Designer Fashion

French Arrogance Silkscreen Print by 123Klan Hand-Pulled 3-Color on 80lb Speckletone True White Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 24x36 Silkscreen Print "French Arrogance" is a silkscreen print created by 123Klan, a French street art collective founded in 1992 by Scien and Klor. The collective is known for its fusion of graffiti, graphic design, and illustration in their artwork. They often create unique and bold pieces that draw inspiration from various influences such as hip-hop, punk, and pop culture. "French Arrogance" showcases 123Klan's style and attitude, incorporating elements of French culture and the street art scene. The print likely features strong colors, stylized text, and various symbols or icons related to the theme.

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Supreme Miles Davis Deck- White Limited Edition Skateboard deck art by Designer Brand Supreme SS21 2021 Miles Davis is a world-renowned trumpet player, and a pioneer of the cool jazz movement in the 1940s. Miles Davis has been represented in the current streetwear culture with his second collection with Supreme in the last 2 years. The white skateboard deck depicts Miles Davis in pink playing his famous Martin Committee Trumpet alongside the boldly written Supreme brand name. Released April 15th, 2021.

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Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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High Time- High All Day Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. Marwan Shahin's "High All Day" Collectors edition of only 5 prints of each. From High Time series, Debuting in 2015, Released for the first time produced by Shahin Studios, released in celebration of the new year. Only 5 Available of each2015 18 inches x 22 inches Giclée on Photographique Rag Signed, Numbered, Embossed and Branded High Time: High All Day by Marwan Shahin – A Radiant Fusion of Time, Status, and Enlightenment High All Day is a standout piece from Marwan Shahin’s acclaimed High Time series, crafted in 2015 and released in an extremely limited edition of only five prints. Produced on 18 x 22 inch Photographique Rag paper and finished with Shahin’s signature embossing, branding, and numbering, this giclée print extends the series’ surreal reinterpretation of luxury timepieces as profound cultural and symbolic artifacts. In High All Day, Shahin replaces the watch dial with a celestial face encircled by golden rays, transforming the wristwatch into a sun deity—a visual metaphor for illumination, opulence, and modern obsessions with visibility and value. The radiant gold of the spiked bezel bursts outward like a sun crown, each point merging elements of a timepiece's mechanics with solar symbolism. At the center of the dial, the intricately detailed face gazes out hypnotically with spiral-rendered features and reddened eyes, echoing the dreamy haze found in High All Night. However, where High All Night explores the twilight haze of indulgence, High All Day evokes the blinding clarity of the spotlight—fame, materialism, and constant awareness. Time as Power, Time as Currency Marwan Shahin continues his exploration of modern symbolism through the framework of Street Pop Art & Graffiti Artwork. The work critiques the societal glorification of luxury, fame, and hyper-productivity. The gilded wristwatch—a universal symbol of affluence and achievement—is elevated into a mythic idol, reminiscent of both solar gods and corporate logos. The crown at the top of the watch dial references Rolex, reinforcing the link between luxury branding and cultural deification. This stylized anthropomorphization of the timepiece underscores the duality of time as both liberator and captor. The spiraling background, rendered in precise linework, creates a kinetic energy around the figure. The radial blue field suggests motion, light, and expansion, as if the sun-like figure is actively emitting influence. This energy resonates with Shahin’s intent to depict how fame and status radiate outward—both elevating and consuming those who orbit them. Graffiti Philosophy Meets Symbolic Precision As with the rest of the High Time series, High All Day is grounded in a meticulously detailed aesthetic. The symmetry of the design, the geometric rhythm of the band, and the finely etched facial features show Shahin’s background in architecture and classical draftsmanship. Yet it remains rooted in street pop culture through bold iconography and visual commentary. The glowing red eyes signal both fatigue and vigilance, implying that in today’s digital age, even daylight is infused with the pressure to perform and stay visible. This piece pushes the viewer to consider how contemporary society equates time with productivity, productivity with value, and visibility with validation. In this way, High All Day not only satirizes luxury watches but transforms them into a canvas for spiritual and sociopolitical critique. A Daylight Manifesto in Giclée Form Marwan Shahin’s High All Day serves as a radiant counterpoint to High All Night, reflecting the relentless pulse of daytime hustle and social exposure. With only five prints ever made, it offers rarity that mirrors the exclusivity it critiques. Both sacred and satirical, it merges ancient sun symbolism with modern material culture, making it a powerful artifact for collectors of contemporary street pop art. Through High All Day, Shahin continues his exploration of the ways humans personify time, idolize wealth, and seek transcendence through possession.

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Supreme Burberry Skateboard Deck- Beige Limited Edition Skateboard deck art by Designer Brand Supreme x Burberry SS22 2022 In March of 2022, Supreme linked up with fashion house Burberry for a highly-anticipated collaboration. The collection included dozens of hot items like box logo tees and hoodies. Among the most sought-after items were was this Supreme Burberry Skateboard Deck Beige, which features the iconic Burberry plaid pattern on a classic Supreme box logo skateboard. Goes without saying, but this skate deck sold out in an instant during the drop and has since become a coveted collector's item. The Supreme Burberry Skateboard Deck Beige was released on March 10th, 2022

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JP the Money Bear Wave Deck- Blue Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist King Saladeen. 2019 Limited Edition of 250 Signed COA New In Wrapping

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Deep Ocean, Vast Sea Limited Edition Hand-Embellished Aerosol and Silkscreen on Deckled 250gsm Somerset Archival Paper by Artist Dee Dee Modern Pop art. 2020 Signed & Numbered Limited Edition of 10 Artwork Size 43-7/8 x 30-1/2 inches Dee Dee is a New York City-based street artist who uses collage, paint, and silkscreen to bring surreal and cinematic daydreams and nightmares to life. It is in that world – between sleep and dream, between the surface and subconscious – where the viewer is invited to enter. The work encapsulates themes of the seen and unseen, the hidden and the revealed, the masks we wear, and the ones we choose to remove.

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Holy Grails Yeezys Papyrus- Side 2-Color Hand-Pulled Diamond Dust Limited Edition Silkscreen Print on Egyptian Papyrus Paper by Marwan Shahin Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 10 Size 14.25x10 Golden Kayne West Yeezy Shoe Stylized With Egyptian Elements From The Side Custom Papyrus Paper. Holy Grails Yeezys Papyrus – Side by Marwan Shahin: A Golden Convergence of Sneaker Culture and Ancient Legacy Holy Grails Yeezys Papyrus – Side is a 2022 limited edition silkscreen print by Egyptian pop and graffiti artist Marwan Shahin, merging modern sneaker mythology with the sacred aesthetic of ancient civilizations. Measuring 14.25 x 10 inches and screen printed by hand on traditional Egyptian papyrus, this piece showcases the side profile of a Yeezy sneaker drenched in gold and adorned with rich iconography. It is part of an ultra-exclusive edition of only 10, each signed, numbered, and authenticated by the artist with an embedded Fine Art Ledger NFC chip—a digital authentication system bridging the physical and blockchain worlds. Shahin’s meticulous design strategy transforms the Yeezy sneaker—already a cultural artifact of status, design, and influence—into a gilded tapestry of ancient and contemporary symbolism. The silhouette is covered in intricate Egyptian-inspired motifs, including stars, chains, hieroglyph-like geometry, the all-seeing eye, and spiked elements that echo both regal and rebellious energy. With diamond dust infused into the gold screen print, the image gleams with shifting brilliance under light, giving it a relic-like shimmer reminiscent of ancient tomb treasures. Symbolic Wealth and Power Encased in Pop Iconography Where sneaker culture often revolves around scarcity, identity, and performance, Shahin elevates the Yeezy into an object of metaphysical and historical weight. His intricate design invites interpretation—each symbol layered over the shoe draws from centuries-old representations of power, protection, and prestige. Elements such as pyramids, ankhs, and cosmic motifs are blended into the industrial lines of a modern-day fashion staple, creating a hybrid visual language that resonates across time periods. The use of papyrus is more than aesthetic; it roots the piece in ancient storytelling traditions. Used historically for religious texts and governmental decrees, papyrus paper adds spiritual gravity to a modern product that has come to define wealth and influence in a different context. By choosing a side profile of the Yeezy, Shahin emphasizes its recognizability and form, turning the silhouette into a platform for cultural annotation. The result is not just a sneaker print, but a commentary on luxury, devotion, and cultural appropriation. Marwan Shahin’s Street Pop Art: From Cairo to Global Walls Marwan Shahin’s work has long examined the politics of image-making. Known for using street pop art and graffiti artwork to challenge authoritarian structures and explore cultural iconography, Shahin continues his legacy of visual resistance with this piece. The Holy Grails series amplifies his skill in blending media and meaning, positioning objects like the Yeezy not just as fashion or utility, but as vessels of complex identity and aspiration. The addition of digital authentication underscores Shahin’s role as a contemporary artist who respects tradition but remains sharply in tune with the digital age. The NFC crypto-chip built into the piece secures its provenance and originality, allowing it to exist simultaneously as a rare physical object and a digitally verified collectible. This duality—analog craft and digital security—mirrors the artwork’s thematic focus on bridging eras and ideologies. A Modern Relic of Artistic Alchemy Holy Grails Yeezys Papyrus – Side stands as a striking symbol of how modern luxury items, like sneakers, have taken on roles once reserved for religious artifacts and royal regalia. Through his distinct artistic lens, Shahin casts the Kanye West Yeezy as both cultural symbol and sacred object, layering its surface with historical gravitas and street-level relevance. With its rarity, handcrafted technique, and radiant finish, this piece offers more than visual impact—it invites discourse on material worship, artistic legacy, and how contemporary art continues to rewrite the visual language of value and belief.

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ABC Camo Shark- Gold 100% & 400% Bape BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2022 Bape x Bearbrick Medicom Collectible Size 400% New In Box In the dynamic sphere of contemporary urban culture, few collaborations resonate as profoundly as the union between Bape and Bearbrick Medicom. With the release of the ABC Camo Shark-Gold 100% & 400% Bape BE@RBRICK in 2022, the two brands solidify their standing as influential frontrunners in street-inspired design and artistry. This limited edition vinyl artwork toy, gleaming in radiant gold, captures the essence of street art's transformative influence on modern design aesthetics. Reflecting Bape's signature ABC Camo pattern, coupled with the distinctive shark face, the figure becomes a beacon of urban motifs that have punctuated the streets and fashion world alike. Its glistening gold finish not only elevates its visual appeal but also makes a bold statement about the luxe side of street culture. While many perceive street art, pop art, or graffiti as counter-culture movements, pieces like this Bearbrick stand testament to their integration into mainstream art and their undeniable influence on design evolution. Such collectibles are more than mere playthings. They are emblematic of the seamless blend between fashion, design, and art, celebrating the energy and creativity of urban spaces. This piece, housed in a pristine box and magnified at a 400% size, will be a cherished acquisition for fans of street culture and art connoisseurs. It is a constant reminder of how street art continues to challenge, redefine, and inspire contemporary design narratives.

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Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Fat Tip Deck- Black Limited Edition Skateboard deck art by Designer Brand Supreme FW22 2022 Supreme skate deck with natural veneer and blacktop ply. Printed logo pattern on bottom with printed World Famous and box logo on top.

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Lee Scratch Perry Black Ark Cruiser- Yellow Limited Edition Skateboard deck art by Designer Brand Supreme x Lee Scratch Perry. Supreme and Jamaican record producer Lee Scratch Perry have teamed up for another collaboration. The Supreme x Lee Scratch Perry Black Ark Cruiser Deck was released during Week 8 of the Supreme FW20 season on October 15th, 2020

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Sinew Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Aaron Nagel Graffiti Street Artist Modern Pop Art. "This piece was created for the “20 Years Under the Influence of Juxtapoz” show curated by Thinkspace and Copro that opened in LA last month. It’s still up actually, at the LA Municipal Art Gallery at Barnsdale Park. This was the first larger piece in a while that wasn’t created as part of a larger body of work actually. I’m in-between shows at the moment, so right now I’m trying some new things, playing with new ideas that may or may not carry over into a larger body of work. This piece has since led me into some much weirder territory — that will hopefully see the light of day." - Aaron Nagel

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ABC Camo Shark- Silver 1000% Bape BE@RBRICK Limited Edition Vinyl Artwork Medicom Toy Collectable Art Figure. 2022 Bape Bearbrick Medicom Collectible Size 1000% A Bathing Ape

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Celtic Knot Deck- Black Limited Edition Silkscreen Skateboard deck art by street pop culture artist Supreme. Supreme kicked off week one of its F/W 2021 season with the newly designed Celtic Knot Skateboard Deck. The black Supreme Celtic Knot Skateboard Deck was one of the most highly sought-after decks of the season. The Skateboard Deck features the Supreme logo written across the deck in white, with a traditional Celtic Knot design shaded black and off-white drapes behind the logo.

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Sneaker Print- Blue 1-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville. 2020 Hand Signed & Numbered Limited Edition of 80 Artwork Tar Paper Size 18x24

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Haiconca Pearl Lustre Pearl HPM Embellished Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Unique HPM Embellished Acrylic Silkscreen Limited Edition of 8 Artwork Size 20x31.5 Silkscreen Print Haiconca Pearl Lustre Pearl HPM Silkscreen Print by Fin DAC Haiconca Pearl Lustre Pearl is a 2023 hand-pulled 8-color silkscreen edition by celebrated street pop art and graffiti artwork artist Fin DAC. Each piece in this hyper-limited run of only eight prints is uniquely hand-embellished with acrylic paint, transforming every print into a one-of-a-kind mixed media artwork. Produced on full bleed, hand-deckled 410gsm Somerset fine art paper, the print measures 20 by 31.5 inches and stands as a signature work in Fin DAC’s ongoing series that merges high-impact visual aesthetics with symbolic commentary on cultural beauty and strength. Symbolism, Detail, and Technique This edition of Haiconca features the distinctive facial motifs that define Fin DAC’s iconic visual language. The woman’s grayscale face is adorned with pearl-toned mask markings that drip down like ceremonial paint, while the lips are painted in a high-gloss crimson red with visible brushstrokes that speak directly to the artist’s hand in the work. Her stare is direct, evocative, and filled with both mystery and assertion. The inclusion of finely rendered details such as a nose ring, sculptural ring, and black nail polish draws attention to adornment, identity, and defiance. The result is a balance between elegance and edge, between silence and power. Materials and Edition Specificity Printed using an 8-color silkscreen process, this edition achieves extraordinary depth and texture. The high weight of the Somerset fine art paper offers a tactile richness that enhances the artwork’s presence whether framed or displayed raw. The full bleed presentation removes any framing margin, making the print feel immersive and immediate. The hand-painted embellishments—visible in the lips and subtle accents—elevate each piece beyond a standard print into the category of highly collectible original art. With only eight editions produced, each signed and numbered, this HPM release is among the rarest and most exclusive expressions of Fin DAC’s aesthetic philosophy. Relevance in Street Pop Art & Graffiti Artwork Fin DAC, based in the UK and of Irish origin, has carved a distinctive space in the global art community by spotlighting women of diverse cultural identities in work that challenges objectification while celebrating beauty, power, and nuance. Haiconca Pearl Lustre Pearl exists firmly in the tradition of street pop art and graffiti artwork, merging photorealistic execution with stylized street iconography. The hand-embellished elements of this edition further reflect the hybridization of studio discipline with street spontaneity. These pieces connect with collectors not just through aesthetics, but through their symbolic resonance and their elevated status within contemporary art culture. Each HPM in this edition captures Fin DAC’s commitment to craftsmanship, narrative, and the power of portraiture as a vessel for social commentary and artistic evolution.

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High Fashion Chanel Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Chanel Reimagined in Street Pop Art & Graffiti Artwork The unmistakable double C logo of Chanel has long stood as a symbol of luxury, status, and timeless fashion, yet in the world of Street Pop Art & Graffiti Artwork, it takes on a new identity. Chanel, founded by Gabrielle Chanel in France during the early twentieth century, revolutionized fashion through clean lines and modern elegance. In the context of urban art, its pristine image is often recontextualized as a critique, satire, or celebration of wealth culture and identity. Artists like Daniel Bombardier, also known as Denial, use this emblem to explore the commodification of status and the blending of luxury and rebellion. Luxury Disrupted: Daniel Bombardier’s Artistic Commentary In 2024, Daniel Bombardier released a limited edition blotter paper artwork titled High Fashion Chanel. With an edition of only thirty-five, this archival pigment print was applied on hand-perforated blotter paper by Zane Kesey, a figure associated with psychedelic culture. The medium alone offers a layered context, hinting at altered states and counterculture movements. The bold Chanel logo dominates a minimalist yet highly repetitive background, turning the monogram pattern into both a celebration and subversion of consumerist branding. What traditionally represents refinement and class is reframed as something mass-produced and industrial, raising questions about the values consumers assign to logos and heritage. Visual Language and the Power of the Symbol The use of blotter paper in this edition is more than a stylistic decision. Its association with underground psychedelia adds another layer to the interpretation, aligning the visual impact of the work with ideas of transformation, critique, and satire. Bombardier is known for blending commercial aesthetics with provocative messages, and this Chanel print is no exception. The composition presents a clean layout that invites viewers to engage with how deeply symbols have embedded themselves into culture. The repetition of the Chanel monogram mimics advertising saturation, while the clean lines reference the brand's original design ethos, creating tension between reverence and critique. Street Pop Art & Graffiti Artwork Meets Fashion Iconography High Fashion Chanel reflects how street-level art forms engage with fashion not only as design but as commentary. This blotter print stands as both an homage and interrogation of luxury’s influence on identity, class, and aspiration. Denial’s work joins a broader conversation where fashion logos are used as tools for expression, resistance, or humor in urban visual culture. Through precise design, unexpected mediums, and intentional appropriation, Chanel’s image is reworked into something both familiar and radically transformed—making it an ideal subject within the language of Street Pop Art & Graffiti Artwork.

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Deep Ocean, Vast Hell Limited Edition Hand-Embellished Aerosol and Silkscreen on Deckled 250gsm Somerset Archival Paper by Artist Dee Dee Modern Pop art. 2020 Signed & Numbered Limited Edition of 5 Artwork Size 43-7/8 x 30-1/2 inches Dee Dee is a New York City-based street artist who uses collage, paint, and silkscreen to bring surreal and cinematic daydreams and nightmares to life. It is in that world – between sleep and dream, between the surface and subconscious – where the viewer is invited to enter. The work encapsulates themes of the seen and unseen, the hidden and the revealed, the masks we wear, and the ones we choose to remove.

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Bling Box Logo Deck- Platinum Limited Edition Skateboard deck art by Designer Brand Supreme FW22 2022 Supreme skate deck with natural veneer and black top ply. Printed logo on bottom with printed World Famous and box logo on top.

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Supreme Smoke Deck- Navy Limited Edition Skateboard deck art by Designer Brand Supreme FW19 2019- Smoke Supreme Logo Skateboard released on August 22nd, 2019. The design features a white smoke pattern spelling out the Supreme brand name on a contrasting background.

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Mashups Stevie Williams Astronaut 8.25 Skateboard Art Deck by DKG Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2021 Limited Edition Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Skate Pro John Shanahan x DGK Woman with Cash Stylized Board. Mashups John Shanahan Woman with Cash Skateboard Deck by DGK: Street Pop Art & Graffiti Artwork on 7-Ply Maple The Mashups John Shanahan Woman with Cash Skateboard Deck by DGK is a visual and cultural statement that transforms a high-performance sports object into an emblem of contemporary Street Pop Art & Graffiti Artwork. Released in 2021, this limited edition board measures 8 inches wide by 31 inches long and is constructed from premium 7-ply maple with assorted stain veneers. The deck features a full bottom graphic and top screen graphics that reflect the raw energy and cultural symbolism associated with the DGK brand and the visual world of professional skateboarder John Shanahan. With an image that blends money, fashion, and bold character design, this art deck offers more than surface appeal—it communicates a language tied to status, rebellion, and urban authenticity. Visual Composition and Symbolic Weight of the Graphic The board’s graphic showcases a stylized woman with turquoise hair, purple nails, and heavily tattooed hands flashing stacks of hundred-dollar bills. Her expression is unapologetically cool, eyes half-closed in defiant calm. Every detail—from the gold chain and Rolex to the DGK ring—carries connotations of street wealth, hustle, and empowerment. Her hands dominate the foreground, crossing the board vertically in an aggressive but stylish stance. The background fades into a light gradient of icy blue, giving contrast to the vibrancy of her skin tone and clothing. This aesthetic is rooted firmly in Street Pop Art & Graffiti Artwork, which often fuses pop culture elements with social commentary. The woman becomes an icon not only of wealth but also of power, attitude, and street-savvy independence. The combination of cartoon-like execution with highly stylized realism gives the piece an edge that places it in the conversation alongside collectible street art prints and wearable pop culture expressions. John Shanahan and DGK: Cultivating Skate Art with an Urban Identity John Shanahan, a key member of the DGK skate team, brings a sharp sense of style and cultural awareness to everything he does. Known for his fashion-driven vintage skate aesthetic, Shanahan's influence is evident in the board’s visual attitude. DGK, founded by Stevie Williams, has always been about storytelling through street reality, and this deck is no exception. The endorsement of a board like this by Shanahan affirms its authenticity within both skateboarding and artistic communities. As a rider who bridges throwback sensibilities with progressive talent, Shanahan’s collaboration with DGK continues to enrich the narrative of skateboard design as an art form grounded in resistance, grit, and individuality. This piece not only rides under his name but embodies the lifestyle and culture he represents. Skateboard Decks as Modern Canvases in Street Pop Art & Graffiti Artwork The Mashups John Shanahan Woman with Cash Deck stands as a prime example of how skateboard decks have evolved into platforms for modern art. The 7-ply maple construction is built for durability and performance, but the printed surface transforms it into a dynamic art object. The full graphic bottom functions like a mural—portable, bold, and publicly displayed in motion. When not skated, the deck becomes a wall-mounted statement that captures the spirit of contemporary art that lives on the streets. The fusion of iconography, cultural critique, and fashion attitude all rolled into one visual burst positions this DGK board squarely in the legacy of Street Pop Art & Graffiti Artwork, where the lines between culture, function, and fine art continue to dissolve.

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BasquiART- Archival Paper Standard 15-Color Hand-Pulled Limited Edition Silkscreen Print on Deckled Archival Paper by Mr Brainwash- Thierry Guetta. 2021 Signed & Numbered Limited Edition of 61 Artwork Size 22x30 2021 Edition of 61 Signed & Numbered- 15-Color Screen Print on Archival Paper with Deckled Edges Size: 30 x 22 Singed and thumb printed by the Artist.

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Nu-Nile Die-Cut Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Fine Art Paper by Artist Darien Birks Urban Street Artwork. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 "I think these images belong on a stamp because of their nostalgic value amongst those that grew up in a community similar to my own. The thought of what they represent make most people smile when they see the art. They bring back memories of when we wanted to look our best, how we wanted to present ourselves to the world at that particular time. When one pomade didn't give us the look that we were trying to achieve (primarily waves), we'd switch to another one—it would create debates about which was the best. The bold colors and interesting use of typography on the tin can packaging were other details of interest, they were iconic, and I wanted to recapture that." –Darien Birks

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Matthew 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Medicom Toy x Bridge Ship House. 2021 Bridge Ship House's Matthew character is no stranger to Medicom Toy. Originally featured on the Vinyl Artist Gacha series, Matthew is now brought over to the Bearbrick silhouette! Stands at 7cm and 28cm tall.

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What the Sket Airmax 90 Archival Print on Acrylic by Sket-One Archival Pigment Fine Art Limited Edition Print Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 47 Artwork Size 10x8. Does Not Include Holder, New. Sket-One's "What the Sket Airmax 90" - A Fusion of Sneaker Culture and Street Pop Art The "What the Sket Airmax 90" archival print on acrylic by Sket-One is a vibrant testament to the fusion of sneaker culture with the energetic ethos of Street Pop Art and graffiti Artwork. As a modern pop artist, Sket-One has captured the essence of the iconic Airmax 90 sneaker, transforming it into a limited edition piece that resonates with the dynamism of contemporary urban art. Sket-One's decision to employ archival pigment on acrylic speaks to this medium's durability and clarity, allowing the vivid colors and bold patterns synonymous with his work to pop with life and intensity. The artwork, sized at 10x8 inches, celebrates the artist's prowess in encapsulating popular culture icons within the realms of fine art. Each piece of the limited edition run, numbered only 47, has been signed by Sket-One, further solidifying its status as a collectible. Collectors of his work are drawn not only to the aesthetic appeal but also to the artwork's representation of the cross-section between art and the symbols of everyday life, such as the renowned sneaker profile depicted in print. The Cultural Impact of Sket-One's Artwork in Street Pop Art The "What the Sket Airmax 90" symbolizes Sket-One's ability to navigate the interplay between commerciality and artistry. His works often feature elements from mass culture, repurposed and reimagined through an artistic lens that challenges perceptions and invites viewers to see the extraordinary in the mundane. This particular piece encapsulates the spirit of the times - a period where the distinction between high art and street culture continues to blur, giving rise to a new appreciation for art that is accessible yet profound. By immortalizing the Airmax 90, Sket-One pays homage to a significant cultural artifact within the sneaker community, elevating it beyond its functional existence as footwear and into the sphere of art. His work stands as a narrative of nostalgia, consumerism, and the elevation of streetwear as a subject worthy of artistic exploration. The "What the Sket Airmax 90" archival print is a bold statement in Street Pop Art and graffiti Artwork, reflecting the shifting boundaries of what is considered art. It is a piece that speaks to the heart of sneaker enthusiasts and art collectors alike, bridging the gap between two passions and cementing Sket-One's place as a visionary in the modern pop art landscape.

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Sansho Copper HPM PP Printers Proof Silkscreen Print by Fin DAC 23-Color Screen Print on 330gsm Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. PP Printers Proof 2020 Signed & Marked PP Copper Leaf HPM Hand Finished Embellished Limited Edition Artwork Size 23.62x33.46 Concept and Execution in Fin DAC's Artwork The "Sansho Copper HPM PP" silkscreen print stands as a significant piece within the oeuvre of the artist Fin DAC, known for his distinctive fusion of street pop art and traditional painting techniques. The piece is part of a limited edition, highlighting the artist's intricate work with a 23-color screen print on 330gsm Somerset fine art paper, a testament to the high quality and attention to detail hallmarks of Fin DAC's art. In "Sansho Copper HPM PP," Fin DAC showcases his mastery of color and form. The image is a striking portrait featuring a subject adorned in traditional Asian attire, overlaid with vibrant, explosive color patterns and copper leaf embellishments. This contrast of the subject's serene, almost stoic, expression with the dynamic splashes of color reflects the artist's aim to juxtapose the calm of the figure with the chaos of the surrounding environment, a theme prevalent in street pop art. Artistic Significance and Cultural Impact The artwork is marked PP, denoting 'Printer's Proof,' indicating its status as a rare piece outside the standard numbered series. Fin DAC's decision to sign and mark these proofs assures collectors of authenticity and exclusivity. The copper leaf HPM, or 'Hand Painted Multiple,' signifies that each piece in the edition, while part of a series, contains unique hand-applied elements, making each print a standalone work of art. Technique and Materials Fin DAC employs silkscreen printing, a technique beloved in street art and pop art for producing vibrant, crisp images. Using 23 separate screens to apply color illustrates the complexity and labor-intensiveness of the process. The 330gsm Somerset paper, chosen for its high quality and durability, ensures that the artwork's vivid colors and intricate details are preserved. Placement in Pop and Street Art "Sansho Copper HPM PP" manifests how street pop art can be accessible and sophisticated. By incorporating traditional elements of pop art, such as screen printing and vivid coloration, with the nuanced details of hand embellishment, Fin DAC bridges the gap between street art's raw energy and fine art's refined techniques. This piece exemplifies the potential of street pop art to not only exist within the public sphere but also to hold a prestigious place in private collections. Fin DAC's Influence on Contemporary Art Fin DAC has carved a niche for himself within the art world by consistently delivering visually arresting and thematically resonant works. His ability to capture the essence of his subjects while infusing them with a modern aesthetic has made him a prominent figure in the dialogue surrounding contemporary street pop art. "Sansho Copper HPM PP" is a testament to Fin DAC's skill in creating pieces that resonate with a broad audience and contribute to the discourse of what constitutes art in the modern era. "Sansho Copper HPM PP" by Fin DAC is an exemplar of contemporary street pop art and a significant contribution to the evolving narrative of pop art and graffiti artwork. It showcases the potential for traditional art forms to adapt and thrive in the context of modern aesthetics and cultural commentary. This print stands as a vibrant intersection of history, culture, and contemporary art, reflecting the diverse and dynamic nature of the genre.

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Nolan- Room For Rent Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Mike Ellis.

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Floral Takeover 2017 Red Black Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. Floral Takeover 2017 Red Black by Shepard Fairey (OBEY) Artwork Overview *Floral Takeover 2017 Red Black* is a striking ornamental composition by Shepard Fairey that showcases his mastery of pattern, repetition, and graphic balance. Drawing inspiration from vintage wallpaper, political poster design, and street-install aesthetics, the piece transforms a traditionally decorative floral motif into a commanding visual statement. The bold red florals layered against a deep black background create a high-contrast composition that feels both elegant and confrontational, a hallmark of Fairey’s visual language. Style and Concept This work reflects Fairey’s long-standing fascination with pattern as a tool for both beauty and disruption. Originally developed for street installations, these floral designs blur the line between fine art and urban intervention. By isolating the pattern as a stand-alone artwork, Fairey elevates decorative repetition into a meditative and powerful form, encouraging viewers to consider harmony, structure, and visual problem-solving as metaphors for broader social systems. The symmetrical vines and blossoms feel timeless, while the color palette anchors the piece firmly within the OBEY aesthetic. Edition Details Released in 2017, *Floral Takeover 2017 Red Black* is a hand-pulled, two-color silkscreen print on cream Speckletone fine art paper. The artwork measures 18 x 24 inches and is signed and numbered by Shepard Fairey in a limited edition of 200. As one of four color variations in the Floral Takeover series, this red-and-black version stands out for its bold intensity and graphic clarity, making it a highly desirable example of Fairey’s pattern-driven works within contemporary pop and street art.

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Fashion Addict Refill- Prada Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Prada Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Supreme Gucci Smashup Pill- Green Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Denial- Daniel Bombardier. 2022 Numbered Limited Edition of 75 Skateboard Artwork Size 8.25x32 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8.25 x 31.875 Inches Release: June 28, 2022 From the Gucci logo, Louis Vuitton & Supreme to Channel perfumes and credit cards, he is utilizing such cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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This Searing Light, The Sun And Everything Else Limited Edition Hand-Embellished Aerosol Spray Paint & Silkscreen on Deckled 250gsm Somerset Archival Paper by Artist Dee Dee Modern Pop art. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 23x30 Bored Teenager Capturing the fleeting essence of modern pop art through a complex interplay of shadow and substance, "This Searing Light, The Sun And Everything Else" is a compelling limited edition work by Dee Dee. Created in 2022, this thought-provoking piece is part of an exclusive series, with only ten signed and numbered editions, manifesting its unique standing in contemporary art. Sized at an impactful 23x30 inches, the artwork employs a blend of hand-embellished aerosol spray paint and silkscreen on deckled 250gsm Somerset archival paper, offering a tactile richness to the visual experience. Dee Dee's artistry explores inner and outer personas, weaving a narrative of identity and the veneer of self that society often mandates. "This Searing Light, The Sun, And Everything Else" is a testament to her ability to navigate these complex themes through the medium of street art translated into a tangible form. The artwork showcases an enigmatic figure wrapped in layers of both physical and metaphorical attire; the face obscured yet expressing a raw, unspoken emotion. The 'Bored Teenager' badge serves as an ironic commentary on the facade of apathy often adopted by youth in the face of societal expectations and pressures. By layering imagery, Dee Dee confronts the viewer with the dichotomy of concealment and revelation, challenging them to discern the multifaceted layers of identity. Her work resonates with a depth that transcends the immediate visual impact, inviting observers to reflect on the roles and masks that they wear. This piece stands out as a vibrant expression of the human condition, rendered through the lens of pop art's bright colors and bold forms, yet distinguished by its nuanced interrogation of the self. In the vibrant lineage of street and pop art, Dee Dee's "This Searing Light, The Sun And Everything Else" secures a distinctive place. It's not just an artwork but a piece of narrative poetry, a commentary on the universal human experience etched in the dynamic language of urban artistry.

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Life After Death Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Ken Flewellyn. 20x16 inches / 51x41 cm Edition of 40 Fine art print on 290gsm paper Hand-signed and numbered by the artist Ken Flewellyn’s Life After Death: Baroque Symbolism in Street Pop Art Form Ken Flewellyn’s Life After Death presents a meticulously rendered still life that fuses classical painting traditions with the language of Street Pop Art & Graffiti Artwork. Released as a 20 x 16 inch giclée print on 290gsm fine art paper in a signed and numbered edition of 40, the piece takes aesthetic cues from 17th-century vanitas while layering in modern hip-hop and pop culture references. With photographic precision, Flewellyn constructs a visual narrative about legacy, excess, identity, and mortality—turning familiar symbols into philosophical statements. A gold-plated skull wearing a crown rests atop a stack of magazines, evoking both royalty and finality. The juxtaposition of this memento mori with luxury objects—a Versace-styled boombox, thick gold rope chain, designer sunglasses, a spilled wine glass—highlights the tension between materialism and impermanence. The broken cigar, empty jewelry case, and antique pocket watch on a satin ribbon extend this commentary, nodding to the fragility of status and time. Like Dutch vanitas painters who used decaying fruit and extinguished candles to hint at life’s brevity, Flewellyn replaces those metaphors with consumer goods, packaging the same message for a contemporary audience. Hyperrealism as a Tool of Cultural Synthesis The precision of Flewellyn’s painting style is not just a technical flex—it’s a deliberate choice that elevates the visual weight of every object on the table. Each item is treated with reverence and clarity, forcing the viewer to examine them individually and collectively. Hyperrealism in this context becomes a method of preservation, much like how historical paintings immortalized wealth, nobility, or religious conviction. Here, the objects preserved are relics of urban culture, hip-hop mythology, and fashion-driven self-construction. This synthetic approach to visual storytelling is one of Flewellyn’s strengths. Rather than lean into abstraction or expressive distortion, he paints with clinical sharpness. The boombox, decorated with intricate Medusa heads and gold patterning, becomes a sacred totem. The magazines, showing muscle-bound figures and flashy headlines, serve both as cultural archive and pop commentary. The reflection in the polished orb at left even contains the outline of the artist’s studio space, collapsing the illusion of classical detachment and re-inserting the viewer into the act of creation. Rewriting the Still Life Through Street Pop Language Ken Flewellyn’s background in pop culture study and urban visual language allows Life After Death to operate as a cross-genre artwork. Though not made with aerosol or on public walls, its structure and symbols place it firmly in the lineage of Street Pop Art & Graffiti Artwork. The work reframes the aesthetics of graffiti—where hierarchy, identity, and legacy are constantly negotiated—through the composition and technique of high art traditions. It does not imitate graffiti stylistically; instead, it honors its values through symbolism and narrative. By reconstructing a still life with hip-hop’s material vocabulary, Flewellyn bridges historical and contemporary methods of cultural storytelling. The table becomes a battlefield of symbols—power, time, excess, fame—and the viewer is invited to read the relics for what they reveal about the pursuit of permanence in a transient world. The crown, worn by a skull, reminds us that all power is borrowed. The spilled drink, the tangled chain, the tooth—each item carries encoded meaning, transformed by the hand of the artist into a modern-day parable. Ken Flewellyn’s Life After Death captures the essence of contemporary Street Pop Art by combining the rigor of fine art painting with the immediacy of cultural critique. Through composition, symbolism, and visual clarity, it serves as a statement on mortality, self-image, and what survives after the noise fades.

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Behind You Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Supreme Vampire Boy Deck- Red Limited Edition Skateboard deck art by Designer Brand Supreme SS21 2021 Supreme Dracula Bat Skateboard Deck

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Supreme Vampire Boy Deck- Black Limited Edition Skateboard deck art by Designer Brand Supreme SS21 2021 Supreme Dracula Bat Skateboard Deck

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SS001 Rose Gold Limited Edition Ceramic Adidas Yeezy Shoe Sculpture Artwork by Legendary Fine Graffiti Street Artist Ceeze. Launched in 2019, our SS001 Sneaker Sculpture went viral when it was dropped. The item itself is a 2 piece ceramic cast Adidas Yeezy true to the size of a men’s 9.5 shoe. The sculpture’s top is detachable to reveal a hidden and burnable tea light candle (unscented), each sculpture comes with 4 candles for the user to burn if they elect to do so.

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Supreme Exit- Black Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Supreme. Released in March of 2021 as a part of Supreme's SS21 season, the Supreme Exit Skateboard was a hit with skaters and collectors alike. The deck features the classic Supreme box logo alongside a running person image, typically associated with an exit sign.

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Supreme Smoke Deck- Red Limited Edition Skateboard deck art by Designer Brand Supreme FW19 2019- Smoke Supreme Logo Skateboard released on August 22nd, 2019. The design features a white smoke pattern spelling out the Supreme brand name on a contrasting background.

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Fashion Addict Refill- Burberry Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Burberry Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Eames Chairs #4 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 8.5x11 The Artistic Vision Behind Eames Chairs by Zane Thomas Eames Chairs by Zane Thomas is a striking example of street pop art and graffiti artwork fused with modern design influences. This limited edition silkscreen print, created in 2013, captures the essence of mid-century modern aesthetics while integrating the raw energy of contemporary urban art. The three-color hand-pulled print highlights Thomas's ability to merge clean design elements with bold, expressive compositions. Featuring an 8.5x11-inch format, this signed and numbered edition of 50 presents an intimate yet impactful representation of the artist’s ability to reinterpret classic forms through a street-art lens. The Influence of Eames Design in Contemporary Urban Art Eames Chairs have long been an iconic symbol of modern furniture design, embodying innovation, functionality, and timeless style. Zane Thomas draws inspiration from this legacy, incorporating the sleek and recognizable forms of these chairs into his work. By using a street pop art and graffiti artwork approach, he transforms these pieces of furniture from utilitarian objects into symbols of artistic exploration. The juxtaposition of structured lines and the organic imperfections of silkscreen printing creates a dynamic contrast that reflects the balance between precision and spontaneity, a key characteristic of modern street art. The Process Behind the Hand-Pulled Silkscreen Print Hand-pulled silkscreen printing is a meticulous process that requires patience, technical skill, and a deep understanding of layering colors. Zane Thomas employs this traditional technique to bring his Eames Chairs to life, ensuring that each print carries a unique, handcrafted quality. The three-color palette is carefully chosen to accentuate the sleekness of the chair design while maintaining a raw, expressive energy typical of street art. The imperfections that naturally occur in the printing process add depth and texture, making each piece one-of-a-kind while staying true to the artist's graffiti-inspired aesthetic. The Intersection of Graffiti, Street Pop Art, and Mid-Century Modernism Zane Thomas’s Eames Chairs exemplifies the seamless blending of mid-century modernism with the rebellious energy of street pop art. The structured geometry of the chair design contrasts with the bold, urban influences seen in the print’s execution. This combination reflects a growing movement in contemporary art where traditional design motifs are reinterpreted through the lens of graffiti and street culture. Thomas’s work challenges conventional boundaries, proving that fine art, design, and urban expression can coexist harmoniously. Through this limited edition silkscreen print, he continues to push the dialogue between classic design and modern artistic movements, ensuring that both remain relevant in today’s visual landscape.

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Covid No 19- Juane Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2021 Signed & Numbered Limited Edition of 19 Juane Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s COVID No. 19: Luxury Branding in the Age of Global Crisis Denial’s COVID No. 19 is a striking archival pigment print released in 2021 as a limited edition of 19, each hand-signed, numbered, and stamped on 290gsm MOAB fine art paper. The work appropriates the form of a Chanel No. 5 perfume bottle, replacing its iconic label with a fictional product name: COVID No. 19 Hand Sanitizer. Rendered with hyper-clean digital precision, the image reconfigures the aesthetics of high fashion to comment on the absurdities of pandemic-era consumerism. The hand sanitizer bottle is presented with all the visual authority of a luxury good, transforming an object of necessity into a parody of status and desire. At the core of this piece is a brutal cultural observation: during a global health emergency, everyday tools of survival—like sanitizer and masks—were elevated to symbols of identity, fashion, and economic access. Denial’s rebranding of Chanel’s perfume into a virus-era commodity confronts this shift head-on. The artwork doesn’t merely lampoon luxury—it reveals how systems of marketing can absorb trauma, repackage it, and sell it back to the public. The Chanel-style labeling is clinical yet elegant, a nod to how visual minimalism often masks corporate manipulation. Commercial Aesthetics as Subversive Weaponry Denial’s artistic strategy centers on the theft and recontextualization of commercial language. With COVID No. 19, the use of vector-sharp line work, realistic light reflections, and exacting product design mimics advertising to the point of deception. This imitation is intentional. The viewer is meant to initially read the image as authentic—something from a fashion magazine or cosmetics campaign—before the irony of the label snaps into focus. The dissonance between form and content invites a critique of the capitalist tendency to aestheticize suffering. This visual methodology ties directly into the ethos of Street Pop Art & Graffiti Artwork. Denial’s roots in unauthorized public messaging and subcultural image disruption remain present, even as the work exists in a fine art format. The absence of spray drips or rough textures does not diminish the rebellion. Instead, it retools the graphic language of commercial persuasion to undermine itself from within. What looks like a product pitch is, in fact, a visual accusation. The pandemic is not the subject—it is the branding of the pandemic that comes under fire. Street Pop Art as Pandemic Documentation COVID No. 19 operates as both satire and historical record. It captures a cultural moment when survival tools became luxury statements, when scarcity was linked to exclusivity, and when branding extended even to medical supplies. Denial’s artwork speaks to the way modern crises are not only experienced but marketed—how the fear of illness was filtered through the same systems that sell beauty, fashion, and lifestyle. The sanitizer bottle becomes a symbol not of protection, but of consumption. By fusing the iconography of fashion with the reality of a global pandemic, Denial forces the viewer to reconsider the boundaries between design and ethics, branding and survival. The visual simplicity of COVID No. 19 hides a layered indictment of how quickly commercial aesthetics can strip events of meaning. In the tradition of Street Pop Art & Graffiti Artwork, this piece turns familiar symbols against themselves, exposing the fragility of culture’s glossy surfaces when confronted with real human urgency.

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Wild Vanity- Red Hand-Pulled Limited Edition 5-Color Silkscreen Print on Cougar Natural Paper by Stinkfish Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Wild Vanity by Stinkfish Screen Print Edition of 65 | Signed by the Artist Size: 18" x 22.5" City: Bogata, Colombia. Five color screenprint on Cougar Natural printed at FugScreens Studios, 18″ x 24″. Stinkfish's "Wild Vanity": A Vibrant Fusion in Street Pop Art "Wild Vanity" emerges as an exceptional creation from Stinkfish, an artist renowned for his vivid street pop art and graffiti artwork. This piece represents a striking amalgamation of the artist's signature stencil style with the vibrant color palette that often characterizes his work. Hand-pulled and limited to a series of 65, "Wild Vanity" is a five-color silkscreen print on Cougar Natural paper that showcases Stinkfish's exploration into the vibrancy of human features juxtaposed with the abstract patterns that define his artistic expression. Crafted in 2014 and sized at 18" x 22.5", "Wild Vanity" was brought to life at FugScreens Studios, known for its exceptional screenprinting work. The artist's choice of Cougar Natural paper—a high-quality, uncoated stock—serves as the perfect canvas for the print, ensuring that the colors remain vivid and the details sharp. Each hand-pulled print is signed and numbered by Stinkfish, offering a tangible connection to the artist's hand and vision. The Artistic Language of Stinkfish in "Wild Vanity" The artistic language Stinkfish employs in "Wild Vanity" is bold and subtle. The reds are not merely hues but are symbolic expressions of energy and passion. The silkscreen method allows for a layering effect that gives each color its own space to breathe while contributing to the overall unity of the piece. This technique indicates Stinkfish's roots in graffiti, a world where color, form, and space beautify com, communicate, and resonate with the onlooker. Stinkfish's work is often characterized by found photographs and images from the streets, which he recontextualizes by adding his distinctive stenciled patterns. "Wild Vanity" is no exception. The faces in the artwork appear to be lifted from an existing narrative, a snippet of a larger story that the viewer is invited to ponder. The overlay of intricate patterns across the faces transforms the subjects, commenting on the masks we wear and the identities we portray. Cultural Implications of "Wild Vanity" in Contemporary Art "Wild Vanity" stands at the crossroads of multiple cultural narratives. It is not just a visual feast but an artistic statement that delves into the essence of identity and perception in the modern world. Through the five-color silkscreen print, Stinkfish challenges the traditional boundaries between high art and street art, merging them into a singular expression that is both accessible and complex. The work's title, "Wild Vanity," hints at a critique of self-obsession and the constructed images prevalent in society. Using a fashion magazine cover as the foundation for this piece, Stinkfish engages in a dialogue with the viewer about the nature of beauty and the role of media in shaping our understanding of it. The wildness comes from the disruptive patterns that cascade over the faces, suggesting a tension between the natural human essence and the artificial veneer of societal standards. Collectibility and Influence of Stinkfish's Silkscreen Prints As a collectible, "Wild Vanity" represents an essential piece of Stinkfish's portfolio, encapsulating his distinct style and thematic concerns. The limited edition nature of the print makes it a coveted item for collectors and enthusiasts of street pop art. Stinkfish's influence extends beyond the street corners of Bogota, Colombia—his work is recognized globally, and pieces like "Wild Vanity" are pivotal in understanding the trajectory of his artistic journey. The print is also a testament to the evolution of street art into a recognized and celebrated form of fine art. By bringing the techniques and aesthetics of street art into the controlled environment of the studio and then onto fine art paper, Stinkfish bridges worlds, offering a piece that is as much at home in a gallery as on the streets. In the context of pop, street art, and graffiti artwork, "Wild Vanity" is a vibrant example of how these genres can intersect to create works that reflect contemporary culture and are timeless in their appeal. Stinkfish's ability to communicate through layers of color and pattern ensures that "Wild Vanity" will remain a significant and thought-provoking piece within the ever-evolving narrative of art.

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JP the Money Bear 20x30 Archival Pigment Fine Art Limited Edition Print on 310gsm Fine Art Paper by Artist King Saladeen, Street Pop Art Graffiti Legend. 2021 Signed- Title: JP the Money Bear 20x30 Size: 20 x 30 in. Edition of 427 Signed and numbered by King Saladeen

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Fashion Addict Refill- Tiffanys Limited Edition Archival Pigment Fine Art Print on 330gsm Canon Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2019 Signed Limited Edition of 100 Artwork Size 18x24 Tiffanys Designer Fashion Drug Pill. AP Artist Proof Numbered, Signed, Stamped on Reverse, Normal Edition of 100, 18x24, Archival Pigment Print on 330 GSM Canon Fine Art Paper. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Mark Twain Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof. Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in

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Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Hand-Pulled 8-Color on Full Bleed Hand Deckled 410gsm Somerset Fine Art Paper Limited Edition Findac Artwork. 2023 Signed & Numbered Limited Edition of 40 Artwork Size 20x31.5 Silkscreen Print Haiconca Metallic Yellow Gold Silkscreen Print by Fin DAC Haiconca Metallic Yellow Gold is a 2023 silkscreen masterpiece by renowned street pop art artist Fin DAC. Printed on full bleed, hand-deckled 410gsm Somerset fine art paper, this work measures 20 by 31.5 inches and comes from a strictly limited edition of only 40 signed and numbered prints. The print is created using an intricate 8-color silkscreen process, featuring a finely rendered monochromatic portrait that is electrified by a bold, metallic yellow gold mask motif. This juxtaposition of grayscale hyperrealism with vibrant symbolic color is a hallmark of Fin DAC's visual language and contributes to his ongoing commentary on cultural beauty and feminine power. Signature Style and Cultural Emblems of Fin DAC Fin DAC, born in Ireland and now internationally recognized, has redefined female portraiture in street pop art and graffiti artwork through his consistent and deliberate visual symbolism. His signature aesthetic includes masked women adorned with color-splashed facial motifs that recall traditional Asian, South American, or tribal ceremonial elements. Haiconca Metallic Yellow Gold exemplifies this ongoing thematic approach. The woman in this piece gazes directly at the viewer, poised yet guarded, her piercing eyes offset by the dripping gold mask over her upper face. Her nose ring, textured ring, and painted fingernails add to the layered storytelling that often defines Fin DAC’s subjects—powerful yet introspective, adorned yet undiminished. Process, Materials, and Artistic Execution The use of 410gsm Somerset paper is a deliberate choice, enhancing the tactile depth of the work and allowing the metallic pigment to reflect light in varying tones depending on the viewer's angle. The 8-color hand-pulled silkscreen method allows for extreme control and layering, resulting in a print that feels almost photographic while retaining its raw street art origin. The hand-deckled edges give the print a raw, sculptural quality that complements the street-to-gallery ethos central to Fin DAC's practice. These production details are not incidental—they are essential to understanding how street pop art has evolved into a serious collectible fine art medium. Contemporary Relevance in Street Pop Art & Graffiti Artwork Haiconca Metallic Yellow Gold stands as a visually arresting reflection on identity, agency, and perception. The metallic yellow mask is both shield and declaration—a visual metaphor for the roles women adopt or resist in contemporary society. Fin DAC’s work continues to elevate women of diverse cultural backgrounds not as exotic symbols, but as empowered individuals commanding their presence across urban and gallery landscapes. In the context of street pop art and graffiti artwork, this piece bridges photorealistic portraiture with bold iconography, highlighting Fin DAC’s place as a pivotal figure in the genre. With only 40 editions produced, this 2023 release offers collectors a rare and powerful work that speaks directly to the moment while maintaining timeless aesthetic and emotional depth.

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