Fire & Flames

Collision Artwork Giclee Limited Edition Print on Photo Rag Bright White Paper by Pop Culture Graffiti Artist Kilian Eng (DW Design). Print on paper (Photo Rag Bright White 310 gsm) 17 H x 24 W inch. Swedish artist Kilian Eng (DW Design) has a unique style and visual language that is sometimes described as retro-futuristic. "I’m very interested in creating environments in my work. I’m fascinated by architecture - ancient, futuristic, fantastic - so I often incorporate buildings or structures. The characters that inhabit the pictures are dropped in these unexpected surroundings." -Kilian Eng

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Longear Tiger P-40 Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art for sale. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 17x16 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2018 Limited Edition Skateboard Artwork Size 8x31 Skateboard Art Deck Brand New Perfect Condition Flaming Skull Skateboard Art Deck Set by Takashi Murakami: Skate Culture Icons in Street Pop Art & Graffiti Artwork Flaming Skull Skateboard Art Deck Set by Takashi Murakami is a 2018 limited edition triptych consisting of three 8 x 31 inch wood skateboard decks printed with a vibrant archival design. Issued through TM/KK and presented in brand new condition, this piece transforms the visual motifs of Murakami’s Superflat style into a collectible surface rooted in both urban rebellion and fine art tradition. The work features his signature smiling flowers and neon skulls engulfed in candy-colored flames, creating a frenetic collision of joy, death, and energy. It exemplifies the aesthetic and cultural fusion at the heart of Street Pop Art & Graffiti Artwork. Murakami, born in Japan in 1962, is known globally for reimagining Japanese kawaii culture through contemporary art. In Flaming Skull, his recurring iconography is pushed to maximum saturation. The decks explode with pastel flames that dance between pinks, yellows, and blues, consuming and encircling the now-iconic wide-eyed flowers and stylized skulls. These elements are not randomly placed. The skulls nod to the transience of life while the grinning flowers, usually symbols of peace and cuteness, now float among the burning chaos. The contrast between innocence and destruction becomes a central visual tension. The skate decks act as both art objects and emblems of resistance, reinforcing how Murakami's work translates fluidly between gallery settings and street culture. Superflat Meets Skate: Murakami's Surfaces of Power The use of skateboard decks as a medium adds another dimension to Murakami’s Superflat philosophy, which compresses visual depth and collapses distinctions between high art and commercial design. In the Flaming Skull set, the decks function not only as a canvas but also as a cultural object—a symbol of countercultural identity, mobility, and rebellion. Skateboards have historically served as both mode of transport and personal billboard, making them ideal platforms for artwork that is as expressive as it is political. Murakami’s designs, printed seamlessly across the three decks, maintain a sense of cohesion while taking advantage of the vertical format and curvature unique to skateboards. His combination of illustrative clarity and chaotic form aligns with the structure of street graphics, often characterized by repetition, exaggeration, and intense color. Flaming Skull is not static. It evokes speed, spontaneity, and movement—qualities inherent to skateboarding and to graffiti. Symbolic Language and the Visual Noise of Urban Life This work amplifies Murakami’s ongoing exploration of symbolism, pop culture, and emotional intensity. The juxtaposition of flames and floral motifs mirrors how graffiti writers tag over advertisements, blending commercial and underground languages into something personal and uncontrollable. The skulls invoke cycles of life and death without morbidity, depicted in luminous tones that transform fear into fantasy. By placing these forms in riotous layers, Murakami crafts a surface that feels as alive as a street wall—an artwork where every inch pulses with energy and intention. Flaming Skull, like much of Murakami’s work, resists easy categorization. It channels anime aesthetics while referencing traditional Japanese painting. It uses joyful motifs in unsettling ways, exposing the volatility of contemporary life. The work's chaotic harmony is reflective of Street Pop Art & Graffiti Artwork, where cultural clutter becomes the material of revolution and emotional response. Takashi Murakami’s Street-Level Reach through Skateboard Art Murakami’s Flaming Skull Skateboard Art Deck Set encapsulates the global crossover between contemporary art and street expression. While he is firmly established within the art world, his use of materials like skateboards speaks to a different kind of power—one rooted in youth culture, physical movement, and accessible rebellion. These decks, though never meant to be ridden, carry the spirit of resistance and creativity that defines the spaces they visually occupy. By applying his most recognizable visual codes to skate culture artifacts, Murakami ensures that his work remains relevant, mobile, and responsive. Flaming Skull is a kinetic masterpiece of Street Pop Art & Graffiti Artwork, linking life’s fragility to joy, flame, and speed through a perfectly executed limited edition. It is not just decoration; it is a message burned into wood.

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Sheer Art Attack Ink Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Ink Drawing Artwork Size 15x17 "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Crash Test Kalis- 8.38 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. 7-ply Maple with Assorted Stain Veneers / Full Graphic Bottom / Top Screen Graphics / Josh Kalis Professional Endorsed Skateboard / 8.38" Width x 32.15" Length / 14.5" Wheelbase

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Tickle Me Anarchy! Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 18x24 #1 of 25 Tickle Me Anarchy!: A Satirical Statement in Street Pop Art Tickle Me Anarchy! is a bold and humorous archival pigment fine art print by Daniel Bombardier, known as Denial. This limited-edition work from 2022 showcases Denial’s ability to blend iconic pop culture imagery with sharp political and social critique. Printed on 290gsm MOAB fine art paper, the piece measures 18 by 24 inches and is part of a signed and numbered edition of only 25 prints, making it a highly collectible artwork. The vibrant colors and playful yet subversive composition highlight Denial’s mastery of street pop art and graffiti artwork, creating a visual commentary that is as engaging as it is thought-provoking. Subverting Icons Through Street Pop Art Tickle Me Anarchy! takes a beloved cultural figure and infuses it with anarchistic rebellion, transforming it into a symbol of critique against societal norms. The familiar red character is depicted holding a Molotov cocktail, a striking juxtaposition that merges innocence with chaos. This subversive imagery creates a dialogue about the role of entertainment, media, and consumer culture in shaping societal behaviors and ideologies. The playful design, paired with an unmistakable sense of rebellion, reflects the core elements of street pop art, where accessible imagery is used to deliver powerful messages. Denial’s Artistic Vision Daniel Bombardier, based in Canada, is celebrated for his ability to deconstruct and reimagine cultural symbols through his work. His unique style combines the aesthetic of graffiti artwork with the thematic depth of pop art, resulting in pieces that challenge societal norms and provoke thought. Tickle Me Anarchy! encapsulates this approach, turning a nostalgic character into a commentary on political dissent and societal discontent. Denial’s use of archival pigment printing on fine art paper ensures that the artwork is both visually striking and durable, preserving the intensity of his colors and the precision of his details. The Cultural Impact of Tickle Me Anarchy! Tickle Me Anarchy! is a prime example of how street pop art can use humor and irony to address serious themes. By merging playful visuals with provocative imagery, Denial invites viewers to question the systems and structures that govern modern life. This artwork resonates with audiences by blending nostalgia with rebellion, creating a piece that is as entertaining as it is meaningful. As a limited-edition print, it not only holds artistic and cultural significance but also stands as a coveted item for collectors who appreciate the intersection of graffiti artwork and pop culture critique. Denial continues to redefine the boundaries of urban art with works like Tickle Me Anarchy!, cementing his influence in contemporary street pop art.  

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Radioactive III Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Radioactive Symbol Warning Sticker by Graffiti Artist Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Radioactive Warning Label Uline S-13849 Sticker.  Slap Up In Perfect Condition. Radioactive  Expressions in Street Art In Street Pop Art and Graffiti Artwork, the "Radioactive III Slap-Up Label Sticker" series by Saber, legally known as Ryan Weston Shook, stands out as a profound commentary on the interplay between hazard and creativity. His 2020 series of original permanent marker art drawings on the quintessential yellow and black radioactive warning stickers transform these danger symbols into compelling pieces of modern street artwork. Each 4x4 piece, tagged with Saber's moniker on the Uline S-13849 sticker, carries the weight of its message through the juxtaposition of the universally known hazard symbol with the personal style of the graffiti artist. Confronting Perceptions with Tag Art The choice of the radioactive symbol, a globally recognized sign of lethal materials and the presence of unseen dangers, is intentional and provocative. Saber's tags across these stickers confront our perceptions of risk and the unseen forces that shape our world. By marking these warning labels with his art, Saber injects a human element into the conversation about the hazards surrounding us, both seen and unseen, tangible and intangible. The act of tagging these specific stickers is a bold statement, challenging the viewer to consider the potential for harm that exists not just in the physical realm but in the realm of ideas and expression. Saber's Artistic Legacy An American artist, Saber utilizes his work to provoke and challenge the status quo. His artistry on the "Radioactive III" stickers reflects his capacity to take warning symbols and transform them into symbols of identity and resistance. The series, signed and dated, is a testament to a year marked by global unrest and a reevaluation of what constitutes a threat to our collective well-being. Through his work, Saber raises questions about the role of art in a world that is increasingly aware of and responsive to the dangers it faces, be it environmental, political, or social. In each piece, Saber's signature style — bold, assertive, and unapologetic — captures the essence of street art's capacity to engage with its environment in a dialogue that is both critical and hopeful. The radioactive symbol, once a stark warning, becomes through Saber's intervention a canvas for exploring the boundaries of art and the power of an artist's touch to change how we see the world around us. As an active contributor to the graffiti and street art scene, Saber's work continues to resonate, ensuring that his voice and vision are as enduring as the radioactive elements his chosen canvases warn us about.

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Laugh in the Face of... Artwork Giclee Limited Edition Print on Italian Cold-Press Archival Watercolor Paper by Pop Culture Graffiti Artist Nosego. Laugh in the Face of... by Nosego Fine art Giclée print on Italian cold-press watercolor paper Featuring hand-deckled edges Hand-embellished 24 x 18 Inches Limited Edition of 50 (signed & numbered)

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The Final Solution- Atomic Bomb Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist SSUR- Ruslan Karablin. 2014 Signed Limited Edition Artwork

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Dangerous When Wet Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy Flame Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Dangerous When Wet Label Uline S-176 Sticker.  Slap Up In Perfect Condition. Challenging Conventions with Street Pop Art The "Dangerous When Wet Label Uline S-176 Sticker" series, created by the renowned graffiti artist Saber, whose birth name is Ryan Weston Shook, stands as a compelling intersection of street art innovation and cautionary messaging. Saber's 2020 collection of 4x4 marker-tagged artworks embodies the essence of Street Pop Art and Graffiti Artwork, repurposing warning labels meant to signify potential danger into canvases that question and provoke thought about the inherent risks in our daily lives and the nature of perceived threats. Fluidity and Permanence in Saber's Art The warning labels Saber selects are traditionally designed to alert individuals of the immediate physical dangers of substances that react with water. However, by incorporating his signature tag into these labels, Saber invites a dialogue on the fluidity of art and its ability to leave a permanent mark on both the physical and cultural landscapes. Through tagging, these stickers, which once served a single helpful purpose, are now transformed into a statement on the juxtaposition of danger and beauty, impermanence and endurance. This speaks to the heart of graffiti's ethos – creating art that can withstand the elements, much like the substances the original labels warn against. Saber and the Assertion of Artistic Presence Each signed original slap-up graffiti art tag is a declaration of presence, asserting the artist's voice in a reserved space for warnings and prohibitions. The choice of the 'Dangerous When Wet' sticker is especially resonant in the year it was created, a year fraught with global challenges where the metaphorical concept of being 'dangerous when wet' could be extended to the idea of ideas, movements, and expressions that gain momentum and power when combined with the elements of social and political change. In exploring this theme, Saber utilizes the language of Street Pop Art and Graffiti Artwork to navigate the complexities of communication in public spaces. His work demands recognition for its aesthetic appeal and its ability to engage with and transform the messages embedded within our environments. As a respected figure in street art, Saber continues to push the boundaries of how art can interact with and alter the fabric of society. Each piece he creates is not just an artwork; it is a challenge, a question, and a statement rolled into one, symbolic of the power and potential of street art to recontextualize and redefine the symbols surrounding us.

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Suicide Man- White Gesso Limited Polystone Resin Sculpture Artwork by Graffiti Street Artists Banksy x MediCom. 2020 Limited Edition White Polystone Resin Sculpture New In Box

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Garfield Lasagna Bomber Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ndikol. 2021 Garfield 7” Vinyl Art Toy Limited Edition Hasta lasagna, don't get any on ya! Known for being lazy and sarcastic, he packs one mean throw. Keep the Mondays away from Lasagna Bomber by Ndikol unless you want a dish of lasagna hurled straight to your face. Stylized in the stencil-like finish and the iconic pose you’ve come to know from Ndikol, Lasagna Bomber puts a multi-layered twist to our favorite orange tabby cat. Contrasting black and white details with a boxful of yummy, cheesy, lasagna, you know you want to be on his side of the food fight. LICENSEE AND MANUFACTURED BY: Mighty Jaxx International Pte Ltd

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SSUR Varsity 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures by SSUR Ruslan Karablin Russian Karablin's label, SSUR gets another Bearbrick makeover on the 400% sized motif. The Bearbrick features SSUR Graphics printed on the front, back and arms of the Bearbrick, resembling the iconic SSUR NY Dog Varsity Jacket. This 400% Bearbrick stands at 28cm / 11 inches tall.

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I Believe You Have My Stapler Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Office Space Movie Red Stapler of Milton Fame. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Pyramid Followed Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art.

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Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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New Clear Power 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "New Clear Power, my first solo art show in Germany (@amuseum_Munich) addresses systems, forms, and notions of power that we must all carefully consider as we pursue our vision for an ideal personal and collective future. In my visual strategy, I choose colors, patterns, and icons that powerfully engage the viewer, and I write the text for my pieces using words that have the power of clear and concise communication. The concept of power is almost always present in my art. Forms of power addressed in the subject matter of New Clear Power include abuse of power, power concentrated under capitalism, renewable power, political power, the power of creativity, power over information, and the power of controlling narrative." -Shepard Fairey "New Clear Power Silkscreen Print" is a work of art by the renowned American street artist Shepard Fairey, also known by his moniker, OBEY. The "New Clear Power Silkscreen Print" is a limited edition artwork created with Fairey's signature silkscreen printing technique. Silkscreen printing, also known as screen printing, is a process that involves applying layers of ink through a mesh screen to create an image on various surfaces. Shepard Fairey frequently uses this method to create his distinctive, bold, and highly detailed artworks. Fairey's work often explores political and social themes, with powerful imagery and messages to provoke thought and discussion. The "New Clear Power Silkscreen Print" incorporates similar themes and is intended to raise awareness about a specific issue or idea. Since the title plays with the words "New Clear Power" (sounds like "Nuclear Power"), it may address topics such as the use of nuclear energy, its potential benefits, and its risks to society and the environment. The artwork probably features Fairey's recognizable style, which typically combines elements of graphic design, illustration, and street art. As with many of Fairey's limited edition prints, the "New Clear Power Silkscreen Print" is highly sought after by art collectors and fans of the artist's work.

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embellished Artwork Size 24x36 Wood Cradled Ready to Hang. I Will Love You Until The End by Denial: Innocence and Apocalypse in Street Pop Art & Graffiti Artwork I Will Love You Until The End is a 2015 limited edition hand-embellished mixed media artwork by Canadian pop and graffiti artist Denial. Each piece in the edition of five is uniquely created using spray paint, stencil, acrylic, and layered mixed media on a cradled wood panel measuring 24 x 36 inches. Signed and ready to hang, this large-scale painting merges emotional sincerity with a biting critique of global instability and modern chaos. It is a visual contradiction where romantic imagery collides with the language of war, solidifying Denial’s signature approach to Street Pop Art & Graffiti Artwork as both emotionally provocative and conceptually subversive. Contrasting Visual Elements and Emotional Duality The focal point of the work is the silhouette of a young boy and girl standing face to face, poised in a moment of tender affection. The boy hides a bouquet of flowers behind his back, a symbol of innocent love and youthful vulnerability. Behind them, however, explodes a massive mushroom cloud rendered in stark contrast with vibrant shades of red, yellow, and orange. This apocalyptic backdrop shatters the serenity of the foreground, suggesting that even the purest moments of love are not immune to the violent consequences of human decision-making. The boy’s gesture of giving and the girl’s attentive stance become metaphors for fragile hope amid destruction, underscoring how love persists in the shadow of looming catastrophe. Materials, Texture, and Hand-Painted Process Each work is created on wood panel, lending the artwork a raw, physical weight consistent with the grittiness of its street-art origins. The hand-embellished nature of the edition ensures that every panel is uniquely layered with stencil elements, expressive spray paint, and intentional imperfections. The use of negative space in the silhouettes contrasts with the explosively detailed background, drawing the viewer’s eye directly into the visual dialogue between affection and annihilation. The tactile nature of the panel surface and the layering of medium give depth and intensity to the emotional tension within the piece. Denial’s Vision and Cultural Commentary Denial, born Daniel Bombardier, is known for using irony, contradiction, and layered symbolism to critique media, consumerism, and political complacency. In I Will Love You Until The End, his use of youthful silhouettes is not nostalgic but intentionally ironic. The innocence of childhood becomes a symbol of hope, threatened by the ever-present specter of conflict. Denial’s art often exposes the absurdity of modern ideologies, and here he asks whether love can endure when the world is on fire. This piece reflects the duality often found in Street Pop Art & Graffiti Artwork—beauty versus chaos, sincerity versus spectacle, and human emotion standing resilient against systems of destruction. Through visual metaphor and confrontational aesthetics, Denial invites viewers to consider not only the fragility of affection but also its power in the face of oblivion.

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No End In Sight HPM Embellished Archival Print by Chris Austin Limited Edition on Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Hand Paint Multiple Embellished Print Limited Edition of 10 Artwork Size 36x16 Archival Pigment Fine Art of a Shark Flying Trough Burning Woods "No End In Sight," an HPM (Hand Paint Multiple) embellished archival print by renowned artist Chris Austin, showcases an exciting convergence of pop, graffiti, and street art aesthetics in the modern art scene. Born out of 2023, this limited edition of only ten pieces elevates exclusivity and fine art appreciation to new heights. Embodying Austin's distinctive stylistic voice, the work manifests as a striking 36x16 fine art paper print. Through a careful interplay of vibrant colors, edgy outlines, and pop culture elements, Austin successfully captures a startlingly novel image of a shark flying through burning woods. This potent metaphorical scene underscores the artist's skillful versatility, giving life to inanimate objects, subverting the laws of nature, and pushing the boundaries of reality. The archival pigment used in the artwork ensures longevity, preserving the intensity of the hues and the fine details of the composition for future generations to appreciate. The hand embellishment process introduces an additional layer of authenticity and depth, giving each of the limited-edition prints a unique quality. Austin's signature and the print number further enhance the work's value, verifying its origin and rarity. Whether you're an ardent lover of pop, graffiti, or street art, "No End In Sight" serves as a testament to Austin's prowess and the uncharted potential of these intertwined art genres. This piece not only commands attention but also incites thought, sparking conversations around perception, imagination, and the unbounded possibilities within the realms of art. In essence, "No End In Sight" by Chris Austin reflects the pulse of modern art as it continues to evolve and challenge traditional norms. This HPM embellished archival print, with its limited availability and arresting imagery, represents a prized possession for any art enthusiast or collector, a testament to Austin's enduring impact on contemporary visual culture.

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Fire-Cat Inferno Creatures of the Night Archival Print by Joe Ledbetter Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2012 Signed & Numbered Print Limited Edition of 25 Artwork Size 18x18 Archival Pigment Fine Art Square Cut Artwork from the Show Creatures of the Night. Fire-Cat Inferno Creatures of the Night Archival Print by Joe Ledbetter – Limited Edition Street Pop Art & Graffiti Artwork Joe Ledbetter, a prominent figure in Street Pop Art & Graffiti Artwork, presents Fire-Cat Inferno, an 18x18-inch archival pigment fine art print from his Creatures of the Night series in 2012. This signed and numbered limited edition of 25 features Ledbetter’s signature bold lines, exaggerated expressions, and a powerful narrative conveyed through a blend of pop surrealism and urban art aesthetics. The square-cut format enhances the intensity of the composition, framing a fiery and aggressive feline creature engulfed in swirling flames. The central character, Fire-Cat, stands menacingly in a heated fury, its jagged teeth and sharp claws emphasized by the surrounding inferno. The color palette is dominated by deep reds, burning oranges, and smoky blacks, creating a visually striking contrast that intensifies the creature’s raw energy. The flames appear to be alive, dancing around the Fire-Cat’s form, reinforcing the chaotic and untamed nature of this feral beast. The ground beneath the character is cracked, suggesting an uncontrollable force capable of leaving destruction in its wake. This combination of sharp angles, fluid motion, and vibrant colors makes the artwork one of Ledbetter’s most visually aggressive and dynamic pieces. Joe Ledbetter’s Contribution to Street Pop Art & Graffiti Artwork Joe Ledbetter has consistently pushed the boundaries of Street Pop Art & Graffiti Artwork by combining bold character design with layered storytelling. His work is characterized by thick, clean outlines, a refined use of shading, and an animated quality that brings his characters to life. His background in illustration and vinyl toy design plays a significant role in shaping his aesthetic, allowing him to create pieces that feel both playful and powerful. His approach to contemporary art often merges humor, surrealism, and intense visual storytelling. Whether portraying mischievous rabbits, ferocious beasts, or hybrid creatures, Ledbetter’s ability to infuse emotion and energy into his work keeps his art engaging and memorable. Fire-Cat Inferno is a prime example of his ability to convey intensity through exaggerated features and dramatic contrasts, making it a standout piece in his Creatures of the Night series. Fire-Cat Inferno – A Visual Representation of Chaos and Power Fire-Cat Inferno captures the raw essence of uncontainable energy, rage, and destruction. The jagged, almost tribal-like markings on the creature’s body, combined with the intense glow of the surrounding flames, create a sense of constant motion. The Fire-Cat’s expression is both menacing and determined, its wide, sharp grin revealing a level of chaotic amusement in its own uncontrollable power. The presence of smoke and embers further amplifies the feeling of heat, making the artwork feel alive with tension and movement. The symmetrical composition and square-cut format reinforce the structured yet unpredictable nature of the Fire-Cat’s form. The way the flames curve around the figure creates an illusion of three-dimensionality, giving the artwork depth and making the character appear as if it could leap off the canvas at any moment. This carefully crafted balance between form and movement is what sets Ledbetter’s work apart, as he continues to experiment with visual techniques that bring his characters to life. The Cultural Significance of Fire-Cat Inferno in Contemporary Art Fire-Cat Inferno serves as both a striking visual piece and a symbolic representation of intensity, rebellion, and primal instinct. Within the context of Street Pop Art & Graffiti Artwork, the imagery of fire and destruction is often used to signify transformation, resistance, or the uncontrollable nature of creativity. The Fire-Cat embodies these themes, standing as a symbol of unrelenting energy and raw artistic expression. The limited edition nature of the print makes it a sought-after collector’s item, further solidifying its significance in Ledbetter’s body of work. The combination of pop surrealist character design with graffiti-inspired boldness ensures that the piece resonates with a broad audience, from street art enthusiasts to fine art collectors. The contrast between the playful stylization and the aggressive subject matter reinforces Ledbetter’s ability to create art that is both visually engaging and thematically compelling. Fire-Cat Inferno remains a defining example of Joe Ledbetter’s unique contribution to modern art, blending pop culture aesthetics with raw artistic intensity. Through the use of bold colors, exaggerated emotions, and powerful visual storytelling, this piece captures the essence of contemporary Street Pop Art & Graffiti Artwork, proving that even the most chaotic figures can become symbols of artistic mastery and creative force.

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Nuka Cola Quantum- GID Red Limited Edition 2-Color Glow In The Dark Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. AP Artist Proof Glow in the Dark Nuka Cola from the famous cult classic Fallout game universe.

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Libertee- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. 2020 Signed Limited Edition of 100 Artwork Sculpture Size 4x8 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Britney Bomb Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Joe King. Ultra limited number 6 of 7.

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Alife Fire Hydrant Stencil HPM Art Spray on Printed 20lb. Bond stock Engineering Paper Mixed Media Artwork by NY Street Graffiti Artist Legend RD-357. 2019 Signed & Numbered Limited Edition Print by RD 357. ALIFE released a minimal run, and they sold out immediately. The print is signed by RD 357. This print has been framed, and ed and a minor crease is not noticeable when framed. This print will be shipped in the original print tube. RD 357 is an American graffiti artist and member of the 357 Crew, formed in 1985 and active on the subways during the mid-to late 1980s. He is from New York City, Manhattan's Upper East Side. W x 24" H x 36" Edition of 20 Spray enamel on printed 20lb. Bond stock, engineering paper. It is numbered and signed; some Creases Due To The Printing Process and Paper Add To The Style character of RD-357's Art, Number 2 of 20. RD-357: A Fusion of Engineering Precision and Street Artistry The urban landscape is a canvas for the bold, a playground for those who speak in the visual language of spray paint and stencils. It is within this vibrant world that the works of RD-357 come to life. His 'Alife Fire Hydrant Stencil HPM' art spray on printed 20lb. Bond stock engineering paper is not just a work of art but a statement, a confluence of precise engineering and the raw, unfettered spirit of New York street graffiti. RD-357, an American graffiti artist from Manhattan's Upper East Side, embodies the ethos of street pop art and graffiti artwork through his unique blend of technical precision and street sensibility. Born from the mid to late 1980s graffiti boom, RD-357 became a member of the formidable 357 crews known for their impact on the subway art movement. The 'Alife Fire Hydrant Stencil HPM' stands as a testament to RD-357's mastery over his medium and his deep understanding of the cultural heartbeat of New York City. This limited edition print, created in 2019, showcases the iconic image of a fire hydrant—a ubiquitous symbol of the streets, reimagined through the lens of RD-357's artistic vision. The print, an edition of only 20, speaks to the exclusivity and the demand for RD-357's work, having sold out immediately upon release. The signature of RD-357 graces each print, a seal of authenticity and a mark of the artist's engagement in his work. The Signature Alife Fire Hydrant Stencil: Iconography and Impact The choice of a fire hydrant as the focal point of this artwork is laden with significance. As a fixture of the cityscape, the hydrant symbolizes New York's functionality and chaos, a source of relief and an obstacle on the sidewalk. RD-357's portrayal elevates it to an icon, capturing the essence of the city's infrastructure as art. RD-357 delivers a crisp image juxtaposed with the fluidity and chance inherent in street art by employing a stencil technique coupled with spray enamel on engineering paper. The presence of minor creases in the prints adds to the artwork's character, infusing each piece with imperfections that echo the textures of the urban environment. Number 2 of the limited series is part of RD-357's vision, a piece of the narrative of New York's artistic evolution. In conclusion, the 'Alife Fire Hydrant Stencil HPM' by RD-357 is more than a mere collector's item; it is a piece of street art history. Through this work, RD-357 bridges the worlds of precision engineering and the spontaneity of street art, offering a piece that stands as both a functional object and a work of pop art. It reflects the artist's roots in the gritty reality of New York's streets and the finesse of his approach to the medium. This work is a celebration of RD-357's legacy and a tribute to the city that serves as his muse and canvas.

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D*Dogs Fallin' in Gorilla Deck Limited Edition Silkscreen Skateboard Art by Street Pop Culture Artist D*Face x XLarge. 2019 Serial Numbered, Extremely Limited Edition of 30 Glitter Variant. Monkey ape dropping doggie bombs. Rare Edition With Hand Applied Glitter To Lower Logo And Color Inner Wood Core Ply. Red or Yellow Core.

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Sub-Standard Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 12x24 Silkscreen Print "This print, “Sub-Standard,” is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can’t allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change. A portion of proceeds from this print goes to Greenpeace USA‘s efforts to fight for a healthy planet.⁠" -Shepard Fairey- OBEY The silkscreen print titled "Sub-Standard" by Shepard Fairey, part of his OBEY series, is a compelling piece of contemporary art that casts a critical eye on the pressing issue of environmental degradation as it relates to corporate influence and fossil fuel dependency. Limited to a release of 550 signed and numbered editions, the artwork is a bold statement in both form and substance, pulling together the aesthetics of pop, street, and graffiti art onto a cream speckletone fine art paper. Measuring 12x24 inches, each hand-pulled 5-color print stands as a testament to Fairey's technical skill and his commitment to social commentary. Shepard Fairey, a prominent figure in the world of pop culture and street art, uses his medium to challenge the status quo and incite thought about pressing global issues. "Sub-Standard" specifically targets the consequences of the fossil fuel industry's actions on climate change and ecological destruction. Fairey's reference to Standard Oil and its successors points to a legacy of environmental policy that prioritizes profit over the planet's health, indicating a dire need for change in corporate practices. The artwork employs powerful symbolism, with the juxtaposition of an industrial motif against a backdrop that signifies the natural world in distress, reflecting Fairey's narrative about the conflict between economic interests and environmental stewardship. A significant aspect of this artwork is its activism component. A portion of the proceeds from "Sub-Standard" is directed towards Greenpeace USA, funding the organization's efforts to combat environmental harm and promote sustainability. This financial support aligns with the artwork's message, creating a direct link between art, activism, and tangible support for ecological well-being. Fairey's choice to highlight the discrepancy between subsidies for fossil fuels and renewable energy sources in his statement further amplifies the print's call to action, advocating for a reevaluation of where public funds are invested in the context of long-term planetary health. In the landscape of modern art, "Sub-Standard" by Shepard Fairey stands out as a piece that not only captures the aesthetic edge of the OBEY art movement but also embodies a deep social and environmental consciousness, driving the conversation forward in the realm of art activism.

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War and Folly 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Ice Blue Dynamite Bundle Original Mixed-Media Acrylic Resin Sculpture Artwork by graffiti street artist modern pop artist Jenna Morello. 2021 Hand cast from real dynamite Sculpture measures approximately 8 inches Each stick comes embossed with an authentic logo Exploring the Ice Blue Dynamite Bundle by Jenna Morello The convergence of street art and modern pop art often brings forth innovative and captivating creations, and Jenna Morello's Ice Blue Dynamite Bundle is a testament to this artistic synergy. This original mixed-media sculpture is a bold statement in the landscape of contemporary art, resonating with the vibrancy and rebellious spirit characteristic of both street and pop art genres. Crafted in 2021, Morello's sculpture is a hand-cast replica of absolute dynamite, showcasing the artist's adeptness in working with unconventional materials and subjects. Each piece within the bundle measures approximately 8 inches, a size that captures attention without overwhelming the viewer. The choice of ice blue for the dynamite is striking and symbolizes a fusion of danger and calm, a standard thematic contrast in street pop art and graffiti artwork. A significant aspect of Morello's work is the authentic logo embossed on each stick of dynamite, which not only attests to the piece's originality but adds a layer of authenticity to the artwork. Logos and branding are integral to pop art, and by incorporating them into her sculptures, Morello acknowledges their power and prevalence in our culture. The sculpture's surface, finished with acrylic and resin, gives it a lustrous sheen that preserves and enhances the color. This use of resin is particularly notable in street art, as it evokes the glossy finish of fresh paint on urban walls, bridging the gap between gallery pieces and outdoor murals. Jenna Morello: A Modern Pop Artist with Street Credibility Jenna Morello is a name that resonates within graffiti and street art. Her works often navigate the complex interplay between street culture and fine art, bringing a unique perspective. The Ice Blue Dynamite Bundle clearly indicates her ability to transcend traditional artistic boundaries and venture into the experimental and often provocative domain of street pop art. By hand-casting sculptures from objects as charged and unexpected as dynamite, Morello contributes to the discourse on using art as a medium for commentary and societal reflection. In the hands of Morello, what could be perceived as a symbol of destruction is transformed into an object of aesthetic and intellectual contemplation. The Ice Blue Dynamite Bundle by Jenna Morello is more than a sculptural set; it embodies street pop art's disruptive and unapologetic nature and graffiti artwork. It challenges the viewer to reconsider the meaning of everyday objects and their place within the art world. Morello's choice of dynamite, an item inherently linked to explosive change, mirrors street art's impact on the public's perception of what constitutes art. Like much of street pop art, this piece occupies a unique niche; it is both contemporary in its aesthetic and traditional in its craftsmanship. The tactile nature of the sculpture invites viewers to engage with the artwork beyond the visual, to understand the weight and texture of the materials — a sensory experience often associated with street art. Jenna Morello's Ice Blue Dynamite Bundle is a striking example of the dynamic and thought-provoking work that defines street pop art and graffiti artwork. Through her innovative use of materials and themes, Morello continues to push the boundaries of what can be achieved in the ever-evolving landscape of modern pop art.

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A Warm Bed Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Casey Weldon. 2021 Casey Weldon "A Warm Bed" Archival Pigment Print Edition of 50 Signed and Numbered by the Artist 18" x 14"

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Who's The King?- Gold 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Paper by Alexander-John Rare Street Art Famous Pop Artwork Artist. 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Size: 16.5 x 24 Inches Release: May 07, 2021 Run of: 30 "This piece is made to trigger the collector into a social experiment based on color and choice. This print can be hung either way, which represents the concept of equality. No matter what our differences are (represented by the weapons in this piece), we are all Kings." -Alexander-John

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I'm Sorry, I'm on Fire AP Artist Proof 2-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Print 2011 Signed & Marked AP Artwork Size 6x10 Letterpress Print Fine Art. I'm Sorry, I'm on Fire by Dan Christofferson: Emotional Symbolism in Street Pop Art & Graffiti Artwork I'm Sorry, I'm on Fire is a 2011 artist proof letterpress print by Dan Christofferson, widely known by his artist name Beeteeth. This rare 6 x 10 inch hand-pulled work exemplifies Christofferson’s approach to narrative symbolism through graphic minimalism and emotionally charged iconography. Printed in two colors, a muted coral red and deep maroon, the piece captures a burning moment of self-awareness and collapse, rendered through the haunting figure of a woman mid-transformation. With smoke rising from her lips and plumes of fire erupting from her head, the image rests between introspective grief and mythological catharsis. The AP marking and signature affirm its status as a one-of-a-kind proof from the edition, enhancing its rarity among collectors of Street Pop Art & Graffiti Artwork. Symbolism Through Human Form and Mythic Fire The visual narrative unfolds with a bare female figure whose elongated neck and stylized hands echo religious iconography, while the turbulent plumes of smoke and flame emerging from her skull evoke chaos, pain, and psychic overload. Christofferson’s use of thick, clean outlines and selective crosshatching pulls from traditional comic aesthetics while amplifying the surreal quality of the scene. Her gaze is unwavering, defiant, and exhausted, suggesting an emotional combustion that is more internal than external. The print compresses human vulnerability and divine spectacle into a concise composition that maintains tension and stillness simultaneously. It is not a literal fire but an existential flare, making the title feel like a quiet scream. Mastery of Letterpress Technique and Limited Color Dan Christofferson’s work often fuses historical printing methods with contemporary design principles. This letterpress print emphasizes texture and depth in ways that digital work cannot replicate. The slight embossment of ink against thick fine art paper gives the artwork a tactile weight that enhances the themes of physicality and damage. The use of only two ink colors forces a visual economy that sharpens the contrast and pulls the eye toward the core gesture of flame, smoke, and flesh. This minimal palette creates maximum emotional resonance, mirroring the internal friction represented in the subject. As an artist proof, it showcases Christofferson’s hands-on control during the printing process, reinforcing the personal imprint left on each piece. Dan Christofferson’s Emotional Lexicon in Street Pop Art As Beeteeth, Dan Christofferson has developed a visual language rooted in sacred iconography, regional mysticism, and a clear emotional current. Based in Salt Lake City, his works often explore myth, ritual, and personal trial using contemporary symbolism and design precision. I'm Sorry, I'm on Fire stands apart as one of his most intimate illustrations, transcending literal storytelling to present a visceral metaphor for burnout, identity, and unresolved internal conflict. Its scale may be modest, but the emotional breadth and graphic boldness make it a significant artifact in the ongoing evolution of Street Pop Art & Graffiti Artwork. This print exists as a small yet powerful meditation on transformation, despair, and resilience.

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That's Wall Folks!- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. 2020 Limited Edition of100 Artwork Size 4x8 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Likeness Blotter Paper Archival Print by Jay Kaes Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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Breathe Right Original Painting Oil On Linen w/ Custom Walnut Frame by David Molesky Graffiti Street Artist Modern Pop Art. 2014 Signed & Custom Framed Original Oil Painting Artwork Size 24x20 "This painting is from my series of paintings based on media images of the revolution in Kiev. Its the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I’ve dropped that dogma. I love that the subject is current, and also contains elements that seem from another era." - David Molesky

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The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

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Putin’s Ashes Pussy Riot Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print of Pussy Riot Woman in Mask With Vladimir Putin From Russia "I have admired Pussy Riot and Nadya Tolokonnikova since I first saw their visually and sonically fierce performances, methods of protest, and messages of social justice. I’ve wanted to collaborate with Nadya and Pussy Riot for years because of our shared belief that art and performance are powerful tools of social change. Pussy Riot has been subjected to Putin’s brutality and methods of oppression firsthand, so their comments on Putin and the invasion of Ukraine are especially relevant. Putin’s Ashes is a beautiful, haunting, evocative video and music piece. In working on a visual for Nadya’s show at Jeffrey Deitch Gallery, I illustrated from video stills and imagery that Nadya provided in an attempt to encapsulate the powerful aesthetics of Pussy Riot and the narrative of the music video piece. I’m honored to collaborate with Nadya, who I think is one of the most fearless, articulate, and outspoken multi-media artists and activists working today." -Shepard Fairey In the realm of pop art, street art, and graffiti, the 2023 signed and numbered limited edition silkscreen print, titled "Putin’s Ashes," captures the essence of activism and social justice through powerful imagery. Created by renowned artist Shepard Fairey, known for his iconic OBEY campaign and artistic expressions of political dissent, this artwork is a homage to the Russian punk protest group Pussy Riot and their fearless leader Nadya Tolokonnikova. Fairey's admiration for Pussy Riot's visually and sonically fierce performances, along with their unwavering commitment to social change, is evident in this piece. Drawing inspiration from the group's music video, "Putin’s Ashes," which denounces Vladimir Putin's oppression and the invasion of Ukraine, the silkscreen print portrays a woman wearing a mask in defiance of authority, standing resolute in the face of adversity. The limited edition print, hand-pulled on cream Speckletone fine art paper, measures 18x24, adding to its collectible allure. With only 450 copies in existence, the artwork holds a significant place in contemporary pop art culture. Nadya Tolokonnikova's collaboration with Shepard Fairey is a perfect union of like-minded activists who believe in the transformative power of art and performance. Both artists share the conviction that their work can be a potent tool for challenging societal norms and fostering change. Fairey's meticulous attention to detail, derived from video stills and imagery provided by Nadya, captures the raw aesthetics and narrative of Pussy Riot's music video, translating it into a visual medium that echoes their powerful message. The artwork's theme is poignantly relevant, considering Pussy Riot's firsthand experience with Putin's oppressive tactics. This print serves as a poignant reminder of the group's resilience in the face of brutal suppression and their unyielding commitment to speaking truth to power through their art. "Putin’s Ashes" is not only a striking piece of pop street art but also a testament to the impact that art can have on society. Through this limited edition silkscreen print, Shepard Fairey and Pussy Riot continue to inspire and provoke conversations about the role of art in shaping a more just and equitable world.

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Godzilla Limited Edition 2-Color Silkscreen Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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The Children Of War Limited Edition Giclee Fine Art Prints on Archival Photo Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe.

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Polikarpov-Gill Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 14x11.5 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Black Beard Original One of a Kind Colored Pencil Painting Artwork on Tinted Fine Art Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Color Bomb Original Colored Pencil Drawing by Brandon Sopinsky

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Kaboom Giclee Print by Scott Listfield Artwork Limited Edition Print on 290gsm Smooth Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 16x24 Kaboom Giclee Print by Scott Listfield – A Postmodern Reflection in Street Pop Art & Graffiti Artwork Scott Listfield’s 2023 giclee print Kaboom is a haunting and visually arresting piece that merges science fiction aesthetics with urban desolation and social commentary. Printed as a signed and numbered limited edition of 50, this 16 x 24 inch artwork is executed on 290gsm smooth cotton rag fine art paper. The quality of the material emphasizes every painted texture and hue, drawing attention to the vibrant interplay between light and shadow. At the center of the piece is Listfield’s iconic astronaut figure, isolated and contemplative, staring out over a sprawling city skyline just as a massive mushroom cloud dominates the horizon. The explosion itself is stylized in horizontal scan lines that echo digital screens and retro video signal interference, reinforcing the idea of disaster as spectacle and media-fed consumption. This imagery links the piece firmly to the growing lexicon of Street Pop Art & Graffiti Artwork, where traditional painting collides with dystopian futurism and mass culture anxiety. Scott Listfield and the Symbolism of the Solitary Astronaut Scott Listfield, an American contemporary artist born in the United States, is widely known for his astronaut series, where a lone space traveler becomes a recurring observer in landscapes filled with modern symbols, ruins, and surreal interventions. In Kaboom, this figure is rendered with atmospheric lighting and reflective textures, standing as a surrogate for the viewer—detached, passive, and contemplative in the face of cataclysm. The posture of the astronaut suggests resignation rather than action, a commentary on the paralysis many experience when faced with planetary crisis, cultural collapse, or digital saturation. Listfield’s astronaut functions not just as a protagonist but as a mirror, holding space for the disconnection of modern existence while surrounded by overwhelming visual stimuli and threats. Color, Composition, and Material in a Digital-Apocalyptic Landscape The print features an ominous but saturated palette, dominated by glowing purples, fiery oranges, and the city’s electric yellows. These tones contribute to the surreal beauty of the end-of-the-world scene. The RGB dots in the upper left corner recall the digital calibration marks of early television screens, suggesting that the viewer is not witnessing reality, but a mediated version of it. The precision of the giclee printing process on smooth cotton rag paper preserves the brushstroke-like quality of the digital painting, offering richness and depth rarely seen outside original canvas works. The format, vertical and cinematic, echoes movie posters from retro sci-fi classics while anchoring itself firmly in the aesthetics of contemporary Street Pop Art & Graffiti Artwork. Media, Spectacle, and Stillness in a Chaotic World Kaboom is more than a moment of fictional explosion—it is a cultural snapshot loaded with implications about violence, technology, and detachment. The silence of the image is its most deafening quality. No figures are fleeing, no alarm blares, only one astronaut stands watch while a city unknowingly or uncaringly exists under threat. Listfield uses this static composition to comment on how desensitized society has become to devastation, how explosions have become entertainment, and how observation has replaced action. In the lineage of Street Pop Art & Graffiti Artwork, this piece contributes to the evolving language of critique wrapped in glossy visuals, asking viewers to reflect not just on what they see, but how they see it. It is an artwork about aftermath, anticipation, and alienation—all rendered in tones too vivid to ignore.

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An Element Unprepared For Limited Edition Archival Pigment Fine Art Prints on Archival Photo Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe. 13" x 17" including 1.5" x 1" white border Printed on Hahnemuhle Photo Rag 308gsm paper -signed and numbered

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Eruption PP Archival Print by DAIM Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 14x21 Archival Pigment Fine Art DAIM's Eruption PP Archival Print: A Fusion of Street Pop Art and Fine Artistry The "Eruption PP Archival Print" by the artist DAIM is a striking example of the fusion between street pop art and the meticulous approach of fine art printmaking. This particular work, part of a limited edition on 310gsm museum fine art paper, showcases the artist's expertise in creating depth and movement on a two-dimensional surface. Known for his dynamic and geometrically complex graffiti works, DAIM has transferred his skill to fine art prints, capturing the spirit of graffiti in a form that allows for preservation and collection. The term 'PP' refers to 'Printer's Proof,' akin to an Artist's Proof but typically reserved for the collaborators in the printmaking process. The printers often retain these proofs as a reference for the quality and color of the print edition. The "Eruption PP Archival Print" from 2016 bears the mark of DAIM's involvement and approval, signed and designated as a PP, further emphasizing its uniqueness beyond the standard edition prints. This print, sized at 14x21 inches, is manageable and highly collectible, making it a sought-after piece for enthusiasts of modern street pop art and graffiti artwork. Technique and Cultural Significance in DAIM's Archival Prints DAIM's mastery in creating complex, 3D-style graffiti is evident in the "Eruption PP Archival Print," where the illusion of protruding shapes and bursting elements is palpable. The use of archival pigment ensures that the vibrancy of the colors and the precision of the details are maintained over time, mirroring the longevity and historical significance of the street art from which it draws inspiration. The technique also allows the artwork to stand the test of time, just as street art's messages and impact continue to resonate within urban landscapes and cultural dialogues. This artwork represents more than just an aesthetic pleasure; it encapsulates the evolving narrative of street art into a more formalized art setting. Through his print, DAIM challenges the traditional separation between the renegade spirit of street art and the curated walls of art galleries. The inclusion of such prints in the art market reflects the changing perceptions of graffiti art, acknowledging its rightful place within the broader spectrum of significant cultural productions. The Impact of Limited Edition Prints in the Art World The introduction of limited edition prints has markedly transformed the world of street pop art and graffiti artwork. These prints allow artists like DAIM to reach a wider audience, offering a piece of their art that is both accessible and exclusive. The "Eruption PP Archival Print" exemplifies this shift, as it is a piece of DAIM's large-scale graffiti legacy and a collectible artwork that can be owned privately. The concept of Printer's Proofs such as this extends the idea of exclusivity and provides collectors with a tangible connection to the artist's original vision. Limited editions like DAIM's print bridge the transient nature of street art and the permanence sought by collectors. As such, they play a crucial role in sustaining the artists and their creative endeavors while ensuring that the art itself is preserved to the elements and the passage of time. In the context of modern art, these prints are more than just reproductions; they are original creations that carry the essence of the artist's hand and the vibrancy of street art culture. In summarizing the importance of DAIM's "Eruption PP Archival Print," it is crucial to recognize the confluence of artistic technique, cultural impact, and market dynamics it represents. This print is a snapshot of DAIM's creative journey, a celebration of street art's influence on contemporary culture, and a testament to the enduring appeal of street pop art and graffiti artwork within the fine art community.

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Deseret Alphabet 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. Weapons of Mass Creation Fest, Cleveland Ohio June 8 9 10 2012. Perforated lower edge perfectly intact.

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Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey x Jamie Reid Limited Edition Pop Art Artwork. 2016 Signed & Numbered Limited Edition of 375 Artwork Size 18x24 Be Reasonable Urban Pressure Set Suburban Pressure Press Building Burning Sex Pistols Music Tribute "The Sex Pistols changed my life. When I was a 14-year-old skateboarder, a friend played me “Never Mind the Bollocks, Here’s the Sex Pistols,” and that moment marked a turning point for me. The Sex Pistols provided the adrenaline-inducing soundtrack for my rebellion. If the Sex Pistols provided the soundtrack, the artist behind their imagery, Jamie Reid, provided the visuals for the revolution. Jamie Reid did the iconic art for the Sex Pistols like the “God Save the Queen” sleeve, the “Pretty Vacant” sleeve, and the cover for the album “Never Mind the Bollocks, Here’s the Sex Pistols.” Jamie deserves the majority of credit for the daring aesthetics of Punk Rock. If you’ve ever seen a photocopied, ransom note style, cut & paste punk graphic, then you’ve seen Jamie Reid’s influence. Jamie has been one of my biggest creative inspirations both visually and philosophically, because his work is bold, provocative, irreverent, and political. Jamie Reid also turned me on to Situationism, a movement dedicated to disrupting the conformist trance through pranks and spectacles. I’m honored that I have been able to work with Jamie on some collaborative images and to present a special collection through Obey Clothing in his honor, as well as two limited edition screen-prints. Jamie and I have mutual interest in shaking things up and addressing the problems of corruption, environmental destruction, and wealth inequality, so it is very energizing and meaningful to do a project with him. Enjoy and embrace the chaos!" -Shepard Fairey a piece of punk rock history with the Suburban Pressure Hand-Pulled 3-Color Silkscreen Print on Cream Speckletone Fine Art Paper by renowned artists Shepard Fairey and Jamie Reid. This limited edition artwork, released in 2016, holds significant value for fans of the Sex Pistols and enthusiasts of pop art, street art, and graffiti art. The collaboration between Shepard Fairey and Jamie Reid celebrates the influential punk rock band, the Sex Pistols, and their lasting impact on culture. As a skateboarder at the age of 14, Fairey's life was forever changed when he heard the album "Never Mind the Bollocks, Here's the Sex Pistols." The band's music became the adrenaline-inducing soundtrack for his rebellion, while Jamie Reid's iconic artwork provided the visuals for the revolution. Jamie Reid's artistic contributions to the Sex Pistols cannot be overstated, as he designed iconic artworks such as the "God Save the Queen" sleeve, the "Pretty Vacant" sleeve, and the album cover for "Never Mind the Bollocks, Here's the Sex Pistols." His daring and provocative aesthetics played a crucial role in shaping the punk rock movement. The influence of Reid's cut-and-paste punk graphics, resembling photocopied ransom notes, can be observed in numerous punk art pieces. The collaboration between Shepard Fairey and Jamie Reid goes beyond admiration for the punk rock era; they both share a mutual interest in addressing societal issues. The duo seeks to disrupt the conformist trance through their art and address problems like corruption, environmental destruction, and wealth inequality. For Fairey, working with Reid has been an honor and a source of creative inspiration, both visually and philosophically. The Suburban Pressure print, a signed and numbered limited edition of 375, captures the essence of punk rock and Jamie Reid's bold and political artistic style. Measuring 18x24, this artwork showcases the rebellious spirit that defined the punk rock era. The collaboration also extends to a special collection presented through Obey Clothing, further honoring Jamie Reid's impact on the art world. If you're a fan of pop art, street art, or graffiti art, owning the Suburban Pressure print is an opportunity to own a piece of history. Embrace the chaos and appreciate the powerful messages behind this iconic artwork by Shepard Fairey and Jamie Reid.

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Supreme Sekintani La Norihiro Deck- Pink Limited Edition Skateboard deck art by Designer Brand Supreme SS19 2019 Japanese artist Sekintani La Norihiro’s artwork is known for its provocative imagery, often portraying distorted images, organs, and bright color combinations to portray almost stomach-turning motifs. The Supreme Sekantani La Norihiro Skateboard Deck Pink showcases La Norihiro’s artwork on a Supreme skate deck. The deck depicts a partially naked woman and a devil-like figure looking over her. Distorted motifs are evident throughout the underside of the deck in line with La Norihiro’s style. The Supreme Sekantani La Norihiro Skateboard Deck Pink was released during Spring/Summer 2019

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UltraS PP Printer Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by David Molesky, a Graffiti Street Artist Modern Pop Art. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 24x20 "This painting is the masterpiece from my series of paintings based on media images of the revolution in Kyiv. It's the largest of the eight paintings and the one I spent the most time on. The figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative paintings. For the last decade, I have tried to depict universal time and avoided artificial objects. I've dropped that dogma. I love that the subject is current and contains elements that seem from another era. For example, the old school puffy down jacket and the overall color looks a bit like old film tone." - David Molesky. The Convergence of Revolution and Art in David Molesky's "UltraS" David Molesky's "UltraS PP Printer Proof" stands out as a pivotal creation that captures the essence of Street Pop Art and graffiti Artwork while being deeply rooted in the historical context of the revolution in Kyiv. As an archival pigment print on 310gsm fine art paper, this piece holds significant value in its material quality and profound thematic content. The limited edition print, marked and signed by Molesky himself, measures 24x20 inches, providing a substantial canvas for the artist's vision. Molesky's journey through the artistic depiction of universal time and space takes a dramatic turn with "UltraS." The painting eschews his previous avoidance of temporal and artificial elements, plunging instead into the immediacy of current events with a raw and gripping portrayal of the human spirit in times of conflict. The "UltraS" series, specifically this print, departs from Molesky's earlier figurative painting, venturing into a more dynamic and narratively rich territory. The artwork is an amalgamation of past and present, a visual dialogue between the history it draws from and the contemporary medium of its expression. The print itself, a Printer's Proof, bears the unique distinction of being a precursor to the final limited edition run, carrying with it the artist's nuances and direct hand. The markings and the signature on each PP print confirm its authenticity and exclusivity, making it a coveted item for collectors and admirers of modern pop art. In "UltraS," Molesky achieves a striking balance between the static and the kinetic. The image of the solitary figure, poised against a backdrop of fiery chaos, encapsulates a moment of intense action and profound stillness. This figure, adorned in an "old school puffy down jacket," is an anachronistic anchor, throwing the viewer into a liminal space where time converges. The overall coloration of the print, reminiscent of old film tones, further imbues the scene with a sense of history and gravitas. David Molesky's Artistic Evolution Through "UltraS" The "UltraS" piece is not just an artwork but a historical document and a visual commentary, encapsulating the enthusiasm and the ethos of the streets. By adopting elements from graffiti art, Molesky infuses the piece with authenticity and an edge typically reserved for the most impactful street art. The scrawled "UltraS" on the side of the burning vehicle is a nod to the graffiti tradition, a signature that declares both presence and resistance. This Printer's Proof edition of "UltraS" is a testament to Molesky's artistic maturation. It showcases his willingness to engage with the present, to document it, and to reflect on it through his art. The series demonstrates a clear narrative progression in his work, embracing the current moment with all its complexities and contradictions. The impact of "UltraS" lies in its capacity to transcend the temporal boundaries that often define street art. Molesky's print is a snapshot of a single event and a broader exploration of the human condition amidst societal turmoil. It is a piece that resonates with the urgency of now while simultaneously capturing the echoes of the past. For the art world, "UltraS" represents a significant contribution to the discourse of Street Pop Art and graffiti Artwork. It is a work that demands contemplation, speaks to the soul of the viewer, and invites us to ponder the role of art in reflecting and shaping our perception of historical events. David Molesky's "UltraS" is not just a piece to be viewed; it is an experience to be absorbed, a dialogue to be entered, and a reflection of our world.

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