Face & Head

56 artworks

  • Lance Dickson Boy Child Cubs Original Collage Baseball Card Art by Pat Riot

    Pat Riot Lance Dickson Boy Child Cubs Original Collage Baseball Card Art by Pat Riot

    Lance Dickson/Boy Child- Cubs Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Lance Dickson/Boy Child- Cubs

    $24.00

  • John Ellis Cigar Smoking Man Yankees Original Collage Baseball Card Art by Pat Riot

    Pat Riot John Ellis Cigar Smoking Man Yankees Original Collage Baseball Card Art by Pat Riot

    John Ellis/ Cigar Smoking Man- Yankees Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: John Ellis/ Cigar Smoking Man- Yankees

    $24.00

  • Jed Lowrie Surprise Face Athletics Original Collage Baseball Card Art by Pat Riot

    Pat Riot Jed Lowrie Surprise Face Athletics Original Collage Baseball Card Art by Pat Riot

    Jed Lowrie/ Surprise Face- Athletics Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Jed Lowrie/ Surprise Face- Athletics

    $24.00

  • Corey Kluber Old Miner Indians Original Collage Baseball Card Art by Pat Riot

    Pat Riot Corey Kluber Old Miner Indians Original Collage Baseball Card Art by Pat Riot

    Corey Kluber/ Old Miner- Indians Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Corey Kluber/ Old Miner- Indians

    $24.00

  • I Am Not Satoshi Nakamoto Rookie Card by GAS Trading Card

    GAS Trading Card I Am Not Satoshi Nakamoto Rookie Card by GAS Trading Card

    I Am Not Satoshi Nakamoto Rookie Card Bitcoin Print on GAS Trading Card. 2021 Limited Edition of 510 The "I Am Not Satoshi Nakamoto" GAS Trading Card In cryptocurrency, few figures hold as much intrigue as the elusive Satoshi Nakamoto, the pseudonymous entity credited with creating Bitcoin. The "I Am Not Satoshi Nakamoto" Rookie Card Bitcoin Print on GAS Trading Card is a limited edition collectible that playfully engages with the mystery of Nakamoto's identity. Released in 2021 with a limited run of 510 cards, this piece is a unique intersection of financial technology and popular culture, embodying the essence of Street Pop Art and Graffiti Artwork. Decentralization Meets Collectible Art The card features an individual who emphatically denies being the mythic developer of Bitcoin, capturing the zeitgeist of the crypto revolution. Much like the unknown creator, this card is shrouded in mystery, presenting a "possible candidate" while emphasizing the anonymity that has become synonymous with digital currency. This GAS Trading Card pays homage to classic Japanese game cards, adding layers of cultural context and nostalgia to the innovative spirit of cryptocurrency. Encased in lucite and adorned with the official G.A.S. sticker, the card transcends traditional trading card norms, combining the physicality of collectibles with the digital revolution's intangibility. This duality is reflective of the nature of street art, which often occupies physical space while commenting on societal themes that are abstract and far-reaching. Artistic Homage to the Crypto Catalyst The "I Am Not Satoshi Nakamoto" card is an artful nod to the figure who has ignited a global paradigm shift in financial transactions and the concept of value. Like Satoshi Nakamoto's influence, which extends beyond the blockchain, this trading card becomes a symbol of change. This cultural artifact captures the spirit of an era marked by the rise of decentralized business and digital interactions. The rookie card, much like a piece of graffiti art, is encoded with significance and intent, designed to spark conversation and provoke thought. It reflects the sentiment of an era where identity, authorship, and origin are as fluid as the currency Nakamoto has introduced to the world. In conclusion, the "I Am Not Satoshi Nakamoto" GAS Trading Card is a testament to the artistry and creativity that flourishes at the intersection of technology, finance, and pop culture. It is a piece that encapsulates the enigmatic allure of the cryptocurrency revolution, offering collectors a tangible connection to the intangible legacy of Bitcoin's mysterious progenitor.

    $156.00

  • Phillies Leaders Space Virus Bucket Original Collage Baseball Card Art by Pat Riot

    Pat Riot Phillies Leaders Space Virus Bucket Original Collage Baseball Card Art by Pat Riot

    Phillies Leaders/Space Virus Bucket Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Phillies Leaders/Space Virus Bucket

    $24.00

  • JJ Hardy WW2 Soldier Orioles Original Collage Baseball Card Art by Pat Riot

    Pat Riot JJ Hardy WW2 Soldier Orioles Original Collage Baseball Card Art by Pat Riot

    JJ Hardy/WW2 Soldier- Orioles Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: JJ Hardy/WW2 Soldier- Orioles

    $24.00

  • Jose Uribe Futurama Robot Giants Original Collage Baseball Card Art by Pat Riot

    Pat Riot Jose Uribe Futurama Robot Giants Original Collage Baseball Card Art by Pat Riot

    Jose Uribe/ Futurama Robot- Giants Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Jose Uribe/ Futurama Robot- Giants

    $25.00

Face & Head
Pop art, street art, and graffiti art are dynamic genres that have left a notable impact on contemporary visual culture, with the face and head often emerging as central themes. This motif, universally recognized and instantly engaging, has been utilized by artists for its potent ability to convey a myriad of emotions, messages, and identities. The bold, provocative world of pop art first began to champion the face and head in the mid-20th century. Icons such as Andy Warhol and Roy Lichtenstein used this motif to challenge cultural norms, presenting familiar faces - often celebrities - in unexpected ways. Warhol's multicolored depictions of Marilyn Monroe, Elvis Presley, and other celebrities, for instance, elevated these figures to the status of mass-produced commodities, critiquing the consumerist culture of the time. Lichtenstein, on the other hand, drew from comic books, using the exaggerated expressions of his characters to comment on society's emotional sterility. Street art and graffiti, which originated from the urban underground, have also widely employed the face and head motif. These art forms often serve as a platform for social and political commentary, and the face's universality makes it a powerful tool for artists to communicate with their audience. Banksy, an anonymous England-based street artist, often uses stenciled images of faces and heads to articulate messages of peace, rebellion, or social justice. On walls, buildings, and streets, these faces become a form of visual language that transcends boundaries, resonating with diverse audiences. In the realm of graffiti art, the face and head motif often emerges in the form of tags, throw-ups, and pieces. Notably, the stylized signatures or 'tags' of graffiti artists frequently incorporate face-like elements, signifying the artist's identity in a cryptic yet visually compelling manner. Artists such as SEEN and Dondi White have showcased their unique vision through the depiction of faces and heads, highlighting their individuality amidst the vast graffiti landscape. From the stylized and glamorous portraits of pop art to the raw and rebellious depictions in street and graffiti art, the face and head motif has remained a constant. It serves as a conduit for human emotion and identity, speaking volumes about the society in which it is embedded. Through the different lenses of pop, street, and graffiti art, the face and head motif continues to challenge, provoke, and captivate, making it a cornerstone of these vibrant art movements.
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