Dystopia Destruction & Ruins

Les Saints Oubliés (The Forgotten Saints) Limited Edition Archival Pigment Print Skateboard deck art by street pop culture artist Eddie Colla. AP Artist Proof Limited Signed Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck. 8 x 31.875 Inches

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1 • 12 • 5 • 24 Original Painting Mixed Media on Canvas by Eddie Colla Graffiti Street Artist Modern Pop Art. 2017 SIgned Original Acrylic & Spraypaint on Ready To Hang Canvas Artwork Size 18x24 "Through this, we hold steadfast when our challenge was to turn fate not to be victorious that possibility evaporated did not we endure together and often alone for all of us for tomorrow and yesterday and for what could've been and is and for what is and might well be lest we forget each of us and used memory and failing and standing when standing was all there was." -Eddie 1 • 12 • 5 • 24 Original Mixed Media Painting on Canvas by Eddie Colla 1 • 12 • 5 • 24 is a powerful original mixed media painting on canvas by graffiti street artist Eddie Colla. Created in 2017, this signed artwork is an 18x24-inch piece executed with acrylic and spray paint, embodying the raw energy and layered narratives that define Street Pop Art and Graffiti Artwork. The piece presents a haunting portrait of a masked individual, rendered in high-contrast black and sepia tones, with textures and distressed effects that evoke themes of resilience, rebellion, and survival. Eddie Colla is known for his ability to capture the psychological and emotional weight of contemporary struggles through his art. His figures, often masked or adorned in protective gear, reflect themes of identity, resistance, and societal unrest. The grommeted edges and weathered surface of this piece reinforce its industrial and urban aesthetic, making it feel like a fragment of a larger, unseen history. This painting is not just a portrait but a narrative encapsulated in texture, symbol, and form, urging viewers to consider the deeper implications of endurance, defiance, and memory. Eddie Colla and His Influence on Street Pop Art and Graffiti Artwork Eddie Colla is an American street artist and contemporary painter whose work frequently explores themes of urban decay, civil disobedience, and existential perseverance. His art is deeply influenced by graffiti culture, punk aesthetics, and dystopian storytelling, often featuring masked figures navigating hostile or uncertain environments. Through his work, Colla addresses issues of personal freedom, governmental control, and the struggles of marginalized communities. 1 • 12 • 5 • 24 exemplifies his signature visual language—characters with obscured identities, layered textures that mimic aged or decayed surfaces, and cryptic numbering or lettering that suggest coded messages or hidden histories. His use of stencil and spray paint techniques, combined with hand-painted elements, bridges the worlds of fine art and street culture, reinforcing the transient and defiant spirit of graffiti. This painting is a striking representation of his ongoing exploration of survival and memory, serving as both an aesthetic statement and a cultural reflection. The Symbolism and Aesthetic Power of 1 • 12 • 5 • 24 The masked figure in this painting stands as a powerful emblem of both protection and protest. The gaze, partially obscured yet intensely expressive, draws the viewer into a moment of contemplation—what is the subject confronting, and what struggles have they endured? The rough, textured background and muted color palette amplify the sense of history embedded in the piece, as if the painting itself has witnessed unseen conflicts and untold stories. The presence of the cryptic numbering, 1 • 12 • 5 • 24, invites interpretation, suggesting themes of coded messages, dates of significance, or an abstract reference to time and memory. Colla’s distressed, layered surfaces reflect the impermanence of both urban landscapes and human experiences. The grommets in the canvas further enhance the industrial aesthetic, reinforcing the idea that this is not just a piece of art but a relic—an artifact from a moment of resistance or an imagined future where survival is an act of defiance. The artwork’s ability to evoke emotion while maintaining a sense of mystery is what makes it a compelling addition to the discourse of Street Pop Art and Graffiti Artwork. Collectibility and Cultural Impact of Eddie Colla’s Work Eddie Colla’s work has gained significant recognition within contemporary urban art circles, with his pieces exhibited in galleries and public installations worldwide. His ability to translate street culture into fine art has made his work highly collectible among enthusiasts of modern graffiti and dystopian-themed art. This piece, being an original mixed media work, holds unique value as it captures the raw essence of his style and thematic focus. 1 • 12 • 5 • 24 stands as a testament to the resilience of human expression in challenging times. It resonates with audiences who appreciate art that is both visually striking and conceptually profound. The combination of hand-painted details, stencil work, and industrial elements makes it a distinctive work within Colla’s portfolio, reinforcing the importance of art as a means of resistance, remembrance, and social commentary.

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Cinderella Carriage Crash Limited Edition Archival Pigment Fine Art Prints on Hahnemuhle Photo Rag Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. Cinderella Carriage Crash Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 100 Signed and Numbered by the artist 15 x 20” (paper), 12.5 x 18” (image) 2015

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The Gipper Ultra-Violence- Copper Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2012 Displayed in Box Limited Edition of 50 Copper/Bronze Brown Colored Vinyl Artwork Frank Kozik brings us yet another brilliant bust. You can either stare into the eyes of the devil...err Gipper, or cover them up with a detachable DESTROY sign that comes along with your bust of glory.  The Gipper Ultra-Violence Copper Limited Edition Art Toy by Frank Kozik The Gipper Ultra-Violence Copper Vinyl Art Toy is a striking and provocative piece by Frank Kozik, a celebrated figure in the world of street pop art and graffiti artwork. Known for his unflinching satire and commentary on politics and culture, Kozik's creation features a bust that challenges viewers with its bold symbolism and meticulous detail. Limited to just 50 pieces, this copper-toned artwork, released in 2012, stands as a collector's treasure. A Bold Satirical Statement Frank Kozik's bust portrays an exaggerated and caricatured image of Ronald Reagan, often nicknamed "The Gipper." The copper-brown vinyl figure captures a sense of both nostalgia and critique, an ongoing theme in Kozik's portfolio. The detachable DESTROY sign that comes with the bust offers an interactive element, allowing collectors to decide whether to obscure the eyes of the figure, which symbolically addresses themes of political manipulation and blindness to societal realities. Kozik’s sharp commentary on authority and governance shines through, making it a standout piece in the realm of street pop art. The Influence of Frank Kozik Frank Kozik, originally from Spain and later based in the United States, has left a lasting imprint on the world of pop and graffiti art. Born in 1962 and passing in 2023, Kozik became synonymous with bold, often controversial pieces that fused elements of punk rock, politics, and pop culture. His work frequently employs vivid colors and a subversive sense of humor, drawing inspiration from both historical and contemporary figures. The Gipper Ultra-Violence Copper Bust is a testament to his ability to transform familiar imagery into sharp social commentary. Limited Edition Collectibles and Legacy This 2012 release, part of a limited run of only 50 pieces, reflects Kozik's commitment to exclusivity and craftsmanship. Crafted from vinyl and finished in a rich copper-brown hue, the bust is as much a fine art piece as it is a collectible. Accompanied by a box featuring bold graphic art, the packaging itself becomes an extension of Kozik's artistic vision. The bust encapsulates the rebellious spirit of graffiti artwork, appealing to both street art enthusiasts and collectors of modern political art. The Gipper Ultra-Violence is more than just a collectible; it is a conversation starter. It invites viewers to question societal narratives and consider the role of art in political discourse. For admirers of street pop art and Kozik's boundary-pushing creations, this piece remains an enduring symbol of his impact on contemporary art.

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Breakdown Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Copyright. 2022 Signed 23.62x23.62 Edition of 50. Breakdown is an artwork that began life as a mural Copyright painted in his home city of Bristol featuring a graphic motif of a brick wall, alongside a commanding female face, surrounded by symbolic motifs that embody the title of the piece. Breakdown is hand-finished with silver leaf, and has deckled edges. From a limited edition of 50, the piece is signed and numbered by the artist.

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UltraS PP Printer Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kyiv. It's the largest of the eight paintings and the one I spent the most time on. The figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative paintings. For the last decade, I have tried to depict universal time and avoided artificial objects. I've dropped that dogma. I love that the subject is current and contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky. The Convergence of Revolution and Art in David Molesky's "UltraS" David Molesky's "UltraS PP Printer Proof" stands out as a pivotal creation that captures the essence of Street Pop Art and graffiti Artwork while being deeply rooted in the historical context of the revolution in Kyiv. As an archival pigment print on 310gsm fine art paper, this piece holds significant value in its material quality and profound thematic content. The limited edition print, marked and signed by Molesky himself, measures 24x20 inches, providing a substantial canvas for the artist's vision. Molesky's journey through the artistic depiction of universal time and space takes a dramatic turn with "UltraS." The painting eschews his previous avoidance of temporal and artificial elements, plunging instead into the immediacy of current events with a raw and gripping portrayal of the human spirit in times of conflict. The "UltraS" series, specifically this print, departs from Molesky's earlier figurative painting, venturing into a more dynamic and narratively rich territory. The artwork is an amalgamation of past and present, a visual dialogue between the history it draws from and the contemporary medium of its expression. The print itself, a Printer's Proof, bears the unique distinction of being a precursor to the final limited edition run, carrying with it the artist's nuances and direct hand. The markings and the signature on each PP print confirm its authenticity and exclusivity, making it a coveted item for collectors and admirers of modern pop art. In "UltraS," Molesky achieves a striking balance between the static and the kinetic. The image of the solitary figure, poised against a backdrop of fiery chaos, encapsulates a moment of intense action and profound stillness. This figure, adorned in an "old school puffy down jacket," is an anachronistic anchor, throwing the viewer into a liminal space where time converges. The overall coloration of the print, reminiscent of old film tones, further imbues the scene with a sense of history and gravitas. David Molesky's Artistic Evolution Through "UltraS" The "UltraS" piece is not just an artwork but a historical document and a visual commentary, encapsulating the enthusiasm and the ethos of the streets. By adopting elements from graffiti art, Molesky infuses the piece with authenticity and an edge typically reserved for the most impactful street art. The scrawled "UltraS" on the side of the burning vehicle is a nod to the graffiti tradition, a signature that declares both presence and resistance. This Printer's Proof edition of "UltraS" is a testament to Molesky's artistic maturation. It showcases his willingness to engage with the present, to document it, and to reflect on it through his art. The series demonstrates a clear narrative progression in his work, embracing the current moment with all its complexities and contradictions. The impact of "UltraS" lies in its capacity to transcend the temporal boundaries that often define street art. Molesky's print is a snapshot of a single event and a broader exploration of the human condition amidst societal turmoil. It is a piece that resonates with the urgency of now while simultaneously capturing the echoes of the past. For the art world, "UltraS" represents a significant contribution to the discourse of Street Pop Art and graffiti Artwork. It is a work that demands contemplation, speaks to the soul of the viewer, and invites us to ponder the role of art in reflecting and shaping our perception of historical events. David Molesky's "UltraS" is not just a piece to be viewed; it is an experience to be absorbed, a dialogue to be entered, and a reflection of our world.

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Destroy, Rebuild, Repeat AP HPM Artist Proof 3D Print Framed on Wood Cradled Panel ready to hang by Quiccs Graffiti Street Artist Modern Pop Art. AP Artist Proof Signed, Small Drawings & Marked AP Framed Artwork Size 12x16 Frame Larger. 12 x 16 in. (30.48cm x 40.64cm) Three-layered fine art wood print, hand-signed and numbered by Quiccs This first of its kind three-layered fine art birch wood print starts with a 3/4" wood print. It’s then layered with a 1/2" custom shape pop-out pieces, then finished with a 1/4" custom cut layer to create a unique fine art piece. Layered Expression Through Precision Destroy, Rebuild, Repeat by Filipino graffiti and street pop artist Quiccs is a standout three-dimensional fine art wood print that encapsulates the ethos of transformation through destruction and creativity. Built from three distinct layers of wood — a 3/4-inch foundational panel, a 1/2-inch set of precision-cut pop-out pieces, and a final 1/4-inch top layer — the structure of this artwork mirrors its conceptual narrative. Each tier contributes to the visual complexity, bringing dynamic depth to a high-octane scene that merges elements of mecha, hip-hop, street culture, and toy aesthetics. Framed and ready to hang, this artist proof version measures 12 by 16 inches with the frame extending slightly larger to encase the sculptural form. Signature Characters in Street Pop Fusion At the heart of the piece is Quiccs’ iconic character TEQ63, rendered with bold outlines, heavy saturation, and mechanical armor stylings that fuse Japanese super robot design with urban cultural codes. A bandana-wrapped skull face, accented by skeletal insignias, and battle-worn mechanical limbs clash with elements like sneakers and vinyl spray marks — blending the militant with the playful. What sets this artist proof apart is the additional small hand-drawn character at the top right, a uniquely placed skull and crossbones sketched directly on the surface, reinforcing its rarity and giving insight into the artist’s own shorthand visual lexicon. Material Language and Conceptual Strength Executed on birch wood using archival printing methods, Destroy, Rebuild, Repeat captures the hard-edged sensibilities of graffiti culture while exploring new material possibilities in fine art editions. The decision to build on wood rather than canvas or paper grounds the work in craft traditions, while the digital print techniques and spray paint effects point forward toward urban futurism. The layered build mimics the complexity of Quiccs’ message — a repeating cycle of construction and collapse, identity and reinvention, that defines the experience of creators navigating a world of social chaos and resilience. Limited Rarity in Contemporary Street Pop Art This piece is part of a signed and numbered artist proof run marked AP 08/08 and features original embellishments and framing. As an experimental iteration of Quiccs’ art objects, it bridges collectible design with gallery-ready installation. The framed silhouette and physical texture highlight its significance not just as a visual spectacle but as a sculpture with weight and story. Created in 2018 during a time of widespread cross-pollination between streetwear, designer toys, and pop surrealism, Destroy, Rebuild, Repeat reflects the strength of Quiccs’ voice in the movement of Street Pop Art & Graffiti Artwork.

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Harper and John R Archival Pigment Fine Art Limited Edition Print on 290gsm Museo Portfolio Rag Paper by Urban Pop Artist Stephanie Buer Modern Artwork. 2015 Signed & Numbered Limited Edition of 20 Artwork Size 20x16

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Await Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kevin Peterson. 2019 Signed & Numbered Limited Edition Await Edition of 100 26x20 inches / 66x50.8 cm Fine art print on 290gsm paper Hand signed and numbered by the artist Kevin Peterson’s Await: Urban Isolation and the Quiet Power of Companionship Kevin Peterson’s Await, released in 2019 as a signed and numbered giclée limited edition of 100, captures a hauntingly tender moment within the decayed remains of an urban structure. Measuring 26 x 20 inches and printed on 290gsm fine art paper, the work brings together hyperrealistic detail and narrative symbolism through the lens of Street Pop Art & Graffiti Artwork. A young boy sits on the floor of an abandoned building, his body language quiet and contemplative. He is not alone—a fox rests by his side, and two crows linger near a shattered window. Behind them, vibrant graffiti commands the wall, asserting presence in a space otherwise forgotten. Peterson continues his thematic exploration of childhood resilience in fractured environments. The child, dressed in a blue shirt and sneakers, becomes the emotional center of the piece, gazing into the distance as if waiting for something uncertain. The fox—calm, alert, and intimate—sits with him like a watchful companion. The crows hover on the boundary between inside and out, motion frozen mid-flight. These animals are not placed for aesthetic decoration—they are symbols. The fox often signifies cunning, adaptability, and trust in folklore, while crows bring with them meanings of observation, change, and memory. Together, they form a trio that blurs the lines between survival and stillness. Decay as a Canvas for Meaning The setting of Await is rendered in stunning detail, with cracked concrete, broken window panes, overgrown weeds, and dust-covered tile telling a story of abandonment. Yet the walls are not silent. Behind the boy, the word “UBRT” explodes in saturated graffiti. The boldness of the lettering stands in stark contrast to the muted greys and crumbling surfaces of the environment. The wall’s artwork becomes a voice—vivid, expressive, and alive—asserting that this space, though forgotten by the world, still holds energy and identity. Peterson treats the graffiti not as a backdrop, but as a character in its own right. The use of street art as part of the composition affirms the work’s alignment with Street Pop Art & Graffiti Artwork. Peterson is not merely documenting urban environments; he is mythologizing them. These ruins are not empty—they are sacred arenas where inner lives play out, where emotion survives despite absence. The boy’s paper crown, lying near his feet, adds another layer of poetic symbolism. It evokes lost innocence, imaginative sovereignty, or the fragile authority children construct in unstable realities. Stillness, Survival, and Street Pop Allegory What elevates Await beyond realism is its sense of sacred quiet. Peterson’s figures do not pose—they exist. The boy and his animal companions do not dramatize their condition; they endure it with grace. The lack of spectacle intensifies the atmosphere. The viewer is invited not just to look, but to sit with the scene, to inhabit its silence. The title itself, Await, implies anticipation—but for what remains unknown. The answer is left to the viewer, suspended like the crows midair, fluttering at the edge of an open window. Peterson’s work belongs to a school of Street Pop Art that replaces the bombast of rebellion with narrative intimacy. He shows us that the city, even when broken, remains a place of encounter, symbolism, and inner transformation. Await is not about spectacle—it is about presence. In a world often moving too fast to notice moments like this, Peterson slows time down just enough for us to see the waiting, the watching, and the quiet beauty in staying still.

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Boos- Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

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BMOmg Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Signed Limited Edition 2011

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Sea Also Rises- Wolves of MekHead Island Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 1st Print. "The Wolves of Mekhead Island" 24" x 36" 5 color print Edition of 125

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Packard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Stephanie Buer. Packard • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 16 x 20 inches Hand-signed and numbered by artist Stephanie Buer in a limited edition of 20 Misprint on COA "Parkard"

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Science of the Mind HPM Giclee Print by Adam Caldwell Hand Embellished Acrylic & Graphite Artwork Limited Edition Print on Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2012 Signed & Numbered Acrylic & Graphite Pencil Embellished HPM Limited Edition of 10 Artwork Size 30x20. Creasing to the left side of the Image, creasing to the Right Side of the margin, Creasing, bump, and Damage to the left-facing upper corner. Photos of Damage Taken in Protective Covering. The Convergence of Fine Art and Street Aesthetics in "Science of the Mind" The limited edition giclée print titled "Science of the Mind" by Adam Caldwell represents a profound synthesis of fine art and street aesthetics, a characteristic fusion found in the works of contemporary Street Pop Art and graffiti Artwork. This piece, an HPM (Hand Painted Multiple) limited edition, is particularly notable for its bespoke nature, with each of the ten prints hand-embellished by Caldwell with acrylic and graphite pencil. Adam Caldwell's Artistic Vision Adam Caldwell's artwork often reflects the juxtaposition of human consciousness and societal constructs. "Science of the Mind" is a visual exploration of this theme, using symbolic imagery and realistic portraiture to delve into the complexities of psychological and philosophical thought. The artwork, measuring 30x20 inches, offers a spacious tableau for Caldwell's intricate detailing and nuanced use of color. Hand-Embellishment and Unique Quality The hand-embellished aspect of the "Science of the Mind" prints means that each piece in the edition carries subtle variations, making every print one-of-a-kind. Caldwell's use of acrylic adds texture and depth, while the graphite pencil brings sharpness and definition to the work. This combination of mediums on cotton rag fine art paper—a high-quality, durable material—ensures that each print is a piece of art and a collectible artifact that stands the test of time. Limited Edition and Exclusivity With a limited edition of only ten prints, "Science of the Mind" is a rare collector's item. Signed and numbered by Caldwell, these prints are sought after by Street Pop Art and graffiti Artwork collectors, who value the scarcity and the direct touch of the artist's hand. The exclusivity of the edition adds a level of desirability and potential investment worth, as the prints are likely to appreciate over time. Adam Caldwell's Place in Street Pop Art & Graffiti Artwork While Adam Caldwell may not be a graffiti artist in the traditional sense, his work embodies the spirit of street art through its accessibility, relevance, and visual impact. "Science of the Mind" mainly reflects the broader dialogue of Street Pop Art and graffiti Artwork with its layered meanings and graphical elements that resonate with a wide audience. Caldwell's art navigates the spectrum of visual expression, from gallery walls to the urban environment, contributing to the diversity and richness of the genre. "Science of the Mind" by Adam Caldwell is a significant piece within the realm of Street Pop Art and graffiti Artwork, reflecting our time's intellectual and aesthetic currents. As an HPM giclée print, it embodies a high level of craftsmanship and thought, offering viewers a window into the intricate relationship between mind and society, a recurring theme in Caldwell's work. For the discerning collector, owning a piece of this limited edition offers a visual delight and a meaningful connection to the ongoing narrative of contemporary art.

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Castle Landfill Kids Archival Print by Jeff Gillette Fine Art Limited Edition Print on Hahnemuhle Photo Rag Paper Pop Artist Artwork. 2022 Signed & Numbered Limited Edition of 40 Artwork Size 24x18 Castle Landfill Kids Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 40 Signed and Numbered by the artist 18 x 24” (paper), 15.2x 22.75” (image) 2022

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Untitled Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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UltraS Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kiev. It's the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I've dropped that dogma. I love that the subject is current, and also contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky David Molesky's "UltraS" in the Landscape of Street Pop Art & Graffiti Artwork David Molesky's "UltraS" emerges as a significant piece within the modern landscape of Street Pop Art and graffiti Artwork, presenting a stirring visual narrative that blends contemporary unrest with a sense of timeless struggle. As a limited edition series, Molesky offers only fifty archival pigment prints on 310gsm fine art paper, each piece signed and numbered, underscoring this work's exclusivity and collectible nature. Sized at an impactful 24x20 inches, "UltraS" is a cornerstone of Molesky's artistic evolution. The artwork transcends the conventional boundaries of street art by integrating the raw vigor of graffiti with the sophisticated depth of fine art. Molesky’s technique is marked by meticulous attention to detail and a rich palette that echoes the hues of historical film tones, infusing the piece with a unique vintage quality despite its contemporary subject. The scene depicted is one of chaotic beauty, set against a backdrop of revolution—a reference to the events that transpired in Kyiv. Through his art, Molesky captures the turbulence of these times, channeling the dynamic energy and emotion that define moments of societal upheaval. In "UltraS," the focal point is the figure clad in an old-school puffy down jacket, a style choice that intentionally bridges eras, connecting the present to the past. This figure is set against the fiery blaze that engulfs what appears to be a derelict vehicle, with the thick smoke and flames rendered with such realism that they seem to leap off the paper. The contrast between the stoic determination of the figure and the destructive environment around him serves as a potent metaphor for resilience in the face of chaos. Molesky’s shift from his prior figurative work to a narrative that embraces artificial objects and contemporary events marks a significant pivot in his artistic journey. By discarding his previous avoidance of temporal elements, he forges a new path that allows him to comment on current events through his art. The "UltraS" series, particularly this piece, reflects this transformation, as Molesky immerses himself in street art's raw, unfiltered essence while maintaining a delicate art sensibility. The significance of "UltraS" within street pop art and graffiti Art lies in its aesthetic, historical relevance, and ability to capture a snapshot of revolutionary spirit. It is a visual exploration of the human condition, a poignant reminder of art's power to document, express, and move. For collectors and enthusiasts, owning a piece of the "UltraS" series is not just an acquisition of visual art but an embrace of a story, a moment in time, and a piece of the artist’s soul. Embracing Modernity and Nostalgia in Street Pop Art & Graffiti Artwork With "UltraS," Molesky delves into a realm where modernity and nostalgia intersect, presenting a visual discourse that is as thought-provoking as it is aesthetically pleasing. The inclusion of graffiti-like elements—such as the word "UltraS" scrawled on the side of the burning vehicle—grounds the work in the street art tradition, a form known for its subversive edge and connection to the voices of the disenchanted and the rebellious. Yet, the chaos is elegant, a curated composition that elevates the piece from mere street art to a form of Street Pop Art and graffiti Artwork that holds its own in galleries and sophisticated art collections. Molesky's commitment to authenticity and ability to distill complex narratives into a single frame sets "UltraS" apart. In the pop art tradition, it comments on culture and society, but it does so with the grit and earnestness of graffiti, capturing the zeitgeist in a raw and refined way. The limited edition nature of these prints further adds to their value, not just in monetary terms but also in the cultural weight they carry as artifacts of a pivotal era in art. Through "UltraS," David Molesky invites us to reflect on the intersections of art, society, and history. His work is a testament to the enduring power of visual storytelling and the evolving landscape of Street Pop Art and graffiti Artwork, where every stroke, color, and form is imbued with meaning and resonates with the viewer long after the first glance.

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Remnant's Angels Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brin Levinson. Brin Levinson - "Remnant's Angels" Limited edition fine art giclee print Signed and numbered by the artist Edition of 25 copies 12" x 18"

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Many Mao Green Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 18x24

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Break Free 29 Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Fine Art Paper by Jessica Hess Graffiti Street Artist Modern Pop Art. Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 20 Inches Release: July 26, 2019 “Break Free” is part of a new series of paintings focusing on the strange abstraction of manmade structures through disuse, decay, and demolition in contrast with the beauty of their reclamation by nature. All will return to the Earth one day." - Jessica Hess Jessica Hess’s Break Free 29: The Architecture of Decay and the Language of Graffiti Jessica Hess’s Break Free 29 is a hand-embellished archival pigment print measuring 24 x 20 inches, released in 2019 as part of a series that documents abandoned urban architecture overtaken by graffiti and natural elements. Printed on 290gsm Moab fine art paper, this limited edition exemplifies Hess’s mastery in photorealistic painting and her ability to transform urban ruin into visual poetry. The image captures a collapsed interior space—possibly a warehouse or industrial relic—where nature begins to reclaim its territory, and every visible surface is layered in tags, murals, and weathered pigment. The work is not a simple celebration of street art. It is a nuanced meditation on impermanence, resilience, and transformation. Hess does not stylize or exaggerate the graffiti; she paints it faithfully, respecting it as an honest record of human mark-making. The decaying beams, broken floorboards, and skeletal remains of the roof add to the visual complexity. Everything in the composition is in flux. The structure is failing, yet the surfaces breathe with new life. Green plants push through the cracks. Bright sprays of color resist silence. The collapse is not an end, but an evolution. Photorealism as Preservation of Street Pop Ephemera Jessica Hess’s work functions as a form of visual preservation. By painstakingly recreating graffiti-covered ruins in photorealistic detail, she immortalizes temporary art in the face of time, destruction, and erasure. In Break Free 29, no surface is left untouched—pillars, window frames, pipes, and debris are covered in overlapping layers of aerosol marks, stickers, and paint drips. Each tag is an anonymous voice, part of a larger visual conversation layered over time. Hess does not edit or curate these voices. She captures them in all their raw complexity. The technique of hand-embellishment in each print adds to the authenticity of the piece. It reinforces the physical nature of graffiti itself—built through layers, retouches, and repetition. The painted elements do not merely replicate; they reactivate the image. Hess’s use of high-fidelity realism and handwork bridges the worlds of graffiti and fine art without compromising either. It reflects her deep respect for the spaces and the artists who have left their imprint there. Entropy, Memory, and the Rewilding of Urban Space Break Free 29 contributes to the ongoing dialogue within Street Pop Art & Graffiti Artwork about the meaning of space, decay, and authorship. Hess doesn’t paint the act of graffiti in motion—she paints its aftermath, its documentation. The structure she depicts is no longer defined by its original function. It is a new environment shaped by collapse, intervention, and neglect. The architecture becomes an accidental canvas, and nature slowly encroaches as a silent collaborator. There is no central human figure in the scene, but human presence is everywhere—in the spray lines, in the tags, in the layers of messages written across time. The graffiti doesn’t just decorate the ruins; it gives them meaning in their disuse. Hess’s framing of this space reveals an alternate kind of beauty—one not built on design, but on decomposition and reoccupation. Plants grow through concrete. Sunlight filters through the broken roof. The manmade yields, and the earth begins to rewrite the structure’s story. Through Break Free 29, Jessica Hess presents ruin not as loss but as transformation. It’s a portrait of impermanence painted with care and precision, reminding us that nothing is truly static—not cities, not art, not nature. Everything is in motion, and everything eventually breaks free.

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The Butterfly Giclee Print by Jeff Soto Artwork Limited Edition Print on 305gms Cotton Rag Archival Acid-Free Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 Liberated from its confines, the wounded butterfly embarks on a journey toward serenity and optimism. This exclusive print edition of the animated digital masterpiece, originally minted on SuperRare in 2021, has been skillfully modified in scale to display exquisitely at 18" x 24". Featuring subtle variations in hue and intricacy, this rendition diverges slightly from its digital counterpart. "The Butterfly" Giclee Print by Jeff Soto is an artwork created by the American contemporary artist Jeff Soto. He is well-known for his distinct style, blends street art, pop surrealism, and elements of nature vividly and imaginatively. Giclee prints are high-quality, fine art reproductions created using advanced digital printing technology. They are printed on various types of substrates, including canvas, fine art paper, or photographic paper, and are designed to accurately capture the original artwork's colors, textures, and details. Giclee prints are widely popular among artists and collectors due to their durability and longevity, ensuring the artwork can be enjoyed for years. "The Butterfly" Giclee Print showcases Jeff Soto's signature style and the recurring theme of nature in his work. It features a colorful and detailed depiction of a butterfly, often symbolizing transformation, hope, and life. The artwork's vibrant colors and intricate patterns make it a striking piece, suitable for display in various settings, including private collections, galleries, or as a statement piece in your home or office.

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Know Your Rights- Large Format Limited Edition Hand Pulled 1-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Serigraph Artwork 42 x 42 inchesAugust 21, 201. 42 x 42 Large Format Serigraph.1 Color printed on Varnished 100% Cotton Rag Archival Paper. "Know Your Rights" is a commanding serigraph by Shepard Fairey, an artist who has cemented his place in the contemporary art scene through works that intertwine the ethos of street art with the aesthetic of modern pop art. This piece, released on August 21, 2014, is particularly noteworthy not only for its bold political message but also for the meticulous craftsmanship that goes into the production of each print. As an extensive format work, measuring an impressive 42 x 42 inches, it makes an indelible mark on the viewer, both through its scale and its strikingly stark one-color presentation on varnished 100% cotton rag archival paper, complete with hand-deckled edges. Shepard Fairey is renowned for blending fine art with the raw, in-your-face quality of street art and graffiti, and "Know Your Rights" is a prime example of this synthesis. The piece is anchored by a central image featuring an open book titled "THE FUTURE IS UNWRITTEN," encapsulating a message of empowerment and the potential for change. This is framed by laurels and a lit torch, evoking classic motifs that signify victory, knowledge, and enlightenment. The bordering texts "OBEY PROPAGANDA" and "KNOW YOUR RIGHTS" play into Fairey's recurring themes of propaganda, control, and the dissemination of information, urging the viewer to question authority and the narratives they are presented with. Each print in this limited edition is signed and numbered by Fairey, signifying its authenticity and connection to the artist's hand. The decision to use a one-color palette speaks to the work's assertive simplicity and Fairey's skill in using contrast and texture to convey depth and resonance. It's a technique that mirrors his street art roots, where messages must be given quickly and memorably. The serigraph process, a labor-intensive method of screen printing, ensures that each impression is of the highest quality, with the varnishing on the cotton rag paper adding a durable, tactile finish that also enhances the visual impact. "Know Your Rights" stands as a powerful statement in Fairey's oeuvre, reflecting his social and political advocacy rendered through his distinct pop art lens. This artwork resonates with the immediacy of street art and carries the weight of historical art traditions, bridging contemporary concerns with timeless expressions of resistance and hope.

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It eroded Astronaut Resin Sculpture by Daniel Arsham x Billionaire Boys Club Limited Edition Pop Graffiti Street Art Figure Artwork. 2023 Numbered Limited Edition of 500 Pop Art Sculpture Artwork Size 8.5x12 of Modern USA Stylized Astronaut with Eroded Elements in White Resin & Crushed Crystal. Displayed with Original Box. Intersecting Realms: Daniel Arsham's Eroded Astronaut Sculpture The 'Eroded Astronaut' is a profound piece of modern artwork that stands at the intersection of pop art, street art, and archaeology. A collaborative effort between the acclaimed artist Daniel Arsham and the fashion and lifestyle brand Billionaire Boys Club, this limited-edition sculpture explores time, space, and material. Released in a numbered series of 500, the artwork measures 8.5x12 inches and is crafted from white resin and crushed crystal, embodying a sense of decayed futurism. Daniel Arsham's work is characterized by his signature concept of 'fictional archaeology,' the 'Eroded Astronaut' sculpture is a striking example of this. The figure, a modern USA-stylized astronaut, is reimagined through the lens of erosion, suggesting the passage of time and the impermanence of human endeavors. White resin alludes to the purity and ambition of space exploration. At the same time, the inclusion of crushed crystal adds a layer of depth, creating a texture that implies centuries of degradation. This piece is a testament to the shared aesthetic sensibilities between Arsham and Billionaire Boys Club, marrying the worlds of street pop art & graffiti artwork with the meticulous craftsmanship of sculpture. The 'Eroded Astronaut' transcends traditional street art's two-dimensional constraints, bringing the raw energy and ethos of the streets into a three-dimensional form that challenges and captivates the observer. In the context of pop graffiti and street art, the 'Eroded Astronaut' is a physical manifestation of the themes commonly explored in these genres: the questioning of cultural icons, the deconstruction of modern myths, and the dialogue between the past and the future. Arsham's sculpture invites reflection on the narratives we construct around progress and the marks we leave on history. The limited edition 'Eroded Astronaut' is not just a collectible; it's a conversation piece that bridges the gap between art and object, between the ephemeral and the eternal. It is a bold statement that reflects the evolving nature of street pop art & graffiti artwork, capturing the spirit of exploration and the aesthetic of erosion that Daniel Arsham is renowned for. Collectors and admirers of Daniel Arsham's sculptures and Billionaire Boys Club's innovative designs will find the 'Eroded Astronaut' a compelling addition to their collections. Each sculpture, with its unique numbered status, is a fragment of a larger narrative that speaks to the passage of time and the enduring allure of space exploration. This artwork is a testament to the power of collaboration in pushing the boundaries of street pop art & graffiti artwork into new and uncharted territories.

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Slum Park- Standard Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Jeff Gillette. Archival Pigment Print on 290gsm Moab Entrada Fine Art Print Size: 24 x 15 Inches Release: October 20, 2021 Run of: 50

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Peoples Power Original Painting Mixed Media Stencil & Spray Paint on Cut Out Wood Panel by Icy & Sot Graffiti Street Artist Modern Pop Art. 2015 Signed Original Spray Paint & Stencil Painting on Cut-Out Wood Artwork Size 21x46 "Life Size" "American Dream is inspired by the homeless guy holding ag Starbucks cup and asking for money. There are a lot of homeless people in New York, but they are invisible in between skyscrapers. We painted him bigger than the Empire State Building so he can be noticed more." - Icy &. Sot Decoding the Visual Language of 'People's Power' The artwork titled 'People's Power' by the street artist duo Icy & Sot is a striking example of modern pop art that interweaves the raw intensity of graffiti with the engaging allure of stencil work. Created in 2015, this original piece was meticulously crafted using mixed media, predominantly stencil and spray paint, on a cut-out wood panel. The artists' choice of materials and their technique tell of their deep roots in the traditions of street pop art and graffiti artwork, where the use of spray paint is iconic, and stencils allow for sharp, repeatable imagery that can be rapidly executed in the often tricky environments of public spaces. Artistic Expression on Social Realities 'People's Power' resonates with the ethos of street art by boldly tackling socio-political themes. Icy & Sot's work often reflects a keen awareness of contemporary issues; this piece is no exception. The narrative behind the 'American Dream' — the inspiration for 'People's Power' — stems from the artist's observation of a homeless individual in New York City, cradling a Starbucks cup while begging for money. This poignant scene, set against the backdrop of towering skyscrapers, sparked the creation of an artwork that seeks to amplify the presence of the often overlooked and marginalized figures in urban landscapes. The Symbolic Imagery of 'People's Power' In 'People's Power,' the central figure is depicted as larger than life, overshadowing the iconic Empire State Building. This artistic choice elevates the subject, literally and figuratively, granting him a visibility that is usually denied in real life. The mixed crowd surrounding the central figure appears to be in solidarity, suggesting a collective uprising or a unified stand against societal issues. The vibrant colors splashed across the face of the central figure add a sense of vitality and perhaps a glimmer of hope amidst the stark black and white of the crowd. Technique and Form in Icy & Sot's Creative Process The technical prowess of Icy & Sot is evident in the stencil work's precision and the spray paint's controlled chaos. By opting for a wood panel as the substrate, the artists step away from the transient nature of street walls, allowing 'People's Power' to exist as a portable manifesto of their artistic and ideological stance. The cut-out form of the artwork disrupts the conventional rectangular canvas, giving the piece an almost sculptural presence that echoes the three-dimensional experience of encountering street art in the wild. Contextualizing 'People's Power' Within Street Pop Art 'People's Power' is more than a visually captivating piece; it is a cultural artifact that encapsulates the spirit of street pop art. Icy & Sot have successfully harnessed the expressive potential of graffiti artwork to communicate with a broad audience, transcending linguistic and cultural barriers. The artwork's accessibility is crucial to its impact, following the tradition of street art that speaks directly to the public, unfiltered by the gatekeeping norms of traditional galleries and museums. Impact and Legacy of 'People's Power' The legacy of 'People's Power' lies in its ability to confront and converse with its audience about uncomfortable truths. As with many seminal works in the street pop art genre, this piece's value is amplified by its relevance to contemporary societal discourses. Icy & Sot's commitment to addressing the uncomfortable facets of modernity is what positions 'People's Power' as not only an object of aesthetic admiration but also as a beacon of social consciousness in the realm of modern art.

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The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Beyond Thunderdome- Max Limited Edition Giclee Print on Fine Art Paper by Andy Fairhurst counter-culture street artist art. Mad Max Beyond Thunderdome movie featuring Mel Gibson.

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The Gipper Ultra-Violence- Green Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Signed Limited Edition of 50 Artwork Size 6x18 Displayed With Box Vinyl Bust of Ronald Regan Destroy Sculpture. The Gipper Ultra-Violence Green by Frank Kozik The Gipper Ultra-Violence Green Vinyl Art Toy is a provocative and collectible piece by Frank Kozik, a renowned figure in street pop art and graffiti artwork. Released in 2019 as a limited edition of 50 pieces, this signed vinyl sculpture boldly reimagines Ronald Reagan in Kozik’s signature satirical style. Standing at 6x18 inches, the vibrant green bust captures the attention of art enthusiasts and collectors alike with its striking design and thought-provoking message. A Powerful Commentary in Street Pop Art This artwork is a vivid commentary on political and cultural power structures, using Reagan’s likeness as a symbol of authority. The neon green bust, adorned with a detachable “Destroy” sign across the eyes, challenges traditional perceptions of leadership and societal control. The vibrant green color amplifies its pop art aesthetic, creating an eye-catching contrast against the backdrop of its accompanying graphic box, which is adorned with Kozik’s bold designs and messaging. The interactive “Destroy” sign adds a layer of depth, encouraging viewers to engage with the piece on multiple levels. The Vision of Frank Kozik Frank Kozik, born in Spain in 1962 and later based in the United States, was a trailblazer in blending graffiti artwork with pop art influences. Known for his bold use of color and biting political commentary, Kozik redefined contemporary art through pieces that resonated with both humor and critique. His work often drew from punk culture and social dynamics, making strong statements about power, identity, and consumerism. The Gipper Ultra-Violence series is a testament to Kozik’s ability to transform familiar symbols into provocative works of art that challenge viewers to rethink societal norms. Kozik passed away in 2023, leaving behind an impactful legacy in the art world. A Rare and Iconic Collectible With only 50 pieces in existence, The Gipper Ultra-Violence Green is a highly sought-after collectible. Each bust is meticulously crafted from vinyl, signed by the artist, and accompanied by a custom-designed box that enhances its presentation. Its compact size of 6x18 inches makes it a versatile addition to any art collection, while its bold design ensures it remains a focal point. The limited-edition nature of the piece adds to its exclusivity and value, making it a prized possession for collectors of street pop art and political satire. The Gipper Ultra-Violence Green by Frank Kozik exemplifies the power of street pop art to provoke thought and spark dialogue. Through its vibrant color, interactive design, and sharp commentary, this sculpture stands as both a work of art and a cultural statement, reflecting Kozik’s enduring influence on the contemporary art scene.

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Make America Again PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP Printers Proof 2017 Signed & Marked PP Artwork Size 18x12

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It’s Still a Mess Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 12″ x 12″ giclee, have editions of 40, Signed & Numbered

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Drop the Bomb- Zombie Apocalypse Propaganda Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Artist Ron Guyatt created this great propaganda poster to help support our fight against the looming zombie apocalypse. The posters educate the population to the need to military respond to the threat. Each poster is signed and numbered, measures 18″ x 24″, and is available in a limited edition of 100.

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Liberty Prime- Red Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the cult classic video game Fallout 4 sci-fi robot. 2 color 9″ x 24″ screen-printed posters.

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Idolize Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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Protect the eARTh HPM 2 Hand-Embellished Limited Edition 11-Color Silkscreen & Acrylic Paint on Fine Art Paper by Artist Hijack Graffiti Street Pop Artwork. 2022 Signed 1 of 1 Unique HPM Hand Embellished Limited Edition of 10 One of a Kind Silkscreens Artwork Size 22.5x30 Custom Framed Silkscreen of Man With Broken Umbrella Walking By Graffiti Wall. A striking manifestation of contemporary street art, "Protect the eARTh HPM 2" by Hijack offers viewers a penetrating gaze into environmental consciousness, seamlessly woven into urban settings. The piece, crafted in 2022, showcases not only the artist's commitment to highlighting pressing global issues but also his refined expertise in blending different artistic mediums. At the heart of this artwork is a lone figure, attempting to navigate an urban expanse with a vivid, broken blue umbrella as his shield. The umbrella, fragmented yet distinctly prominent in its hue, symbolizes Earth's endurance amidst the adversities thrust upon it. The deep blue, reminiscent of the planet's boundless oceans and skies, stands in stark juxtaposition against the monochromatic city background. This backdrop, depicting a graffiti-laden wall, offers a raw depiction of urban decay, further accentuated by the figure's shadowy presence. Amid the chaotic jumble of spray paint and scribbles, certain inscriptions like "Protect eARTh" and "I LOVE EARTH" boldly emerge, acting as poignant reminders of the work's central theme. With "Protect the eARTh HPM 2", Hijack embarks on a quest to bridge the seemingly disparate worlds of urban decay and environmental conservation. This 1 of 1 unique hand-embellished edition, limited to just ten silkscreens, spans a canvas measuring 22.5x30 inches, inviting viewers to pause, reflect, and reconsider their relationship with the environment. Every brushstroke and silkscreen imprint echoes Hijack's signature style, culminating in a piece that is as thought-provoking as it is visually arresting.

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embellished Artwork Size 24x36 Wood Cradled Ready to Hang. I Will Love You Until The End by Denial: Innocence and Apocalypse in Street Pop Art & Graffiti Artwork I Will Love You Until The End is a 2015 limited edition hand-embellished mixed media artwork by Canadian pop and graffiti artist Denial. Each piece in the edition of five is uniquely created using spray paint, stencil, acrylic, and layered mixed media on a cradled wood panel measuring 24 x 36 inches. Signed and ready to hang, this large-scale painting merges emotional sincerity with a biting critique of global instability and modern chaos. It is a visual contradiction where romantic imagery collides with the language of war, solidifying Denial’s signature approach to Street Pop Art & Graffiti Artwork as both emotionally provocative and conceptually subversive. Contrasting Visual Elements and Emotional Duality The focal point of the work is the silhouette of a young boy and girl standing face to face, poised in a moment of tender affection. The boy hides a bouquet of flowers behind his back, a symbol of innocent love and youthful vulnerability. Behind them, however, explodes a massive mushroom cloud rendered in stark contrast with vibrant shades of red, yellow, and orange. This apocalyptic backdrop shatters the serenity of the foreground, suggesting that even the purest moments of love are not immune to the violent consequences of human decision-making. The boy’s gesture of giving and the girl’s attentive stance become metaphors for fragile hope amid destruction, underscoring how love persists in the shadow of looming catastrophe. Materials, Texture, and Hand-Painted Process Each work is created on wood panel, lending the artwork a raw, physical weight consistent with the grittiness of its street-art origins. The hand-embellished nature of the edition ensures that every panel is uniquely layered with stencil elements, expressive spray paint, and intentional imperfections. The use of negative space in the silhouettes contrasts with the explosively detailed background, drawing the viewer’s eye directly into the visual dialogue between affection and annihilation. The tactile nature of the panel surface and the layering of medium give depth and intensity to the emotional tension within the piece. Denial’s Vision and Cultural Commentary Denial, born Daniel Bombardier, is known for using irony, contradiction, and layered symbolism to critique media, consumerism, and political complacency. In I Will Love You Until The End, his use of youthful silhouettes is not nostalgic but intentionally ironic. The innocence of childhood becomes a symbol of hope, threatened by the ever-present specter of conflict. Denial’s art often exposes the absurdity of modern ideologies, and here he asks whether love can endure when the world is on fire. This piece reflects the duality often found in Street Pop Art & Graffiti Artwork—beauty versus chaos, sincerity versus spectacle, and human emotion standing resilient against systems of destruction. Through visual metaphor and confrontational aesthetics, Denial invites viewers to consider not only the fragility of affection but also its power in the face of oblivion.

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Throwback Silver Canbot Canz HPM Hand Painted Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13. 2021 Signed Hand Painted HPM Edition of 20. Hand-painted rust-colored Canbot Canz by Czee13. Riffing on the OG silver bot, this is your chance to own a piece of Canbot Canz history, painted by the creator, and in one of the most sought-after designs! New In Box

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Two Coming In Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Scott Listfield.

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The Gipper Ultra-Violence- Yellow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Signed Limited Edition of 50 Displayed with Box Yellow Vinyl Ronald Regan Destroy Bust Artwork The Gipper Ultra-Violence Yellow Limited Edition Art Toy by Frank Kozik The Gipper Ultra-Violence Yellow Vinyl Art Toy is an exceptional creation by Frank Kozik, a pioneering figure in street pop art and graffiti artwork. Released in 2019 as a signed limited edition of only 50 pieces, this sculpture exemplifies Kozik’s ability to merge sharp political commentary with visually striking designs. The bust, rendered in vibrant yellow vinyl, pays homage to Ronald Reagan while challenging viewers to confront deeper questions about authority, culture, and history. A Bold Fusion of Art and Critique Frank Kozik’s Gipper Ultra-Violence series stands out for its audacious take on political figures, and the yellow variant is no exception. This piece reimagines Reagan’s likeness as an exaggerated, almost cartoonish bust that blends humor with biting critique. The detachable green DESTROY sign adds an interactive component, inviting collectors to consider themes of power and destruction. The bright yellow finish amplifies the artwork’s pop art aesthetic, making it a bold statement in any collection. Kozik’s ability to fuse vibrant visuals with provocative messaging highlights his mastery in street pop art and graffiti-inspired works. The Vision of Frank Kozik Frank Kozik, born in 1962 in Spain and later based in the United States, was a visionary artist whose work pushed boundaries across multiple mediums. Known for his contributions to music poster art, designer toys, and graffiti-inspired creations, Kozik infused his work with a rebellious spirit and sharp wit. He passed away in 2023, leaving behind a legacy that continues to influence the world of contemporary art. The Gipper Ultra-Violence series reflects his unique ability to turn familiar imagery into powerful cultural statements, blending satire with an unmistakable pop art aesthetic. A Rare and Coveted Collectible The Gipper Ultra-Violence Yellow Bust is a testament to Kozik’s dedication to limited-edition, high-quality creations. With only 50 pieces produced, each bust is hand-signed by the artist, emphasizing its exclusivity and value to collectors. The accompanying box, designed with Kozik’s signature graphic style, enhances the artwork’s overall presentation. Measuring an imposing size, the bust is a standout in any display, captivating both art enthusiasts and collectors of street pop art. This yellow vinyl bust is not just a collectible but a work of art that challenges conventions and sparks dialogue. Through bold design, interactive elements, and cultural critique, it embodies the spirit of street pop art and graffiti artwork. The Gipper Ultra-Violence Yellow Bust is a striking reminder of Kozik’s ability to use art as a medium for both entertainment and reflection.

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Tire Trouble Archival Print by ABCNT Archival Pigment Fine Art Limited Edition Print on 330gsm Museum Smooth Cotton Rag Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x20 "Tire Trouble" is an archival print created by ABCNT, a renowned Los Angeles-based artist, designer, and activist known for his politically charged and socially conscious artwork. ABCNT's work often incorporates bold imagery of Mickey Mouse & Donald Duck, iconic Disney figures, and provocative statements to address environmental dystopian issues and spark conversations. The "Tire Trouble" print features a striking composition that communicates the artist's perspective on a particular issue, relating to environmental concerns, consumerism, or societal values. As an archival print, the artwork is produced on high-quality, acid-free paper, which ensures its longevity and resistance to fading over time. This makes it a collectible piece for art enthusiasts and those who appreciate ABCNT's distinctive style and message of dead fish.

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The Reef Giclee Print by Scott Listfield Artwork Limited Edition Print on 310gsm Museum Grade Archival Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 Scott Listfield The Reef Giclee Print The Reef by Scott Listfield is a 2023 limited edition print that merges environmental narrative with the contemplative tone associated with Street Pop Art & Graffiti Artwork. The composition is divided dramatically by the waterline. Above the surface, Listfield’s signature astronaut sits quietly atop an ornate circular platform crowned with a monumental golden hand sculpture. The sky is open and calm, suggesting stillness and detachment. Below the surface, however, an expansive coral reef structure descends into rich blue depths, teeming with marine life and clusters of vivid orange fish. This vertical contrast between serenity and ecological complexity creates a visual metaphor about visibility, awareness, and the unseen systems sustaining life. Environmental Symbolism and the Astronaut Motif Scott Listfield, born in 1976 in the United States, remains active and is widely recognized for his recurring astronaut figure. The astronaut functions as a stand-in for contemporary humanity, navigating landscapes shaped by consumer culture, environmental change, and symbolic monuments. In The Reef, the astronaut appears passive, observing rather than interacting. This detachment heightens the tension between the artificial sculptural platform above and the organic reef ecosystem below. Coral reefs are among the most fragile and essential marine habitats on Earth, and their presence here underscores concerns surrounding climate change and ocean degradation. Within Street Pop Art & Graffiti Artwork, Listfield’s work shifts the conversation from urban walls to planetary scale, maintaining the narrative clarity of street-influenced imagery while expanding its thematic scope. Edition Details and Archival Quality The Reef is produced as a signed and numbered limited edition of 100, measuring 18 by 24 inches. The giclee process on 310gsm museum grade archival fine art paper ensures color depth, tonal accuracy, and long-term preservation. The layered blues of the ocean and the textured coral formations benefit from high-resolution pigment printing, capturing fine details that reinforce the immersive underwater atmosphere. As a work aligned with Street Pop Art & Graffiti Artwork, this piece balances refined print production with conceptual urgency, making it a compelling addition for collectors drawn to narrative-driven contemporary art with environmental resonance.

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Continental Motors Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Stephanie Buer, Street Pop Art Graffiti Legend. Signed & Numbered 2019 Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 12 Inches Release: November 30, 2019 Run of: 50 "This painting is a portrait of the Continental Motors Factory in East Detroit. I have been exploring Detroit for 17 years and this was the very first time I had visited this factory. I love that there are always new places to discover and explore in this city. Continental Motors is the largest painting I have ever made, the original is 5’ long. The building and the snow were so stunning, I really wanted to make an image that captured everything." - Stephanie Buer

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Che- Green Limited Edition Hand Pulled 3-Color Serigraph Print on 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Size 31.25x22.25 Title: “Che” (GREEN) Artist: ERNESTO YERENA Medium: SERIGRAPH Colors: 3 Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 31.25″ x 22.25” Live Art Size: 27” x 18.25”

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Nuka Cola Quantum- GID Blue Limited Edition 2-Color Glow In The Dark Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. AP Artist Proof Glow in the Dark Nuka Cola from the famous cult classic Fallout game universe.

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Wasteland Black Limited Edition Hand Pulled 1-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 22x22 22 x 22 inch, hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 100.

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Victory- Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

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Cinderella’s Dress Limited Edition Archival Pigment Fine Art Prints on Hahnemuhle Photo Rag Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2016 Signed Cinderella’s Dress Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 60 Signed and Numbered by the artist 13 x 20” (paper), 11 x 19” (image) 2016

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Slumscape Apps #8 Small Sponge Limited Edition Hand-Embellished HPM Archival Pigment Prints on Watercolor Paper by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2021 Signed From a Series of 43 Unique archival pigment prints with a light touch of hand-embellished collage and watercolor Paper 13 x 20”, image 11.25 x 19” 2021

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I'll Love You Till The End Of The World Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Josh Keyes 'I'll Love You Till the End of the World' Edition of 300 Fine art print on 290gsm paper 16x25.5 inches / 40.6x64.7cm Hand-signed, numbered and titled by the artist The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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