Chipmunk & Squirrel

11 artworks

  • Totem Wood Panel Sculpture by Joe Ledbetter

    Joe Ledbetter Totem Wood Panel Sculpture by Joe Ledbetter

    Totem 3D Sculpture Print on Wood Panel Ready to Display by Glenn Barr Modern Pop Artist. 24.5" x 15.5" flat (62.23 x 39.37 cm) 24.5" x 15.5" x 15.5" standing (62.23 x 39.37 x 39.37 cm) Multi-dimensional fine art wood print on 1/4" sustainable wood Standing over 2 feet tall, this fascinating new artwork flirts with multiple dimensions as 2D surfaces interact within a 3D space, really making it more of a 2.5D creation. Featuring two double-sided fine art prints that become four unique intersections of art when put together.

    $503.00

  • New York City Archival Print by Stom500

    Stom500 New York City Archival Print by Stom500

    New York City Archival Pigment Fine Art Limited Edition Print on 290gsm Fine Art Paper by Artist Stom500, Pop Art Artist. 2022 Signed & Numbered Hand Deckled Limited Edition of 40 Artwork Size 18x22.5 #40 of 40

    $533.00

  • All Set Silkscreen Print by John Vogl

    John Vogl All Set Silkscreen Print by John Vogl

    All Set Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. 8 x 10 inches. Four screens on French Speckletone cover. Signed and numbered edition of 190. Released 28 November 2014.

    $103.00

  • Squirrel Prince Giclee Print by Naoto Hattori

    Naoto Hattori Squirrel Prince Giclee Print by Naoto Hattori

    Squirrel Prince Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. 2014 Signed & Numbered LIMITED EDITION PRINT SQUIRREL PRINCE 4 x 6 inches (10.1 x 15.2 cm) High Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 25

    $275.00

  • Munk Archival Print by Jo Dery

    Jo Dery Munk Archival Print by Jo Dery

    Munk Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Jo Dery. 2014 Editon of 100 COA Munk Archival Print by Jo Dery

    $31.00

  • Timeless Hello Kitty Giclee Print by Joe Ledbetter

    Joe Ledbetter Timeless Hello Kitty Giclee Print by Joe Ledbetter

    Timeless Hello Kitty Pop Street Artwork Limited Edition Giclee Print on Somerset Velvet Paper by Modern Artist Joe Ledbetter. 2014 LA Hello Kitty Con exclusive print. 16" x 20" Giclee print on Somerset Velvet paper. Signed, numbered, and watermarked de-bossed for authenticity. Limited edition of 75.

    $226.00

  • Chips Mushroom Blotter Paper Archival Print by Ben Frost

    Ben Frost Chips Mushroom Blotter Paper Archival Print by Ben Frost

    Chips Mushroom Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Chips Mushroom by Ben Frost as Street Pop Art & Graffiti Artwork Chips Mushroom is a vibrant 2025 blotter paper release by Australian artist Ben Frost, executed as a limited edition archival pigment print on hand-perforated blotter paper. The piece is a psychedelic explosion of color and character, transforming two chipmunk-style cartoon figures into glowing avatars of trippy mischief. The characters embrace a massive mushroom with hypnotic joy, their candy-colored eyes swirling in sync with the red, yellow, and blue pulsations radiating through the background. Released on April 19, 2025 and perforated by Zane Kesey, the artwork is part of Frost’s continuing exploration of pharmaceutical satire, cartoon nostalgia, and drug culture iconography—filtered through the visual language of Street Pop Art & Graffiti Artwork. The Visual Style and Commentary of Ben Frost Ben Frost, born in Australia, is known internationally for his provocative works that remix corporate branding, medication packaging, and pop culture icons with subversive intent. He draws heavily from graffiti aesthetics, advertisement design, and comic art, twisting their purpose to expose the absurdities of consumption and identity. In Chips Mushroom, he collides the aesthetics of children's cartoons with drug symbolism, using hyper-expressive chipmunks and a towering mushroom to provoke a layered visual response. The piece walks a line between euphoric fantasy and sensory overload, challenging how innocence and escapism are sold and interpreted in media and marketing. The exaggerated features and blissful daze of the characters hint at both chemical surrealism and the performative bliss of consumer culture. Blotter Paper as Medium and Message Printing Chips Mushroom on perforated blotter paper is not a gimmick—it is a conscious, culturally loaded choice. Blotter paper has long been associated with the psychedelic counterculture of the 1960s and beyond, often used as a delivery method for LSD. By using it as the canvas, Frost recontextualizes his cartoon-laced satire into a physical object that evokes altered perception, rebellion, and the boundary-pushing roots of graffiti art. The small grid squares also echo the building blocks of digital pixel art and the modular logic of pharmaceuticals, reinforcing the connections between microdosing, consumerism, and branding. It is both a print and a conceptual time bomb—an art object that challenges the viewer before it even speaks. Cartoon Characters as Agents of Disruption The use of chipmunk-like characters pulling ecstatically at a colossal mushroom isn't simply a tribute to animation nostalgia. In the framework of Street Pop Art & Graffiti Artwork, these creatures become symbols of rebellion, fantasy, and hallucination. Their exaggerated grins and kaleidoscopic eyes bring the influence of underground comics and urban tagging culture into collision with drug references and psychedelic art history. Much like other Frost works that utilize pop mascots in disturbing or ecstatic ways, Chips Mushroom relies on innocence warped by excess. The playful format becomes a tool to decode addiction, pleasure, and capitalist spectacle—all while holding fast to the vibrant, rule-breaking DNA of street art.

    $600.00

  • Squirrel with Mandolin Silkscreen Print by Nate Duval

    Nate Duval Squirrel with Mandolin Silkscreen Print by Nate Duval

    Squirrel with Mandolin Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 6x6

    $16.00

  • Happy Mushroom Porcupine Squirrel Silkscreen Print by Nate Duval

    Nate Duval Happy Mushroom Porcupine Squirrel Silkscreen Print by Nate Duval

    Happy Mushroom Porcupine Squirrel Hand-Pulled 5-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2010 Signed & Numbered Limited Edition of 50 Artwork Size 18x24

    $103.00

  • One Love Silkscreen Print by 123Klan

    123Klan One Love Silkscreen Print by 123Klan

    urchase One Love 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by 123Klan Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 4 color screenprint on 100 lb, acid-free paper Signed and numbered limited edition of 100  Printed by Ben LaFond.

    $288.00

  • Squirrel with Mandolin White Silkscreen Print by Nate Duval

    Nate Duval Squirrel with Mandolin White Silkscreen Print by Nate Duval

    Squirrel with Mandolin- White Hand-Pulled 1-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 4x4

    $16.00

Chipmunk & Squirrel Graffiti Street Pop Art

Chipmunks and Squirrels in Street Pop Art & Graffiti Artwork

The imagery of chipmunks and squirrels in Street Pop Art & Graffiti Artwork reveals how artists transform playful woodland characters into symbols of commentary, nostalgia, and satire. These animals, often associated with childlike innocence and animated mischief, are being reinterpreted across urban surfaces and fine art prints. As natural scavengers and survivors, they represent adaptation and resilience—key themes in the street art world. When reimagined with expressive eyes, exaggerated teeth, or twisted into consumer satire, these creatures tap into a visual language that speaks across demographics and cultures. They become tools of both critique and celebration, fusing animal instinct with human absurdity.

Iconography of Mischief and Survival

Chipmunks and squirrels embody a restless energy that resonates within the language of graffiti. Often darting through parks and alleyways, their movements mimic the fleeting presence of illegal tags and sticker bombs that appear overnight in city spaces. Their behaviors—hoarding, hiding, outwitting—parallel the underground art world’s battle with commercial space and censorship. Artists draw on these parallels to imbue their chipmunk or squirrel figures with symbolic meaning. Whether shown grasping fast food, dodging pharmaceuticals, or mimicking capitalist mascots, these characters represent survival in a hyper-stimulated, chaotic environment. They carry a message about the individual navigating systems too large to control, yet too absurd to ignore.

Animation, Consumer Culture, and Satire

The rise of chipmunk and squirrel characters in pop animation—such as Chip and Dale from Disney or the acorn-obsessed Scrat from Ice Age—provides a springboard for street pop artists to parody media addiction and consumption. These characters, when removed from their original narratives and recontextualized in graffiti or blotter paper, shift from innocent to ironic. Artists like Ben Frost and Buff Monster, known for retooling childhood icons, use small animals with oversized expressions to critique pharmaceutical marketing, snack food branding, and mindless scrolling. A chipmunk clutching a pill bottle or a squirrel caught in a fast-food frenzy is no longer a cartoon but a mirror reflecting cultural overstimulation and dependency.

Anthropomorphism as Commentary in Urban Space

In Street Pop Art & Graffiti Artwork, anthropomorphism is not only a visual device but a political one. Giving human traits to chipmunks and squirrels allows artists to hold a playful yet sharp mirror to society. These animals, often shown smiling wide or sweating with panic, amplify the emotional contradictions of modern life. Their exaggerated expressions echo the same drama found in graffiti tags and comic-style murals. From alleys to gallery walls, their presence creates a humorous yet unsettling tension. They speak to a world saturated with branding, medication, and noise, where even nature’s smallest creatures are stylized into messengers of urban truth.
Footer image

© 2026 Sprayed Paint Art Collection,

    • Amazon
    • American Express
    • Apple Pay
    • Bancontact
    • Diners Club
    • Discover
    • Google Pay
    • iDEAL
    • Mastercard
    • PayPal
    • Shop Pay
    • Visa

    Login

    Forgot your password?

    Don't have an account yet?
    Create account