Darth Vader

Struck Down Archival Pigment Fine Art Limited Edition Print on Hand Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "If I am struck down, Then the increase of my power will become unstoppable."

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X1 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Darth Vader's X1 Space Ship From Sci-Fi Movie Star Wars. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Vader Grin Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English- POPaganda Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered #2 (Originally Reserved As PP Printers Proof) Limited Edition of 100 Artwork Size 12x12 Star Wars Darth Vader Skeleton Grin Smiley. Ron English's Vader Grin and the Warped Language of Iconography Ron English’s Vader Grin fuses dystopian sci-fi symbolism with the subversive vocabulary of Street Pop Art & Graffiti Artwork. Released in 2020 as a limited edition archival pigment print, the piece measures 12x12 inches and was produced on 290gsm Moab fine art paper. This particular edition, originally held as Printer’s Proof #2, forms part of a 100-print run, each signed and numbered by the artist. The work reimagines the helmeted visage of Darth Vader—one of cinema’s most recognizable figures—by seamlessly embedding English’s trademark skeletal grin beneath the mask. The result is a jarring yet alluring hybrid that simultaneously honors and mocks the power of cultural icons. The work relies on visual contradiction. The hyper-glossy black helmet, reflecting cool blues and menacing reds, feels ominous and theatrical. Yet the grin beneath it introduces grotesque levity. It is not merely a skull, but a warped, cartoonish smile that undermines the mythic power typically associated with the character. English uses this visual tension to create discomfort, inviting viewers to question what lies beneath their cultural obsessions. By merging a corporate media character with his skeletal smile, English distills themes of decay, commodification, and spectacle. Visual Tactics Rooted in Street Pop and Graffiti Art Ron English built his career on hijacking visual systems. His approach combines photorealism with absurdity, blending polished fine art techniques with aesthetics borrowed from street murals and graffiti culture. Vader Grin sits at the intersection of these traditions. Though the print is created with archival precision, the electric glow surrounding the helmet mimics the energy of neon street lighting or aerosol fades. The blue halo contrasts sharply with the blood-red reflections on one side of the mask, giving the image a radioactive aura that feels both synthetic and urgent. English’s background in billboard takeovers and illegal mural work informs every detail of the piece. His choice to deface an archetype of cinematic villainy with a smile nods to graffiti’s function as cultural resistance. It reflects the artist’s long-standing interest in how images dominate urban space and public imagination. Street Pop Art & Graffiti Artwork often collapses the barrier between fine art and mass media, and Vader Grin thrives in that collapse. It operates as both parody and portrait, critique and celebration. Skeletal Symbols and the Politics of Satire The skeletal grin, a recurring motif throughout Ron English’s body of work, serves as more than a visual joke. It operates as a critique of power, often layered over figures who symbolize authority, consumer manipulation, or mythologized violence. In Vader Grin, the deathly smile strips the character of gravitas, revealing a hollowed-out husk beneath layers of narrative and merchandising. The mask is no longer a tool of intimidation—it becomes a vessel of emptiness, the face of a brand designed for mass appeal but drained of human substance. The work fits into a broader history of Street Pop Art where artists interrogate the allure of media-generated heroes and villains. English’s satire does not merely poke fun at pop culture—it exposes how symbols are consumed without critical engagement. The skeletal transformation represents the erosion of meaning beneath constant reproduction. In Vader Grin, the viewer is left to contend with a familiar face turned alien, a symbol of evil turned into a smirking relic, smiling through the collapse of its own mythology.

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