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142 artworks

  • New Yorker Elevated Trains Cabs Going HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill New Yorker Elevated Trains Cabs Going HPM Acrylic Silkscreen Print by Bobby Hill

    New Yorker- Elevated Trains- Cabs Going Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $159.00

  • Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    RD-357 Real Deal Punisher Crossing Original Street Sign Painting by RD-357 Real Deal

    Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5 RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

    $2,495.00

  • Vegas Bound Canvas Giclee Print by Leslie Ditto

    Leslie Ditto Vegas Bound Canvas Giclee Print by Leslie Ditto

    Vegas Bound Canvas Artwork Giclee Limited Edition Print on Canvas by Pop Culture Graffiti Artist Leslie Ditto. 2014 Signed & Numbered Inspired By Fear & Loathing In Las Vegas 27"x18" Limited Edition Canvas Print By Leslie Ditto Edition Size Of 30. Ready to Hang on Stretched Canvas. Leslie Ditto's "Vegas Bound" Canvas Artwork: A Limited Edition Fusion of Street Pop Art and Cinema "Vegas Bound" is a canvas artwork by Leslie Ditto, an artist celebrated for her contributions to the street pop art genre. She is known for infusing her pieces with social commentary and vibrant visuals. This limited edition giclée print on canvas is an evocative homage to the cult classic film, "Fear and Loathing in Las Vegas." Signed and numbered by the artist, the 27"x18" print was released in 2014 with a limited edition size of 30, making it a rare collector's item. Leslie Ditto's work often draws from pop culture, and "Vegas Bound" is no exception. The artwork is meticulously prepared on stretched canvas, ready to hang, and serves as an eye-catching testament to Ditto's unique style. The visual narrative of "Vegas Bound" captures the essence of the hallucinatory experience depicted in "Fear and Loathing in Las Vegas." The central figures, reminiscent of the film's protagonists, are portrayed against a backdrop that is quintessentially Las Vegas, with its flashy and over-the-top energy. Ditto's use of saturated colors and exaggerated features echoes the surreal and chaotic journey into the heart of the American Dream, as experienced by the characters. The detailed rendering of the subjects, the classic convertible, and the iconic Las Vegas sign all work in harmony to transport the viewer into the vivid world of the artwork. Dissecting the Aesthetic Elements of "Vegas Bound" The aesthetic elements of "Vegas Bound" are deeply rooted in street pop art and graffiti artwork traditions. Ditto's technique showcases an intricate balance between realism and exaggeration, a hallmark of pop art's influence. The artwork features hallucinatory creatures and distorted perspectives that symbolize the psychedelic influence on street art, while the meticulous attention to detail reflects the precision of graffiti artwork. The figures in the piece, with their stylized expressions and bold contours that define them, testify to the rebellious spirit underlying street and pop art movements. Leslie Ditto's ability to capture the frenetic energy of the Las Vegas strip and the disjointed reality of the film's narrative is evident in the chaotic composition of the piece. Every element, from the smoke from a cigarette to the manic grin of the anthropomorphic creature in the backseat, contributes to an overwhelming sense of motion and emotion. This piece is not simply a static representation; it actively reimagines a cultural phenomenon, capturing the vibrancy and transience of street pop art. Significance and Impact of Leslie Ditto's "Vegas Bound" in Art and Culture "Vegas Bound" stands as a significant work in the oeuvre of Leslie Ditto and within the broader context of street pop art and graffiti artwork. The limited availability of this print has made it a sought-after piece for collectors and enthusiasts of street pop art. Ditto's interpretation of "Fear and Loathing in Las Vegas" through the lens of street art aesthetics offers a fresh perspective on the themes of excess, escapism, and the search for meaning in a postmodern world. It visually explores the boundaries between high and low art, between the world of fine art galleries and the unabashed expressions found on the streets. Through works like "Vegas Bound," Leslie Ditto contributes to the ongoing conversation about the legitimacy and potential of street pop art as a form of artistic expression. Her work challenges the traditional barriers of the art world, showcasing how the motifs and themes commonly found in graffiti and street art can find a place within the confines of a canvas. "Vegas Bound" is not merely a tribute to a film but a piece that stands on its own as a vibrant, thought-provoking example of how pop culture and art intersect to create something entirely new and deeply resonant. Leslie Ditto's "Vegas Bound" is a powerful piece of street pop art that captures the spirit of an era, the essence of a cinematic journey, and the enduring allure of Las Vegas. Its limited edition status only adds to its mystique, making it a valuable addition to the collections of those who appreciate the intricate dance between cinema, street culture, and visual art.

    $312.00

  • Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Going to NY Silkscreen Print by Mr Brainwash- Thierry Guetta

    I am going to NY Silkscreen Print by Mr. Brainwash- Thierry Guetta Hand-Pulled 16-Color on Deckled Fine Art Paper Framed Limited Edition Artwork. 2014 Signed & Numbered Custom Framed Limited Edition of 100 Artwork Size 46x25 Silkscreen Print of NYC Yellow Cab with Blurred Urban New York City Background. Custom Antique Brown Bronze Colored Frame Measuring 51x30. Thierry Guetta's Homage to the Energy of New York City Thierry Guetta, known as Mr. Brainwash, has been a defining figure in the melding of street art with pop art sensibilities, creating works that capture the essence of contemporary urban life. His limited edition silkscreen print "Going to NY" from 2014 is a vivid example of this synthesis. It captures the iconic image of a New York City yellow cab, a symbol deeply ingrained in the city's cultural identity. It is decorated with the visually arresting techniques of Street Pop Art and Graffiti Artwork. Guetta's technique in "Going to NY" showcases his adeptness with the silkscreen process, utilizing a remarkable 16-color palette on fine art paper. The image of the cab is framed by the blurred lines of the city's frenetic movement, conveying a sense of speed and vitality that is the lifeblood of urban New York. The cab is not just a vehicle but a canvas, covered with vibrant graffiti that tells many untold stories about the city that never sleeps. Limited Edition's Collectability and Symbolism  In this piece, Guetta depicts a ubiquitous element of New York's transportation and encapsulates the city's spirit. The graffiti adoring the cab speaks to the art form's integral role in New York's cultural tapestry. This artwork is more than a static image; it is a snapshot of movement, a representation of the city's constant flux and its unending capacity for reinvention and expression. "Going to NY" is a piece that stands out in its rarity and craftsmanship. This work is a collector's item, part of a limited edition of 100, each signed and numbered by Guetta himself. The custom antique brown bronze-colored frame, measuring 51x30 inches, contrasts the artwork's street art aesthetic, signifying its transition from the streets to the collector's private gallery. The Legacy of Mr. Brainwash's Urban Visions Guetta's work, particularly "Going to NY," has contributed significantly to the growing recognition and appreciation of Street Pop Art and Graffiti Artwork within the fine art world. By introducing the visual language of the streets into the galleries, Guetta challenges traditional notions of what constitutes fine art. His work is a dialogue between the highbrow and the every day, celebrating the potential for beauty and meaning in the most unexpected places. "Going to NY" by Mr. Brainwash is more than a piece of art; it is a statement about urban life's vibrancy and its inherent artistry. As Street Pop Art continues to evolve, works like this serve as milestones along the path of artistic innovation. They remind us that art is not confined to the hallowed halls of museums but is all around us, in the streets we walk and the vehicles that pass us by. Guetta's "Going to NY" is a celebration of this dynamic, a testament to the beauty of the city's chaos, and a treasured piece for any art lover drawn to the pulse of the metropolis.

    $8,313.00

  • Trap Former$ Bootleg Art Toy by Fatoh

    Fatoh Trap Former$ Bootleg Art Toy by Fatoh

    Trap Former$ Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Fatoh. 2021 Transformer Hip-hop clutter fashion robot Lamborghini, 7-8inch . Edition of 10, with poster!

    $229.00

  • Gun Culture- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Gun Culture- Large Format Serigraph Print by Shepard Fairey- OBEY

    Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

    $3,810.00

  • Sale -10% Joshua Vides X CC Cone Art Object Sculpture by Joshua Vides

    Joshua Vides Joshua Vides X CC Cone Art Object Sculpture by Joshua Vides

    Joshua Vides X CC Cone Limited Edition Ceramic Traffic Cone Sculpture Artwork by Legendary Fine Graffiti Street Artist Joshua Vides. 2021 Limited Edition of 100 - 9.5” height x 6” base. in ComplexCon Exclusive Joshua Vides, a renowned name in the contemporary art world, has emerged as a unique visual artist adept at blending pop art, street art, and graffiti into his work. Known for his distinctive monochromatic style, he effortlessly creates an immersive experience that bridges the divide between the two-dimensional and three-dimensional worlds. The latest offering from his brilliant repertoire is the 'Joshua Vides X CC Cone Art Object Sculpture.' Inspired by commonplace objects, Vides transforms them into artistic marvels that captivate the audience, effectively turning the ordinary into extraordinary. The CC Cone is no different. This art object, in its essence, is a reinterpretation of the humble traffic cone, yet the transformation is nothing short of revolutionary. Vides' singular technique entails outlining objects in bold, black lines against a stark white background, mimicking the look of a sketch or comic strip. The CC Cone is adorned with this distinctive style, breathing new life into an otherwise overlooked item. The starkness of the black and white design, coupled with the everyday simplicity of the traffic cone, delivers a startling contrast that captures the quintessential paradox of Vides' work: simplicity in design, complexity in perception. As is characteristic of Vides' work, the CC Cone also serves as a comment on modern life, consumer culture, and the urban landscape. This sculpture represents an intersection of art and life, challenging viewers to perceive the world around them through a fresh lens. The intersection of pop art, street art, and graffiti in this sculpture underscores its vitality, pushing the boundaries of the three genres while merging them into a harmonious entity. The 'Joshua Vides X CC Cone Art Object Sculpture' is not merely an art piece; it's a commentary, a challenge, and a testament to Vides' unmatched ability to transform the mundane into extraordinary art. The sculpture serves as a powerful reminder of the blurred lines between art and life, celebrating the beauty and complexity that often goes unnoticed in everyday objects.

    $626.00 $563.00

  • Sale -10% Meet Me On Cloud Nine Silkscreen Print by Rhymezlikedimez- Robin Velghe

    Rhymezlikedimez- Robin Velghe Meet Me On Cloud Nine Silkscreen Print by Rhymezlikedimez- Robin Velghe

    Meet Me On Cloud Nine 15-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Arches Velin Blanc Paper by Rhymezlikedimez- Robin Velghe Rare Street Art Famous Pop Artwork Artist. 2022 Limited Signed & Numbered Edition of 100. 15 layered silkscreen print, edition of 100 only.Hand-pulled on 300 gr Arches Velin Blanc 100% cotton. The unique dimensions of 39.25" / 99.7 cm wide by 12.2"/31 cm tall make for a horizontal format that embraces the art of storytelling. This print has been approved, signed, and numbered by the artist. Screenprinted by hand in Antwerp, Belgium- Year of release: 2022 "I originally created this design for my first pop-up exhibition in Miami. I wanted to show how a dream of mine usually looks. It's this Dali-like collage of impressions encounter throughout the day. In my dream world, the sun is never not setting. " - Robin Velghe "Meet Me On Cloud Nine" is a silkscreen print by the talented artist Robin Velghe, also known as Rhymezlikedimez. Robin Velghe is a Belgian illustrator, animator, and graphic designer. A unique blend of vibrant colors, dynamic motion, and intricate details characterizes his work. He often creates illustrations featuring characters with exaggerated proportions and a sense of fluidity, which gives his work a distinct visual appeal. Rhymezlikedimez has collaborated with various brands, musicians, and events, producing illustrations, animations, and merchandise designs. Some notable collaborations include working with musicians like Anderson .Paak, BROCKHAMPTON, and Aminé. His work has garnered a significant following on social media platforms, where he shares his illustrations and animation projects. As for the "Meet Me On Cloud Nine" silkscreen print, it features some of the signature characteristics found in Robin's other work, such as vivid colors, whimsical elements, and engaging characters. Silkscreen prints are created using a stencil-based printing process, which allows the artist to produce bold and vivid images with a unique aesthetic.

    $820.00 $738.00

  • Sale -10% Pep Boys Original Pen Drawing by Mark Powell

    Mark Powell Pep Boys Original Pen Drawing by Mark Powell

    Pep Boys Original Pop Street Art Pen Drawing on Fine Art Paper by Artist Mark Powell. 2022 12.2x24 Signed Ball Point Pen Drawing is protected by an archival UV protective matt varnish spray.

    $854.00 $769.00

  • 1969 Super Sport Camaro Silkscreen Print by Lady Pink

    Lady Pink 1969 Super Sport Camaro Silkscreen Print by Lady Pink

    1969 Super Sport Camaro 8-Color Hand-Pulled Limited Edition Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Lady Pink Rare Street Art Famous Pop Artwork Artist. 1969 Super Sport Camaro, 2021 8-Color Screen Print on Coventry Rag 290gsm Paper Deckled Edge 24 x 26 in (61 x 64.7 cm) Edition of 100 Signed and numbered by LADY PINK BEYOND THE STREETS Embossed This piece was inspired by the scene on the Lower East Side, before it was cleaned up and gentrified. PINK would travel to Jenny Holzer’s, right off of Houston Street, and would be witness to all the colorful people who came out at night. "It wasn’t pleasant. It was full of hookers and drug addicts. It was the stuff you heard about but to see it was pretty shocking.” -Lady Pink

    $450.00

  • Sale -10% The Take Over PP Archival Print by Wane One Cod

    Wane One Cod The Take Over PP Archival Print by Wane One Cod

    The Take Over PP Archival Print by Wane One Cod Limited Edition Print on 310gsm Natural Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x17 Archival Pigment Fine Art Wane One Cod's 'The Take Over': A Statement in Street Pop Art 'The Take Over,' a PP (Printer's Proof) archival print by Wane One Cod, encapsulates the essence of street pop art through its vibrant depiction of graffiti on a moving canvas—a delivery truck in an urban setting. This 2016 limited edition print, crafted on 310gsm natural museum fine art paper and sized at 24x17 inches, is a collector's piece, each meticulously signed and marked as a Printer's Proof. The artwork reflects Wane One Cod's roots in the early New York graffiti movement and his transition into a pop artist whose works are revered in the contemporary art scene. With 'The Take Over,' Wane One conveys graffiti art's raw energy and commanding presence as it moves beyond static walls to become an integral part of the city's dynamic landscape. The print stands as a testament to the enduring influence of street art and its ability to transform everyday objects into vehicles of artistic expression.

    $845.00 $761.00

  • Threepio's GTO Silkscreen Print by Lil Tuffy

    Lil Tuffy Threepio's GTO Silkscreen Print by Lil Tuffy

    Threepio's GTO Artwork Silkscreen Limited Edition Print on 100 lbs. Metallic Star Dream Cover Stock Paper by Pop Culture Graffiti Artist Lil Tuffy. Lil Tuffy - "Threepio's GTO" 1 Color Screen Print Edition of 100 100 lbs. Metallic Star Dream Cover Stock 17.5" x 23"

    $103.00

  • Sale -10% Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $553.00 $498.00

  • Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle

    Tim Doyle Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle

    Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 175 Artwork Size 24x18 Pulp Fiction Movie Tribute, 4th Unreal Estate show

    $229.00

  • Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Shepard Fairey- OBEY Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat

    Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

    $2,375.00

  • Sale -10% The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End of the End- Mini HPM Stencil Print by Denial- Daniel Bombardier

    The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

    $954.00 $859.00

  • Back to the Future Glow Silkscreen Print by Tim Doyle

    Tim Doyle Back to the Future Glow Silkscreen Print by Tim Doyle

    Back to the Future- Glow Print Limited Edition 8-Color Hand-Pulled Silkscreen Print on 100lb Natual Cougar Cover stock by Artist Tim Doyle Modern Pop Art. 2015 Signed & Numbered Limited Edition of 150 III Artwork Size 16x24 Back to the Future, Movie, Man, Woman, Car, Shark, Fish, Wild Gunman, Time Travel, SciFi

    $236.00

  • Sale -10% Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong

    Shepard Fairey- OBEY Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong

    The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

    $696.00 $626.00

  • Boyz N The Hood Giclee Print by Joshua L Johnson

    Joshua L Johnson Boyz N The Hood Giclee Print by Joshua L Johnson

    Boyz N The Hood 4-Color Limited Edition Giclee Print on Fine Art Paper by Joshua L Johnson Rare Street Art Famous Pop Artwork Artist. Giclee print 18 x 24 inches signed and numbered, limited edition of 60 inspired by Boyz N The Hood

    $226.00

  • London With Rolls Royce HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill London With Rolls Royce HPM Acrylic Silkscreen Print by Bobby Hill

    London With Rolls Royce Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $159.00

  • Endless Power! 2013 Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power! 2013 Serigraph Print by Shepard Fairey- OBEY

    Endless Power! Limited Edition Hand Pulled 4-Color Serigraph Print on 100% Cotton Rag Archival Paper w/ Deckled Edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. The Provocateurs (Chicago) Event Shepard Fairey Print. 24 x 36-inch Serigraph Signed and Numbered Edition of 200 ART ALLIANCE publishing chop on the bottom left corner. Petrol Unlimited Future with Lung Tonic.

    $1,422.00

  • Rabbit A Frame Original Acrylic Sign Spray Painting by Blake Jones

    Blake Jones Rabbit A Frame Original Acrylic Sign Spray Painting by Blake Jones

    Rabbit A Frame Original Acrylic Spray Paint Road Construction Street Sign Painting by Blake Jones One of a Kind Artwork Street Art Pop Artist. 2020 Signed Acrylic & Spray Paint on Reclaimed Road Construction A Frame Alert Street Caution Sign Painting Original Artwork Size 23.75x45.25 Rabbit A Frame by Blake Jones – Urban Whimsy on Reclaimed Canvas in Street Pop Art & Graffiti Artwork Rabbit A Frame is a 2020 original acrylic and spray paint artwork by American street pop artist Blake Jones, executed on a reclaimed road construction A-frame alert sign. Measuring 23.75 x 45.25 inches, this one-of-a-kind piece transforms functional street infrastructure into a playful and energetic canvas. Painted directly onto the iconic orange-and-white reflective barricade pattern, Jones’s unmistakable rabbit character peeks curiously from the lower corner of the signage, infusing humor and innocence into a symbol of civic caution. This unexpected collision of form and character is central to the practice of Street Pop Art & Graffiti Artwork, where urban detritus becomes a site for creativity, subversion, and visual storytelling. Recontextualizing Utility Through Character The inclusion of the rabbit—a recurring figure in Blake Jones’s universe of cartoon expressions—anchors the work in his broader practice of using character design to evoke joy, curiosity, and absurdity. The wide eyes and rounded lines of the rabbit stand in stark contrast to the rigid geometry and utilitarian purpose of the A-frame construction sign. The artist has left visible stenciled type reading LYONS PINNER on the lower bar, enhancing the piece’s authenticity as a reclaimed object from real city infrastructure. This juxtaposition of municipal function and personal expression creates a layered narrative, where the rigid visual language of public signage is softened by animated wonder. Jones’s approach doesn’t erase the object’s past—it amplifies it through aesthetic intervention. Medium, Surface, and Street Aesthetics Blake Jones employs a combination of acrylic brushwork and aerosol application to achieve vibrant contrast and edge clarity on the reflective metal surface. The texture of the sign, complete with scratches, dents, and weathered paint, provides a gritty, tactile base that elevates the artwork’s physical presence. Each imperfection in the surface becomes part of the final composition, tying the piece back to the street. The use of road sign material reinforces the core ethos of Street Pop Art & Graffiti Artwork—art made in, of, and for public space. The rabbit, rendered in bold turquoise with expressive black detailing, punctuates the sign with personality, reframing caution not as a warning, but as a playful greeting. Blake Jones and the Art of Reclaiming Urban Narratives Rabbit A Frame is more than just a clever object painting—it is a statement about how everyday materials can become carriers of joy, personality, and artistic transformation. Blake Jones continues to blur the line between street detritus and collectible art, using found materials as his platform for character-driven storytelling. His work reinserts humanity into spaces often ruled by standardization and silence. This piece invites viewers to see humor and imagination embedded in the fabric of their daily environment. As part of Street Pop Art & Graffiti Artwork, it stands as a vibrant reminder that art is not confined to canvas or gallery walls. It can live on the streets, on the signs we ignore, and in the characters that bring those spaces to life. Blake Jones reclaims these spaces with style, mischief, and undeniable charm.

    $2,375.00

  • Back To The Future 3 AP Giclee Print by Andy Fairhurst

    Andy Fairhurst Back To The Future 3 AP Giclee Print by Andy Fairhurst

    Back To The Future 3 Limited Edition Giclee Print on Fine Art Paper by Andy Fairhurst counter-culture street artist art. AP Artist Proof Signed & Marked AP Limited Edition Artwork Size 12x24 Officially licensed ‘Back To The Future 3’ AP Artist Proof prints done for Bottleneck Gallery and Vice Press. Hand-numbered and signed by the artist. 12x24 inches.

    $146.00

  • Sale -10% Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong

    Shepard Fairey- OBEY Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong

    The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. PP Printers Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's "The Beauty of Liberty & Equality": A Mural of Democratic Milestones "The Beauty of Liberty & Equality" PP (Printer's Proof) is an evocative offset lithograph print by Jon Furlong that captures the essence of a mural by Shepard Fairey and Sandra Chevrier, two luminaries in the world of urban graffiti pop street art. This print, part of a limited edition run of 500 signed and numbered pieces released in 2020, measures 18x24 inches and stands as a testament to a significant moment in the history of democracy—the Women's Vote Centennial. Shepard Fairey's statement underscores the artwork's connection to the broader initiative commemorating women's suffrage and its ongoing relevance to current equal rights issues. Fairey, an artist renowned for his politically charged work, and Chevrier, known for her striking visual narratives that often delve into gender politics, have collaborated to create a mural that is both a celebration of historical achievements and reminds of the struggles that persist. As a Printer's Proof, the lithograph print holds a special status, often reserved for checking the final quality before printing the entire run. Collectors and enthusiasts of street pop and graffiti artwork prize such proofs for their closeness to the artists' original intent and the rarity they represent within a print series. Artistic Fusion in "The Beauty of Liberty & Equality" The mural, and by extension the lithograph print, is a vibrant fusion of Fairey's bold, graphic style and Chevrier's poignant portraiture, enveloped in a palette that commands attention and provokes thought. The artwork's layered composition—a hallmark of Fairey's and Chevrier's approach—blends text, imagery, and symbolism to convey a complex narrative about the journey toward equality and liberty. In line with the ethos of street pop art, the piece is anchored in its accessibility and capacity to communicate powerful messages through the visual lexicon of graffiti art. In bringing this piece to life, Fairey and Chevrier have created an artwork that celebrates a centennial and crafted a message that resonates with the present-day discourse on rights and representation. "The Beauty of Liberty & Equality" is a visual dialogue about the ongoing journey of democracy and the role of art in reflecting and shaping public consciousness. "The Beauty of Liberty & Equality" PP Austin Mural Print by Jon Furlong, Shepard Fairey, and Sandra Chevrier is a significant addition to the narrative of pop street art and its intersection with social activism. This Printer's Proof is a collectible piece that not only enhances the aesthetic milieu of its holders but also serves as a poignant reminder of the power of art to commemorate, educate, and inspire continual progress toward equality. Through this lithograph, the mural's message transcends the boundaries of Austin, reaching an international audience and solidifying its place in the annals of street pop art and graffiti artwork.

    $998.00 $898.00

  • Future Chase Giclee Print by SP Zero

    SP Zero Future Chase Giclee Print by SP Zero

    Future Chase 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by SP Zero counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

    $146.00

  • Safari Inn Archival Print by Robert Mars

    Robert Mars Safari Inn Archival Print by Robert Mars

    Safari Inn Lounge Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Safari Inn archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM • Hand-varnished • 24 x 24 inches Hand-signed and numbered by artist Robert Mars

    $256.00

  • UltraS Archival Print by David Molesky

    David Molesky UltraS Archival Print by David Molesky

    UltraS Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kiev. It's the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I've dropped that dogma. I love that the subject is current, and also contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky David Molesky's "UltraS" in the Landscape of Street Pop Art & Graffiti Artwork David Molesky's "UltraS" emerges as a significant piece within the modern landscape of Street Pop Art and graffiti Artwork, presenting a stirring visual narrative that blends contemporary unrest with a sense of timeless struggle. As a limited edition series, Molesky offers only fifty archival pigment prints on 310gsm fine art paper, each piece signed and numbered, underscoring this work's exclusivity and collectible nature. Sized at an impactful 24x20 inches, "UltraS" is a cornerstone of Molesky's artistic evolution. The artwork transcends the conventional boundaries of street art by integrating the raw vigor of graffiti with the sophisticated depth of fine art. Molesky’s technique is marked by meticulous attention to detail and a rich palette that echoes the hues of historical film tones, infusing the piece with a unique vintage quality despite its contemporary subject. The scene depicted is one of chaotic beauty, set against a backdrop of revolution—a reference to the events that transpired in Kyiv. Through his art, Molesky captures the turbulence of these times, channeling the dynamic energy and emotion that define moments of societal upheaval. In "UltraS," the focal point is the figure clad in an old-school puffy down jacket, a style choice that intentionally bridges eras, connecting the present to the past. This figure is set against the fiery blaze that engulfs what appears to be a derelict vehicle, with the thick smoke and flames rendered with such realism that they seem to leap off the paper. The contrast between the stoic determination of the figure and the destructive environment around him serves as a potent metaphor for resilience in the face of chaos. Molesky’s shift from his prior figurative work to a narrative that embraces artificial objects and contemporary events marks a significant pivot in his artistic journey. By discarding his previous avoidance of temporal elements, he forges a new path that allows him to comment on current events through his art. The "UltraS" series, particularly this piece, reflects this transformation, as Molesky immerses himself in street art's raw, unfiltered essence while maintaining a delicate art sensibility. The significance of "UltraS" within street pop art and graffiti Art lies in its aesthetic, historical relevance, and ability to capture a snapshot of revolutionary spirit. It is a visual exploration of the human condition, a poignant reminder of art's power to document, express, and move. For collectors and enthusiasts, owning a piece of the "UltraS" series is not just an acquisition of visual art but an embrace of a story, a moment in time, and a piece of the artist’s soul. Embracing Modernity and Nostalgia in Street Pop Art & Graffiti Artwork With "UltraS," Molesky delves into a realm where modernity and nostalgia intersect, presenting a visual discourse that is as thought-provoking as it is aesthetically pleasing. The inclusion of graffiti-like elements—such as the word "UltraS" scrawled on the side of the burning vehicle—grounds the work in the street art tradition, a form known for its subversive edge and connection to the voices of the disenchanted and the rebellious. Yet, the chaos is elegant, a curated composition that elevates the piece from mere street art to a form of Street Pop Art and graffiti Artwork that holds its own in galleries and sophisticated art collections. Molesky's commitment to authenticity and ability to distill complex narratives into a single frame sets "UltraS" apart. In the pop art tradition, it comments on culture and society, but it does so with the grit and earnestness of graffiti, capturing the zeitgeist in a raw and refined way. The limited edition nature of these prints further adds to their value, not just in monetary terms but also in the cultural weight they carry as artifacts of a pivotal era in art. Through "UltraS," David Molesky invites us to reflect on the intersections of art, society, and history. His work is a testament to the enduring power of visual storytelling and the evolving landscape of Street Pop Art and graffiti Artwork, where every stroke, color, and form is imbued with meaning and resonates with the viewer long after the first glance.

    $352.00

  • Sale -10% Cali Love Giclee Print by Risk Rock x Fabrice Hanssens

    Risk Rock Cali Love Giclee Print by Risk Rock x Fabrice Hanssens

    Cali Love Giclee Print by Risk Rock x Fabrice Hanssens Artwork Limited Edition Print on Metallic Thick Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 25 Artwork Size 26x20 Cali Love Giclee Print: A Symphony of Street Pop Art and Photographic Mastery The 'Cali Love' Giclee Print emerges as a remarkable testament to the synergy between street pop art and photographic genius, a limited edition offering that encapsulates the essence of California's vibrant street culture. This piece is a collaboration between the acclaimed graffiti pop artist Risk Rock and the distinguished photographer Fabrice Henssens. Limited to 25 copies, each print is meticulously signed and numbered, underscoring its exclusivity and appeal to collectors and fans of street art. Crafted on the lustrous surface of Hahnemühle Photo Rag Metallic paper, the artwork is a dazzling fusion of Risk Rock's audacious color palettes and Henssens's photographic clarity. The print features an evocative image of the legendary rapper 2Pac, imbued with the spirit and attitude of California's hip-hop legacy. Sized at 26x20, the print's dimensions offer a substantial canvas for the artists to work their magic, bringing together elements of graffiti and pop art to create a piece that is both a visual feast and a cultural statement. Exploring the Layers of 'Cali Love' The artwork's depth is palpable, with layers of meaning embedded within its vibrant composition. Risk Rock's influence is evident in the bold splashes of color and the whimsical inclusion of butterflies, synonymous with his graffiti art style. These motifs serve not merely as embellishments but as symbols of transformation and freedom, themes that resonate deeply within the hip-hop community and among the broader audience of street art enthusiasts. Fabrice Henssens's contribution as a photographer brings a sense of realism to the tableau, grounding the whimsical elements in a tangible scene that viewers can connect with. His skillful manipulation of light and shadow on the metallic paper adds a three-dimensional quality to the print, making the image leap off the page and capture the beholder's gaze. This interplay between the tangible and the fantastical is a hallmark of street pop art and is executed precisely in 'Cali Love.' 'Cali Love': An Emblem of Street Pop Art and Graffiti Artwork As a limited edition print, 'Cali Love' is significant in street pop art and graffiti artwork. The decision to utilize Hahnemühle Fine Art Paper, known for its exceptional quality and durability, speaks to the artist's commitment to creating work that lasts, much like the enduring impact of street art on urban culture. The metallic sheen of the paper complements the luminosity of California's landscape, a clever nod to the artwork's title and thematic content. The collaboration between Risk Rock and Fabrice Henssens celebrates the cross-pollination between different artistic disciplines. Risk's roots in graffiti and Henssens's photographic prowess create a print that is more than the sum of its parts. It is a piece that captures the zeitgeist of street pop art, reflecting the dynamic and ever-evolving nature of the genre. Through 'Cali Love,' the artists pay homage to the spirit of California, with its rich history of street art and its status as a crucible of the hip-hop movement. In the landscape of modern art, 'Cali Love' stands out as a beacon of innovation and artistic fusion. The piece is not merely a static image but a dialogue between two artists and their mediums. This dialogue is layered, complex, and deeply rooted in the cultural fabric of street art. It is a print that commands attention invites introspection, and celebrates the multifaceted beauty of street pop art and graffiti artwork.

    $629.00 $566.00

  • Sale -10% P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    Joshua Vides P Zero Peel Out Medium Tire Rug by Scuderia Ferrari x Joshua Vides

    P Zero Peel Out Medium Tire Rug Object Art by Scuderia Ferrari x Joshua Vides Limited Edition Designer Collectible Pop Artist Carpet Artwork. 2023 Limited Edition Rare P Zero Peel Out Medium Tire Rug Object Art Size 4ftx4ft Black Joshua Vides Stylized P Zero Scuderia Ferrari Tire with White Trim Cotton Backed Carpet. Scuderia Ferrari Design and Artistic Vision The fusion of utility and artistry takes a bold leap forward with the P Zero Peel Out Medium Tire Rug, a collaborative creation by Ferrari and pop artist Joshua Vides. This limited edition piece of the 2023 collection is a prime example of how functional items are reimagined within Street Pop Art and Graffiti Artwork, encapsulating a contemporary aesthetic that bridges everyday objects with highbrow artistic expression. At first glance, the P Zero Peel Out Medium Tire Rug captivates with its striking black and white design, a nod to the iconic Ferrari P Zero tires known for their association with performance and luxury. Joshua Vides' stylization brings an artful twist to the familiar, transforming a symbol of speed and precision into a statement piece. The rug spans 4 feet by 4 feet, offering a substantial canvas that showcases the collaboration's attention to detail and design prowess. The black base of the rug sets a dramatic stage for the white accents that delineate the tire's features. Vides' approach is reminiscent of his signature style, where he often outlines objects in bold lines to create a cartoon-like reality, playing with perceptions and inviting viewers to re-evaluate the mundane. The cotton-backed carpet material further grounds the piece in the realm of the tactile and practical while the artwork elevates it to the collectible. Cultural Resonance In the landscape of pop and street art, collaborations between artists and commercial entities are not uncommon. Still, this piece stands out for its seamless integration of corporate branding with artistic reinterpretation. The tire, an object typically associated with machinery and industry, is transformed through the lens of street pop art, an act that carries a multitude of cultural and social implications. The tire transcends its original purpose in this piece, becoming a canvas reflecting the intersections between high-speed motorsports, luxury branding, and urban art culture. It is a physical manifestation of the dialogue between these worlds, which is increasingly present in today's visual culture. Impact on Art and Design The significance of the P Zero Peel Out Medium Tire Rug extends beyond its aesthetic appeal; it is an emblem of how contemporary artists like Vides can influence and redefine our understanding of product design. The intersection of art and consumer goods has been a hallmark of pop art since its inception, and this piece is a modern continuation of that tradition. Furthermore, the limited edition nature of the rug ensures its status as a collectible item, coveted not only for its artistic value but also for its rarity. In the dynamic world of street pop art, limited edition pieces such as this serve as cultural artifacts that capture a moment in time, a snapshot of current trends, and the evolving tastes of society. The P Zero Peel Out Medium Tire Rug is a testament to the synergistic potential of collaborations between artists and brands. It is a celebration of street pop art's ability to infiltrate and elevate the objects of our daily lives, turning them into art that challenges our perceptions and enriches our environments. This piece is not just a rug but a narrative woven from the threads of innovation, art, and industry, which unfolds with each viewing.

    $524.00 $472.00

  • The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $3,116.00

  • TGIF V 20 Archival Canvas Print by Dave Pollot

    Dave Pollot TGIF V 20 Archival Canvas Print by Dave Pollot

    TGIF V 20 Archival Print by Dave Pollot Limited Edition on PH Neutral 17mil Canvas Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 57 Artwork Size 16x20 Archival Pigment Fine Art on Canvas of the Jason from Horror Movie Friday the 13th in a Swamp TGIF V 20: Archival Print by Dave Pollot The TGIF V 20 archival print by Dave Pollot, released in 2023, represents a unique fusion of pop culture references, fine art techniques, and street pop art sensibilities. This limited edition artwork, signed and numbered by Pollot, is part of a series of just 57 prints. It is a 16x20 inch archival pigment print on pH-neutral 17mil canvas, which ensures its longevity and resistance to fading over time. The piece features the iconic character Jason Voorhees from the Friday the 13th horror movie franchise, depicted in a serene, almost pastoral swamp scene, blending the worlds of horror cinema and classical landscape painting. Pop Culture Meets Fine Art in TGIF V 20 Dave Pollot is known for his clever reimagining of traditional art, often incorporating pop culture icons and elements of contemporary media into classical or idyllic settings. TGIF V 20 is a prime example of this approach, as Pollot combines the menacing figure of Jason Voorhees with a tranquil countryside landscape. In this print, Jason stands ominously in a swamp, his iconic hockey mask reflecting the light of a distant sunset, as a small cottage nestles in the background, seemingly oblivious to the terror lurking nearby. Pollot's ability to juxtapose these two worlds — the horror of Friday the 13th and the peace of an idyllic countryside — creates a sense of unease and dark humor. The viewer is left to contemplate the absurdity of Jason, a figure of violence and fear, calmly existing in such a serene environment. This playful contradiction is a hallmark of street pop art, where familiar symbols are recontextualized in surprising and often ironic ways. By placing Jason in this unexpected setting, Pollot challenges our perceptions of the character and the setting, encouraging us to see them in a new light. The Influence of Graffiti and Street Pop Art Pollot's work, while rooted in traditional fine art techniques, is heavily influenced by the aesthetics and ethos of street pop art and graffiti. Street pop art is known for its bold use of color, incorporation of popular culture, and ability to challenge the boundaries between high and low art. In TGIF V 20, Pollot brings these elements together, using Jason as a mass culture symbol to disrupt classical landscape painting conventions. The texture and richness of the canvas, along with the vibrant yet balanced color palette, add to the visual impact of the piece. The scene, which might otherwise resemble a typical 19th-century landscape, is transformed by Jason's presence. The influence of graffiti and street art can be seen in how Pollot brings a sense of the urban and contemporary into the traditional. Jason, a figure from 1980s horror, becomes a modern-day interloper in a timeless setting, much like graffiti often disrupts the urban environment's aesthetic by introducing new, frequently controversial elements. Moreover, this print's hand-numbered, limited edition nature emphasizes the individuality and exclusivity often associated with street art, much like graffiti artists who mark their work with a signature or tag, Pollot signs, and numbers each print, ensuring that no two pieces are identical. This also ties into the street art philosophy of art being both public and personal, accessible yet unique. The Contrast of Horror and Pastoral Beauty At the heart of TGIF V 20 is the stark contrast between the horror genre and the peacefulness of the natural landscape. Jason, typically seen stalking victims through dark forests or deserted campsites, is instead placed in a setting that evokes warmth and nostalgia. The cottage in the background, illuminated by the soft glow of the setting sun, creates a comforting atmosphere that directly opposes the violent imagery often associated with Jason. This juxtaposition heightens the sense of unease as the viewer wonders how such a figure could belong in such a tranquil place. The piece's title, TGIF V 20, also plays into this contrast. While Friday the 13th is synonymous with bad luck and horror, the phrase "TGIF" typically conveys a sense of relief and the anticipation of a relaxing weekend. Pollot uses this duality to blur further the lines between fear and comfort, humor and horror. This layering of meaning is characteristic of street pop art, where multiple interpretations can coexist, and the viewer is encouraged to engage with the work on different levels. Pollot's decision to depict Jason in a swamp, as opposed to a more conventional horror setting, adds another layer of complexity to the piece. Swamps are often associated with decay, mystery, and hidden dangers, making them an ideal setting for Jason's brooding figure. At the same time, the way Pollot renders the scene — with soft brushstrokes, warm tones, and an overall sense of calm — makes the swamp appear almost inviting. This tension between beauty and menace is central to the appeal of the artwork, as it invites the viewer to question what lies beneath the surface. Dave Pollot's Modern Approach to Art and Pop Culture Dave Pollot's approach to art is rooted in the blending of high art and pop culture, a technique that has become a defining feature of modern street pop art. Pollot's background in classical painting techniques allows him to execute his works with precision. At the same time, his incorporation of familiar cultural icons adds a layer of accessibility and relevance to contemporary audiences. TGIF V 20 continues this tradition, as Pollot brings the world of horror movies into the refined setting of landscape painting. As a symbol of fear and violence, Jason Voorhees becomes a part of the natural world in Pollot's hands, suggesting that even the most terrifying aspects of our imagination have a place in the broader cultural landscape. By placing Jason in such a serene and picturesque setting, Pollot forces us to reconsider what we find beautiful and frightening. This merging of worlds is central to street pop art, where the familiar and the unexpected come together to create something entirely new. TGIF V 20 by Dave Pollot is a powerful example of how modern street pop art can challenge and expand our understanding of art and popular culture. Through his use of humor, contrast, and finely honed artistic technique, Pollot creates a visually striking and thought-provoking work, offering a fresh perspective on a familiar figure from horror cinema.

    $462.00

  • Hellacopters 1998 AP Silkscreen Print by Frank Kozik

    Frank Kozik Hellacopters 1998 AP Silkscreen Print by Frank Kozik

    Hellacopters 1998 AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size VERIFY Silkscreen Print Band Gig Poster by Frank Kozik Frank Kozik Hellacopters 1998 Artist Proof Silkscreen Print Frank Kozik, born in Spain in 1962 and active primarily in the United States until his passing in 2023, was a major force in elevating gig posters into respected examples of Street Pop Art & Graffiti Artwork. The Hellacopters 1998 Artist Proof silkscreen print was created to promote the Swedish rock band’s North American release and reflects Kozik’s unmistakable graphic intensity during the late 1990s. This hand-pulled silkscreen on fine art paper was issued as a signed and numbered Artist Proof edition of 50, a smaller subset separate from the standard run and traditionally reserved for the artist. Artist Proof prints are especially valued within Street Pop Art & Graffiti Artwork due to their rarity and their direct connection to the printmaking process, reinforcing the poster’s status as a collectible fine art object rather than disposable promotional material. Skull Iconography and High-Impact Graphic Design The composition centers on a skull framed by crossed mechanical pistons, flanked by bold numerals and engulfed in stylized flames, creating a visual fusion of hot rod culture, heavy rock symbolism, and underground comic aesthetics. The dramatic Hellacopters masthead dominates the upper portion in sharp, flame-like typography, while the phrase Supershitty to the Max anchors the design with aggressive humor characteristic of the band’s identity. Kozik’s use of saturated reds, yellows, blacks, and purples produces a high-contrast layout that commands attention from a distance, a hallmark of effective Street Pop Art & Graffiti Artwork. The clean separations and flat color fields demonstrate disciplined silkscreen craftsmanship, ensuring durability and vibrancy decades after production. Additional promotional text such as Ask for it by name and 100 percent pure rock reinforces the energy of late 1990s rock marketing while remaining visually cohesive within the overall composition. 1990s Gig Poster Movement and Street Pop Art & Graffiti Artwork Legacy By 1998, Frank Kozik had firmly established the limited edition silkscreen gig poster as an important collectible within Street Pop Art & Graffiti Artwork. His work for bands such as The Hellacopters bridged underground music scenes with fine art print culture, helping to legitimize posters as archival works worthy of preservation. The Artist Proof designation further enhances this example’s significance, as such editions typically reflect early pulls from the print run and closer oversight by the artist. Posters like this document a period when rock music, bold graphic experimentation, and hand-crafted silkscreen production converged, shaping the visual identity of alternative culture at the close of the twentieth century.

    $450.00

  • Big Ben & Double Decker Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill Big Ben & Double Decker Bus HPM Acrylic Silkscreen Print by Bobby Hill

    Big Ben & Double Decker Bus Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $159.00

  • Fett's Vette Silkscreen Print by Lil Tuffy

    Lil Tuffy Fett's Vette Silkscreen Print by Lil Tuffy

    Fett's Vette Artwork Silkscreen Limited Edition Print on 100 lbs. Metallic Star Dream Cover Stock Paper by Pop Culture Graffiti Artist Lil Tuffy. Lil Tuffy - "Fett's Vette" 1 Color Screen Print Edition of 100 100 lbs. Metallic Star Dream Cover Stock 17.5" x 23"

    $103.00

  • Back to the Future Giclee Print by Jason Naylor- OPN Heart

    Jason Naylor- OPN Heart Back to the Future Giclee Print by Jason Naylor- OPN Heart

    Back to the Future Limited Edition Giclee Print on Fine Art Paper by Jason Naylor counter-culture street artist art.

    $214.00

  • Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Ian Ferguson- Hydeon Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon

    Humboldt Park Chicago Silkscreen Print by Ian Ferguson- Hydeon 1-Color Hand-Pulled Limited Edition on Fine Art Paper Rare Street Art Famous Pop Artwork Artist. 2013 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 Neighborhood Art Series by Ian Ferguson.  Humboldt Park Silkscreen Print by Ian Ferguson – Hydeon The Humboldt Park silkscreen print by Ian Ferguson, also known as Hydeon, is a masterful piece in the Neighborhood Art Series, showcasing the intricate and layered storytelling for which the artist is known. This one-color hand-pulled silkscreen print is a signed and numbered limited edition from 2013, measuring 16x20 inches on fine art paper. It represents a unique vision of Humboldt Park, one of Chicago’s most historically and culturally significant neighborhoods. Ferguson’s work blends architectural precision with surreal urban landscapes, capturing the vibrancy, energy, and layered history of the community through a composition filled with intricate details and symbolic elements. The Architectural and Cultural Essence of Humboldt Park Ferguson’s illustration style is deeply rooted in architectural line work, and this piece is no exception. Humboldt Park’s ornate buildings, historic facades, and bustling street scenes are carefully drawn with a high level of detail, reflecting the neighborhood’s diverse influences. The artwork brings together an array of visual motifs, including classic Chicago brick buildings, vintage automobiles, bicycles, and elements of the urban landscape that define the area’s character. The use of black and white enhances the structural complexity of the illustration, allowing each line to tell a story. Beyond its architectural depth, Humboldt Park is widely recognized for its cultural history, particularly its strong connection to Puerto Rican heritage and Latin American influences. Ferguson pays homage to this identity by incorporating imagery such as a mariachi musician, elements of Puerto Rican symbolism, and nods to the community’s long-standing contributions to Chicago’s street pop art & graffiti artwork. The piece blends these cultural elements with its urban setting, creating an evocative snapshot of a neighborhood filled with life and resilience. Surrealism and Symbolism in the Artwork A defining characteristic of Ferguson’s work is the interplay of realism and surrealism. In this print, seemingly familiar structures are reimagined in dreamlike ways—architecture floats among the clouds, structures merge into one another, and perspectives shift fluidly across the composition. The Humboldt Park lagoon is a focal point, drawn with reflections that add depth and a sense of movement. Meanwhile, griffin-like mythical creatures appear in the sky, reinforcing a sense of mystery and wonder, which is a signature of Ferguson’s work. The print also includes elements that hint at the neighborhood’s present and past—its food truck scene, vintage signage, public parks, and bustling street life. These details provide layers of meaning, allowing the viewer to explore different aspects of Humboldt Park’s identity. Ferguson’s ability to infuse narrative into his illustrations elevates this piece beyond mere documentation; it becomes an experience, a visual representation of a living, breathing urban environment. Hydeon’s Influence on Street Pop Art & Graffiti Artwork Ian Ferguson’s Neighborhood Art Series has established him as a leading figure in street pop art & graffiti artwork, offering an alternative to traditional muralism by using hand-pulled silkscreen techniques to create highly detailed urban narratives. Unlike large-scale street art that often relies on bright colors and broad strokes, Ferguson’s method focuses on intricate line work and layered storytelling. This approach aligns with the historical documentation of urban spaces, much like how early cartographers mapped cityscapes, but with a modern artistic twist. Through this series, Ferguson captures the soul of Chicago’s neighborhoods, transforming them into surreal, poetic compositions that resonate with residents and art collectors alike. The Humboldt Park silkscreen print is a tribute to the area’s resilience, history, and artistic energy, preserving its cultural identity through a limited edition, hand-pulled artwork that continues to inspire admiration within the street pop art & graffiti artwork community.

    $146.00

  • Sale -10% UltraS PP Archival Print by David Molesky

    David Molesky UltraS PP Archival Print by David Molesky

    UltraS PP Printer Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kyiv. It's the largest of the eight paintings and the one I spent the most time on. The figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative paintings. For the last decade, I have tried to depict universal time and avoided artificial objects. I've dropped that dogma. I love that the subject is current and contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky. The Convergence of Revolution and Art in David Molesky's "UltraS" David Molesky's "UltraS PP Printer Proof" stands out as a pivotal creation that captures the essence of Street Pop Art and graffiti Artwork while being deeply rooted in the historical context of the revolution in Kyiv. As an archival pigment print on 310gsm fine art paper, this piece holds significant value in its material quality and profound thematic content. The limited edition print, marked and signed by Molesky himself, measures 24x20 inches, providing a substantial canvas for the artist's vision. Molesky's journey through the artistic depiction of universal time and space takes a dramatic turn with "UltraS." The painting eschews his previous avoidance of temporal and artificial elements, plunging instead into the immediacy of current events with a raw and gripping portrayal of the human spirit in times of conflict. The "UltraS" series, specifically this print, departs from Molesky's earlier figurative painting, venturing into a more dynamic and narratively rich territory. The artwork is an amalgamation of past and present, a visual dialogue between the history it draws from and the contemporary medium of its expression. The print itself, a Printer's Proof, bears the unique distinction of being a precursor to the final limited edition run, carrying with it the artist's nuances and direct hand. The markings and the signature on each PP print confirm its authenticity and exclusivity, making it a coveted item for collectors and admirers of modern pop art. In "UltraS," Molesky achieves a striking balance between the static and the kinetic. The image of the solitary figure, poised against a backdrop of fiery chaos, encapsulates a moment of intense action and profound stillness. This figure, adorned in an "old school puffy down jacket," is an anachronistic anchor, throwing the viewer into a liminal space where time converges. The overall coloration of the print, reminiscent of old film tones, further imbues the scene with a sense of history and gravitas. David Molesky's Artistic Evolution Through "UltraS" The "UltraS" piece is not just an artwork but a historical document and a visual commentary, encapsulating the enthusiasm and the ethos of the streets. By adopting elements from graffiti art, Molesky infuses the piece with authenticity and an edge typically reserved for the most impactful street art. The scrawled "UltraS" on the side of the burning vehicle is a nod to the graffiti tradition, a signature that declares both presence and resistance. This Printer's Proof edition of "UltraS" is a testament to Molesky's artistic maturation. It showcases his willingness to engage with the present, to document it, and to reflect on it through his art. The series demonstrates a clear narrative progression in his work, embracing the current moment with all its complexities and contradictions. The impact of "UltraS" lies in its capacity to transcend the temporal boundaries that often define street art. Molesky's print is a snapshot of a single event and a broader exploration of the human condition amidst societal turmoil. It is a piece that resonates with the urgency of now while simultaneously capturing the echoes of the past. For the art world, "UltraS" represents a significant contribution to the discourse of Street Pop Art and graffiti Artwork. It is a work that demands contemplation, speaks to the soul of the viewer, and invites us to ponder the role of art in reflecting and shaping our perception of historical events. David Molesky's "UltraS" is not just a piece to be viewed; it is an experience to be absorbed, a dialogue to be entered, and a reflection of our world.

    $563.00 $507.00

  • Under a Blanket of Stars We Confessed Our Dreams Silkscreen Print by Russell Moore

    Russell Moore Under a Blanket of Stars We Confessed Our Dreams Silkscreen Print by Russell Moore

    Under a Blanket of Stars We Confessed Our Dreams 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Russell Moore Rare Street Art Famous Pop Artwork Artist. Well, my wife and I used to take the car out somewhere away from the city lights and just stare up into the night sky for hours. There's nothing like seeing the Milky Way in the middle of summer out in the country on a dark night. -Russ Moore

    $214.00

  • This Is Bad Lands Green Blue HPM Silkscreen Print by Faile

    Faile This Is Bad Lands Green Blue HPM Silkscreen Print by Faile

    This Is Bad Lands Green Blue 3-Color Hand-Pulled Limited Edition Embellished HPM Silkscreen Print on Deckled Lenox 100 Paper by Faile Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 250 HPM Hand Painted Multiple Artwork Size 12.5x19 Faile's "Bad Lands" art print – a limited edition masterpiece with a mere 250 copies available worldwide. As the newest addition to the 150 Series, this release features approximately seven unique variations within the edition, including multiple color schemes, hand-painted, stained, and printed versions. Crafted on durable, thick archival paper, the eye-catching Green variation is a highly sought-after piece that boasts an extraordinary texture. The print measures 12.5" x 19" and showcases two deckled edges and two straight edges. The front and back of the print are meticulously detailed, with the reverse side adorned with printing, stamping, and more. Each copy is signed, numbered, dated, stamped, and embossed by the artist, making it a truly exclusive and valuable collectible. Don't miss the chance to own this excellent art print – experience its stunning visual impact in person! The "This Is Bad Lands Green HPM Silkscreen Print" is a piece of art created by Faile, an artist collaboration between Patrick McNeil and Patrick Miller. Faile is known for their distinctive style, which combines elements of street art, graphic design, pop culture, and fine art. In this piece, titled "This Is Bad Lands Green HPM Silkscreen Print," is a hand-painted multiple (HPM) silkscreen print featuring red and blue colors and a cowboy driving a classic sports car. "Bad Lands" refers to a desolate or unwelcoming environment, indicating that the piece may convey a sense of danger or conflict. Faile's work often contains layers of imagery and intricate details, and their silkscreen prints typically involve multiple layers of color and texture. They often incorporate found materials, stencils, and wheat paste, creating a distinctive aesthetic that blends street art and contemporary fine art.

    $1,639.00

  • Captain Shanahan 7.8 Skateboard Art Deck by DGK

    DGK Captain Shanahan 7.8 Skateboard Art Deck by DGK

    Captain Shanahan- 7.8 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK.

    $149.00

  • Beauty of Liberty Equality AP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong

    Shepard Fairey- OBEY Beauty of Liberty Equality AP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong

    The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. AP Artist Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong Austin Texas. Shepard Fairey, Sandra Chevrier, and the Artistic Synergy in Urban Landscapes Street pop art and graffiti artwork are vibrant chronicles of contemporary culture, often encapsulating the socio-political zeitgeist within their vivid tableaux. The "Beauty of Liberty & Equality" mural in Austin, meticulously captured in print by Jon Furlong, is a commanding representation of this genre. This piece, a collaboration between Shepard Fairey and Sandra Chevrier, is a lithograph print that encapsulates the essence of pop art's interaction with urban landscapes. Initially crafted in the bustling milieu of Austin, the mural serves as a public art installation and a dialogue with its onlookers, beckoning them to reflect on the thematic elements of liberty and equality. Shepard Fairey, renowned for his "OBEY" campaign and his iconic Obama "HOPE" poster, brings his distinct stencil-based design and politically charged ethos to the piece. Sandra Chevrier, on the other hand, is celebrated for her "Cages" series, where she often depicts women's faces obscured by comic book imagery, exploring the "cages" society builds around individuals. The artwork size, at 18x24 inches, is substantial enough to command attention yet sized for intimate reflection. The "Beauty of Liberty & Equality" is marked as an Artist Proof (AP) 2020, signed by Fairey and Chevrier. This denotes a personal touch from the artists, a direct connection to the creators that is often sought after by collectors and fans of street art. Legacy and Collectibility of Limited Edition Street Pop Art Prints Street pop art, inherently linked with graffiti artwork, thrives on accessibility and public engagement. This mural print, conceived in this spirit, transforms an urban wall into a canvas that speaks to societal ideals and the ongoing quest for equality. It is this interplay between art and ideology, powerfully rendered by Fairey and Chevrier's distinct styles, that imbues the piece with its profound resonance. As a limited edition artwork on fine art paper, the "Beauty of Liberty & Equality" print is not only a piece of visual discourse but also an artifact of cultural significance. Limited editions often enhance the value of street art, which is, by nature, ephemeral. Through the medium of the offset lithograph, the transient becomes permanent, and the once fleeting moment of artistic expression is preserved for posterity. In the domain of street pop art and graffiti, this print stands as a testament to the enduring power of visual art to challenge, celebrate, and contemplate the grand ideals of liberty and equality. The collaboration between Shepard Fairey, Sandra Chevrier, and Jon Furlong in capturing and sharing this moment contributes a significant chapter to the narrative of contemporary street art.

    $1,188.00

  • Sit There Groovin On It Blotter Paper Archival Print by Skel

    Skel Sit There Groovin On It Blotter Paper Archival Print by Skel

    Sit There Groovin On It Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Skel pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $352.00

  • Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop

    Coop Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop

    Supernova - Dec. 20th, 1995 at The Whiskey Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Coop Graffiti Street Artist Modern Pop Art. 2016 Supernova Dec 20th 1995 The Whiskey Silkscreen Print by Coop Coop has become popular with certain bands and labels and has provided art for several Sympathy for the Record Industry releases as well as the posters for Reverend Horton Heat, Lords of Acid, Green Day, Nirvana, Soundgarden and The Foo Fighters.

    $323.00

  • Last Stop Archival Print by Jessica Hess

    Jessica Hess Last Stop Archival Print by Jessica Hess

    Last Stop Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Fine Art Paper by Graffiti Street Art and Pop Culture Artist Jessica Hess. 2020 Signed Limited Edition Last Stop • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 18 x 24 inches Hand-signed and numbered by artist Jessica Hess in a limited edition of 25

    $218.00

  • Ecto-1 Red Silkscreen Print by DKNG

    DKNG Ecto-1 Red Silkscreen Print by DKNG

    Ecto-1 Red Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Part of the 2014 30th anniversary series from gallery 1988 and San Diego Comic Con.

    $217.00

  • Shell Gas Station Original Dunny Town Art Toy by Task One

    Task One Shell Gas Station Original Dunny Town Art Toy by Task One

    Shell Gas Station Original Dunny Town Art Toy by Task One Kidrobot Vinyl & Plaster Art Toy Collectible Pop Artwork. 2013 Original Dunny Town Painted Plaster Kidrobot Custom Dunny Artwork Size Approximate 3x4 Town Shell Gas Station Original Dunny Art Toy by Task One Task One's Commentary on Consumerism: Shell Gas Station Original Dunny Town Art Toy Task One's "Shell Gas Station Original Dunny Town Art Toy" is a remarkable piece within the Kidrobot Dunny Town series, revealing the artist's intricate craftsmanship and keen social commentary. Created in 2013, this particular art toy fuses vinyl with painted plaster to meticulously recreate a Shell gas station with the brand's iconic logo and colors. Measuring approximately 3x4 inches, the work encapsulates the ubiquitous nature of global consumer brands and their imprint on the urban landscape, interpreted through the unique aesthetic of street pop art and graffiti artwork. The miniature gas station symbolizes the global economy, energy consumption, and the environmental impact of fossil fuels. Task One's choice to embed such a potent symbol into the playful form of a Dunny is a powerful statement on how deeply corporate symbols are ingrained in our daily lives. It provokes thought on our reliance on such establishments, not just for fuel but as fixtures of the modern world that represent a complex network of commerce and industry. The Intersection of Urban Iconography and Artistic Expression With the "Shell Gas Station Original Dunny Town Art Toy," Task One continues his exploration of urban iconography, transforming a familiar city element into a piece of collectible art. The juxtaposition of Dunny's cartoonish form with the realistic details of the gas station creates a striking contrast characteristic of pop art's approach to blending high and low cultural imagery. This piece contributes to the dialogue of street pop art and graffiti artwork, where the line between commercial branding and artistic expression becomes blurred. The work is a microcosm of the streets, a tangible manifestation of the sights and symbols that define the contemporary urban experience. Collectors and enthusiasts of Task One's work are not only drawn to the visual appeal of his creations but also to the layered meanings and cultural critiques embedded within them. The "Shell Gas Station Original Dunny Town Art Toy" is a prime example of how art toys can transcend their initial perception as mere objects of play and become conduits to reflect broader societal themes. In the narrative of street pop art, Task One's Shell Gas Station Dunny stands as a testament to the power of art to encapsulate and critique the world around us. It is a collectible that captures the zeitgeist of the early 21st century, a time when questions about sustainability, consumer culture, and environmental responsibility are at the forefront of public discourse. Through this work, Task One affirms the relevance and potential of street pop art and graffiti artwork to challenge, provoke, and engage audiences in a conversation about the world they inhabit.

    $326.00

  • Delorean Giclee Print by Kilian Eng (DW Design)

    Kilian Eng (DW Design) Delorean Giclee Print by Kilian Eng (DW Design)

    Delorean Artwork Giclee Limited Edition Print on Photo Rag Bright White Paper by Pop Culture Graffiti Artist Kilian Eng (DW Design). 2013 Signed & Numbered Limited Edition Print on paper (Photo Rag Bright White 310 gsm) 17 H x 24 W inch. Swedish artist Kilian Eng (DW Design) has a unique style and visual language that is sometimes described as retro-futuristic. Eng illustrates and animates images and art prints that feel dreamlike and evoke curiosity, like this Delorean image, obviously inspired by the Back to the Future movies. "I’m very interested in creating environments in my work. I’m fascinated by architecture - ancient, futuristic, fantastic - so I often incorporate buildings or structures. The characters that inhabit the pictures are dropped in these unexpected surroundings." -Kilian Eng Revving Through Time: Kilian Eng's Retro-Futuristic Delorean In the dynamic world of pop culture art, few images are as evocative of the spirit of adventure and the aesthetics of retro-futurism as the Delorean car. The iconic vehicle, etched into the collective memory of the 80s and beyond, finds new life in the work of Swedish artist Kilian Eng. Known professionally as DW Design, Eng's limited edition Giclee print on Photo Rag Bright White Paper breathes a unique blend of nostalgia and futuristic fantasy into the subject. Kilian Eng, born in Sweden, stands out for his distinctive style that combines elements of street pop art and graffiti artwork, though his work leans more towards illustration with a heavy influence from the fantastical and science fiction elements. His Delorean artwork, a signed and numbered limited edition print from 2013, exemplifies this style perfectly. Measuring 17 by 24 inches and printed on Photo Rag Bright White 310 gsm paper, the piece showcases Eng's commitment to quality and his passion for creating immersive environments within his works. Dreamlike Visions: The Architecture of Time in Eng's Work Eng has a well-documented fascination with architecture, which serves as the structural backbone for many of his pieces. His Delorean art print is no exception. The vehicle is set against a dreamlike backdrop that merges ancient and futuristic sensibilities, a hallmark of Eng's work. This setting is not just a passive background; it's an integral part of the narrative that Eng crafts through his art. The Delorean, synonymous with time travel in the 'Back to the Future' franchise, is depicted amidst a landscape that feels both familiar and otherworldly, embodying the convergence of past, present, and future. The artist's inclination to place characters — or in this case, iconic cars — within unexpected surroundings aligns with the ethos of graffiti artwork, where the surprise element and the boldness of the presentation are key. In Eng's Delorean print, the car takes center stage, its familiar form a stark contrast to the alien landscape, which could be a scene straight out of a distant planet or parallel universe. Eng's Visual Language: A Portal to Retro-Futuristic Exploration Kilian Eng's artistic language speaks of curiosity and exploration, two themes deeply embedded in the concept of the Delorean. The car, a symbol of technological innovation and the wild possibilities of time travel, is a fitting subject for Eng's exploration of space and environment. The choice of the Delorean, particularly within the context of a limited edition print, also speaks to the artist's understanding of pop culture's ephemeral yet impactful nature. The print itself, with its meticulous attention to detail and color, mirrors the quality one would expect from a graffiti artwork masterpiece. While Eng's work is not painted on a wall or a train car, it carries the same spirit of street pop art — it's accessible, it's for the people, and it carries a message. The message here is one of wonder, the same kind of wonder that street art aims to evoke in passersby. Kilian Eng's Delorean is not just a print; it's a window into the kind of retro-futuristic world that only exists in the collective dreams of those who grew up with the 'Back to the Future' movies as a touchstone. It's a testament to the enduring appeal of the Delorean as an icon, not just of a movie franchise, but of an era where cars were more than just vehicles — they were the keys to adventure, the vessels for voyages of the imagination. Eng's print captures this spirit in a way that both honors and transcends the original inspiration, making it a significant piece in the realm of street pop art and graffiti artwork.

    $352.00

  • The Spinner Silkscreen Print by Robert Wilson IV

    Robert Wilson IV The Spinner Silkscreen Print by Robert Wilson IV

    The Spinner Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Robert Wilson IV. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 “The Spinner” hand-printed silk screenprint, measuring 18×24, and is signed and numbered in an edition of 75.

    $159.00

Cars Trucks Vans & Automobiles Graffiti Street Pop Art

The Intersection of Automobile Imagery in Street Pop Art and Graffiti Artwork

Street pop art and graffiti artwork have long been mediums for expressing cultural, political, and social ideas. Among the myriad subjects that find expression in these art forms, the depiction of automobiles - cars, trucks, vans - holds a special place. Beyond their practical utility, these vehicles embody the era's spirit, technological progress, and, sometimes, a sense of rebellion and freedom.

Cars and Trucks in Street Pop Art: Symbols of Modernity and Rebellion

The incorporation of cars and trucks in street pop art showcases vehicles and reflects societal attitudes and cultural phenomena. This art form often utilizes bold colors and striking, often satirical, imagery to challenge norms and critique society. In this context, cars can symbolize modernity, speed, and the relentless march of technology. For instance, the works of Keith Haring, an American artist known for his graffiti-inspired artwork, often included cars and other vehicles as symbols of movement and energy. Haring, who passed away in 1990, was adept at using such imagery to comment on societal issues. In contrast, trucks, often depicted in more rugged and robust forms, can represent the working class, resilience, and sometimes, a rugged individualism. These vehicles in Street Pop Art can be seen as metaphors for the journey, not just physically but also as a journey through life, challenges, and the societal landscape.

Vans in Graffiti Artwork: Canvases on Wheels

Graffiti artwork, with its roots in expressing underground and countercultural sentiments, finds a unique canvas in vans. These vehicles, often associated with subcultures, become moving artworks that carry messages across cities. Graffiti artists like Banksy, whose real name remains unconfirmed, have often utilized vehicles as part of their guerilla artwork tactics. These vans become symbols of rebellion, transporting not just goods but ideas and social commentary. The art on vans ranges from simple tags and messages to elaborate murals. They encapsulate a sense of freedom and nonconformity, resonating with the ethos of graffiti art. This transient and often illegal art form uses the van to symbolize defiance against traditional art forms and societal norms.

Automobiles in Art: Reflecting Cultural and Historical Contexts

The depiction of automobiles in Street Pop Art and Graffiti Artwork goes beyond mere representation. These vehicles, embedded in the art, reflect the cultural and historical contexts of the times. In periods of economic boom, cars in art might be depicted as symbols of affluence and progress. Conversely, these identical vehicles can be portrayed as emblems of decay and societal neglect during societal unrest or economic downturns. Artists like Jean-Michel Basquiat, an American artist of Haitian and Puerto Rican descent who died in 1988, often included cars in his neo-expressionist works. These vehicles served as symbols to comment on race, class, and social dichotomies. His use of cars and other vehicles was about their form and the underlying narratives they carried. The portrayal of cars, trucks, and vans in Street Pop Art and Graffiti Artwork is multifaceted. These vehicles are more than just modes of transportation; they are symbols laden with cultural, social, and political significance. Through the lenses of different artists and across various periods, these automobiles take on varied meanings and become powerful tools in the artistic expression of Street Pop Art and Graffiti Artwork.

Cultural Resonance of Classic Automobiles in Art

In the hands of street artists, classic cars are elevated from mere relics of the past to influential icons that evoke the golden age of automotive design. They serve as a canvas within a canvas, a motif that artists use to explore themes of Americana, consumerism, and the passage of time. This reverence for classic cars within street pop art and graffiti reflects a broader cultural appreciation, where these vehicles are often lovingly restored and showcased at events, drawing crowds and fostering communities. Similarly, they bridge generations in art, appealing to older enthusiasts who remember these vehicles in their heyday, and younger admirers are attracted to their retro charm.

Sports Cars Aesthetics and Symbolism

Sports cars have been a popular subject in both graffiti and pop art. Graffiti art often portrays sports cars in a dynamic and expressive style, while pop art takes a more stylized and colorful approach. Both art styles celebrate the beauty and speed of sports cars while commenting on society's fascination with material possessions and consumer culture. In graffiti art, sports cars are often depicted in motion, with dynamic lines and bold colors conveying a sense of speed and excitement. Graffiti artists may also incorporate elements of street culture, such as spray-painted tags or graffiti lettering, to create a sense of urban rebellion and subversion. In pop art, sports cars are typically portrayed as more stylized and colorful, with bright, eye-catching colors and exaggerated proportions. Pop artists like Andy Warhol and Roy Lichtenstein often used sports cars to symbolize consumer culture and the American Dream, commenting on how material possessions have become a marker of success and status. Both graffiti art and pop art offer unique and vibrant perspectives on the world of sports cars, highlighting the beauty, excitement, and cultural significance of these iconic vehicles. The visual appeal of classic cars lends itself well to street pop art's bold and impactful style. Artists often play with the cars' iconic designs, infusing them with exaggerated features or placing them in surreal contexts. This juxtaposition of the classic with the contemporary speaks to the enduring relevance of these automobiles. Moreover, the symbolism attached to classic cars—a sense of bygone elegance, the American dream, the freedom of mobility—resonates in urban environments where space is at a premium and such cars are rarely seen. By bringing these symbols into the public eye, artists contrast the modern cityscape, inviting contemplation on progress and change.

Classic Cars as Storytellers

Beyond their visual impact, classic cars in street pop art often tell a story. They can serve as a narrative device, setting the scene for a bygone era or hinting at a backstory for imagined characters. In some pieces, the cars are characters with personalities, rendered with anthropomorphic qualities that invite viewers to ascribe emotions and experiences to them. This personification of inanimate objects is a common technique in pop art, adding layers of meaning and engagement to the work. Through these depictions, classic cars become more than just transportation; they are protagonists in a visual tale unfolding on the city's walls. When integrated into street pop art and graffiti, classic cars often adopt the urban landscape's textures and colors. This blending anchors the cars within their new context, merging past and present. Artists might incorporate cityscape elements, such as architecture or street signs, into the background, framing the cars within a modern urban setting while preserving their historical aura. This integration showcases the artist's skill in combining disparate elements to create a cohesive and evocative piece. Ultimately, the incorporation of classic cars into street pop art is a reflection of society's relationship with its past and present. These artworks often evoke nostalgia, a yearning for a time when life seemed more straightforward and elegant. At the same time, by bringing these symbols of the past into a contemporary setting, artists remind viewers of the relentless march of time and the continuous evolution of culture. Classic cars in street pop art and graffiti are a testament to the human desire to remember and revere the past while continually moving forward. The inclusion of classic cars in street pop art and graffiti artworks is a multifaceted exploration of style, culture, and societal change. Through the lens of these revered automobiles, artists can express complex ideas and emotions, creating a dialogue with the viewer that transcends the visual experience. Whether as objects of beauty, symbols of a bygone era, or central characters in a narrative, classic cars will continue to inspire and captivate artists and audiences within the urban tapestry.

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