Eyes

Untitled From Crossroads Giclee Print by Alice Pasquini Artwork Limited Edition Print on 300gsm Baryta Fine Art Paper Graffiti Pop Street Artist. 2019 Signed & Numbered Limited Edition of 100 Artwork Size 13x17.83 The Artistic Essence of "Untitled From Crossroads" Alice Pasquini's "Untitled From Crossroads" is a giclée print that captures the essence of contemporary street pop art and graffiti artwork. As an acclaimed artist, Pasquini brings forward a piece that exemplifies her distinctive approach to art that has been honing the edges of street art and muralism. This limited edition print, with its vibrant figures and abstract forms, is a testament to her ability to communicate compelling narratives through her art. The artwork, a limited edition giclée print on 300gsm Baryta fine art paper, stands out for its textured appearance and depth of color, hallmarks of high-quality prints. The dimensions of the piece, 13x17.83 inches, offer a generous canvas for Pasquini to convey her vision. A limited run of 100 signed and numbered prints indicates this piece's exclusivity and collectible nature. The portrait centers on a female figure, a recurring subject in Pasquini's work, exuding a sense of contemplation and depth. Her gaze is piercing and tender, inviting viewers to ponder the thoughts behind those eyes. Visual Language and Symbolism Pasquini's use of vibrant and contrasting colors against the stark backdrop of the Baryta paper creates a captivating visual dichotomy. The fluidity and apparent spontaneity of the brushstrokes juxtapose with the deliberate intensity of the subject's eyes, creating a powerful focal point. This "Crossroads" collection piece symbolizes the intersection of lives and stories within the urban landscape, a crossroads of human experience. The artist's choice of a graffiti pop style infuses the work with an urban grittiness that is both raw and beautiful. Technical Proficiency and Medium The technique of producing a giclée print of this caliber is a modern marvel, bridging the gap between traditional printmaking and digital technology. The term "giclée," derived from the French verb "gicler," meaning "to spray," refers to the process of making fine art prints from a digital source using inkjet printing. This method reproduces colors and textures with remarkable fidelity to the original artwork. It's a fitting medium for street pop art, where the accessibility of art is a crucial value, enabling the work to reach a wider audience without sacrificing quality. Cultural Impact and Placement in Modern Art "Untitled From Crossroads" is not merely a decorative piece; it is a cultural artifact that encapsulates the mood and ethos of contemporary society. The work's release in 2019 places it within a period of art where boundaries are increasingly blurred between high art and street art and where the voice of the street is as powerful and significant as that of the gallery. Alice Pasquini's contribution to this movement is profound, as she continually challenges and expands the narrative of what street pop art can be. Collectibility and Value The value of a limited edition print like "Untitled From Crossroads" goes beyond its aesthetic appeal. For collectors, the allure lies in the scarcity and the artist's personal touch—each print is signed and numbered, making it unique. Collecting works such as this is not just an investment in art; it is an investment in the legacy of street pop art and graffiti artwork. It represents a chance to own a piece of the movement, a snapshot of the artist's journey, and a fragment of cultural history. Alice Pasquini's "Untitled From Crossroads" giclée print profoundly expresses street pop art and graffiti artwork. Through her signature use of color, expressive portraiture, and the innovative giclée printing technique, Pasquini continues to forge a deep connection with her audience. The limited edition nature of this print, coupled with its evocative portrayal of urban life, underscores the artist's stature as a significant figure in the landscape of contemporary art.

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Nasty Nas- Cut The Record Original One of a Kind Mixed Media on Laser Cut Wood Panel With Industrial Resin Painting Artwork by Popular Street Graffiti Artist Tavar Zawacki (Above). Mixed Media on Laser Cut Wood Panel With Industrial Resin Size: 22 x 22 Inches (56 x 56 cm) Release: May 06, 2016. Cut the Record (Nas), 2014 Mixed media on laser cut wood panel with industrial resin 22 inches (55.9 cm) diameter Ed. 1/1 Signed to reverse. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record' series each has either had their music remixed and or remixed music themselves. Since Illmatic Album in 1994, I don’t think a week has gone by since I’ve listened to that album. One of my favorite albums." - Above

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Warhol 02 Red Purple Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 2002 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Andy Warhol Friend Face Pruple Red & White. Intense Expressionism in Peter Keil's Warhol 02 Red Purple The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil, also known as The Wild Man of Berlin, is a captivating exploration of form and color through the lens of Neo-Expressionism. This one-of-a-kind artwork on a Masonite panel embodies the spirited energy of the artist, a famous contemporary figure known for his daring use of colors and profound representation of faces. The 2002 piece, signed and stamped with the year by Keil, is a square of emotion measuring 24x24 inches, where the thick application of paint forms an image of Andy Warhol, revealing the profound influence of pop art on Keil's work. Keil's artistic method is defined by a bold, impasto technique where the paint is layered on thickly, giving the artwork a three-dimensional texture that is both seen and felt. This technique results in some degree of flaking over time, which is considered an inherent characteristic of Keil's work, adding to its authenticity and historical value. The "Warhol 02 Red Purple" painting is a testament to this style, with its vibrant reds and deep purples merging to form the iconic visage of Warhol, set against a stark white background. Peter Keil's Contribution to Contemporary Art Peter Keil's contribution to street pop art and graffiti artwork is substantial, as he brings street art's raw, untamed essence into the gallery. His work eschews the conventional polish and restraint often associated with fine art, instead embracing a wild abandon more commonly found on the streets and in the alleys where graffiti thrives. The "Warhol 02 Red Purple" vividly illustrates this philosophy, with the painting's subject – a pop art pioneer – being depicted in Keil's uninhibited style, creating a bridge between the two artistic worlds. Each of Keil's paintings is an original narrative, a story told in the visual language of colors and shapes. Collectors and enthusiasts of Keil's work are attracted to his paintings' intense emotion and distinctive style. In the case of "Warhol 02 Red Purple," the allure is enhanced by the subject matter – the legendary Andy Warhol – which positions the painting at the intersection of pop art heritage and contemporary artistic innovation. Owning a piece by Peter Keil is more than an acquisition of art; it is an immersion into the vibrant life story of the painting itself. The flaking paint, the bold strokes, and the striking contrasts create an experience that is as evocative and complex as the artist himself. The "Warhol 02 Red Purple" is a vibrant symbol of Keil's enduring artistic vision and impact on the art world. The "Warhol 02 Red Purple Original Oil Painting" by Peter Keil is a visual feast and an essential piece of contemporary art history. This work encapsulates the essence of street pop art and graffiti through the lens of a master painter whose unorthodox approach to art has captured the attention of the global art community. Keil's painting celebrates expressive freedom and the power of art to convey profound human emotion and thought.

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Caravan Chaos Side 4 Panel 11 Original Spray Paint Painting by Mr Doodle- Sam Cox One of a Kind Artwork on Aluminum Panel Mounted On Plywood by Street Art Pop Artist. 2015 Caravan Chaos Side 4 Panel 11 Original 1  of 2 Serial Numbered Spray Painting Original on Aluminum Panel Mounted Plywood Artwork Size 17.25x13.5. Natural Scuffing Lower Right; Residue Lower Right Inherent To The Medium & Media Used. Mr Doodle- Sam Cox's Unique Artistic Language In the dynamic world of pop art and street art, artists like Mr. Doodle, also known as Sam Cox, have carved out a niche with distinctive styles that blur the lines between art, doodling, and graffiti. Mr Doodle's "Caravan Chaos Side 4 Panel 11" is an original work that exemplifies this fusion, showcasing a unique visual language that is playful and meticulously detailed. This one-of-a-kind spray paint painting on an aluminum panel mounted on plywood stands out as a testament to the artist's skill and originality. Spray-painting directly onto an aluminum surface, Mr Doodle's "Caravan Chaos Side 4 Panel 11" is part of a larger body of work that portrays a chaotic yet harmonious world filled with interlocking characters and symbols. Measuring 17.25 by 13.5 inches, this artwork is a vibrant tableau of black and white, teeming with life and movement. The natural scuffing and residue are inherent to the medium and media used to add an extra layer of authenticity and rawness to the artwork. These imperfections are not drawbacks but integral elements contributing to the piece's storytelling. Exploring the Details of Caravan Chaos The intricate patterns and characters that seem to dance across the metal canvas make the artwork's complexity apparent. Each character is whimsically drawn, yet an underlying order to the chaos suggests a narrative or a snapshot of a larger, unseen universe. This snapshot is a classic example of how street art and pop art can transform everyday objects and materials into something extraordinary, a characteristic feature of Mr Doodle's artistic approach. The choice of materials in "Caravan Chaos Side 4 Panel 11" is crucial to understanding Mr Doodle's work. The aluminum panel offers a smooth surface that interacts uniquely with the spray paint, allowing for crisp lines and a stark contrast between the black and white hues. Mounted on plywood, the piece gains a sturdy backdrop, anchoring the ethereal doodles to a physical reality. The natural wear on the artwork suggests it has lived beyond the studio, perhaps even in the streets, where the essence of graffiti art is rooted. The Legacy of Mr Doodle's Caravan Chaos This piece by Mr. Doodle is not just a singular work of art but a fragment of a grander vision the artist has been developing over the years. His style is instantly recognizable and has become synonymous with the playful energy and spontaneity that pop art and street art strive to embody. "Caravan Chaos Side 4 Panel 11" is a frozen moment of this vision, inviting viewers to enter Mr Doodle's world—where art is seen and experienced. Sam Cox's contribution to the art world through his Mr Doodle persona is a vibrant chapter in the ongoing pop and street art story. His works, like "Caravan Chaos Side 4 Panel 11," are visually stimulating and a reminder of the power of art to transform and engage with its audience on multiple levels. As this piece stands, it is a celebration of creativity unleashed, a fitting piece for any collection that values the bold and the whimsical.

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Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

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Modular Silkscreen Print by Add Fuel x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Diogo Machado aka ADD FUEL’s art functions on several levels literally and metaphorically. His pieces master the aesthetics of traditional Portuguese tile work while adding his own playful character illustrations subversively woven into the designs. These two seemingly disparate styles are so elegantly blended together that discovering the oddity within the harmony is both bizarre and joyful. The actual and faux rips ADD FUEL incorporates into his art are more than just a nod to paper, the common material of modern street art, they’re also a provocative bit of visual dissonance since tiles don’t rip. Despite the incongruity of tiles and rips, ADD FUEL’s visually seductive compositions evoke a sense of time passed and a story behind each layer." -Shepard Fairey- OBEY In the sphere of contemporary art, the collaborative silkscreen print by Add Fuel and Shepard Fairey represents a unique fusion of traditional motifs and modern sensibilities. This limited edition piece, restricted to a run of 500 and signed and numbered by the artists, is a striking example of pop culture artistry on a cream speckletone fine art paper, measuring 18x24 inches. Created in 2022, this 5-color hand-pulled print showcases the distinct styles of both artists, marrying the classical aesthetic of Portuguese tile design with the urban edge of graffiti art. Diogo Machado, who operates under the alias Add Fuel, reimagines the conventional ceramic tile as a canvas for street art. His contribution to this print is distinguished by the intricate simulation of traditional tile patterns, interspersed with his characteristic playful characters that add a layer of whimsy and critique. The interplay of these detailed designs with Shepard Fairey's iconic Obey imagery lends the work a complex, layered narrative. Fairey, a luminary in the street art movement, brings his bold graphics and propagandistic flair to the collaboration, creating a visual dialogue between past and present artistic expressions. The print's allure is amplified by the intentional 'rips' trailing its surface. This clever trompe l'oeil effect disrupts the tilework's permanence with the ephemeral nature of paper, a staple medium for street artists. These artificial tears challenge viewers' perceptions, hinting at the transient nature of art and commentary on the fragility of cultural heritage. As Fairey noted, the juxtaposition of durable ceramic and tearable paper forms a compelling contrast that is visually arresting and conceptually profound. This artwork transcends the boundaries of its medium, inviting contemplation on the evolution of artistic expression and the enduring impact of cultural symbols. In this union of Add Fuel's meticulous craftsmanship and Shepard Fairey's aggressive style, a new narrative emerges, one that celebrates both individual creativity and the collective memory encapsulated within traditional art forms.

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Smoking Face 84 is an Original Oil Painting by Peter Keil, a kind of Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Rad-Faced Man Smoking a Cigarette. Examining "Smoking Face '84" by Peter Keil "Smoking Face '84" is an arresting oil painting on Masonite panel by the notable contemporary artist Peter Keil, often called "The Wild Man of Berlin" for his energetic and unorthodox style. Dated 1984 and signed by the artist, this original artwork spans a sizeable 24x24 inches and is a testament to Keil's expressive use of vibrant colors and bold strokes. The painting, which portrays a red-faced man smoking a cigarette, is marked by the thick application of paint—a characteristic technique of Keil's art. Over the years, some of the paint on this striking piece has begun to flake, a natural consequence of the medium's aging process and Keil's liberal use of the material, which adds a tactile dimension and a sense of historicity to the work. The subject of "Smoking Face '84" is presented with a raw intensity typical of Street Pop Art and graffiti Artwork. The exaggerated features and stark color contrasts imbue the piece with a sense of immediacy and visual impact often found in street art. The smoking motif, a symbol loaded with cultural connotations, is depicted in a manner that elevates it from a mere act to a statement, reflecting the artist's ability to infuse everyday scenes with deeper meaning. This work showcases Keil's skill in capturing his subjects' essence through a personal and evocative lens. Peter Keil's Artistic Technique and Impact The technical aspects of "Smoking Face '84" speak to Keil's artistry and impact on modern art. His choice of Masonite panel as the foundation for this piece aligns with his tendency to favor robust, enduring materials that accommodate his heavy-handed paint application. The medium's smoothness is juxtaposed with the tactile quality of the thick paint, creating a dance of textures that is visually stimulating and inviting to the touch. This sensory experience is a nod to the physical nature of graffiti artwork, where the environment plays a central role in the art's perception. Moreover, Keil's use of color in "Smoking Face '84" reflects his distinctive style, which often features a bold and unconventional palette. The red hue dominating the face in this painting is not merely a color choice but a deliberate act to convey emotion and personality. This vivid depiction is a hallmark of pop art, emphasizing popular culture and street art, with its roots in raw, unfiltered expression. Keil's painting transcends the canvas to become a dynamic expression of human character and the artist's commentary on societal themes. Legacy of "Smoking Face '84" in Pop and Street Art The legacy of "Smoking Face '84" within the art world is substantial. It exemplifies Peter Keil's ability to bridge the gap between street art's rebellious nature and pop art's iconic imagery. This painting is a testament to Keil's influence on these genres, showcasing his flair for transforming ordinary subjects into extraordinary works of art. His contributions to the field have encouraged a broader understanding and appreciation of street-inspired art within the fine art context. Furthermore, the painting indicates the artist's more overall vision, where art is an accessible and relatable medium for all. Keil's work, including "Smoking Face '84," pushes against the elitist boundaries traditionally associated with fine art, promoting a democratized view of artistry that aligns with the inclusive ethos of Street Pop Art and graffiti Artwork. The piece not only stands as a representation of Keil's artistic journey but also as a symbol of the transformative potential of combining traditional art with contemporary urban expressions. "Smoking Face '84" is a powerful representation of Peter Keil's art, encapsulating the energy and passion that he brings to the canvas. The painting is a vibrant narrative that continues to speak to audiences with its bold imagery and expressive power. As it endures as a part of Keil's oeuvre, "Smoking Face '84" remains a significant work that embodies the spirit of Street Pop Art and graffiti Artwork, and it stands as a tribute to Keil's enduring impact on the contemporary art scene.

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Friend Face 92 Pink Blue Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of an Elonged Face Split by Pink & Blue Color. Mild Soiling Throughout. Exploring the Vivid Expressionism of Peter Keil's "Friend Face 92 Pink Blue" The original oil painting "Friend Face 92 Pink Blue" by Peter Keil profoundly embodies the vitality and expressive power of street pop art and graffiti artwork. Known as The Wild Man of Berlin, Peter Keil is a famous contemporary artist whose work pulsates with the raw energy and color-rich vibrancy synonymous with the Neo-Expressionist movement. This 1992 piece, signed and dated by the artist, is an original oil painting on a Masonite panel, measuring 24x24 inches, and it showcases Keil's distinctive approach to form and hue. Keil's artistry is characterized by its bold, impasto application of paint, where thick layers are applied to create a textural surface that is tactile and visually compelling. Over time, some paint flaking may be present in his work, which is not a sign of deterioration but rather an indication of the artwork's dynamic history and the natural evolution of the materials used. "Friend Face 92 Pink Blue" features an elongated face split by contrasting pink and blue swathes, a dichotomy that evokes a sense of duality and emotional depth within the figure's visage. The Cultural Resonance of Peter Keil's Artistic Legacy The unique allure of Peter Keil's artwork lies in its ability to connect with the observer on an instinctual level. His paintings transcend the need for traditional representation, instead opting to convey emotion through the expressive manipulation of color and form. The "Friend Face 92 Pink Blue" is a testament to this, where the interplay of warm and cool tones articulates a complex psychological landscape. This work is a prime example of how Keil's paintings engage with the viewer, inviting them into a world where the visceral and the visual collide. Keil's contributions to street pop art and graffiti are marked by his disregard for convention and his celebration of individuality. The spontaneous and often aggressive brushwork reflects the spirit of graffiti art, while the use of bold colors and abstract forms is reminiscent of pop art's influence. As such, "Friend Face 92 Pink Blue" is a work of personal expression and a dialogue with the movements that have shaped the trajectory of contemporary art. Collectors of Keil's work are often drawn to the uninhibited freedom and the palpable sense of life that his paintings exude. Owning a piece like "Friend Face 92 Pink Blue" means engaging with an artwork that is alive with the artist's signature vigor and evolves as time progresses. It is an invitation to witness the interplay of destruction and creation, where the flaking paint and the enduring vibrancy of the colors tell the story of an artwork's journey through time. Peter Keil's "Friend Face 92 Pink Blue" is a vibrant, one-of-a-kind artwork that captures the essence of Neo-Expressionism and reflects the artist's status as a pivotal figure in the world of street pop art and graffiti artwork. With its striking colors and expressive force, this painting is a powerful example of Keil's enduring artistic vision and influence on contemporary art.

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Heist Eyes HPM Stencil Spray Paint Silkscreen by Prefab77 Hand-Painted Multiple on 300gsm Somerset Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 60 HPM Unique Hand Painted Spray Paint Stencil Artwork Size 15x22 Silkscreen of Close Up of Woman's Eyes With Pop Culture Figures. Diving deep into the world of modern pop and street art, one can't help but be captivated by the hand-painted creations of PREFAB77. The artist, known for blending unique graffiti techniques with elements of pop culture, has yet again introduced an exceptional piece titled “Heist Eyes”. This artwork is a brilliant amalgamation of stencil spray paint and silkscreen techniques, seamlessly marrying the two art forms. Set on a high-quality 300gsm Somerset Fine Art Paper, the “Heist Eyes” showcases a close-up of a woman's gaze, fierce and mysterious. The eyes, being the windows to the soul, are central in this artwork, perhaps symbolizing the depth and layers of our modern culture. What's unique about this particular piece is its intricate details. Not only does it present the intense gaze, but it also intricately intertwines elements of pop culture, serving both as a reflection of contemporary society and a warning of the fleeting nature of fame and recognition. This piece is not just any regular print; it's a hand-painted multiple (HPM). This means each piece, though part of a series, has its own unique touch. The utilization of seven distinct colors brings life to the print, and the luxurious layer of UV black ink against a hand-painted background only adds to its allure. With only 60 pieces in existence, each signed, stamped, and numbered, it truly is a testament to PREFAB77's dedication to craftsmanship and exclusivity. In the realm of pop art, street art, and graffiti art, such works emphasize the evolution of traditional art forms. They signify a move from the conventional to the contemporary, bringing in fresh perspectives while keeping rooted in authentic techniques. The “Heist Eyes” is not just a piece of art; it's a narrative of the times we live in, urging viewers to delve deeper, to look beyond the surface, and to interpret the myriad of stories it seeks to tell.

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Friend Face 84 Original Oil Painting by Peter Keil , a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Face of Blad Man in Red & Yellow. Exploring "Friend Face '84" by Peter Keil "Friend Face '84" by Peter Keil, the distinguished artist also known as "The Wild Man of Berlin," is an original oil painting that encapsulates the vibrant energy and raw emotion that define his body of work. Signed and dated in 1984, this piece represents Keil's fearless approach to color and form, embodied on a 24x24-inch Masonite panel. The painting explores facial expression, depicted through a bold juxtaposition of red and yellow. In line with Keil's signature style, the paint is applied in thick layers, contributing to the tactile experience of the artwork. Over time, these layers may have developed some flaking, a natural testament to the work's age and the organic nature of the materials used. The subject, a bald man's face, is portrayed in a fragmented style that reflects the visual language of Street Pop Art and graffiti Artwork. The use of contrasting colors not only delineates the features of the face but also communicates a deeper psychological landscape, characteristic of Keil's approach to portraiture. The artwork conveys a sense of intimacy and familiarity, suggesting that the subject may be a personal acquaintance of the artist, captured through the dynamic lens of Keil's artistic vision. Artistic Merits of Keil's Technique in "Friend Face '84" In "Friend Face '84," the merits of Keil's technique are evident in the lively interplay of color and the expressive contours that define the composition. The choice of Masonite as a substrate is a testament to Keil's preference for sturdy materials that can endure the weight of his heavy impasto technique. Like much of his work, this painting goes beyond the visual narrative, engaging the viewer through a rich palette and the palpable energy of the brushstrokes. The flaking paint, indicative of the piece's history, adds an element of temporal beauty, echoing the urban decay often celebrated in graffiti art. Keil's work embraces the beauty found in the imperfections and the passage of time, much like the ethos of street art, which often finds poignancy in the ephemeral nature of its creations. "Friend Face '84," therefore, is a visual feast and a historical artifact that carries the marks of its existence. The Legacy of "Friend Face '84" Within Pop and Street Art The legacy of "Friend Face '84" is significant within the context of pop and street art. It represents Keil's contribution to the evolving dialogue between established art forms and the burgeoning street art movement of the time. The painting manifests Keil's ability to translate the spontaneity and authenticity of street art into the permanence of oil on Masonite. This piece exemplifies how traditional artistic mediums can be infused with the spirit and energy of contemporary movements, bridging the gap between disparate creative worlds. Keil's "Friend Face '84" is a powerful reflection of the artist's influence on modern art, particularly in how it challenges and expands the boundaries of how art is perceived and experienced. The painting is a vibrant example of Keil's innovative style, which inspires new generations of artists to explore and embrace the rawness and immediacy of street-inspired art within their practice. "Friend Face '84" is a significant work that captures the essence of Peter Keil's approach to art, characterized by a bold use of color, an embrace of the textural possibilities of paint, and a celebration of the imperfect and the transient. The painting serves as a poignant reminder of the enduring nature of Keil's work and his status as an influential figure in contemporary art. As this piece continues to engage and resonate with audiences, it secures Keil's place in the narrative of art history as an artist who masterfully combines the sensibilities of Street Pop Art and graffiti Artwork with the depth and complexity of traditional painting techniques.

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The Future Is Now- Red Limited Edition 3-Color Hand-Pulled Silkscreen Print on 130lbs French Lemon Drop Paper by Dxtr Graffiti Street Artist Modern Pop Art. "The illustration is somehow a reflection of modern days society. All these little elements do have a deeper meaning and represent our amusement-driven society. Food ventures, war against civil populations, environmental catastrophes, corruption, overconsumption, pollution, privatization of water, gene research, and so on, are some of the elements shown in this piece.I know this is some kind of dark theme, but I am just showing what's going on today. Orwell was right!" - Dxtr

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