Face & Head

And Then Things Got Better- Purple Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Face Invader- Buttons Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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So Hood- PP Printers Proof Archival Pigment Fine Art Limited Edition Print on 310gsm Bright White Fine Art Paper by Artist Bask, Street Pop Art Graffiti Legend. Signed & Numbered Archival Pigment Print on 310gsm on Bright White Fine Art Paper Size: 16 x 24 Inches Release: August 28, 2015 Run of: 50 "This piece was created very late in 2013 and it has many layers. I first processed down panels to get the tiled effect I desired. Then I started to lay down layer of texture which eventually ended with the portrait seen. It was originally made for an event I did at the Saint Petersburg Museum of Art. The show paired 5 artists with 5 locally celebrated chefs to collaborate. The chef was to make a dish inspired by the work. The piece was also made in as part of an on going series of portrait works painted mostly in halftones. I like working with weather old wood for the unique texture it provides. With this piece I didn't want to use a single piece of wood but several to achieve a wood tile look much like the facade of an abandoned building. People should buy this piece because it hopefully speaks to them in a similar way it spoke to me when I made it. People should also buy the print because prints from 1xRUN are simply put, fucking awesome!" - Bask

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Tripping Devil is an original hand-drawn art drawing on framed, hand-deckled, aged art paper by Surreal Artist Naoto Hattori. 2012 Signed Original One of a Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist. The Fusion of Street Pop and Graffiti Art in Naoto Hattori's Work The intersection of street pop art and graffiti represents a vibrant and often rebellious art form that seeks to challenge traditional aesthetics, present social commentary, and engage public spaces as a canvas for expression. Naoto Hattori's "Tripping Devil" is a profound example of this artistic intersection, although it differs from the conventional spray-painted murals on city walls. This 2012 original pencil/graphite drawing is a testament to the diverse techniques and materials employed within the genre, bridging the raw spirit of street art with the meticulous skills of classical drawing. Hattori's piece is delicately framed, sized at 8.5x8.5 inches, with the image measuring 3x5 inches. The artist crafted the custom frame and matting, underscoring the personalized touch and attention to detail that Hattori brings to his work. The art paper is hand-deckled and aged, a choice that lends an additional layer of texture and a sense of historical depth to the piece. This material selection is particularly poignant, as it imbues the artwork with an ancient quality that contrasts sharply with the typically ephemeral nature of street and graffiti art. Naoto Hattori's Unique Aesthetic within Street Pop Art Naoto Hattori's oeuvre is often characterized by dream-like surrealism, where fantastical creatures and morphed figures challenge the viewer's perception of reality. "Tripping Devil" is no exception. The drawing features a creature with a human-like face and a body that transitions into an octopus-like form. This blending of the human and the surreal is a hallmark of Hattori's style and speaks to the transformative potential of street pop art and graffiti artwork. The stark monochromatic palette of graphite focuses on the intricate details and shading that bring the "Tripping Devil" to life. Despite being contained within a frame, the artwork carries the spirit of street pop art, often characterized by a bold defiance of boundaries and an embrace of the unconventional. Hattori's systematic approach to drawing parallels the deliberate and thoughtful techniques used by street artists and graffiti writers to create their pieces, albeit on a different scale and medium. Naoto Hattori and the Collectibility of Street Pop Art Collectors and enthusiasts of street pop art and graffiti artwork are increasingly seeking pieces to be displayed within the home, transitioning from public spectacle to personal treasure. Hattori's "Tripping Devil" exemplifies this trend, offering the art market a one-of-a-kind piece that encapsulates the essence of street art in a form that is both collectible and suited for private exhibition. The artist's signature on the piece is a seal of authenticity and a bridge between the artist and the collector. The originality of the "Tripping Devil" is paramount. In a domain where mass production and replication are commonplace, Hattori's commitment to creating a singular original work elevates the piece's value and appeal. The meticulous nature of the work, combined with its unique presentation on aged art paper, creates a dialogue between the transient nature of street art and the enduring quality of fine art collecting. The Cultural Relevance of Hattori's Artistry In the broader context of street pop art and graffiti artwork, Hattori's "Tripping Devil" stands out as a cultural artifact that embodies the innovative spirit of these art forms. While street pop art often conveys messages about popular culture and societal issues, Hattori's work delves into the psyche, exploring themes of identity, consciousness, and the human condition through a surrealistic lens. This piece, while not displayed in a public space, continues the tradition of street pop art and graffiti artwork with its aim to provoke thought and evoke emotion. The surreal elements invite interpretation and reflection, much like the larger-than-life murals and tags in urban environments. Hattori's "Tripping Devil" is a reminder that the heart of street art lies not only in its location but also in its ability to connect with viewers on a profound level, challenging perceptions and encouraging a deeper engagement with the visual narrative. Naoto Hattori's "Tripping Devil" is an exquisite example of the potential for cross-pollination between street pop art, graffiti artwork, and traditional drawing techniques. It stands as a testament to the artist's skill and the versatility of street-inspired art. As this piece demonstrates, the value of street pop art and graffiti artwork extends beyond the city's walls, finding a place within the collections of art lovers who appreciate the nuanced blend of rebellion, craftsmanship, and narrative depth that these genres offer.

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Signs Of The Crimes- Lime Green Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Face Invader- Creep Mode Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Signs Of The Crimes- Purple Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Butterfly Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. "The butterfly comes from the West Coast Pop Art Experimental Band in 1968. It was a black and white drawing. Then in 2013, I did another version of it, because I was going to make a poster of it. Then it went on to become a mural and onto the blotter we see today." - John Van Hamersveld

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Dressing Room Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

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Kearny Artist Proof AP Hand-Pulled 5-Color Screen Print on 290gsm Coventry Cotton Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition of 50 Artwork Size 9x11

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Let's Burn It All!- Standard Limited Edition 8-Color Hand-Pulled Silkscreen Print on 140lbs French Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2019 Signed Limited Edition of 75 Artwork Size 18x24 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Alpha Centauri Limited Edition Hand-Pulled 3-Color Silkscreen Metallic Ink Print with UV Clear Layer on Stonehenge Fine Art Paper by Chris Saunders Graffiti street artist modern pop art. 2020 Signed & Numbered Limited Edition of 123 Artwork Size 24x30 Chris Saunders is a renowned South African artist and photographer whose work significantly contributes to the contemporary art scene. Born and raised in South Africa, his creative perspective has been largely shaped by the cultural diversity and social complexities of his native country. Saunders’ work primarily revolves around social documentary and portrait photography, capturing a wide range of subjects from urban landscapes to individual portraits. His keen eye for details and composition has garnered him international acclaim.

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The Wedding is Off- Purple 5-Color Hand-Pulled Limited Edition Silkscreen Print Artwork on Archival Cougar Paper by Greg Gossel Rare Street Art Pop Artist. 2015 Signed & Numbered Limited Edition of 150 Artwork Size 19x25 19 x 25" 5 color print on acid-free, archival Cougar white paper

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Soul Rebel- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Signs Of The Crimes- Red Orange Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Signs Of The Crimes Red Orange by Ron English- POPaganda: Satirical Symbolism in Street Pop Art & Graffiti Artwork Signs Of The Crimes Red Orange is a 2020 limited edition artwork by street pop culture icon Ron English- POPaganda, executed as a 24x24 inch UV-cured archival print on high-definition aluminum panel. Framed and ready to hang, this signed edition of 100 merges vivid minimalist color with hyperrealist distortion, spotlighting English’s deep critique of consumer icons and psychological contradiction. The piece features a single yellow smiley face against a blazing red-orange background, but upon closer inspection, the traditional happy visage is interrupted by a grotesque anatomical mouth. A photorealistic human jaw grins behind the synthetic emoji facade, exposing bone structure, gums, and teeth. The work forces a confrontation between surface happiness and hidden discomfort, rendered in the visual language of Street Pop Art & Graffiti Artwork. Visual Deconstruction and Cultural Parody Ron English- POPaganda is known for his ability to remix and mutate universally recognized icons, turning them into visual parodies that question their original intent. In Signs Of The Crimes Red Orange, the smiley face becomes a vehicle for satire. Originally created in the 1960s as a symbol of corporate friendliness and later adopted by rave and acid house subcultures, the smiley is often associated with euphoria, innocence, and mass appeal. English rips that association open—literally—by replacing the expected line-drawn mouth with a surgically precise rendering of a human grin. The result is uncanny and confrontational. It invites the viewer to smile along while forcing them to feel disturbed. This kind of visual tension is central to Ron English- POPaganda’s approach, where popular symbols are disassembled, reassembled, and shown in their most honest or exaggerated forms. Material, Print Process, and Presentation The piece is produced using archival UV-cured inks on a varnished HD aluminum panel, a process that ensures both color intensity and long-term preservation. The surface is sleek and durable, allowing the bold saturation of the background and the contrasting precision of the smiley’s face to take center stage. The print’s varnished finish gives it a luminous quality under light, making it ideal for display in gallery, commercial, or private settings. Each edition is hand-signed by Ron English- POPaganda, affirming its place within his broader body of collectible visual disruptions. Framed and ready to hang, this work is not just an artwork but a fully realized object of commentary, crafted for immediate impact. Ron English- POPaganda’s Influence in Street Pop Art & Graffiti Artwork Born in the United States in 1959, Ron English- POPaganda is a foundational figure in Street Pop Art & Graffiti Artwork, often credited with pioneering techniques in billboard liberation and subvertising. His career spans fine art, vinyl toys, political murals, and commercial design—all approached with the same intent to reveal the truths beneath modern mythologies. English’s work is consistently fueled by a distrust of corporate language and a fascination with the seductive power of visual repetition. Signs Of The Crimes Red Orange encapsulates that ethos, taking one of the most globally recognizable icons and turning it into a symbol of suppressed aggression, synthetic identity, and media manipulation. The piece serves as both homage and critique, a striking example of how a simple form can carry deep complexity when viewed through the lens of Street Pop Art & Graffiti Artwork.

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Happy Endings Skateboard Art Deck by OG Slick x The Beautiful Losers  Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. 2024 Limited Edition of 99 Sports Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object Smiley Face with Hand Spray Painting a Line Across The Face. Happy Endings Skateboard Art Deck: A Bold Fusion of Street Pop Art and Graffiti Culture The Happy Endings Skateboard Art Deck by OG Slick, created in collaboration with The Beautiful Losers, is a striking example of Street Pop Art and Graffiti Artwork. Released in 2024 as a limited edition of 99, this 8x31-inch skateboard deck transforms a functional object into a bold statement of urban art. Featuring OG Slick’s iconic Smiley Face motif, disrupted by a red spray-painted line across the eyes, the design evokes a thought-provoking blend of playfulness and rebellion. The incorporation of a gloved hand holding a spray paint can adds depth and narrative, making this piece as much about the act of creation as the final result. OG Slick and the Subversive Vision of Happy Endings OG Slick, a renowned artist with roots in graffiti culture, has built a career on merging pop culture symbols with the raw energy of street art. The Happy Endings Skateboard Art Deck embodies his signature aesthetic, using the universally recognized Smiley Face as a canvas for a commentary on perception and identity. The addition of the red spray-painted line across the face disrupts the familiar image, inviting viewers to reconsider their interpretations of happiness and conformity. By partnering with The Beautiful Losers, a collective known for celebrating the intersection of street culture and fine art, this collaboration elevates the piece to a broader cultural conversation. Design and Symbolism of the Skateboard Deck The minimal yet impactful design of the Happy Endings Skateboard Art Deck is a testament to OG Slick’s ability to convey powerful messages through simplicity. The bright yellow background serves as a stark contrast to the bold black and red elements, drawing immediate attention to the central Smiley Face. The red line, sprayed across the eyes, symbolizes censorship, disruption, or the act of redefining societal norms. The gloved hand at the bottom holding a spray paint can captures the essence of graffiti culture, emphasizing the artist’s role in reshaping familiar images. The skateboard’s shape and size provide a unique medium that blends the functionality of sports equipment with the storytelling potential of art. Functional Art for Collectors and Enthusiasts The Happy Endings Skateboard Art Deck is more than just a piece of sports equipment; it is a collectible artwork that embodies the rebellious spirit of Street Pop Art and Graffiti Artwork. Crafted from high-quality wood and printed with precision, the deck is designed to be both durable for use and visually striking for display. With only 99 pieces in this signed and numbered edition, the deck holds significant value for art collectors and street art enthusiasts alike. This collaboration between OG Slick and The Beautiful Losers transforms a simple object into a cultural artifact, highlighting the evolving role of street art in contemporary creative expression.

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Danny Santana/Big Head- Twins Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Danny Santana/Big Head- Twins

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Four Eyez 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Burrito Breath Rare Street Art Famous Pop Artwork Artist. 2015 Four Eyez Silkscreen Print by Burrito Breath

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Three-Piece Etching Limited Edition Etching with Aquatint Print on Hand-Decorated Fine Art Paper by Zwy Milshtein is a pop art graffiti artist art. 1970 Signed & Numbered Limited Edition Etching Art Print. Artist: Zwy Milshtein Title: Three Piece Etching Medium: etching, with Aquatint Size: 21 x 30 inches Edition: Signed in pencil and marked 26/75 Zwy Milshtein: A Maestro of Etching and Aquatint Zwy Milshtein's artistic narrative is one of movement, not just across geographies but also through the evolution of his distinct style and technique. Born in 1934 in Kichinev, now known as Moldova, Milshtein's journey through the turbulence of World War II led him from Russia to Romania and eventually to Israel. However, in Paris, to which he moved in 1955, Milshtein found his enduring artistic home. Here, he became renowned as both a painter and a master engraver, celebrated for his etchings and engravings that capture the complexity of human experience. The Intertwining Paths of Engraving and Street Art The "Three-Piece Etching" by Milshtein is a testament to the craftsmanship and depth of engraving as an art form. Completed in 1970, this signed and numbered limited edition etching with aquatint, measuring 21 x 30 inches, is a fine example of Milshtein's adeptness with aquatint—a technique that allows for the creation of tonal effects, producing rich textures and a range of shades that lend a painterly quality to prints. This artwork, part of an exclusive series marked 26/75, is particularly notable for its abstract composition and the intriguing use of negative space, which engages the viewer in a visual dialogue reminiscent of contemporary street art and graffiti. Milshtein's Impact on Contemporary Art Milshtein's influence on the art world is well-documented through numerous exhibitions and retrospectives. His work was featured at ARC, the Museum of Modern Art in Paris, and in 1978, the Bibliotheque Nationale in Paris hosted a retrospective exhibition of his engravings. His artistic achievements include participation in the Hans Christian Andersen House project 1997, where he, along with other top European artists, paid tribute to the Danish author's bicentennial birthday. The aesthetic choices and technical skill displayed in works like "Three-Piece Etching" echo the visual strategies found in street pop art and graffiti. Milshtein's art, while distinct in its medium and execution, shares the spirit of innovation and subversion that is a hallmark of street art. His engravings invite the public to explore themes of identity, memory, and existence, much like street art and graffiti often do within the urban landscape. Zwy Milshtein's contributions to the world of engraving and his explorations in aquatint have secured his reputation as an artist of great skill and depth. "Three-Piece Etching" is a prime example of his ability to communicate complex ideas through printmaking. His legacy continues to inspire and influence artists within and beyond pop art, street art, and graffiti, affirming his artistry's enduring power and relevance.

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Polka Dot Portrait- Printers Select 14-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Fine Art Paper by Sheefy McFly- Tashif Turner Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 Multicolor Screen Print on 290gsm Coventry Rag Fine Art Paper Size: 18 x 24 Inches Release: September 30, 2021 Run of: 25

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Daydreaming II Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Alex Garant. 2018 Signed Limited Edition Print Artwork Size 8x10

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Signs Of The Crimes- Sky Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Aura Canis Lupus Artwork Giclee Limited Edition Print on 340gsm Cold Pressed Cotton Paper by Pop Artist Mandy Tsung. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 19x13 The Wind of the Wolf Dog September 13th 2013

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Prince Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The Prince Giclee Print by Adam Lister serves as a testament to the artist's innovative perspective in the world of pop art, merging elements of street and graffiti art. Lister's print, a homage to the iconic musician Prince, is imbued with the spirit of the legendary pop star. The 8-bit art style for which Lister is renowned has revolutionized the contemporary art scene, turning classic figures into intricate pixel-like compositions. His unique style is inspired by the early graphic aesthetics of computer and video game culture, thus tapping into an element of nostalgia for viewers. A remarkable facet of the Prince Giclee Print lies in its multi-dimensionality that captures the essence of graffiti and street art. The piece retains the spontaneity and vibrancy inherent to these art forms. Even though his work is meticulously planned and executed, the final output mirrors the raw energy and liveliness found on the streets. Lister's usage of watercolor to execute his geometric representations introduces an element of unpredictability, something graffiti art shares. The watercolor bleeds and diffuses, its organic unpredictability contrasting the sharp, calculated angles of his 8-bit renditions, adding depth to the otherwise flat digital aesthetic. Adam Lister's Prince Giclee Print is therefore a visual melting pot of pop, street, and graffiti art. It showcases an amalgamation of pop culture icons, nostalgic pixelated imagery, and elements of street art, ultimately contributing a unique dimension to the contemporary art scene. This work continues to resonate with enthusiasts of pop, street, and graffiti art, reinforcing Lister's position as a pivotal figure within these artistic movements.

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Jackpot- Red Limited Edition 4-Color Hand-Pulled Silkscreen Print on Die-Cut 290gsm Coventry Rag Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my childhood which are utilized to express myself.

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Te LoJuro- To Be Fearless Limited Edition Hand-Embellished HPM Spray Paint Archival Pigment Prints on Moab Entrada Rag Bright 290gsm Fine Art Paper by Indie184 Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 15 Artwork Size 13x17 2021 Signed Limited Edition TE LO JURO - TO BE FEARLESS• Autographed archival pigment print • Additional unique paint embellishment on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-embellished, signed and numbered by artist Indie184 in a special embellished edition of 15

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To Love And To Hold Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 11x16 White Haired Woman with Lilly Flowers. The Alluring Fusion of Florals and Portraiture in "To Love And To Hold" by Bec Winnel "To Love And To Hold," a giclee print by the Australian artist Bec Winnel, presents a compelling blend of portraiture and nature, a common theme within the domain of Street Pop Art and Graffiti Artwork, yet expressed here with a unique finesse. Limited to a collection of 25 signed and numbered editions, the artwork, sized at 11x16 inches, features a white-haired woman with lily flowers, a juxtaposition that evokes themes of purity, beauty, and the delicacy of human emotions. Bec Winnel's Artistic Narrative in Street Pop Art Bec Winnel's contribution to the contemporary art scene is marked by her ethereal and almost otherworldly representations of women, often coupled with elements from nature. "To Love And To Hold" is no exception. Winnel's precise and tender touch breathes life into the paper, creating a texture and depth that might be found in the murals and textures of Street Pop Art and Graffiti Artwork. This print invites the viewer into a narrative woven from the subject's penetrating gaze and the vibrant life of the lily flowers. The interplay between the subject and the lilies in "To Love And To Hold" is significant. Lilies are often associated with devotion, purity, renewal, and rebirth. By juxtaposing these flowers with the woman's gaze, Winnel may suggest a story of enduring love, a moment of contemplation, or a cycle of growth and change. The limited edition nature of the print deepens its value, turning it into a collectible piece that holds not just aesthetic value but also an emotional narrative that resonates with the viewer. Technique and Expression in Winnel's Limited Edition Prints The technique employed by Winnel in her giclee prints ensures that every subtle detail of her original artwork is captured, from the soft hues of the woman's hair to the intricate details of the lily flowers. Giclee printing, known for its high-quality reproduction capabilities, is particularly suited to Winnel's style, which often features soft gradients and delicate shadings that would be lost in lower-quality print methods. "To Love And To Hold" reflects the same attention to detail and expression often found in Street Pop Art and Graffiti Artwork. While the latter is typically found in urban settings and is characterized by its public display and often bold messages, Winnel's print brings the essence of this artistic expression into a personal and contemplative space. The piece does not shout from a wall but whispers from a frame, allowing for a deeper and more intimate connection with the art. The Lasting Impact of "To Love And To Hold" The lasting impact of "To Love And To Hold" within the broader context of street pop art and graffiti artwork is a testament to the versatility and range of the movement. While Street Pop Art is often associated with urban landscapes and the social and political commentary inherent in graffiti, Winnel's print showcases how the principles of this movement can be translated into different mediums and settings. Her work is a reminder that Street Pop Art is not confined by space or scale but is defined by its ability to touch, engage, and convey meaning. In the hands of those who own a piece of this limited edition print, "To Love And To Hold" continues to be more than just a work of art. It is a portal to a story, an emotion, and a piece of the artist's soul. It is a reminder of the beauty that can be found in stillness, the strength in vulnerability, and the profound connection between humanity and the natural world. As such, Bec Winnel's work is an enduring piece within the ever-evolving narrative of Street Pop Art and Graffiti Artwork, bridging the gap between the intimate and the universal, the private collection and the public spectacle.

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Bandana P 3-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Classic Crest Solar White Archival Paper by ABCNT Rare Street Art Famous Pop Artwork Artist. "Bandana P" by ABCNT Print Measures 18" X 24" 3 Color Silkscreen Print - Metallic Silver 290gsm Classic Crest Solar White Archival Paper Edition of 100 Signed and Numbered by the Artist ...

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Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki Print on Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 100 Offset Lithograph Artwork Print Size 19.75x19.75 Smiley Face With Bloody Nose in Blue. Kaikai Kiki Co. Ltd, Tokyo. Unconventional Aesthetics of Madsaki's Artwork Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The resurgence of pop art in the contemporary art scene is epitomized by the creative convergence of street art and graffiti, with artists like Madsaki at the forefront. "Happiness Overdose Azul Mariano_P," a limited edition offset lithograph print by Madsaki, exemplifies this trend, blending the rebellious spirit of street art with the vibrant aesthetics of pop art. Madsaki's artwork, characterized by its distinctive use of color and form, critiques modern society's obsession with happiness and the often ironic underpinnings of this pursuit. The "Happiness Overdose Azul Mariano_P" print showcases a smiley face—a universally recognized symbol of joy—juxtaposed with a bloody nose, suggesting an overdose of happiness to the point of harm. This striking imagery, rendered in bold blue on fine art paper, invites viewers to question the true nature of joy and the cost of its excess. The Cultural Significance of Offset Lithograph Prints Offset lithography, a common technique for fine art reproduction, allows artists like Madsaki to reach a wider audience by creating multiple copies of original works. This print's size of 19.75x19.75 inches is substantial yet accessible, fitting the urban environments that often inspire street pop art. Hand-pulling each print ensures that every piece retains a touch of the artist's hand despite being part of a limited edition series. The choice of woven fine art paper as the medium further signifies a blend of street art's immediacy and fine art's enduring quality. In the context of street pop culture, limited edition artworks such as "Happiness Overdose Azul Mariano_P" reflect the exclusivity and collectibility that street art has gained in the art market. The limited edition of 100 pieces, each signed and numbered by Madsaki, speaks to the artist's personalized connection with his work and collectors. It represents a shift from the transient nature of traditional graffiti to a more permanent, revered form of artistic expression. Integration of Street Art into Mainstream Art Galleries Madsaki's collaboration with Kaikai Kiki Co. Ltd, Tokyo, a company known for its role in promoting contemporary artists, underscores the increasing integration of street pop art into mainstream art galleries and the broader art world. This partnership illustrates the potential for street-inspired artworks to be celebrated alongside more traditional acceptable art forms, signaling a shift in cultural perceptions and the breaking down of barriers between high art and popular culture. The impact of "Happiness Overdose Azul Mariano_P" extends beyond its visual composition; it encapsulates the evolution of street art into a form that is both a critical commentary on society and a coveted acceptable art commodity. Through his work, Madsaki challenges viewers to reassess their understanding of happiness, consumerism, and the role of art in modern culture. His street pop art & graffiti artwork continue to resonate with audiences around the globe, bridging the gap between underground art movements and the polished white walls of galleries.

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Ransom Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Glenn Barr Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 16.5x20 Personality Crisis Portfolio- Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”. Barr finds inspiration in the city streets as well as from pop and counter cultures that infuse a familiarity in his many parallel realities. With a nod to old master painting, pulp art, and cartooning, Barr's paintings are mesmerizing in their narrative complexities and technical depth.

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Latinx-AF Archival Print by Marka27 Limited Edition on 290gsm Moab Entrada Bright Rag Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2020 Signed & Numbered Print Limited Edition of 40 Artwork Size 18x24 Archival Pigment Fine Art by Marka27 Marka27, whose real name is Victor Quinonez, has been recognized for his "Neo Indigenous" style that blends cultural iconography, street art, and pop culture into a unique and vibrant aesthetic. His work is deeply influenced by his bicultural experiences, having grown up in both Mexico and the United States.

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Goonie 038 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's "Goonie 038": A Vision of Surreal Introspection "Goonie 038" by Naoto Hattori is a profound statement of surreal introspection, a masterpiece that seamlessly blends the essence of watercolor finesse with the depth of surrealistic imagination. Signed and completed in 2013, this original, one-of-a-kind painting is a testament to Hattori's commitment to the craft and his ability to evoke emotion through his art. The framed artwork, confined within an 8.5x8.5-inch boundary and showcasing a 3x3-inch image, is a microcosm of Hattori's vast artistic universe, thoughtfully custom framed and matted by the artist. The work diverges from street pop art and graffiti artwork in form and presentation yet shares an intrinsic connection with these genres through its capacity to captivate and communicate profound messages. "Goonie 038" may not adorn a public wall or shout its existence through sprawling murals, but it commands attention through its intimate scale and the powerful presence of its subject matter. Unraveling the Symbolism in "Goonie 038" In "Goonie 038," Hattori presents a creature that defies ordinary classification—a being at the intersection of human-like emotion and unbelievable features. This hybrid form is a hallmark of Hattori's style, where familiar traits are interwoven with extraordinary elements. The intricate watercolor work accentuates the textures and contours of the subject, drawing the viewer's gaze into the complexities of its expression. The creature's eyes hold a world-weariness that belies its otherworldly appearance, prompting reflection on the shared experiences that transcend the boundaries of reality. Hattori's custom framing and matting are not merely protective measures but integral components of the artwork's overall impact. The decision to frame the piece underscores the importance of context in presenting art. For Hattori, the frame is a gateway, inviting the viewer into the surreal world he has created on paper. It symbolizes the transition from the artist's mind to the viewer's world, allowing "Goonie 038" to reside within a space that honors its unique character. Naoto Hattori's "Goonie 038" is a small yet mighty representation of the artist's surreal vision, offering a window into a world that challenges and expands the viewer's perception. While it may occupy a different space than traditional street pop art and graffiti artwork, it shares the same spirit of rebellion against the ordinary and a desire to disrupt and enchant. Through "Goonie 038," Hattori has created a piece that stands as a compelling contribution to the world of surreal art, which holds the power to mesmerize and provoke thought in equal measure.

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Echoes Hand-Pulled 14-Color Silkscreen Print on 300gsm Somerset Satin Paper by Modern Urban Artist Nafir Rare Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 90 Size 19.29x29.52

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Tactile Feast Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mandy Tsung. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 12z16

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Sweetness #2 Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Helice Wen Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 40 Artwork Size 14x14 Helice Wen's "Sweetness #2" Hand Embellished by the Artist Signed and Numbered Edition of 40 Copies 14" x 14"

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Purgatory Limited Edition Archival Pigment Print on 330gsm Fine Art Paper by Chor Boogie Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new.

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Word Games Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Australian contemporary artist Ben Frost is best known for his bold, irreverent Pop Art. His instantly recognizable take on pop culture twists up everyday iconography from the world’s biggest brands. Subverting meaning and messages from the mainstream media, Frost’s scathing commentary on advertising, entertainment, and politics is both confronting and controversial. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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Max Rockatansky Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell counter-culture street artist art. 2015 12"x16" giclee. Hand numbered. Max Rockatansky Giclee Print by Mike Mitchell

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And Then Things Got Better- Hate Limited Edition Archival Pigment Prints on 330gsm Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 24x24 Hate Variant And Then Things Got Better – Hate Edition by Denial in Street Pop Art & Graffiti Artwork And Then Things Got Better – Hate is a stark and emotionally charged archival pigment print created in 2021 by Canadian graffiti and pop artist Denial, born Daniel Bombardier. Released as a limited edition of only 25 signed and numbered prints, this artwork measures 24 x 24 inches and is produced on 330gsm museum-grade fine art paper. Known for his confrontational visuals and bold aesthetic rooted in consumer critique, Denial utilizes the visual language of comic art to explore psychological complexity through accessible pop iconography. In this Hate variant, the entire color palette is stripped down to grayscale, replacing the warmth and vibrancy of other versions with chilling neutrality. The caption panel in steel grey sets the emotional tone, while the central female figure—rendered in only black, white, and soft gray—expresses quiet anguish, captured mid-thought or in the wake of emotional turmoil. The Aesthetic and Emotional Distinction of the Hate Variant This version of Denial’s iconic piece is not just a color shift; it is a deliberate recalibration of tone and message. The grayscale palette evokes detachment, coldness, and numbness, suggesting a psychological state that exists after trauma or emotional collapse. The woman’s face, modeled on mid-century pop comic heroines, feels frozen and devoid of warmth—an intentional contrast that communicates emotional suppression rather than catharsis. The caption And Then Things Got Better, when read through the filter of the Hate edition, becomes deeply ironic. It may hint at repression, anger, or resignation masked by a public-facing statement of recovery. The tearless face, the narrowed gaze, and the absence of saturated color transform the image into a statement about the silence and distance that often follow intense personal or societal strain. Denial’s Commentary Through Minimalism in Street Pop Art & Graffiti Artwork Denial has long used mass media aesthetics to speak about propaganda, emotional manipulation, and the illusions behind commercial and cultural messages. In this Hate variant, he strips the image to its essential structure to expose emotional contradiction. The crisp linework, patterned Ben-Day dot textures, and monochromatic shading reinforce the graphic roots of his style, while the stripped-back execution demands viewers focus on tone and posture rather than color. Denial’s participation in Street Pop Art & Graffiti Artwork includes both wall-based interventions and limited edition fine art prints. Each format reflects his core mission: to disrupt perception and provoke thought using visual devices drawn from advertising and pop culture. This piece, though quieter in palette, is one of the loudest in emotional tension. It captures the essence of denial—not just the artist's moniker, but the human behavior—where feelings are buried beneath public declarations. Craftsmanship and Collectibility of the Hate Edition Printed with pigment-based inks on 330gsm acid-free fine art paper, the Hate edition is crafted to maintain both visual integrity and physical longevity. The texture of the paper allows the grayscale tones to achieve subtle variations in shading, while the precision of the print highlights every line and halftone. Each piece is signed and numbered by the artist, affirming its value as a collectible within Denial’s larger body of work. The choice to release this variant in a small edition of 25 enhances its exclusivity and relevance, especially for collectors attuned to the emotional narratives within pop art. As a statement within Street Pop Art & Graffiti Artwork, the Hate variant serves as a reminder that even the boldest images can carry quiet, unresolved messages. It is a visual testament to the moments where the world insists things are better—but the body, and the face, still remember.

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It's All Love- 17x21 Limited Edition Hand-Embellished & Deckled Archival Pigment Print on 310gsm Museum Natural Fine Art Paper by Pop Artist Mysterious Al. 2015 Signed & Numbered Hand Painted Embellished Limited Edition of 30 Artwork Size 17x21

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Supreme Scarface Split Deck Limited Edition Skateboard deck art by Designer Brand Supreme 2017 Printed Supreme x Scarface Limited Edition Skateboard Deck Depicting Al Pacino as Tony Montana from the Cult Classic Drug Movie Scarface. The Supreme Scarface Split Deck skateboard symbolizes the intersection where street culture, film, and design converge, creating a piece of Street Pop Art and graffiti Artwork that resonates with diverse audiences. This limited edition skateboard deck, released as part of the Fall/Winter 2017 collection by the designer Supreme, features iconic imagery from the cult classic drug movie "Scarface." The deck showcases a striking split design with Al Pacino as Tony Montana, capturing one of the film's most intense moments. Supreme, a brand deeply ingrained in the fabric of streetwear, has consistently demonstrated a knack for blending popular culture with its distinctive style. The collaboration with "Scarface" cements this approach, offering not just a skateboard but a canvas that reflects the gritty and raw narrative of the film. The deck is a homage to the character of Tony Montana, a figure whose pursuit of the American Dream through the darkest avenues of crime has left an indelible mark on cinema and popular culture. The "Shower" deck, in particular, grabs attention with a still from the infamous scene where a drug deal spirals into violence, placing Montana in a life-threatening standoff. This powerful image is complemented by the film's famous tagline on the top of the deck, further embedding the skateboard within the lore of "Scarface." This fusion of art, cinema, and skateboarding culture elevates the piece from a functional item to a collectible artifact within pop and street art. Supreme's decision to feature this graphic during the 2017 Fall/Winter collection was a strategic move that tapped into the nostalgia and aesthetic appeal of the 1980s, when skateboarding and the film "Scarface" rose to prominence. The deck's design captures the essence of that era while remaining relevant to the modern landscape of street art and fashion. As a piece of modern Street Pop Art and graffiti Artwork, the Supreme Scarface Split Deck transcends traditional boundaries, blending functionality with a solid artistic statement. Its creation speaks to a culture that values the defiant spirit of street art and the power of visual storytelling. For enthusiasts and collectors, the deck represents a piece of cultural history, embodying the spirit of rebellion and the relentless pursuit of ambition, themes as relevant today as they were at the time of the film's release.

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ABCNT Masked Bust- Ivory White Limited Edition Rare Hand Casted Solid Resin Sculpture Artwork by graffiti street artist modern pop artist ABCNT. 2020 Signed & Numbered Edition of 25 Artwork Size 5x6 Comes in Hand Spray Painted Box, Signed & Numbered. BCNT Ivory White Edition 6" Hand Casted Solid Resin Sculpture Limited Edition of only 25 made Hand Stenciled Box by the artist ABCNT Signed & Numbered

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Shy Heart Silkscreen Print by Chris Uphues Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 25 Artwork Size 16x20 Silkscreen Print Shy Heart Silkscreen Print by Chris Uphues Shy Heart is a signature silkscreen print by Chris Uphues, an artist known for his vibrant and playful contributions to street pop art & graffiti artwork. This 2013 hand-pulled screenprint, produced in a signed and numbered limited edition of 25, measures 16x20 inches and encapsulates the artist’s distinct style. Uphues’ work is characterized by bold, cheerful imagery that blends elements of street art, pop culture, and emotional storytelling. Shy Heart continues this tradition, featuring a bright pink heart with large, expressive eyes and a small, subtle smile, conveying a sense of innocence and lighthearted charm. This print embodies the artist’s commitment to creating visually engaging work that resonates on a personal and emotional level. With its minimalistic yet striking composition, Shy Heart captures the essence of contemporary urban art while maintaining a playful, inviting energy that appeals to a broad audience. The Symbolism of the Shy Heart Chris Uphues is widely recognized for his heart motifs, which appear across his murals, prints, and public installations. Shy Heart is a prime example of this recurring theme, presenting a simplified yet highly expressive character that speaks to universal emotions. The wide eyes and soft smile suggest a sense of curiosity and timidity, evoking feelings of nostalgia, warmth, and vulnerability. Unlike traditional street pop art & graffiti artwork that often leans toward aggressive or rebellious themes, this piece takes a more sentimental and inviting approach. The use of a heart as the central figure reinforces ideas of love, kindness, and connection. The character’s expressive features allow the viewer to interpret the artwork in multiple ways—whether as a symbol of new love, self-acceptance, or the gentle excitement of new experiences. By keeping the design minimal, Uphues ensures that the emotional impact of the piece remains the focal point, making it easily recognizable and instantly engaging. Color, Form, and the Language of Pop Art Shy Heart follows Uphues’ signature visual style, utilizing bold color and clean, rounded forms to create an image that is both striking and accessible. The vivid pink of the heart stands out against the crisp white background, while the oversized black-and-white eyes add depth and personality. The simplicity of the composition allows the character’s expression to take center stage, reinforcing the emotive power of the piece. This approach aligns with the traditions of street pop art & graffiti artwork, where artists distill imagery into its most impactful form. The high-contrast design and bold lines draw inspiration from vintage advertising, comic art, and mid-century pop aesthetics, blending nostalgic influences with a modern urban sensibility. Uphues’ work is a testament to the idea that minimalism can be just as powerful as intricate detail when it comes to conveying meaning and evoking emotion. Shy Heart as an Icon of Contemporary Urban Art Chris Uphues has built a reputation for creating art that spreads positivity and joy, and Shy Heart is a perfect representation of that mission. Unlike many forms of street pop art & graffiti artwork that focus on critique or disruption, his work leans into themes of connection, playfulness, and shared human experience. The simplicity of Shy Heart makes it highly versatile, able to exist as a fine art print, a street mural, or even a design for commercial collaborations. Uphues’ ability to translate his signature imagery across different mediums has contributed to the widespread appeal of his work. His smiling hearts and expressive characters have appeared in galleries, on clothing, in large-scale public installations, and in brand partnerships, making his art an integral part of contemporary visual culture. Shy Heart stands as a piece that encapsulates his artistic philosophy, proving that street pop art & graffiti artwork can be both accessible and deeply meaningful. This limited-edition screenprint remains a highly sought-after work, embodying the lighthearted yet impactful nature of Uphues’ artistic contributions. As his hearts continue to spread across urban landscapes and art collections, Shy Heart remains a testament to the enduring power of simplicity, emotion, and visual storytelling in modern street art.

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Akira Pill Ceramic Plate Art Object by Supreme Limited Edition Collectors Dish Artwork. 2017 Stamped Limited Edition Supreme Ceramic Plate Artwork Size 10x10 Collectible Art Object. Unveiling the Supreme AKIRA Pill Ceramic Plate: A Convergence of Street Pop Art and Collectible Design The Supreme AKIRA Pill Ceramic Plate is a distinctive artifact within the collectible design and street pop art spheres. Launched as part of the Fall/Winter 2017 collection, this limited edition piece exemplifies the harmonious blend of utilitarian objects and art pieces. The collaboration between Supreme and the AKIRA manga series transcends mere commercial intent, evolving into a collector's item that celebrates the aesthetics of both street culture and Japanese graphic art. The Supreme AKIRA Pill Ceramic Plate, sized at 10x10 inches, is more than just a dish; it's a canvas that showcases the thrilling intersection of Supreme's bold sensibilities and AKIRA's striking manga artwork. Crafted from high-grade ceramic, the plate promises durability and an enduring visual appeal, making it suitable for functional and display purposes. The artwork, featuring a character mid-action as they consume a pill, is rendered in a stark black-and-white palette, bringing the dynamism and raw energy of the original manga panels to a static object. Accompanying the image is the phrase "THEY'RE JUST LIKE CANDY!" which adds a layer of narrative and intrigue to the piece. In this unique art object, the collaboration's spirit is palpable. The featured artwork captures the essence of the AKIRA series, while the incorporation of Supreme's logo recontextualizes the image within high-end street fashion. The choice to modify the Supreme logo and place it on the pill within the artwork speaks to the brand's knack for seamlessly integrating popular culture references within its products. This technique endears the piece not only to fans of the manga but also to followers of the Supreme brand, whose identity is cleverly woven into the narrative of the artwork. The underside of the plate is as much a part of the art as the top, displaying the classic Supreme Box logo in its original, vivid colors. This touch is a signature move by the brand, a nod to its roots in the skateboarding and streetwear scenes, and serves as a certificate of authenticity for collectors. The Supreme AKIRA Pill Ceramic Plate is Street Pop Art and Graffiti Artwork The Supreme AKIRA Pill Ceramic Plate is a testament to the evolving landscape of street pop art and graffiti artwork. It encapsulates what it means to be a piece of art in the modern age – functional yet provocative and steeped in the subculture. This plate isn't just merchandise; it's a slice of the street art narrative captured in glazed ceramic. The plate's design reflects the shared backgrounds of street art and graffiti – spontaneous, bold, and often provocative. Yet, it is refined through the lens of pop art, which takes the everyday object and elevates it to something extraordinary. The collaboration is symbolic of how street pop art often blurs the lines between commercial and high art, inviting discourse on the value and significance of art in everyday objects. As a piece of art, the Supreme AKIRA Pill Ceramic Plate carries the legacy of its manga inspiration into new territories. It's a physical representation of the cultural impact of the AKIRA series on the world of graphic novels and the broader canvas of pop culture. For Supreme, this plate adds to its repertoire of items that are at once contemporary and timeless, pieces that resonate with the cultural zeitgeist while retaining a sense of exclusivity and collectibility. In street pop art and graffiti artwork, objects like the Supreme AKIRA Pill Ceramic Plate challenge traditional notions of what art can be. They bring the vibrancy and edginess of street art into homes, merging with the functional aspects of everyday objects. This plate is not just a practical dish; it's a conversation starter, a piece of cultural commentary, and a collectible artwork all rolled into one, capturing street pop art's innovative and transformative spirit.

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Eric King/ Pope Joint- Tigers Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Eric King/ Pope Joint- Tigers

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Obey Icon VSE #12 HPM Stencil Spray Paint Original by Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey Hand-Painted Multiple Unique Graffiti Street Artist Modern Pop Art on 100% Cotton Rag Fine Art Paper Framed. 2022 Signed & Numbered Edition #12 HPM Unique Original Spray Paint Artwork Size 20.5x26.5 VSE- Variable Stencil Edition Custom Mated and Framed "The "OBEY Icon" (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Yerena. Each piece is a stencil painting with unique variations in background painting and relief texture created with a thick application of acrylic medium through pattern stencils. The Obey Icon face evolved at the end of 1995 out of the desire to move further away from the association with Andre the Giant and toward a more streamlined and universal "Big Brother" (as in George Orwell's 1984) image." –Shepard Fairey Obey Icon VSE #12: Shepard Fairey and the Evolution of Surveillance Imagery in Street Pop Art Obey Icon VSE #12 represents a critical moment in the visual trajectory of Shepard Fairey, created in collaboration with artist Ernesto Yerena Montejano in 2022. This edition—part of the Variable Stencil Edition (VSE) series—is a 20.5 x 26.5 inch original spray paint piece on 100% cotton rag fine art paper. Signed and numbered, each print is unique, layered with hand-applied stencil work and spray-painted backgrounds. This version, labeled HPM #12, builds upon Fairey’s now-iconic Obey face by incorporating organic floral motifs, distressed textures, and a visually assertive red OBEY logo near the bottom. The central figure is the evolved version of Fairey’s original Andre the Giant icon, streamlined into a symbol with ambiguous power. As Fairey moved away from direct association with celebrity and toward ideological critique, this face became a representation of omnipresent authority. Influenced by George Orwell’s concept of Big Brother, the image no longer functions as parody—it has become an emblem of anonymous control and propaganda. The stencil format reinforces its reproducibility, aligning it with graffiti’s tradition of mass visual intervention while also preserving the aesthetic refinement found in Street Pop Art & Graffiti Artwork. Stencil Method as Commentary on Repetition and Power The hand-painted stencil technique used in Obey Icon VSE #12 is a deliberate visual language in itself. Fairey and Yerena build each work with layers of patterned textures and colored washes beneath the stark black facial features. These underlayers—often containing floral, ornamental, or textile-like patterns—soften the image’s authoritarian undertones while introducing visual contradiction. The face is harsh and emotionless, but the background is rich with cultural detail, especially in Yerena’s contributions which often draw on Mexican-American visual traditions. This clash reinforces the tension between systemic control and grassroots creativity. Spray paint drips, stencil misalignments, and layering imperfections are retained as aesthetic decisions rather than errors. These marks echo the history of street-based image-making where precision is often sacrificed for immediacy and message. Yet within this edition, those street elements are placed within the polished context of fine art materials—cotton rag paper, archival spray mediums, and custom framing. That duality plays with the boundaries between institutional art and insurgent expression. Collaborative Resistance and the Role of the Icon The collaboration between Shepard Fairey and Ernesto Yerena adds depth to the cultural subtext of Obey Icon VSE #12. Yerena’s Hecho Con Ganas movement is rooted in Chicano identity, social activism, and visual empowerment. The shared visual territory between Fairey and Yerena in this work situates the Obey face not just as a commentary on media and control, but as a multicultural symbol—one that can carry meaning in spaces impacted by surveillance, displacement, and systemic inequality. The image does not demand literal interpretation. Its power lies in its ambiguity. It recalls propaganda posters, corporate logos, revolutionary iconography, and even police sketches. Viewers project meaning onto it, shaped by their experiences with authority and imagery. In that way, the Obey face becomes a mirror of the visual systems that govern daily life—branding, ideology, control. Its framing and repetition across cities and galleries alike challenge the idea that art is separated from power. Obey Icon VSE #12 carries forward the legacy of Street Pop Art & Graffiti Artwork by balancing aesthetic force with conceptual weight. It refuses to choose between rebellion and refinement. The image stares back, unchanged and unblinking, forcing a question: Is this face watching us—or are we the ones obeying its silent command?

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Untitled 6 Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori. UNTITLED 6 20 x 24 inches (50.8 x 61 cm) High-Quality Giclee Print on 100% Cotton Rag Fine Art Paper Signed and Numbered Edition of 50

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