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146 artworks

  • Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    RD-357 Real Deal Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

    $2,626.00

  • Cost of Oil AP Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Cost of Oil AP Silkscreen Print by Shepard Fairey- OBEY

    Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

    $1,116.00

  • Delorean Giclee Print by Marie Bergeron

    Marie Bergeron Delorean Giclee Print by Marie Bergeron

    Delorean 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Marie Bergeron counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

    $146.00

  • Rabbit A Frame Original Acrylic Sign Spray Painting by Blake Jones

    Blake Jones Rabbit A Frame Original Acrylic Sign Spray Painting by Blake Jones

    Rabbit A Frame Original Acrylic Spray Paint Road Construction Street Sign Painting by Blake Jones One of a Kind Artwork Street Art Pop Artist. 2020 Signed Acrylic & Spray Paint on Reclaimed Road Construction A Frame Alert Street Caution Sign Painting Original Artwork Size 23.75x45.25 Rabbit A Frame by Blake Jones – Urban Whimsy on Reclaimed Canvas in Street Pop Art & Graffiti Artwork Rabbit A Frame is a 2020 original acrylic and spray paint artwork by American street pop artist Blake Jones, executed on a reclaimed road construction A-frame alert sign. Measuring 23.75 x 45.25 inches, this one-of-a-kind piece transforms functional street infrastructure into a playful and energetic canvas. Painted directly onto the iconic orange-and-white reflective barricade pattern, Jones’s unmistakable rabbit character peeks curiously from the lower corner of the signage, infusing humor and innocence into a symbol of civic caution. This unexpected collision of form and character is central to the practice of Street Pop Art & Graffiti Artwork, where urban detritus becomes a site for creativity, subversion, and visual storytelling. Recontextualizing Utility Through Character The inclusion of the rabbit—a recurring figure in Blake Jones’s universe of cartoon expressions—anchors the work in his broader practice of using character design to evoke joy, curiosity, and absurdity. The wide eyes and rounded lines of the rabbit stand in stark contrast to the rigid geometry and utilitarian purpose of the A-frame construction sign. The artist has left visible stenciled type reading LYONS PINNER on the lower bar, enhancing the piece’s authenticity as a reclaimed object from real city infrastructure. This juxtaposition of municipal function and personal expression creates a layered narrative, where the rigid visual language of public signage is softened by animated wonder. Jones’s approach doesn’t erase the object’s past—it amplifies it through aesthetic intervention. Medium, Surface, and Street Aesthetics Blake Jones employs a combination of acrylic brushwork and aerosol application to achieve vibrant contrast and edge clarity on the reflective metal surface. The texture of the sign, complete with scratches, dents, and weathered paint, provides a gritty, tactile base that elevates the artwork’s physical presence. Each imperfection in the surface becomes part of the final composition, tying the piece back to the street. The use of road sign material reinforces the core ethos of Street Pop Art & Graffiti Artwork—art made in, of, and for public space. The rabbit, rendered in bold turquoise with expressive black detailing, punctuates the sign with personality, reframing caution not as a warning, but as a playful greeting. Blake Jones and the Art of Reclaiming Urban Narratives Rabbit A Frame is more than just a clever object painting—it is a statement about how everyday materials can become carriers of joy, personality, and artistic transformation. Blake Jones continues to blur the line between street detritus and collectible art, using found materials as his platform for character-driven storytelling. His work reinserts humanity into spaces often ruled by standardization and silence. This piece invites viewers to see humor and imagination embedded in the fabric of their daily environment. As part of Street Pop Art & Graffiti Artwork, it stands as a vibrant reminder that art is not confined to canvas or gallery walls. It can live on the streets, on the signs we ignore, and in the characters that bring those spaces to life. Blake Jones reclaims these spaces with style, mischief, and undeniable charm.

    $2,500.00

  • Flux Giclee Print by Marie Bergeron

    Marie Bergeron Flux Giclee Print by Marie Bergeron

    Flux 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Pedro Oyarbide counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

    $146.00

  • Joshua Vides X Unfinished Business Cone Art Object Sculpture by Joshua Vides

    Joshua Vides Joshua Vides X Unfinished Business Cone Art Object Sculpture by Joshua Vides

    Joshua Vides X Unfinished Business Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. This artwork, skillfully created by Joshua Vides, aims to support important causes. The proceeds from its sale will be directed towards One Hundred Black Men, the Hispanic Federation, and the Asian American Business Development Center. This initiative, known as Unfinished Business, was launched by Hennessy to provide grants to small businesses owned by individuals from Black, Latinx, and Asian American communities. By offering financial assistance and essential resources, Unfinished Business seeks to empower these business owners who play a crucial role in strengthening our communities. Joshua Vides' artistic oeuvre is defined by his unique interpretation of Pop Art, a seamless merger with Street Art elements, and a deep-rooted respect for Graffiti Art. One of his most notable works that encapsulates this triadic fusion is the "Unfinished Business Cone Art Object Sculpture". A fascinating assemblage, the sculpture is a thought-provoking exploration of space and dimension, challenging traditional norms of visual perception through its use of stark, black outlines and an almost unfinished aesthetic, reminiscent of sketch-like visuals. This piece is a stellar embodiment of Vides’ ability to transform everyday objects into extraordinary works of art, truly underlining his position as a contemporary trailblazer in the realm of visual art. As with his other works, the "Unfinished Business Cone Art Object Sculpture" utilizes a unique monochromatic palette, a signature aspect of Vides' style that stems from his background in graffiti. This unconventional application of color, or lack thereof, disrupts viewers' expectations, encouraging them to engage with the work in a more meaningful way. Vides invites the observer to question the traditional boundary between the two-dimensional and three-dimensional worlds. The sculpture is not merely an object; it's an exercise in optical illusion and a commentary on our perception of reality, a testament to Vides’ innovative blend of pop, street, and graffiti art. The "Unfinished Business Cone Art Object Sculpture", in essence, showcases Vides' unconventional approach, his audacious experimentation with the commonplace, and his subversion of our visual expectations. It stands as a brilliant exemplification of the harmonious integration of different art genres and redefines the realm of pop art and graffiti. Reflecting Vides' distinctive style, it is a magnificent contribution to the ongoing dialogues in contemporary art, cementing his position as a noteworthy figure in the art world.

    $503.00

  • Gun Culture- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Gun Culture- Large Format Serigraph Print by Shepard Fairey- OBEY

    Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

    $4,011.00

  • Fett's Vette Silkscreen Print by Lil Tuffy

    Lil Tuffy Fett's Vette Silkscreen Print by Lil Tuffy

    Fett's Vette Artwork Silkscreen Limited Edition Print on 100 lbs. Metallic Star Dream Cover Stock Paper by Pop Culture Graffiti Artist Lil Tuffy. Lil Tuffy - "Fett's Vette" 1 Color Screen Print Edition of 100 100 lbs. Metallic Star Dream Cover Stock 17.5" x 23"

    $103.00

  • Back to The Future Part I Delorean Skateboard Deck by DKNG

    DKNG Back to The Future Part I Delorean Skateboard Deck by DKNG

    Back to The Future Part I Delorean Limited Edition Silkscreen Skateboard deck art by street pop culture artist DKNG. 2020 Celebrate the 35th Anniversary of Back to The Future with a PART II Delorean-shaped Skateboard designed by DKNG manufactured by Madrid Skateboards. Edition of 200

    $237.00

  • French Connectio Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler French Connectio Silkscreen Print by Jeremy Wheeler

    French Connection Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. The French Connection Movie Screening at Michigan Theater June 27th & 29th 2010.

    $103.00

  • Eroded Porsche 911 Turbo 930 Selenite Quartz Sculpture by Daniel Arsham

    Daniel Arsham Eroded Porsche 911 Turbo 930 Selenite Quartz Sculpture by Daniel Arsham

    Eroded Porsche 911 Turbo 930 Selenite Quartz Sculpture by Daniel Arsham Limited Edition Pop Artwork Street Artist Fine Art. 2020 Signed Selenite Quartz Sculpture Limited Edition of 500 Artwork Size 3.58x5.35x12.21 of a White Porsche 911 Turbo 930 with Stylized Eroded Quarty Deposit Crystal Embellishments. Perfect Condition Displayed with Box. Eroded Porsche 911 Turbo 930 Selenite Quartz Sculpture by Daniel Arsham The Eroded Porsche 911 Turbo 930 Selenite Quartz Sculpture by Daniel Arsham, released in 2020, is a precision-crafted collectible that merges industrial design, fine art, and the aesthetic of time-based decay. This limited edition sculptural work is a three-dimensional exploration of Arsham’s fascination with fictional archeology and future relics. Produced in an edition of 500, each piece measures 3.58 x 5.35 x 12.21 inches and is cast from selenite quartz. The sculpture reimagines the iconic Porsche 911 Turbo 930 as if uncovered after decades of natural erosion, blending mechanical engineering with organic mineral formations in a stunning and contemplative hybrid form. A Fusion of Design and Conceptual Art Daniel Arsham’s eroded vehicle series has become a hallmark of his work, symbolizing the intersection of human achievement and the passage of time. The Porsche 911 Turbo, a timeless symbol of precision and performance, becomes a vessel for Arsham’s speculative visual language. This sculpture captures a moment of transformation—the pristine body of the vehicle is fractured and partially overtaken by stylized crystalline deposits. Rendered in selenite quartz, the vehicle's form is preserved and eroded simultaneously, suggesting themes of memory, loss, and permanence. The matte white finish of the quartz material contrasts beautifully with the embedded crystalline growths, which appear to rupture the vehicle's surface from within. These erosions mimic natural geological processes but are stylized to match Arsham’s signature approach to decay and ruin. The effect is both futuristic and ancient, positioning the sculpture as a relic from a world where human culture and nature are entangled in an ongoing dialogue. Edition Integrity and Collector Value Each sculpture in the edition of 500 is individually signed by Daniel Arsham and housed in a branded presentation box marked with the artist’s studio insignia. The box itself becomes an extension of the artwork, designed with reflective typography and bold graphic treatment that reinforces the conceptual framework. Accompanied by a certificate of authenticity, this release is part of Arsham’s broader exploration of collectible design objects that blur the line between art and artifact. The sculpture’s small but substantial scale allows it to function as both a standalone piece and as part of a curated art collection. It fits seamlessly into contemporary interiors, museum collections, and galleries while also appealing to automotive and design enthusiasts. The tactile nature of the quartz medium, combined with the careful craftsmanship, ensures that each work is slightly unique in its finish and detail. Street Pop Art & Graffiti Artwork Through a Sculptural Lens Daniel Arsham, based in the United States, operates at the convergence of sculpture, architecture, and pop iconography. While not a graffiti writer in the traditional sense, his work is deeply informed by the aesthetics and energy of urban art, including his collaborations with street artists and his use of culturally iconic forms. The Eroded Porsche 911 Turbo 930 Selenite Quartz Sculpture represents this ethos—reimagining a cultural artifact as something timeless and transformed by the forces of entropy and imagination. As part of the Street Pop Art & Graffiti Artwork continuum, it challenges viewers to reconsider what is preserved and what is forgotten in the flow of time.

    $1,917.00

  • Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong

    Shepard Fairey- OBEY Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong

    The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

    $718.00

  • San Francisco Silkscreen Print by DKNG

    DKNG San Francisco Silkscreen Print by DKNG

    San Francisco Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art.

    $134.00

  • TGIF V 20 Archival Canvas Print by Dave Pollot

    Dave Pollot TGIF V 20 Archival Canvas Print by Dave Pollot

    TGIF V 20 Archival Print by Dave Pollot Limited Edition on PH Neutral 17mil Canvas Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 57 Artwork Size 16x20 Archival Pigment Fine Art on Canvas of the Jason from Horror Movie Friday the 13th in a Swamp TGIF V 20: Archival Print by Dave Pollot The TGIF V 20 archival print by Dave Pollot, released in 2023, represents a unique fusion of pop culture references, fine art techniques, and street pop art sensibilities. This limited edition artwork, signed and numbered by Pollot, is part of a series of just 57 prints. It is a 16x20 inch archival pigment print on pH-neutral 17mil canvas, which ensures its longevity and resistance to fading over time. The piece features the iconic character Jason Voorhees from the Friday the 13th horror movie franchise, depicted in a serene, almost pastoral swamp scene, blending the worlds of horror cinema and classical landscape painting. Pop Culture Meets Fine Art in TGIF V 20 Dave Pollot is known for his clever reimagining of traditional art, often incorporating pop culture icons and elements of contemporary media into classical or idyllic settings. TGIF V 20 is a prime example of this approach, as Pollot combines the menacing figure of Jason Voorhees with a tranquil countryside landscape. In this print, Jason stands ominously in a swamp, his iconic hockey mask reflecting the light of a distant sunset, as a small cottage nestles in the background, seemingly oblivious to the terror lurking nearby. Pollot's ability to juxtapose these two worlds — the horror of Friday the 13th and the peace of an idyllic countryside — creates a sense of unease and dark humor. The viewer is left to contemplate the absurdity of Jason, a figure of violence and fear, calmly existing in such a serene environment. This playful contradiction is a hallmark of street pop art, where familiar symbols are recontextualized in surprising and often ironic ways. By placing Jason in this unexpected setting, Pollot challenges our perceptions of the character and the setting, encouraging us to see them in a new light. The Influence of Graffiti and Street Pop Art Pollot's work, while rooted in traditional fine art techniques, is heavily influenced by the aesthetics and ethos of street pop art and graffiti. Street pop art is known for its bold use of color, incorporation of popular culture, and ability to challenge the boundaries between high and low art. In TGIF V 20, Pollot brings these elements together, using Jason as a mass culture symbol to disrupt classical landscape painting conventions. The texture and richness of the canvas, along with the vibrant yet balanced color palette, add to the visual impact of the piece. The scene, which might otherwise resemble a typical 19th-century landscape, is transformed by Jason's presence. The influence of graffiti and street art can be seen in how Pollot brings a sense of the urban and contemporary into the traditional. Jason, a figure from 1980s horror, becomes a modern-day interloper in a timeless setting, much like graffiti often disrupts the urban environment's aesthetic by introducing new, frequently controversial elements. Moreover, this print's hand-numbered, limited edition nature emphasizes the individuality and exclusivity often associated with street art, much like graffiti artists who mark their work with a signature or tag, Pollot signs, and numbers each print, ensuring that no two pieces are identical. This also ties into the street art philosophy of art being both public and personal, accessible yet unique. The Contrast of Horror and Pastoral Beauty At the heart of TGIF V 20 is the stark contrast between the horror genre and the peacefulness of the natural landscape. Jason, typically seen stalking victims through dark forests or deserted campsites, is instead placed in a setting that evokes warmth and nostalgia. The cottage in the background, illuminated by the soft glow of the setting sun, creates a comforting atmosphere that directly opposes the violent imagery often associated with Jason. This juxtaposition heightens the sense of unease as the viewer wonders how such a figure could belong in such a tranquil place. The piece's title, TGIF V 20, also plays into this contrast. While Friday the 13th is synonymous with bad luck and horror, the phrase "TGIF" typically conveys a sense of relief and the anticipation of a relaxing weekend. Pollot uses this duality to blur further the lines between fear and comfort, humor and horror. This layering of meaning is characteristic of street pop art, where multiple interpretations can coexist, and the viewer is encouraged to engage with the work on different levels. Pollot's decision to depict Jason in a swamp, as opposed to a more conventional horror setting, adds another layer of complexity to the piece. Swamps are often associated with decay, mystery, and hidden dangers, making them an ideal setting for Jason's brooding figure. At the same time, the way Pollot renders the scene — with soft brushstrokes, warm tones, and an overall sense of calm — makes the swamp appear almost inviting. This tension between beauty and menace is central to the appeal of the artwork, as it invites the viewer to question what lies beneath the surface. Dave Pollot's Modern Approach to Art and Pop Culture Dave Pollot's approach to art is rooted in the blending of high art and pop culture, a technique that has become a defining feature of modern street pop art. Pollot's background in classical painting techniques allows him to execute his works with precision. At the same time, his incorporation of familiar cultural icons adds a layer of accessibility and relevance to contemporary audiences. TGIF V 20 continues this tradition, as Pollot brings the world of horror movies into the refined setting of landscape painting. As a symbol of fear and violence, Jason Voorhees becomes a part of the natural world in Pollot's hands, suggesting that even the most terrifying aspects of our imagination have a place in the broader cultural landscape. By placing Jason in such a serene and picturesque setting, Pollot forces us to reconsider what we find beautiful and frightening. This merging of worlds is central to street pop art, where the familiar and the unexpected come together to create something entirely new. TGIF V 20 by Dave Pollot is a powerful example of how modern street pop art can challenge and expand our understanding of art and popular culture. Through his use of humor, contrast, and finely honed artistic technique, Pollot creates a visually striking and thought-provoking work, offering a fresh perspective on a familiar figure from horror cinema.

    $462.00

  • Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Shepard Fairey- OBEY Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

    $2,500.00

  • Vegas Bound Canvas Giclee Print by Leslie Ditto

    Leslie Ditto Vegas Bound Canvas Giclee Print by Leslie Ditto

    Vegas Bound Canvas Artwork Giclee Limited Edition Print on Canvas by Pop Culture Graffiti Artist Leslie Ditto. 2014 Signed & Numbered Inspired By Fear & Loathing In Las Vegas 27"x18" Limited Edition Canvas Print By Leslie Ditto Edition Size Of 30. Ready to Hang on Stretched Canvas. Leslie Ditto's "Vegas Bound" Canvas Artwork: A Limited Edition Fusion of Street Pop Art and Cinema "Vegas Bound" is a canvas artwork by Leslie Ditto, an artist celebrated for her contributions to the street pop art genre. She is known for infusing her pieces with social commentary and vibrant visuals. This limited edition giclée print on canvas is an evocative homage to the cult classic film, "Fear and Loathing in Las Vegas." Signed and numbered by the artist, the 27"x18" print was released in 2014 with a limited edition size of 30, making it a rare collector's item. Leslie Ditto's work often draws from pop culture, and "Vegas Bound" is no exception. The artwork is meticulously prepared on stretched canvas, ready to hang, and serves as an eye-catching testament to Ditto's unique style. The visual narrative of "Vegas Bound" captures the essence of the hallucinatory experience depicted in "Fear and Loathing in Las Vegas." The central figures, reminiscent of the film's protagonists, are portrayed against a backdrop that is quintessentially Las Vegas, with its flashy and over-the-top energy. Ditto's use of saturated colors and exaggerated features echoes the surreal and chaotic journey into the heart of the American Dream, as experienced by the characters. The detailed rendering of the subjects, the classic convertible, and the iconic Las Vegas sign all work in harmony to transport the viewer into the vivid world of the artwork. Dissecting the Aesthetic Elements of "Vegas Bound" The aesthetic elements of "Vegas Bound" are deeply rooted in street pop art and graffiti artwork traditions. Ditto's technique showcases an intricate balance between realism and exaggeration, a hallmark of pop art's influence. The artwork features hallucinatory creatures and distorted perspectives that symbolize the psychedelic influence on street art, while the meticulous attention to detail reflects the precision of graffiti artwork. The figures in the piece, with their stylized expressions and bold contours that define them, testify to the rebellious spirit underlying street and pop art movements. Leslie Ditto's ability to capture the frenetic energy of the Las Vegas strip and the disjointed reality of the film's narrative is evident in the chaotic composition of the piece. Every element, from the smoke from a cigarette to the manic grin of the anthropomorphic creature in the backseat, contributes to an overwhelming sense of motion and emotion. This piece is not simply a static representation; it actively reimagines a cultural phenomenon, capturing the vibrancy and transience of street pop art. Significance and Impact of Leslie Ditto's "Vegas Bound" in Art and Culture "Vegas Bound" stands as a significant work in the oeuvre of Leslie Ditto and within the broader context of street pop art and graffiti artwork. The limited availability of this print has made it a sought-after piece for collectors and enthusiasts of street pop art. Ditto's interpretation of "Fear and Loathing in Las Vegas" through the lens of street art aesthetics offers a fresh perspective on the themes of excess, escapism, and the search for meaning in a postmodern world. It visually explores the boundaries between high and low art, between the world of fine art galleries and the unabashed expressions found on the streets. Through works like "Vegas Bound," Leslie Ditto contributes to the ongoing conversation about the legitimacy and potential of street pop art as a form of artistic expression. Her work challenges the traditional barriers of the art world, showcasing how the motifs and themes commonly found in graffiti and street art can find a place within the confines of a canvas. "Vegas Bound" is not merely a tribute to a film but a piece that stands on its own as a vibrant, thought-provoking example of how pop culture and art intersect to create something entirely new and deeply resonant. Leslie Ditto's "Vegas Bound" is a powerful piece of street pop art that captures the spirit of an era, the essence of a cinematic journey, and the enduring allure of Las Vegas. Its limited edition status only adds to its mystique, making it a valuable addition to the collections of those who appreciate the intricate dance between cinema, street culture, and visual art.

    $312.00

  • London Street With Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill London Street With Bus HPM Acrylic Silkscreen Print by Bobby Hill

    London Street With Bus Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $159.00

  • The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

    $954.00

  • Super Sport Camaro Supreme Tray Art Object by Lady Pink

    Lady Pink Super Sport Camaro Supreme Tray Art Object by Lady Pink

    Super Sport Camaro Supreme Tray Limited Edition Porcelain Art Glass Collectible Plate Artwork by OG Street Graffiti Artist Lady Pink. 2021 Lady Pink/Supreme Tray - Super Sport Camero - Shop - Supreme. Porcelain tray with printed graphic and printed logo on bottom. 5.9 x 7.1

    $221.00

  • Samiyam The Blind Pig 2011 Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler Samiyam The Blind Pig 2011 Silkscreen Print by Jeremy Wheeler

    Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

    $103.00

  • Han's Van Silkscreen Print by Lil Tuffy

    Lil Tuffy Han's Van Silkscreen Print by Lil Tuffy

    Han's Van Artwork Silkscreen Limited Edition Print on 100 lbs. Metallic Star Dream Cover Stock Paper by Pop Culture Graffiti Artist Lil Tuffy. Lil Tuffy - "Han's Van" 1 Color Screen Print Edition of 100 100 lbs. Metallic Star Dream Cover Stock 17.5" x 23"

    $103.00

  • Wicker Park Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Ian Ferguson- Hydeon Wicker Park Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Wicker Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson. Wicker Park Silkscreen Print by Ian Ferguson – Hydeon The Wicker Park silkscreen print by Ian Ferguson, known artistically as Hydeon, is a striking representation of one of Chicago’s most iconic neighborhoods. This one-color hand-pulled limited edition silkscreen print from 2013, measuring 16x20 inches, captures the architectural and cultural vibrancy of Wicker Park through an intricate and surreal composition. As part of Ferguson’s Neighborhood Art Series, this piece blends detailed urban landscapes with elements of street pop art & graffiti artwork, offering a visually compelling exploration of the city. The Architectural Complexity of Wicker Park Wicker Park has long been known for its historic architecture, diverse creative community, and bustling streets, all of which are intricately depicted in Ferguson’s artwork. His highly detailed line work brings out the ornate features of vintage Chicago buildings, brownstones, and storefronts, creating a layered cityscape that feels alive with history and movement. The elevated Damen Blue Line train plays a central role in the composition, visually cutting through the print and grounding the neighborhood’s well-known connectivity to the broader Chicago landscape. Ferguson’s ability to meld perspective and scale results in an architectural collage that defies traditional linear space. Buildings appear to bend, streets converge at surreal angles, and the typography of “Wicker Park” integrates seamlessly into the structure of the print. This style recalls classic urban etchings, yet Ferguson’s interpretation includes surreal elements that make the neighborhood feel both familiar and dreamlike. Cultural References and Symbolism Beyond its architecture, Wicker Park has a rich cultural identity rooted in its music, art, and street scene, and Ferguson nods to these aspects through various visual motifs. The presence of a bicycle, vintage cars, and classic signage all serve as references to the neighborhood’s history and evolving subcultures. Ferguson’s choice to include the Rainbow Club sign further acknowledges the importance of local businesses in shaping Wicker Park’s creative landscape. The imagery also includes floating clouds, exaggerated depth, and layered urban elements, adding a dreamlike quality to the piece. The decision to use black and white emphasizes the depth of detail and creates a timeless effect, making it feel like an archival document of the neighborhood’s energy. Ferguson’s approach highlights both the reality and mythology of Wicker Park, turning it into a symbolic representation of urban creativity. The Influence of Ian Ferguson in Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series places him firmly within the street pop art & graffiti artwork movement, using silkscreen techniques to reinterpret the visual landscapes of major urban spaces. Unlike traditional mural-based street art, Ferguson’s work translates these urban narratives into limited-edition fine art prints, allowing collectors to engage with his interpretations on a more intimate scale. His work resonates with fans of both architectural illustration and urban surrealism, as he transforms familiar cityscapes into dynamic compositions filled with movement and storytelling. The Wicker Park silkscreen print serves as both a tribute to the neighborhood and an exploration of how cities evolve, making it a significant piece within Ferguson’s broader artistic practice. This print stands as a visual love letter to one of Chicago’s most iconic areas, preserving its cultural essence through a highly detailed and meticulously crafted artwork.

    $146.00

  • FTP Archival Print by Dave Persue

    Dave Persue FTP Archival Print by Dave Persue

    FTP Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 25 Artwork Size 12x12 "These pieces are from “Touchy Subjects” show at the Seventh Letter’s flagship store in Los Angeles. I showed it with Dabs, Myla, and Rime. These paintings show a darker side of BunnyKitty’s universe. Spotlighting police brutality, riots, wet dreams, and women of pleasure. Subjects that are touchy to some, but presented in a cute aesthetic.I tend to daydream a lot. These paintings come directly from those daydreams. I start by sketching rough ideas in my journal--not even complete ideas--and use them as a reference, then go straight into painting. No pencil or transfer paper was used in the making of this work." - Persue

    $134.00

  • Crash Test Kalis 8.38 Skateboard Art Deck by DGK

    DGK Crash Test Kalis 8.38 Skateboard Art Deck by DGK

    Crash Test Kalis- 8.38 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. 7-ply Maple with Assorted Stain Veneers / Full Graphic Bottom / Top Screen Graphics / Josh Kalis Professional Endorsed Skateboard / 8.38" Width x 32.15" Length / 14.5" Wheelbase

    $89.00

  • Big Rock Giclee Print by Scott Listfield

    Scott Listfield Big Rock Giclee Print by Scott Listfield

    Big Rock Limited Edition Giclée Fine Art Prints on 290gsm Entrada Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Big Rock Giclée Print with Silkscreen Gloss by Scott Listfield 24" x 20" Giclée print with silkscreen Gloss on 290 GSM entrada paper Edition of /50 Signed

    $495.00

  • Check Original Collage Stencil Spray Painting by Pipsqueak Was Here!!!

    Pipsqueak Was Here!!! Check Original Collage Stencil Spray Painting by Pipsqueak Was Here!!!

    Check Original Collage Stencil Spray Paint Painting by Pipsqueak Was Here!!!  One of a Kind Artwork on Stretched Canvas by Street Art Pop Artist. 2021 Signed Mixed Media Spray Paint Stencil & Collage Painting Original Artwork Size 17.5x17.5 Check by Pipsqueak Was Here!!! – Stenciled Defiance and Found Texture in Street Pop Art & Graffiti Artwork Check is a 2021 original mixed media painting by the Dutch street art duo Pipsqueak Was Here!!!, created using stencil, spray paint, and collage on stretched canvas. Measuring 17.5 x 17.5 inches and signed by the artists, the piece is a striking example of layered urban narrative embedded in raw texture and symbolic juxtaposition. The central focus is a solemn, sharply rendered stencil portrait of a young girl, her gaze direct and almost confrontational. Surrounding her are collaged fragments of vintage advertisements, chemical warning labels, torn print ephemera, and bits of painted abstraction. The work fuses the language of caution, childhood, and consumer memory into a tightly composed field of urban poetics, emblematic of Pipsqueak Was Here!!!’s practice within Street Pop Art & Graffiti Artwork. Portraiture as Conscience and Confrontation The young girl at the center of Check is not passive. Her expression is serious, grounded, and quietly challenging. Rendered through crisp black and flesh-toned stencils, her presence stands in contrast to the chaotic noise of the background, giving the viewer a fixed point of emotional gravity. This figure, like many in the artists’ body of work, carries symbolic weight—youth positioned in a world already marked by danger and contradiction. Behind her, the image of a classic yellow cab ad and a “Miscellaneous Dangerous Goods” warning label creates a tense visual irony. The surrounding collage becomes more than aesthetic—it acts as commentary. Within the larger conversation of Street Pop Art & Graffiti Artwork, this portrait becomes a voice, one that challenges systems with quiet resolve rather than shouted slogans. Collage Construction and Found-Object Composition True to the aesthetic roots of street assemblage, Check incorporates found visual language through its collage layers. There is a fusion of urban memory and forgotten media: weathered typography, faded newspaper headlines, chemically coded symbols, and the layered build-up of spray and stencil. These textures mimic the walls of real cityscapes, where wheatpaste posters and public signage are constantly ripped, painted over, or tagged. The artists use these materials to form a narrative field, a conversation between safety and danger, visibility and erasure. This tactile collage method reinforces the connection between surface and story, ensuring that each component of the piece contributes not just visual interest, but historical resonance. It captures the energy of decay and renewal central to the ethos of Street Pop Art & Graffiti Artwork. Pipsqueak Was Here!!! and the Logic of Visual Protest With Check, Pipsqueak Was Here!!! continues to refine their unique balance of visual elegance and street-level urgency. The work radiates meaning through contrast—childhood innocence in the face of a world saturated with warnings and advertisements. The title itself implies confrontation, verification, or disruption. Every compositional choice speaks to power, placement, and perception. This painting is not just about form or beauty—it is a message embedded in image. As practitioners of Street Pop Art & Graffiti Artwork, the duo remains focused on environmental, social, and human vulnerability, making each artwork a kind of visual protest in the language of collage, spray, and symbol. Check is a potent reminder that art in public or private space has the ability to reveal truths, evoke empathy, and carry resistance through the everyday iconography of our shared environments.

    $1,500.00

  • Torino Archival Print by Scott Listfield

    Scott Listfield Torino Archival Print by Scott Listfield

    Torino Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Artist: Scott Listfield Medium: Archival Pigment Print Edition of 100 Markings: Signed and Numbered by the Artist Dimensions: 16" x 20"

    $360.00

  • Chase Bank Original Dunny Town Art Toy by Task One

    Task One Chase Bank Original Dunny Town Art Toy by Task One

    Chase Bank Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Chase Bank Original Dunny Art Toy by Task One Task One's Chase Bank Original Dunny Town Art Toy Task One's "Chase Bank Original Dunny Town Art Toy" represents a striking commentary on the omnipresent financial institutions in urban landscapes. Crafted in 2013, this piece combines the medium of Kidrobot's vinyl with the textural depth of painted plaster, embodying the distinctive essence of street pop art and graffiti artwork. The collectible stands at an approximate size of 3x4 inches, a miniature yet powerful representation of a Chase Bank branch, reinterpreted through the imaginative lens of Task One. This particular work is part of Task One's broader Dunny Town series, which showcases a variety of urban structures and establishments, each reimagined as a Dunny, the iconic art toy figure. The Chase Bank Dunny, with its detailed brickwork facade and the recognizable blue "CHASE" signage, invites reflection on the pervasive influence of corporate entities in daily life. It's a creative exploration of common themes in street art: capitalism, consumerism, and their interplay within the public space. Reflecting the Urban Experience through Art Toys By selecting an institution as ubiquitous as a bank and presenting it through the playful form of a Dunny, Task One elevates street art's engagement with socio-economic themes. This art toy serves as a microcosm of the city, encapsulating the essence of a corporate entity within the palm-sized dimensions of a collectible figure. It's a visual narrative that resonates with the observer, prompting thoughts on the role of such institutions in shaping the urban environment and the lives of its inhabitants. The Chase Bank Dunny is a reflection of Task One's artistic vision and a part of the growing movement that blurs the lines between street art and tangible collectibles. The meticulous attention to detail, from the ATMs to the miniature windows and doors, underscores the artist's commitment to quality and authenticity. As a result, the piece stands as a testament to the potential of vinyl art toys to serve as sophisticated mediums for cultural expression and critique. Task One's artistry in the "Chase Bank Original Dunny Town Art Toy" speaks to the heart of street pop art, where everyday scenes are transformed into thought-provoking artworks. Once a simple toy, the Dunny becomes a canvas for critical reflection. This characteristic has endeared Task One's work to collectors and enthusiasts of street pop art and graffiti artwork. Through his contributions, Task One has left an indelible mark on urban art's landscape, merging the streets' irreverent spirit with the collectibility and craftsmanship of art toys.

    $310.00

  • Back to The Future Part III Delorean Skateboard Deck by DKNG

    DKNG Back to The Future Part III Delorean Skateboard Deck by DKNG

    Back to The Future Part III Delorean Limited Edition Silkscreen Skateboard deck art by street pop culture artist DKNG. 2020 Celebrate the 35th Anniversary of Back to The Future with a PART II Delorean shaped Skateboard designed by DKNG manufactured by Madrid Skateboards. Edition of 200

    $237.00

  • Shelby Cobra Archival Print by Camilo Pardo

    Camilo Pardo Shelby Cobra Archival Print by Camilo Pardo

    Shelby Cobra Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

    $352.00

  • Change Into a Truck Silkscreen Print by Tim Doyle

    Tim Doyle Change Into a Truck Silkscreen Print by Tim Doyle

    Change Into a Truck Limited Edition 3-Color Hand-Pulled Ink Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Printing IX

    $229.00

  • Invader Green Blue Silkscreen Print by Mike Giant

    Mike Giant Invader Green Blue Silkscreen Print by Mike Giant

    Invader Silkscreen Print by Mike Giant Hand-Pulled 3-Color on Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Tattoo Examples & Iconography Like Skull Skeleton Egyptian Brain Woman Sports Car. Decoding the 'Invader Green Blue Silkscreen Print' by Mike Giant The 'Invader Green Blue Silkscreen Print' by Mike Giant is a bold statement in pop art, street art, and graffiti artwork. This hand-pulled 3-color silkscreen print on fine art paper is part of a limited edition series, with only 100 pieces in existence, each one signed and numbered by the artist himself. Created in 2023, the 18x24 artwork encapsulates myriad iconographic elements that Mike Giant is renowned for: tattoo examples, an Egyptian figure, a human brain, a female portrait, and a sports car, all executed with a striking green and blue color palette. Mike Giant's Artistic Lexicon in 'Invader' Mike Giant's artistic lexicon is a confluence of various influences, from tattoo art's graphic sharpness to Egyptian iconography's symbolic depth. The 'Invader' print serves as a canvas for these diverse elements to form a cohesive narrative. The juxtaposition of a modern sports car with the ancient Egyptian figure speaks to the timelessness of human fascination with progress and power. Meanwhile, including a detailed human brain and the haunting image of a skull evoke a contemplation of human consciousness and mortality. The female portrait, rendered in a classic pop art style, along with the stylized text and motifs, is reminiscent of vintage advertisements and propaganda art. These elements collectively critique consumerism, fame, and the commodification of human values and identity. It reflects street pop art's potential to communicate complex messages within visually arresting imagery. Craftsmanship in Silkscreen Printing The 'Invader Green Blue Silkscreen Print' craftsmanship reflects Mike Giant's dedication to traditional art-making techniques. Silkscreen printing, a method with roots in early 20th-century industrial and graphic arts, has been embraced by artists within pop art and street art for its ability to produce vibrant, crisp images that capture the dynamism of urban life. In this print, the hand-pulled technique ensures that each piece is unique, imbued with the artist's touch and the subtle variations from manual printing. Symbolism and Narrative in Modern Street Art Symbolism plays a crucial role in the narrative power of the 'Invader' print. Each iconographic element is carefully chosen to represent facets of modern society and the human experience. The skull and skeleton, often associated with danger or mortality, are juxtaposed with symbols of wealth and the pursuit of pleasure, such as money and fast cars. This interplay of symbols provokes a dialogue about the dichotomies present in contemporary life—between life and death, spirituality and materialism, history and progress. The 'Invader Green Blue Silkscreen Print' by Mike Giant, as a piece of street pop art and graffiti artwork, is a testament to the enduring influence of these art forms in contemporary culture. It encapsulates the essence of street art's ability to infiltrate public consciousness with universal and deeply personal messages. For collectors and admirers, the 'Invader' print is not just a visual spectacle; it is an emblem of the power of art to reflect and critique the world we navigate daily.

    $267.00

  • Endless Power Petrol Palace- Blue Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Blue Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $570.00

  • Jungle Boogie Archival Print by The Perez Bros

    The Perez Bros Jungle Boogie Archival Print by The Perez Bros

    Jungle Boogie Archival Print by The Perez Bros Limited Edition Print on Deckled Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 30x22 Archival Pigment Fine Art  Jungle Boogie by The Perez Bros: A Celebration of Street Pop Art and Car Culture Jungle Boogie is a striking archival print by The Perez Bros, a duo of artists known for their vibrant depictions of car culture and the lowrider scene within the context of Street Pop Art and graffiti artwork. Created as a signed and numbered limited edition of 50 in 2023, this print captures the essence of community gatherings, automotive artistry, and low-riding culture's unique lifestyle. Printed on deckled fine art paper and sized at 30x22 inches, the archival pigment print is a powerful visual piece and a collectible work of art that preserves the PereBros's' deep connecBros'to the communities they depict. The PereBros's’ Connection Bros'wrider Culture The Perez Bros, born and raised in Los Angeles, draw their inspiration from the lowrider culture that has been a significant part of SoutherCalifornia's idenCalifornia'sades. Their work goes beyond mere representation. It’s a tribute to its people, the cars, and the gatherings that embody this culture. With its vibrant, hyper-realistic portrayal of a car lifting on hydraulics amidst a crowd of onlookers, Jungle Boogie captures a moment of awe and excitement familiar to anyone who has attended a lowrider show. The lowrider in the piece is tilted high in the air, a feat of engineering and style that showcases the dedication and craftsmanship involved in lowriding. The onlookers, dressed casually, are fully engaged in the moment, symbolizing the close-knit community and shared passion for this lifestyle. Focusing on the people and the cars in Jungle Boogie, The Perez Bros highlights the social dynamics of lowrider gatherings, where friends, family, and car enthusiasts come together to celebrate their shared love of custom cars and street culture. The detailed depiction of clothing, expressions, and body language brings the scene to life, allowing viewers to feel as if they are part of the crowd, experiencing the thrill of the car show firsthand. This level of detail reflects the PereBros's respect for Bros ' subjects and their desire to represent a community often overlooked in mainstream art authentically. Street Pop Art and the Influence of Graffiti Artwork PereBros's style falls into the realm of street pop art, a genre that combines elements of popular culture with the expressive, often raw aesthetic of street and graffiti art. By portraying scenes from lowrider culture, they bring attention to a subculture with deep roots in street life and urban expression. The Street Pop Art movement often seeks to elevate everyday subjects and scenes, transforming them into high art while maintaining cultural authenticity. In Jungle Boogie, the Perez Bros apply this approach by taking an aspect of street culture and presenting it with the same detail and care as a traditional portrait, allowing it to be appreciated by a wider audience without losing its original context. Graffiti artwork has traditionally been associated with urban spaces and the streets. While theeBros's work may not be graffiti in the literal sense, it is deeply connected to street culture and its vibrant scenes. Their detailed approach to depicting lowrider gatherings reflects the spirit of graffiti, which has always been about bringing life, color, and voice to the streets. By creating archival prints that preserve these scenes, they bridge the gap between street art and fine art, making their work accessible to collectors who appreciate graffiti artwork's aesthetics and pop art's storytelling. The Collectibility and Quality of Limited Edition Prints Jungle Boogie, as a limited edition of only 50 prints, offers collectors a rare opportunity to own a piece of artwork that captures the spirit of Los Angeles car culture with precision and authenticity. Each print is signed and numbered by the Perez Bros, adding a personal touch that enhances its collectible value. Printed on deckled fine art paper, the piece’s texture and apiece' sival quality contribute to its longevity, ensuring that the vibrant colors and intricate details remain as vivid as the day they were printed. The deckled edges also give the print an artisanal quality, making it suitable for display in a wide range of settings, from modern art galleries to personal collections. The 30x22-inch size of Jungle Boogie makes it a prominent piece that commands attention, bringing the energy of a live car show into the viewer’s space. Tviewer'st exemplifies PereBros's' ability to Bros're and convey the dynamic nature of lowrider culture through a single image, creating a visual narrative that speaks to both fans of car culture and enthusiasts of modern art. By blending pop culture themes with fine art techniques, the Perez Bros contribute to the growing appeal of Street Pop Art and graffiti-inspired artwork in the contemporary art world. Jungle Boogie by The Perez Bros is more than just a print; it is a celebration of a unique cultural tradition and a testament to the power of Street Pop Art to elevate everyday scenes into iconic moments. This limited edition print continues to resonate with audiences, offering a vibrant, authentic glimpse into the world of lowriders and the people who bring it to life.

    $595.00

  • Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Ian Ferguson- Hydeon Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson.  Humboldt Park Silkscreen Print by Ian Ferguson – Hydeon The Humboldt Park silkscreen print by Ian Ferguson, also known as Hydeon, is a masterful piece in the Neighborhood Art Series, showcasing the intricate and layered storytelling for which the artist is known. This one-color hand-pulled silkscreen print is a signed and numbered limited edition from 2013, measuring 16x20 inches on fine art paper. It represents a unique vision of Humboldt Park, one of Chicago’s most historically and culturally significant neighborhoods. Ferguson’s work blends architectural precision with surreal urban landscapes, capturing the vibrancy, energy, and layered history of the community through a composition filled with intricate details and symbolic elements. The Architectural and Cultural Essence of Humboldt Park Ferguson’s illustration style is deeply rooted in architectural line work, and this piece is no exception. Humboldt Park’s ornate buildings, historic facades, and bustling street scenes are carefully drawn with a high level of detail, reflecting the neighborhood’s diverse influences. The artwork brings together an array of visual motifs, including classic Chicago brick buildings, vintage automobiles, bicycles, and elements of the urban landscape that define the area’s character. The use of black and white enhances the structural complexity of the illustration, allowing each line to tell a story. Beyond its architectural depth, Humboldt Park is widely recognized for its cultural history, particularly its strong connection to Puerto Rican heritage and Latin American influences. Ferguson pays homage to this identity by incorporating imagery such as a mariachi musician, elements of Puerto Rican symbolism, and nods to the community’s long-standing contributions to Chicago’s street pop art & graffiti artwork. The piece blends these cultural elements with its urban setting, creating an evocative snapshot of a neighborhood filled with life and resilience. Surrealism and Symbolism in the Artwork A defining characteristic of Ferguson’s work is the interplay of realism and surrealism. In this print, seemingly familiar structures are reimagined in dreamlike ways—architecture floats among the clouds, structures merge into one another, and perspectives shift fluidly across the composition. The Humboldt Park lagoon is a focal point, drawn with reflections that add depth and a sense of movement. Meanwhile, griffin-like mythical creatures appear in the sky, reinforcing a sense of mystery and wonder, which is a signature of Ferguson’s work. The print also includes elements that hint at the neighborhood’s present and past—its food truck scene, vintage signage, public parks, and bustling street life. These details provide layers of meaning, allowing the viewer to explore different aspects of Humboldt Park’s identity. Ferguson’s ability to infuse narrative into his illustrations elevates this piece beyond mere documentation; it becomes an experience, a visual representation of a living, breathing urban environment. Hydeon’s Influence on Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series has established him as a leading figure in street pop art & graffiti artwork, offering an alternative to traditional muralism by using hand-pulled silkscreen techniques to create highly detailed urban narratives. Unlike large-scale street art that often relies on bright colors and broad strokes, Ferguson’s method focuses on intricate line work and layered storytelling. This approach aligns with the historical documentation of urban spaces, much like how early cartographers mapped cityscapes, but with a modern artistic twist. Through this series, Ferguson captures the soul of Chicago’s neighborhoods, transforming them into surreal, poetic compositions that resonate with residents and art collectors alike. The Humboldt Park silkscreen print is a tribute to the area’s resilience, history, and artistic energy, preserving its cultural identity through a limited edition, hand-pulled artwork that continues to inspire admiration within the street pop art & graffiti artwork community.

    $146.00

  • Florence Aubenas AP Silkscreen by Shepard Fairey- OBEY x Blek le Rat

    Shepard Fairey- OBEY Florence Aubenas AP Silkscreen by Shepard Fairey- OBEY x Blek le Rat

    Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

    $3,500.00

  • The North Road Original Gouache Wood Painting by Chris Austin

    Chris Austin The North Road Original Gouache Wood Painting by Chris Austin

    The North Road Original Gouache Painting by Chris Austin One of a Kind Artwork on Wood by Street Art Pop Artist. 2023 Signed Gouache Painting Original Artwork Size 10x10 Chris Austin's extraordinary "The North Road" original gouache wood painting, is an exemplar of how contemporary art can challenge and redefine our conventional understanding of space and form. This piece of art, which seamlessly fuses elements of pop, street and graffiti art, is instantly captivating and thought-provoking. It uniquely presents a surreal scenario where a shark is depicted flying through taxi cabs amid city traffic. Austin's bold and idiosyncratic style confronts the viewers with the reality of urban chaos and the power of imagination. The artist's use of gouache, a type of watercolor paint that can produce intensely vibrant colors, allows for a rich depiction of the otherwise everyday urban landscape and the completely out-of-place ocean predator. The brightness of the taxis and the shark, contrasted with the muted, almost monochromatic background of the cityscape, gives the composition an intense visual impact, typical of pop and street art. In the realms of street and graffiti art, such pieces not only provide aesthetic pleasure but are also often imbued with social and political commentary. Austin's painting could be seen as a critique of urban congestion and pollution, using the incongruous image of the shark to draw attention to the unnaturalness of city life. Alternatively, the flying shark might symbolize the survival instincts and adaptability needed to thrive in a bustling city. "The North Road" stands as a testament to the limitless creativity and capacity for social commentary inherent in the genres of pop, street, and graffiti art. It continues to captivate audiences with its vibrant colors, surreal subject matter, and the compelling dialogue it prompts about our relationship with urban spaces.

    $2,556.00

  • Wall Drug Archival Print by Scott Listfield

    Scott Listfield Wall Drug Archival Print by Scott Listfield

    Wall Drug Limited Edition Fine Archival Pigment Print on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Wall Drug • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Scott Listfield in a limited edition of 50 House of Roulx blind embossed stamping • Authentic Edition rubber stamp on verso • Letter of Authenticity

    $495.00

  • Pleasure Paradise Giclee Print by Dxtr

    Dxtr Pleasure Paradise Giclee Print by Dxtr

    Pleasure Paradise 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by DXTR counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

    $146.00

  • Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $570.00

  • Put It In The Ditch, Brah! Silkscreen Print by Dave Persue

    Dave Persue Put It In The Ditch, Brah! Silkscreen Print by Dave Persue

    Put It In The Ditch, Brah! Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lb Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 85 Artwork Size 16x20 "Before we left California for the East Coast Rime told me to put some ideas together for our stop in Detroit and at the 1xRun headquarters. He wanted to introduce me to the guys and help push getting me to release a print. Because things were hectic before leaving I wasn’t able to get anything together. By the time I got to Chicago I still didn’t have anything. Rime, Mason and I had been through a few cities by then and were pretty tired. The night before our stop in Chicago we were in Nebraska. Nebraska was fucking nasty as all hell. It is where we hit a patch of black ice and did 4 huge 360 spins down the highway with semi trucks barreling down the highway behind us. All I could get out of my mouth was “Put it in the ditch man”! That became the quote for the rest of the trip." - Persue

    $352.00

  • Meet Me On Cloud Nine Silkscreen Print by Rhymezlikedimez- Robin Velghe

    Rhymezlikedimez- Robin Velghe Meet Me On Cloud Nine Silkscreen Print by Rhymezlikedimez- Robin Velghe

    Meet Me On Cloud Nine 15-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Arches Velin Blanc Paper by Rhymezlikedimez- Robin Velghe Rare Street Art Famous Pop Artwork Artist. 2022 Limited Signed & Numbered Edition of 100. 15 layered silkscreen print, edition of 100 only.Hand-pulled on 300 gr Arches Velin Blanc 100% cotton. The unique dimensions of 39.25" / 99.7 cm wide by 12.2"/31 cm tall make for a horizontal format that embraces the art of storytelling. This print has been approved, signed, and numbered by the artist. Screenprinted by hand in Antwerp, Belgium- Year of release: 2022 "I originally created this design for my first pop-up exhibition in Miami. I wanted to show how a dream of mine usually looks. It's this Dali-like collage of impressions encounter throughout the day. In my dream world, the sun is never not setting. " - Robin Velghe "Meet Me On Cloud Nine" is a silkscreen print by the talented artist Robin Velghe, also known as Rhymezlikedimez. Robin Velghe is a Belgian illustrator, animator, and graphic designer. A unique blend of vibrant colors, dynamic motion, and intricate details characterizes his work. He often creates illustrations featuring characters with exaggerated proportions and a sense of fluidity, which gives his work a distinct visual appeal. Rhymezlikedimez has collaborated with various brands, musicians, and events, producing illustrations, animations, and merchandise designs. Some notable collaborations include working with musicians like Anderson .Paak, BROCKHAMPTON, and Aminé. His work has garnered a significant following on social media platforms, where he shares his illustrations and animation projects. As for the "Meet Me On Cloud Nine" silkscreen print, it features some of the signature characteristics found in Robin's other work, such as vivid colors, whimsical elements, and engaging characters. Silkscreen prints are created using a stencil-based printing process, which allows the artist to produce bold and vivid images with a unique aesthetic.

    $820.00

  • 7-Eleven Store Original Dunny Town Art Toy by Task One

    Task One 7-Eleven Store Original Dunny Town Art Toy by Task One

    7-Eleven Store Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2012 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town 7-Eleven Store Original Dunny Art Toy by Task One Task One's 7-Eleven Store Original Dunny Town Art Toy The "7-Eleven Store Original Dunny Town Art Toy" by Task One is a unique intersection of consumer culture and street pop art, encapsulated in a vinyl art toy collectible. This original art by Task One, released in 2012, is a testament to the artist's skill in blending every day with the extraordinary, thus transforming a familiar urban icon into a piece of collectible pop artwork. The work is a part of the Dunny Town series, which is highly regarded in the vinyl art toy community for its innovative representation of miniature urban landscapes. This piece features the recognizable storefront of a 7-Eleven, a convenience store that dots urban landscapes worldwide, reimagined in the stylized form of a Kidrobot Dunny. It's a work that comments on the ubiquity of consumerism and the way brands imprint themselves on the collective consciousness of society. Task One's craftsmanship is evident in the meticulous details of the piece—from the signboard with the 7-Eleven logo to the tiny rendition of the store's entrance and the miniature trash can beside it. Using plaster to create this custom Dunny artwork adds a textural quality that echoes the tactile nature of street art. Reflection of Street Pop Art & Graffiti Artwork in Task One's Dunny The 7-Eleven Dunny by Task One is not just a collectible; it reflects street pop art and graffiti artwork. By selecting a Dunny—a figure that is essentially a blank slate—Task One engages in a dialogue with the pop art tradition of utilizing mass culture and transforming it into high art. With its hand-painted, plaster-modified surface, this piece bridges the gap between the often transient nature of street art and the permanence sought by fine art collectors. The art toy becomes a canvas for social commentary, echoing the voice of graffiti art that often critiques or highlights elements of urban life. Task One's art toy challenges the viewer to reconsider the role and value of commercial objects in art. It's a bold statement on the infiltration of branding in our daily lives, presented through the lens of a street artist. Placing a 7-Eleven on a Dunny characteristically embodies street pop art's playful yet critical spirit, where the mundane is repurposed to serve as a medium for creative expression. In the broader context, the "7-Eleven Store Original Dunny Town Art Toy" exemplifies how artists like Task One redefine the boundaries of art and collectibility. Through the fusion of street art sensibilities with the collectible toy culture, Task One has contributed to the burgeoning art toy movement, which continues to gain momentum and respect within the art community. This piece serves as a poignant piece of Task One's legacy, capturing the essence of his artistic vision and the cultural zeitgeist of the time.

    $310.00

  • P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    Joshua Vides P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    P Zero Peel Out Medium Tire Rug Object Art by Scuderia Ferrari x Joshua Vides Limited Edition Designer Collectible Pop Artist Carpet Artwork. 2023 Limited Edition Rare P Zero Peel Out Medium Tire Rug Object Art Size 4ftx4ft Black Joshua Vides Stylized P Zero Scuderia Ferrari Tire with White Trim Cotton Backed Carpet. Scuderia Ferrari Design and Artistic Vision The fusion of utility and artistry takes a bold leap forward with the P Zero Peel Out Medium Tire Rug, a collaborative creation by Ferrari and pop artist Joshua Vides. This limited edition piece of the 2023 collection is a prime example of how functional items are reimagined within Street Pop Art and Graffiti Artwork, encapsulating a contemporary aesthetic that bridges everyday objects with highbrow artistic expression. At first glance, the P Zero Peel Out Medium Tire Rug captivates with its striking black and white design, a nod to the iconic Ferrari P Zero tires known for their association with performance and luxury. Joshua Vides' stylization brings an artful twist to the familiar, transforming a symbol of speed and precision into a statement piece. The rug spans 4 feet by 4 feet, offering a substantial canvas that showcases the collaboration's attention to detail and design prowess. The black base of the rug sets a dramatic stage for the white accents that delineate the tire's features. Vides' approach is reminiscent of his signature style, where he often outlines objects in bold lines to create a cartoon-like reality, playing with perceptions and inviting viewers to re-evaluate the mundane. The cotton-backed carpet material further grounds the piece in the realm of the tactile and practical while the artwork elevates it to the collectible. Cultural Resonance In the landscape of pop and street art, collaborations between artists and commercial entities are not uncommon. Still, this piece stands out for its seamless integration of corporate branding with artistic reinterpretation. The tire, an object typically associated with machinery and industry, is transformed through the lens of street pop art, an act that carries a multitude of cultural and social implications. The tire transcends its original purpose in this piece, becoming a canvas reflecting the intersections between high-speed motorsports, luxury branding, and urban art culture. It is a physical manifestation of the dialogue between these worlds, which is increasingly present in today's visual culture. Impact on Art and Design The significance of the P Zero Peel Out Medium Tire Rug extends beyond its aesthetic appeal; it is an emblem of how contemporary artists like Vides can influence and redefine our understanding of product design. The intersection of art and consumer goods has been a hallmark of pop art since its inception, and this piece is a modern continuation of that tradition. Furthermore, the limited edition nature of the rug ensures its status as a collectible item, coveted not only for its artistic value but also for its rarity. In the dynamic world of street pop art, limited edition pieces such as this serve as cultural artifacts that capture a moment in time, a snapshot of current trends, and the evolving tastes of society. The P Zero Peel Out Medium Tire Rug is a testament to the synergistic potential of collaborations between artists and brands. It is a celebration of street pop art's ability to infiltrate and elevate the objects of our daily lives, turning them into art that challenges our perceptions and enriches our environments. This piece is not just a rug but a narrative woven from the threads of innovation, art, and industry, which unfolds with each viewing.

    $524.00

  • Unconscious Monster Skateboard Art Deck by Fuel TV x Rick Maderis

    Rick Maderis Unconscious Monster Skateboard Art Deck by Fuel TV x Rick Maderis

    Unconscious Monster Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist by Fuel TV x Rick Maderis. Limited Serial Number Unconscious Monster Skateboard Art Deck by Fuel TV x Rick Maderis

    $261.00

  • 67 Mustang Archival Print by Camilo Pardo

    Camilo Pardo 67 Mustang Archival Print by Camilo Pardo

    67 Mustang Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

    $352.00

  • Catbus Glow Silkscreen Print by Tim Doyle

    Tim Doyle Catbus Glow Silkscreen Print by Tim Doyle

    UnReal Estate- Catbus- Glow Followed Limited Edition Glow In The Dark 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Cat, Bus, Car, Animal, House, Balloon, Sky, Stars, Night, Childen, Glow in the Dark, Tree,My Neighbor Totoro, Anime, Asian, Japan, Totoro, UnReal Estate, TV, Building

    $229.00

  • Alien Crossing Giclee Print by Scott Listfield

    Scott Listfield Alien Crossing Giclee Print by Scott Listfield

    Alien Crossing Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

    $360.00

Cars Trucks Vans & Automobiles Graffiti Street Pop Art

The Intersection of Automobile Imagery in Street Pop Art and Graffiti Artwork

Street pop art and graffiti artwork have long been mediums for expressing cultural, political, and social ideas. Among the myriad subjects that find expression in these art forms, the depiction of automobiles - cars, trucks, vans - holds a special place. Beyond their practical utility, these vehicles embody the era's spirit, technological progress, and, sometimes, a sense of rebellion and freedom.

Cars and Trucks in Street Pop Art: Symbols of Modernity and Rebellion

The incorporation of cars and trucks in street pop art showcases vehicles and reflects societal attitudes and cultural phenomena. This art form often utilizes bold colors and striking, often satirical, imagery to challenge norms and critique society. In this context, cars can symbolize modernity, speed, and the relentless march of technology. For instance, the works of Keith Haring, an American artist known for his graffiti-inspired artwork, often included cars and other vehicles as symbols of movement and energy. Haring, who passed away in 1990, was adept at using such imagery to comment on societal issues. In contrast, trucks, often depicted in more rugged and robust forms, can represent the working class, resilience, and sometimes, a rugged individualism. These vehicles in Street Pop Art can be seen as metaphors for the journey, not just physically but also as a journey through life, challenges, and the societal landscape.

Vans in Graffiti Artwork: Canvases on Wheels

Graffiti artwork, with its roots in expressing underground and countercultural sentiments, finds a unique canvas in vans. These vehicles, often associated with subcultures, become moving artworks that carry messages across cities. Graffiti artists like Banksy, whose real name remains unconfirmed, have often utilized vehicles as part of their guerilla artwork tactics. These vans become symbols of rebellion, transporting not just goods but ideas and social commentary. The art on vans ranges from simple tags and messages to elaborate murals. They encapsulate a sense of freedom and nonconformity, resonating with the ethos of graffiti art. This transient and often illegal art form uses the van to symbolize defiance against traditional art forms and societal norms.

Automobiles in Art: Reflecting Cultural and Historical Contexts

The depiction of automobiles in Street Pop Art and Graffiti Artwork goes beyond mere representation. These vehicles, embedded in the art, reflect the cultural and historical contexts of the times. In periods of economic boom, cars in art might be depicted as symbols of affluence and progress. Conversely, these identical vehicles can be portrayed as emblems of decay and societal neglect during societal unrest or economic downturns. Artists like Jean-Michel Basquiat, an American artist of Haitian and Puerto Rican descent who died in 1988, often included cars in his neo-expressionist works. These vehicles served as symbols to comment on race, class, and social dichotomies. His use of cars and other vehicles was about their form and the underlying narratives they carried. The portrayal of cars, trucks, and vans in Street Pop Art and Graffiti Artwork is multifaceted. These vehicles are more than just modes of transportation; they are symbols laden with cultural, social, and political significance. Through the lenses of different artists and across various periods, these automobiles take on varied meanings and become powerful tools in the artistic expression of Street Pop Art and Graffiti Artwork.

Cultural Resonance of Classic Automobiles in Art

In the hands of street artists, classic cars are elevated from mere relics of the past to influential icons that evoke the golden age of automotive design. They serve as a canvas within a canvas, a motif that artists use to explore themes of Americana, consumerism, and the passage of time. This reverence for classic cars within street pop art and graffiti reflects a broader cultural appreciation, where these vehicles are often lovingly restored and showcased at events, drawing crowds and fostering communities. Similarly, they bridge generations in art, appealing to older enthusiasts who remember these vehicles in their heyday, and younger admirers are attracted to their retro charm.

Sports Cars Aesthetics and Symbolism

Sports cars have been a popular subject in both graffiti and pop art. Graffiti art often portrays sports cars in a dynamic and expressive style, while pop art takes a more stylized and colorful approach. Both art styles celebrate the beauty and speed of sports cars while commenting on society's fascination with material possessions and consumer culture. In graffiti art, sports cars are often depicted in motion, with dynamic lines and bold colors conveying a sense of speed and excitement. Graffiti artists may also incorporate elements of street culture, such as spray-painted tags or graffiti lettering, to create a sense of urban rebellion and subversion. In pop art, sports cars are typically portrayed as more stylized and colorful, with bright, eye-catching colors and exaggerated proportions. Pop artists like Andy Warhol and Roy Lichtenstein often used sports cars to symbolize consumer culture and the American Dream, commenting on how material possessions have become a marker of success and status. Both graffiti art and pop art offer unique and vibrant perspectives on the world of sports cars, highlighting the beauty, excitement, and cultural significance of these iconic vehicles. The visual appeal of classic cars lends itself well to street pop art's bold and impactful style. Artists often play with the cars' iconic designs, infusing them with exaggerated features or placing them in surreal contexts. This juxtaposition of the classic with the contemporary speaks to the enduring relevance of these automobiles. Moreover, the symbolism attached to classic cars—a sense of bygone elegance, the American dream, the freedom of mobility—resonates in urban environments where space is at a premium and such cars are rarely seen. By bringing these symbols into the public eye, artists contrast the modern cityscape, inviting contemplation on progress and change.

Classic Cars as Storytellers

Beyond their visual impact, classic cars in street pop art often tell a story. They can serve as a narrative device, setting the scene for a bygone era or hinting at a backstory for imagined characters. In some pieces, the cars are characters with personalities, rendered with anthropomorphic qualities that invite viewers to ascribe emotions and experiences to them. This personification of inanimate objects is a common technique in pop art, adding layers of meaning and engagement to the work. Through these depictions, classic cars become more than just transportation; they are protagonists in a visual tale unfolding on the city's walls. When integrated into street pop art and graffiti, classic cars often adopt the urban landscape's textures and colors. This blending anchors the cars within their new context, merging past and present. Artists might incorporate cityscape elements, such as architecture or street signs, into the background, framing the cars within a modern urban setting while preserving their historical aura. This integration showcases the artist's skill in combining disparate elements to create a cohesive and evocative piece. Ultimately, the incorporation of classic cars into street pop art is a reflection of society's relationship with its past and present. These artworks often evoke nostalgia, a yearning for a time when life seemed more straightforward and elegant. At the same time, by bringing these symbols of the past into a contemporary setting, artists remind viewers of the relentless march of time and the continuous evolution of culture. Classic cars in street pop art and graffiti are a testament to the human desire to remember and revere the past while continually moving forward. The inclusion of classic cars in street pop art and graffiti artworks is a multifaceted exploration of style, culture, and societal change. Through the lens of these revered automobiles, artists can express complex ideas and emotions, creating a dialogue with the viewer that transcends the visual experience. Whether as objects of beauty, symbols of a bygone era, or central characters in a narrative, classic cars will continue to inspire and captivate artists and audiences within the urban tapestry.

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