Denial- Daniel Bombardier

4 artworks

  • Let's Burn It All 24 x 36 Stencil Wood Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Let's Burn It All 24 x 36 Stencil Wood Print by Denial- Daniel Bombardier

    Let's Burn It All- 24 x 36 Original Hand-Painted Multiple (HPM) Spray Paint Mixed Media Artwork on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2017 Signed Limited Edition of 10 HPM Hand Painted Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $2,004.00

  • I Will Love You Until The End HPM Stencil Wood Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier I Will Love You Until The End HPM Stencil Wood Print by Denial- Daniel Bombardier

    I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embellished Artwork Size 24x36 Wood Cradled Ready to Hang. I Will Love You Until The End by Denial: Innocence and Apocalypse in Street Pop Art & Graffiti Artwork I Will Love You Until The End is a 2015 limited edition hand-embellished mixed media artwork by Canadian pop and graffiti artist Denial. Each piece in the edition of five is uniquely created using spray paint, stencil, acrylic, and layered mixed media on a cradled wood panel measuring 24 x 36 inches. Signed and ready to hang, this large-scale painting merges emotional sincerity with a biting critique of global instability and modern chaos. It is a visual contradiction where romantic imagery collides with the language of war, solidifying Denial’s signature approach to Street Pop Art & Graffiti Artwork as both emotionally provocative and conceptually subversive. Contrasting Visual Elements and Emotional Duality The focal point of the work is the silhouette of a young boy and girl standing face to face, poised in a moment of tender affection. The boy hides a bouquet of flowers behind his back, a symbol of innocent love and youthful vulnerability. Behind them, however, explodes a massive mushroom cloud rendered in stark contrast with vibrant shades of red, yellow, and orange. This apocalyptic backdrop shatters the serenity of the foreground, suggesting that even the purest moments of love are not immune to the violent consequences of human decision-making. The boy’s gesture of giving and the girl’s attentive stance become metaphors for fragile hope amid destruction, underscoring how love persists in the shadow of looming catastrophe. Materials, Texture, and Hand-Painted Process Each work is created on wood panel, lending the artwork a raw, physical weight consistent with the grittiness of its street-art origins. The hand-embellished nature of the edition ensures that every panel is uniquely layered with stencil elements, expressive spray paint, and intentional imperfections. The use of negative space in the silhouettes contrasts with the explosively detailed background, drawing the viewer’s eye directly into the visual dialogue between affection and annihilation. The tactile nature of the panel surface and the layering of medium give depth and intensity to the emotional tension within the piece. Denial’s Vision and Cultural Commentary Denial, born Daniel Bombardier, is known for using irony, contradiction, and layered symbolism to critique media, consumerism, and political complacency. In I Will Love You Until The End, his use of youthful silhouettes is not nostalgic but intentionally ironic. The innocence of childhood becomes a symbol of hope, threatened by the ever-present specter of conflict. Denial’s art often exposes the absurdity of modern ideologies, and here he asks whether love can endure when the world is on fire. This piece reflects the duality often found in Street Pop Art & Graffiti Artwork—beauty versus chaos, sincerity versus spectacle, and human emotion standing resilient against systems of destruction. Through visual metaphor and confrontational aesthetics, Denial invites viewers to consider not only the fragility of affection but also its power in the face of oblivion.

    $10,000.00

  • The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $3,280.00

  • Skate or Diet Oversized Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Skate or Diet Oversized Archival Print by Denial- Daniel Bombardier

    Skate or Diet- Oversized Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Denial. 2021 Signed & Numbered Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 24 x 36 Inches Release: November 04, 2021 Run of: 25 Minor Handling Creases The media and means used by the artist vary from aerosol spray painting to printmaking and from sculpturing to wood creations. The thematic of his works is equally diverse and extends from critiquing capitalism and major brands to mocking conspiracy

    $493.00

Denial- Daniel Bombardier> Pop Artist Graffiti Street Artworks

Denial - Daniel Bombardier's Impact on Street Pop Art & Graffiti Artwork

Daniel Bombardier, widely known by his moniker Denial, is a Canadian artist whose work has profoundly influenced street pop art and graffiti artwork. As a celebrated figure in contemporary art, Denial's work is characterized by its bold commentary on consumer culture, politics, and media. His art is infused with satirical undertones and often incorporates iconic graphics and texts, which resonate with pop art's origins while simultaneously critiquing modern society's very fabric. Denial's contributions to street art extend beyond traditional graffiti. While his early works were rooted in the classic style of street art, involving spray-painted murals and public installations, his oeuvre has evolved to include a variety of media and techniques. His distinctive use of stenciling, sculptural elements, and found objects, combined with traditional graffiti methods, positions him as a versatile artist within the street pop art movement. Denial's art is not confined to the walls of urban landscapes; it also spans gallery spaces, reflecting his dynamic approach to creation and ability to easily navigate street and fine art.

Denial's Creative Process and Artistic Philosophy

Denial's creative process is as unique as his artistic output. He often engages with themes of identity, privacy, and the proliferation of advertising in daily life. By appropriating logos, mascots, and slogans, he subverts their meanings and invites the viewer to question the omnipresence of corporate influence. This practice is reminiscent of the approach taken by pop art pioneers who sought to blur the lines between high art and mass culture. However, Denial pushes these boundaries further, infusing his work with a modern sensibility reflecting the digital age's complexities. In his artistic philosophy, Denial emphasizes the importance of accessibility and public engagement. He believes art should not be an exclusive commodity but a means to communicate and provoke dialogue among a broad audience. This principle is evident in the interactive nature of his installations and the public spaces he often chooses as his canvas. Denial's work encourages participation and reflection, making it a powerful tool for community conversation and social commentary. Denial's role in the landscape of street pop art and graffiti art is significant. His works have been exhibited in cities across the globe, bringing his unique perspective to diverse audiences and influencing a new generation of artists. Through his art, Denial continues to challenge perceptions, question social norms, and offer a critical lens through which to view the world. His ability to connect with viewers, regardless of their background in art, makes his work an essential fixture in contemporary art discourse. In street pop art and graffiti art, Denial stands out for his vibrant visual language and commitment to addressing societal issues. His art serves as a reminder of the power of public expression and the potential for street art to transcend its urban origins and become a meaningful part of cultural conversation. Denial's contributions to the field have ensured that his work is seen, appreciated, and remembered as a significant commentary on the times in which we live.
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