Shoes Sneakers & Clothing

2 artworks

  • Decycled Versace HPM Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Decycled Versace HPM Archival Print by Denial- Daniel Bombardier

    Decycled Versace Limited Edition Hand-Embellished HPM Archival Pigment Prints with Collage, Aerosol, Pencil, and Varnish Embellishments on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed Limited Edition Numbered & Custom Framed Archival Pigment Print with Collage, Aerosol, Pencil, and Varnish Embellishments Size: 17.8125 x 23.75 Inches Release: December 09, 2021 Run of: 15 Denial’s Decycled Versace: The Medicine of Branding in Contemporary Street Pop Art Denial’s Decycled Versace, released in 2021 as a hand-embellished archival pigment print, continues the artist’s sharp interrogation of brand worship, identity construction, and the seductive aesthetics of consumerism. Each edition in this 15-print run measures 17.8125 by 23.75 inches, uniquely altered with collage, aerosol, pencil, and varnish layers. Centered within a baroque gold frame, the work features a large, stylized capsule—branded with the iconic Versace Medusa head—set against a background of jagged patterns and fractured color fields. The capsule is marked 100MG, reinforcing its identity as both visual object and conceptual drug. Denial, also known as Daniel Bombardier, uses the pill as a central form throughout his Decycled series to comment on the addictive nature of status and the role luxury logos play in modern identity. By embedding the Versace logo inside the capsule, the work equates brand consumption with self-medication. The gesture is neither glorification nor condemnation—it is exposure. The logo becomes an ingredient, the dosage carefully calculated to deliver an emotional or social high. In this way, Decycled Versace critiques not only the brand but the cultural systems that elevate such symbols to near-mythological status. Visual Noise and Symbolic Disruption The background of Decycled Versace is composed of sharp diagonal slices, splatter textures, halftone fields, and expressive spray lines. These elements reference both traditional graffiti techniques and digital design aesthetics. The layering creates visual tension that denies stillness or easy resolution. Against this chaotic backdrop, the sleek and glowing pill shape appears almost sterile in contrast. The effect is disorienting but intentional—luxury, the work seems to suggest, thrives when placed above the messiness it claims to erase. The Medusa head, a long-standing Versace emblem tied to Greek mythology and themes of desire and danger, is reclaimed here as an icon of consumer hypnosis. Placed inside the pill, it becomes an object of internalization. Denial’s use of halftones and rough stenciling techniques further destabilizes the polished aura of the brand, reminding viewers that behind every clean logo is a constructed illusion. In the context of Street Pop Art & Graffiti Artwork, the work reclaims visual space from marketing systems and redistributes it as artistic critique. The Framed Illusion of Power and Permanence The ornate gold frame surrounding Decycled Versace plays a critical role in the piece’s messaging. Traditionally associated with classical portraiture and gallery sanctity, the frame lends artificial authority to the artwork. But that reverence is undercut by the content inside—messy, chaotic, ruptured. The pill format, designed to look sleek and scientific, floats inside this field like a sacred relic. The dissonance between material refinement and conceptual rebellion is where the piece gains its weight. Denial’s manipulation of the fine art object mirrors the dual lives of luxury brands, which often straddle the lines between exclusivity and mass visibility. Decycled Versace exists as both critique and artifact of the very system it exposes. By transforming brand logos into medicinal metaphors, Denial forces a reevaluation of how identity is consumed, and how branding operates as both symptom and cure in modern culture. Within the language of Street Pop Art & Graffiti Artwork, this piece functions not just as commentary but as a dose of visual clarity in a culture addicted to image.

    $2,500.00

  • Decycled Coach HPM Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Decycled Coach HPM Archival Print by Denial- Daniel Bombardier

    Decycled Coach Limited Edition Hand-Embellished HPM Archival Pigment Prints with Collage, Aerosol, Pencil, and Varnish Embellishments on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed Limited Edition Numbered & Custom Framed Archival Pigment Print with Collage, Aerosol, Pencil, and Varnish Embellishments Size: 17.8125 x 23.75 Inches Release: December 09, 2021 Run of: 4 Denial’s Decycled Coach: Pharmaceutical Luxury and Brand Disruption in Street Pop Art Denial’s Decycled Coach is a mixed-media archival pigment print that merges collage, aerosol, pencil, and varnish techniques into a hand-embellished visual attack on luxury branding. Released in 2021 as an extremely limited edition of only 4, each print is signed, numbered, and custom framed, measuring 17.8125 by 23.75 inches. At the center of the composition lies a stylized capsule—rendered in clean, glossy layers—branded with the Coach logo. Its form is both pharmaceutical and sculptural, set against a fragmented background of splattered paint, screenprint halftones, and broken gradients that suggest movement, chaos, and intentional vandalism. The pill, labeled 100MG, serves as a pointed metaphor. It reframes luxury as medication, treating identity, insecurity, and social status as symptoms to be relieved by consumption. This is not a critique from the outside; it is a surgical strike from within. Denial borrows from the brand’s own aesthetic language—its serifed typeface, equestrian motif, and minimal labeling—then disrupts it with gestures that belong to graffiti: sprayed arcs, color streaks, intentional imperfections. The capsule becomes a fetish object, reduced to something digestible, addictive, and ultimately disposable. Corporate Logos as Emotional Currency Denial’s recurring use of logos in his work is not about parody; it is about exposure. In Decycled Coach, the brand’s heritage and refinement are stripped of context and placed into an environment of instability. The work becomes an autopsy of commercial trust. Coach, like many fashion houses, trades on nostalgia, elegance, and aspirational identity. By embedding it within the shape of a pill, Denial questions what it means when a logo provides emotional relief. The suggestion is not subtle—brands function like medicine, numbing pain and offering belonging in exchange for loyalty. The background’s visual noise reinforces this dissonance. Torn patterns and abrupt texture shifts interrupt the central figure, refusing to let the viewer settle into comfort. A traditional ornate gold frame surrounds the chaos, an ironic nod to classical portraiture. It presents the artwork as something precious, even regal, despite its abrasive content. This friction between polish and resistance defines much of Denial’s work in Street Pop Art & Graffiti Artwork. Material Hybridity and Street-Informed Technique What makes Decycled Coach stand out is its physicality. Unlike digitally composed editions, this hand-embellished multiple incorporates real layers of texture through collage and varnish. Each print becomes a hybrid between printmaking and painting. The surface is manipulated with street-level tools—spray paint and pencil—suggesting the rapid, instinctual mark-making of graffiti writers. Yet the pill shape remains controlled and pristine, emphasizing the clash between authority and rebellion, product and protest. Denial, whose real name is Daniel Bombardier, continues to expand the vocabulary of Street Pop Art by interrogating how capitalist culture manufactures meaning. His art exists not just in critique, but in confrontation. Decycled Coach exemplifies this through its fearless dismantling of visual systems. The framed artwork becomes a mirror to modern consumer logic, where even rebellion can be bought, and where the cure to identity confusion is offered in branded, digestible doses.

    $2,500.00

Shoes Sneakers & Clothing Graffiti Street Pop Artwork

Shoes, Sneakers & Clothing Graffiti Street Art Fashion 

Sneakers have become a popular subject in both graffiti art and pop art. Here's a brief overview of how they have been incorporated into these art forms: Graffiti Art: Sneakers have long been a favorite subject of graffiti artists, who use them as a canvas for their designs. Often, sneakers are depicted on a larger-than-life scale and decorated with vibrant colors, patterns, and designs. Some graffiti artists use sneakers to comment on consumer culture, while others appreciate the aesthetic of these iconic shoes. Pop Art: In pop art, sneakers often symbolize consumer culture and mass production. Artists like Andy Warhol and Roy Lichtenstein incorporated images of sneakers into their artwork, often emphasizing the graphic design and branding of the shoes. Other pop artists have used sneakers as a way to explore ideas of youth culture and fashion. Graffiti Art: In addition to using sneakers as a canvas for their designs, graffiti artists have also been known to create murals or installations featuring oversized sneakers. For example, the Brazilian artist Eduardo Kobra created a mural in New York City's Bryant Park that depicted a giant sneaker with a colorful design. Graffiti artists have also used sneakers to make political statements, such as in the case of the French artist Ludo, who created a mural of a Nike shoe with a missile attached to it to comment on the role of corporations in war. Pop Art: Pop artists have incorporated images of sneakers into their work in various ways. Andy Warhol, for example, created a series of prints featuring the Converse All-Star sneaker. On the other hand, Roy Lichtenstein used sneakers to explore the visual language of advertising, incorporating bold graphic elements and text into his paintings. Other pop artists, such as Keith Haring, have used sneakers to express street culture and youth fashion ideas. In recent years, sneakers have become even more prominent in art, with major museums and galleries hosting exhibitions dedicated to the subject. For example, the Brooklyn Museum hosted a show in 2015 called "The Rise of Sneaker Culture" that explored the history and cultural significance of sneakers, while the Saatchi Gallery in London hosted a show in 2019 called "Beyond the Streets" that featured works by graffiti artists and street artists, many of which featured sneakers as a motif.

The Intersection of Fashion and Street Pop Art

Shoes and clothing have long served as essential expressions of identity and culture, and in the realm of Street Pop Art and Graffiti Artwork, they assume a particularly poignant role. The urban landscape serves as a canvas not just for murals and tags but for the sartorial choices of its inhabitants, who often draw inspiration from the vibrant visuals of street art. The synergy between fashion and street art is symbiotic; each influences and reinterprets the other, creating a loop of inspiration that fuels the creative fires of both artists and designers. This relationship has led to the streets becoming a runway where everyday people exhibit the latest trends influenced by the art on the walls around them. Streetwear, in particular, has its roots deeply embedded in the soil of urban art. It is an aesthetic born out of necessity, practicality, and a desire to stand out, much like the Street Pop Art that colors the cities. The bold graphics, oversized silhouettes, and striking colors that define streetwear echo the characteristics of street art, creating a visual language shared by both. In this way, shoes and clothing become wearable art, a form of personal expression that allows individuals to project their tastes, beliefs, and affiliations.

Cultural Dialogue Through Fashion and Graffiti

The dynamic discourse between shoes, clothing, and street art extends beyond aesthetics, delving into the cultural and political. Streetwear brands have often utilized the iconography of street art in their designs, sometimes directly collaborating with street artists to create pieces that carry a message. These messages can range from calls for social justice to celebrations of diversity, mirroring the often politically charged nature of Graffiti Artwork. This fusion of fashion and art brings the messages of the streets to a broader audience and adds a layer of depth to the clothing itself, transforming a hoodie or a pair of sneakers into a statement piece. Moreover, artists' use of shoes and apparel as mediums for their art has become increasingly prevalent. Customized sneakers and hand-painted jackets are familiar sights, especially in areas where the street art culture thrives. These pieces of clothing are treasured for their aesthetic appeal, uniqueness, and the artist's personal touch. In many cases, these customized items become collectors' pieces, sought after for their artistic value as much as their fashion statement.

Impact of Street Art on Contemporary Fashion

The influence of Street Pop Art on contemporary fashion is unmistakable. Designers frequently draw inspiration from the work of street artists, incorporating elements of graffiti and pop art into their collections. This has led to a proliferation of street art-inspired motifs in mainstream fashion, with high-end and fast fashion brands adopting the streets' raw, edgy vibrance. The result is a blurring of lines between high art and everyday wear, with shoes and clothing becoming a canvas for artistic expression that is accessible to all. The collaboration between street artists and fashion brands has also resulted in a more inclusive approach to design. Street art is inherently democratic, often exploring themes of inclusivity and representation, and when these themes are translated into clothing, they contribute to a more diverse fashion landscape. Shoes and apparel inspired by Street Pop Art often challenge traditional norms and stereotypes, promoting a fashion ethos that is bold, inclusive, and expressive.

Future Trends in Streetwear and Street Art

As street art continues gaining legitimacy and recognition in the art world, its relationship with fashion will likely deepen. The future may see even greater collaboration between street artists and fashion designers, with more brands recognizing the value of street art's raw and unfiltered aesthetic. Additionally, the rise of sustainable and ethical fashion parallels street art's grassroots, community-focused nature, suggesting a future where the convergence of shoes, clothing, and street art also encompasses a commitment to social and environmental responsibility. In essence, shoes and clothing within the context of Street Pop Art and Graffiti Artwork represent a powerful form of cultural expression that is continuously evolving. As we move forward, the symbiosis between fashion and street art promises to engender new forms of expression, challenge existing paradigms, and enrich the cultural landscape with vibrant, thought-provoking designs that resonate on the streets and beyond.

The Fashion of Graffiti Art & Street Art

Undoubtedly, the footwear industry s is one of the most profitable commercial fields. Sneaker shoes, in particular, thanks to partnerships with major artists, are increasingly seen as pieces of art rather than a plain pair of shoes. Today, more than ever, the sneaker market is thinking outside the box and invites artists to collaborate in producing a usually limited and, as a result, collective series of footwear. Brands like Vans, Nike, Adidas, and Converse have a long history of such partnerships. Street artists such as Mr. Brainwash STA, SH, and other artists (e.g., Andy Warhol and Keith Haring) team up with footwear brands; thus, the shoes' surface becomes their new canvas. This creates more relevance and a more significant engagement with the public, as purchasing such pairs is based on something other than practicality but mainly on the concept behind them. Shoes and clothing have been a popular subject in both graffiti art and pop art. In both art forms, they are often used as symbols of style, individuality, and identity. In graffiti art, shoes and clothing are often depicted to represent the unique style and identity of the artist or the culture they are a part of. Graffiti artists may use clothing and shoes to express their individuality, make a statement about their social and political views, or pay homage to a particular subculture or style. In pop art, shoes, and clothing are often used as symbols of consumer culture and the influence of advertising and marketing on society. Pop artists often depict products like shoes and clothing in their artwork to comment on the impact of consumerism and the commodification of everyday objects. Artists like Keith Haring and Jean-Michel Basquiat used clothing and shoes to explore race, identity, and class issues in their work. Haring, in particular, often used sneakers to symbolize urban culture and the importance of self-expression through personal style. In addition to being a symbol of style and identity, shoes and clothing can also be used to convey a specific message in graffiti and pop art. For example, wearing worn-out shoes or torn clothing could represent poverty or social inequality. In pop art, artists such as Andy Warhol and Roy Lichtenstein used shoes and clothing to explore the themes of mass production and the influence of consumer culture on society. Warhol famously created a series of screen prints featuring Campbell's soup cans and Brillo boxes, while Lichtenstein incorporated comic book images, including depictions of clothing and shoes, into his artwork. The use of shoes and clothing in graffiti and pop art has also influenced fashion and streetwear. Streetwear brands often incorporate graffiti-inspired designs and pop art-inspired graphics into their clothing lines, creating a fusion between fashion, art, and urban culture. In conclusion, shoes and clothing have played an essential role in graffiti and pop art, symbolizing style, identity, consumer culture, and social commentary. Their influence can still be seen today in art, fashion, and streetwear.

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