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141 artworks

  • Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    RD-357 Real Deal Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5 RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

    $2,495.00

  • Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Shepard Fairey- OBEY Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

    $2,375.00

  • Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    I am going to NY Silkscreen Print by Mr. Brainwash- Thierry Guetta Hand-Pulled 16-Color on Deckled Fine Art Paper Framed Limited Edition Artwork. 2014 Signed & Numbered Custom Framed Limited Edition of 100 Artwork Size 46x25 Silkscreen Print of NYC Yellow Cab with Blurred Urban New York City Background. Custom Antique Brown Bronze Colored Frame Measuring 51x30. Thierry Guetta's Homage to the Energy of New York City Thierry Guetta, known as Mr. Brainwash, has been a defining figure in the melding of street art with pop art sensibilities, creating works that capture the essence of contemporary urban life. His limited edition silkscreen print "Going to NY" from 2014 is a vivid example of this synthesis. It captures the iconic image of a New York City yellow cab, a symbol deeply ingrained in the city's cultural identity. It is decorated with the visually arresting techniques of Street Pop Art and Graffiti Artwork. Guetta's technique in "Going to NY" showcases his adeptness with the silkscreen process, utilizing a remarkable 16-color palette on fine art paper. The image of the cab is framed by the blurred lines of the city's frenetic movement, conveying a sense of speed and vitality that is the lifeblood of urban New York. The cab is not just a vehicle but a canvas, covered with vibrant graffiti that tells many untold stories about the city that never sleeps. Limited Edition's Collectability and Symbolism  In this piece, Guetta depicts a ubiquitous element of New York's transportation and encapsulates the city's spirit. The graffiti adoring the cab speaks to the art form's integral role in New York's cultural tapestry. This artwork is more than a static image; it is a snapshot of movement, a representation of the city's constant flux and its unending capacity for reinvention and expression. "Going to NY" is a piece that stands out in its rarity and craftsmanship. This work is a collector's item, part of a limited edition of 100, each signed and numbered by Guetta himself. The custom antique brown bronze-colored frame, measuring 51x30 inches, contrasts the artwork's street art aesthetic, signifying its transition from the streets to the collector's private gallery. The Legacy of Mr. Brainwash's Urban Visions Guetta's work, particularly "Going to NY," has contributed significantly to the growing recognition and appreciation of Street Pop Art and Graffiti Artwork within the fine art world. By introducing the visual language of the streets into the galleries, Guetta challenges traditional notions of what constitutes fine art. His work is a dialogue between the highbrow and the every day, celebrating the potential for beauty and meaning in the most unexpected places. "Going to NY" by Mr. Brainwash is more than a piece of art; it is a statement about urban life's vibrancy and its inherent artistry. As Street Pop Art continues to evolve, works like this serve as milestones along the path of artistic innovation. They remind us that art is not confined to the hallowed halls of museums but is all around us, in the streets we walk and the vehicles that pass us by. Guetta's "Going to NY" is a celebration of this dynamic, a testament to the beauty of the city's chaos, and a treasured piece for any art lover drawn to the pulse of the metropolis.

    $8,313.00

  • Paint Mug With Brushes Original Ceramic Sculpture by Joshua Vides

    Joshua Vides Paint Mug With Brushes Original Ceramic Sculpture by Joshua Vides

    Paint Mug With Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size 4x7 Matte Black & White Mug With Magic Marker Pencil & Pen Statue. Paint Mug With Brushes by Joshua Vides: Sculptural Illusion in Street Pop Art & Graffiti Artwork Paint Mug With Brushes is a 2023 original hand-painted ceramic sculpture by graffiti artist and visual innovator Joshua Vides. Created as part of his Shattered Dreams series, this one-of-a-kind artwork measures 4 x 7 inches and is composed of ceramic and acrylic paint. The piece depicts a white coffee mug rendered in Vides’ signature graphic black-and-white cartoon style, filled with hyper-stylized tools of creation: a yellow pencil, a magic marker, and a black pen. The sculpture captures a studio scene in physical form, using handcrafted materials to simulate objects that are typically disposable, immediate, and overlooked. What makes this piece stand out is not only its visual precision but its conceptual subversion—turning something utilitarian into a sculptural emblem of artistic practice and cultural parody within the context of Street Pop Art & Graffiti Artwork. The mug is marked by a bold comic-style halftone pattern and a speech bubble reading MATTE BLACK, stylized in block lettering that references print-era pop art and advertising aesthetics. The black drips along the rim of the mug are meticulously painted to resemble real ink overflow, but they are frozen in glaze. Each tool within the mug is permanently affixed, not removable, turning everyday drawing instruments into elements of a crafted illusion. The surfaces are covered with splatters and wear marks, evoking the raw energy of a working studio while being entirely sculpted and sealed in ceramic. Vides plays with texture, contrast, and cultural association, creating a sculpture that is both playful and disruptive. Material Transformation and Static Gesture Joshua Vides is best known for transforming real-world objects and environments into bold black-and-white renderings that mimic sketches or early animation cels. Paint Mug With Brushes continues this practice, but in a compact and highly intimate scale. The mug and its contents simulate the artifacts of creative labor, yet they are recontextualized as permanent objects. This transformation from ephemeral to collectible underscores the tension between process and presentation, central themes in Vides’ sculptural work. The halftone pattern and comic elements nod to pop art traditions while being reinterpreted through a graffiti-informed lens. The tools inside the mug are exaggerated in size and form, creating a slight distortion that brings humor and stylization to the piece. While each item appears familiar, the collective presentation turns them into a visual statement about repetition, effort, and value in the creative process. Joshua Vides and the Language of Urban Object Culture Vides has become a leading figure in the dialogue between fine art, fashion, and graffiti culture, known for his crisp aesthetic and thematic consistency. His Shattered Dreams series extends his exploration of artistic labor and commercial identity, embedding critique within deceptively simple forms. Paint Mug With Brushes brings this inquiry to a domestic and personal scale. The ceramic surface, usually associated with functional craft, is retooled here as a sculptural medium for visual metaphor. This sculpture is not about function—it is about meaning, about what it means to create and the tools we use to do it. The speech bubble containing the phrase MATTE BLACK also functions as a cultural code—referring to both the literal aesthetic of the sculpture and the contemporary obsession with branding and limited-edition polish. In Vides’ hands, the cup is not just a vessel but a commentary on taste, trend, and artistic voice. It reflects a blend of comic book irony, street practice, and pop conceptualism that defines Street Pop Art & Graffiti Artwork at its sharpest. Paint Mug With Brushes as Icon of Process and Personal Symbol This sculpture is more than an object—it is a symbol of the artist's internal and external world, where tools become trophies and marks of use become style elements. Paint Mug With Brushes is a visual celebration of imperfection, process, and persistence. It captures a quiet, familiar scene—the artist’s cup of pens—and renders it permanent, elevated, and infused with satire. Joshua Vides transforms the mundane into iconography, pulling from the same instinct that fuels street art: mark your tools, leave a trace, tell a story in bold lines. Within the broader world of Street Pop Art & Graffiti Artwork, Paint Mug With Brushes operates as a miniature altar to creativity itself. It is clean yet messy, playful yet loaded, sculpted yet sketched. In freezing the moment when art begins—the reach for the pen, the dip of the brush—Vides delivers a static performance of creative energy. It is both studio relic and cultural artifact, and its message is simple but powerful: even the smallest tools can carry the loudest voice.

    $1,693.00

  • Escape From New York Giclee Print by Scott Listfield

    Scott Listfield Escape From New York Giclee Print by Scott Listfield

    Escape From New York Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield. Escape From NY. Edition Size: 50 Materials: Paper Dimensions: 9.0" x 16.0"

    $360.00

  • This Is Bad Lands Red/Blue HPM Silkscreen Print by Faile

    Faile This Is Bad Lands Red/Blue HPM Silkscreen Print by Faile

    This Is Bad Lands- Red/Blue 3-Color Hand-Pulled Limited Edition Embellished HPM Silkscreen Print on Deckled Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 250 HPM Hand Painted Multiple Artwork Size 12.5x19 Faile's "Bad Lands" art print – a limited edition masterpiece with a mere 250 copies available worldwide. As the newest addition to the 150 Series, this release features approximately seven unique variations within the edition, including multiple color schemes, hand-painted, stained, and printed versions. Crafted on durable, thick archival paper, the eye-catching Red/Blue variation is a highly sought-after piece that boasts an extraordinary texture. The print measures 12.5" x 19" and showcases two deckled edges and two straight edges. The front and back of the print are meticulously detailed, with the reverse side adorned with printing, stamping, and more. Each copy is signed, numbered, dated, stamped, and embossed by the artist, making it a truly exclusive and valuable collectible. Don't miss the chance to own this incredible art print – experience its stunning visual impact in person! The "This Is Bad Lands Red/Blue HPM Silkscreen Print" is a piece of art created by Faile, an artist collaboration between Patrick McNeil and Patrick Miller. Faile is known for their distinctive style, which combines elements of street art, graphic design, pop culture, and fine art. In this piece, the title "This Is Bad Lands Red/Blue HPM Silkscreen Print" is a hand-painted multiple (HPM) silkscreen print featuring red and blue colors and a cowboy driving a classic sports car. "Bad Lands" refers to a desolate or unwelcoming environment, indicating that the piece may convey a sense of danger or conflict. Faile's work often contains layers of imagery and intricate details, and their silkscreen prints typically involve multiple layers of color and texture. They often incorporate found materials, stencils, and wheat paste, creating a distinctive aesthetic that blends street art and contemporary fine art.

    $1,639.00

  • Rabbit A Frame Original Acrylic Sign Spray Painting by Blake Jones

    Blake Jones Rabbit A Frame Original Acrylic Sign Spray Painting by Blake Jones

    Rabbit A Frame Original Acrylic Spray Paint Road Construction Street Sign Painting by Blake Jones One of a Kind Artwork Street Art Pop Artist. 2020 Signed Acrylic & Spray Paint on Reclaimed Road Construction A Frame Alert Street Caution Sign Painting Original Artwork Size 23.75x45.25 Rabbit A Frame by Blake Jones – Urban Whimsy on Reclaimed Canvas in Street Pop Art & Graffiti Artwork Rabbit A Frame is a 2020 original acrylic and spray paint artwork by American street pop artist Blake Jones, executed on a reclaimed road construction A-frame alert sign. Measuring 23.75 x 45.25 inches, this one-of-a-kind piece transforms functional street infrastructure into a playful and energetic canvas. Painted directly onto the iconic orange-and-white reflective barricade pattern, Jones’s unmistakable rabbit character peeks curiously from the lower corner of the signage, infusing humor and innocence into a symbol of civic caution. This unexpected collision of form and character is central to the practice of Street Pop Art & Graffiti Artwork, where urban detritus becomes a site for creativity, subversion, and visual storytelling. Recontextualizing Utility Through Character The inclusion of the rabbit—a recurring figure in Blake Jones’s universe of cartoon expressions—anchors the work in his broader practice of using character design to evoke joy, curiosity, and absurdity. The wide eyes and rounded lines of the rabbit stand in stark contrast to the rigid geometry and utilitarian purpose of the A-frame construction sign. The artist has left visible stenciled type reading LYONS PINNER on the lower bar, enhancing the piece’s authenticity as a reclaimed object from real city infrastructure. This juxtaposition of municipal function and personal expression creates a layered narrative, where the rigid visual language of public signage is softened by animated wonder. Jones’s approach doesn’t erase the object’s past—it amplifies it through aesthetic intervention. Medium, Surface, and Street Aesthetics Blake Jones employs a combination of acrylic brushwork and aerosol application to achieve vibrant contrast and edge clarity on the reflective metal surface. The texture of the sign, complete with scratches, dents, and weathered paint, provides a gritty, tactile base that elevates the artwork’s physical presence. Each imperfection in the surface becomes part of the final composition, tying the piece back to the street. The use of road sign material reinforces the core ethos of Street Pop Art & Graffiti Artwork—art made in, of, and for public space. The rabbit, rendered in bold turquoise with expressive black detailing, punctuates the sign with personality, reframing caution not as a warning, but as a playful greeting. Blake Jones and the Art of Reclaiming Urban Narratives Rabbit A Frame is more than just a clever object painting—it is a statement about how everyday materials can become carriers of joy, personality, and artistic transformation. Blake Jones continues to blur the line between street detritus and collectible art, using found materials as his platform for character-driven storytelling. His work reinserts humanity into spaces often ruled by standardization and silence. This piece invites viewers to see humor and imagination embedded in the fabric of their daily environment. As part of Street Pop Art & Graffiti Artwork, it stands as a vibrant reminder that art is not confined to canvas or gallery walls. It can live on the streets, on the signs we ignore, and in the characters that bring those spaces to life. Blake Jones reclaims these spaces with style, mischief, and undeniable charm.

    $2,375.00

  • New Yorker Elevated Trains Cabs Going HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill New Yorker Elevated Trains Cabs Going HPM Acrylic Silkscreen Print by Bobby Hill

    New Yorker- Elevated Trains- Cabs Going Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $159.00

  • Sale -10% Cali Love Giclee Print by Risk Rock x Fabrice Hanssens

    Risk Rock Cali Love Giclee Print by Risk Rock x Fabrice Hanssens

    Cali Love Giclee Print by Risk Rock x Fabrice Hanssens Artwork Limited Edition Print on Metallic Thick Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 25 Artwork Size 26x20 Cali Love Giclee Print: A Symphony of Street Pop Art and Photographic Mastery The 'Cali Love' Giclee Print emerges as a remarkable testament to the synergy between street pop art and photographic genius, a limited edition offering that encapsulates the essence of California's vibrant street culture. This piece is a collaboration between the acclaimed graffiti pop artist Risk Rock and the distinguished photographer Fabrice Henssens. Limited to 25 copies, each print is meticulously signed and numbered, underscoring its exclusivity and appeal to collectors and fans of street art. Crafted on the lustrous surface of Hahnemühle Photo Rag Metallic paper, the artwork is a dazzling fusion of Risk Rock's audacious color palettes and Henssens's photographic clarity. The print features an evocative image of the legendary rapper 2Pac, imbued with the spirit and attitude of California's hip-hop legacy. Sized at 26x20, the print's dimensions offer a substantial canvas for the artists to work their magic, bringing together elements of graffiti and pop art to create a piece that is both a visual feast and a cultural statement. Exploring the Layers of 'Cali Love' The artwork's depth is palpable, with layers of meaning embedded within its vibrant composition. Risk Rock's influence is evident in the bold splashes of color and the whimsical inclusion of butterflies, synonymous with his graffiti art style. These motifs serve not merely as embellishments but as symbols of transformation and freedom, themes that resonate deeply within the hip-hop community and among the broader audience of street art enthusiasts. Fabrice Henssens's contribution as a photographer brings a sense of realism to the tableau, grounding the whimsical elements in a tangible scene that viewers can connect with. His skillful manipulation of light and shadow on the metallic paper adds a three-dimensional quality to the print, making the image leap off the page and capture the beholder's gaze. This interplay between the tangible and the fantastical is a hallmark of street pop art and is executed precisely in 'Cali Love.' 'Cali Love': An Emblem of Street Pop Art and Graffiti Artwork As a limited edition print, 'Cali Love' is significant in street pop art and graffiti artwork. The decision to utilize Hahnemühle Fine Art Paper, known for its exceptional quality and durability, speaks to the artist's commitment to creating work that lasts, much like the enduring impact of street art on urban culture. The metallic sheen of the paper complements the luminosity of California's landscape, a clever nod to the artwork's title and thematic content. The collaboration between Risk Rock and Fabrice Henssens celebrates the cross-pollination between different artistic disciplines. Risk's roots in graffiti and Henssens's photographic prowess create a print that is more than the sum of its parts. It is a piece that captures the zeitgeist of street pop art, reflecting the dynamic and ever-evolving nature of the genre. Through 'Cali Love,' the artists pay homage to the spirit of California, with its rich history of street art and its status as a crucible of the hip-hop movement. In the landscape of modern art, 'Cali Love' stands out as a beacon of innovation and artistic fusion. The piece is not merely a static image but a dialogue between two artists and their mediums. This dialogue is layered, complex, and deeply rooted in the cultural fabric of street art. It is a print that commands attention invites introspection, and celebrates the multifaceted beauty of street pop art and graffiti artwork.

    $629.00 $566.00

  • Trap Former$ Bootleg Art Toy by Fatoh

    Fatoh Trap Former$ Bootleg Art Toy by Fatoh

    Trap Former$ Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Fatoh. 2021 Transformer Hip-hop clutter fashion robot Lamborghini, 7-8inch . Edition of 10, with poster!

    $229.00

  • Street Where? K30 Hand Embellished HPM Giclee Print by OG Slick

    OG Slick Street Where? K30 Hand Embellished HPM Giclee Print by OG Slick

    Street Where? K30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM.

    $2,375.00

  • Sale -10% Pep Boys Original Pen Drawing by Mark Powell

    Mark Powell Pep Boys Original Pen Drawing by Mark Powell

    Pep Boys Original Pop Street Art Pen Drawing on Fine Art Paper by Artist Mark Powell. 2022 12.2x24 Signed Ball Point Pen Drawing is protected by an archival UV protective matt varnish spray.

    $854.00 $769.00

  • Big Rock Giclee Print by Scott Listfield

    Scott Listfield Big Rock Giclee Print by Scott Listfield

    Big Rock Limited Edition Giclée Fine Art Prints on 290gsm Entrada Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Big Rock Giclée Print with Silkscreen Gloss by Scott Listfield 24" x 20" Giclée print with silkscreen Gloss on 290 GSM entrada paper Edition of /50 Signed

    $495.00

  • Sale -10% Its Like That PP Archival Print by Scott Listfield

    Scott Listfield Its Like That PP Archival Print by Scott Listfield

    Its Like That PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP #1 Printers Proof 2018 Signed & Marked PP Artwork Size 16x23 Scott Listfield is a contemporary American artist known for his iconic paintings of an astronaut exploring landscapes dominated by pop culture icons and references. Listfield's work is often associated with graffiti art prints and street art prints due to his use of urban and post-apocalyptic themes. His astronaut figure, who is often portrayed with a visor obscuring his face, has become an instantly recognizable symbol in the world of contemporary art.This archival-quality print features the iconic "Its Like That" artwork by Scott Listfield. It's printed on heavy paper with a semi-gloss finish that produces vibrant color. Get museum-grade quality with longevity that lasts up to 200 years. Be the envy of your friends with this Its Like That PP Archival Print by Scott Listfield. Professionally printed on high-grade archival paper for top-quality color and detail, this art print will surely be a showstopper. Bring a touch of sophistication to your wall decor today!

    $590.00 $531.00

  • Wall Drug Archival Print by Scott Listfield

    Scott Listfield Wall Drug Archival Print by Scott Listfield

    Wall Drug Limited Edition Fine Archival Pigment Print on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Wall Drug • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Scott Listfield in a limited edition of 50 House of Roulx blind embossed stamping • Authentic Edition rubber stamp on verso • Letter of Authenticity

    $495.00

  • Invader Green Blue Silkscreen Print by Mike Giant

    Mike Giant Invader Green Blue Silkscreen Print by Mike Giant

    Invader Silkscreen Print by Mike Giant Hand-Pulled 3-Color on Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Tattoo Examples & Iconography Like Skull Skeleton Egyptian Brain Woman Sports Car. Decoding the 'Invader Green Blue Silkscreen Print' by Mike Giant The 'Invader Green Blue Silkscreen Print' by Mike Giant is a bold statement in pop art, street art, and graffiti artwork. This hand-pulled 3-color silkscreen print on fine art paper is part of a limited edition series, with only 100 pieces in existence, each one signed and numbered by the artist himself. Created in 2023, the 18x24 artwork encapsulates myriad iconographic elements that Mike Giant is renowned for: tattoo examples, an Egyptian figure, a human brain, a female portrait, and a sports car, all executed with a striking green and blue color palette. Mike Giant's Artistic Lexicon in 'Invader' Mike Giant's artistic lexicon is a confluence of various influences, from tattoo art's graphic sharpness to Egyptian iconography's symbolic depth. The 'Invader' print serves as a canvas for these diverse elements to form a cohesive narrative. The juxtaposition of a modern sports car with the ancient Egyptian figure speaks to the timelessness of human fascination with progress and power. Meanwhile, including a detailed human brain and the haunting image of a skull evoke a contemplation of human consciousness and mortality. The female portrait, rendered in a classic pop art style, along with the stylized text and motifs, is reminiscent of vintage advertisements and propaganda art. These elements collectively critique consumerism, fame, and the commodification of human values and identity. It reflects street pop art's potential to communicate complex messages within visually arresting imagery. Craftsmanship in Silkscreen Printing The 'Invader Green Blue Silkscreen Print' craftsmanship reflects Mike Giant's dedication to traditional art-making techniques. Silkscreen printing, a method with roots in early 20th-century industrial and graphic arts, has been embraced by artists within pop art and street art for its ability to produce vibrant, crisp images that capture the dynamism of urban life. In this print, the hand-pulled technique ensures that each piece is unique, imbued with the artist's touch and the subtle variations from manual printing. Symbolism and Narrative in Modern Street Art Symbolism plays a crucial role in the narrative power of the 'Invader' print. Each iconographic element is carefully chosen to represent facets of modern society and the human experience. The skull and skeleton, often associated with danger or mortality, are juxtaposed with symbols of wealth and the pursuit of pleasure, such as money and fast cars. This interplay of symbols provokes a dialogue about the dichotomies present in contemporary life—between life and death, spirituality and materialism, history and progress. The 'Invader Green Blue Silkscreen Print' by Mike Giant, as a piece of street pop art and graffiti artwork, is a testament to the enduring influence of these art forms in contemporary culture. It encapsulates the essence of street art's ability to infiltrate public consciousness with universal and deeply personal messages. For collectors and admirers, the 'Invader' print is not just a visual spectacle; it is an emblem of the power of art to reflect and critique the world we navigate daily.

    $267.00

  • Sale -10% Road Signs Big Boy HPM Serigraph Print by Risk Rock

    Risk Rock Road Signs Big Boy HPM Serigraph Print by Risk Rock

    Road Signs- Big Boy Limited Edition Hand-Embellished Serigraph on Heavy paper by Risk Graffiti Street Artist Modern Pop Art. Hand-Embellished Serigraph on Heavy paper- 18x23 Inches- Date Made: 2018- Incorporates Risk's now-famous "license plate, road sign, and Bob's Big Boy" background. Each print is "hand-embellished" by the artist.

    $533.00 $480.00

  • Car Wash Original Dunny Town Art Toy by Task One

    Task One Car Wash Original Dunny Town Art Toy by Task One

    Car Wash Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Car Wash Original Dunny Art Toy by Task One Exploring Urban Narratives: Task One's Car Wash Original Dunny Town Art Toy Task One's "Car Wash Original Dunny Town Art Toy" embodies the creative spirit that defines street pop art and graffiti artwork. This 2013 masterpiece integrates the familiar Kidrobot Dunny vinyl form with the tactile, textured medium of painted plaster, resulting in a unique collectible that stands approximately 3x4 inches. Through the medium of this custom Dunny artwork, Task One explores the everyday urban experience, encapsulating it within the playful yet profound form of a car wash. The Car Wash Dunny is more than a mere representation of an ordinary city service; it is a microcosm of urban life, conveying the motion and activity of the streets in a static figure. The art toy features meticulously sculpted details, from the fringed wash curtains to the vibrant, conical traffic barriers, capturing the essence of a bustling car wash in miniature. The top of the Dunny is adorned with a "CAR WASH" sign, crafted in a font that echoes the signage seen in any neighborhood, adding authenticity and a touch of nostalgia to the piece. Task One's Artistic Commentary on Consumer Culture In creating the Car Wash Dunny, Task One delivers a subtle yet impactful commentary on consumer culture and the commodification of urban spaces. The art toy serves as a canvas for this discourse, inviting contemplation on the role of such establishments in our daily lives and their significance in the urban tapestry. The choice of a car wash as the subject reflects a keen observation of the mundane, elevating it to the level of art through the transformative power of Task One's vision. The Car Wash Dunny, as part of the more extensive Dunny Town series, exemplifies Task One's dedication to blending street art's immediacy and relevance with the collectible nature of vinyl toys. This fusion results in a thought-provoking piece that holds a mirror to the city's soul, reflecting the vibrant, ever-changing life of the streets. Collectors and admirers of street pop art are drawn to such works for their aesthetic appeal and their ability to encapsulate a piece of the urban experience. Task One's work, particularly this captivating rendition of a car wash, showcases the potential of art toys to act as vessels for storytelling and cultural reflection. Through his skillful use of materials and his intelligent approach to the subject matter, Task One has contributed a significant chapter to the narrative of street pop art and graffiti artwork, ensuring that the essence of the streets is preserved in the palms of our hands. The Car Wash Original Dunny Town Art Toy by Task One remains a treasured piece for those who value the intersection of art, culture, and the vibrancy of city life.

    $326.00

  • Sale -10% The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

    $954.00 $859.00

  • Sale -10% Meet Me On Cloud Nine Silkscreen Print by Rhymezlikedimez- Robin Velghe

    Rhymezlikedimez- Robin Velghe Meet Me On Cloud Nine Silkscreen Print by Rhymezlikedimez- Robin Velghe

    Meet Me On Cloud Nine 15-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Arches Velin Blanc Paper by Rhymezlikedimez- Robin Velghe Rare Street Art Famous Pop Artwork Artist. 2022 Limited Signed & Numbered Edition of 100. 15 layered silkscreen print, edition of 100 only.Hand-pulled on 300 gr Arches Velin Blanc 100% cotton. The unique dimensions of 39.25" / 99.7 cm wide by 12.2"/31 cm tall make for a horizontal format that embraces the art of storytelling. This print has been approved, signed, and numbered by the artist. Screenprinted by hand in Antwerp, Belgium- Year of release: 2022 "I originally created this design for my first pop-up exhibition in Miami. I wanted to show how a dream of mine usually looks. It's this Dali-like collage of impressions encounter throughout the day. In my dream world, the sun is never not setting. " - Robin Velghe "Meet Me On Cloud Nine" is a silkscreen print by the talented artist Robin Velghe, also known as Rhymezlikedimez. Robin Velghe is a Belgian illustrator, animator, and graphic designer. A unique blend of vibrant colors, dynamic motion, and intricate details characterizes his work. He often creates illustrations featuring characters with exaggerated proportions and a sense of fluidity, which gives his work a distinct visual appeal. Rhymezlikedimez has collaborated with various brands, musicians, and events, producing illustrations, animations, and merchandise designs. Some notable collaborations include working with musicians like Anderson .Paak, BROCKHAMPTON, and Aminé. His work has garnered a significant following on social media platforms, where he shares his illustrations and animation projects. As for the "Meet Me On Cloud Nine" silkscreen print, it features some of the signature characteristics found in Robin's other work, such as vivid colors, whimsical elements, and engaging characters. Silkscreen prints are created using a stencil-based printing process, which allows the artist to produce bold and vivid images with a unique aesthetic.

    $820.00 $738.00

  • Put It In The Ditch, Brah! Silkscreen Print by Dave Persue

    Dave Persue Put It In The Ditch, Brah! Silkscreen Print by Dave Persue

    Put It In The Ditch, Brah! Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lb Fine Art Paper by Persue Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 85 Artwork Size 16x20 "Before we left California for the East Coast Rime told me to put some ideas together for our stop in Detroit and at the 1xRun headquarters. He wanted to introduce me to the guys and help push getting me to release a print. Because things were hectic before leaving I wasn’t able to get anything together. By the time I got to Chicago I still didn’t have anything. Rime, Mason and I had been through a few cities by then and were pretty tired. The night before our stop in Chicago we were in Nebraska. Nebraska was fucking nasty as all hell. It is where we hit a patch of black ice and did 4 huge 360 spins down the highway with semi trucks barreling down the highway behind us. All I could get out of my mouth was “Put it in the ditch man”! That became the quote for the rest of the trip." - Persue

    $352.00

  • Captain Shanahan 7.8 Skateboard Art Deck by DGK

    DGK Captain Shanahan 7.8 Skateboard Art Deck by DGK

    Captain Shanahan- 7.8 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK.

    $149.00

  • Back to The Future Part I Delorean Skateboard Deck by DKNG

    DKNG Back to The Future Part I Delorean Skateboard Deck by DKNG

    Back to The Future Part I Delorean Limited Edition Silkscreen Skateboard deck art by street pop culture artist DKNG. 2020 Celebrate the 35th Anniversary of Back to The Future with a PART II Delorean-shaped Skateboard designed by DKNG manufactured by Madrid Skateboards. Edition of 200 Ron English Figment Green on Black Silkscreen Print 2013 Ron English’s *Figment: Green on Black* is a rare two-color silkscreen print released in 2013 as part of the artist’s POPaganda body of work. Hand-pulled on 335gsm Coventry Rag paper and measuring approximately 24 x 24 inches, the print was produced in an extremely limited edition of only 10, each signed and numbered by the artist. English, widely recognized as one of the pioneers of modern street and pop surrealist art, merges classic pop culture imagery with subversive symbolism. This limited edition screenprint highlights his ability to transform familiar visual language into striking contemporary Street Pop Art & Graffiti Artwork. POPaganda and the Warhol Skull Reimagined The artwork depicts a glowing green skull topped with the iconic Andy Warhol hairstyle, a playful yet haunting tribute to one of pop art’s most influential figures. Ron English often references art history and advertising culture, remixing them through his signature satirical lens. By merging Warhol’s instantly recognizable look with a skeletal form, English reflects on fame, legacy, and mortality within the pop art canon. The stark contrast between the luminous green figure and deep black background enhances the dramatic impact, a stylistic approach that reinforces the visual punch common in Street Pop Art & Graffiti Artwork. Ron English’s Influence on Contemporary Pop and Street Art Ron English is widely credited with shaping the modern crossover between billboard activism, street art, and pop culture commentary. Through his POPaganda movement, he challenged corporate imagery and reinterpreted cultural icons long before street art entered mainstream galleries. *Figment: Green on Black* represents this legacy through its bold simplicity and layered cultural references. As a rare edition screenprint, the work embodies English’s continued influence on contemporary Street Pop Art & Graffiti Artwork while paying homage to the artists and imagery that helped define the pop art movement itself.

    $420.00

  • Sale -10% Joshua Vides X Unfinished Business Cone Art Object Sculpture by Joshua Vides

    Joshua Vides Joshua Vides X Unfinished Business Cone Art Object Sculpture by Joshua Vides

    Joshua Vides X Unfinished Business Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. This artwork, skillfully created by Joshua Vides, aims to support important causes. The proceeds from its sale will be directed towards One Hundred Black Men, the Hispanic Federation, and the Asian American Business Development Center. This initiative, known as Unfinished Business, was launched by Hennessy to provide grants to small businesses owned by individuals from Black, Latinx, and Asian American communities. By offering financial assistance and essential resources, Unfinished Business seeks to empower these business owners who play a crucial role in strengthening our communities. Joshua Vides' artistic oeuvre is defined by his unique interpretation of Pop Art, a seamless merger with Street Art elements, and a deep-rooted respect for Graffiti Art. One of his most notable works that encapsulates this triadic fusion is the "Unfinished Business Cone Art Object Sculpture". A fascinating assemblage, the sculpture is a thought-provoking exploration of space and dimension, challenging traditional norms of visual perception through its use of stark, black outlines and an almost unfinished aesthetic, reminiscent of sketch-like visuals. This piece is a stellar embodiment of Vides’ ability to transform everyday objects into extraordinary works of art, truly underlining his position as a contemporary trailblazer in the realm of visual art. As with his other works, the "Unfinished Business Cone Art Object Sculpture" utilizes a unique monochromatic palette, a signature aspect of Vides' style that stems from his background in graffiti. This unconventional application of color, or lack thereof, disrupts viewers' expectations, encouraging them to engage with the work in a more meaningful way. Vides invites the observer to question the traditional boundary between the two-dimensional and three-dimensional worlds. The sculpture is not merely an object; it's an exercise in optical illusion and a commentary on our perception of reality, a testament to Vides’ innovative blend of pop, street, and graffiti art. The "Unfinished Business Cone Art Object Sculpture", in essence, showcases Vides' unconventional approach, his audacious experimentation with the commonplace, and his subversion of our visual expectations. It stands as a brilliant exemplification of the harmonious integration of different art genres and redefines the realm of pop art and graffiti. Reflecting Vides' distinctive style, it is a magnificent contribution to the ongoing dialogues in contemporary art, cementing his position as a noteworthy figure in the art world.

    $503.00 $453.00

  • Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle

    Tim Doyle Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle

    Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 175 Artwork Size 24x18 Pulp Fiction Movie Tribute, 4th Unreal Estate show

    $229.00

  • Sale -10% Joshua Vides X CC Cone Art Object Sculpture by Joshua Vides

    Joshua Vides Joshua Vides X CC Cone Art Object Sculpture by Joshua Vides

    Joshua Vides X CC Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. in ComplexCon Exclusive Joshua Vides, a renowned name in the contemporary art world, has emerged as a unique visual artist adept at blending pop art, street art, and graffiti into his work. Known for his distinctive monochromatic style, he effortlessly creates an immersive experience that bridges the divide between the two-dimensional and three-dimensional worlds. The latest offering from his brilliant repertoire is the 'Joshua Vides X CC Cone Art Object Sculpture.' Inspired by commonplace objects, Vides transforms them into artistic marvels that captivate the audience, effectively turning the ordinary into extraordinary. The CC Cone is no different. This art object, in its essence, is a reinterpretation of the humble traffic cone, yet the transformation is nothing short of revolutionary. Vides' singular technique entails outlining objects in bold, black lines against a stark white background, mimicking the look of a sketch or comic strip. The CC Cone is adorned with this distinctive style, breathing new life into an otherwise overlooked item. The starkness of the black and white design, coupled with the everyday simplicity of the traffic cone, delivers a startling contrast that captures the quintessential paradox of Vides' work: simplicity in design, complexity in perception. As is characteristic of Vides' work, the CC Cone also serves as a comment on modern life, consumer culture, and the urban landscape. This sculpture represents an intersection of art and life, challenging viewers to perceive the world around them through a fresh lens. The intersection of pop art, street art, and graffiti in this sculpture underscores its vitality, pushing the boundaries of the three genres while merging them into a harmonious entity. The 'Joshua Vides X CC Cone Art Object Sculpture' is not merely an art piece; it's a commentary, a challenge, and a testament to Vides' unmatched ability to transform the mundane into extraordinary art. The sculpture serves as a powerful reminder of the blurred lines between art and life, celebrating the beauty and complexity that often goes unnoticed in everyday objects.

    $626.00 $563.00

  • Sale -10% Ice Cream Truck Silkscreen Print by Giorgiko

    Giorgiko Ice Cream Truck Silkscreen Print by Giorgiko

    Ice Cream Truck 10-Color Hand-Pulled Limited Edition Silkscreen Print on 250gsm Stonehenge Gray Paper by Giorgiko Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 60 Artwork Size 20x28 2022 GIORGIKO "Ice Cream Truck” Edition of 60 20 x 28 inches Hand-pulled 10 color screen print Printed on Stonehenge 250gsm grey 100% cotton fine art paper Hand-deckled edges Signed and numbered by both Darren and Trisha of Giorgiko Printed by Serio Press (Los Angeles).

    $651.00 $586.00

  • Back to the Future Glow Silkscreen Print by Tim Doyle

    Tim Doyle Back to the Future Glow Silkscreen Print by Tim Doyle

    Back to the Future- Glow Print Limited Edition 8-Color Hand-Pulled Silkscreen Print on 100lb Natual Cougar Cover stock by Artist Tim Doyle Modern Pop Art. 2015 Signed & Numbered Limited Edition of 150 III Artwork Size 16x24 Back to the Future, Movie, Man, Woman, Car, Shark, Fish, Wild Gunman, Time Travel, SciFi

    $236.00

  • Logan Square Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Ian Ferguson- Hydeon Logan Square Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Logan Square Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson. Logan Square Chicago Silkscreen Print by Ian Ferguson – Hydeon The Logan Square Chicago silkscreen print by Ian Ferguson, also known as Hydeon, is a stunning black-and-white hand-pulled, limited-edition print capturing the essence of one of Chicago’s most beloved neighborhoods. Created in 2013, this 16x20-inch silkscreen print is part of Ferguson’s Neighborhood Art Series, a collection that intricately showcases Chicago’s urban fabric through street pop art & graffiti artwork influences. As a signed and numbered limited edition of 35, this artwork highlights Ferguson’s talent in architectural illustration, surreal urban landscapes, and a deep appreciation for community spaces. Architectural and Natural Elements of Logan Square Logan Square is known for its historic greystones, boulevards, and cultural landmarks, all of which are woven into Ferguson’s print with exceptional attention to detail. The composition layers Victorian-style houses, churches, and apartment buildings, creating a dense and immersive cityscape. A defining feature is the Illinois Centennial Monument, a prominent obelisk in Logan Square’s center, which Ferguson has included among the layered urban imagery, emphasizing the neighborhood’s historical importance. Beyond its built environment, Logan Square is home to tree-lined streets, green spaces, and an active cycling culture, all of which find their way into Ferguson’s print. The inclusion of a bicycle, natural landscapes, and native birds adds a poetic contrast to the structured cityscape, reinforcing Logan Square’s balance between urban density and nature. Ferguson’s high-contrast, black-and-white illustration style amplifies the depth and complexity of the neighborhood’s visual identity. Symbolism and Surreal Elements in the Artwork While the print is deeply rooted in architectural realism, Ferguson’s approach includes surreal elements that push the piece beyond straightforward documentation. The gigantic owl, perched among the buildings, a majestic eagle, and a stylized cat add layers of narrative, making the cityscape feel alive. The inclusion of Chicago’s L train, vintage cars, and iconic signage connects Logan Square’s present-day identity to its rich past, reinforcing the historical evolution of the neighborhood. Ferguson’s use of floating typography spelling out "Logan Square" merges seamlessly into the built environment, making it an integral part of the composition rather than a separate textual element. This technique adds to the dynamic movement of the print, reflecting the energy of Logan Square’s ever-changing artistic and cultural scene. Ian Ferguson’s Contribution to Street Pop Art & Graffiti Artwork Ian Ferguson, working under the name Hydeon, has developed a distinctive monochromatic, highly detailed aesthetic that places him at the intersection of fine art, street pop art, and graffiti artwork. His Neighborhood Art Series, including prints of Wicker Park, Pilsen, and Humboldt Park, reflects a deep engagement with the architectural and cultural landscapes of urban environments. His ability to merge realism with a dreamlike quality makes his work both nostalgic and forward-looking. This Logan Square silkscreen print is a testament to Ferguson’s hand-drawn, print-based approach, preserving Chicago’s visual heritage in a way that is both deeply personal and widely accessible. His work resonates with collectors who appreciate urban storytelling, historic preservation, and artistic craftsmanship, solidifying his place within the contemporary street pop art & graffiti artwork movement.

    $146.00

  • IHOP Giclee Print by Scott Listfield

    Scott Listfield IHOP Giclee Print by Scott Listfield

    IHOP Limited Edition Giclée Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. giclee print 12 x 12 inches unframed signed and numbered, limited edition of 75

    $360.00

  • Prehistoric Forest Silkscreen Print by DKNG

    DKNG Prehistoric Forest Silkscreen Print by DKNG

    Prehistoric Forest Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Tommy Boy Car Movie Reference "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

    $159.00

  • Sale -10% P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    Joshua Vides P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    P Zero Peel Out Medium Tire Rug Object Art by Scuderia Ferrari x Joshua Vides Limited Edition Designer Collectible Pop Artist Carpet Artwork. 2023 Limited Edition Rare P Zero Peel Out Medium Tire Rug Object Art Size 4ftx4ft Black Joshua Vides Stylized P Zero Scuderia Ferrari Tire with White Trim Cotton Backed Carpet. Scuderia Ferrari Design and Artistic Vision The fusion of utility and artistry takes a bold leap forward with the P Zero Peel Out Medium Tire Rug, a collaborative creation by Ferrari and pop artist Joshua Vides. This limited edition piece of the 2023 collection is a prime example of how functional items are reimagined within Street Pop Art and Graffiti Artwork, encapsulating a contemporary aesthetic that bridges everyday objects with highbrow artistic expression. At first glance, the P Zero Peel Out Medium Tire Rug captivates with its striking black and white design, a nod to the iconic Ferrari P Zero tires known for their association with performance and luxury. Joshua Vides' stylization brings an artful twist to the familiar, transforming a symbol of speed and precision into a statement piece. The rug spans 4 feet by 4 feet, offering a substantial canvas that showcases the collaboration's attention to detail and design prowess. The black base of the rug sets a dramatic stage for the white accents that delineate the tire's features. Vides' approach is reminiscent of his signature style, where he often outlines objects in bold lines to create a cartoon-like reality, playing with perceptions and inviting viewers to re-evaluate the mundane. The cotton-backed carpet material further grounds the piece in the realm of the tactile and practical while the artwork elevates it to the collectible. Cultural Resonance In the landscape of pop and street art, collaborations between artists and commercial entities are not uncommon. Still, this piece stands out for its seamless integration of corporate branding with artistic reinterpretation. The tire, an object typically associated with machinery and industry, is transformed through the lens of street pop art, an act that carries a multitude of cultural and social implications. The tire transcends its original purpose in this piece, becoming a canvas reflecting the intersections between high-speed motorsports, luxury branding, and urban art culture. It is a physical manifestation of the dialogue between these worlds, which is increasingly present in today's visual culture. Impact on Art and Design The significance of the P Zero Peel Out Medium Tire Rug extends beyond its aesthetic appeal; it is an emblem of how contemporary artists like Vides can influence and redefine our understanding of product design. The intersection of art and consumer goods has been a hallmark of pop art since its inception, and this piece is a modern continuation of that tradition. Furthermore, the limited edition nature of the rug ensures its status as a collectible item, coveted not only for its artistic value but also for its rarity. In the dynamic world of street pop art, limited edition pieces such as this serve as cultural artifacts that capture a moment in time, a snapshot of current trends, and the evolving tastes of society. The P Zero Peel Out Medium Tire Rug is a testament to the synergistic potential of collaborations between artists and brands. It is a celebration of street pop art's ability to infiltrate and elevate the objects of our daily lives, turning them into art that challenges our perceptions and enriches our environments. This piece is not just a rug but a narrative woven from the threads of innovation, art, and industry, which unfolds with each viewing.

    $524.00 $472.00

  • The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $3,116.00

  • Back To The Future 3 AP Giclee Print by Andy Fairhurst

    Andy Fairhurst Back To The Future 3 AP Giclee Print by Andy Fairhurst

    Back To The Future 3 Limited Edition Giclee Print on Fine Art Paper by Andy Fairhurst counter-culture street artist art. AP Artist Proof Signed & Marked AP Limited Edition Artwork Size 12x24 Officially licensed ‘Back To The Future 3’ AP Artist Proof prints done for Bottleneck Gallery and Vice Press. Hand-numbered and signed by the artist. 12x24 inches.

    $146.00

  • Chase Bank Original Dunny Town Art Toy by Task One

    Task One Chase Bank Original Dunny Town Art Toy by Task One

    Chase Bank Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Chase Bank Original Dunny Art Toy by Task One Task One's Chase Bank Original Dunny Town Art Toy Task One's "Chase Bank Original Dunny Town Art Toy" represents a striking commentary on the omnipresent financial institutions in urban landscapes. Crafted in 2013, this piece combines the medium of Kidrobot's vinyl with the textural depth of painted plaster, embodying the distinctive essence of street pop art and graffiti artwork. The collectible stands at an approximate size of 3x4 inches, a miniature yet powerful representation of a Chase Bank branch, reinterpreted through the imaginative lens of Task One. This particular work is part of Task One's broader Dunny Town series, which showcases a variety of urban structures and establishments, each reimagined as a Dunny, the iconic art toy figure. The Chase Bank Dunny, with its detailed brickwork facade and the recognizable blue "CHASE" signage, invites reflection on the pervasive influence of corporate entities in daily life. It's a creative exploration of common themes in street art: capitalism, consumerism, and their interplay within the public space. Reflecting the Urban Experience through Art Toys By selecting an institution as ubiquitous as a bank and presenting it through the playful form of a Dunny, Task One elevates street art's engagement with socio-economic themes. This art toy serves as a microcosm of the city, encapsulating the essence of a corporate entity within the palm-sized dimensions of a collectible figure. It's a visual narrative that resonates with the observer, prompting thoughts on the role of such institutions in shaping the urban environment and the lives of its inhabitants. The Chase Bank Dunny is a reflection of Task One's artistic vision and a part of the growing movement that blurs the lines between street art and tangible collectibles. The meticulous attention to detail, from the ATMs to the miniature windows and doors, underscores the artist's commitment to quality and authenticity. As a result, the piece stands as a testament to the potential of vinyl art toys to serve as sophisticated mediums for cultural expression and critique. Task One's artistry in the "Chase Bank Original Dunny Town Art Toy" speaks to the heart of street pop art, where everyday scenes are transformed into thought-provoking artworks. Once a simple toy, the Dunny becomes a canvas for critical reflection. This characteristic has endeared Task One's work to collectors and enthusiasts of street pop art and graffiti artwork. Through his contributions, Task One has left an indelible mark on urban art's landscape, merging the streets' irreverent spirit with the collectibility and craftsmanship of art toys.

    $326.00

  • The Cook Silkscreen Print by Tim Doyle

    Tim Doyle The Cook Silkscreen Print by Tim Doyle

    The Cook Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Based on the Breaking Bad TV show.

    $229.00

  • The Spinner Silkscreen Print by Robert Wilson IV

    Robert Wilson IV The Spinner Silkscreen Print by Robert Wilson IV

    The Spinner Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Robert Wilson IV. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 “The Spinner” hand-printed silk screenprint, measuring 18×24, and is signed and numbered in an edition of 75.

    $159.00

  • Sale -10% Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $553.00 $498.00

  • Sale -10% Endless Power Petrol Palace- Blue Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Blue Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $570.00 $513.00

  • Back To The Future AP Giclee Print by Andy Fairhurst

    Andy Fairhurst Back To The Future AP Giclee Print by Andy Fairhurst

    Back To The Future Limited Edition Giclee Print on Fine Art Paper by Andy Fairhurst counter-culture street artist art. AP Artist Proof Signed & Marked AP Limited Edition Artwork Size 12x24 Officially licensed ‘Back To The Future’ AP Artist Proof prints done for Bottleneck Gallery and Vice Press. Hand-numbered and signed by the artist. 12x24 inches.

    $112.00

  • Trick Trucks HPM Unique Silkscreen Print by Jay Kaes x El Pez

    El Pez Trick Trucks HPM Unique Silkscreen Print by Jay Kaes x El Pez

    Trick Trucks HPM Unique Silkscreen Print by Jay Kaes x El Pez Mixed Media Hand-Pulled 5-Color on 300gsm Cotton Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed Unique Original One-of-a-Kind Silkscreen HPM Embellished Mix Media Artwork Size 27.5x19.7 Print "22 Years Smiling With Friends" The Trick Trucks HPM Unique Silkscreen Print is an exceptional mixed media piece by the acclaimed artists Jay Kaes and El Pez, created in the year 2023. The print, which measures 27.5x19.7, showcases an amalgamation of their distinct styles and is an embodiment of the thriving Pop and Street Art culture. This art piece is carefully hand-pulled, utilizing a 5-color silkscreen process on a 300gsm Cotton Somerset Fine Art Paper, noted for its superior texture and durability. This one-of-a-kind artwork is the epitome of the mixed media technique, featuring an incredible blend of textures and hues that capture the dynamism of street art. It is a unique exploration of pop culture motifs, expressed through the vivid palette characteristic of Jay Kaes and El Pez's works. Their artistry shines through every intricate detail of this limited-edition print, which is both signed and embellished by the artists themselves, accentuating its exclusivity. Jay Kaes and El Pez, both revered figures in the global art scene, have produced this exquisite piece as a testament to their creative ingenuity. Jay Kaes, a Spanish street artist, is known for his striking, often provocative, graffiti art that challenges societal norms. El Pez, on the other hand, is recognized for his playful and vibrant murals, which often feature his signature 'Happy Fish' characters. Their collaborative effort has resulted in a bold and captivating artwork that speaks volumes about the diverse forms and potential of street art. The Trick Trucks HPM Unique Silkscreen Print, with its fusion of pop and street art elements, not only exemplifies the prowess of its creators but also offers a refreshing and insightful look at contemporary art. The vibrancy and intricacy of this limited-edition piece make it a sought-after collector's item, a testament to the enduring influence of Pop and Street Art culture.

    $1,325.00

  • Check Original Collage Stencil Spray Painting by Pipsqueak Was Here!!!

    Pipsqueak Was Here!!! Check Original Collage Stencil Spray Painting by Pipsqueak Was Here!!!

    Check Original Collage Stencil Spray Paint Painting by Pipsqueak Was Here!!!  One of a Kind Artwork on Stretched Canvas by Street Art Pop Artist. 2021 Signed Mixed Media Spray Paint Stencil & Collage Painting Original Artwork Size 17.5x17.5 Check by Pipsqueak Was Here!!! – Stenciled Defiance and Found Texture in Street Pop Art & Graffiti Artwork Check is a 2021 original mixed media painting by the Dutch street art duo Pipsqueak Was Here!!!, created using stencil, spray paint, and collage on stretched canvas. Measuring 17.5 x 17.5 inches and signed by the artists, the piece is a striking example of layered urban narrative embedded in raw texture and symbolic juxtaposition. The central focus is a solemn, sharply rendered stencil portrait of a young girl, her gaze direct and almost confrontational. Surrounding her are collaged fragments of vintage advertisements, chemical warning labels, torn print ephemera, and bits of painted abstraction. The work fuses the language of caution, childhood, and consumer memory into a tightly composed field of urban poetics, emblematic of Pipsqueak Was Here!!!’s practice within Street Pop Art & Graffiti Artwork. Portraiture as Conscience and Confrontation The young girl at the center of Check is not passive. Her expression is serious, grounded, and quietly challenging. Rendered through crisp black and flesh-toned stencils, her presence stands in contrast to the chaotic noise of the background, giving the viewer a fixed point of emotional gravity. This figure, like many in the artists’ body of work, carries symbolic weight—youth positioned in a world already marked by danger and contradiction. Behind her, the image of a classic yellow cab ad and a “Miscellaneous Dangerous Goods” warning label creates a tense visual irony. The surrounding collage becomes more than aesthetic—it acts as commentary. Within the larger conversation of Street Pop Art & Graffiti Artwork, this portrait becomes a voice, one that challenges systems with quiet resolve rather than shouted slogans. Collage Construction and Found-Object Composition True to the aesthetic roots of street assemblage, Check incorporates found visual language through its collage layers. There is a fusion of urban memory and forgotten media: weathered typography, faded newspaper headlines, chemically coded symbols, and the layered build-up of spray and stencil. These textures mimic the walls of real cityscapes, where wheatpaste posters and public signage are constantly ripped, painted over, or tagged. The artists use these materials to form a narrative field, a conversation between safety and danger, visibility and erasure. This tactile collage method reinforces the connection between surface and story, ensuring that each component of the piece contributes not just visual interest, but historical resonance. It captures the energy of decay and renewal central to the ethos of Street Pop Art & Graffiti Artwork. Pipsqueak Was Here!!! and the Logic of Visual Protest With Check, Pipsqueak Was Here!!! continues to refine their unique balance of visual elegance and street-level urgency. The work radiates meaning through contrast—childhood innocence in the face of a world saturated with warnings and advertisements. The title itself implies confrontation, verification, or disruption. Every compositional choice speaks to power, placement, and perception. This painting is not just about form or beauty—it is a message embedded in image. As practitioners of Street Pop Art & Graffiti Artwork, the duo remains focused on environmental, social, and human vulnerability, making each artwork a kind of visual protest in the language of collage, spray, and symbol. Check is a potent reminder that art in public or private space has the ability to reveal truths, evoke empathy, and carry resistance through the everyday iconography of our shared environments.

    $1,425.00

  • Big Ben & Double Decker Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill Big Ben & Double Decker Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Big Ben & Double Decker Bus Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $159.00

  • Breaking Bat AP Giclee Print by Mark Hammermeister

    Mark Hammermeister Breaking Bat AP Giclee Print by Mark Hammermeister

    Breaking Bat Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mark Hammermeister. AP Artist Proof Breaking Bad TV Show Cross Over Artwork With Breaking Bad.

    $213.00

  • Flux Giclee Print by Marie Bergeron

    Marie Bergeron Flux Giclee Print by Marie Bergeron

    Flux 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Pedro Oyarbide counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

    $146.00

  • Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop

    Coop Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop

    Supernova - Dec. 20th, 1995 at The Whiskey Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. 2016 Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop Coop has become popular with certain bands and labels and has provided art for several Sympathy for the Record Industry releases as well as the posters for Reverend Horton Heat, Lords of Acid, Green Day, Nirvana, Soundgarden and The Foo Fighters.

    $323.00

  • TGIF V 20 Archival Canvas Print by Dave Pollot

    Dave Pollot TGIF V 20 Archival Canvas Print by Dave Pollot

    TGIF V 20 Archival Print by Dave Pollot Limited Edition on PH Neutral 17mil Canvas Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 57 Artwork Size 16x20 Archival Pigment Fine Art on Canvas of the Jason from Horror Movie Friday the 13th in a Swamp TGIF V 20: Archival Print by Dave Pollot The TGIF V 20 archival print by Dave Pollot, released in 2023, represents a unique fusion of pop culture references, fine art techniques, and street pop art sensibilities. This limited edition artwork, signed and numbered by Pollot, is part of a series of just 57 prints. It is a 16x20 inch archival pigment print on pH-neutral 17mil canvas, which ensures its longevity and resistance to fading over time. The piece features the iconic character Jason Voorhees from the Friday the 13th horror movie franchise, depicted in a serene, almost pastoral swamp scene, blending the worlds of horror cinema and classical landscape painting. Pop Culture Meets Fine Art in TGIF V 20 Dave Pollot is known for his clever reimagining of traditional art, often incorporating pop culture icons and elements of contemporary media into classical or idyllic settings. TGIF V 20 is a prime example of this approach, as Pollot combines the menacing figure of Jason Voorhees with a tranquil countryside landscape. In this print, Jason stands ominously in a swamp, his iconic hockey mask reflecting the light of a distant sunset, as a small cottage nestles in the background, seemingly oblivious to the terror lurking nearby. Pollot's ability to juxtapose these two worlds — the horror of Friday the 13th and the peace of an idyllic countryside — creates a sense of unease and dark humor. The viewer is left to contemplate the absurdity of Jason, a figure of violence and fear, calmly existing in such a serene environment. This playful contradiction is a hallmark of street pop art, where familiar symbols are recontextualized in surprising and often ironic ways. By placing Jason in this unexpected setting, Pollot challenges our perceptions of the character and the setting, encouraging us to see them in a new light. The Influence of Graffiti and Street Pop Art Pollot's work, while rooted in traditional fine art techniques, is heavily influenced by the aesthetics and ethos of street pop art and graffiti. Street pop art is known for its bold use of color, incorporation of popular culture, and ability to challenge the boundaries between high and low art. In TGIF V 20, Pollot brings these elements together, using Jason as a mass culture symbol to disrupt classical landscape painting conventions. The texture and richness of the canvas, along with the vibrant yet balanced color palette, add to the visual impact of the piece. The scene, which might otherwise resemble a typical 19th-century landscape, is transformed by Jason's presence. The influence of graffiti and street art can be seen in how Pollot brings a sense of the urban and contemporary into the traditional. Jason, a figure from 1980s horror, becomes a modern-day interloper in a timeless setting, much like graffiti often disrupts the urban environment's aesthetic by introducing new, frequently controversial elements. Moreover, this print's hand-numbered, limited edition nature emphasizes the individuality and exclusivity often associated with street art, much like graffiti artists who mark their work with a signature or tag, Pollot signs, and numbers each print, ensuring that no two pieces are identical. This also ties into the street art philosophy of art being both public and personal, accessible yet unique. The Contrast of Horror and Pastoral Beauty At the heart of TGIF V 20 is the stark contrast between the horror genre and the peacefulness of the natural landscape. Jason, typically seen stalking victims through dark forests or deserted campsites, is instead placed in a setting that evokes warmth and nostalgia. The cottage in the background, illuminated by the soft glow of the setting sun, creates a comforting atmosphere that directly opposes the violent imagery often associated with Jason. This juxtaposition heightens the sense of unease as the viewer wonders how such a figure could belong in such a tranquil place. The piece's title, TGIF V 20, also plays into this contrast. While Friday the 13th is synonymous with bad luck and horror, the phrase "TGIF" typically conveys a sense of relief and the anticipation of a relaxing weekend. Pollot uses this duality to blur further the lines between fear and comfort, humor and horror. This layering of meaning is characteristic of street pop art, where multiple interpretations can coexist, and the viewer is encouraged to engage with the work on different levels. Pollot's decision to depict Jason in a swamp, as opposed to a more conventional horror setting, adds another layer of complexity to the piece. Swamps are often associated with decay, mystery, and hidden dangers, making them an ideal setting for Jason's brooding figure. At the same time, the way Pollot renders the scene — with soft brushstrokes, warm tones, and an overall sense of calm — makes the swamp appear almost inviting. This tension between beauty and menace is central to the appeal of the artwork, as it invites the viewer to question what lies beneath the surface. Dave Pollot's Modern Approach to Art and Pop Culture Dave Pollot's approach to art is rooted in the blending of high art and pop culture, a technique that has become a defining feature of modern street pop art. Pollot's background in classical painting techniques allows him to execute his works with precision. At the same time, his incorporation of familiar cultural icons adds a layer of accessibility and relevance to contemporary audiences. TGIF V 20 continues this tradition, as Pollot brings the world of horror movies into the refined setting of landscape painting. As a symbol of fear and violence, Jason Voorhees becomes a part of the natural world in Pollot's hands, suggesting that even the most terrifying aspects of our imagination have a place in the broader cultural landscape. By placing Jason in such a serene and picturesque setting, Pollot forces us to reconsider what we find beautiful and frightening. This merging of worlds is central to street pop art, where the familiar and the unexpected come together to create something entirely new. TGIF V 20 by Dave Pollot is a powerful example of how modern street pop art can challenge and expand our understanding of art and popular culture. Through his use of humor, contrast, and finely honed artistic technique, Pollot creates a visually striking and thought-provoking work, offering a fresh perspective on a familiar figure from horror cinema.

    $462.00

  • The North Road Original Gouache Wood Painting by Chris Austin

    Chris Austin The North Road Original Gouache Wood Painting by Chris Austin

    The North Road Original Gouache Painting by Chris Austin One of a Kind Artwork on Wood by Street Art Pop Artist. 2023 Signed Gouache Painting Original Artwork Size 10x10 Chris Austin's extraordinary "The North Road" original gouache wood painting, is an exemplar of how contemporary art can challenge and redefine our conventional understanding of space and form. This piece of art, which seamlessly fuses elements of pop, street and graffiti art, is instantly captivating and thought-provoking. It uniquely presents a surreal scenario where a shark is depicted flying through taxi cabs amid city traffic. Austin's bold and idiosyncratic style confronts the viewers with the reality of urban chaos and the power of imagination. The artist's use of gouache, a type of watercolor paint that can produce intensely vibrant colors, allows for a rich depiction of the otherwise everyday urban landscape and the completely out-of-place ocean predator. The brightness of the taxis and the shark, contrasted with the muted, almost monochromatic background of the cityscape, gives the composition an intense visual impact, typical of pop and street art. In the realms of street and graffiti art, such pieces not only provide aesthetic pleasure but are also often imbued with social and political commentary. Austin's painting could be seen as a critique of urban congestion and pollution, using the incongruous image of the shark to draw attention to the unnaturalness of city life. Alternatively, the flying shark might symbolize the survival instincts and adaptability needed to thrive in a bustling city. "The North Road" stands as a testament to the limitless creativity and capacity for social commentary inherent in the genres of pop, street, and graffiti art. It continues to captivate audiences with its vibrant colors, surreal subject matter, and the compelling dialogue it prompts about our relationship with urban spaces.

    $2,428.00

Cars Trucks Vans & Automobiles Graffiti Street Pop Art

The Intersection of Automobile Imagery in Street Pop Art and Graffiti Artwork

Street pop art and graffiti artwork have long been mediums for expressing cultural, political, and social ideas. Among the myriad subjects that find expression in these art forms, the depiction of automobiles - cars, trucks, vans - holds a special place. Beyond their practical utility, these vehicles embody the era's spirit, technological progress, and, sometimes, a sense of rebellion and freedom.

Cars and Trucks in Street Pop Art: Symbols of Modernity and Rebellion

The incorporation of cars and trucks in street pop art showcases vehicles and reflects societal attitudes and cultural phenomena. This art form often utilizes bold colors and striking, often satirical, imagery to challenge norms and critique society. In this context, cars can symbolize modernity, speed, and the relentless march of technology. For instance, the works of Keith Haring, an American artist known for his graffiti-inspired artwork, often included cars and other vehicles as symbols of movement and energy. Haring, who passed away in 1990, was adept at using such imagery to comment on societal issues. In contrast, trucks, often depicted in more rugged and robust forms, can represent the working class, resilience, and sometimes, a rugged individualism. These vehicles in Street Pop Art can be seen as metaphors for the journey, not just physically but also as a journey through life, challenges, and the societal landscape.

Vans in Graffiti Artwork: Canvases on Wheels

Graffiti artwork, with its roots in expressing underground and countercultural sentiments, finds a unique canvas in vans. These vehicles, often associated with subcultures, become moving artworks that carry messages across cities. Graffiti artists like Banksy, whose real name remains unconfirmed, have often utilized vehicles as part of their guerilla artwork tactics. These vans become symbols of rebellion, transporting not just goods but ideas and social commentary. The art on vans ranges from simple tags and messages to elaborate murals. They encapsulate a sense of freedom and nonconformity, resonating with the ethos of graffiti art. This transient and often illegal art form uses the van to symbolize defiance against traditional art forms and societal norms.

Automobiles in Art: Reflecting Cultural and Historical Contexts

The depiction of automobiles in Street Pop Art and Graffiti Artwork goes beyond mere representation. These vehicles, embedded in the art, reflect the cultural and historical contexts of the times. In periods of economic boom, cars in art might be depicted as symbols of affluence and progress. Conversely, these identical vehicles can be portrayed as emblems of decay and societal neglect during societal unrest or economic downturns. Artists like Jean-Michel Basquiat, an American artist of Haitian and Puerto Rican descent who died in 1988, often included cars in his neo-expressionist works. These vehicles served as symbols to comment on race, class, and social dichotomies. His use of cars and other vehicles was about their form and the underlying narratives they carried. The portrayal of cars, trucks, and vans in Street Pop Art and Graffiti Artwork is multifaceted. These vehicles are more than just modes of transportation; they are symbols laden with cultural, social, and political significance. Through the lenses of different artists and across various periods, these automobiles take on varied meanings and become powerful tools in the artistic expression of Street Pop Art and Graffiti Artwork.

Cultural Resonance of Classic Automobiles in Art

In the hands of street artists, classic cars are elevated from mere relics of the past to influential icons that evoke the golden age of automotive design. They serve as a canvas within a canvas, a motif that artists use to explore themes of Americana, consumerism, and the passage of time. This reverence for classic cars within street pop art and graffiti reflects a broader cultural appreciation, where these vehicles are often lovingly restored and showcased at events, drawing crowds and fostering communities. Similarly, they bridge generations in art, appealing to older enthusiasts who remember these vehicles in their heyday, and younger admirers are attracted to their retro charm.

Sports Cars Aesthetics and Symbolism

Sports cars have been a popular subject in both graffiti and pop art. Graffiti art often portrays sports cars in a dynamic and expressive style, while pop art takes a more stylized and colorful approach. Both art styles celebrate the beauty and speed of sports cars while commenting on society's fascination with material possessions and consumer culture. In graffiti art, sports cars are often depicted in motion, with dynamic lines and bold colors conveying a sense of speed and excitement. Graffiti artists may also incorporate elements of street culture, such as spray-painted tags or graffiti lettering, to create a sense of urban rebellion and subversion. In pop art, sports cars are typically portrayed as more stylized and colorful, with bright, eye-catching colors and exaggerated proportions. Pop artists like Andy Warhol and Roy Lichtenstein often used sports cars to symbolize consumer culture and the American Dream, commenting on how material possessions have become a marker of success and status. Both graffiti art and pop art offer unique and vibrant perspectives on the world of sports cars, highlighting the beauty, excitement, and cultural significance of these iconic vehicles. The visual appeal of classic cars lends itself well to street pop art's bold and impactful style. Artists often play with the cars' iconic designs, infusing them with exaggerated features or placing them in surreal contexts. This juxtaposition of the classic with the contemporary speaks to the enduring relevance of these automobiles. Moreover, the symbolism attached to classic cars—a sense of bygone elegance, the American dream, the freedom of mobility—resonates in urban environments where space is at a premium and such cars are rarely seen. By bringing these symbols into the public eye, artists contrast the modern cityscape, inviting contemplation on progress and change.

Classic Cars as Storytellers

Beyond their visual impact, classic cars in street pop art often tell a story. They can serve as a narrative device, setting the scene for a bygone era or hinting at a backstory for imagined characters. In some pieces, the cars are characters with personalities, rendered with anthropomorphic qualities that invite viewers to ascribe emotions and experiences to them. This personification of inanimate objects is a common technique in pop art, adding layers of meaning and engagement to the work. Through these depictions, classic cars become more than just transportation; they are protagonists in a visual tale unfolding on the city's walls. When integrated into street pop art and graffiti, classic cars often adopt the urban landscape's textures and colors. This blending anchors the cars within their new context, merging past and present. Artists might incorporate cityscape elements, such as architecture or street signs, into the background, framing the cars within a modern urban setting while preserving their historical aura. This integration showcases the artist's skill in combining disparate elements to create a cohesive and evocative piece. Ultimately, the incorporation of classic cars into street pop art is a reflection of society's relationship with its past and present. These artworks often evoke nostalgia, a yearning for a time when life seemed more straightforward and elegant. At the same time, by bringing these symbols of the past into a contemporary setting, artists remind viewers of the relentless march of time and the continuous evolution of culture. Classic cars in street pop art and graffiti are a testament to the human desire to remember and revere the past while continually moving forward. The inclusion of classic cars in street pop art and graffiti artworks is a multifaceted exploration of style, culture, and societal change. Through the lens of these revered automobiles, artists can express complex ideas and emotions, creating a dialogue with the viewer that transcends the visual experience. Whether as objects of beauty, symbols of a bygone era, or central characters in a narrative, classic cars will continue to inspire and captivate artists and audiences within the urban tapestry.

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