Devil Demons & Satan

The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

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The Fiend Demon Fantasy 7-Color Silver Metallic Hand-Pulled Limited Edition Silkscreen Print on Cream-Colored French Paper by Scarecrowoven Macabre Art Pop Artwork Artist. Printed on cold-press watercolor paper signed and numbered edition of 50. 18x24

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Devilman Limited Edition 9-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Mike Sutfin, Graffiti Street Artist Modern Pop Art. 2015 Limited Edition of 300 Artwork measuring 18" x 24", these prints needed eight screens and nine colors to capture their vibrancy on the 100# c stock French Pop-Tone Berrylicious paper used, and the back view of the character is printed on the reverse side of the print. Mike Sutfin's Devilman: A Symphony of Color and Chaos The "Devilman" limited edition silkscreen print by Mike Sutfin is a formidable example of how street pop art and graffiti artwork can bring together vibrancy, intensity, and a touch of the macabre. This 2015 piece, a limited edition of 300, captures the essence of its subject matter through a stunning 9-color palette applied via eight screens onto 100# c stock French Pop-Tone Berrylicious paper. Measuring 18x24 inches, the artwork showcases Sutfin's mastery in a modern pop art context, providing a fiery representation of the titular character with a complexity that demands attention. The Artistic Process Behind Devil man's Creation The creation of "Devilman" is a testament to the meticulous silkscreen printing process. The requirement of 8 screens for the nine colors used in the piece illustrates the intricate layering process that imbues the artwork with depth and dynamism. The process is detailed, requiring precision and a keen eye for detail to ensure that each layer of color sits perfectly upon the last, building up to create the final arresting image. This technique, while traditional in its roots, is brought to life in a new way through Sutfin's skillful hands, blending the boundaries between street art and fine art. Interpreting Devilman: Street Pop Art Meets Mythology Sutfin's "Devilman" is more than a visual spectacle; it explores mythology, character design, and the eternal dance between good and evil. The figure stands amidst flames, a visual nod to the hellish realms often associated with devils and demons. Yet, the character is not merely a representation of evil. The complexity of the image, with its vibrant colors and detailed linework, suggests a narrative that goes beyond the binary of good versus evil. It speaks to the inner battles that rage within, the fiery potential for destruction and rebirth in every individual. The decision to print a back view of the character on the reverse side of the print adds a layer of depth to the artwork, inviting viewers to consider the many sides of the character – and themselves. This duality is a common theme in street pop art, where the surface image often belies a more profound story waiting to be uncovered by those who look closely enough. Mike Sutfin's "Devilman" is a powerful example of modern pop art's ability to combine traditional techniques with contemporary themes. The artwork stands as a beacon within the genre, showcasing how street pop art and graffiti can transcend their urban origins to enter the realm of collectible fine art. Through works like "Devilman," artists like Sutfin continue to push the boundaries of street art while also honoring the rich, colorful, and sometimes dark stories that have always been at the heart of human expression.

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Fire-Cat Inferno Creatures of the Night Archival Print by Joe Ledbetter Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2012 Signed & Numbered Print Limited Edition of 25 Artwork Size 18x18 Archival Pigment Fine Art Square Cut Artwork from the Show Creatures of the Night. Fire-Cat Inferno Creatures of the Night Archival Print by Joe Ledbetter – Limited Edition Street Pop Art & Graffiti Artwork Joe Ledbetter, a prominent figure in Street Pop Art & Graffiti Artwork, presents Fire-Cat Inferno, an 18x18-inch archival pigment fine art print from his Creatures of the Night series in 2012. This signed and numbered limited edition of 25 features Ledbetter’s signature bold lines, exaggerated expressions, and a powerful narrative conveyed through a blend of pop surrealism and urban art aesthetics. The square-cut format enhances the intensity of the composition, framing a fiery and aggressive feline creature engulfed in swirling flames. The central character, Fire-Cat, stands menacingly in a heated fury, its jagged teeth and sharp claws emphasized by the surrounding inferno. The color palette is dominated by deep reds, burning oranges, and smoky blacks, creating a visually striking contrast that intensifies the creature’s raw energy. The flames appear to be alive, dancing around the Fire-Cat’s form, reinforcing the chaotic and untamed nature of this feral beast. The ground beneath the character is cracked, suggesting an uncontrollable force capable of leaving destruction in its wake. This combination of sharp angles, fluid motion, and vibrant colors makes the artwork one of Ledbetter’s most visually aggressive and dynamic pieces. Joe Ledbetter’s Contribution to Street Pop Art & Graffiti Artwork Joe Ledbetter has consistently pushed the boundaries of Street Pop Art & Graffiti Artwork by combining bold character design with layered storytelling. His work is characterized by thick, clean outlines, a refined use of shading, and an animated quality that brings his characters to life. His background in illustration and vinyl toy design plays a significant role in shaping his aesthetic, allowing him to create pieces that feel both playful and powerful. His approach to contemporary art often merges humor, surrealism, and intense visual storytelling. Whether portraying mischievous rabbits, ferocious beasts, or hybrid creatures, Ledbetter’s ability to infuse emotion and energy into his work keeps his art engaging and memorable. Fire-Cat Inferno is a prime example of his ability to convey intensity through exaggerated features and dramatic contrasts, making it a standout piece in his Creatures of the Night series. Fire-Cat Inferno – A Visual Representation of Chaos and Power Fire-Cat Inferno captures the raw essence of uncontainable energy, rage, and destruction. The jagged, almost tribal-like markings on the creature’s body, combined with the intense glow of the surrounding flames, create a sense of constant motion. The Fire-Cat’s expression is both menacing and determined, its wide, sharp grin revealing a level of chaotic amusement in its own uncontrollable power. The presence of smoke and embers further amplifies the feeling of heat, making the artwork feel alive with tension and movement. The symmetrical composition and square-cut format reinforce the structured yet unpredictable nature of the Fire-Cat’s form. The way the flames curve around the figure creates an illusion of three-dimensionality, giving the artwork depth and making the character appear as if it could leap off the canvas at any moment. This carefully crafted balance between form and movement is what sets Ledbetter’s work apart, as he continues to experiment with visual techniques that bring his characters to life. The Cultural Significance of Fire-Cat Inferno in Contemporary Art Fire-Cat Inferno serves as both a striking visual piece and a symbolic representation of intensity, rebellion, and primal instinct. Within the context of Street Pop Art & Graffiti Artwork, the imagery of fire and destruction is often used to signify transformation, resistance, or the uncontrollable nature of creativity. The Fire-Cat embodies these themes, standing as a symbol of unrelenting energy and raw artistic expression. The limited edition nature of the print makes it a sought-after collector’s item, further solidifying its significance in Ledbetter’s body of work. The combination of pop surrealist character design with graffiti-inspired boldness ensures that the piece resonates with a broad audience, from street art enthusiasts to fine art collectors. The contrast between the playful stylization and the aggressive subject matter reinforces Ledbetter’s ability to create art that is both visually engaging and thematically compelling. Fire-Cat Inferno remains a defining example of Joe Ledbetter’s unique contribution to modern art, blending pop culture aesthetics with raw artistic intensity. Through the use of bold colors, exaggerated emotions, and powerful visual storytelling, this piece captures the essence of contemporary Street Pop Art & Graffiti Artwork, proving that even the most chaotic figures can become symbols of artistic mastery and creative force.

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Life is a Killer Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Cristiano Suarez Graffiti Street Artist Modern Pop Art. Paying Homage to William S. Burroughs Screen Print Size: 18" x 24" City: Maceio, Brasi.

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