Bigger on the Inside Dr Who Silkscreen Print by Tracie Ching Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 40 Artwork Size 18x24 Silkscreen Print of Doctor Who Tardis Police Box Spaceship. From 50th Anniversary of Doctor Who Show. Bigger on the Inside Doctor Who Silkscreen Print by Tracie Ching The Bigger on the Inside Doctor Who silkscreen print by Tracie Ching is a stunning tribute to the 50th anniversary of one of the most beloved science fiction series of all time. This limited edition hand-pulled screenprint, created in 2013, captures the essence of the Doctor’s iconic time-traveling spaceship, the TARDIS, in a striking, layered composition. Signed and numbered on the back, with only 40 pieces in existence, this artwork blends the aesthetics of street pop art & graffiti artwork with a futuristic, almost hypnotic approach. The silkscreen technique used in its production gives it a rich texture and depth, making it a visually dynamic piece that feels both nostalgic and contemporary. The Visual Concept and Design of the Print Tracie Ching’s interpretation of the TARDIS plays with the idea of movement and time distortion, two core elements of the Doctor Who universe. The print features multiple overlapping images of the blue police box, creating a cascading effect that suggests the ship is phasing between dimensions. The sharp geometric edges and high-contrast lighting add to the sense of kinetic energy, making the artwork feel alive. The deep blue tones, combined with a carefully executed halftone shading technique, give the piece a sense of atmospheric depth that resonates with the mystery and excitement of time travel. Typography plays a significant role in the composition, with the words Doctor Who presented in a clean, futuristic style. The incorporation of the show’s logo and the phrase The Fiftieth Anniversary at the bottom of the print reinforces the celebratory nature of the piece. The minimalistic yet bold approach allows the TARDIS to remain the focal point while still acknowledging the historic milestone of the series. This balance between graphic design and artistic craftsmanship makes the print stand out as both a collectible and a striking work of contemporary street pop art & graffiti artwork. The TARDIS as an Icon in Street Pop Art & Graffiti Artwork The TARDIS has long been a subject of fascination in street pop art & graffiti artwork, representing adventure, escape, and the limitless possibilities of time and space. Street artists have often depicted it in murals, stencils, and wheatpaste posters, placing it in unexpected urban settings to create the illusion of it materializing in the real world. The police box design itself is an iconic image, instantly recognizable even to those unfamiliar with Doctor Who, making it a powerful visual symbol in public art. Ching’s rendition of the TARDIS takes this concept further by exploring its metaphysical properties. By illustrating the police box as if it is shifting between different moments in time, the print mirrors the way graffiti and street art function—temporary, ever-changing, and existing in multiple states of being. The overlapping layers of the TARDIS in the print reflect the way street art often builds upon itself, with artists adding new tags, designs, and textures to existing works, creating an evolving canvas of visual storytelling. This parallel between time travel and the fluid nature of street pop art & graffiti artwork reinforces the TARDIS as more than just a sci-fi artifact but as a symbol of artistic reinvention. The Significance of the Limited Edition Screenprint As part of a hand-pulled silkscreen print edition, Bigger on the Inside carries a unique craftsmanship that digital reproductions cannot replicate. The layering of ink, the texture of fine art paper, and the precision of the printing process all contribute to its distinctiveness. With only 40 pieces available, the artwork is an exclusive collector’s item that merges the fandom of Doctor Who with the aesthetics of street pop art & graffiti artwork. The limited edition nature of the print increases its desirability, ensuring that each piece holds value both as a cultural artifact and as a work of fine art. Tracie Ching’s ability to merge pop culture with intricate, modern design techniques makes this silkscreen print a standout piece in the world of contemporary urban art. Her vision of the TARDIS encapsulates the excitement and wonder of Doctor Who while pushing the boundaries of visual storytelling. Through its dynamic composition, rich textures, and conceptual depth, this artwork serves as a testament to the power of combining science fiction mythology with the expressive, ever-evolving world of street pop art & graffiti artwork.

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Chicano Power- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2017 Signed & Marked Limited Edition Artwork Size 18x24 In the realm of contemporary art, particularly within the genres of pop art, street art, and graffiti, there emerges a vibrant tapestry of voices and visions that challenge the status quo. Among these, Ernesto Yerena Montejano, a gifted Latino artist, has notably solidified his position. His piece, "Chicano Power," is not merely an artwork, but a powerful commentary and testament to the spirit and resilience of the Chicano community. Crafted as a hand-pulled silkscreen print on fine art paper, it is emblematic of the meticulous craftsmanship that distinguishes Montejano’s oeuvre. "Chicano Power" is an AP (Artist Proof) artwork dated 2017, with a unique touch that underlines its exclusivity. Artist Proofs have always held a special place in the world of art collecting. They represent an artist's personal hand and are typically kept for their own collection or given away to friends and family. In Montejano's case, this artwork showcases his distinctive flair for blending the techniques and aesthetics of street art with the deeper narratives of the Chicano movement. Measuring at a size of 18x24, the artwork's dimensions perfectly complement its dynamic and compelling visual narrative. The "Hecho Con Ganas" imprint on the artwork further underscores Montejano's dedication and commitment – a phrase that translates to "Made With Effort" or "Made With Desire." Indeed, this Limited Edition Artwork is a culmination of Montejano’s fervor and passion, further authenticated by his signature and the marking that denotes its limited-edition status. Engaging with Montejano’s "Chicano Power" offers a deep dive into the soul of the Chicano movement. Its intricate layers and vivid imagery beckon viewers to partake in a historical and cultural journey, one that celebrates identity, resilience, and the power of artistic expression.

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David with Machine Gun AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat David with Machine Gun AP Silkscreen Print 2008 The David with Machine Gun AP Artist Proof silkscreen print from 2008 is a rare collaborative work created by Shepard Fairey, widely known as OBEY, and stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this Artist Proof edition is signed by both artists and marked “AP,” distinguishing it from the standard numbered release of 100. Artist Proofs carry additional significance within the art world due to their limited availability and direct association with the artists’ approval process, making this piece especially sought after by collectors of Street Pop Art & Graffiti Artwork. Imagery and Symbolic Tension This print features Michelangelo’s classical David, a symbol of Renaissance ideals of beauty, youth, and heroism, reimagined with a modern twist: he holds a machine gun. The stark juxtaposition between timeless humanist ideals and contemporary instruments of war creates a powerful critique of violence and the ways cultural icons are repurposed to reflect current anxieties. Set against a graffiti-covered urban backdrop, the figure embodies the collision between high art traditions and street-level social commentary. The work challenges viewers to consider how ideals of strength and beauty are corrupted when reframed within the context of militarization. Collaboration Across Generations Blek le Rat, born Xavier Prou in France in 1951, is often credited as the father of stencil graffiti, influencing countless artists with his Paris-based interventions since the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and politically resonant prints, later achieving international acclaim with his Hope poster of Barack Obama. Their joint creation of David with Machine Gun demonstrates how two generations of artists from different cultural backgrounds can merge their practices to create a unified message. It serves as both homage to classical art and a critique of the modern world. Rarity and Collectible Importance Artist Proof editions such as this one are rarer than the main run, typically reserved for the artists themselves or for key collaborators. Marked “AP” and carrying the signatures of both Fairey and Blek le Rat, this print embodies both historical and artistic value. Beyond its scarcity, the work is a striking representation of how street artists reinterpret cultural symbols to confront pressing issues like war and societal decay. The David with Machine Gun AP silkscreen stands as a prime example of the fusion of fine art history and modern protest through the visual language of Street Pop Art & Graffiti Artwork.

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The Re-Animator- Dynamite #4 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Francesco Francavilla Graffiti Street Artist Modern Pop Art.

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Not A Gun Limited Edition 2-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT AP Artist Proof. Leci N' est Pas Un Pistalet

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Baby Face Limited Edition 6-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Shark Bite- Rook Brand Limited Edition 4-Color Hand-Pulled Metallic Ink Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Assassination Silver Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Dave Kinsey is a contemporary artist known for his mixed media work that often blends urban street art influences with fine art practices. His work often explores themes of the human condition, society, and the environment. Kinsey often utilizes silkscreen printing in his work, which is a process that involves pushing ink through a mesh screen to create an image. This technique allows for the production of multiple copies of a design, with each print being an original piece of art. Kinsey's artwork varies in subject matter, and he has created a wide array of prints, paintings, and installations. The Thinker is a bronze sculpture by the French artist Auguste Rodin, which was first cast in 1902. The sculpture depicts a nude male figure, hunched over with his chin resting on one hand and his other hand resting on his knee, deep in thought. Dave Kinseys version, The Thinker has a bullet hole in his head. The pose of the figure is meant to evoke the idea of a man contemplating the meaning of life, and it has become an iconic symbol of philosophy and intellectualism. Rodin originally created The Thinker as part of a larger commission for a set of bronze doors for a museum in Paris. The doors were to depict scenes from Dante's Divine Comedy, and The Thinker was originally conceived as a representation of Dante himself, contemplating the depths of hell. However, the sculpture became so popular that Rodin eventually decided to make it a standalone piece, and he created multiple versions of The Thinker in various sizes and materials. Today, The Thinker is one of the most recognizable sculptures in the world, and it has been widely reproduced and referenced in popular culture. It is also considered a masterpiece of the modern era, and it continues to inspire artists and thinkers around the world.

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Florence Aubenas AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas AP Silkscreen Print 2008 The Florence Aubenas AP Artist Proof silkscreen print from 2008 is a powerful collaborative work by Shepard Fairey, known globally as OBEY, and French stencil art pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen on fine art paper exists in an extremely rare Artist Proof edition, each marked “AP” and signed by both artists. Beyond its rarity, the subject matter and dual authorship make it one of the most politically and historically significant works within Street Pop Art & Graffiti Artwork. Subject and Symbolism The work features a portrait of Florence Aubenas, the French journalist abducted in Iraq in 2005 and later released after months in captivity. She is depicted standing calmly against the wall of Place Saint-Michel in Paris, her figure stenciled in stark black and white, contrasting with the detailed urban setting. This juxtaposition symbolizes both her resilience and the precarious realities faced by journalists in war zones. By situating her image in a familiar Parisian context, the print speaks to both the local and international dimensions of her story, grounding a global political issue in a recognizable urban landscape. Collaboration Between Generations Blek le Rat, born Xavier Prou in France in 1951, is widely acknowledged as one of the founders of stencil graffiti, with a career that began in the streets of Paris in the early 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, rose to prominence through his OBEY campaign and later works addressing political and social justice issues. Their joint creation of Florence Aubenas bridges the gap between the origins of stencil graffiti in Europe and the evolution of politically driven street art in the United States. The collaboration highlights a shared commitment to using art as a form of activism and public awareness. Artist Proof Rarity and Legacy Artist Proofs, typically reserved for artists and collaborators outside of the standard numbered edition, carry heightened value due to their scarcity and direct connection to the creators. With dual signatures and the AP designation, this edition of Florence Aubenas stands apart as a rare collector’s item. More than a collectible, however, the print underscores how street art can amplify pressing social issues, using public imagery and fine art techniques to spark dialogue. The Florence Aubenas AP silkscreen remains a landmark example of Street Pop Art & Graffiti Artwork where artistic expression, political urgency, and historical moment converge.

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Vogue- Black Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Stinkfish Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Vogue by Stinkfish Screen Print Edition of 60 | Signed by the Artist Size: 18" x 24" City: Bogata, Colombia. The first release was based on a Spanish language magazine Stinkfish had found - the second is based on an English language magazine they had found for him. His lively detailing abstract redefines the glamor and beauty of Kate Moss. Stinkfish and the Evolution of Street Pop Art The Colombian street artist, Stinkfish has carved a unique space for himself in contemporary art. His works, often characterized by vibrant colors and intricate stencils, reflect the dynamic energy of street culture. One of his notable contributions to the art world is a limited edition silkscreen print on fine art paper titled "Vogue," a work that seamlessly blends street art's rawness with pop culture's polished aesthetics. This particular piece from Stinkfish pays homage to the iconography of fashion magazines, explicitly drawing inspiration from a Vogue cover. It's a rare street art piece that elevates the familiar image of a fashion model to a work of famous pop artwork. Created in 2015, this signed and numbered screen print is part of an exclusive series, with only 60 editions made available, each measuring 18" x 24". The art was conceptualized in Bogota, Colombia, and it represents a significant departure from Stinkfish's often more spontaneously created public murals. The Artistic Process Behind Stinkfish's "Vogue" The "Vogue" silkscreen print by Stinkfish is particularly notable for its process and backstory. The inception of the artwork is rooted in the discovery of a Spanish-language magazine that caught the artist's eye. Later, a second iteration was based on an English language magazine provided for him, suggesting a narrative that spans cultures and languages. This cross-cultural journey is central to understanding the piece, reflecting the globalized nature of both street art and fashion. The artwork showcases Stinkfish's signature style, with intricate black patterns overlaying the photograph, transforming the image into something more abstract and lively. The patterns vibrate with life, giving the piece a kinetic energy that redefines the glamour and beauty associated with the fashion model, reportedly Kate Moss. Stinkfish's work disrupts the conventional portrayal of fashion figures, infusing them with a rebellious and celebratory spirit. Impact and Significance of "Vogue" in Street Pop Art "Vogue" is a testament to street pop art's transformative power. Stinkfish's approach to the piece—taking a symbol of high culture and reinterpreting it through the lens of street art—challenges perceptions of value and beauty in the art world. By incorporating elements of graffiti artwork, the print becomes a commentary on the permeable boundaries between high and low culture, between the exclusive elite of fashion and the inclusive, democratic nature of street art. The limited edition nature of "Vogue" also speaks to the changing landscape of art collection. Traditionally, street art is ephemeral, often illegal, and created in the public eye. By transferring his work onto fine art paper and limiting its production, Stinkfish bridges the gap between the fleeting nature of street art and the permanence sought by collectors. This rare edition allows for broader access to his work and elevates the status of street art within the fine art market. Stinkfish's "Vogue": A Cultural Intersection Stinkfish's "Vogue" silkscreen print is much more than a collectible piece of art; it is a cultural artifact that embodies the intersection of diverse artistic worlds. It encapsulates the essence of street pop art and graffiti artwork while respecting the polished world of fashion. This print is not merely a representation of a fashion icon but a redefined image that challenges the viewer to see beyond the surface and appreciate street art's underlying vibrancy and complexity. As such, "Vogue" by Stinkfish is a significant contribution to the discourse on the value and place of street art in contemporary culture.

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Lonely Bull Giclee Print by Brian M Viveros Pop Street Artwork Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper Pop Street Artist. 2022 Signed & Numbered Limited Edition of 66 Artwork Size 18x27 Printed by Static Medium Lonely Bull by Brian M. Viveros: A Bold Statement in Street Pop Art The Lonely Bull giclee print by Brian M. Viveros represents a striking intersection of strength, femininity, and symbolic power within the genre of Street Pop Art and Graffiti Artwork. Created in 2022, this limited-edition print is produced on hand-deckled 290gsm Moab Entrada paper, showcasing the artist’s commitment to craftsmanship and quality. With only 66 signed and numbered pieces in existence, the artwork offers an exclusive opportunity for collectors to own a piece of Viveros’s evocative and highly detailed creations. Printed by Static Medium, the piece measures 18 by 27 inches and stands out as a captivating example of contemporary art. In Lonely Bull, Viveros presents a striking figure adorned in an ornate matador jacket, embellished with intricate gold embroidery. The character’s defiant pose and the bullhorned helmet fuse themes of resilience and vulnerability. The backdrop of soft, blooming roses juxtaposes the character’s armor-like attire, creating a contrast between beauty and strength. Viveros’s attention to detail is evident in every element, from the texture of the fabric to the gleaming surface of the helmet, making this print an exquisite tribute to his distinctive style. Symbolism and Strength in Street Pop Art Brian M. Viveros is renowned for his bold depictions of empowered female figures, often incorporating themes of battle, resilience, and allure. The Lonely Bull giclee print exemplifies this ethos, using a combination of hyper-realistic techniques and symbolic elements. The bullhorned helmet represents defiance and power, evoking the fierce energy of a matador. By pairing this imagery with the delicate roses in the background, Viveros emphasizes the duality of strength and beauty, a recurring motif in his work. This piece reflects the influence of Street Pop Art by merging bold visual storytelling with the gritty, unapologetic energy found in urban art. The striking contrast between the soft floral elements and the imposing armor creates a narrative that resonates with themes of personal battles and triumphs. The figure’s expression and posture convey confidence and determination, inviting viewers to interpret the story behind the Lonely Bull. The Art of Giclee Printing and Hand-Deckled Presentation The giclee printing process used for Lonely Bull ensures exceptional quality and durability, preserving the rich tones and fine details characteristic of Brian M. Viveros’s work. Printed on 290gsm Moab Entrada paper, the artwork achieves a museum-quality finish with a luxurious texture. The hand-deckled edges add an artisanal touch, elevating the presentation and making each print a unique collector’s item. This meticulous attention to detail reflects the artist’s dedication to his craft and his collaboration with Static Medium, a studio known for its excellence in fine art printing. Each print in the limited edition of 66 is signed and numbered by Viveros, ensuring authenticity and exclusivity. This combination of technical mastery and artistic intent positions Lonely Bull as a standout piece in contemporary Street Pop Art and Graffiti Artwork. Brian M. Viveros and the Evolution of Pop Street Art Brian M. Viveros has established himself as a significant figure in Street Pop Art and Graffiti Artwork, known for his striking portrayals of powerful, battle-worn women. His work often draws inspiration from cinematic and cultural icons, blending realism with surrealism to create images that are both provocative and empowering. Lonely Bull exemplifies his unique ability to tell compelling visual stories that resonate with a wide audience. Through his art, Viveros challenges traditional notions of femininity and strength, presenting his characters as resilient and unapologetic. The Lonely Bull giclee print serves as a testament to his ability to blend intricate detail with bold symbolism, creating works that captivate and inspire.

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Queen- Blue Original One of a Kind Mixed-Media, Acrylic, Spray Paint Painting on Cradled Wood Panel with Custom Tabletop Frame by Popular Street Art Graffiti Artist Greg Gossel. 2017 Signed Original Framed Painting Artwork Size 18x24 Greg Gossel Queen (Blue), 2017 Mixed-media on cradled wood panel with custom tabletop frame 18 x 24 in., 45.7 x 61 cm

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New Breed Chief- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 75 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print London Elizabeth Tower aka Big Ben From Movie Harry Potter Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen Harry Potter London Elizabeth Tower Big Ben Silkscreen Print by Justin Van Genderen is a 2013 hand-pulled screenprint that merges the iconic architecture of London with the cinematic magic of the Harry Potter universe. This 18x24-inch artwork, produced as a signed and numbered limited edition of 75, transforms one of the most recognized landmarks in the world into a mysterious, almost supernatural vision. The print’s deep, ethereal color palette and minimalist design capture the gothic mystique that London embodies in both real life and in the world of wizardry. Surreal Composition and Magical Atmosphere The silkscreen print presents the silhouette of the Elizabeth Tower, also known as Big Ben, against a vast, celestial-toned sky. The darkened structure looms with an ominous presence, its clock faces glowing in stark contrast, creating a sense of mystery and intrigue. The clever placement of curved, crescent-shaped elements surrounding the tower alludes to magical forces at work, almost as if the structure itself exists between dimensions. The presence of a single flying figure in the distance subtly nods to the fantastical world of Harry Potter, evoking imagery of enchanted journeys across London’s skyline. The use of negative space enhances the illusion that the tower is suspended in time, standing against an endless void. The dramatic lighting and textural layering add depth, making the piece feel almost cinematic. The careful balance of shadow and light transforms the familiar landmark into something out of a dream, a perfect representation of London’s dual identity—both grounded in history and teeming with untold stories. Street Pop Art & Graffiti Artwork Influence Justin Van Genderen’s work aligns with the visual aesthetics of Street Pop Art & Graffiti Artwork, employing high-contrast elements, minimalist abstraction, and a bold graphic approach. The monochromatic treatment of the tower, juxtaposed with the deep, midnight-blue background, reflects the stencil-like precision found in street murals and wheatpaste posters. The textured gradients within the sky mimic the layered, distressed quality of urban art, reinforcing the idea that even the most historic landmarks can be reinterpreted through a contemporary lens. The floating crescent forms that encircle the structure add a modern twist to the gothic-inspired aesthetic, blending surrealism with an urban art sensibility. The intentional use of muted highlights and atmospheric depth gives the piece a spectral quality, as if the tower itself exists between different realities. These stylistic choices echo the way street artists manipulate architectural symbols to create new narratives, turning familiar imagery into something unexpected and thought-provoking. London, Fantasy, and the Iconography of Big Ben London has long been a source of inspiration for artists, storytellers, and filmmakers, and this print encapsulates the city's enigmatic charm. The Elizabeth Tower, with its towering gothic spires and timeless clock face, serves as a visual anchor in both real and fictional landscapes. In the Harry Potter series, London plays a crucial role as the gateway between the mundane and the magical, with landmarks like Big Ben existing as silent witnesses to extraordinary events. This screenprint captures that duality by stripping the landmark down to its essential form while enhancing its mystique. The piece does not rely on direct references but instead creates an atmosphere that transports viewers into a space where fantasy and reality blur together. For fans of Street Pop Art & Graffiti Artwork, this print serves as a masterful example of how urban symbols can be transformed into artistic storytelling, making even the most recognizable structures feel fresh and otherworldly. As a hand-pulled, limited-edition silkscreen print, this artwork holds value not just for collectors of contemporary urban art but also for those who appreciate the way art can reinterpret and elevate cultural landmarks. The fusion of historical architecture, cinematic magic, and modern design makes this piece a powerful statement about how art continues to shape and redefine the way people see the world around them.

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Escape Door #9 Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by OakOak Graffiti Street Artist Modern Pop Art. Custom Framed Ornate Frame. Born in the city of Saint-Etienne, France, he pastes his drawings everywhere he goes so as to bring smiles to passers-by where they least expect it. His approach consists of diverting urban elements, playing with mundane flaws, like a crack on a wall. He adds his own vision, his own references that often stem from the geek culture. His art is a means to poeticize the urban environment.

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Charlotte PP Printers Proof Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. PP Printer Proof 2019 Signed & Marked PP Limited Edition Artwork Size 18x18 Archival Pigment Print Artwork. Exploring 'Charlotte' by Tavar Zawacki-ABOVE: A PP Printers Proof Limited Edition Tavar Zawacki, under the moniker ABOVE, has significantly impacted the street pop art and graffiti art scene with his distinctive, geometrically charged artworks. The 'Charlotte PP Printer's Proof Limited Edition Archival Pigment Print' is a prime example of his work, marrying the spontaneity of street art with the precision of fine art printmaking. Produced in 2019, this artwork celebrates ABOVE's visual language, executed on 290gsm Moab Rag Fine Art Paper, renowned for its durability and exceptional color fidelity. The term 'PP,' or Printer's Proof, denotes a particular subset within a print edition, traditionally kept by the printers as a benchmark of the print run's quality. However, in modern practice, these proofs often become coveted collectibles due to their rarity and the insight they provide into the printmaking process. ABOVE's decision to create a Printer's Proof edition underscores his meticulous attention to detail and reverence for printmaking. ABOVE's Artistic Vision and Technique in 'Charlotte' The 'Charlotte' print reveals ABOVE's ability to create depth and optical illusions on a flat surface, encouraging viewers to engage with the piece actively. The 18x18-inch artwork features a mesmerizing spiral that pulls the eye inward, surrounded by angular shapes and bold colors that create a sense of movement and vitality. This print showcases ABOVE's signature style and represents his ongoing exploration of the possibilities within street pop art and graffiti artwork. Each signed and marked PP print signifies ABOVE's direct involvement and approval of the piece, offering collectors a personal connection to the artist's creative process. ABOVE has always been fascinated by the interaction between art and its audience, and 'Charlotte' manifests this interest. The artwork demands attention and contemplation, posing an implicit invitation to the viewer to decode its layers and the potential symbolism within its vibrant vortex. This level of engagement elevates ABOVE's work from mere wall decoration to a dynamic participant in the space it occupies. Cultural Resonance of ABOVE's PP Archival Pigment Prints ABOVE's foray into archival pigment prints with 'Charlotte' reflects the evolving landscape of street art. The permanence afforded by the high-quality archival paper and pigment inks ensures that the vibrancy and precision of the original artwork are preserved over time, much like the lasting impact street art aims to have on its urban canvases. This transition from ephemeral street art to enduring fine art print enables the dialogue started by the original piece to continue and expand within the collector's space. Moreover, the limited edition nature of 'Charlotte' amplifies its value within the art community, positioning it as a significant piece within ABOVE's oeuvre. Collectors and admirers of street pop art and graffiti artwork often seek out limited editions like this for their exclusivity and their inherent statement about preserving and celebrating street art. In essence, 'Charlotte' by Tavar Zawacki-ABOVE is a confluence of artistic innovation, technical skill, and cultural conversation. The PP Printer's Proof is a testament to the artist's dedication to his craft and his understanding of the collector's desire for intimacy with the art they choose to bring into their lives. It is a vibrant homage to the spirit of street art, encapsulating the energy of the streets while securing its place in the annals of modern pop art.

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Mayra Skull- Rook Brand Limited Edition 4-Color Hand-Pulled Metallic Ink Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Resist Colonialism 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 100 Size 18x24 "Resist Colonialism" is a commanding visual statement by Ernesto Yerena Montejano, a name synonymous with vibrant expressions of cultural identity and political activism within the contemporary art scene. This 2-color hand-pulled limited edition silkscreen print, produced under his studio label Hecho Con Ganas, captures the essence of resistance against colonial powers and their historical narratives. Created in 2019, it is a testament to Yerena Montejano's dedication to fusing art with social commentary. The artwork, sized at 18x24 inches, is a limited edition with only 100 signed and numbered pieces, adding an exclusive aspect to its acquisition. The artist's Mexican-American heritage profoundly influences the imagery and themes present in his works, and "Resist Colonialism" is no exception. The stark contrast of the red and black ink, a hallmark of silkscreen printing, resonates with the simplicity yet power of revolutionary posters, echoing the visual language of protest and propaganda throughout history. Yerena Montejano's choice of symbols, juxtaposing a pirate ship bearing both the emblems of hazardous material and the iconic skull and crossbones, underscores the danger and death associated with colonial conquests. The backdrop, an unyielding red circle, could be interpreted as a reference to the rising sun, symbolizing a new dawn of awareness and opposition to colonialism. The inclusion of the raised fist, a universal sign of solidarity and resistance, further amplifies the print’s message, urging onlookers to acknowledge past transgressions and take a stand against the lingering effects of colonialism. This piece of art resonates within the pop art, street art, and graffiti art movements due to its accessible yet poignant visual language. It uses the aesthetics everyday in these art forms to engage the public discourse on decolonization and indigenous rights. As with many of his works, Yerena Montejano's "Resist Colonialism" print is not just a piece of art to be admired for its aesthetic merits but also serves as a mobilizing agent that encourages viewers to reflect on complex socio-political issues. His ability to distill fervent political messaging into compelling graphic art has cemented his status as a crucial voice in the conversation about identity, culture, and activism within the art world.

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Archie- Baltimore Comic-Con Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Francesco Francavilla Graffiti Street Artist Modern Pop Art.

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Dirty French 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by 123Klan Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Numbered Limited Edition of 100 Artwork Size 18x24 4 color screenprint on 100 lb, acid free paper Signed and numbered limited edition of 100 Printed by Ben LaFond

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Mutant Vinyl Hardcore 7-Color Hand-Pulled Limited Edition Silkscreen Print on Cream-Colored French Paper by Scarecrowoven Macabre Art Pop Artwork Artist. Printed on cold-press watercolor paper signed and numbered edition of 50. 18x24

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Florence Aubenas Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat Florence Aubenas Silkscreen Print 2008 The 2008 Florence Aubenas silkscreen print represents a rare collaboration between American street artist Shepard Fairey, known as OBEY, and French stencil pioneer Blek le Rat. Measuring 18 x 24 inches, this hand-pulled silkscreen was produced in a signed and numbered limited edition of only 100. Each print bears the signatures of both artists, cementing its importance as a cross-generational dialogue within Street Pop Art & Graffiti Artwork. The subject, French journalist Florence Aubenas, was abducted and held hostage in Iraq in 2005, making the work a powerful symbol of resilience and the role of art in amplifying human rights issues. Imagery and Symbolism The print merges Shepard Fairey’s graphic, politically charged style with Blek le Rat’s classic stencil approach. Set against the backdrop of Place Saint-Michel in Paris, the work integrates photography and stencil to create a layered street-inspired composition. Aubenas is portrayed standing calmly, her figure rendered in stark black stencil against the stone wall, evoking Blek le Rat’s street interventions. This contrasts with the detailed urban surroundings captured in Fairey’s silkscreen process, creating a tension between the permanence of historical architecture and the urgency of contemporary political struggle. The placement of the figure beneath the street sign grounds the work firmly in Paris, while also symbolizing the global reach of her story. Collaboration Between Icons Blek le Rat, born Xavier Prou in France in 1951, is regarded as one of the founders of stencil graffiti, influencing generations of street artists worldwide, including Banksy. Shepard Fairey, born in Charleston, South Carolina in 1970, rose to prominence through his OBEY campaign and politically charged works such as the Hope poster of Barack Obama. Their collaboration on Florence Aubenas brought together two distinct but complementary approaches: Blek’s commitment to the power of direct stencil imagery in public space and Fairey’s graphic design-driven activism. The result is a work that resonates both as a political statement and as a landmark in the history of street art. Political Resonance and Artistic Legacy This silkscreen print underscores how art can become a tool of awareness and advocacy. By immortalizing Florence Aubenas in their visual language, Fairey and Blek le Rat highlight the risks faced by journalists working in conflict zones and the importance of freedom of expression. With its limited edition size, dual signatures, and thematic depth, the Florence Aubenas print is considered a significant collector’s piece, not only for fans of Shepard Fairey and Blek le Rat but also for those who recognize the importance of socially engaged art. It remains a striking example of how Street Pop Art & Graffiti Artwork can transcend aesthetics to confront urgent political realities.

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY Modular by Add Fuel x Shepard Fairey – Obey Collaborative Silkscreen in Street Pop Art & Graffiti Artwork Modular is a 2022 collaborative silkscreen print created by Portuguese artist Diogo Machado, known as Add Fuel, and American artist Shepard Fairey, the founder of OBEY. Hand-pulled on cream Speckletone fine art paper and released in a signed and numbered limited edition of 500, this 18 x 24 inch artwork exemplifies the synergy between ornamental heritage and contemporary visual resistance. The print layers traditional azulejo tile motifs, signature to Add Fuel’s practice, with Fairey’s distinct iconography and compositional balance. Faux paper rips tear through the layers, revealing dynamic juxtapositions of classic pattern, modern pop abstraction, and a central floral mandala infused with Fairey’s visual politics. The piece vibrates with blue, red, and white tonalities, echoing the dual themes of beauty and disruption at the core of their shared visual vocabulary. Tile Motifs, Illusion, and Layered History Add Fuel’s approach to traditional Portuguese tile work is at once reverent and subversive. By reinterpreting the symmetrical elegance of ceramic motifs with unexpected figures and graphic elements, he modernizes a centuries-old medium while injecting it with conceptual humor and narrative depth. In Modular, the faux rips slice through the precision of the tiles to expose underlying designs, mimicking the distressed layering often found in urban environments. These rips are visual contradictions—tiles do not tear—yet they ground the piece in the material reality of street posters, wheatpastes, and handbills. The effect suggests a story unfolding across time, where aesthetics are built upon each other, scraped away, and reassembled to create a living history. This illusion invites the viewer to peel back their own assumptions about permanence, tradition, and identity. Shepard Fairey’s Integration and Urban Influence Shepard Fairey’s signature influence is woven into the modular structure of the work through the inclusion of bold geometric symbology and red-toned central focal points. Known for his OBEY Giant campaign and the Hope poster for Barack Obama, Fairey brings a sharply honed graphic instinct to this collaboration. His presence in Modular is not dominant but seamlessly integrated, allowing the dialogue between his political design language and Add Fuel’s ornamental fluency to unfold in harmony. The composition carries Fairey’s commitment to layering, repetition, and symbolic forms of power, contributing to the conceptual weight of the piece without overpowering the decorative base. It is a rare fusion of design-minded street art and historic pattern making, emblematic of Fairey’s mission to preserve message within form. Craftsmanship and Concept in Street Pop Art & Graffiti Artwork This silkscreen print was meticulously crafted using multiple layers of ink on Speckletone paper, a choice that echoes the street origins of both artists’ practices while elevating the final result to gallery standards. Modular’s formal tension between classic ornament and pop symbolism makes it a quintessential example of contemporary Street Pop Art & Graffiti Artwork. It reflects an evolving aesthetic where collaboration expands meaning, and where cultural pasts are not preserved in silence but animated through visual intervention. For collectors and viewers, Modular offers a tactile and symbolic experience—a print that holds the precision of tradition and the urgency of the present in perfect contradiction. It stands as a testament to the transformative power of surface, story, and subversion.

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The Man Who Walks Through Walls AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2008 Signed by Shepard Fairey & Blek le Rat & Marked AP, Limited Edition Artwork Size 18x24 Silkscreen Print. Shepard Fairey x Blek le Rat The Man Who Walks Through Walls AP Silkscreen Print 2008 The 2008 The Man Who Walks Through Walls AP Artist Proof silkscreen print is a rare collaboration between Shepard Fairey, internationally recognized as OBEY, and stencil pioneer Blek le Rat. Hand-pulled on fine art paper and measuring 18 x 24 inches, this limited edition Artist Proof was signed by both artists and marked “AP,” distinguishing it from the standard numbered edition of 100. As an Artist Proof, it holds particular value among collectors of Street Pop Art & Graffiti Artwork, symbolizing both artistic experimentation and the direct approval of the creators. Imagery and Urban Context The composition combines stark stencil work with a heavily graffitied wall, embedding the artwork within the raw energy of urban life. At the center, a suited man carries bags labeled with text, positioned alongside a goat, while a police officer passes in the foreground. To the right, a telephone booth punctuates the scene, grounding the work in the everyday architecture of the city. The layering of graffiti tags, political scrawls, and the surreal juxtaposition of figures evoke themes of consumerism, authority, and rebellion. The suited figure in particular hints at urban alienation, while the presence of the goat and booth adds absurdity, making the composition at once humorous and sharply critical. Collaboration Between Shepard Fairey and Blek le Rat Blek le Rat, born Xavier Prou in 1951 in France, is widely credited as the father of stencil graffiti, bringing social commentary directly into the streets of Paris beginning in the 1980s. Shepard Fairey, born in 1970 in Charleston, South Carolina, built his reputation through his OBEY sticker campaign and politically engaged prints, including the Hope poster of Barack Obama. Their collaborative works, such as The Man Who Walks Through Walls, highlight a shared belief in the role of public art as a platform for protest and dialogue. The merging of Fairey’s graphic sensibilities with Blek’s direct stencil approach emphasizes the continuity between two generations of politically minded street artists. Rarity and Significance of the Artist Proof The Artist Proof edition carries special weight within the print world, typically produced in very small quantities and often retained by the artists. Signed by both Shepard Fairey and Blek le Rat and marked AP, this print holds heightened collectible value and authenticity. Beyond rarity, its imagery and collaborative nature underscore the strength of street art as a vehicle for political and cultural critique. The Man Who Walks Through Walls AP silkscreen print is not just a fine art object but also a vivid statement on urban culture, consumerism, and resistance, making it a defining example within the history of Street Pop Art & Graffiti Artwork.

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LIE Birger Isacsson Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited edition of 25 Artwork Size 18x18 Archival Pigment Print Artwork. Tavar Zawacki's 'Charlotte': A Contemporary Fusion in Street Pop Art Tavar Zawacki, also known as ABOVE, is a renowned figure in street pop art and graffiti artwork, celebrated for his dynamic use of color and form. The 'Charlotte Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper' is a testament to his ability to transcend the traditional boundaries of street art. Released in 2019, this limited edition of 25 signed and numbered prints demonstrates ABOVE's commitment to precision and his embrace of modern techniques to elevate graffiti art to new levels of sophistication. With its vibrant color palette and hypnotic patterns, this artwork reflects the pulsating energy of the urban environments that street art often comments on. The use of archival pigment on fine art paper ensures that the intensity of the colors and the sharpness of the lines are preserved, capturing the immediacy of graffiti art while providing durability. With each piece 18x18 inches, 'Charlotte' presents a perfect square of intricate design that draws the viewer into a visual exploration of depth and movement. ABOVE's Exploration of Identity Through Prints ABOVE has been a prominent artist on the international street art scene since the late 1990s, known for his distinctive arrow motif and large-scale, multi-layered works. In 'Charlotte,' he moves away from the urban canvas and into fine art prints, bringing the same boldness and dynamism that characterizes his murals. This piece is a part of his artistic evolution, showcasing his exploration of identity through prints. By signing and numbering each print, ABOVE confirms its authenticity and personalizes each work, connecting with collectors on a more intimate level. The title 'Charlotte' may invoke a sense of personification, implying a narrative or identity behind the patterns dominating the visual field. This form of street pop art encourages viewers to ponder the stories and messages that may lie beneath the surface of the engaging aesthetic. It is a hallmark of ABOVE's work to engage the audience in a dialogue, prompting reflection on the urban experience, the layers of communication in public spaces, and the interplay between anonymity and fame within the graffiti art world. The Cultural Significance of Limited Edition Graffiti Artwork The release of limited edition prints like 'Charlotte' within the street pop art and graffiti art genres signifies a cultural shift towards a more enduring form of what is often considered an impermanent art practice. These prints enable the diffusion of graffiti's visual language from the streets to private spaces, allowing a broader audience to engage with and appreciate the art form's unique aesthetic and cultural messages. ABOVE's decision to use archival pigment prints on fine art paper also indicates a movement within street art toward creating works that stand the test of time, both physically and culturally. By employing high-quality materials and printing methods, the artist ensures that the vibrancy and detail of the original work are maintained, providing an artifact that can be preserved and valued for generations. 'Charlotte' by Tavar Zawacki-ABOVE encapsulates the essence of street pop art and graffiti artwork in a form that is both accessible and exclusive. The limited edition print represents a cross-section of ABOVE's artistic journey, embodying street art's energy and spirit while also embodying fine art's precision and permanence. It is a vibrant example of how modern graffiti artists navigate the intersection of street culture and the fine art world, bringing the raw essence of the streets into the curated spaces of art collectors and enthusiasts.

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The Fiend Demon Fantasy 7-Color Silver Metallic Hand-Pulled Limited Edition Silkscreen Print on Cream-Colored French Paper by Scarecrowoven Macabre Art Pop Artwork Artist. Printed on cold-press watercolor paper signed and numbered edition of 50. 18x24

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LAndmarked Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Krush Graffiti Street Artist Modern Pop Art. "L Andmarked" was produced in collaboration with Krush and The Seventh Letter, a three-color screenprint on Speckleton paper. This book is a print released at the time of the "LA marked" art show. It's a classic print of Los Angeles' dreamy, hot, dreamy environment with 20th-century advertising designs and typography that are about to disappear from classic spots such as the subculture area of ​​Los Angeles. ..

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Rainbow Pulse Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Above- Tavar Zawacki, Street Pop Art Graffiti Legend. Archival Pigment Print on 290gsm Moab Rag Fine Art Paper Size: 18 x 18 Inches Release: March 22, 2019

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Ian Curtis Heart and Soul Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 3-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "I first discovered Joy Division through my friend Jay Haley in 1985-86. Jay was a little more open-minded than I was, so he was listening to aggressive punk and hardcore, but also, more moody music like The Smiths, The Cure, early Cult, and Joy Division. I initially liked some of Joy Division’s melodies, but I generally found the music a bit cold, sparse, and haunting on the verge of depressing. However, the music grew on me over time and the qualities I just described as liabilities became assets. As I grew out of my punk rock orthodoxy phase I realized no band sounded quite like Joy Division. My love of Joy Division has only grown over the years along with my appreciation for their imagery. Joy Division’s image of elegant austerity is often connected to their artwork by Peter Saville, but a lot of credit should go to Kevin Cumminsfor his noir portraits of the band. I’ve loved Cummin’s photography for years, so I was delighted when he agreed to collaborate on a portrait of Ian Curtis, Joy Division’s singer who took his own life in 1980 at 23. Curtis was a unique singer but also a powerful lyricist, so the lyrics to the song Heart and Soul are woven through the art along with an angular divide through Curtis’s figure symbolizing the tension between heart and soul. Since Kevin actually knew Ian, I appreciated that he would allow me to interpret his iconic photo!" -Shepard Fairey- OBEY Shepard Fairey's "Ian Curtis Heart and Soul" silkscreen print is a powerful tribute to the enigmatic Joy Division frontman and his profound impact on music and visual culture. Released in 2023, this limited edition print encapsulates Fairey's deep personal connection to Curtis and the band's enduring legacy. The artwork, sized at 18x24 inches and limited to a series of 500, is meticulously hand-pulled, showcasing three colors on cream speckletone fine art paper, underscoring the raw and textured essence of the subject matter. Fairey's engagement with Joy Division's work began in the mid-1980s, a time marked by a musical awakening as he transitioned from a strict punk perspective to a broader appreciation of the haunting, sad sounds that defined Joy Division's discography. Fairey candidly discusses how the initial perception of the music as 'cold and haunting' eventually morphed into an understanding of its depth and uniqueness, revealing a narrative of personal and artistic growth. Integral to this print is Fairey's collaboration with Kevin Cummins, a photographer renowned for his poignant portraits of Joy Division, which have significantly shaped the band's visual narrative. The decision to weave the lyrics of "Heart and Soul" into the fabric of the portrait is both a literal and figurative intertwining of Curtis's lyrical genius with his visual representation. This design choice also hints at the complexities of Curtis's personal struggles, echoed in the stark contrast that bisects his figure in the artwork—a poignant reminder of the internal discord between passion and reason, emotion and intellect. Fairey's print is not merely a visual piece but a narrative collage that pays homage to the artistic influence and legacy of Ian Curtis. By embedding the soul-stirring lyrics of "Heart and Soul" within the artwork, Fairey invites viewers to engage with the piece on multiple levels: aesthetically, emotionally, and intellectually. The print transcends mere representation, becoming a conduit for the artist's reverence for Curtis's talents as a singer and lyricist and the enduring impact of Joy Division on music and popular culture, ensuring that the heart and soul of Ian Curtis's artistry continue to resonate through time.

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Assassination Blue Silkscreen Print by Dave Kinsey Hand-Pulled 4-Color on Off White Archival Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 Silkscreen Print by Dave Kinsey based on Auguste Rodin's The Thinker "I created this piece in 2007, which is a commentary on the slow degradation of the education system in the United States—an assassination of the educational nourishment of the people and our society. This piece references Rodin’s “The Thinker” sculpture whose pose is based on deep thought and contemplation. Our schools, universities, and so forth are catalysts to greater change and progress and we as humans need to protect this at all costs." -Dave Kinsey, Two Thousand & Twenty-Three Dave Kinsey is a contemporary artist known for his mixed media work that often blends urban street art influences with fine art practices. His work often explores themes of the human condition, society, and the environment. Kinsey often utilizes silkscreen printing in his work, which is a process that involves pushing ink through a mesh screen to create an image. This technique allows for the production of multiple copies of a design, with each print being an original piece of art. Kinsey's artwork varies in subject matter, and he has created a wide array of prints, paintings, and installations. The Thinker is a bronze sculpture by the French artist Auguste Rodin, which was first cast in 1902. The sculpture depicts a nude male figure, hunched over with his chin resting on one hand and his other hand resting on his knee, deep in thought. Dave Kinseys version, The Thinker has a bullet hole in his head. The pose of the figure is meant to evoke the idea of a man contemplating the meaning of life, and it has become an iconic symbol of philosophy and intellectualism. Rodin originally created The Thinker as part of a larger commission for a set of bronze doors for a museum in Paris. The doors were to depict scenes from Dante's Divine Comedy, and The Thinker was originally conceived as a representation of Dante himself, contemplating the depths of hell. However, the sculpture became so popular that Rodin eventually decided to make it a standalone piece, and he created multiple versions of The Thinker in various sizes and materials. Today, The Thinker is one of the most recognizable sculptures in the world, and it has been widely reproduced and referenced in popular culture. It is also considered a masterpiece of the modern era, and it continues to inspire artists and thinkers around the world.

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Putain 3 Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2012 Signed & Numbered Limited Edition of 30 Artwork Size 18x24

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David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print Shepard Fairey x Blek le Rat David with Machine Gun Silkscreen Print 2008 The 2008 David with Machine Gun silkscreen print is a collaborative edition created by Shepard Fairey, known as OBEY, and French stencil art pioneer Blek le Rat. Hand-pulled on fine art paper and produced in a signed and numbered edition of 100, this 18 x 24 inch print merges the strengths of two iconic street artists across generations. Both signatures on each print elevate it to an important collector’s piece within Street Pop Art & Graffiti Artwork, highlighting not only a striking image but also the historical significance of the collaboration itself. Imagery and Commentary The print features a reinterpretation of Michelangelo’s classical sculpture David, here transformed into a provocative figure holding a machine gun. The juxtaposition of the Renaissance ideal of human beauty and form with the stark brutality of a modern weapon serves as a sharp critique of war, violence, and the distortion of cultural ideals. By placing David in a gritty, graffiti-covered urban environment, the work questions how art and society repurpose historic symbols to address contemporary anxieties. This powerful reimagining reflects both Blek le Rat’s tradition of stencil interventions in public spaces and Shepard Fairey’s skill at repurposing cultural icons into tools for social commentary. Collaborative Significance Blek le Rat, born Xavier Prou in France in 1951, is celebrated as one of the earliest and most influential stencil graffiti artists. Shepard Fairey, born in Charleston, South Carolina in 1970, became internationally known for his OBEY campaign and his later political works, including the Barack Obama Hope poster. Together, they bridge the early roots of European stencil art with the graphic and politically driven evolution of American street pop art. Their joint works, such as David with Machine Gun, serve as cultural dialogues between two eras, reinforcing the continuity of street art as a platform for protest and public discourse. Political Resonance and Collector Value David with Machine Gun functions as a visual protest, reworking an image of purity, youth, and beauty into a statement about the corruption of ideals through militarization and violence. The collaboration underscores both artists’ shared commitment to making politically engaged art accessible to broad audiences. With its limited edition of only 100, dual signatures, and thematic strength, the print has become a significant and sought-after work for collectors. It captures the way Street Pop Art & Graffiti Artwork can take familiar imagery and transform it into a searing critique of the modern world, cementing its role as both cultural artifact and fine art object.

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Wild Vanity- Red Hand-Pulled Limited Edition 5-Color Silkscreen Print on Cougar Natural Paper by Stinkfish Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Wild Vanity by Stinkfish Screen Print Edition of 65 | Signed by the Artist Size: 18" x 22.5" City: Bogata, Colombia. Five color screenprint on Cougar Natural printed at FugScreens Studios, 18″ x 24″. Stinkfish's "Wild Vanity": A Vibrant Fusion in Street Pop Art "Wild Vanity" emerges as an exceptional creation from Stinkfish, an artist renowned for his vivid street pop art and graffiti artwork. This piece represents a striking amalgamation of the artist's signature stencil style with the vibrant color palette that often characterizes his work. Hand-pulled and limited to a series of 65, "Wild Vanity" is a five-color silkscreen print on Cougar Natural paper that showcases Stinkfish's exploration into the vibrancy of human features juxtaposed with the abstract patterns that define his artistic expression. Crafted in 2014 and sized at 18" x 22.5", "Wild Vanity" was brought to life at FugScreens Studios, known for its exceptional screenprinting work. The artist's choice of Cougar Natural paper—a high-quality, uncoated stock—serves as the perfect canvas for the print, ensuring that the colors remain vivid and the details sharp. Each hand-pulled print is signed and numbered by Stinkfish, offering a tangible connection to the artist's hand and vision. The Artistic Language of Stinkfish in "Wild Vanity" The artistic language Stinkfish employs in "Wild Vanity" is bold and subtle. The reds are not merely hues but are symbolic expressions of energy and passion. The silkscreen method allows for a layering effect that gives each color its own space to breathe while contributing to the overall unity of the piece. This technique indicates Stinkfish's roots in graffiti, a world where color, form, and space beautify com, communicate, and resonate with the onlooker. Stinkfish's work is often characterized by found photographs and images from the streets, which he recontextualizes by adding his distinctive stenciled patterns. "Wild Vanity" is no exception. The faces in the artwork appear to be lifted from an existing narrative, a snippet of a larger story that the viewer is invited to ponder. The overlay of intricate patterns across the faces transforms the subjects, commenting on the masks we wear and the identities we portray. Cultural Implications of "Wild Vanity" in Contemporary Art "Wild Vanity" stands at the crossroads of multiple cultural narratives. It is not just a visual feast but an artistic statement that delves into the essence of identity and perception in the modern world. Through the five-color silkscreen print, Stinkfish challenges the traditional boundaries between high art and street art, merging them into a singular expression that is both accessible and complex. The work's title, "Wild Vanity," hints at a critique of self-obsession and the constructed images prevalent in society. Using a fashion magazine cover as the foundation for this piece, Stinkfish engages in a dialogue with the viewer about the nature of beauty and the role of media in shaping our understanding of it. The wildness comes from the disruptive patterns that cascade over the faces, suggesting a tension between the natural human essence and the artificial veneer of societal standards. Collectibility and Influence of Stinkfish's Silkscreen Prints As a collectible, "Wild Vanity" represents an essential piece of Stinkfish's portfolio, encapsulating his distinct style and thematic concerns. The limited edition nature of the print makes it a coveted item for collectors and enthusiasts of street pop art. Stinkfish's influence extends beyond the street corners of Bogota, Colombia—his work is recognized globally, and pieces like "Wild Vanity" are pivotal in understanding the trajectory of his artistic journey. The print is also a testament to the evolution of street art into a recognized and celebrated form of fine art. By bringing the techniques and aesthetics of street art into the controlled environment of the studio and then onto fine art paper, Stinkfish bridges worlds, offering a piece that is as much at home in a gallery as on the streets. In the context of pop, street art, and graffiti artwork, "Wild Vanity" is a vibrant example of how these genres can intersect to create works that reflect contemporary culture and are timeless in their appeal. Stinkfish's ability to communicate through layers of color and pattern ensures that "Wild Vanity" will remain a significant and thought-provoking piece within the ever-evolving narrative of art.

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