Designer Fashion

121 artworks

  • Sale -20% Coco Chanel Riskoleum AP Giclee Print by Risk Rock

    Risk Rock Coco Chanel Riskoleum AP Giclee Print by Risk Rock

    Coco Chanel Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof Signed & Marked AP Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in Riskoleum: Fashion Meets Graffiti in a Limited Edition Tribute The Coco Chanel Riskoleum limited edition print by graffiti pioneer Kelly Graval, known as Risk, captures the energy of fashion and street culture in one striking composition. Created as a special commission for LA Fashion Week 2017, the piece merges the high-fashion elegance of Chanel with the gritty authenticity of spray can iconography. Measuring 18 by 14 inches and printed on Coventry Rag archival paper, this artist proof giclée is hand-signed and marked AP, reflecting the collectible nature of both the subject and the medium. In classic Risk style, it transforms a utilitarian object—the spray can—into a canvas for fashion commentary. Risk’s Signature Fusion of Color and Culture Risk emerged from the graffiti scene in Los Angeles during the 1980s and became a central figure in bringing graffiti from the streets into galleries. His work often plays with the aesthetics of branding, color theory, and popular symbolism. The Riskoleum series, a parody of commercial paint brands, is one of his most recognizable contributions to the crossover of Street Pop Art & Graffiti Artwork into the mainstream art world. With the Coco Chanel edition, Risk injects luxury into this urban framework, blending the iconic elegance of Chanel with the rawness of aerosol culture. The spray can becomes a metaphor for self-expression, empowerment, and redefinition of style. The Dialogue Between Fashion and Graffiti The artwork does more than just feature the Chanel name. It represents how graffiti artists have reimagined traditional fashion tropes through the lens of street culture. The stencil-style layering, color fields, and spray techniques used in the Riskoleum format contrast sharply with the legacy of haute couture. Yet, it is precisely this tension that gives the work its power. The overlay of Coco Chanel’s influence on a street tool of expression invites reflection on how style evolves from both sidewalk and runway. Risk shows that graffiti and high fashion are not opposites, but collaborators in a new visual era. A Celebrated Edition for Collectors and Culture Enthusiasts As an artist proof from a limited run, this Coco Chanel Riskoleum print stands as both a critique and celebration. Commissioned for a prominent fashion event, it connects the world of design with the rebellious edge of graffiti. Printed on Coventry Rag paper using archival inks, the giclée process gives depth and longevity to the piece, while preserving the vibrant layers that Risk is known for. The work is not just a visual pun—it is a statement about individuality, beauty, and the power of art to cross cultural boundaries. Risk continues to shape the conversation around Street Pop Art & Graffiti Artwork, proving once again that style can be both sprayed and sewn.

    $356.00 $285.00

  • Sale -20% Happiness Is Expensive Grey Pink HPM Silkscreen Print by Prefab77

    Prefab77 Happiness Is Expensive Grey Pink HPM Silkscreen Print by Prefab77

    Happiness Is Expensive- Grey & Pink Limited Edition Hand-Embellished 6-Color Screen Prints on 300gsm Fabrino Rosapina Paper by Prefab77 Graffiti Street Artist Modern Pop Art. "Happiness is Expensive is part of a theme we are developing, keeping our hard, fast-edged style and mixing with portraiture. We want to explore the iconography and the power of the female form in traditional art, music, and fashion. Throughout the ages, portraits are used to reflect the subject but also the time period that the subject inhabits, with secret messages, religious affiliations, and iconography woven into the piece. We want to take this forward and use the main figurative element to reflect these messages into a powerful piece. We want to bridge the gap between street art and traditional art by using a mixture of Acrylic, Spraypaint, stencils, wheat pastes and various screen print inks in our work layering these into luxurious prints and originals." - Prefab77 "Happiness Is Expensive - Grey & Pink" is a captivating limited edition screen print by Prefab77, a renowned artist in graffiti street art and modern pop art. This hand-embellished artwork, rendered on 300gsm Fabriano Rosapina paper, is a testament to Prefab77's commitment to melding the raw energy of street art with the finesse of traditional portraiture. The piece showcases a complex interplay of six-color screen prints, each layer meticulously applied to construct a composite rich in texture and depth. Prefab77's intention to reflect the iconography and power of the female form is realized through the central figure. This portrayal channels the essence of femininity as observed in historical art, music, and fashion. The artwork serves as a contemporary canvas where the past and present converge, with the female subject embodying not just her narrative but also the zeitgeist of our era. Through "Happiness Is Expensive - Grey & Pink," Prefab77 delves into the tradition of portraiture, reimagining it with a modern twist. The work is interwoven with subtle motifs and symbols that echo religious and societal affiliations, similar to the hidden messages found in classic art. Yet, the artist propels these elements into the present, infusing the piece with the techniques of street art such as acrylics, spray paint, stencils, and wheat paste. This particular artwork explores luxury within prints and original creations, blurring the lines between accessible street art and the exclusivity of fine art. The limited edition nature of "Happiness Is Expensive - Grey & Pink," marked by the artist's hand, adds to its desirability and value, making it a cherished piece for collectors and enthusiasts of street pop art and graffiti artwork.

    $631.00 $505.00

  • Donatella Versace Riskoleum AP Giclee Print by Risk Rock

    Risk Rock Donatella Versace Riskoleum AP Giclee Print by Risk Rock

    Donatella Versace Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof. Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in

    $218.00

  • High Fashion Burberry Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion Burberry Blotter Print by Denial- Daniel Bombardier

    High Fashion Burberry Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Burrrrberrrrry as Reimagined in Street Pop Art & Graffiti Artwork Daniel Bombardier, professionally known as Denial, continues his cultural deconstruction of luxury symbolism with the 2024 release of the High Fashion Burberry blotter print. This limited edition artwork is executed on perforated blotter paper, a material long associated with counterculture and psychedelic art. Hand-perforated by Zane Kesey and measuring 7.5 by 7.5 inches, the print merges high fashion branding with street-level critique. Featuring a warped reinterpretation of the Burberry logo as Burrrrberrrrry, this piece questions the constructed prestige of fashion houses through the lens of Street Pop Art & Graffiti Artwork. The distinctive Burberry tartan and iconic equestrian knight emblem remain central, but their presentation is filtered through a playful, disruptive, and highly subversive artistic voice. Subverting Heritage Branding Through Satire and Street Culture The Burberry brand, established by Thomas Burberry in England in 1856, has cultivated an image synonymous with British sophistication and functional elegance. In Denial's version, this legacy is visually distorted. The stretched-out text exaggerates the branding to the point of absurdity, effectively dismantling its seriousness. The classic beige, red, and black plaid—a symbol of high fashion and sometimes rebellious subculture—dominates the lower half of the composition, emphasizing the duality of its place in culture as both exclusive and imitated. Denial’s use of humor and repetition transforms the logo into something excessive and ironic, echoing the ways luxury fashion often finds itself commodified and memed within internet and street-based creative spaces. Denial’s Commentary on Consumer Fetishism and Art Commodification Denial’s High Fashion series critiques not just the fashion industry but also the commodification of everything, including art itself. By printing these designs on blotter paper, a medium associated with the underground and mind-altering experience, Denial intentionally blurs the line between commercial branding and counterculture. This tension is at the heart of Street Pop Art & Graffiti Artwork—where luxury logos are often repurposed as statements on mass consumption, wealth, and identity. Denial does not simply parody Burberry but recontextualizes its meaning within an art form that thrives on social commentary and subversive aesthetics. The piece becomes an invitation to question what gives a brand its power, and who has the right to disrupt that image. Burberry in the Crosshairs of Visual Dissent By placing Burberry within the structure of limited-edition blotter art, Denial reframes the brand not as an untouchable institution but as a malleable object within the hands of the public. This act is in keeping with the ethos of graffiti and street art, which often refuse to respect boundaries imposed by property, power, or prestige. Artists like Denial leverage these visuals not for homage but to expose the artificial layers beneath luxury. The High Fashion Burberry blotter print serves both as a collectible artwork and a critique wrapped in aesthetic appeal, reminding viewers that in the world of Street Pop Art & Graffiti Artwork, no icon is too sacred to remix.

    $500.00

  • Felt Carousel Giclee Print by Bec Winnel

    Bec Winnel Felt Carousel Giclee Print by Bec Winnel

    Felt Carousel Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 12x16 Stylized Fashion Clown Young Woman Crying. The Visual Poetry of "Felt Carousel" by Bec Winnel "Felt Carousel," a Giclee print by the renowned Australian artist Bec Winnel, is a stunning visual narrative that embodies the essence of Street Pop Art and Graffiti Artwork. Released in 2012, this limited edition artwork is a treasure trove of emotional depth, signed and numbered to ensure exclusivity for art collectors. Only 50 pieces exist worldwide, each measuring 12x16 inches and printed on fine art paper, a testament to the enduring allure of tactile, physical art in an increasingly digital world. Embracing Vulnerability in Street Pop Art The subject of "Felt Carousel" is a young woman, styled as a fashion clown, with a single tear marking her visage. This image diverges from the often vibrant and aggressive tones associated with graffiti art, offering a moment of vulnerability and introspection. Winnel masterfully blends the whimsy of a carousel, traditionally a symbol of childhood innocence, with the complex emotional state of the woman, creating a layered piece that invites contemplation. The contrast of the woman's tearful expression against the light-hearted motif of the carousel hat suggests a narrative of complexity within simplicity. This approach is emblematic of Street Pop Art's evolution, capable of expressing societal commentary and the profound personal struggles and joys that define the human experience. Contemplating the Subtleties of Street Art and Expression Bec Winnel's "Felt Carousel" print is a poignant reminder that Street Pop Art is not monolithic; it is a diverse and dynamic expression that transcends traditional boundaries. The choice of a Giclee print for this work underscores the importance of quality and longevity in art, ensuring that the delicate nuances of Winnel's pastel palette and the emotional gravity of the piece are preserved over time. In the broader context, "Felt Carousel" contributes to the narrative that Street Pop Art and Graffiti Artwork are not confined to public displays on urban walls but are also at home in private collections, which can be reflected upon in personal spaces. With its interplay of innocence and sorrow, this print demonstrates the genre's capacity to delve deep into the psyche, proving that street art can be as contemplative and stirring as any classical portrait. A Testament to the Enduring Spirit of Artistic Expression Finally, "Felt Carousel" is a testament to Bec Winnel's ability to evoke emotion and tell a story through her art. The fashion clown motif and the subject's genuine feeling craft a unique narrative open to interpretation yet universally understood. As one of the limited 50 owners of this print, collectors are invited to engage in a silent dialogue with the artwork, contemplating the myriad emotions that it elicits. Bec Winnel, through her sensitive and evocative portrayal of the human condition, continues to make an indelible mark on the world of contemporary art. "Felt Carousel" is not just a print; it is a piece of Winnel's soul, shared with the world, and a reminder that true artistry lies in the ability to elicit feeling and thought through the silent language of imagery.

    $211.00

  • High Fashion Chanel Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion Chanel Blotter Print by Denial- Daniel Bombardier

    High Fashion Chanel Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Chanel Reimagined in Street Pop Art & Graffiti Artwork The unmistakable double C logo of Chanel has long stood as a symbol of luxury, status, and timeless fashion, yet in the world of Street Pop Art & Graffiti Artwork, it takes on a new identity. Chanel, founded by Gabrielle Chanel in France during the early twentieth century, revolutionized fashion through clean lines and modern elegance. In the context of urban art, its pristine image is often recontextualized as a critique, satire, or celebration of wealth culture and identity. Artists like Daniel Bombardier, also known as Denial, use this emblem to explore the commodification of status and the blending of luxury and rebellion. Luxury Disrupted: Daniel Bombardier’s Artistic Commentary In 2024, Daniel Bombardier released a limited edition blotter paper artwork titled High Fashion Chanel. With an edition of only thirty-five, this archival pigment print was applied on hand-perforated blotter paper by Zane Kesey, a figure associated with psychedelic culture. The medium alone offers a layered context, hinting at altered states and counterculture movements. The bold Chanel logo dominates a minimalist yet highly repetitive background, turning the monogram pattern into both a celebration and subversion of consumerist branding. What traditionally represents refinement and class is reframed as something mass-produced and industrial, raising questions about the values consumers assign to logos and heritage. Visual Language and the Power of the Symbol The use of blotter paper in this edition is more than a stylistic decision. Its association with underground psychedelia adds another layer to the interpretation, aligning the visual impact of the work with ideas of transformation, critique, and satire. Bombardier is known for blending commercial aesthetics with provocative messages, and this Chanel print is no exception. The composition presents a clean layout that invites viewers to engage with how deeply symbols have embedded themselves into culture. The repetition of the Chanel monogram mimics advertising saturation, while the clean lines reference the brand's original design ethos, creating tension between reverence and critique. Street Pop Art & Graffiti Artwork Meets Fashion Iconography High Fashion Chanel reflects how street-level art forms engage with fashion not only as design but as commentary. This blotter print stands as both an homage and interrogation of luxury’s influence on identity, class, and aspiration. Denial’s work joins a broader conversation where fashion logos are used as tools for expression, resistance, or humor in urban visual culture. Through precise design, unexpected mediums, and intentional appropriation, Chanel’s image is reworked into something both familiar and radically transformed—making it an ideal subject within the language of Street Pop Art & Graffiti Artwork.

    $500.00

  • Protected Nipsey Gold Leaf HPM Silkscreen Print by MADSTEEZ- Mark Paul Deren

    MADSTEEZ- Mark Paul Deren Protected Nipsey Gold Leaf HPM Silkscreen Print by MADSTEEZ- Mark Paul Deren

    Protected Nipsey Gold Leaf HPM Silkscreen Print by MADSTEEZ- Mark Paul Deren Hand-Pulled 4-Color Screen Print on MEDIUM Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 25 Hand Cut Gold Leaf Inlay Artwork Size 33x44 The "Protected Nipsey Gold Leaf HPM (Hand Painted Multiple) Silkscreen Print" is a piece of art created by Mark Paul Deren, also known as MADSTEEZ. Mark Paul Deren is an artist and designer based in California, best known for his vivid, large-scale, and multi-layered paintings, combining various pop culture references, abstract imagery, and his signature "WEEN!face." His work has been featured in galleries, on walls, and on products worldwide. The "Protected Nipsey Gold Leaf HPM Silkscreen Print" is a tribute to Nipsey Hussle, an American rapper, entrepreneur, and community activist from Los Angeles, California, who was tragically murdered in 2019. Nipsey Hussle was not only a talented musician but also an inspiring figure for his community, investing in various projects to help uplift the people around him. The artwork by MADSTEEZ features a portrait of Nipsey Hussle surrounded by an array of vibrant colors and patterns, while the gold leaf adds a luxurious touch, representing the impact and legacy Nipsey left behind. The use of silkscreen printing and hand-painted elements make each print unique, adding value and collectability to the piece. This piece showcases MADSTEEZ's signature style, combining pop culture, street art, and fine art elements, making it a desirable piece for collectors and fans of both the artist and Nipsey Hussle.

    $2,375.00

  • High Fashion Goyard Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion Goyard Blotter Print by Denial- Daniel Bombardier

    High Fashion Goyard Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. High Fashion Goyard Blotter Print: A Study in Pattern, Prestige, and Pop Subversion The High Fashion Goyard blotter print by Canadian Street Pop Art & Graffiti Artwork artist Daniel Bombardier, professionally known as Denial, turns the exclusivity of the Goyard brand into a compact and compelling artwork. Released April 19, 2024, as part of a fine art edition limited to just 35 pieces, this archival pigment print on perforated blotter paper is both precise in execution and rebellious in concept. With hand-perforation by Zane Kesey, the work carries an underground aesthetic despite its clean luxury reference. The piece measures 7.5 x 7.5 inches and continues Denial’s acclaimed critique of consumer culture, pushing iconic fashion imagery into new zones of commentary and collection. From Luxury Trunks to Counterculture Paper: The Recontextualization of Goyard Founded in Paris in 1853, Goyard became a symbol of tailored refinement with its hand-painted chevron monogram pattern and elite clientele. Denial captures that storied branding and distills it into a new artistic form—a perforated sheet traditionally used for psychedelic blotter art. This transformation places the logo and signature motif into a setting charged with countercultural energy. The repeating Goyard pattern, once associated with aristocracy and heritage, is reimagined as a textured background for satire and critique. The shift from luggage canvas to blotter format creates a visual and conceptual rupture that aligns with the confrontational and reflective themes of Street Pop Art & Graffiti Artwork. Denial’s Commentary on Obsession, Branding, and Exclusivity Daniel Bombardier’s work often dissects themes of consumption, capitalism, and identity through the appropriation of logos and advertising imagery. With this Goyard piece, he expands that language by referencing how logos function like currency and power in culture. The repetition of the Goyard insignia mimics the hypnotic qualities of both mass marketing and altered states, while the fine detailing, contrast, and symmetry give it an aesthetic punch. Denial continues to use high fashion not as admiration but as a lens through which to view and question aspiration, desire, and value. This piece places Goyard—typically seen on the arms of global elite—into a context where ideas, not wealth, drive attention. A Limited Blotter Print Made for Today’s Cultural Shifts As part of a larger series interpreting luxury fashion houses through a rebellious fine art practice, the Goyard blotter print finds its place between gallery wall and cultural archive. The hand-signed and numbered edition affirms the physical object as a collector’s item, while the blotter format alludes to deeper layers of metaphor and transformation. Zane Kesey’s participation in perforating the sheets links it to historical acid blotter designs, amplifying the surreal juxtaposition. Denial’s Goyard print is not merely a remix—it’s a precise cultural critique in the language of Street Pop Art & Graffiti Artwork, celebrating design while questioning the systems that idolize it.

    $500.00

  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $26,253.00

  • Chanel Dark Side HPM Stencil on Wood by Ben Frost

    Ben Frost Chanel Dark Side HPM Stencil on Wood by Ben Frost

    Chanel Dark Side HPM Stencil on Wood by Ben Frost Hand-Painted Multiple Panel Ready to Hang by ARTIST Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Edition of 3 HPM MEDIA Print Artwork Size 27.5x23.5 Acrylic and spray paint on board with synthetic rope handles

    $5,463.00

  • Until The Snow Melts- Holographic Giclee Print by Alex Garant

    Alex Garant Until The Snow Melts- Holographic Giclee Print by Alex Garant

    Until The Snow Melts- Holographic Pop Street Artwork Limited Edition Giclee Print on Cardstock by Modern Artist Alex Garant. 2022 Signed 11x17 Limited Edition of 100 Holographic Foil Artwork Alex Garant's "Until The Snow Melts": A Holographic Journey in Street Pop Art "Until The Snow Melts" by Alex Garant presents a captivating blend of holographic intricacy and emotional depth, defining the modern street pop art movement. As a limited edition giclée print on cardstock, this artwork showcases Garant’s signature style, which often features repetitive elements and a surreal, dream-like quality that challenges the viewer’s perception. Created in 2022, this piece is part of a limited run of 100, each signed by the artist, making it a sought-after collectible for modern pop and street art fans. The holographic foil in "Until The Snow Melts" adds a dynamic and shimmering effect that changes with the viewer’s perspective, symbolizing the ever-shifting nature of reality and perception. This technique aligns with the themes commonly explored in Garant's work, where the duplicity of images and the illusion of movement invite a deeper engagement with the artwork. The holographic elements create a sense of fluidity and transformation, reinforcing the transient and ephemeral qualities of art and life. Visual Dynamics and Symbolism in "Until The Snow Melts" "Until The Snow Melts" is more than a mere visual spectacle; it explores identity and the multiple facets of the self. The double imagery of the subject’s face, a recurring motif in Garant’s oeuvre, is rendered with meticulous attention to detail, allowing for a haunting experience that is both intimate and distant. The holographic elements accentuate this duality, with the vibrant splashes of color reflecting the complexities and contradictions inherent in human nature. The choice of giclée printing for this artwork ensures that the fine details of Garant’s original vision are preserved. Giclée, known for its high-quality reproduction capability, is particularly effective in capturing the subtlety of the holographic elements, making each print a faithful representation of the original piece. This method, favored by artists and galleries for its fidelity and longevity, perfectly complements the intricate nature of Garant's art, allowing the nuanced interplay of light and color to shine through. The Impact of "Until The Snow Melts" on Street Pop and Graffiti Art In the broader context of street pop and graffiti artwork, "Until The Snow Melts" is a testament to the evolving nature of these art forms. Street art has traditionally been associated with public spaces and the use of graffiti as a means of expression and rebellion. However, as artists like Garant have shown, the techniques and aesthetics of street art can be adapted to create works that thrive in various settings, including the realm of fine art. Garant’s work, particularly with pieces like "Until The Snow Melts," bridges the gap between street art's transient nature and the permanence of fine art prints. By bringing the spontaneous and often ephemeral energy of street art into a collectible and enduring format, Garant elevates the discourse around street-inspired pop art, challenging traditional notions of what constitutes high art. The Cultural Resonance of Alex Garant's Holographic Art Alex Garant’s "Until The Snow Melts" is emblematic of a cultural shift in the appreciation and understanding of street pop art. The use of holographic elements in a giclée print indicates the innovative directions modern artists are taking to engage audiences. This artwork, with its reflective and multifaceted surface, serves as a metaphor for the layered experiences of urban life and the diverse perspectives that coexist within it. Furthermore, the limited edition nature of "Until The Snow Melts" reflects a growing trend in art: the democratization of art ownership. By making only 100 signed prints available, Garant ensures that the work is both exclusive and accessible, allowing a broader audience to participate in the world of contemporary art collecting. "Until The Snow Melts" is not just a significant addition to Garant’s portfolio; it is a striking example of how street pop art continues to innovate and inspire. The holographic print is a reminder of the fluid boundaries between different art forms and the power of modern techniques to capture the complex essence of human emotion and perception. With this piece, Garant continues to push the boundaries of what is possible in art, creating works that are not only visually arresting but also rich in meaning and context.

    $217.00

  • High Fashion I Louis Vuitton Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion I Louis Vuitton Blotter Print by Denial- Daniel Bombardier

    High Fashion I Louis Vuitton Archival Blotter Paper Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Luxury Satirized in Street Pop Art & Graffiti Artwork High Fashion I Louis Vuitton by Denial, the alias of Canadian artist Daniel Bombardier, is a limited edition archival pigment print presented on perforated blotter paper. Released in April 2024 in an edition of 35, this work merges the aesthetics of luxury branding with a provocative medium traditionally associated with underground psychedelic culture. The iconic Louis Vuitton monogram and checkerboard pattern are front and center, layered in a meticulous design that plays with status, obsession, and commodification. Each edition is hand-perforated by Zane Kesey, creating a textural and conceptual connection between art, counterculture, and consumption. Daniel Bombardier’s Weaponized Iconography Daniel Bombardier has long explored the themes of consumerism and propaganda through his Street Pop Art & Graffiti Artwork. Under the name Denial, his pieces critique mass media, brand worship, and political manipulation. High Fashion I Louis Vuitton continues this practice by spotlighting a fashion house that represents wealth and global prestige. Bombardier’s use of a blotter sheet format, with its history in psychedelic counterculture and illicit print art, directly confronts the polished commercialism of high fashion. The tension between drug ephemera and elite design language becomes a visual statement about escapism, identity, and class divisions. Blotter Paper as Cultural Canvas The use of blotter paper is not just stylistic—it is symbolic. In the underground art world, perforated blotters serve as miniature canvases for satire and resistance. When applied to corporate logos or social icons, they become critiques of power and conformity. This edition's precision printing and clean finish contrast sharply with its renegade medium. Bombardier subverts the traditional format by maintaining luxury’s polished aesthetic while embedding it in a context known for anti-establishment expression. Each square of the print, though undosed, carries the historical weight of psychedelia and the DIY ethos of protest art. Reclaiming Commercial Imagery through Street Pop Commentary High Fashion I Louis Vuitton is a synthesis of controlled craftsmanship and critical commentary. The fusion of luxury branding with the modular form of blotter tabs invites questions about replication, status, and the ritual of purchasing identity. This is not simply appropriation; it is transformation. In the hands of Denial, Louis Vuitton’s visual empire becomes a satirical map, charting the boundaries between aspiration and illusion. Within the context of Street Pop Art & Graffiti Artwork, this piece asserts that nothing is above reinterpretation—not even fashion’s most sacred icons.

    $500.00

  • Sneaker Print Red Silkscreen Print by Skewville

    Skewville Sneaker Print Red Silkscreen Print by Skewville

    Sneaker Print- Red 1-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville. 2020 Hand Signed & Numbered Limited Edition of 80 Artwork Tar Paper Size 18x24

    $218.00

  • Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost

    Ben Frost Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost

    Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Miss Piggy On Ozempic by Ben Frost: Glamour, Medication, and Street Pop Satire Miss Piggy On Ozempic Blotter Paper Archival Print by Ben Frost, released in 2025, marks another unflinching entry in the artist’s exploration of pharmaceutical aesthetics and iconic pop culture. Printed as a limited edition archival pigment work on perforated blotter paper, this 7.5 x 7.5 inch artwork puts Miss Piggy—arguably the most flamboyant and body-conscious character of the Muppets—at the center of a satirical fusion between celebrity vanity and the contemporary obsession with weight-loss medication. Miss Piggy is rendered in her classic pink glamor with her signature lashes, pearls, and sass, juxtaposed against the stark commercial design of Ozempic packaging. With references to semaglutide, prescription labels, and the inflated price of American healthcare, the work pokes at society’s increasing reliance on aesthetic pharmaceuticals. Street Pop Art & Graffiti Artwork Meets Medical Consumerism Ben Frost, known for his bold and controversial use of commercial packaging as visual canvas, turns pharmaceutical branding into a narrative device. With Miss Piggy as the character choice, the message becomes sharply ironic. The collision of children’s entertainment with adult insecurities about beauty, size, and control echoes throughout the composition. This piece is not just parody but visual critique, challenging the public’s relationship with health marketed as vanity and the commodification of self-worth. The format of the blotter paper, perforated and collectible, reinforces the idea of medication as a consumable culture artifact—something to be taken, divided, shared, or used for identity shaping. The Role of Feminine Icons in Street Pop Narratives Miss Piggy’s exaggerated femininity and status as a cultural diva are cleverly subverted in this composition. Her character becomes a visual metaphor for the endless pursuit of image perfection. Ben Frost’s work often questions who sets those standards and who profits from them. Here, the packaging of a once-niche diabetes medication now popularly associated with cosmetic weight loss becomes the modern-day pedestal on which icons are propped and critiqued. This collision of corporate design and animated star power builds tension between innocence and commodification, using Street Pop Art & Graffiti Artwork methods to satirize how quickly culture recycles its idols and issues. Blotter Medium and Psychedelic Provocation Produced in collaboration with Zane Kesey, who hand-perforated the blotter editions, the piece subtly nods to counterculture and the history of mind-altering media. While Ozempic is marketed as a drug for bodily transformation, the print format itself references altered states of awareness. The use of a pop icon like Miss Piggy elevates the print to a statement not just about beauty standards, but about consumption itself—whether it's drugs, fame, or cartoon nostalgia. Miss Piggy On Ozempic is a sharp-edged satire of cultural priorities in an era of performative wellness and image engineering. It is loud, subversive, and unmistakably Frost.

    $550.00

  • Pattern of Corruption Black Gold AP Silkscreen Print by Shepard Fairey- OBEY x Cleon Peterson

    Shepard Fairey- OBEY Pattern of Corruption Black Gold AP Silkscreen Print by Shepard Fairey- OBEY x Cleon Peterson

    Pattern of Corruption Black Gold AP Silkscreen Print by Shepard Fairey- OBEY x Cleon Peterson Artist Proof Hand-Pulled 2-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2015 Signed & AP Marked Original Run Limited Edition of 150 Artwork Size 18x24 Repeating Image of Tribal Man With Bloody Knife and Lotus Flower Vine Pattern Silkscreen "Cleon Peterson and I recently collaborated on a mural in Miami’s Wynwood district and were happy enough with the end result to decide to make some limited edition screen prints inspired by the mural. Cleon and I both deal with the persistent themes of the fragility of society, human savagery, and corruption in our work. The image has a dichotomy in its hypnotic classical floral pattern with sinister elements woven into it, which caution the viewer to look deeper than an appealing surface presentation." - SHepard Fairey "Pattern of Corruption Black Gold" is a striking representation of the collaboration between two giants of the street art world, Shepard Fairey, best known for his OBEY campaign, and Cleon Peterson. As an AP Silkscreen print, this piece emphasizes the hand-crafted nature of their work, a detail that resonates deeply with enthusiasts of street and pop art. Shepard Fairey's iconic art has always challenged societal norms, provoking viewers to consider underlying complexities and contradictions present in contemporary society. Cleon Peterson, with his depictions of chaotic human interactions, similarly forces viewers to grapple with the darker underbelly of humanity. The inspiration behind this piece emerged from the mural the duo worked on together in Miami’s Wynwood district, a place renowned for its vibrant street art scene. It's evident in the AP Silkscreen print how their artistic styles and messages seamlessly intertwine. The meticulous detail of a tribal man brandishing a bloody knife juxtaposed with the lotus flower vine pattern invites introspection on the duality of human nature. The combination of tribal motifs with classical floral patterns not only alludes to a blending of the traditional with the contemporary but also serves as a cautionary tale. The surface beauty of the design may lure the viewer in, but as Fairey himself mentioned, the sinister undertones remind us to delve deeper and question the allure. A limited-edition release, with only 150 prints available, the artwork has achieved heightened significance among collectors and enthusiasts. The hand-pulled, two-color screen print on fine art paper stands as a testament to the dedication of the artists to their craft. The "Pattern of Corruption Black Gold" is not merely an artwork; it's a poignant commentary on society's fragility and the ever-present themes of corruption and human savagery, themes that both Fairey and Peterson have consistently explored in their works.

    $1,084.00

  • Kanye West The Bear Look Archival Print by King Saladeen

    King Saladeen Kanye West The Bear Look Archival Print by King Saladeen

    Kanye West, The Bear Look Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: Kanye West, The Bear Look Size: 22 x 28 in. Edition of 250 Signed and numbered by King Saladeen

    $820.00

  • Fashion Addict Refill Supreme AP Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Fashion Addict Refill Supreme AP Archival Print by Denial- Daniel Bombardier

    Fashion Addict Refill- Supreme Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Supreme Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

    $572.00

  • Life After Death Giclee Print by Ken Flewellyn

    Ken Flewellyn Life After Death Giclee Print by Ken Flewellyn

    Life After Death Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Ken Flewellyn. 20x16 inches / 51x41 cm Edition of 40 Fine art print on 290gsm paper Hand-signed and numbered by the artist

    $217.00

  • These Parties Disgust Me Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY These Parties Disgust Me Silkscreen Print by Shepard Fairey- OBEY

    These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

    $861.00

  • Mighty Vibras Offset Lithograph Print on Wood by J Balvin x Matt Gondek

    Matt Gondek Mighty Vibras Offset Lithograph Print on Wood by J Balvin x Matt Gondek

    Mighty Vibras Offset Lithograph Print on Wood Panel by J Balvin x Matt Gondek with Tote Bag Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 14x23 Tattooed Up Astro Boy with Chanel Glasses. Bag Has Minor Spot Staining in Upper Area. Artwork Perfect to Near Perfect. J Balvin x Matt Gondek Cultural Synthesis in Street Pop Art The "Mighty Vibras" offset lithograph print on a wood panel is a dynamic fusion of music, street culture, and contemporary art. A collaborative piece by Colombian reggaeton superstar J Balvin and Los Angeles-based artist Matt Gondek, this artwork captures the essence of Street Pop Art and graffiti Artwork. Released in 2018, the limited edition of 300 signed and numbered pieces reflects the global influence of urban art forms and the increasingly porous boundaries between art, music, and fashion. The "Mighty Vibras" piece vividly portrays a tattooed-up Astro Boy, complete with Chanel glasses, a symbol of luxury infused with urban grit. This character, an icon of Japanese manga, is reimagined through the lens of street culture and high fashion, signifying the interconnected nature of global pop culture. Gondek's deconstructive style, known for taking apart characters and piecing them back together, is evident in the artwork's fragmented features, which are visually arresting and thematically resonant. J Balvin's influence on the piece brings a cross-cultural element that is palpable in the artwork's bold colors and the inclusion of the word "Familia" tattooed across the character's chest, a nod to the themes of kinship and belonging that pervade Balvin's music. The size of the artwork, at 14x23 inches, makes it a statement piece that stands out in any setting, from a casual living room to a high-end gallery. Intersection of Art and Merchandise Accompanying the print is a tote bag featuring the same design, highlighting the growing trend of art becoming wearable and usable in daily life. This approach to art merchandise expands the artwork's reach beyond the traditional confines of the art world, allowing it to become a part of the consumer's everyday experience. The tote bag is a mobile canvas, spreading the visual impact of the "Mighty Vibras" artwork to a broader audience. The synthesis of J Balvin's musical heritage and Matt Gondek's artistry in "Mighty Vibras" exemplifies the potential of collaboration across different creative industries. It also illustrates the power of street art to transcend its origins, infiltrating mainstream culture and fashion and becoming an emblem of contemporary lifestyle. "Mighty Vibras" is more than just an artwork; it is a cultural artifact that encapsulates the spirit of the times. It stands as a testament to the creative synergy between J Balvin and Matt Gondek, blending street art's raw energy with pop culture's gloss and, in doing so, creating a new visual language that speaks to a diverse, global audience. The limited edition nature of the piece, along with its associated merchandise, cements its status as a collectible item that holds both artistic and cultural value.

    $959.00

  • High Fashion Gucci Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion Gucci Blotter Print by Denial- Daniel Bombardier

    High Fashion Gucci Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. High Fashion Gucci Blotter Print by Denial High Fashion Gucci by Denial, also known as Daniel Bombardier, boldly merges the visual codes of luxury branding with the gritty defiance of Street Pop Art & Graffiti Artwork. This limited edition print, released in 2024 as part of a 35-print run, measures 7.5 x 7.5 inches and is crafted using archival pigment inks on perforated blotter paper. With each piece hand-perforated by Zane Kesey, the work is both a nod to countercultural history and a sharp cultural critique. Denial’s use of blotter paper as a canvas underscores a larger message about escapism, consumption, and image manipulation in modern society. Luxury Rewired Through a Subversive Lens Centered around the iconic Gucci logo and set against a repeating branded pattern, the artwork includes a coiled red, black, and white serpent slithering across the surface. The visual blend of opulence and danger makes a striking impression. This symbolic snake—long associated with temptation, rebellion, and transformation—amplifies the tension between consumer desire and critical awareness. Denial does not distort the branding. Instead, he amplifies it, forcing the viewer to engage with the familiarity of the logo in a completely different context. The very use of blotter paper, historically linked to psychedelics, adds layers of metaphor about perception, transformation, and cultural illusion. Gucci and the Aesthetic of Power Gucci’s visual identity has become shorthand for status and aspiration, and this is exactly what Denial calls into question. In a world where logos often carry more cultural weight than the products themselves, the artist draws attention to the machinery of branding and its influence over identity and expression. Through the lens of Street Pop Art & Graffiti Artwork, this piece makes Gucci’s signature motifs accessible but also provocative. It turns fashion into a format for critique rather than celebration, showing how luxury aesthetics can be hijacked and repurposed as contemporary iconography. Daniel Bombardier’s Ongoing Commentary Denial continues to explore the relationships between media, branding, and cultural behavior. Known for fusing bold color palettes with subversive imagery, his High Fashion Gucci print delivers both visual satisfaction and layered meaning. By working on perforated blotter paper, he reinforces a tactile history of underground movements and counter-narratives. This artwork fits within a larger pattern of Denial’s efforts to blur the line between commercial art and social commentary. It is not just a stylish nod to high fashion. It is a streetwise deconstruction of consumerist illusion. Each dot, logo, and symbol demands a second look—not for what it sells, but for what it questions.

    $500.00

  • An Act of Faith HPM Acrylic Spray Paint Silkscreen Print by Faile

    Faile An Act of Faith HPM Acrylic Spray Paint Silkscreen Print by Faile

    An Act of Faith HPM Acrylic Spray Paint Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2025 Signed & Numbered Spray Paint, Ink & Acrylic Paint HPM Embellished Limited Edition of 24 Artwork Size 25x38 An Act of Faith by Faile An Act of Faith is a hand-painted multiple silkscreen print created by the Street Pop Art collective Faile, executed in 2025 in a limited edition of 24. Each print measures 25 by 38 inches and is individually signed and numbered. The artwork is a hybrid visual tapestry constructed using silkscreen ink, spray paint, and acrylic hand embellishment on fine art paper. Its vivid imagery and comic-inspired text panels present a layered critique of media, gender identity, and the construct of self-perception. This piece continues Faile’s legacy of transforming vintage commercial design into complex visual puzzles that interrogate popular culture. Iconography and Satirical Power An Act of Faith presents an aesthetic rooted in mid-century pulp comics, twisted with modern irony and subversive commentary. The central image features a man gazing into a dressing room mirror, surrounded by fractured reflections of women, a wolf, and disembodied pop culture references. The phrase Who am I? I can’t tell which is the real Faile reinforces the identity distortion that plays across the surface. Each character is stylized with bold outlines, saturated color fields, and meticulous brushwork added post-screening, transforming the uniformity of the silkscreen process into a collection of unique variants. Faile, formed by Patrick McNeil and Patrick Miller, began their collaborative work in the early 2000s in the United States. Their projects often use found iconography, commercial typography, and nostalgic aesthetics to challenge consumerism, masculinity, and mass production. This print extends that method through its satirical reference to mass media with phrases like Art That Respects Your Intelligence and The Most Puzzling Story You’ve Ever Seen. These slogans mimic vintage comic book advertisements but are reappropriated to critique visual culture. Print Process and HPM Technique An Act of Faith is printed using a traditional silkscreen process, a hallmark of Pop Art that channels the commercial reproduction techniques famously employed by artists like Andy Warhol. However, Faile distinguishes their method by employing HPM, or Hand-Painted Multiple techniques. Each piece is enhanced with layers of acrylic and spray paint after printing, resulting in a vibrant and textured finish. This process ensures that no two works are exactly alike, blurring the boundaries between print edition and painting. Cultural Commentary in Street Pop Art & Graffiti Artwork Faile’s work exists at the confluence of fine art, urban decay, and consumer critique. An Act of Faith takes the format of a comic book cover and reconstructs it into a statement about authenticity, perception, and mediated identity. It confronts viewers with the question of who controls the narrative of visual culture—artists, corporations, or consumers. With its blend of nostalgic aesthetics and street art grit, this piece exemplifies the crossover of graffiti’s rebellious roots and pop art’s accessible critique. As part of the 2025 limited series, it reflects the evolution of street pop art into museum-worthy dialogue, maintaining its roots in public disruption and cultural satire.

    $5,500.00

  • Sale -20% Supreme NYC HPM Acrylic Archival Print by Daniel Loveridge

    Daniel Loveridge Supreme NYC HPM Acrylic Archival Print by Daniel Loveridge

    Supreme NYC HPM Acrylic Archival Print by Daniel Loveridge Fine Art Hand-Embellished Limited Edition on 290gsm Moab Entrada Rag Bright Paper Artist Artwork. 2023 Signed & Numbered Acrylic Paint Hand Embellished Limited HPM Edition of 5 Artwork Size 17x14 "Daniel Loveridge’s gritty canvases seamlessly capture urban decay's raw and unrepentant beauty. Working predominantly in acrylic and ink on canvas, Loveridge paints en plein air, as he has for his sixteen-year-long career. Dilapidated interior scenes comprise the majority of the artist’s oeuvre. Abandoned buildings rife with decomposing tin and concrete walls are intensified by brilliantly pigmented patches of graffiti throughout his compositions." -House of Roulx

    $360.00 $288.00

  • Sale -20% Ophelia Legs #1- HPM HPM Hand-Embellished - Sprayed Paint Art Collection

    Tavar Zawacki- Above Ophelia Legs #1 HPM Silkscreen Print by Tavar Zawacki- Above

    Ophelia Legs #1 Limited Edition Hand-Embellished HPM 1-Color Silkscreen Print on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. #1 of 15

    $450.00 $360.00

  • What the Sket Airmax 90 Archival Print on Acrylic by Sket-One

    Sket-One What the Sket Airmax 90 Archival Print on Acrylic by Sket-One

    What the Sket Airmax 90 Archival Print on Acrylic by Sket-One Archival Pigment Fine Art Limited Edition Print Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 47 Artwork Size 10x8. Does Not Include Holder, New. Sket-One's "What the Sket Airmax 90" - A Fusion of Sneaker Culture and Street Pop Art The "What the Sket Airmax 90" archival print on acrylic by Sket-One is a vibrant testament to the fusion of sneaker culture with the energetic ethos of Street Pop Art and graffiti Artwork. As a modern pop artist, Sket-One has captured the essence of the iconic Airmax 90 sneaker, transforming it into a limited edition piece that resonates with the dynamism of contemporary urban art. Sket-One's decision to employ archival pigment on acrylic speaks to this medium's durability and clarity, allowing the vivid colors and bold patterns synonymous with his work to pop with life and intensity. The artwork, sized at 10x8 inches, celebrates the artist's prowess in encapsulating popular culture icons within the realms of fine art. Each piece of the limited edition run, numbered only 47, has been signed by Sket-One, further solidifying its status as a collectible. Collectors of his work are drawn not only to the aesthetic appeal but also to the artwork's representation of the cross-section between art and the symbols of everyday life, such as the renowned sneaker profile depicted in print. The Cultural Impact of Sket-One's Artwork in Street Pop Art The "What the Sket Airmax 90" symbolizes Sket-One's ability to navigate the interplay between commerciality and artistry. His works often feature elements from mass culture, repurposed and reimagined through an artistic lens that challenges perceptions and invites viewers to see the extraordinary in the mundane. This particular piece encapsulates the spirit of the times - a period where the distinction between high art and street culture continues to blur, giving rise to a new appreciation for art that is accessible yet profound. By immortalizing the Airmax 90, Sket-One pays homage to a significant cultural artifact within the sneaker community, elevating it beyond its functional existence as footwear and into the sphere of art. His work stands as a narrative of nostalgia, consumerism, and the elevation of streetwear as a subject worthy of artistic exploration. The "What the Sket Airmax 90" archival print is a bold statement in Street Pop Art and graffiti Artwork, reflecting the shifting boundaries of what is considered art. It is a piece that speaks to the heart of sneaker enthusiasts and art collectors alike, bridging the gap between two passions and cementing Sket-One's place as a visionary in the modern pop art landscape.

    $148.00

  • Sale -20% Dax Archival Die Cut Print by Darien Birks

    Darien Birks Dax Archival Die Cut Print by Darien Birks

    Dax Die-Cut Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Fine Art Paper by Artist Darien Birks Urban Street Artwork. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 "I think these images belong on a stamp because of their nostalgic value amongst those that grew up in a community similar to my own. The thought of what they represent make most people smile when they see the art. They bring back memories of when we wanted to look our best, how we wanted to present ourselves to the world at that particular time. When one pomade didn't give us the look that we were trying to achieve (primarily waves), we'd switch to another one—it would create debates about which was the best. The bold colors and interesting use of typography on the tin can packaging were other details of interest, they were iconic, and I wanted to recapture that." –Darien Birks

    $285.00 $228.00

  • Tulleries Hand Finished Brass No 3 HPM Silkscreen Print by Fin DAC

    Fin DAC Tulleries Hand Finished Brass No 3 HPM Silkscreen Print by Fin DAC

    Tulleries Hand Finished Brass No 3 HPM Silkscreen Print by Fin DAC 24-Color Screen Print Ink on 1mm Corroded Brass Metal Limited Edition Pop Street Art Findac Artwork. 2022 Signed & Numbered Hand Finished HPM Embellished Limited Edition of 10 Artwork Size 24.4x33.07 Fin DAC's Tulleries Hand Finished Brass No 3 HPM Silkscreen Print In the dynamic domain of street pop art and graffiti artwork, Fin DAC has secured his position as a distinguished artist with his striking, hand-finished brass silkscreen prints. "Tulleries Hand Finished Brass No 3 HPM" is a profound example of his commitment to artistry, blending traditional screen printing techniques with innovative materials. This 2022 creation is part of a highly exclusive limited edition series, with only ten pieces available, each hand-signed and numbered, emphasizing its rarity and the artist's personal touch. An Exploration of Material and Method in Fin DAC's Work The piece, "Tulleries Hand Finished Brass No 3 HPM," expands the boundaries of street art and pop art. Using 1mm corroded brass as a substrate is unconventional and experimental, a testament to Fin DAC's inventive spirit. The 24-color screen print ink applied to the metal surface creates a textural contrast that is visually stunning and tactile. Each print, measuring 24.4x33.07 inches, is embellished by hand, ensuring that while each piece belongs to a series, it stands alone as a unique work of art. Symbolism and Aesthetics in Tulleries Hand Finished Brass No 3 HPM The artwork is a mesmerizing portrait featuring Fin DAC's characteristic fusion of urban style and classical elegance. The subject, a female figure with a richly detailed hairstyle and holding a ferret, is depicted against a backdrop of stylized script. The juxtaposition of the corroded brass with the vibrant colors used for the figure creates an interplay of decay and beauty, echoing the transient nature of street art. The dripping paint across the subject's eyes, a recurring element in Fin DAC's work, suggests a mask or alter ego, inviting the viewer to delve into the layered meanings of identity and presentation. Cultural Significance of Fin DAC's Artistic Contributions Fin DAC's "Tulleries Hand Finished Brass No 3 HPM" is a collector's piece and a significant cultural artifact within the street pop art movement. It represents the high level of craftsmanship and thematic depth that street art can achieve. The limited edition nature of the series speaks to the exclusivity often associated with fine art, yet the work retains the accessibility and public-oriented spirit of street art. Fin DAC's "Tulleries Hand Finished Brass No 3 HPM" is a vibrant testament to the artist's innovative approach to street pop art. By marrying the edginess of street art with the sophistication of fine art printmaking, Fin DAC continues to push the envelope, challenging perceptions and inviting art lovers to reconsider the boundaries of contemporary art.

    $10,501.00

  • JP the Money Bear 20x30 Archival Print by King Saladeen

    King Saladeen JP the Money Bear 20x30 Archival Print by King Saladeen

    JP the Money Bear 20x30 Archival Pigment Fine Art Limited Edition Print on 310gsm Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: JP the Money Bear 20x30 Size: 20 x 30 in. Edition of 427 Signed and numbered by King Saladeen

    $820.00

  • Sneaker Print Blue Silkscreen Print by Skewville

    Skewville Sneaker Print Blue Silkscreen Print by Skewville

    Sneaker Print- Blue 1-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville. 2020 Hand Signed & Numbered Limited Edition of 80 Artwork Tar Paper Size 18x24

    $218.00

  • High Fashion II Hermès Blotter Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier High Fashion II Hermès Blotter Print by Denial- Daniel Bombardier

    High Fashion II Hermès Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. High Fashion II Hermès Blotter Print by Denial High Fashion II Hermès by Denial, also known as Daniel Bombardier, captures a sharp commentary on luxury consumerism through the lens of Street Pop Art & Graffiti Artwork. Released in 2024 as a limited edition of 35 signed and numbered archival pigment prints, this 7.5 x 7.5 inch piece is printed on perforated blotter paper and hand-perforated by Zane Kesey. The work uses the instantly recognizable Hermès Paris branding and vivid orange palette to highlight the intersection of wealth symbolism and artistic subversion. As with many of Denial’s works, the use of luxury fashion iconography is both a nod to aspirational culture and a critique of its grip on identity and self-worth. Fashion as Commodity and Canvas In this print, Denial transforms the Hermès packaging into an object of reflection. The orange field, carriage motif, and Parisian serif typography remain visually intact, yet their presence on blotter paper invites reinterpretation. In the hands of Denial, this branded imagery becomes more than decorative. It takes on a satirical tone, challenging viewers to consider how brands shape desire and value. By placing this on a medium traditionally linked to psychedelia and altered consciousness, the artist brings a new layer of irony—how deep are we in the trance of consumerism when luxury logos elicit emotional responses? Street Pop Art & Graffiti Artwork as a Response to Luxury Culture Daniel Bombardier is known for blending sleek graphic sensibilities with raw social critique. His work often engages with consumerism, capitalism, and surveillance culture, and the High Fashion II Hermès print continues this thread. The piece balances reverence for the aesthetic of high-end branding with an interrogation of its psychological influence. As with the best examples of Street Pop Art & Graffiti Artwork, this print disrupts traditional spaces by repurposing symbols of status into agents of visual dissent. It belongs to a growing lineage of works that reframe logos and designer marks as objects of conversation rather than worship. The Luxury Logo as Cultural Code High Fashion II Hermès does not dilute its message. It elevates it through contrast. The clash of street aesthetics and high fashion visuals builds a dialogue about power, visibility, and access. Hermès, a brand known for restraint and craftsmanship, is reimagined in a format associated with the underground and countercultural expression. This transformation reframes luxury as something no longer untouchable, but critically examined. Denial’s work acts as a graphic mirror, held up to a society shaped by what it consumes and what it chooses to idolize. Through this limited blotter edition, Denial fuses critique and craft into a square of paper that speaks volumes.

    $500.00

  • Mark Twain Riskoleum AP Giclee Print by Risk Rock

    Risk Rock Mark Twain Riskoleum AP Giclee Print by Risk Rock

    Mark Twain Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof. Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in

    $218.00

  • Top Elite Faschions Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Top Elite Faschions Silkscreen Print by Shepard Fairey- OBEY

    Top Elite Faschions 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 x 24 Screen Print Signed and Numbered Edition of 450, Signed and numbered by Shepard Fairey in pencil, this silkscreen art print is on medium weight off white colored paper.

    $384.00

  • Sale -20% Tranquility Giclee Print by Royyal Dog- Chris Chanyang Shim

    Royyal Dog- Chris Chanyang Shim Tranquility Giclee Print by Royyal Dog- Chris Chanyang Shim

    Tranquility Giclee Print by Royyal Dog- Chris Chanyang Shim Artwork Limited Edition Print on 310gsm Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 10 Artwork Size 12x23 "Tranquility" is a giclee print by Royyal Dog, an artist whose real name is Chris Chanyang Shim. The term "giclee print" refers to a high-quality, fine art digital print made with an inkjet printer. These prints are known for their vibrant colors, longevity, and attention to detail. Chris Chanyang Shim, or Royyal Dog, is a South Korean artist who has gained recognition for his incredible talent in creating hyper-realistic and vibrant portraits. His artwork often features intricate details and bold color palettes that capture the essence of his subjects. Royyal Dog's works have been exhibited in numerous galleries and exhibitions worldwide, and he has garnered a substantial following for his distinctive style. "Tranquility" showcases the artist's signature style and mastery of his medium. As with many of his other works, the subject of the piece is a portrait of a woman that exudes a sense of calm, serenity, or contemplative depth. As with any artwork, individual interpretation is essential, and the title of the piece suggests that the viewer should experience a sense of peace and stillness when engaging with it.

    $366.00 $293.00

  • Sale -20% Chunky Dunky Holographic Silkscreen Print by Eric Pagsanjan

    Eric Pagsanjan Chunky Dunky Holographic Silkscreen Print by Eric Pagsanjan

    Chunky Dunky- Holographic 13-Color Hand-Pulled Limited Edition Silkscreen Print on 10pt Rainbow Holographic Fine Art Paper by Eric Pagsanjan Rare Street Art Famous Pop Artwork Artist. 13-Color Screen Print on 10pt. Rainbow Holographic Fine Art Paper Size: 18 x 24 Inches Release: May 07, 2021 Run of: 15

    $352.00 $282.00

  • Sale -20% Blue Girl Archival Print by Camilo Pardo

    Camilo Pardo Blue Girl Archival Print by Camilo Pardo

    Blue Girl Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. Camilo's paintings and drawings speak to both his love for linear perfection and his fascination for the manner in which those lines deliver aesthetic satisfaction to the viewer. His works genuinely seem to move and they are energized by what is obviously a rich understanding and respect for popular culture and traditional disciplines.

    $352.00 $282.00

  • Sale -20% Never Safe Archival Print by Olga Esther

    Olga Esther Never Safe Archival Print by Olga Esther

    Never Safe Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Olga Esther, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 75 Fine art print on Moab Entrada 290gsm paper 20 x 20 inches / 50 x 50 cm Hand deckled edges Each print is signed and numbered by the artist Printed by Static Medium (Los Angeles)

    $330.00 $264.00

  • Deep Ocean, Vast Hell HPM Silkscreen Print by Dee Dee

    Dee Dee Deep Ocean, Vast Hell HPM Silkscreen Print by Dee Dee

    Deep Ocean, Vast Hell Limited Edition Hand-Embellished Aerosol and Silkscreen on Deckled 250gsm Somerset Archival Paper by Artist Dee Dee Modern Pop art. 2020 Signed & Numbered Limited Edition of 5 Artwork Size 43-7/8 x 30-1/2 inches Dee Dee is a New York City-based street artist who uses collage, paint, and silkscreen to bring surreal and cinematic daydreams and nightmares to life. It is in that world – between sleep and dream, between the surface and subconscious – where the viewer is invited to enter. The work encapsulates themes of the seen and unseen, the hidden and the revealed, the masks we wear, and the ones we choose to remove.

    $820.00

  • Covid No 19 Rose Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Covid No 19 Rose Archival Print by Denial- Daniel Bombardier

    Covid No 19- Rose Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Rose Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

    $313.00

  • Artist's Model Green Silkscreen Print by Aelhra

    Aelhra Artist's Model Green Silkscreen Print by Aelhra

    Artist's Model- Green Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

    $217.00

  • Fashion Addict Refill Coach AP Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Fashion Addict Refill Coach AP Archival Print by Denial- Daniel Bombardier

    Fashion Addict Refill- Coach Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Coach Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

    $572.00

  • Covid No 19 Sarcelle Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Covid No 19 Sarcelle Archival Print by Denial- Daniel Bombardier

    Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

    $313.00

  • BasquiART Archival Paper Standard Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta BasquiART Archival Paper Standard Silkscreen Print by Mr Brainwash- Thierry Guetta

    BasquiART- Archival Paper Standard 15-Color Hand-Pulled Limited Edition Silkscreen Print on Deckled Archival Paper by Mr Brainwash- Thierry Guetta. 2021 Signed & Numbered Limited Edition of 61 Artwork Size 22x30 2021 Edition of 61 Signed & Numbered- 15-Color Screen Print on Archival Paper with Deckled Edges Size: 30 x 22 Singed and thumb printed by the Artist.

    $4,011.00

  • Covid No 19 Rouge Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Covid No 19 Rouge Archival Print by Denial- Daniel Bombardier

    Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

    $313.00

  • Covid No 19 Bleue Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Covid No 19 Bleue Archival Print by Denial- Daniel Bombardier

    Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

    $313.00

  • Sole of the Artist CFYW Portrait Archival Print by CFYW

    CFYW Sole of the Artist CFYW Portrait Archival Print by CFYW

    Sole of the Artist: CFYW Portrait Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Art Paper by Graffiti Street Art and Pop Culture Artist CFYW x KJ Shows. Sole of the Artist: CFYW Portrait • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-signed, dated, numbered and embossed by KJ Shows Additionally signed by Geoff Hargadon (Cash For Your Warhol) Limited edition of 25

    $214.00

  • Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC

    Fin DAC Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC

    Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 20x31.5 Silkscreen Print Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Haiconca Metallic Yellow Gold is a 2023 silkscreen masterpiece by renowned street pop art artist Fin DAC. Printed on full bleed, hand-deckled 410gsm Somerset fine art paper, this work measures 20 by 31.5 inches and comes from a strictly limited edition of only 40 signed and numbered prints. The print is created using an intricate 8-color silkscreen process, featuring a finely rendered monochromatic portrait that is electrified by a bold, metallic yellow gold mask motif. This juxtaposition of grayscale hyperrealism with vibrant symbolic color is a hallmark of Fin DAC's visual language and contributes to his ongoing commentary on cultural beauty and feminine power. Signature Style and Cultural Emblems of Fin DAC Fin DAC, born in Ireland and now internationally recognized, has redefined female portraiture in street pop art and graffiti artwork through his consistent and deliberate visual symbolism. His signature aesthetic includes masked women adorned with color-splashed facial motifs that recall traditional Asian, South American, or tribal ceremonial elements. Haiconca Metallic Yellow Gold exemplifies this ongoing thematic approach. The woman in this piece gazes directly at the viewer, poised yet guarded, her piercing eyes offset by the dripping gold mask over her upper face. Her nose ring, textured ring, and painted fingernails add to the layered storytelling that often defines Fin DAC’s subjects—powerful yet introspective, adorned yet undiminished. Process, Materials, and Artistic Execution The use of 410gsm Somerset paper is a deliberate choice, enhancing the tactile depth of the work and allowing the metallic pigment to reflect light in varying tones depending on the viewer's angle. The 8-color hand-pulled silkscreen method allows for extreme control and layering, resulting in a print that feels almost photographic while retaining its raw street art origin. The hand-deckled edges give the print a raw, sculptural quality that complements the street-to-gallery ethos central to Fin DAC's practice. These production details are not incidental—they are essential to understanding how street pop art has evolved into a serious collectible fine art medium. Contemporary Relevance in Street Pop Art & Graffiti Artwork Haiconca Metallic Yellow Gold stands as a visually arresting reflection on identity, agency, and perception. The metallic yellow mask is both shield and declaration—a visual metaphor for the roles women adopt or resist in contemporary society. Fin DAC’s work continues to elevate women of diverse cultural backgrounds not as exotic symbols, but as empowered individuals commanding their presence across urban and gallery landscapes. In the context of street pop art and graffiti artwork, this piece bridges photorealistic portraiture with bold iconography, highlighting Fin DAC’s place as a pivotal figure in the genre. With only 40 editions produced, this 2023 release offers collectors a rare and powerful work that speaks directly to the moment while maintaining timeless aesthetic and emotional depth.

    $2,144.00

  • Sole of the Artist: Bill Barminski Portrait by Bill Barminski

    Bill Barminski Sole of the Artist: Bill Barminski Portrait by Bill Barminski

    Sole of the Artist: Bill Barminski Portrait Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Art Paper by Graffiti Street Art and Pop Culture Artist Bill Barminski x KJ Shows. Sole of the Artist: Bill Barminski Portrait • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-signed, dated, numbered and embossed by KJ Shows Additionally signed by Bill Barminski Limited edition of 25

    $214.00

  • Rihanna Bear Of The Year Archival Print by King Saladeen

    King Saladeen Rihanna Bear Of The Year Archival Print by King Saladeen

    Rihanna Bear Of The Year Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: Rihanna Bear Of The Year Look Size: 22 x 28 in. Edition of 250 Signed and numbered by King Saladeen

    $820.00

Designer Fashion Graffiti Street Pop Artwork

Designer Fashion and Its Resonance with Street Pop Art

Designer fashion, often seen as the pinnacle of creativity and craftsmanship within the clothing industry, has found an unexpected but harmonious synergy with the raw, expressive nature of Street Pop Art and Graffiti Artwork. This intersection has sparked a dialogue between two seemingly disparate worlds, resulting in a fusion of high fashion with the gritty aesthetic of urban art. Designer brands, known for their meticulous attention to detail and innovative designs, have increasingly drawn inspiration from street art's vibrant visuals and social commentary. This has led to the creation of collections that embody graffiti's rebellious spirit and visual impact, bringing a fresh perspective to luxury fashion. The streets have become a source of inspiration for designers looking to infuse their creations with a sense of authenticity and edge that resonates with contemporary audiences. Street Pop Art, characterized by its bold color, graphic lines, and often provocative imagery, offers a rich palette from which designers can draw. Incorporating these elements into high-end fashion has given rise to garments that are visually striking and carry the subversive undertones of street culture. This blending of influences has challenged traditional notions of what designer fashion can be, expanding the creative horizons of the industry. Designer fashion as a topic in graffiti street pop art is an exciting fusion of two seemingly distinct art forms. This concept brings together the world of high fashion and street art's raw, urban energy, creating an exciting visual and cultural experience. Here are some key ideas to consider when exploring designer fashion in graffiti street pop art: Brand logos and motifs: Incorporating recognizable brand logos and motifs into graffiti street pop art can create striking visual effects. Artists might reimagine these elements in their unique style, playing with color, form, and texture to create something fresh and dynamic. Fashion icons: Pay homage to fashion icons such as designers, models, and other industry influencers by featuring their portraits or quotes within graffiti street pop art. This can serve as a tribute to those who have shaped the fashion world and bring a sense of history and personality to the artwork. Social commentary: Graffiti street pop art often contains messages or commentary on social, political, or economic issues. By incorporating these themes, artists could explore the fashion industry's impact on the environment, labor practices, or consumerism. Streetwear and fashion collaboration: Streetwear brands have increasingly collaborated with high fashion designers, blurring the lines between the two worlds. This creates an opportunity for graffiti street pop artists to draw inspiration from these partnerships and create art that reflects this fusion of styles. Visual elements: Incorporating elements of designer fashion, such as patterns, textiles, and silhouettes, into graffiti street pop art can result in intriguing visual compositions.

Impact and Influence of Street Aesthetics in Designer Fashion

The interplay between designer fashion and Street Pop Art goes beyond mere aesthetic appreciation; it is a cultural exchange that reflects the evolving landscape of art and society. The fashion industry's embrace of street art signifies a recognition of the cultural significance of this art form and its creators. It is an acknowledgment that the messages conveyed through graffiti and street art — often centered on themes of resistance, identity, and community — have a place within the narratives that designer fashion seeks to tell. In turn, street artists have found new canvases to display their work, with designer garments acting as mobile murals that traverse the global stage. This exchange is evident in the collaborations between prominent street artists and luxury fashion houses. These partnerships have produced iconic pieces where the artist's signature style is woven into the fabric of designer wear. These collaborations are not just commercial ventures; they are a form of mutual endorsement that lends authenticity to the fashion pieces and elevates the status of the street artist within the art world. The result is a collection that captures the zeitgeist, marrying the exclusivity of designer fashion with the inclusivity of street art. The impact of street aesthetics on designer fashion can be observed in the way that traditional luxury symbols are reimagined through the lens of street art. Iconic logos and patterns are reworked with a streetwise twist, infusing them with a new life that resonates with a younger, more diverse audience. This has led to the resurgence of some designer brands that have cleverly aligned themselves with the street art scene, tapping into its cultural capital to rejuvenate their image and appeal to a broader demographic.

Furthermore, the influence of Street Pop Art and Graffiti Artwork on designer fashion has led to a democratization of luxury fashion. Limited-edition releases, often featuring street art-inspired designs, have become highly coveted items, blurring the lines between high art and accessible fashion. This trend reflects a shift in the fashion industry towards more inclusive and varied expressions of creativity, where the value of a garment is enhanced by its artistic significance rather than just its brand name or price tag.

The Future of Designer Fashion in the Age of Street Art

As we look to the future, the relationship between designer fashion and street art appears poised for continued growth and exploration. The ongoing conversation between these two creative fields suggests a future where designer fashion increasingly incorporates street influences in design and its approach to marketing, brand storytelling, and customer engagement. Street art's potential to continue infusing designer fashion with new energy and relevance is vast, promising a dynamic and ever-evolving landscape for both industries. In essence, the convergence of designer fashion with Street Pop Art and Graffiti Artwork is a testament to the power of cross-disciplinary influences in driving innovation and cultural progression. It is a collaboration that celebrates diversity, challenges norms and reflects the spirit of the times. As designer fashion continues to weave the vibrancy of street art into its fabric, it not only enriches its narrative but pays homage to the art form that has become an indelible part of our urban environment and cultural identity. Artists can experiment with combining these elements to create a unique aesthetic that celebrates the beauty and creativity of fashion while maintaining the bold, edgy essence of street art. Fashion shows and events: Use the backdrop of fashion shows, events, and exhibitions to inspire graffiti street pop art. This can include capturing the energy, glamour, and spectacle of these events and highlighting specific moments, designs, or collections that resonate with the artist. Style subcultures: Drawing from the rich history of various style subcultures, such as punk, hip-hop, or grunge, artists can create graffiti street pop art, highlighting the influence of these movements on designer fashion. This approach can showcase the evolution of fashion and the interconnectedness of different styles. Mash-ups and remixes: Similar to how DJs mix tracks, graffiti street pop artists can "remix" elements of designer fashion by combining them in unconventional and surprising ways. This could involve juxtaposing high fashion with everyday items, blending styles from different periods or cultures, or reinterpreting classic designs through a contemporary lens. Interactive and experiential art: Graffiti street pop art can be transformed into interactive or experiential installations by incorporating elements of designer fashion. This might include creating immersive environments, allowing viewers to become a part of the artwork, or using technology to enhance the sensory experience. Artistic collaboration: Encouraging collaborations between graffiti street pop artists and fashion designers can lead to innovative and unexpected results. These partnerships can push the boundaries of both art forms, resulting in unique pieces that combine the best of both worlds. Collaborative projects might include designing limited-edition clothing or accessories, creating joint exhibitions, or developing public art installations. By exploring designer fashion as a topic in graffiti street pop art, artists can challenge traditional boundaries and spark conversations about the relationship between high fashion and street culture. This fusion of styles creates an opportunity for artists to express their creativity and make bold statements while celebrating the beauty, innovation, and influence of designer fashion. As graffiti street pop art continues to evolve, incorporating elements of designer fashion into its visual language can result in a vibrant and exciting artistic movement that reflects the ever-changing landscape of fashion and contemporary art.
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