Child & Children

4 artworks

  • Pigeon Feeding Family Brooklyn 2005 Print by Swoon- Caledonia Curry

    Swoon- Caledonia Curry Pigeon Feeding Family Brooklyn 2005 Print by Swoon- Caledonia Curry

    Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon- Caledonia Curry Artwork Limited Edition Print on Heavy Fine Art Rag Paper Graffiti Pop Street Artist. 2016 Signed & Numbered Limited Edition of 175 Artwork Size 19x13 From The Swoon Street Series Print Collection. Caledonia Curry Street Pop Art: Pigeon Feeding Family Brooklyn 2005 Giclee Print by Swoon Pigeon Feeding Family Brooklyn 2005 is a signed and numbered giclee print by American Street Pop Art & Graffiti Artwork icon Caledonia Curry, known globally under the name Swoon. Originally wheatpasted on a weathered Brooklyn wall, the work was photographed and transformed into a fine art edition, capturing the raw texture of the urban environment and the tenderness of everyday moments. Printed on heavy fine art rag paper, this piece measures 19 by 13 inches and was released in 2016 as part of a limited edition of 175. The work is part of the Swoon Street Series Print Collection, which immortalizes her ephemeral street interventions as collectible fine art. Swoon’s Human-Centered Street Pop Art & Graffiti Artwork Caledonia Curry’s practice blends compassion and community with socially charged visuals. This giclee print documents a street paste-up of a family in a moment of simple care and connection, feeding pigeons against a hand-painted wall. The mother figure anchors the composition with calm resilience while the children appear in varying poses of curiosity and support. This is a recurring hallmark in Swoon's Street Pop Art & Graffiti Artwork — intimate portraits of humanity created through hand-carved linoleum blocks, paper cutouts, and site-specific installations. Each subject is rooted in real communities and stories, often reflecting Curry’s collaborative work with underserved populations across the globe. Brooklyn as a Canvas for Caledonia Curry’s Social Aesthetic During the early 2000s, the streets of Brooklyn served as an active surface for many emerging artists, and Caledonia Curry’s large-scale paste-ups gained particular recognition for their emotional detail and craftsmanship. The original installation of Pigeon Feeding Family was not merely decorative but deeply site-specific, activating the decaying wall with human presence. Swoon’s commitment to public art goes beyond aesthetics. It embodies a form of street-level storytelling that addresses displacement, economic hardship, and resilience. The scene rendered in this giclee print speaks to those themes by elevating a humble act — feeding pigeons — into a portrait of survival and grace amid hardship. Legacy and Preservation in the Swoon Street Series Print Collection The 2016 release of Pigeon Feeding Family Brooklyn 2005 as a signed and numbered giclee was part of a broader effort to archive Swoon’s disappearing wall pieces from the early stages of her career. The Street Series Print Collection allows collectors and institutions to preserve this pivotal period of Street Pop Art & Graffiti Artwork that otherwise lives only in photographs or memory. Each print in the series is produced with precision to reflect the texture, color, and environmental context of the original installation. With Caledonia Curry’s growing impact in both the fine art world and social practice circles, works like this continue to hold value as artifacts of a moment where street art was both protest and poetry.

    $350.00

  • Forever | Never Giclee Print by Nimit Malavia

    Nimit Malavia Forever | Never Giclee Print by Nimit Malavia

    Forever | Never Artwork Giclee Limited Edition Print on Hahnemuhle Fine Art Rag Paper by Pop Culture Graffiti Artist Nimit Malavia. Nimit Malavia is a Canadian visual artist and illustrator known for his intricate and imaginative artworks. His style often combines delicate line work with a strong sense of narrative, drawing inspiration from various sources such as mythology, fairy tales, and contemporary culture. Malavia's work typically incorporates a mix of traditional and digital media, including ink, watercolor, and Photoshop.

    $159.00

  • Last Supper in South Park Giclee Print by Ron English

    Ron English- POPaganda Last Supper in South Park Giclee Print by Ron English- POPaganda

    Last Supper in South Park Artwork Giclee Limited Edition Print on Hahnemühle Photo Rag Pearl Paper by Pop Culture Graffiti Artist Ron English- POPaganda. South Park Studios proudly presents this museum quality fine-art reproduction of "Last Supper in South Park" by Ron English- POPaganda. Printed with Epson Pigmented inks on Hahnemühle Photo Rag Pearl paper, this unframed collector's piece is hand-signed and individually numbered by the artist. 150 prints in the edition. The creators of South Park and Ron English- POPaganda selected 15 artists to pay tribute to the 15th season of South Park at an art show that opens on March 28th at Opera Gallery in New York City.

    $835.00

  • Escape Door #9 HPM Hand-Embellished Archival Pigment Print - Sprayed Paint Art Collection

    OakOak Escape Door #9 HPM Archival Print by OakOak

    Escape Door #9 Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by OakOak Graffiti Street Artist Modern Pop Art. Custom Framed Ornate Frame. Born in the city of Saint-Etienne, France, he pastes his drawings everywhere he goes so as to bring smiles to passers-by where they least expect it. His approach consists of diverting urban elements, playing with mundane flaws, like a crack on a wall. He adds his own vision, his own references that often stem from the geek culture. His art is a means to poeticize the urban environment.

    $631.00

Child & Children
Within the colorful swaths and dynamic lines of street pop art and graffiti, the topic of children and childhood occupies a poignant space. It is a theme that captures both an innocent lens and a critical reflection of society, offering a dual narrative that is as compelling as it is complex. Artists across the globe turn to the imagery of youth to convey messages that transcend age, speaking to the inner child in all of us.

Children in Street Art: Symbols of Hope and Challenge

Graffiti and street pop art often utilize the image of a child to powerful effect. Whether through the hopeful gaze of a young face or the playful antics of children at street corners, these artworks speak to the potential and resilience of youth. They also cast a critical eye on the issues facing children today, from poverty and violence to the loss of innocence and the impact of technology on the next generation.

Pop Art's Young Protagonists: Nostalgia and Critique

Pop art has historically been imbued with nostalgia, and its depictions of children are no exception. From the whimsical portrayals by Keith Haring to the commercialized innocence in the work of Jeff Koons, children in pop art serve as a bridge between a yearned-for past and a commodified present. They are at once a celebration of youth and a critique of how society packages and sells childhood.

Graffiti Art's Social Commentary: Young Voices on Old Walls

The raw energy of graffiti art often carries the voices of the youth, quite literally, in communities where children take to the walls to express themselves. Here, the scribbles and sketches of the younger generation are not mere acts of vandalism but statements of presence and existence. These young voices on old walls remind us that today's children are the custodians of tomorrow, and what they say matters.

Conclusion: The Everlasting Impression of Youth in Urban Art

Children, as depicted in street pop art and graffiti artwork, are not just subjects; they are active narrators of the human experience. Their presence in urban art compels society to reflect on its values, dreams, and the legacy it leaves behind. The artworks that adorn city walls worldwide echoing the laughter, cries, and silence of the young, are powerful testaments to the enduring impact of childhood on culture and art. This introduction to a larger piece has set the stage for an in-depth examination of children as a subject within the urban artistic landscape. Continuing this narrative would involve delving deeper into specific artists and their works, the social implications of these creative choices, and how they shape the viewer's understanding of art and childhood. If you wish to explore further, we can continue expanding on this topic.
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