Cotton Fine Art Paper

The Weight of Change Ultrachrome Giclee Print by Dulk- Antonio Segura Donat Artwork Limited Edition Print on 320gsm Textured Cotton Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 9x12 Hand Deckled Fine-art Glicée Ultrachrome print on 320 gr Fine Art textured cotton paper "With this project I would like to get your support and raise funds to publish my second book, titled Dulk- Antonio Segura Donat, The Art of Antonio Segura. In this book I would like to show all the works that I produced since 2017 to 2022, but not only that. Here you will find the true essence of myself as an artist. Since my inspiration sources, my own photographs of the travels I did all around the world to live the nature from the first hand, the ideation and sketch process behind my work until the final artworks. The most complete book until the date where you will find sketches, paintings, sculptures, murals, museum exhibitions and my biggest, most recent and exciting project, the main "Falla" of Valencia." -Dulk- Antonio Segura Donat

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Nautilus Silkscreen & Archival Pigment Print by Dulk- Antonio Segura Donat Hand-Pulled on 320gsm Textured Cotton Fine Art Paper Limited Edition Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 22.58x29.7 Silkscreen Print Nautilus Silkscreen & Archival Pigment Print by Dulk Nautilus by Dulk, also known as Antonio Segura Donat, is a breathtaking testament to the surrealist precision and ecological storytelling that defines his position within the evolving landscape of Street Pop Art & Graffiti Artwork. Released in 2024 as a signed and numbered limited edition of 100, this 22.58 by 29.7 inch screenprint is pulled on 320gsm textured cotton fine art paper, blending silkscreen technique with archival pigment for maximum visual richness and long-term preservation. Surreal Storytelling Beneath the Surface Dulk’s Nautilus invites viewers into an aquatic dreamscape where environmental narrative and imaginative ecology merge seamlessly. Dominating the composition is a majestic blue elephant submerged in a vibrant underwater habitat. Coral, seaweed, jellyfish, and bioluminescent creatures populate the marine realm in hyperrealist detail. What sets the image apart is the surreal integration of sea life and land mammal—the elephant appears both as natural intruder and aquatic guardian, its tusks wrapped in tentacles, its body colonized by coral growth and starfish. This fantastical hybridization is central to Dulk’s message. His work often operates as visual allegory—illustrating the delicate balance and collapse between natural worlds. Through meticulously detailed rendering and juxtaposition of impossibilities, he communicates the pressing realities of environmental degradation, animal endangerment, and symbiotic evolution. Technical Harmony: Silkscreen Meets Archival Pigment This limited edition print combines the bold saturation and crisp definition of silkscreen with the lush depth of archival pigment. The process allows for extraordinary layering of color, especially across the blues, teals, and deep corals that dominate the composition. The textured cotton paper adds tactile dimensionality, catching ink and pigment to enhance contrast between smooth marine surfaces and intricate coral texture. Each silkscreen layer amplifies focal elements such as the elephant’s eyes, the curl of tentacles, or the iridescence of sea life. The archival pigment preserves nuance in shading and highlights, particularly evident in the glowing edges of jellyfish and refracted light on the ocean floor. Dulk’s attention to biological form and imaginative exaggeration achieves clarity without losing mystery. From Mural to Myth Dulk emerged from the street art scene with roots in graffiti, large-scale murals, and illustrative painting. His transition to fine art prints preserves his bold narrative voice and commitment to public ecology. Nautilus stands as an extension of his larger body of work that reimagines ecosystems through symbolic storytelling. It exists in the tradition of pop surrealism, yet leans heavily into the ethics of the anthropocene, confronting viewers with both the fantasy and fragility of nature. Antonio Segura Donat’s Nautilus is not only a print—it is a contemporary parable rendered with masterful technique. It exemplifies the fusion of street-derived art forms with elevated fine art production, resulting in a visual artifact that speaks to wonder, warning, and the ongoing interplay of fantasy and environmental fact.

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The Gods Beyond The Dark Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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Crash Archival Print Archival Pigment Fine Art Limited Edition Print on Cotton Fine Art Paper by Artist Crash- John Matos, Street Pop Art Graffiti Legend. 2021 Signed Limited Edition Of 50 Each Print os on 17 Inch By 22 Inch Archival Cotton Paper. From An Edition of 50, These Prints Are Extremely Limited. All Prints Come Signed And Numbered By The Artist. Crash's Pioneering Journey in Street Pop Art The world of street pop art and graffiti has been dramatically influenced by the vibrant works of John Matos, better known as Crash. Emerging from the 70s and 80s graffiti boom, Crash has solidified his place as a legend within the art community. His works, characterized by bright colors, bold lines, and a dynamic sense of movement, bridge the gap between the streets' raw energy and fine art galleries' sophistication. In 2021, Crash released a series of archival pigment fine art limited edition prints on cotton paper, further cementing his legacy in the art world. Crash's journey in the art world began on the subway cars of New York City, where he translated his Bronx upbringing into explosive works of visual art. His graffiti was not simply an act of rebellion but a statement of existence, a declaration of a vibrant subculture. As he transitioned from subway walls to canvas, Crash brought the immediacy and authenticity of street art into a more enduring form. His 2021 limited edition prints culminate this transition, allowing collectors to own a piece of street art history. The archival prints by Crash are not just reproductions; they are artworks in their own right. Measuring 17 by 22 inches and printed on archival cotton paper, these prints exhibit the artist's signature style with the same intensity and energy as his original large-scale works. The limited edition of 50 prints ensures exclusivity, making each piece a treasured artifact of Crash's artistic prowess. The fact that Crash signed and numbered each print adds a personal touch that connects the collector directly to the artist's hand. Crash's Contribution to the Popularity of Street Art Crash has been pivotal in recognizing graffiti as a legitimate art form. By introducing the raw visual language of the streets to the fine art world, he has opened the door for other street artists to be appreciated by a broader audience. His archival prints bridge the transient nature of street art and the permanence desired by fine art collectors. They encapsulate the essence of street pop art: accessible yet sophisticated, popular yet personal. Crash's 2021 series of archival prints represents a significant moment in the artist's career. They reflect his evolution from a street artist to a celebrated figure in the global art scene. Each print is a testament to street art's power to convey complex emotions and narratives through simple yet impactful visuals. For enthusiasts and collectors, owning one of these prints is not just an investment in art but an investment in an era's cultural heritage. In street art and pop graffiti, Crash continues to inspire and influence aspiring artists and seasoned collectors. His limited edition archival prints are not merely canvases of color and form; they are storied pieces that carry the weight of the artist's history, the evolution of street art, and the ongoing dialogue between urban expression and fine art appreciation. Crash invites all to experience the unique energy and spirit that only street art can offer through these prints.

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Shades- Jack and the Queen Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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The Most Awful Thing Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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Maneki Trio Archival Pigment Fine Art Limited Edition Print on 300gsm Signa Smooth Cotton Rag Paper by Pop Artist Stom500 Modern Artwork. 2020 Signed & Numbered Limited Edition of 54 Artwork Size 20x20

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Nirvana Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Casserole Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Image originally created for Thomas McGuane's short story "Casserole" in the New Yorker magazine. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Who Made Who Limited Edition Giclee Print on Archival Cotton Rag 300 GSM Paper by Vincent Cacciotti counter-culture street artist art. A surreal painting by Vincent Cacciotti depicting the "B9 robot' from the 1960's TV series, Lost in Space. It shows him in the apparent role, as president of the United States. There is a conference in progress with several men.

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Maison54 Collaborative S2-1 Black 1-Color Hand-Pulled Limited Edition Silkscreen Print on Archival Cotton Rag Paper by Jeff Soto x Maison54 Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Artwork Size 18x24 Black Series 2, Print 1 from the secret print project by Maison54. This print was a collaboration between artists Jeff Soto (top portion), Urban Aztec (middle portion) and Florian Bertmer (bottom portion). None of the artists knew what the others created until after the print was finished! Prints measure 18" x 24" on special archival cotton rag paper and feature deckled edges and Maison54 embossed logo. Prints are signed/numbered by Jeff Soto. Maison54 Collaborative S2-1 Black: Fragmented Unity in Street Pop Art & Graffiti Artwork The Maison54 Collaborative S2-1 Black print is a rare, signed, and numbered silkscreen released in 2020 as part of the Maison54 Series Two project. Printed in a hand-pulled single-color edition of 30, this 18x24 inch work is a striking example of experimental collaboration in Street Pop Art & Graffiti Artwork. The print was produced using archival cotton rag paper with deckled edges and features an embossed Maison54 seal. What makes this piece especially unique is the process behind it: each contributing artist—Jeff Soto, Urban Aztec, and Florian Bertmer—created their section of the composition independently, without knowledge of what the others were drawing. The result is a seamless yet surreal convergence of three distinct visual voices merged into one unified image that challenges artistic ego and emphasizes intuitive synchronicity. Visual Breakdown and Artist Contributions The vertical triptych format allows the viewer to dissect each artist's input while appreciating the composite harmony. Jeff Soto’s work, found in the upper portion of the piece, features his signature owl iconography—piercing eyes and surreal organic textures rendered in stark monochrome. Soto’s graphic fluency lies in blending nature with myth, which here acts as a visual guardian hovering over the piece. The central section, created by Urban Aztec, channels bold geometry and cultural symbology, referencing ancient visual languages through stylized forms, sharp symmetry, and kinetic movement. The bottom segment, illustrated by Florian Bertmer, dives into underground intensity with sinuous creatures, skulls, and intricate stippling that reveals his precision-driven linework. The fact that these three artists worked independently yet arrived at a composition of such cohesion reflects a shared sensibility rooted in street-level storytelling, tattoo traditions, and pop cultural myth-making. Production Format and Material Detail Printed at In-House Media Group in California, the piece uses traditional silkscreen methods on fine cotton rag paper designed for archival permanence. The deckled edges reinforce the handmade quality and elevate the work beyond standard poster formatting into the domain of collectible fine art. While black-and-white palette choices often suggest minimalism, the density of illustration here generates maximum visual impact. Each section holds its own micro-narrative, yet the composition flows as a singular totem of surreal energy and hybrid iconography. The print is signed and numbered by Jeff Soto, further marking its authenticity within a tightly controlled edition. Its status as part of a secret Maison54 initiative adds mystery and exclusivity, key traits often associated with Street Pop Art & Graffiti Artwork projects. Maison54 and the Spirit of Unscripted Collaboration Maison54’s ability to engineer a project where three globally recognized artists contribute blindly to a unified print reflects its deep understanding of the unpredictable power of Street Pop Art & Graffiti Artwork. The collaborative nature of this release removes pretense and forces visual trust between creatives, who are accustomed to complete control over their compositions. The success of this experiment lies in the intuitive overlaps between their styles, proving how aligned many visual languages are beneath surface differences. This project also highlights how Maison54 uses limited edition drops not just as releases but as conceptual acts—moments where the process is as compelling as the final product. S2-1 Black functions not only as a print but as a document of creative spontaneity, where chaos becomes cohesion and secrecy transforms into symbolic order. It stands as a rare collaboration that embodies the radical, ritualistic energy at the core of modern urban visual culture.

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Consoling Spirit 2 Archival Print by Graham Yarrington on Cotton Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed Open Edition Print Artwork Size 10x10 Archival Pigment Fine Art Consoling Spirit 2 Archival Print by Graham Yarrington: Empathy in Surreal Form Consoling Spirit 2 by Graham Yarrington is a poignant and visually striking contribution to the evolution of Street Pop Art & Graffiti Artwork. Printed in 2023 as a signed open edition, this 10x10 inch archival pigment work on cotton fine art paper is both intimate in scale and universal in message. The piece juxtaposes monochromatic stillness with a burst of radiant color, featuring two figures seated on a gnarled tree branch suspended in a hazy dreamlike world. One figure, rendered in dark grayscale, sits with a posture of grief or introspection, while the other glows in vibrant hues of pink, orange, and yellow, placing a comforting hand on the shoulder of the other. The gesture and the contrast of tones evoke a quietly powerful narrative of compassion, vulnerability, and transcendence. Aesthetic and Symbolism in Yarrington’s Street Pop Vision Yarrington, known for his surreal forests, whimsical figures, and emotionally charged themes, creates imagery that functions as visual folklore. Consoling Spirit 2 is no exception. The grayscale background, dotted with minimal mushroom-like flora, sets a muted emotional landscape. Against this setting, the neon spirit figure emerges as a beacon of warmth and empathy, its color palette vibrating with life and healing. The bright lines outlining its body, especially the concentric form around the chest, signal inner energy, presence, and care. This contrast not only makes the emotional core of the print visually accessible but also aligns the work with a street art sensibility that values raw emotion, spontaneous expression, and layered meaning. The Modern Ritualism of Graham Yarrington Graham Yarrington’s work often explores the intersection of fantasy and feeling, where otherworldly figures serve as avatars for complex human experiences. The seated tree branch in Consoling Spirit 2 mimics a stage, placing the viewer in the role of an unseen observer of a sacred interaction. The use of black and white to represent one figure’s sadness and the neon colors for the other’s spiritual brightness speaks to Yarrington’s command of visual metaphor. His characters are stripped down to symbolic essence, channeling the emotional resonance found in contemporary graffiti and pop visual culture. Through this minimalism, Yarrington expresses narratives about presence, absence, and mutual recognition, drawing viewers into a reflective state. Spiritual Intimacy in the Context of Street Pop Art & Graffiti Artwork While Consoling Spirit 2 may not immediately resemble traditional urban graffiti or pop bombast, it belongs firmly within the street pop art movement due to its conceptual clarity and accessible emotion. Yarrington’s print is designed to speak without pretension, delivering a message of care, support, and human connection in a format that is both meditative and subversive. The decision to present this piece as an open edition speaks to its intent as a widely shareable emotional artifact—less an object of exclusivity, more a universal message passed hand to hand. This approach mirrors the ethos of graffiti, where messages are left not for sale but for souls who need to see them. Graham Yarrington continues to expand the visual vocabulary of contemporary art with work like Consoling Spirit 2, where beauty, empathy, and the surreal all converge on a quiet branch in an imagined forest.

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Obey Star- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on Coventry Rag, 100% Cotton Custom Archival Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2019-2020 Signed & Numbered Limited Edition Large Format Silkscreen Artwork Size 30x41 Shepard Fairey's "Obey Star": A Bold Statement in Modern Pop Art Shepard Fairey's "Obey Star" is a significant piece in the chronicles of street pop art & graffiti artwork. This large-format serigraph, hand-pulled on Coventry Rag – a 100% cotton custom archival paper – stands at an impressive 30 x 41 inches. Signed and numbered by Fairey himself, this limited edition print is part of an exclusive set of 89, a nod to its uniqueness and the artist's attention to detail. Fairey, a towering figure in the art world since the late 20th century, continues to push boundaries with his "Obey" campaign, which has become synonymous with his name. The "Obey Star" piece, produced between 2019 and 2020, is a distillation of his iconic style – a style that is both immediately recognizable and incessantly imitated. Drawing inspiration from the works of Barbara Kruger, Fairey's artwork is a blend of bold colors, stark imagery, and an unmissable call to action that resonates deeply within the spheres of modern pop art. The serigraph process used for "Obey Star" entails a meticulous hand-pulling technique that ensures each print is a work of art in its own right, with hand-deckled edges adding to its bespoke quality. Fairey's signature, a mark of authenticity, is a coveted seal for collectors and enthusiasts alike. Cultural Impact and Artistic Innovation of "Obey Star" Fairey's work is often characterized by solid socio-political themes, and "Obey Star" is no exception. The artwork is a visual statement and commentary on obedience and power structures, recurrent themes in Fairey's oeuvre. The star, an often-used symbol in his work, is transformed into a canvas for reflection and critique; its simplicity belies the complexity of its message. The limited edition nature of "Obey Star" amplifies its significance in the art community. With only 89 pieces, the artwork is a testament to Fairey's commitment to quality and exclusivity. Collectors of street pop art & graffiti artwork treasure such pieces for their inherent message, cultural relevance, and the dialogue they provoke in public and private spaces. Through the "Obey Star," Shepard Fairey continues to challenge the status quo, encouraging observers to question their surroundings and the forces that shape them. His serigraph on Coventry Rag is not just a collector's item; it is a piece that captures the zeitgeist, a statement from an artist who has spent his career at the forefront of artistic activism. In the continuum of street pop art & graffiti artwork, "Obey Star" is a powerful example of art's potential to incite thought and foster change. Shepard Fairey's creation is a beacon of the "Obey" movement, urging onlookers to engage with the work as a passive audience and as active participants in the conversation it sparks. This piece embodies the rebellious spirit of street art and the polished aesthetic of pop art, bridging the gap between two worlds that Fairey has masterfully connected through his work.

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We Will Destroy Each Other Limited Edition Hand-Embellished 6-Color Screen Print on 350gsm Cotton Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 22x30 "My girlfriend and I recently broke up after 6 years together, it has been really tough to deal with. She is my best friend and probably knows me better than anyone in the world. She has amazing foresight and intuition. We tried a long time to make it work but her premonitions eventually came true. Those sentiments were the basis for this piece. This print is one of my hybrids, a mix of 2 colors of aerosol and 6 colors of screen printing. I think it is a really fun piece about a sad subject." - Denial Denial We Will Destroy Each Other 2013 Limited Edition Screen Print We Will Destroy Each Other by Denial, real name Daniel Bombardier, Canadian artist, is a 2013 limited edition silkscreen print that merges emotional narrative with bold visual language rooted in Street Pop Art & Graffiti Artwork. Produced as a hand-embellished edition of 50 on 350gsm cotton fine art paper, the work combines six-color screen printing with aerosol applications, reinforcing the artist’s hybrid approach that blends traditional printmaking with graffiti-influenced techniques. The piece draws immediate visual comparison to mid-century comic aesthetics while introducing a deeply personal and contemporary emotional context. Comic Book Language Reinterpreted Through Street Pop Art & Graffiti Artwork The composition borrows heavily from classic romance and war-era comic panels, featuring a close-up of a woman whispering to a man with a speech bubble declaring a destructive emotional statement. The use of halftone dots, thick black outlines, and limited but high-contrast color fields reflects the visual vocabulary popularized in pop art history, particularly in the work of Roy Lichtenstein. Denial recontextualizes this familiar format through Street Pop Art & Graffiti Artwork by altering the message into something darker and more introspective. The bright palette of teal, yellow, and pink contrasts with the tension of the phrase, creating a visual dissonance that amplifies the emotional weight of the piece. Personal Narrative and Emotional Conflict as Subject Matter Unlike traditional pop art that often focused on mass media imagery, this work is grounded in personal experience. Denial has openly connected the piece to the end of a long-term relationship, using the visual language of mass communication to express private emotional conflict. This fusion of personal storytelling with widely recognizable imagery is a defining characteristic of Street Pop Art & Graffiti Artwork, where artists often use bold, accessible visuals to communicate layered psychological or social themes. The phrase itself becomes both literal and symbolic, reflecting the destructive cycles that can emerge within intimate relationships. Hybrid Technique and Contemporary Collectibility The combination of screen printing and hand-applied aerosol elements gives each print subtle variation, reinforcing its status as both a multiple and a unique artwork. This hybrid production method aligns with Denial’s broader practice, which frequently critiques consumer culture while embracing its visual strategies. As a signed and numbered edition, the print holds strong appeal for collectors interested in contemporary Street Pop Art & Graffiti Artwork that merges technical precision with raw emotional content. Within the context of SprayedPaint.com, this piece represents a clear example of how modern artists reinterpret historical pop aesthetics to explore personal narratives with honesty and visual impact.

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Mini Minnie AP Archival Fine Art Limited Print on 300gsm Signa Smooth Paper by Artist Matthew Grabelsky Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed 20x26 Limited Edition

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Grooming Day Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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VORTEX.PORTAL Artwork Giclee Limited Edition Print on 310gsm Cold Pressed Cotton Rag Paper by Pop Culture Graffiti Artist HoxxoH- Douglas Hoekzema. VORTEX.PORTAL Giclee Print on archival cold press cotton rag 310 GSM 24 x 18 inches Edition of 100 Signed and Numbered Miami-based artist Douglas Hoekzema, aka HOXXOH, is known for his vibrant mandala-style murals and fine art pieces. His ever-evolving painting style emphasizes mark-making, color, and mechanized paint application instruments. His use of hand-engineered mechanisms allows each new series to represent not only a new time in his life but also an entirely new technique of painting.

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Treacherous Water Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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