assures collectors of authenticity and exclusivity. The copper leaf HPM, or 'Hand Painted Multiple,' signifies that each piece in the edition, while part of a series, contains unique hand-applied elements, making each print a standalone work of art. Technique and Materials Fin DAC employs silkscreen printing, a technique beloved in street art and pop art for producing vibrant, crisp images. Using 23 separate screens to apply color illustrates the complexity and labor-intensiveness of the process. The 330gsm Somerset paper, chosen for its high quality and durability, ensures that the artwork's vivid colors and intricate details are preserved. Placement in Pop and Street Art "Sansho Copper HPM PP" manifests how street pop art can be accessible and sophisticated. By incorporating traditional elements of pop art, such as screen printing and vivid coloration, with the nuanced details of hand embellishment, Fin DAC bridges the gap between street art's raw energy and fine art's refined techniques. This piece exemplifies the potential of street pop art to not only exist within the public sphere but also to hold a prestigious place in private collections. Fin DAC's Influence on Contemporary Art Fin DAC has carved a niche for himself within the art world by consistently delivering visually arresting and thematically resonant works. His ability to capture the essence of his subjects while infusing them with a modern aesthetic has made him a prominent figure in the dialogue surrounding contemporary street pop art. "Sansho Copper HPM PP" is a testament to Fin DAC's skill in creating pieces that resonate with a broad audience and contribute to the discourse of what constitutes art in the modern era. "Sansho Copper HPM PP" by Fin DAC is an exemplar of contemporary street pop art and a significant contribution to the evolving narrative of pop art and graffiti artwork. It showcases the potential for traditional art forms to adapt and thrive in the context of modern aesthetics and cultural commentary. This print stands as a vibrant intersection of history, culture, and contemporary art, reflecting the diverse and dynamic nature of the genre.

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Alone With My Thoughts Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Meagan Magpie Rodgers. Artist: Meagan Magpie Rodgers Title: "Alone With My Thoughts" Medium: Archival Pigment Print Edition: 50 Markings: Signed and numbered by the artist Dimensions: 16" x 20"

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Peanuts Runner Snoopy Spinner Giclee Print by Raid71 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Raid71. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 5x5 Giclee Print by Raid71 Peanuts Charlie Brown x Blade Runner. "Peanuts" is a popular American comic strip created by Charles M. Schulz that was first published on October 2, 1950. The strip revolves around a group of children, with the central character being Charlie Brown, who is often accompanied by his pet beagle, Snoopy. The strip explores themes such as friendship, love, and the challenges of growing up. "Peanuts" has become one of the most popular and influential comic strips in history, and its characters are widely recognized and loved around the world. "Blade Runner" is a science fiction film directed by Ridley Scott that was released in 1982. The film is set in a dystopian future in which genetically engineered beings called replicants have been created to perform dangerous or undesirable jobs on off-world colonies. When a group of replicants escape and come to Earth, a specialized police officer called a blade runner is tasked with hunting them down and "retiring" them. The film explores themes such as the nature of humanity, the ethics of creating artificial life, and the consequences of technological advancement. "Blade Runner" has become a cult classic and is widely regarded as one of the most influential science fiction films ever made.

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Nighttime in the City XL Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 XL Version

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Collector Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Mad. 2022 Signed COA Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: January 31, 2022 Run of: 50

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Workspace Tats Cru Original Spray Painting by BG183 One of a Kind Artwork on Gallery Wrapped Canvas by Street Art Pop Artist. 2022 Spray Paint & Acrylic Painting Original Ready to Hang Artwork Size 20x16 Workspace by BG183 of Tats Cru – Original Spray Paint and Acrylic Artwork in Street Pop Art & Graffiti Artwork Workspace is a 2022 original spray paint and acrylic painting by BG183 of the legendary graffiti collective Tats Cru, created on a 20 x 16 inch gallery wrapped canvas. This one-of-a-kind piece captures the energy and visual rhythm of an artist’s creative space, fusing classic wildstyle graffiti with abstract color fields and studio ephemera. Dominating the composition is a loose, vibrant recreation of a real-time desk scene where a BG183 sketch on paper rests atop a layered, paint-splattered canvas, accompanied by a single pink pen. This illusion of depth and process becomes a central narrative element, transforming the artwork into both a finished composition and a freeze-frame of graffiti in progress. The paper features bold, bright lettering in pinks, blues, yellows, and oranges, reading BG183 in clean, classic block-buster style. Surrounding it is an explosive field of green, black, and white splatter against a deep teal base, evoking the chaos and freedom of a graffiti writer’s working surface. Layered Surfaces and the Energy of Process The surface of Workspace operates on multiple levels. At first glance, it presents itself as a snapshot of a physical workspace. Closer inspection reveals that every element—from the sketch to the shadows to the pen—is rendered in paint. This trompe-l’oeil technique is BG183’s way of breaking the boundary between creation and presentation. The splatter zones mimic the buildup of years of paint application found in real studios, yet here they are meticulously composed to balance motion and contrast. BG183 uses these painterly gestures not just to energize the background, but to embed it with the DNA of graffiti process—the layering, the accident, the impulse, and the saturation of tools in action. Graffiti Lettering as Centerpiece and Identity The central lettering on the faux-paper sheet showcases BG183’s iconic style. The block letters are inflated and stylized, outlined with bold definition and filled with smooth gradients and cartoon-like accents. The use of highlights, shadowing, and color contrast pays homage to the classic New York graffiti structure that shaped BG183’s development as an artist. It is both a tag and a signature piece, declaring authorship with energy and control. The inclusion of the Tats Cru name reinforces the crew’s presence and legacy, reminding viewers that this piece is not just about individual style but also about collective history and contribution to global graffiti culture. Studio Intimacy in Street Pop Art & Graffiti Artwork Workspace reflects the moment where raw graffiti meets studio discipline without sacrificing authenticity. BG183 captures the immediacy of street culture and places it inside a controlled frame, not to tame it, but to honor it. The paint splatters, ink trails, and organized chaos of the desk environment serve as a portrait of the artist in motion—of graffiti not just as a public act but as a private rhythm. In the broader context of Street Pop Art & Graffiti Artwork, this piece is both homage and artifact. It offers a rare glimpse into the personal world of a master graffiti writer, layered in spray, history, and creative tension, all captured in a work that celebrates process as subject and canvas as storyteller.

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The Beatles- Anthology 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Medicom Toy celebrates The Beatles with The Beatles A'nthology' Bearbrick which features a collection of photographs of the world-renowned rock band. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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You Wanna Take Me To A Kung Fu Movie? Offset Lithograph Print by Madsaki Print on Smooth Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 300 Offset Lithograph Artwork Print Size 27.5x27.5 The Synthesis of Pop Culture and Graffiti Madsaki's creation captures a moment of cinematic nostalgia, referencing the social phenomenon of movie-going and the specific genre of Kung Fu films, which have had a considerable impact on popular culture. The title, "Wanna Take Me To A Kung Fu Movie?" evokes a playful invitation and cultural throwback. The figures depicted in the artwork, portrayed with exaggeratedly simple facial features and bright, bold outlines, are reminiscent of contemporary animation and the traditional graffiti style of using quick, decisive lines to create figures. The artwork is a dialogue between the old and the new, where the subject matter harkens back to a past era while the style is distinctly modern. Madsaki's use of vibrant colors, along with the interplay of textures and layers, reflects the rawness and immediacy characteristic of street art. The intentional smudging and dripping effects in the print add a layer of dynamism and movement, suggesting the action and energy typical of the Kung Fu movies it references. The piece "Wanna Take Me To A Kung Fu Movie?" is a striking example of Street Pop and graffiti Artwork by the artist Madsaki. This offset lithograph print on smooth-wove fine art paper was released in 2020 as a limited edition, hand-pulled print, with only 300 signed and numbered copies. The artwork's size of 27.5x27.5 inches offers a substantial canvas for Madsaki's expressive work, which plays with popular culture, iconography, and graffiti art elements. Contemporary Artistic Expression In the context of contemporary art, "Wanna Take Me To A Kung Fu Movie?" stands as a testament to the enduring relevance of Street Pop Art and graffiti Artwork. The genre's influence on mainstream art continues to grow, with artists like Madsaki at the forefront, pushing the boundaries of fine art. With its limited edition status, this piece becomes a coveted item for collectors and art enthusiasts who appreciate the blend of street art sensibilities with pop art's focus on mass culture. Madsaki's artwork embodies the spirit of street art's accessibility and engagement with the public. By incorporating elements that are universally recognizable, the artist creates a connection with a broad audience. This inclusivity is a defining characteristic of Street Pop Art and graffiti Artwork, reflecting the genre's roots in a democratic form of artistic expression that is openly visible and available to all. "Wanna Take Me To A Kung Fu Movie?" by Madsaki is a visually arresting piece of art and a cultural statement that encapsulates the fusion of street art and pop culture. It represents a moment in time where cinema, nostalgia, and the unmistakable aesthetic of graffiti converge to create something that reflects contemporary society and respects its artistic predecessors. The artwork's blend of humor, history, and bold creative technique make it a standout piece in the landscape of modern art.

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Its Finally Over HPM Stencil Spray Paint Print by Denial- Daniel Bombardier Hand-Painted Multiple on Cradled Wood Ready to Hang Unique Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Edition of 20 HPM Unique Stencil Paint Artwork Size 11x15 on Cradled Wood Ready to Hang.  It’s Finally Over HPM Stencil Spray Paint Print by Denial – Street Pop Art & Graffiti Artwork Denial, also known as Daniel Bombardier, presents It’s Finally Over, a striking hand-painted multiple that merges elements of pop culture, nostalgia, and political commentary. Created in 2020, this signed and numbered edition of 20 features stencil spray paint on cradled wood, measuring 11x15 inches, making it a bold and ready-to-hang statement piece. Known for his fusion of classic pop art aesthetics with street art grit, Denial continues to push boundaries by reinterpreting familiar visual tropes in provocative and thought-provoking ways. The composition features a classic comic book-style female figure, her face contorted in emotion, with tears streaming down her cheek. Rendered in a limited but highly contrasting color palette, she appears lost in despair. The speech bubble above her head reads It’s Finally Over, reinforcing the dramatic sentiment. However, the background disrupts the traditional romantic pop art scene, replacing it with a fiery, chaotic atmosphere featuring a cascade of falling bombs. This visual contrast between personal sorrow and large-scale destruction transforms the piece from a simple comic-inspired work into a layered political and social critique. The Symbolism Behind It’s Finally Over Denial’s ability to repurpose pop art imagery into contemporary critiques is evident in It’s Finally Over. The crying woman, a motif often associated with mid-century comic book romance, is a familiar representation of heartbreak, longing, or personal loss. However, Denial subverts this narrative by placing her against a background of war-like destruction, challenging the viewer’s perception of what is truly being mourned. The phrase It’s Finally Over can be interpreted in multiple ways, adding to the layered complexity of the artwork. It could reference the end of a personal relationship, the collapse of societal ideals, or even the destruction caused by political and military conflicts. The inclusion of falling bombs directly injects the piece with themes of war, violence, and the weight of historical events, making it a powerful visual metaphor for the intersection of personal and global struggles. The bright pinks and reds of the woman's hair and lips contrast sharply with the darker, more ominous elements in the background, creating a visually jarring effect that enhances the emotional intensity of the work. Denial’s use of pop art techniques, such as halftone dots and bold black outlines, further reinforces the visual connection to classic comic illustrations while maintaining the rebellious energy of street art. Denial’s Unique Approach to Street Pop Art & Graffiti Artwork Denial’s work consistently challenges consumer culture, political propaganda, and media narratives. By using familiar comic book aesthetics and repurposing them into contemporary critiques, he forces viewers to engage with themes of manipulation, disillusionment, and social unrest. It’s Finally Over exemplifies his ability to balance humor, nostalgia, and sharp social commentary in a way that is both visually captivating and intellectually engaging. His stencil-based technique allows for precision while still retaining the raw energy of graffiti. The use of spray paint and hand-painted elements ensures that each piece in this edition remains unique, adding to its collectability. The decision to paint on cradled wood rather than canvas or paper adds further depth to the work, making it feel more like an object of urban culture rather than a traditional fine art print. Denial’s combination of pop art’s clean, polished aesthetic with the rebellious nature of street art ensures that his work maintains both accessibility and edge. His ability to manipulate iconic imagery and reframe it within modern contexts is a testament to his skill as both an artist and a cultural critic. The Impact of It’s Finally Over in Contemporary Urban Art It’s Finally Over serves as a reflection of modern anxieties, exploring themes of war, emotional turmoil, and the weight of historical cycles. By taking an image commonly associated with romance and injecting it with a deeper, more sinister narrative, Denial forces the viewer to reconsider the intersection of personal and political despair. The piece challenges the audience to think about what "over" truly means—whether in relationships, political systems, or the broader state of the world. As one of the leading figures in contemporary urban art, Denial continues to create works that resonate on multiple levels. His ability to transform pop culture references into statements of resistance, critique, and introspection solidifies his place within the ever-evolving world of Street Pop Art & Graffiti Artwork. It’s Finally Over stands as a striking example of his artistic vision, ensuring that his message lingers long after the initial viewing, provoking discussion and thought in those who engage with it.

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Chunky Dunky- Holographic 13-Color Hand-Pulled Limited Edition Silkscreen Print on 10pt Rainbow Holographic Fine Art Paper by Eric Pagsanjan Rare Street Art Famous Pop Artwork Artist. 13-Color Screen Print on 10pt. Rainbow Holographic Fine Art Paper Size: 18 x 24 Inches Release: May 07, 2021 Run of: 15

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Once Upon A Time In Utopia Giclee Print by Rhymezlikedimez- Robin Velghe Artwork Limited Edition Print on Bright White Moab Entrada Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 23.4x15.68 Travis Scott Rap Music Utopia Album Stylistic Art "Once Upon A Time In Utopia" by Rhymezlikedimez, the artistic alias of Robin Velghe, is a captivating giclée print that explores the thematic and stylistic boundaries of graffiti, pop, and street art. Signed and numbered, this limited edition piece is printed on bright white Moab Entrada fine art paper. It is renowned for its ability to present vibrant colors and sharp details, capturing the essence of Velghe's digital art in a tangible form. The artwork serves as a visual narrative for the concept of Utopia, interpreted through the lens of Travis Scott's musical artistry. Velghe's illustration is rich with allegory and symbolism, merging elements of fantasy and reality to depict a surreal landscape where the rules of the physical world are reimagined. Through his use of a radiant color palette and dynamic characters, Velghe invites viewers into a realm where imagination and music coalesce into a visual symphony. Each character and element within the print contributes to the story of Utopia, a place of idealized perfection and harmony. The central figure, illuminated and powerful, represents the energy and creativity that music can inspire. Surrounding characters engage in a dance of motion and emotion, with elements of traditional street art, such as exaggerated forms and expressive lines, infusing the scene with a sense of movement and rhythm. This limited edition print not only reflects the musical and lyrical themes of Travis Scott's work but also embodies the spirit of contemporary street pop art. Velghe's work is celebrated for its ability to transcend the digital screen and become a part of the physical art landscape, bridging the gap between virtual creation and real-world appreciation. "Once Upon A Time In Utopia" is a testament to the convergence of music, art, and culture, capturing the vibrant essence of Rhymezlikedimez's artistry and the ongoing dialogue between different forms of creative expression. The artwork celebrates the boundless potential of the imagination, encapsulating the ethos of a generation that finds solace and inspiration in the intersection of auditory and visual experiences.

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Han & Chewbacca Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x8.5 Giclee Print by Adam Lister May the 4th Han Solo & Chewbacca From Star Wars Adam Lister is a contemporary artist known for his unique style of painting, which involves breaking down images into simplified geometric shapes and then rendering them using a limited color palette. Lister has gained a following for his reimagined versions of iconic pop culture imagery, such as Star Wars characters. In honor of the annual Star Wars celebration known as "May the 4th," Lister created a limited edition giclee print featuring several popular Star Wars characters. The prints feature Lister's signature pixelated style and depicts Star Wars characters. A giclee print is a high-quality reproduction of an artwork that is made using a specialized inkjet printer. The printer uses fine droplets of ink to create a highly-detailed, color-accurate image that closely resembles the original artwork. Giclee prints are often favored by artists because they allow for a high degree of control over the final product, and they are typically made using archival-quality inks and paper to ensure that the print will last for many years without fading or deteriorating. The Adam Lister x Star Wars May the 4th Giclee Print is a unique and visually striking piece of art that is sure to appeal to fans of both contemporary art and Star Wars.

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Harryhausen Land 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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And Then Things Got Better- Love Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Love Variant And Then Things Got Better – Love Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Love is a 2021 archival pigment print by Canadian graffiti and street pop artist Denial, presented as a special variant in his well-known comic-inspired series. This limited edition artwork measures 24 x 24 inches and is printed on 330gsm fine art paper using museum-quality pigment inks. Released as a signed and numbered edition of only 25, the Love variant stands apart through its carefully adjusted palette, which replaces the original’s vibrant primaries with soft, emotionally resonant hues. The striking shift to pinks and purples softens the overall aesthetic while maintaining the sharp, high-contrast linework that defines Denial’s style. The iconic phrase printed in the upper panel—And Then Things Got Better—remains the anchor of the piece, positioned above the tear-streaked face of a woman rendered in bold pop-art fashion. With pale skin and expressive lips, the figure gazes upward, caught in a complex moment between sorrow and optimism. Color, Emotion, and Visual Narrative in the Love Variant In this edition, Denial reinterprets the emotional framework of his original design by utilizing pastel pinks and purples, creating a tone of emotional vulnerability layered over visual strength. The Love variant speaks directly to the experience of heartbreak and healing, where the gentle coloring reflects tenderness and sensitivity. The woman’s hair, now a deep violet, contrasts dramatically with her pale complexion and muted lips. The caption panel—shaded in pink instead of yellow—invokes a romantic softness that reframes the same sentence with deeper personal implications. Where the original shouted a message of survival, this variant whispers it, suggesting a slower, more intimate path toward emotional restoration. The expression on the woman's face remains one of strength under pressure, but this version invites the viewer into a quieter, more personal dialogue with resilience. Denial’s Voice in Modern Street Pop Art & Graffiti Artwork Denial, whose real name is Daniel Bombardier, continues to push the boundaries of Street Pop Art & Graffiti Artwork with projects like the And Then Things Got Better series. His work synthesizes comic book structure, propaganda aesthetics, and satirical language into a unique visual identity rooted in street art culture. While Denial is known for large-scale public installations and high-contrast political commentary, works like this print demonstrate his capacity for emotional nuance. The Love variant specifically shows how pop-influenced compositions can evolve into deeply intimate visual reflections. It holds a mirror to human vulnerability, all while retaining the immediacy and punch of street-based art. Denial’s commitment to craftsmanship, shown through his consistent use of archival-quality materials and limited edition formats, reinforces the collector-worthy status of each piece. Craft and Collectibility of the Love Edition This variant is printed using archival pigment inks on 330gsm acid-free paper, ensuring longevity and vibrant color retention. The dot matrix texture mimics the Ben-Day printing method made famous in mid-20th-century comics, grounding the piece in pop art tradition while giving it contemporary narrative power. Every print is signed and numbered by the artist, marking its authenticity and rarity. With only 25 editions produced, the Love variant becomes a highly sought-after collectible that combines visual nostalgia with emotional depth. Denial’s meticulous attention to both concept and execution ensures that this piece stands as an exemplar of how Street Pop Art & Graffiti Artwork can carry both visual punch and sincere sentiment. This print is not just about how things got better—it is about the vulnerability it takes to believe they can.

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I Love Cake Archival Pigment Fine Art Limited Edition Print on 310gsm Cotton Textured Rag Paper by Pop Modern Artist Micca Young. 2022 Signed & Numbered Edition of 50 Artwork Size 23.62x15.75 Decoding "I Love Cake" by Micca Young The "I Love Cake" archival pigment fine art limited edition print by Micca Young is a vivid foray into the realm of pop modern art, encapsulating the frenetic energy and unapologetic vibrancy that characterizes the artist's reflection of experiences within the unique context of a strip club. Signed and numbered in an edition of 50, with an artwork size of 23.62x15.75 inches, this piece offers a gateway into a world that juxtaposes the allure and spectacle of nightlife with the nuanced realities of those within it. Produced in Western Australia by Fox Lab Fine Art, the "I Love Cake" prints are the epitome of museum-grade quality. Created on 100% cotton textured rag paper, they are devoid of optical brighteners, ensuring the longevity and preservation of the artwork’s original colors and textures. This choice of material reflects a dedication to archival standards, guaranteeing that the vivid tableau of Young's work will endure. The prints are color-matched with precision, capturing the essence of the original piece’s intent and emotional resonance. The Visual Narrative of "I Love Cake" "I Love Cake" is steeped in the visual narrative that street pop art and graffiti artwork often employ, where the surreal and the real collide. Micca Young's portrayal of the strip club's chaotic environment through a lens that is both critical and celebratory demonstrates a command of pop art sensibilities. The print invites onlookers to dissect the layered imagery, which oscillates between the playful and the grotesque, the beautiful and the bizarre. It is a tableau that demands contemplation, teasing out the viewer's prejudices and preconceptions about the world it represents. In the context of street pop art and graffiti artwork, "I Love Cake" carries the torch of cultural commentary that has been a staple of the genres. The artwork serves as a visual anecdote, a slice of life that melds fantasy with the starkness of reality, wrapped in a presentation that is both accessible and enigmatic. Through this limited edition print, Micca Young contributes to the ongoing conversation about art’s place in reflecting and shaping societal narratives.

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A Treasure Worth Finding Limited Edition Archival Pigment Prints on Fine Art Paper by Ben Kehoe Graffiti Street Artist Modern Pop Art.

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Desk Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

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Love Life And Death Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered Size: 32,5 x 60,9 cm // 12.8 x 24 inch Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered

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In Response To... Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Eddie Colla. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 21, 2019

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Pursuit Archival Print by Josh Keyes Limited Edition on Hot Press Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 55 Artwork Size 12x12 Archival Pigment Fine Art Pursuit Archival Print by Josh Keyes: Wildlife Realism in Urban Collapse Josh Keyes is known for his surreal environmental narratives that merge wildlife realism with post-apocalyptic cityscapes, and Pursuit is a masterful continuation of that vision. Released in 2023 as a signed and numbered limited edition of 55, this 12x12 inch archival pigment print on hot press fine art paper exemplifies Keyes’ unique approach to Street Pop Art & Graffiti Artwork. The artwork features a bull elk in a desperate sprint through an abandoned urban corridor, pursued by a charging grizzly bear. The scene is rendered with astonishing precision and painterly detail, creating an uncanny juxtaposition between raw wilderness and manmade structure. Symbolism and Visual Commentary in Modern Urban Decay Pursuit does not merely present an animal chase—it constructs a metaphorical lens on modern society’s collapse and the reemergence of nature in the wake of human absence. The grass sprouting through cracked pavement, the eerie emptiness of towering buildings, and the animals reclaiming space once dominated by industry and commerce all speak to Keyes’ thematic obsession with environmental reclamation and decay. The elk’s expression captures both panic and resilience, while the bear’s momentum symbolizes the relentless force of nature. These themes situate the piece within a broader dialogue around extinction, survival, and the aftermath of ecological disruption, blending realism with speculative fiction in a way few artists manage. The Street Pop Art Aesthetic of Josh Keyes While Keyes is not traditionally a street muralist, his work channels the ethos of Street Pop Art & Graffiti Artwork through its socially urgent themes and confrontational composition. He infuses the immediacy and conceptual clarity of graffiti with the precision and control of classical painting. Each work feels like a warning and a dream, torn from the pages of ecological science fiction and pasted into the present. His hyper-detailed painting style, when transferred to a fine art print like Pursuit, retains its immersive quality, capturing motion, texture, and atmosphere with unrelenting clarity. The work becomes both collectible and powerful, a quiet revolution printed on museum-grade paper. Modern Mythmaking through Urban Wildlife Narratives Josh Keyes, an American contemporary artist, constructs modern myths by transporting wildlife into post-human environments. These settings, like the vacant city street in Pursuit, serve as stages for dramatic encounters that are at once primal and surreal. The story told in this limited edition print operates on both visual and conceptual levels. It evokes the urgency of climate instability, the vulnerability of wild species, and the fragility of constructed civilization. Pursuit is not just an image, it is a moment suspended in moral tension, a call to acknowledge the ecosystems intertwined with human legacy. Through this archival edition, Keyes cements his role as a chronicler of imagined futures grounded in present truths, a key figure in the visual narrative of modern environmental street pop art.

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Lover Artwork Giclee Limited Edition Print on Thick Fine Art Paper by Pop Culture Graffiti Artist Helice Wen. 2013 Signed & Numbered Limited Edition of 25 Artwork Size 11x14 'Lover' by Helice Wen: Paper: Cold-Press Natural Heavy Fine Art 340gsm Ink: Epson Ultrachrome HDR Size: 11' x 14' Edition: 25 Printed by: Rhino Barking Sparrow Hand signed and numbered by the artist.

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Not By Victory Limited Edition Hand-Embellished Screen Print & Mixed Media on Cradled Wood Panel by Eddie Colla Graffiti Street Artist Modern Pop Art. Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.

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Breatharian Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Callan Wink's short story "Breatharian" artwork was in the New Yorker magazine. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Tristan Eaton DesignerCon 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2021 Bearbrick x Tristan Eaton DesignerCon Exclusive 400%

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Night Angel Mini Basketball Limited Edition Sports Sculpture Artwork by modern street artist pop graffiti artist Dragon76. 2021 Limited Release of Isaac Pelayo x THC Collaboration Mini Basketball. Night Angel Mini Basketball Isaac Pelayo x Tango Hotel New In Box

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Sam Amongst The Sporlings Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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FA Venus Limited Edition Hand Pulled 3-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. Over the years we’ve met quite a few collectors that share the same passion for subculture and collecting. These passions culminate for us by collecting specifics artists, iconography, and imagery that shapes each of our collections. On rare occasion, we’re asked to offer vintage items on the site, and we have from time to time. Well last week profoundly changed our lives and we’re excited to share that, will you? After spending a few days learning about the stories of 1 collector that has been in the game for the past few decades we found signed prints from many of the artists that built the foundation for collecting art prints. With the likes of Bill Graham, Gary Grimshaw, Coop, Derek Hess, and beyond, stored safely in flat files, we sifted through and pulled a few hundred prints. Now that we’re back home we’re doing our best to process this collection, the grade for quality, photograph and add to the site.

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Broome Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Antisoul 2Vth Diamond Dust Papyrus Artwork Giclee Limited Edition Print on Egyptian Papyrus by Pop Culture Graffiti Artist Marwan Shahin. "ANTISOUL” 2021 Diamond Dust Papyrus fine art print Limited Edition of 99, Only 99 will ever be made. 35cm x 45cm ANTISOUL is hand-made by Shahin Studios in Egypt in celebration of Marwan Shahin's new solo exhibition 'Pyramid Schemes' opening in Los Angeles on November 6th 2021 at done galleries. Each Papyrus print comes with a crypto-chip registering and authenticating the work on the blockchain. Signed, numbered, branded by Marwan Shahin, and contains a crypto NFC chip for authentication by the Fine Art Ledger.

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Trespassing Blotter Paper Archival Print by Jay Kaes Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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Passengers XIV AP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2021 Signed & Marked AP Limited Edition 5/5 Artwork Size 12x14 Archival Pigment Fine Art. Some APs may have slight blemishes and margin differences; this was a working artist copy. "Passengers XIV," a striking archival print by the renowned artist Dave Pollot. This limited-edition print embodies the modernistic fusion of pop and street art, revealing the intricate depth of Pollot's artistic prowess. Cast on Matte Velvet Rag Fine Art Paper, the medium meticulously preserves the intensity and vivaciousness of the artist's palette. As an Artist's Proof (AP) edition from 2021, this print holds a special significance within Pollot's portfolio. The AP version denotes the initial prints run in a limited edition series, distinguished by the artist's direct involvement in their production. This copy is one of just five, adding a rare exclusivity to its charm. Each print in this series is individually signed and marked by Pollot himself, confirming its authenticity and the artist's personal touch. "Passengers XIV" holds dimensions of 12x14 inches, an inviting size that allows an intimate interaction with the artwork. Rendered with archival pigment, the print ensures an enduring vibrancy that encapsulates the dynamic expression of Pollot's vision. This amalgamation of detail and depth, from the striking colors to the unique textures, is a testament to the seamless blend of quality and creativity. Dave Pollot's "Passengers XIV" is more than just a print; it is a representation of modern artwork's evolution, echoing the ebbs and flows of pop and street art in the current era. This piece transcends the physicality of its existence, serving as a conversation starter and a reflection of the progressive trends in contemporary art. As a limited-edition print, it offers an intimate experience of Pollot's artistic journey, enhancing any art collection's value with its impeccable design and exclusive nature.

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Bookshelf Chicago 2016 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100 lb. Cougar Natural Cover Stock by Sean Mort Graffiti Street Artist Modern Pop Art. Famous Chicago IL Buildings and Landmarks Arranged As Books on a Shelf. 20 x 16 inches, 3 color screenprint on Cougar Natural, a 100% recycled 230gsm paper. All prints are signed by the artist and will be sent first class recorded The print will fit perfectly in this frame All prints were designed and hand-printed by me in my spare bedroom in Leeds. Screen printing is often a long, messy process and I work hard to make each print as good as I can but each print has it’s own little imperfections and the price of the print reflects this. All prints in my shop have passed the Sean Mort quality test. If you are looking for 100% perfect printing, it’s probably best not to buy my prints. -Sean Mort

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Harper and John R Archival Pigment Fine Art Limited Edition Print on 290gsm Museo Portfolio Rag Paper by Urban Pop Artist Stephanie Buer Modern Artwork. 2015 Signed & Numbered Limited Edition of 20 Artwork Size 20x16

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Smash Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adam Caldwell Modern Artwork. 2022 Signed & Numbered Limited Edition of 20 Artwork Size 14x17 Smash • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-signed and numbered by artist Adam Caldwell in a limited edition of 20

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Yogi on Xanax- Black 7-Color Hand-Pulled Limited Edition Silkscreen Print on Mohawk Superfine UltraWhite Paper by Ben Frost Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Ben Frost Yogi on Xanax, 7-color Hand-Pulled Screen Print on Mohawk Superfine UltraWhite, 160 lb Cover 24 x24 in., 61 x 61 cm Edition of 25, signed & numbered by the artist Printed by POP!NK Editions Yogi on Xanax by Ben Frost – Pop Culture Intervention in Street Pop Art & Graffiti Artwork Yogi on Xanax is a 2022 limited edition 7-color hand-pulled silkscreen print by Australian-born artist Ben Frost, printed on 160 lb Mohawk Superfine UltraWhite cover paper. Measuring 24 x 24 inches, this silkscreen print was produced in a signed and numbered edition of just 25, crafted under the direction of POP!NK Editions. Known for his subversive blending of pop culture icons with controversial subject matter, Frost delivers a provocative image that fuses the innocence of Yogi Bear with the cold design language of a pharmaceutical Xanax label. This juxtaposition forces a confrontation between humor and critique, childhood nostalgia and chemical dependency, all while maintaining the graphic vibrancy and clean execution that define his studio practice. The piece is bold, glossy, and ironic—designed to trigger recognition and unsettle the viewer simultaneously. Pharmaceutical Satire and Cartoon Familiarity Collide Ben Frost’s work routinely challenges the sanitized narratives of consumer branding and media imagery. In Yogi on Xanax, the use of Yogi Bear—an animated figure associated with carefree antics and childhood television—is purposefully misaligned with the clinical, regulated world of prescription medication. The cheerful cartoon smile and brightly saturated colors stand in contrast to the red-labeled warnings and dosage marks of Xanax packaging. The artwork explores themes of escapism, emotional suppression, and the commercialization of health, suggesting that even the most innocent symbols are not immune to societal pressures. Frost’s treatment of iconography reflects the strategies central to Street Pop Art & Graffiti Artwork, where visual language is repurposed to expose hidden truths and cultural contradictions. Printing Technique, Surface Quality, and Material Precision Executed with precision on Mohawk Superfine UltraWhite paper, the 7-color silkscreen process ensures that every layer of ink sits cleanly atop the surface, producing striking contrast and tonal balance. This heavy-weight paper enhances the density of color and preserves the integrity of each line and text detail. The silkscreen technique, a mainstay of pop art production since the era of Andy Warhol, allows Frost to replicate the flat commercial style of packaging design while embedding it with sharp conceptual tension. Each print is signed and hand-numbered, reinforcing its collectibility and placing it within the canon of fine-edition Street Pop Art & Graffiti Artwork. POP!NK Editions’ involvement in the production guarantees a gallery-level standard of finish, ensuring that each print is not only conceptually rich but also technically flawless. Ben Frost’s Cultural Commentary Through Brand Distortion Ben Frost continues to push the boundaries of what pop imagery can convey in a critical, ironic, and visually arresting format. Yogi on Xanax operates on multiple levels—as parody, as product, and as visual disruption. It pulls from the mass media archive and reintroduces familiar icons with new, unsettling associations. This is central to the strategy of Street Pop Art & Graffiti Artwork, where repetition, appropriation, and recontextualization are not just aesthetic choices but radical acts. By placing a figure like Yogi Bear in the frame of medical necessity and emotional regulation, Frost questions how society assigns meaning and value to images. His art reflects a world where cartoons sell pills and pills sell calm, a world where branding and identity collapse into one unified surface. Yogi on Xanax is not just pop art—it is a sharp and unapologetic reflection of contemporary visual culture.

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One with Nature Low Fidelity Music Bear Art Toy by Luke Chueh Limited Edition Collectible Sculpture Figure Fine Artwork by Graffiti Pop Street Artist. 2024 Limited Edition of 250 Artwork Size 4x7 New In Box Stamped Vinyl Fine Art Toy Figure Sculpture of Bear in Camo and Headphones Chilling. One with Nature: A Quiet Protest in Vinyl by Luke Chueh The 2024 release of One with Nature by Luke Chueh captures the deeply reflective tone of his Street Pop Art & Graffiti Artwork practice. This limited edition vinyl art toy, standing 7 inches tall and stamped for authenticity, fuses emotional stillness with layered symbolism. It depicts a stylized bear figure—a recurring motif in Chueh’s work—wearing headphones and a camouflage hoodie, standing with hands tucked in pockets. As part of the Low Fidelity Music Bear series, this edition of 250 quietly explores themes of solitude, visibility, and the tension between survival and serenity in modern life. The Camouflage Pattern as Modern Metaphor Camouflage, traditionally associated with warfare and concealment, becomes in this work a visual contradiction. Rather than hiding, the bear is put in full display, suggesting a yearning to disappear while being surrounded by the invasive noise of contemporary culture. This duality aligns with Luke Chueh’s signature approach, where innocent, cartoon-like characters are layered with meaning and melancholy. One with Nature channels this aesthetic to suggest the emotional armor worn by many navigating the overstimulation of modern society. In Street Pop Art & Graffiti Artwork, this blend of innocence and psychological burden is central, and Chueh executes it masterfully through minimal form and symbolic detail. Low Fidelity and Emotional Isolation The concept of low fidelity in this figure series relates not to sound quality but to the experience of emotional disconnect. The bear’s blank face and closed posture, paired with headphones that seal out the world, evoke a sense of retreat from overwhelming external stimuli. It is a posture familiar to those who use music as a shield against noise—literal and metaphorical. The sculpture invites viewers to consider what it means to be present yet unseen, and how urban life has turned introspection into a coping mechanism. Luke Chueh’s ability to materialize these abstract emotional states into clean vinyl forms speaks to his mastery of the medium and relevance within the graffiti art movement. A Collectible with Cultural Weight As a street pop collectible, One with Nature operates both as fine art and cultural commentary. The vinyl bear’s subdued expression and militaristic attire present a paradox of vulnerability and preparedness. Released in 2024 as part of a carefully limited edition of 250 pieces, each sculpture reflects the craftsmanship and intention that has come to define Chueh’s place within Street Pop Art & Graffiti Artwork. Collectors and admirers of his work recognize this figure not just as a toy, but as an emotional artifact—a statement on survival, silence, and the cost of blending in. In a world where visual chaos reigns, Chueh’s bear stands quietly, camouflaged yet conscious.

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Not Great Men 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Not Great Men Screen Print 18 x 24 inches Edition of 450 August 20, 201 The Not Great Men print was inspired by the Gang of Four song of the same name from their album “Entertainment”.. Gang of Four are a great band musically and lyrically with many of their songs tackling subjects like consumption, capitalism, obsession with power, exploitation, narcissism, and class structure. The song Not Great Men has long struck me as a wise indictment of the contradiction or paradox of leadership and power. It takes assertive, charismatic people with self-confidence to be leaders, but on the dark side, leaders are often power hungry, manipulative, and abusive of their power.

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