Dystopia & Ruins

15 artworks


  • Victory Giclee Print by Fernando Reza (Fro)

    Fernando Reza (Fro) Victory Giclee Print by Fernando Reza (Fro)

    Victory- Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

    $209.00

  • UltraS Archival Print by David Molesky

    David Molesky UltraS Archival Print by David Molesky

    UltraS Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 50 Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kiev. It's the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I've dropped that dogma. I love that the subject is current, and also contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky David Molesky's "UltraS" in the Landscape of Street Pop Art & Graffiti Artwork David Molesky's "UltraS" emerges as a significant piece within the modern landscape of Street Pop Art and graffiti Artwork, presenting a stirring visual narrative that blends contemporary unrest with a sense of timeless struggle. As a limited edition series, Molesky offers only fifty archival pigment prints on 310gsm fine art paper, each piece signed and numbered, underscoring this work's exclusivity and collectible nature. Sized at an impactful 24x20 inches, "UltraS" is a cornerstone of Molesky's artistic evolution. The artwork transcends the conventional boundaries of street art by integrating the raw vigor of graffiti with the sophisticated depth of fine art. Molesky’s technique is marked by meticulous attention to detail and a rich palette that echoes the hues of historical film tones, infusing the piece with a unique vintage quality despite its contemporary subject. The scene depicted is one of chaotic beauty, set against a backdrop of revolution—a reference to the events that transpired in Kyiv. Through his art, Molesky captures the turbulence of these times, channeling the dynamic energy and emotion that define moments of societal upheaval. In "UltraS," the focal point is the figure clad in an old-school puffy down jacket, a style choice that intentionally bridges eras, connecting the present to the past. This figure is set against the fiery blaze that engulfs what appears to be a derelict vehicle, with the thick smoke and flames rendered with such realism that they seem to leap off the paper. The contrast between the stoic determination of the figure and the destructive environment around him serves as a potent metaphor for resilience in the face of chaos. Molesky’s shift from his prior figurative work to a narrative that embraces artificial objects and contemporary events marks a significant pivot in his artistic journey. By discarding his previous avoidance of temporal elements, he forges a new path that allows him to comment on current events through his art. The "UltraS" series, particularly this piece, reflects this transformation, as Molesky immerses himself in street art's raw, unfiltered essence while maintaining a delicate art sensibility. The significance of "UltraS" within street pop art and graffiti Art lies in its aesthetic, historical relevance, and ability to capture a snapshot of revolutionary spirit. It is a visual exploration of the human condition, a poignant reminder of art's power to document, express, and move. For collectors and enthusiasts, owning a piece of the "UltraS" series is not just an acquisition of visual art but an embrace of a story, a moment in time, and a piece of the artist’s soul. Embracing Modernity and Nostalgia in Street Pop Art & Graffiti Artwork With "UltraS," Molesky delves into a realm where modernity and nostalgia intersect, presenting a visual discourse that is as thought-provoking as it is aesthetically pleasing. The inclusion of graffiti-like elements—such as the word "UltraS" scrawled on the side of the burning vehicle—grounds the work in the street art tradition, a form known for its subversive edge and connection to the voices of the disenchanted and the rebellious. Yet, the chaos is elegant, a curated composition that elevates the piece from mere street art to a form of Street Pop Art and graffiti Artwork that holds its own in galleries and sophisticated art collections. Molesky's commitment to authenticity and ability to distill complex narratives into a single frame sets "UltraS" apart. In the pop art tradition, it comments on culture and society, but it does so with the grit and earnestness of graffiti, capturing the zeitgeist in a raw and refined way. The limited edition nature of these prints further adds to their value, not just in monetary terms but also in the cultural weight they carry as artifacts of a pivotal era in art. Through "UltraS," David Molesky invites us to reflect on the intersections of art, society, and history. His work is a testament to the enduring power of visual storytelling and the evolving landscape of Street Pop Art and graffiti Artwork, where every stroke, color, and form is imbued with meaning and resonates with the viewer long after the first glance.

    $406.00

  • Boos Giclee Print by Fernando Reza (Fro)

    Fernando Reza (Fro) Boos Giclee Print by Fernando Reza (Fro)

    Boos- Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

    $209.00

  • No Lifeguard On Duty Archival Print by Jessica Hess

    Jessica Hess No Lifeguard On Duty Archival Print by Jessica Hess

    No Lifeguard On Duty Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Jessica Hess Graffiti Street Artist Modern Pop Art. "Friends have been telling me for years that I needed to explore Detroit. I finally had the opportunity to do so last summer (2014). It was an urbex wonderland! I only had two short days to gather photo references of the city for my paintings and was overwhelmed by the volume of material. My paintings seek to capture the wonder and excitement in exploring what was once familiar, now otherworldly, the beauty in decay. My painting " No Lifeguard in Duty" was from the Brewster Wheeler Recreation Center. I am told that it has now been slated for redevelopment. I guess the graffiti party is over. Sadly, the majority of my subjects disappear soon after I paint them. It makes me feel like some kind of Grim Reaper of architecture. But for years now I have had remarkable luck in capturing them before they go." - Jessica Hess

    $364.00

  • UltraS PP Archival Print by David Molesky

    David Molesky UltraS PP Archival Print by David Molesky

    UltraS PP Printer Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kyiv. It's the largest of the eight paintings and the one I spent the most time on. The figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative paintings. For the last decade, I have tried to depict universal time and avoided artificial objects. I've dropped that dogma. I love that the subject is current and contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky. The Convergence of Revolution and Art in David Molesky's "UltraS" David Molesky's "UltraS PP Printer Proof" stands out as a pivotal creation that captures the essence of Street Pop Art and graffiti Artwork while being deeply rooted in the historical context of the revolution in Kyiv. As an archival pigment print on 310gsm fine art paper, this piece holds significant value in its material quality and profound thematic content. The limited edition print, marked and signed by Molesky himself, measures 24x20 inches, providing a substantial canvas for the artist's vision. Molesky's journey through the artistic depiction of universal time and space takes a dramatic turn with "UltraS." The painting eschews his previous avoidance of temporal and artificial elements, plunging instead into the immediacy of current events with a raw and gripping portrayal of the human spirit in times of conflict. The "UltraS" series, specifically this print, departs from Molesky's earlier figurative painting, venturing into a more dynamic and narratively rich territory. The artwork is an amalgamation of past and present, a visual dialogue between the history it draws from and the contemporary medium of its expression. The print itself, a Printer's Proof, bears the unique distinction of being a precursor to the final limited edition run, carrying with it the artist's nuances and direct hand. The markings and the signature on each PP print confirm its authenticity and exclusivity, making it a coveted item for collectors and admirers of modern pop art. In "UltraS," Molesky achieves a striking balance between the static and the kinetic. The image of the solitary figure, poised against a backdrop of fiery chaos, encapsulates a moment of intense action and profound stillness. This figure, adorned in an "old school puffy down jacket," is an anachronistic anchor, throwing the viewer into a liminal space where time converges. The overall coloration of the print, reminiscent of old film tones, further imbues the scene with a sense of history and gravitas. David Molesky's Artistic Evolution Through "UltraS" The "UltraS" piece is not just an artwork but a historical document and a visual commentary, encapsulating the enthusiasm and the ethos of the streets. By adopting elements from graffiti art, Molesky infuses the piece with authenticity and an edge typically reserved for the most impactful street art. The scrawled "UltraS" on the side of the burning vehicle is a nod to the graffiti tradition, a signature that declares both presence and resistance. This Printer's Proof edition of "UltraS" is a testament to Molesky's artistic maturation. It showcases his willingness to engage with the present, to document it, and to reflect on it through his art. The series demonstrates a clear narrative progression in his work, embracing the current moment with all its complexities and contradictions. The impact of "UltraS" lies in its capacity to transcend the temporal boundaries that often define street art. Molesky's print is a snapshot of a single event and a broader exploration of the human condition amidst societal turmoil. It is a piece that resonates with the urgency of now while simultaneously capturing the echoes of the past. For the art world, "UltraS" represents a significant contribution to the discourse of Street Pop Art and graffiti Artwork. It is a work that demands contemplation, speaks to the soul of the viewer, and invites us to ponder the role of art in reflecting and shaping our perception of historical events. David Molesky's "UltraS" is not just a piece to be viewed; it is an experience to be absorbed, a dialogue to be entered, and a reflection of our world.

    $500.00

  • Between Here And There 2 Archival Print by Mimi Yoon

    Mimi Yoon Between Here And There 2 Archival Print by Mimi Yoon

    Between Here And There 2 Limited Edition Archival Pigment Prints on 310gsm Museum Natural White Fine Art Paper by Mimi Yoon Graffiti Street Artist Modern Pop Art. INFO

    $209.00

  • What A Piece Of Junk 36x24 Silkscreen Print by Tim Doyle

    Tim Doyle What A Piece Of Junk 36x24 Silkscreen Print by Tim Doyle

    What A Piece Of Junk- 36x24 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Doyle Famous Pop Art Artist Artwork. 2016 Signed & Numbered Limited Edition of 300 Artwork Size 36x24 Tim Doyle "What a Piece of Junk" 5 color hand-printed silkscreen print signed and numbered by the artist 24" x 36" signed by artist

    $253.00

  • LivEvil Archival Print by Van Saro

    Van Saro LivEvil Archival Print by Van Saro

    LivEvil Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Van Saro & John Park Graffiti Street Artist Modern Pop Art. "This piece was the fourth or fifth collab that we did together. The themes varied but the composition stayed pretty consistent with Van’s beautifully painted figures anchoring my background colors and support characters. The quote provided by Van is from the Buddah. We had been staying pretty consistent with the compositions of our collabs, usually with one of Van’s oil figures left of center anchoring the piece while I handled the background color composition and added support characters. I don’t think we discussed anything before starting." - John Park

    $250.00

  • The Persistence of Memory Archival Print by Adam Lister

    Adam Lister The Persistence of Memory Archival Print by Adam Lister

    The Persistence of Memory Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2016 Signed & Numbered Print Limited Edition of 50 Artwork Size 10x8 Archival Pigment Fine Art Archival Print in Glitch Style The Persistence of Memory Archival Print by Adam Lister is a masterful contribution to the world of modern artwork, particularly in the pop art, street art, and graffiti art genres. This spectacular piece, first unveiled in 2016, showcases Lister's proficiency in blending traditional elements of art with a novel, innovative perspective. What makes this work even more exceptional is its exclusivity – it's a signed and numbered print, part of a limited edition of just 50. Delving into the specifics of the print, it's created on a 300gsm hot press matte fine art paper. This kind of paper is renowned for its capability to absorb color and detail, contributing to the final product's vibrancy and clarity. The archival pigment used in the print furthers its longevity, ensuring the work retains its crispness and vividness over time. It's a reflection of Lister's commitment to quality and his understanding of the importance of materiality in art production. The artwork measures 10x8, a modest size that is deceptive in its capacity to captivate the viewer. What it may lack in physical size, it more than makes up for with its compelling and intricate design. This design is rendered in what has been described as a "glitch" style, a fascinating sub-genre that finds its roots in digital culture and technology. Glitch art often involves visual disruptions, offering a critique of the seemingly perfect, seamless digital world. Here, Lister's deployment of glitch aesthetics provides a fresh and evocative reinterpretation of the classical Persistence of Memory theme. Perhaps the most captivating aspect of this print is its link to pop art, street art, and graffiti art. These genres, characterized by their critique of mass culture and their roots in urban environments, are wonderfully appropriated by Lister in this work. The piece mirrors the energy, vibrancy, and transgressive spirit found in these genres while also maintaining an impressive level of sophistication and artistic depth. This marriage of high and low culture, the gritty and the refined, encapsulates the power of Adam Lister's work. The Persistence of Memory Archival Print by Adam Lister is not just another artwork. It's a testament to the fusion of traditional artistic elements with contemporary ones, an expression of the dynamic and ever-evolving nature of art. It encapsulates an ongoing dialogue within art - a conversation about the relationship between technology, culture, and artistic expression. And as such, it offers a compelling vision of our times, seen through the lens of an artist keenly attuned to the world around him.

    $480.00

  • The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The End Of The End HPM Wood Stencil Print by Denial- Daniel Bombardier

    The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $3,748.00

  • What A Piece Of Junk 36x24 Metallic Silkscreen Print by Tim Doyle

    Tim Doyle What A Piece Of Junk 36x24 Metallic Silkscreen Print by Tim Doyle

    What A Piece Of Junk- 36x24 Metallic Ink Variant 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Time Doyle Rare Street Art Famous Pop Artwork Artist. Tim Doyle "What a Piece of Junk 36x24 Metallic Ink Silver Variant" 5 color hand-printed silkscreen print signed and numbered by the artist 24" x 36" signed as artist

    $406.00

  • Cinderella’s Dress Archival Print by Jeff Gillette

    Jeff Gillette Cinderella’s Dress Archival Print by Jeff Gillette

    Cinderella’s Dress Limited Edition Archival Pigment Fine Art Prints on Hahnemuhle Photo Rag Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2016 Signed Cinderella’s Dress Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 60 Signed and Numbered by the artist 13 x 20” (paper), 11 x 19” (image) 2016

    $438.00

  • A Gentle Breeze Archival Print by Adam Miller

    Adam Miller A Gentle Breeze Archival Print by Adam Miller

    A Gentle Breeze Limited Edition Archival Pigment Prints on 300gsm Museum Natural Fine Art Paper by Adam Miller Graffiti Street Artist Modern Pop Art. "This piece was glazed and developed in the techniques of The Venetian Masters. It is part of the series that I did title Among the Ruins which is about rebirth and regeneration from destruction. I am very inspired by the idea of mythology as the personification of the cycles of nature and the inspiration for most of our art and stories. In this piece the child represents new creative life while the desolate setting reflects the end of the old cycle of life." - Adam Miller

    $250.00

  • Warp Zones! Giclee Print by Fernando Reza (Fro)

    Fernando Reza (Fro) Warp Zones! Giclee Print by Fernando Reza (Fro)

    Warp Zones! Mario Propaganda Artwork Giclee Limited Edition Print on Light Fine Art Paper by Pop Culture Graffiti Artist Fernando Reza (Fro). Super Mario as we all know has been a sensational video-game character in the world. He is well known as the hero jumping character who tries to rescue Princess Peach from the enemy Bowser and his minions. But what if, Mario was the one who causes chaos through the land? Today, we will see a slightly different plot from the usual. Fernando Reza is a Los Angeles-based illustrator who has created Mario WW2 Propaganda. It is a series of World War II inspired poster illustrations that depict a revolution of the Koopa race against “The Red Menace” – Mario

    $209.00

  • What A Piece Of Junk 24x18 Silkscreen Print by Tim Doyle

    Tim Doyle What A Piece Of Junk 24x18 Silkscreen Print by Tim Doyle

    What A Piece Of Junk- 24x18 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Doyle Famous Pop Art Artist Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 Tim Doyle "What a Piece of Junk" 5 color hand-printed silkscreen print signed and numbered by the artist signed by artist

    $331.00

Dystopia & Ruins

Exploring Dystopia and Ruins through Street Pop Art and Graffiti Artwork

Dystopia and ruins have become pervasive themes in street pop art and graffiti artwork, serving as a canvas for artists to explore and critique contemporary societal issues. The stark, often haunting imagery of dystopian landscapes provides a powerful contrast to the vibrant and energetic style typically associated with street pop art, offering a visual dichotomy that compels viewers to reflect on the current state of the world and its direction. These themes are recurrent in urban spaces where the rawness of dilapidated buildings and the remnants of industrial sites offer a tangible link to the concept of decay and the fallibility of human progress. The portrayal of dystopian themes in graffiti art is not just about bleak futures but also serves as a metaphor for resistance and a call to action. Artists use the symbolism of ruins to represent the decay of moral, social, and political structures, challenging the audience to question the sustainability of current systems and practices. Using such imagery in public spaces democratizes the expression of these concerns, taking the discourse out of academic and political arenas and into the everyday world, making it accessible and immediate.

Dystopian Imagery as Commentary in Urban Art

In urban art, the representation of dystopia and ruins often carries an undercurrent of social commentary, indicting environmental degradation, economic disparities, and the loss of community. The visual language of ruins in street pop art and graffiti artwork echoes the post-apocalyptic narratives in literature and film, bridging popular culture and fine art. These depictions serve as cautionary tales, illustrating the potential consequences of humanity's current trajectory and inviting viewers to contemplate alternative futures. Street artists utilize the decaying surfaces of the urban environment as a literal foundation for their work, embedding their art within the fabric of the dystopian landscapes they depict. This integration of art and environment blurs the line between the artwork and the context it critiques, reinforcing the message that the dystopian scenarios portrayed are not far-removed possibilities but present realities that are unfolding in slow motion. Through this integration, street pop art becomes a form of visual activism, harnessing the power of public space to foster dialogue and inspire change. The transient nature of the medium itself amplifies the resonance of dystopian themes in street pop art and graffiti. Graffiti, often subject to erasure and degradation, mirrors the impermanence and fragility of civilization, adding a layer of poignancy to artworks that reflect on societal collapse and the ephemeral nature of human achievements. This impermanence also speaks to the resilience of the human spirit, as artists continually recreate and reimagine their work, just as societies must adapt and evolve to avoid the dystopian outcomes they fear. The exploration of dystopia and ruins in street pop art and graffiti artwork provides a critical lens through which artists and audiences can engage with the complexities of the modern world. By juxtaposing the ruinous landscapes of a potential future with the immediacy of street-level expression, artists challenge passersby to confront uncomfortable truths about the state of society. As a result, these artworks become not just reflections of a possible future but also potent symbols of the power of art to provoke thought and stimulate discourse on the path toward a more hopeful and sustainable world.

© 2024 Sprayed Paint Art Collection,

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