Face & Head

67 artworks

  • Let's Burn It All 24 x 36 Stencil Wood Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Let's Burn It All 24 x 36 Stencil Wood Print by Denial- Daniel Bombardier

    Let's Burn It All- 24 x 36 Original Hand-Painted Multiple (HPM) Spray Paint Mixed Media Artwork on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2017 Signed Limited Edition of 10 HPM Hand Painted Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

    $2,004.00

  • Teletubbies Status Factory Poster 2010 by Ron English

    Ron English- POPaganda Teletubbies Status Factory Poster 2010 by Ron English- POPaganda

    Teletubbies Status Factory Poster 2010 Vintage Poster on Glossy Paper by Graffiti Street Art and Pop Culture Artist Ron English- POPaganda. Ron English- POPaganda Status Factory 2010 Event Poster Gin Smiley Skeleton Smile. Some creases around edges.

    $164.00

  • And Then Things Got Better Pink Archival Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier And Then Things Got Better Pink Archival Print by Denial- Daniel Bombardier

    And Then Things Got Better- Pink Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Pink Variant And Then Things Got Better – Pink Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Pink is a 2021 archival pigment print by Canadian artist Denial, created as part of a series that reimagines classic comic book panels through a modern pop art lens. This edition is printed on 330gsm fine art paper using museum-grade pigment inks and measures 24 x 24 inches. Released as a signed and numbered limited edition of 25, the Pink variant showcases Denial’s signature blend of pop culture critique, emotional depth, and bold visual language. The composition captures a close-up of a woman’s face in dramatic profile, with vibrant pinks replacing the traditional comic palette to convey a contemporary mood of confidence and personal transformation. The upper caption panel reads And Then Things Got Better, rendered in soft pink with bold black lettering. The message, ambiguous and potent, hovers above an image rich in stylized tension, caught between vulnerability and reclamation. The Pink Palette as Emotional Architecture Color is central to the emotional tone of the Pink edition. Denial replaces the original comic yellow and blue hues with intense fuchsia tones and a warmer palette that redefines the scene. The deep pink in the woman's lips and hair provides a punch of contemporary energy while maintaining the flat, graphic intensity typical of pop art. Her gaze remains fixed beyond the viewer, carrying with it the weight of introspection, change, and unspoken resolve. The caption feels less ironic here than in other versions, lending the piece a sense of recovery framed through identity and empowerment. Denial often explores duality—conflict and healing, fear and strength—and this print manifests that exploration visually. The woman's poised expression and stylized tears challenge the boundaries between narrative and design, letting the viewer choose whether the message reflects sarcasm, survival, or both. Denial’s Commentary on Pop Culture in Street Pop Art & Graffiti Artwork Daniel Bombardier, known professionally as Denial, is based in Windsor, Ontario, and is internationally recognized for his fusion of graffiti culture and pop art sensibilities. His work often uses parody and appropriation of mass media aesthetics to question political, social, and emotional structures. And Then Things Got Better exemplifies his ability to twist familiar formats into powerful visual commentary. Denial pulls from the lexicon of comic books, advertisements, and signage, reworking these sources to address contemporary issues like emotional suppression, resilience, and personal awakening. Through this Pink edition, Denial continues to redefine how emotion and design operate in Street Pop Art & Graffiti Artwork, treating pop art not only as critique but as a vehicle for personal expression and empowerment. Craftsmanship and Collector Appeal of the Pink Edition This edition is produced using archival pigment printing techniques that ensure vivid color stability and detailed resolution over time. The 330gsm fine art paper provides a rich, tactile surface that complements the intensity of the design. Every print is signed and numbered by the artist, verifying its authenticity and enhancing its appeal to collectors of modern pop and street-influenced art. Limited to only 25 pieces, the Pink edition carries both scarcity and emotional resonance, reflecting Denial’s unique ability to merge bold visuals with conceptual weight. This work sits confidently within the larger canon of Street Pop Art & Graffiti Artwork, demonstrating how humor, drama, and color can coexist in one frame to tell a story that is at once universal and deeply personal. Denial’s Pink variant stands not as a conclusion, but as a vivid and emotional snapshot of transformation in motion.

    $385.00

  • Signs Of The Crimes Lime Green Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Lime Green Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Lime Green Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Signs Of The Crimes Purple Metal UV-Cured Print by Ron English

    Ron English- POPaganda Signs Of The Crimes Purple Metal UV-Cured Print by Ron English- POPaganda

    Signs Of The Crimes- Purple Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

    $371.00

  • Untitled 6 Giclee Print by Naoto Hattori

    Naoto Hattori Untitled 6 Giclee Print by Naoto Hattori

    Untitled 6 Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. UNTITLED 6 20 x 24 inches (50.8 x 61 cm) High-Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 50

    $352.00

  • Past Present Future White Silkscreen by Gats- Graffiti Against The System

    Gats- Graffiti Against The System Past Present Future White Silkscreen by Gats- Graffiti Against The System

    Respect the Land White Silkscreen by Gats- Graffiti Against The System Hand-Pulled 4-Color Screen Print on Gold Foil Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 "Respect the Land White Silkscreen" by Gats- Graffiti Against The System is a thought-provoking piece that seamlessly merges the ethos of pop art with the grit of street art. This hand-pulled 4-color screen print on gold foil paper exudes the spirit of street art in its rawest form, while incorporating the glitz associated with pop art. Released in 2022 as a signed and numbered limited edition of 50, each 24x18 inch artwork is a testament to Gats- Graffiti Against The System's commitment to the craft and to the message it conveys. Gats- Graffiti Against The System, known for incorporating symbolic imagery that speaks to the socio-political landscape, presents a visual narrative that compels viewers to contemplate their relationship with the environment. The piece features characteristic elements such as stylized eyes and faces, set against a backdrop that suggests both a reverence for and a challenge to the natural world. The gold foil paper does not merely serve as a canvas; it elevates the work, making a statement about the value of the land and the culture that springs from it. The choice of white silkscreen on gold indicates a stark contrast between the purity of the white and the opulence of the gold, possibly hinting at the dichotomy between nature's simplicity and humanity's often extravagant impact on it. This artwork is not just a visual feast but a conversation starter, an invitation to ponder the past, present, and future of our interaction with the land. In the larger context of Gats- Graffiti Against The System's body of work, this piece aligns with his ongoing exploration of themes around urban life, nature, and identity. The intricate details and the strategic use of color on the reflective surface of the gold foil make each print shimmer with life, suggesting the life force of the land itself. It's a bold reflection on the importance of respecting and protecting our environment, rendered in a medium that traditionally symbolizes wealth and permanence. This limited edition piece stands as a beacon within the realms of pop and street art, a reminder of the impermanence of our actions and the enduring legacy we leave on the land. Gats- Graffiti Against The System's "Respect the Land White Silkscreen" serves as both a mirror and a window, reflecting our current realities while providing a glimpse into what the future could hold if we choose to honor the land that sustains us.

    $299.00

  • Figment- Pink On Black Silkscreen Print by Ron English

    Ron English- POPaganda Figment- Pink On Black Silkscreen Print by Ron English- POPaganda

    Figment- Pink On Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Ron English- POPaganda Rare Pop Art Famous Pop Artwork Artist. Signed 2013 Screenprint in colors on 335 gsm Coventry Rag paper 24 × 24 in 61 × 61 cm Edition of 10. English | Figment: Pink on Black Two-colour screenprint on Coventry Rag 335gsm paper Edition of 10 signed and numbered by Ron English- POPaganda

    $664.00

  • Friend Face 84 Original Oil Painting by Peter Keil

    Peter Keil Friend Face 84 Original Oil Painting by Peter Keil

    Friend Face 84 Original Oil Painting by Peter Keil , a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Face of Blad Man in Red & Yellow. Exploring "Friend Face '84" by Peter Keil "Friend Face '84" by Peter Keil, the distinguished artist also known as "The Wild Man of Berlin," is an original oil painting that encapsulates the vibrant energy and raw emotion that define his body of work. Signed and dated in 1984, this piece represents Keil's fearless approach to color and form, embodied on a 24x24-inch Masonite panel. The painting explores facial expression, depicted through a bold juxtaposition of red and yellow. In line with Keil's signature style, the paint is applied in thick layers, contributing to the tactile experience of the artwork. Over time, these layers may have developed some flaking, a natural testament to the work's age and the organic nature of the materials used. The subject, a bald man's face, is portrayed in a fragmented style that reflects the visual language of Street Pop Art and graffiti Artwork. The use of contrasting colors not only delineates the features of the face but also communicates a deeper psychological landscape, characteristic of Keil's approach to portraiture. The artwork conveys a sense of intimacy and familiarity, suggesting that the subject may be a personal acquaintance of the artist, captured through the dynamic lens of Keil's artistic vision. Artistic Merits of Keil's Technique in "Friend Face '84" In "Friend Face '84," the merits of Keil's technique are evident in the lively interplay of color and the expressive contours that define the composition. The choice of Masonite as a substrate is a testament to Keil's preference for sturdy materials that can endure the weight of his heavy impasto technique. Like much of his work, this painting goes beyond the visual narrative, engaging the viewer through a rich palette and the palpable energy of the brushstrokes. The flaking paint, indicative of the piece's history, adds an element of temporal beauty, echoing the urban decay often celebrated in graffiti art. Keil's work embraces the beauty found in the imperfections and the passage of time, much like the ethos of street art, which often finds poignancy in the ephemeral nature of its creations. "Friend Face '84," therefore, is a visual feast and a historical artifact that carries the marks of its existence. The Legacy of "Friend Face '84" Within Pop and Street Art The legacy of "Friend Face '84" is significant within the context of pop and street art. It represents Keil's contribution to the evolving dialogue between established art forms and the burgeoning street art movement of the time. The painting manifests Keil's ability to translate the spontaneity and authenticity of street art into the permanence of oil on Masonite. This piece exemplifies how traditional artistic mediums can be infused with the spirit and energy of contemporary movements, bridging the gap between disparate creative worlds. Keil's "Friend Face '84" is a powerful reflection of the artist's influence on modern art, particularly in how it challenges and expands the boundaries of how art is perceived and experienced. The painting is a vibrant example of Keil's innovative style, which inspires new generations of artists to explore and embrace the rawness and immediacy of street-inspired art within their practice. "Friend Face '84" is a significant work that captures the essence of Peter Keil's approach to art, characterized by a bold use of color, an embrace of the textural possibilities of paint, and a celebration of the imperfect and the transient. The painting serves as a poignant reminder of the enduring nature of Keil's work and his status as an influential figure in contemporary art. As this piece continues to engage and resonate with audiences, it secures Keil's place in the narrative of art history as an artist who masterfully combines the sensibilities of Street Pop Art and graffiti Artwork with the depth and complexity of traditional painting techniques.

    $676.00

  • Ready for the World Gameface Giclee Print by Puma x Max Sansing

    Max Sansing Ready for the World Gameface Giclee Print by Puma x Max Sansing

    Ready for the World Gameface Giclee Print by Puma x Max Sansing Artwork Limited Edition Print Framed on Wove Fine Art Paper Graffiti Pop Street Artist. 2021 Signed & Numbered Limited Edition of 50 Artwork Size 24x24 Puma Clothing Company Sports Print. Framed, Crease to upper left corner; mild creasing along left edge of sheet. Ready for the World Gameface by Puma x Max Sansing – Athletic Identity in Street Pop Art & Graffiti Artwork Ready for the World Gameface is a 2021 limited edition giclee print created as a collaboration between global sportswear brand Puma and American artist Max Sansing. Produced in a signed and numbered edition of 50, this artwork is printed on wove fine art paper and framed at 24 x 24 inches. Known for blending fine art portraiture with vibrant street sensibilities, Max Sansing brings a narrative of empowerment, focus, and transformation to this composition. The circular design centers on a dynamic hybrid image of a human face intersected with the form of a black panther—an emblem of power, vigilance, and grace. Surrounding the visual is the phrase Ready for the World and Game Face, establishing the piece as a symbolic preparation for challenge, resilience, and presence. The striking color palette, layered transitions, and textured gradients reflect Sansing’s background in both muralism and traditional painting techniques. Visual Armor and Emotional Poise Through Color and Form The central motif—a figure masked by and fused with the panther—evokes themes of duality and psychological preparation. Sansing uses sharply contoured color fields, vivid neons, and high-contrast shadowing to illustrate the mental and spiritual readiness of an individual confronting the external world. The subject’s eyes gaze forward beneath the protective shell of the panther’s face, suggesting a merging of internal clarity and external strength. Each layer of color works like armor, building toward a visual representation of personal evolution. The piece speaks directly to the culture of sport, street identity, and mental perseverance, making it an ideal narrative vessel within the world of Street Pop Art & Graffiti Artwork. It connects the urban language of murals to the wearable messages of branded apparel. Surface Integrity, Framing, and Printed Precision Printed using high-fidelity giclee methods, the work retains all the vibrancy and painterly nuance of Sansing’s original design. The wove fine art paper supports rich ink saturation and allows for crisp transitions between color fields. Framed and preserved, the print carries slight creasing to the upper left corner and mild edge marks, but these do not diminish the visual impact of the composition. Instead, the imperfections enhance its physicality, grounding it in the tactile reality of printed art as both collectible and artifact. The circular design format allows the viewer’s gaze to rotate within the work, mirroring the internal repetition of mental preparation—the ritual of putting on a game face both literally and metaphorically. Max Sansing and the Energetics of Resilience in Contemporary Urban Iconography Max Sansing continues to assert himself as a key figure in the world of Street Pop Art & Graffiti Artwork, blending fine art technique with urban philosophy and social insight. His ability to convey emotional complexity through bold color choices and cultural symbolism sets his work apart from purely decorative or illustrative art. Ready for the World Gameface is more than a sports branding piece—it is a manifesto on visual identity, personal focus, and the discipline of facing public life with inner readiness. Through this collaboration with Puma, Sansing brings the language of the street into direct conversation with athletic culture, creating a piece that resonates with strength, intention, and style. The print functions not only as visual inspiration but as a representation of the fusion between personal narrative and public expression in contemporary art.

    $500.00

  • Phase1 PP Archival Print by Sket-One

    Sket-One Phase1 PP Archival Print by Sket-One

    Phase 1 PP Printer Proof Archival Print by Sket-One Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x13 Archival Pigment Fine Art Phase 1 Colorway Rainbow Colorful Drip Smiley Face. Sket-One's "Phase1 PP Printer Proof": A Chromatic Symphony in Street Pop Art "Phase1 PP Printer Proof" by Sket-One represents a vivid intersection of street pop art and graffiti artwork with the vibrant aesthetics of pop art. This limited edition print on 310gsm museum fine art paper showcases Sket-One's ability to manipulate color and form to create a visually arresting piece. As a signed and marked Printer's Proof from 2016, it captures the essence of Sket-One's artistic philosophy, combining the dynamism of street art with the polished finish of modern pop art in a singular, compelling artwork. The dimensions of "Phase1," at 24x13 inches, provide a broad canvas for Sket-One's colorway rainbow, a spectrum that is both a technical marvel and a feast for the eyes. His colorful drip technique imbues the piece with movement and fluidity, suggesting a moment frozen in time where colors run and blend into each other. This movement is juxtaposed with the iconic smiley face, a motif synonymous with the artist's work. The smiley face in this piece is deconstructed, its elements scattered across the composition, playing with the viewer's perception and inviting them to piece it back together visually. The archival pigment used in "Phase 1" ensures that the print's colors remain as vivid and impactful as the day they were printed. This high-quality ink and fine art paper guarantees longevity and resistance to the elements, a crucial consideration for collectors and enthusiasts of street pop art and graffiti artwork. The PP designation is critical, as Printer's Proofs are often considered more valuable than standard prints due to their limited quantity and role in the printmaking process. Sket-One's work has always been at the forefront of street pop art, a genre that borrows from the iconography and accessibility of pop culture and infuses it with the raw energy of street art. "Phase 1" is no exception. It is a bold declaration of the artist's command over his medium and his willingness to push the boundaries of what is possible within the confines of a print. The piece is not just a reflection of Sket-One's artistic prowess but also of the broader movement of street pop art, which continues to challenge and redefine the limits of contemporary art. Sket-One's "Phase 1 PP Printer Proof" symbolizes the transformative power of street pop art and graffiti artwork. It is a testament to the artist's vision and contribution to the evolution of these genres. The print is a dialogue between the artist and the audience. This colorful exploration bridges the gap between street art's rebellious spirit and the art gallery's curated experience. As such, it is both a valuable piece of modern art and a vibrant addition to pop and street art discourse in the 21st century.

    $845.00

  • And Then Things Got Better- Spring Archival Pigment Print

    Denial- Daniel Bombardier And Then Things Got Better- Spring Archival Pigment Print

    And Then Things Got Better- Spring Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Spring Variant And Then Things Got Better – Spring Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Spring is a 2021 limited edition archival pigment print by Canadian street pop artist Denial, also known as Daniel Bombardier. Printed on 330gsm museum-grade fine art paper and measuring 24 x 24 inches, this piece is part of a signed and numbered edition of just 25. As one of the expressive variants in the And Then Things Got Better series, the Spring edition brings a refreshing energy and emotional shift to a classic comic-inspired format. Denial captures the psychological moment of transition with a female figure drawn in high-contrast linework, framed tightly in a close-up of her face. Her vivid teal hair, eyes, and lips contrast with the cream-toned halftone skin, emphasizing clarity and renewal in contrast to the turmoil depicted in earlier colorways of the same composition. The Role of Color and Message in the Spring Variant The Spring edition revitalizes Denial’s familiar scene of reflection and emotional complexity through its fresh, cool palette. The use of teal throughout the character’s features creates an uplifting atmosphere, mirroring seasonal rebirth and a sense of emotional reset. The caption And Then Things Got Better, rendered in black against a teal panel, shifts in meaning depending on the viewer’s frame of mind. Within this color scheme, the phrase feels less ironic and more quietly triumphant. The character’s upward gaze and slightly parted lips hint at realization and hope rather than crisis or aftermath. Her facial expression remains poised in emotional suspense, a trademark of Denial’s approach to visual narrative. This piece explores the delicate balance between fragility and strength, offering a fresh layer of emotional depth through a minimal yet powerful adjustment in tone. Denial’s Commentary Through Comic Language in Street Pop Art & Graffiti Artwork Denial is one of the most prominent figures in contemporary Street Pop Art & Graffiti Artwork, known for repurposing the visual vocabulary of pop culture, propaganda, and consumer signage into emotionally charged works. The And Then Things Got Better series demonstrates his ability to manipulate familiar imagery in new ways, using subtle variation to explore themes of mental health, societal conditioning, and personal evolution. The Spring edition maintains the precision of Denial’s comic-inspired format—Ben-Day dot textures, thick outlines, and exaggerated features—while allowing the color choices to speak directly to the emotional undercurrent. As with all works in this series, the format recalls mid-century mass media but carries the urgency and intimacy of street culture. The juxtaposition of mass reproducibility with the authenticity of emotion creates a tension that is central to Denial’s impact in the genre. Production Quality and Collector Significance of the Spring Edition This edition is printed using archival pigment inks designed for longevity, preserving the richness of color and detail over time. The 330gsm fine art paper offers both durability and a tactile surface that complements the graphic strength of the image. Each piece is hand-signed and numbered by Denial, affirming its place within a tightly curated edition. The Spring variant’s soft yet bold aesthetic, paired with its scarcity, makes it a highly collectible artifact in the modern pop and street art market. More than just a reimagining of an existing motif, it is a distinct chapter in a visual dialogue about resilience and change. Denial’s Spring edition is a vivid embodiment of Street Pop Art & Graffiti Artwork’s capacity to hold both critical reflection and emotional release in a single, stylized frame.

    $385.00

  • Social Distortion Diptych AP Silkscreen Print by Dave Kinsey

    Dave Kinsey Social Distortion Diptych AP Silkscreen Print by Dave Kinsey

    Social Distortion Diptych Artist Proof AP Hand-Pulled 3-Color Silkscreen Print on Fine Art Paper by Desirable Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2007 Signed & AP Marked Original Run Limited Edition of 125 Artwork Size 24x18 Diptych Set of 2 Prints 3 color screen print Printed on 100% Off-White Archival Acid-Free Paper Signed AP: KINSEY / Stamped From the Original Edition 125 Size: 24 x 18 inches ea. / 60.9 x 45.7 cm ea. Year: 2007

    $532.00

  • Monroe POPfolio Fragile Silkscreen Print by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Monroe POPfolio Fragile Silkscreen Print by Mr Brainwash- Thierry Guetta

    Monroe POPfolio- Fragile Hand-Pulled 11-Color Silkscreen Print on Archival Paper by Pop Modern Artist Mr Brainwash- Thierry Guetta Rare Marilyn Monroe Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Straight Edges 11 Color ScreenPrint Signed and thumb-printed by the Artist.

    $4,011.00

  • Vampire USA Original Spray Paint Acrylic Painting by Ben Frost

    Ben Frost Vampire USA Original Spray Paint Acrylic Painting by Ben Frost

    Vampire USA Company of Thieves Original Painting Spray Paint, Acrylic and Mixed Media On Wood Panel by Ben Frost Graffiti Street Artist Modern Pop Art. 2013 Signed Original Spray Paint & Acrylic Wood Cradled Ready To Hang Painting Artwork Size 24x32 Vampire USA by Ben Frost: A Bold Intersection of Culture and Critique Ben Frost's "Vampire USA" from the "Company of Thieves" series is a vivid example of modern pop art's seamless fusion with street sensibilities. The striking spray paint, acrylic, and mixed media composition on a wood panel embody the rebellious spirit that fuels much of contemporary street pop art and graffiti artwork. Created in 2013, this signed original artwork measures 24x32 inches and is cradled and ready to hang, offering a stark commentary on American culture through street art aesthetics. Australian artist Ben Frost is known for his visually arresting work that often repurposes the iconography of consumerism and popular culture to create new, challenging narratives. "Vampire USA" exemplifies Frost's approach, utilizing familiar symbols and subverting them to critique American society. The vampire motif layered over the stars and stripes of the American flag creates an immediate and unsettling juxtaposition. The vampire, traditionally a symbol of parasitism and predation, becomes an allegory for the darker aspects of the American dream, suggesting a nation that feeds off others or perhaps even itself. The intensity of the artwork is heightened by Frost's choice of medium and technique. The raw, visceral quality of spray paint, often associated with the underground graffiti scene, clashes with the precision of acrylics to create an anarchic and meticulous piece. This duality reflects the complex nature of American culture, where order and chaos often coexist. Decoding the Symbolism in "Vampire USA" In "Vampire USA," the flag is not just a backdrop but an integral part of the narrative. The stars and stripes become the vampire's skin, the fabric of its being, suggesting that the entity and the nation are inseparable. The use of red, white, and blue – colors that evoke feelings of patriotism – is transformed into a visual scream that challenges the viewer to reassess their understanding of national identity and values. The choice to paint on wood panels also contributes to the artwork's impact. The organic texture of wood grounds the piece in a tactile reality, in contrast to graffiti's ethereal and often ephemeral nature. It is a statement of permanence, an assertion that the questions and issues raised by the painting will not simply vanish with the morning light. "Vampire USA" is a powerful piece of street pop art that embodies the genre's ability to reflect and critique society. Ben Frost's work captures contemporary culture's zeitgeist, using the streets' language to engage with deeper themes of identity, consumption, and the American psyche. As the artwork hangs poised for display, it serves as a bold reminder of art's potential to confront, unsettle, and inspire dialogue.

    $10,939.00

  • Black Swan Archival Print by Doze Green

    Doze Green Black Swan Archival Print by Doze Green

    Black Swan Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Doze Green Graffiti Street Artist Modern Pop Art. In the 1970s, Doze Green was a Hip-Hop pioneer. A member of the legendary Rock Steady Crew—the group that pioneered breakdancing (also known as B-Boying)—the subway-tagging graffiti artist often participated in breakdance performances at SoHo and Lower East Side galleries. Moving from walls to canvas, Green’s recent paintings, influenced by the art of the Edo Period in Japan and created with gesso and sumi ink, incorporate his signature style of figurative abstraction and use of letterforms while at the same time posing metaphysical questions about the nature of narrative, the physics of time, and the possibility of imm

    $243.00

  • Warhol 82 Large Face Original Oil Painting by Peter Keil

    Peter Keil Warhol 82 Large Face Original Oil Painting by Peter Keil

    Warhol 82 Large Face Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin, a famous contemporary artist. 1982 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Andy Warhol. Peter Keil's Warhol '82 Large Face: An Exemplar of Street Pop Art The original oil painting "Warhol '82 Large Face" by Peter Keil represents a profound intersection between the spontaneity of street art and the stylized sensibility of pop art. Crafted on a Masonite panel, this 24x24 artwork by the "Wild Man of Berlin" encapsulates the era's artistic vigor and pays homage to one of pop art's most iconic figures, Andy Warhol. Peter Keil, a luminary in the field, is known for his vibrant palette and vigorous brushwork, which are prominently displayed in this one-of-a-kind piece. Created in 1982 and bearing Keil's signature, the painting is a testament to his dynamic approach to portraiture and connection to contemporary art's larger narrative. The artwork's use of thick paint is a signature of Keil's style, offering a textured, almost sculptural quality to the image. While contributing to the piece's visual impact, this technique has also resulted in some paint flaking over time—a common characteristic of Keil's works from this period. The painting carries a sense of history and authenticity despite this, or perhaps because of it. It speaks not only to the longevity of Keil's art but also to the organic nature of street pop art, a genre that often embraces the beauty of imperfection and the passage of time. The Cultural Significance of Keil's Portrait of Warhol The cultural significance of Keil's portrait of Warhol cannot be overstated. By depicting Warhol, Keil aligns himself with a tradition of art deeply embedded in exploring celebrity culture, mass media, and consumerism. Warhol, a leading figure in the pop art movement, is an apt subject for Keil's expressive style, which is often characterized by a disregard for conventional beauty and a celebration of individualistic expression. The portrait is not just a likeness of Warhol but a dialogue with his legacy, rendered in the bold colors and sweeping lines that have become synonymous with Keil's oeuvre. Furthermore, the choice of Masonite as a substrate is particularly resonant within the context of Street Pop Art and Graffiti Artwork. As a material, Masonite bridges the gap between the traditional canvas and the urban landscape, bringing a sense of the street into the gallery. Sturdy and unpretentious qualities mirror the ethos of street art's accessibility and pop art's challenge to highbrow aesthetics. This artwork is a piece of cultural history, encapsulating the spirit of its time and the ongoing conversation between street culture and the art establishment. Legacy and Lasting Impact of Keil's Artistic Approach The legacy and lasting impact of Keil's artistic approach is evident in works like the "Warhol '82 Large Face." His method of employing thick layers of oil paint gives the artwork its distinctive texture and depth and connects it to the broader history of painting. Keil's work, much like graffiti, possesses an immediacy and an intensity that is amplified by the physicality of the paint itself. This physicality—combined with the cultural weight of his subjects—creates a compelling fusion that has influenced both street art and pop art. Keil's portrayals go beyond mere representation; they embody his subjects' spirits, capturing their essence through his frenetic brushstrokes and audacious use of color. The "Warhol '82 Large Face" is a perfect example of how Keil's work resonates with the vibrancy and the raw, emotional undercurrents of the urban experience. It is pieces like this that secure Peter Keil's place in the pantheon of artists who have successfully merged the worlds of street pop art and traditional painting, creating a visual language that is at once familiar and revolutionary. "Warhol '82 Large Face" by Peter Keil is a significant piece of art history and a vibrant narrative in the visual story of Street Pop Art and Graffiti Artwork. Its significance lies in its ability to communicate across time, bearing the marks of its creation and the vision of its creator. As a historical document, it offers insight into the aesthetic and thematic concerns of the early 1980s art scene. As a work of art, it stands as a powerful expression of identity, culture, and the enduring nature of visual communication.

    $676.00

  • Spring Will Come Again- XXL Giclee Print by Alex Garant

    Alex Garant Spring Will Come Again- XXL Giclee Print by Alex Garant

    Spring Will Come Again- XXL Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Alex Garant. 2021 Signed 24x36 Limited Edition of 50 Matte Finish & Embossed

    $300.00

  • Protect Our Oceans- Holographic Foil Giclee Print by Dragon76

    Dragon76 Protect Our Oceans- Holographic Foil Giclee Print by Dragon76

    Protect Our Oceans- Holographic Foil Pop Street Artwork Limited Edition Giclee Print on Holographic Foil Art Paper by Urban Graffiti Modern Artist Dragon76. 2022 Signed & Numbered Limited Edition of 36 Artwork Size 24x12 PangeaSeed Foundation 24 x 14 inches Fine-art Giclée print on holographic foil paper Limited edition of 36 Signed + Numbered Printed with ♥ by Spirit Printing Services

    $299.00

Face & Head
Pop art, street art, and graffiti art are dynamic genres that have left a notable impact on contemporary visual culture, with the face and head often emerging as central themes. This motif, universally recognized and instantly engaging, has been utilized by artists for its potent ability to convey a myriad of emotions, messages, and identities. The bold, provocative world of pop art first began to champion the face and head in the mid-20th century. Icons such as Andy Warhol and Roy Lichtenstein used this motif to challenge cultural norms, presenting familiar faces - often celebrities - in unexpected ways. Warhol's multicolored depictions of Marilyn Monroe, Elvis Presley, and other celebrities, for instance, elevated these figures to the status of mass-produced commodities, critiquing the consumerist culture of the time. Lichtenstein, on the other hand, drew from comic books, using the exaggerated expressions of his characters to comment on society's emotional sterility. Street art and graffiti, which originated from the urban underground, have also widely employed the face and head motif. These art forms often serve as a platform for social and political commentary, and the face's universality makes it a powerful tool for artists to communicate with their audience. Banksy, an anonymous England-based street artist, often uses stenciled images of faces and heads to articulate messages of peace, rebellion, or social justice. On walls, buildings, and streets, these faces become a form of visual language that transcends boundaries, resonating with diverse audiences. In the realm of graffiti art, the face and head motif often emerges in the form of tags, throw-ups, and pieces. Notably, the stylized signatures or 'tags' of graffiti artists frequently incorporate face-like elements, signifying the artist's identity in a cryptic yet visually compelling manner. Artists such as SEEN and Dondi White have showcased their unique vision through the depiction of faces and heads, highlighting their individuality amidst the vast graffiti landscape. From the stylized and glamorous portraits of pop art to the raw and rebellious depictions in street and graffiti art, the face and head motif has remained a constant. It serves as a conduit for human emotion and identity, speaking volumes about the society in which it is embedded. Through the different lenses of pop, street, and graffiti art, the face and head motif continues to challenge, provoke, and captivate, making it a cornerstone of these vibrant art movements.
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