Fire & Flames

Garfield Lasagna Bomber Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ndikol. 2021 Garfield 7” Vinyl Art Toy Limited Edition Hasta lasagna, don't get any on ya! Known for being lazy and sarcastic, he packs one mean throw. Keep the Mondays away from Lasagna Bomber by Ndikol unless you want a dish of lasagna hurled straight to your face. Stylized in the stencil-like finish and the iconic pose you’ve come to know from Ndikol, Lasagna Bomber puts a multi-layered twist to our favorite orange tabby cat. Contrasting black and white details with a boxful of yummy, cheesy, lasagna, you know you want to be on his side of the food fight. LICENSEE AND MANUFACTURED BY: Mighty Jaxx International Pte Ltd

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Godzilla Limited Edition 2-Color Silkscreen Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2018 Limited Edition Skateboard Artwork Size 8x31 Skateboard Art Deck Brand New Perfect Condition Flaming Skull Skateboard Art Deck Set by Takashi Murakami: Skate Culture Icons in Street Pop Art & Graffiti Artwork Flaming Skull Skateboard Art Deck Set by Takashi Murakami is a 2018 limited edition triptych consisting of three 8 x 31 inch wood skateboard decks printed with a vibrant archival design. Issued through TM/KK and presented in brand new condition, this piece transforms the visual motifs of Murakami’s Superflat style into a collectible surface rooted in both urban rebellion and fine art tradition. The work features his signature smiling flowers and neon skulls engulfed in candy-colored flames, creating a frenetic collision of joy, death, and energy. It exemplifies the aesthetic and cultural fusion at the heart of Street Pop Art & Graffiti Artwork. Murakami, born in Japan in 1962, is known globally for reimagining Japanese kawaii culture through contemporary art. In Flaming Skull, his recurring iconography is pushed to maximum saturation. The decks explode with pastel flames that dance between pinks, yellows, and blues, consuming and encircling the now-iconic wide-eyed flowers and stylized skulls. These elements are not randomly placed. The skulls nod to the transience of life while the grinning flowers, usually symbols of peace and cuteness, now float among the burning chaos. The contrast between innocence and destruction becomes a central visual tension. The skate decks act as both art objects and emblems of resistance, reinforcing how Murakami's work translates fluidly between gallery settings and street culture. Superflat Meets Skate: Murakami's Surfaces of Power The use of skateboard decks as a medium adds another dimension to Murakami’s Superflat philosophy, which compresses visual depth and collapses distinctions between high art and commercial design. In the Flaming Skull set, the decks function not only as a canvas but also as a cultural object—a symbol of countercultural identity, mobility, and rebellion. Skateboards have historically served as both mode of transport and personal billboard, making them ideal platforms for artwork that is as expressive as it is political. Murakami’s designs, printed seamlessly across the three decks, maintain a sense of cohesion while taking advantage of the vertical format and curvature unique to skateboards. His combination of illustrative clarity and chaotic form aligns with the structure of street graphics, often characterized by repetition, exaggeration, and intense color. Flaming Skull is not static. It evokes speed, spontaneity, and movement—qualities inherent to skateboarding and to graffiti. Symbolic Language and the Visual Noise of Urban Life This work amplifies Murakami’s ongoing exploration of symbolism, pop culture, and emotional intensity. The juxtaposition of flames and floral motifs mirrors how graffiti writers tag over advertisements, blending commercial and underground languages into something personal and uncontrollable. The skulls invoke cycles of life and death without morbidity, depicted in luminous tones that transform fear into fantasy. By placing these forms in riotous layers, Murakami crafts a surface that feels as alive as a street wall—an artwork where every inch pulses with energy and intention. Flaming Skull, like much of Murakami’s work, resists easy categorization. It channels anime aesthetics while referencing traditional Japanese painting. It uses joyful motifs in unsettling ways, exposing the volatility of contemporary life. The work's chaotic harmony is reflective of Street Pop Art & Graffiti Artwork, where cultural clutter becomes the material of revolution and emotional response. Takashi Murakami’s Street-Level Reach through Skateboard Art Murakami’s Flaming Skull Skateboard Art Deck Set encapsulates the global crossover between contemporary art and street expression. While he is firmly established within the art world, his use of materials like skateboards speaks to a different kind of power—one rooted in youth culture, physical movement, and accessible rebellion. These decks, though never meant to be ridden, carry the spirit of resistance and creativity that defines the spaces they visually occupy. By applying his most recognizable visual codes to skate culture artifacts, Murakami ensures that his work remains relevant, mobile, and responsive. Flaming Skull is a kinetic masterpiece of Street Pop Art & Graffiti Artwork, linking life’s fragility to joy, flame, and speed through a perfectly executed limited edition. It is not just decoration; it is a message burned into wood.

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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Sheer Art Attack Ink Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Ink Drawing Artwork Size 15x17 "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Radioactive III Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Radioactive Symbol Warning Sticker by Graffiti Artist Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Radioactive Warning Label Uline S-13849 Sticker.  Slap Up In Perfect Condition. Radioactive  Expressions in Street Art In Street Pop Art and Graffiti Artwork, the "Radioactive III Slap-Up Label Sticker" series by Saber, legally known as Ryan Weston Shook, stands out as a profound commentary on the interplay between hazard and creativity. His 2020 series of original permanent marker art drawings on the quintessential yellow and black radioactive warning stickers transform these danger symbols into compelling pieces of modern street artwork. Each 4x4 piece, tagged with Saber's moniker on the Uline S-13849 sticker, carries the weight of its message through the juxtaposition of the universally known hazard symbol with the personal style of the graffiti artist. Confronting Perceptions with Tag Art The choice of the radioactive symbol, a globally recognized sign of lethal materials and the presence of unseen dangers, is intentional and provocative. Saber's tags across these stickers confront our perceptions of risk and the unseen forces that shape our world. By marking these warning labels with his art, Saber injects a human element into the conversation about the hazards surrounding us, both seen and unseen, tangible and intangible. The act of tagging these specific stickers is a bold statement, challenging the viewer to consider the potential for harm that exists not just in the physical realm but in the realm of ideas and expression. Saber's Artistic Legacy An American artist, Saber utilizes his work to provoke and challenge the status quo. His artistry on the "Radioactive III" stickers reflects his capacity to take warning symbols and transform them into symbols of identity and resistance. The series, signed and dated, is a testament to a year marked by global unrest and a reevaluation of what constitutes a threat to our collective well-being. Through his work, Saber raises questions about the role of art in a world that is increasingly aware of and responsive to the dangers it faces, be it environmental, political, or social. In each piece, Saber's signature style — bold, assertive, and unapologetic — captures the essence of street art's capacity to engage with its environment in a dialogue that is both critical and hopeful. The radioactive symbol, once a stark warning, becomes through Saber's intervention a canvas for exploring the boundaries of art and the power of an artist's touch to change how we see the world around us. As an active contributor to the graffiti and street art scene, Saber's work continues to resonate, ensuring that his voice and vision are as enduring as the radioactive elements his chosen canvases warn us about.

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Alife Fire Hydrant Stencil HPM Art Spray on Printed 20lb. Bond stock Engineering Paper Mixed Media Artwork by NY Street Graffiti Artist Legend RD-357. 2019 Signed & Numbered Limited Edition Print by RD 357. ALIFE released a minimal run, and they sold out immediately. The print is signed by RD 357. This print has been framed, and ed and a minor crease is not noticeable when framed. This print will be shipped in the original print tube. RD 357 is an American graffiti artist and member of the 357 Crew, formed in 1985 and active on the subways during the mid-to late 1980s. He is from New York City, Manhattan's Upper East Side. W x 24" H x 36" Edition of 20 Spray enamel on printed 20lb. Bond stock, engineering paper. It is numbered and signed; some Creases Due To The Printing Process and Paper Add To The Style character of RD-357's Art, Number 2 of 20. RD-357: A Fusion of Engineering Precision and Street Artistry The urban landscape is a canvas for the bold, a playground for those who speak in the visual language of spray paint and stencils. It is within this vibrant world that the works of RD-357 come to life. His 'Alife Fire Hydrant Stencil HPM' art spray on printed 20lb. Bond stock engineering paper is not just a work of art but a statement, a confluence of precise engineering and the raw, unfettered spirit of New York street graffiti. RD-357, an American graffiti artist from Manhattan's Upper East Side, embodies the ethos of street pop art and graffiti artwork through his unique blend of technical precision and street sensibility. Born from the mid to late 1980s graffiti boom, RD-357 became a member of the formidable 357 crews known for their impact on the subway art movement. The 'Alife Fire Hydrant Stencil HPM' stands as a testament to RD-357's mastery over his medium and his deep understanding of the cultural heartbeat of New York City. This limited edition print, created in 2019, showcases the iconic image of a fire hydrant—a ubiquitous symbol of the streets, reimagined through the lens of RD-357's artistic vision. The print, an edition of only 20, speaks to the exclusivity and the demand for RD-357's work, having sold out immediately upon release. The signature of RD-357 graces each print, a seal of authenticity and a mark of the artist's engagement in his work. The Signature Alife Fire Hydrant Stencil: Iconography and Impact The choice of a fire hydrant as the focal point of this artwork is laden with significance. As a fixture of the cityscape, the hydrant symbolizes New York's functionality and chaos, a source of relief and an obstacle on the sidewalk. RD-357's portrayal elevates it to an icon, capturing the essence of the city's infrastructure as art. RD-357 delivers a crisp image juxtaposed with the fluidity and chance inherent in street art by employing a stencil technique coupled with spray enamel on engineering paper. The presence of minor creases in the prints adds to the artwork's character, infusing each piece with imperfections that echo the textures of the urban environment. Number 2 of the limited series is part of RD-357's vision, a piece of the narrative of New York's artistic evolution. In conclusion, the 'Alife Fire Hydrant Stencil HPM' by RD-357 is more than a mere collector's item; it is a piece of street art history. Through this work, RD-357 bridges the worlds of precision engineering and the spontaneity of street art, offering a piece that stands as both a functional object and a work of pop art. It reflects the artist's roots in the gritty reality of New York's streets and the finesse of his approach to the medium. This work is a celebration of RD-357's legacy and a tribute to the city that serves as his muse and canvas.

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Sub-Standard Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 12x24 Silkscreen Print "This print, “Sub-Standard,” is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can’t allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change. A portion of proceeds from this print goes to Greenpeace USA‘s efforts to fight for a healthy planet.⁠" -Shepard Fairey- OBEY The silkscreen print titled "Sub-Standard" by Shepard Fairey, part of his OBEY series, is a compelling piece of contemporary art that casts a critical eye on the pressing issue of environmental degradation as it relates to corporate influence and fossil fuel dependency. Limited to a release of 550 signed and numbered editions, the artwork is a bold statement in both form and substance, pulling together the aesthetics of pop, street, and graffiti art onto a cream speckletone fine art paper. Measuring 12x24 inches, each hand-pulled 5-color print stands as a testament to Fairey's technical skill and his commitment to social commentary. Shepard Fairey, a prominent figure in the world of pop culture and street art, uses his medium to challenge the status quo and incite thought about pressing global issues. "Sub-Standard" specifically targets the consequences of the fossil fuel industry's actions on climate change and ecological destruction. Fairey's reference to Standard Oil and its successors points to a legacy of environmental policy that prioritizes profit over the planet's health, indicating a dire need for change in corporate practices. The artwork employs powerful symbolism, with the juxtaposition of an industrial motif against a backdrop that signifies the natural world in distress, reflecting Fairey's narrative about the conflict between economic interests and environmental stewardship. A significant aspect of this artwork is its activism component. A portion of the proceeds from "Sub-Standard" is directed towards Greenpeace USA, funding the organization's efforts to combat environmental harm and promote sustainability. This financial support aligns with the artwork's message, creating a direct link between art, activism, and tangible support for ecological well-being. Fairey's choice to highlight the discrepancy between subsidies for fossil fuels and renewable energy sources in his statement further amplifies the print's call to action, advocating for a reevaluation of where public funds are invested in the context of long-term planetary health. In the landscape of modern art, "Sub-Standard" by Shepard Fairey stands out as a piece that not only captures the aesthetic edge of the OBEY art movement but also embodies a deep social and environmental consciousness, driving the conversation forward in the realm of art activism.

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Landfall Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. Edition of 175 18x26 inches / 46x66cm Fine art print on 290gsm paper Hand signed and numbered The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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Destroy, Rebuild, Repeat AP HPM Artist Proof 3D Print Framed on Wood Cradled Panel ready to hang by Quiccs Graffiti Street Artist Modern Pop Art. AP Artist Proof Signed, Small Drawings & Marked AP Framed Artwork Size 12x16 Frame Larger. 12 x 16 in. (30.48cm x 40.64cm) Three-layered fine art wood print, hand-signed and numbered by Quiccs This first of its kind three-layered fine art birch wood print starts with a 3/4" wood print. It’s then layered with a 1/2" custom shape pop-out pieces, then finished with a 1/4" custom cut layer to create a unique fine art piece. Layered Expression Through Precision Destroy, Rebuild, Repeat by Filipino graffiti and street pop artist Quiccs is a standout three-dimensional fine art wood print that encapsulates the ethos of transformation through destruction and creativity. Built from three distinct layers of wood — a 3/4-inch foundational panel, a 1/2-inch set of precision-cut pop-out pieces, and a final 1/4-inch top layer — the structure of this artwork mirrors its conceptual narrative. Each tier contributes to the visual complexity, bringing dynamic depth to a high-octane scene that merges elements of mecha, hip-hop, street culture, and toy aesthetics. Framed and ready to hang, this artist proof version measures 12 by 16 inches with the frame extending slightly larger to encase the sculptural form. Signature Characters in Street Pop Fusion At the heart of the piece is Quiccs’ iconic character TEQ63, rendered with bold outlines, heavy saturation, and mechanical armor stylings that fuse Japanese super robot design with urban cultural codes. A bandana-wrapped skull face, accented by skeletal insignias, and battle-worn mechanical limbs clash with elements like sneakers and vinyl spray marks — blending the militant with the playful. What sets this artist proof apart is the additional small hand-drawn character at the top right, a uniquely placed skull and crossbones sketched directly on the surface, reinforcing its rarity and giving insight into the artist’s own shorthand visual lexicon. Material Language and Conceptual Strength Executed on birch wood using archival printing methods, Destroy, Rebuild, Repeat captures the hard-edged sensibilities of graffiti culture while exploring new material possibilities in fine art editions. The decision to build on wood rather than canvas or paper grounds the work in craft traditions, while the digital print techniques and spray paint effects point forward toward urban futurism. The layered build mimics the complexity of Quiccs’ message — a repeating cycle of construction and collapse, identity and reinvention, that defines the experience of creators navigating a world of social chaos and resilience. Limited Rarity in Contemporary Street Pop Art This piece is part of a signed and numbered artist proof run marked AP 08/08 and features original embellishments and framing. As an experimental iteration of Quiccs’ art objects, it bridges collectible design with gallery-ready installation. The framed silhouette and physical texture highlight its significance not just as a visual spectacle but as a sculpture with weight and story. Created in 2018 during a time of widespread cross-pollination between streetwear, designer toys, and pop surrealism, Destroy, Rebuild, Repeat reflects the strength of Quiccs’ voice in the movement of Street Pop Art & Graffiti Artwork.

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Booby Trap Polystone Sculpture Limited Edition Artwork by Modern Pop Artist Henn Kim. 2021 New In Box Booby Trap Art Toy Sculpture by Henn Kim x Mighty Jaxx Exploring the Fusion of Street Pop Art & Graffiti Artwork in Henn Kim's Booby Trap Sculpture In the vibrant arena of modern pop art, the Booby Trap Polystone Sculpture emerges as a compelling piece that stirs the onlooker with its raw and evocative presentation. This limited edition art toy sculpture is a physical embodiment of the themes often explored by the Korean illustrator and modern pop artist Henn Kim. Born in South Korea, Henn Kim is alive and active in the art scene. She is known for her illustrative work that often features a stark monochromatic palette and themes of emotional introspection. The Booby Trap sculpture, released in 2021 in collaboration with Mighty Jaxx, is a striking representation of the weight of emotions and the suspense of unpredictable outcomes. Standing at 8 inches, this poly stone art toy captures the essence of what many street pop artists and graffiti creators aim to communicate: a message that is both personal and universal, encapsulated in a form that is accessible yet profound. Henn Kim and the Emotional Resonance in Street Pop Art Henn Kim's work is recognized for its simplicity in design yet complexity in interpretation. The Booby Trap sculpture, much like her two-dimensional works, is deceptively straightforward—a figure holding grenades in place of breasts, which is not just a play on words but also a visual metaphor for the burdens one may carry. The tension between the expected softness of the human form and the harshness of the grenades invites a dialogue on vulnerability and strength, a recurring theme in street pop art. The design does not shy away from evoking a sense of danger and fragility. The woman depicted is blindfolded, adding a layer of suspense and mystery. It is as if she is unaware of when her emotional weight might become too much to bear—a sentiment that resonates deeply with the human experience. Polystone as a medium adds to the narrative, providing a sense of permanence and gravity to the otherwise fleeting emotions. The Impact of Booby Trap in the Context of Graffiti Artwork While Henn Kim's Booby Trap is not graffiti in the traditional sense, it shares the spirit of graffiti artwork's immediacy and public engagement. Graffiti often conveys messages about societal pressures and personal struggles on the public stage of city walls. Similarly, Booby Trap takes personal struggles and exhibits them in a tangible form. Much like graffiti, the sculpture is a snapshot of emotion, frozen in time yet speaking volumes. It is a testament to the power of street pop art to transcend the conventional boundaries of art galleries, reaching out to a broader audience through its profound simplicity and visual impact. The limited edition nature of Booby Trap aligns with the often ephemeral quality of graffiti, highlighting the importance of capturing the moment and the emotion before it fades away. The collaboration with Mighty Jaxx also points to a trend where street pop art and collectible culture intersect, creating new platforms for artists to share their work and for collectors to engage with art in a more personal space. The Booby Trap sculpture is a significant piece within the continuum of street pop art and graffiti artwork. It is a bold statement in the oeuvre of Henn Kim, a modern pop artist whose work continues to engage and challenge viewers with its visual metaphors and emotional depth. The sculpture is not merely an object of aesthetic value but a conversation conduit. This piece compels the onlooker to reflect on our weights and the unpredictability of life's emotional journey. Through Booby Trap, Henn Kim has added a new dimension to the discourse of street pop art, proving that the power of this genre lies in its ability to connect with the viewer on a profoundly personal level, irrespective of the medium.

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Tire Trouble Archival Print by ABCNT Archival Pigment Fine Art Limited Edition Print on 330gsm Museum Smooth Cotton Rag Paper Pop Artist Modern Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x20 "Tire Trouble" is an archival print created by ABCNT, a renowned Los Angeles-based artist, designer, and activist known for his politically charged and socially conscious artwork. ABCNT's work often incorporates bold imagery of Mickey Mouse & Donald Duck, iconic Disney figures, and provocative statements to address environmental dystopian issues and spark conversations. The "Tire Trouble" print features a striking composition that communicates the artist's perspective on a particular issue, relating to environmental concerns, consumerism, or societal values. As an archival print, the artwork is produced on high-quality, acid-free paper, which ensures its longevity and resistance to fading over time. This makes it a collectible piece for art enthusiasts and those who appreciate ABCNT's distinctive style and message of dead fish.

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Putin’s Ashes Pussy Riot Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled Screen Print on Cream Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print of Pussy Riot Woman in Mask With Vladimir Putin From Russia "I have admired Pussy Riot and Nadya Tolokonnikova since I first saw their visually and sonically fierce performances, methods of protest, and messages of social justice. I’ve wanted to collaborate with Nadya and Pussy Riot for years because of our shared belief that art and performance are powerful tools of social change. Pussy Riot has been subjected to Putin’s brutality and methods of oppression firsthand, so their comments on Putin and the invasion of Ukraine are especially relevant. Putin’s Ashes is a beautiful, haunting, evocative video and music piece. In working on a visual for Nadya’s show at Jeffrey Deitch Gallery, I illustrated from video stills and imagery that Nadya provided in an attempt to encapsulate the powerful aesthetics of Pussy Riot and the narrative of the music video piece. I’m honored to collaborate with Nadya, who I think is one of the most fearless, articulate, and outspoken multi-media artists and activists working today." -Shepard Fairey In the realm of pop art, street art, and graffiti, the 2023 signed and numbered limited edition silkscreen print, titled "Putin’s Ashes," captures the essence of activism and social justice through powerful imagery. Created by renowned artist Shepard Fairey, known for his iconic OBEY campaign and artistic expressions of political dissent, this artwork is a homage to the Russian punk protest group Pussy Riot and their fearless leader Nadya Tolokonnikova. Fairey's admiration for Pussy Riot's visually and sonically fierce performances, along with their unwavering commitment to social change, is evident in this piece. Drawing inspiration from the group's music video, "Putin’s Ashes," which denounces Vladimir Putin's oppression and the invasion of Ukraine, the silkscreen print portrays a woman wearing a mask in defiance of authority, standing resolute in the face of adversity. The limited edition print, hand-pulled on cream Speckletone fine art paper, measures 18x24, adding to its collectible allure. With only 450 copies in existence, the artwork holds a significant place in contemporary pop art culture. Nadya Tolokonnikova's collaboration with Shepard Fairey is a perfect union of like-minded activists who believe in the transformative power of art and performance. Both artists share the conviction that their work can be a potent tool for challenging societal norms and fostering change. Fairey's meticulous attention to detail, derived from video stills and imagery provided by Nadya, captures the raw aesthetics and narrative of Pussy Riot's music video, translating it into a visual medium that echoes their powerful message. The artwork's theme is poignantly relevant, considering Pussy Riot's firsthand experience with Putin's oppressive tactics. This print serves as a poignant reminder of the group's resilience in the face of brutal suppression and their unyielding commitment to speaking truth to power through their art. "Putin’s Ashes" is not only a striking piece of pop street art but also a testament to the impact that art can have on society. Through this limited edition silkscreen print, Shepard Fairey and Pussy Riot continue to inspire and provoke conversations about the role of art in shaping a more just and equitable world.

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New! Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adam Caldwell Modern Artwork. 2022 Signed & Numbered Limited Edition of 20 Artwork Size 17x14 New! • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 14 x 17 inches Hand-signed and numbered by artist Adam Caldwell in a limited edition of 20

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Suicide Man- White Gesso Limited Polystone Resin Sculpture Artwork by Graffiti Street Artists Banksy x MediCom. 2020 Limited Edition White Polystone Resin Sculpture New In Box

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SSUR Varsity 400% BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures by SSUR Ruslan Karablin Russian Karablin's label, SSUR gets another Bearbrick makeover on the 400% sized motif. The Bearbrick features SSUR Graphics printed on the front, back and arms of the Bearbrick, resembling the iconic SSUR NY Dog Varsity Jacket. This 400% Bearbrick stands at 28cm / 11 inches tall.

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Where The Hose M30 Hand Embellished HPM Giclee Print by OG Slick Artwork Limited Edition Print on Deckled 310gsm Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2025 Signed & Numbered HPM Hand Embellished by OG Slick Giclee & Spray Paint Limited Edition of 25 Artwork Size 30x30 HPM Hand Embellished Giclee Print. Splatter pattern, strokes and paint color to hand embellish varies. EVERY HPM IS UNIQUE. YOU MAY NOT RECEIVE THE ONE IN THE PHOTO, CHOSEN AT RANDOM. Where The Hose M30 by OG Slick: Urban Commentary and Graffiti Wit in Street Pop Art & Graffiti Artwork Where The Hose M30 is a 2025 hand-embellished giclee print by OG Slick, presented in a limited edition of 25. Each 30x30 inch print is produced on 310gsm deckled fine art paper, signed and numbered by the artist, and uniquely hand-finished using spray paint and various graffiti techniques. The central subject is a fire hydrant—painted, stickered, and transformed—set against a stark background, with the hand-scrawled question Where the hose at? hovering above in playful red script. The image merges cheeky wordplay with street realism, combining slick visual execution and raw cultural irreverence. Every HPM version differs, each featuring its own variation of paint splatter, spray application, and embellishment marks, reinforcing the individuality and rebellious spontaneity embedded in Street Pop Art & Graffiti Artwork. Symbolism, Humor, and Street-Level Critique The fire hydrant in Where The Hose M30 is rendered with a gritty aesthetic, adorned in layers of graffiti, tags, and stickers including OG Slick’s signature Japanese text, cartoon gloves, and pop references. These decals give the hydrant the look of a public object long claimed by urban artists. The playful title scrawled above evokes both literal and slang meanings, inviting multiple interpretations—part street joke, part cultural commentary. Whether read as a nod to graffiti beefs, territorial markings, or masculine bravado, the question itself is as much a provocation as it is a punchline. Some variants in the edition feature bursting spray streams, others are overlaid with bold magenta or buffed whiteout gestures, each echoing the transient, ever-changing nature of city surfaces and graffiti culture. Within Street Pop Art & Graffiti Artwork, OG Slick uses this hydrant not only as a subject but as a symbol of pressure, release, and public infrastructure hijacked by personal voice. OG Slick’s Artistic Practice and Visual Language OG Slick, a fixture of Los Angeles graffiti culture since the 1980s, is renowned for remixing commercial and municipal iconography through a filter of street aesthetics and satirical wit. His work blends cartoon-based visual familiarity with hardcoded graffiti influence, often embedding commentary on fame, ownership, and identity. In Where The Hose M30, he recontextualizes the mundane—turning a utilitarian fire hydrant into a sculptural character that carries attitude, history, and street-coded meaning. By layering his personal motifs over a public object, Slick continues his career-long tradition of turning the overlooked into a bold visual narrative. His attention to detail in both form and wordplay makes this piece an extension of the graffiti wall, a flat surface alive with attitude, cultural shorthand, and layered contradiction. Edition Variation and Urban Artifact Value As with all HPM releases by OG Slick, each copy of Where The Hose M30 is one of a kind. While the base giclee ensures fidelity to the original digital layout, the embellishments disrupt that uniformity, introducing chaos, imperfection, and hand-executed energy. Some prints are saturated in pink or buffed out with white spray, while others are activated with directional burst marks and smudges of black ink. These choices give each collector a unique relationship to the piece, similar to how different graffiti tags evolve across the city depending on who sees them, alters them, or covers them. OG Slick captures that energy in a fixed format that still feels in flux. The deckled paper adds a tactile frame to the work, reinforcing its status as both high art and cultural subversion. In Street Pop Art & Graffiti Artwork, Where The Hose M30 stands as a sharply humorous yet technically refined work that reclaims public visual space and retools it with attitude, commentary, and urban soul.

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Know Your Rights- Large Format Limited Edition Hand Pulled 1-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Serigraph Artwork 42 x 42 inchesAugust 21, 201. 42 x 42 Large Format Serigraph.1 Color printed on Varnished 100% Cotton Rag Archival Paper. "Know Your Rights" is a commanding serigraph by Shepard Fairey, an artist who has cemented his place in the contemporary art scene through works that intertwine the ethos of street art with the aesthetic of modern pop art. This piece, released on August 21, 2014, is particularly noteworthy not only for its bold political message but also for the meticulous craftsmanship that goes into the production of each print. As an extensive format work, measuring an impressive 42 x 42 inches, it makes an indelible mark on the viewer, both through its scale and its strikingly stark one-color presentation on varnished 100% cotton rag archival paper, complete with hand-deckled edges. Shepard Fairey is renowned for blending fine art with the raw, in-your-face quality of street art and graffiti, and "Know Your Rights" is a prime example of this synthesis. The piece is anchored by a central image featuring an open book titled "THE FUTURE IS UNWRITTEN," encapsulating a message of empowerment and the potential for change. This is framed by laurels and a lit torch, evoking classic motifs that signify victory, knowledge, and enlightenment. The bordering texts "OBEY PROPAGANDA" and "KNOW YOUR RIGHTS" play into Fairey's recurring themes of propaganda, control, and the dissemination of information, urging the viewer to question authority and the narratives they are presented with. Each print in this limited edition is signed and numbered by Fairey, signifying its authenticity and connection to the artist's hand. The decision to use a one-color palette speaks to the work's assertive simplicity and Fairey's skill in using contrast and texture to convey depth and resonance. It's a technique that mirrors his street art roots, where messages must be given quickly and memorably. The serigraph process, a labor-intensive method of screen printing, ensures that each impression is of the highest quality, with the varnishing on the cotton rag paper adding a durable, tactile finish that also enhances the visual impact. "Know Your Rights" stands as a powerful statement in Fairey's oeuvre, reflecting his social and political advocacy rendered through his distinct pop art lens. This artwork resonates with the immediacy of street art and carries the weight of historical art traditions, bridging contemporary concerns with timeless expressions of resistance and hope.

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Pass-Through II HPM Archival Print by Dave Pollot Limited Edition Hand Burnt Multiple on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. 2023 Signed & Numbered HPM Hand Embellished Print Limited Edition of TBD Artwork Size 24x16.87 Archival Pigment Fine Art Each Artwork Is Uniquely Hand Burnt By Artist

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Vides Adam Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Joshua Vides.

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Mars Limited Edition Hand Pulled 4-Color Serigraph Print on Fine Art Paper by Derek Hess Graffiti Street Artist Modern Pop Art. AP Artist Proof "This piece has been added to the permanent collection of the Akron Museum of Art. Image wise I’m going for the same basic idea as the Venus print. Titled after Mars the God of war." - Derek Hess

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The End of the End- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 24x36 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial The End of the End Mini by Denial: Love, Apocalypse, and Satire in Street Pop Art & Graffiti Artwork The End of the End Mini is a 2020 hand-painted multiple by Canadian artist Denial, known for his fusion of satire, iconography, and subversive wit. Created as part of the True Facts Mini Multiple Series, this piece measures 24 x 36 inches and is produced on a wood cradled panel, ready to hang. Each edition in the set is an original HPM—hand-painted multiple—offering unique brushwork and embellishment over a consistent base print. Limited to 20 signed and numbered pieces, the work presents a silhouetted couple locked in a romantic embrace within a car as they overlook a mushroom cloud detonating in the distance. The scene closes with a stylized handwritten caption that simply reads The End, suggesting finality with a mix of tragedy and humor. This darkly comic juxtaposition is a hallmark of Denial’s work, perfectly situated within the visual terrain of Street Pop Art & Graffiti Artwork. Nuclear Romance and Comedic Catastrophe The imagery in The End of the End Mini plays with retro cartoon styling and Cold War era fears, placing symbols of youthful romance—vintage cars, scenic overlooks, date-night silhouettes—alongside the icon of global annihilation: the mushroom cloud. The bomb blast, rendered in vivid oranges and yellows, contrasts with the blue sky and lush green horizon, creating an unnervingly cheerful palette for a scene of planetary extinction. The couple remains indifferent, lost in their affection, suggesting either complete detachment or ironic defiance. In Street Pop Art & Graffiti Artwork, such combinations expose the contradictions in cultural storytelling, where romance and violence are often sold in the same breath. Denial uses this absurd pairing not to promote nihilism, but to provoke reflection on how society trivializes catastrophe through media and myth. Material Detail and Collector Format Each panel is painted on cradled wood, offering dimensionality and presence beyond a flat print. The edges are blacked out to create a framed effect, giving the work an object-like quality suited for both contemporary art installations and personal collections. The base image is screen printed in sharp graphic tones, but each edition is uniquely treated with hand-applied paint, drips, smears, and marks that personalize the piece. This makes every version of The End of the End Mini a singular artwork despite its shared motif. The limited edition of 20 increases its desirability within both pop art and street art collector communities, where originality and scarcity fuel long-term interest. Denial’s Role in Contemporary Satirical Expression Denial, born Daniel Bombardier, is an artist from Windsor, Ontario whose work critiques consumer culture, social absurdity, and media manipulation through a visual language rooted in propaganda design and street aesthetics. With a background in graffiti and billboard alteration, Denial transforms familiar formats—comic strips, advertising, political signage—into layered visual riddles. The End of the End Mini belongs to this ongoing narrative, using humor and horror to illustrate human contradiction. The work doesn’t encourage hopelessness but rather highlights the ridiculous normalization of disaster in pop imagery. It’s a moment frozen in beautiful denial, where intimacy and destruction merge under a blue sky, daring viewers to laugh, gasp, and rethink what they celebrate and what they ignore. In the lexicon of Street Pop Art & Graffiti Artwork, it is a postcard from the absurd future disguised as now.

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Love is in the Air 1.0 Main Blue Giclee Print by R-Malite Artwork Limited Edition Print on 285gsm Rosaspina Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 24x17.5 R-Malite's "Love is in the Air 1.0 Main Blue Giclee Print" captures the dynamic spirit of contemporary street art with a poignant pop art twist. This limited edition piece, only fifty in existence, is a prized asset for collectors and art lovers alike. It is meticulously printed on 285gsm Rosaspina fine art paper, a testament to quality and durability in art reproduction. Sized at 24x17.5 inches, this artwork has a commanding presence that draws the eye and stirs the imagination. Signed and numbered by the artist, each print secures its unique position in the series, offering a personal connection between the creator and the collector. R-Malite, a graffiti pop street artist, infuses his work with vibrant street culture aesthetics, cleverly juxtaposed with classical fine art techniques. This blend reflects a burgeoning art movement that marries the raw energy of the streets with the refined beauty of fine art galleries. In "Love is in the Air 1.0," R-Malite explores the themes of conflict and harmony by depicting a fighter jet and a heart-shaped balloon. This contrast is not just visual but symbolic, evoking a dialogue about the nature of power, love, and societal values. It resonates with the artist's intent to question and challenge the observer's perspective on contemporary issues. Artwork like this contributes significantly to the ongoing discourse in pop, street, and graffiti art, bringing forth conversations about the role of public art in expressing communal sentiments and individual expressions. R-Malite's print is not just an aesthetic statement but a cultural artifact that reflects the zeitgeist of our times, encapsulating emotions and narratives within the urban landscape. Its limited availability further underscores its importance, making "Love is in the Air 1.0" a coveted piece of contemporary art history.

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Fred Toliver/Clone Trooper Bomb Squad- Phillies Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Fred Toliver/Clone Trooper Bomb Squad- Phillies

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Northern Co. Jerry Fowler Guest Board Limited Edition Silkscreen Skateboard deck art by street pop culture artist.

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Dr. Revolt Print Archival Print by Dr. Revolt Limited Edition on Bright White Hot Press Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 25 Artwork Size 18x22 Archival Pigment Fine Art Dr. Revolt's Archival Print: A Confluence of Pop and Street Artistry The "Dr. Revolt Print," an archival print by the iconic pop graffiti street art artist Dr. Revolt, represents a vivid intersection of classic New York graffiti with pop art's bold colors and sensibilities. This limited edition print, produced on bright white hot press paper in 2023, is a testament to Dr. Revolt's enduring influence in street pop art and graffiti artwork. Each piece in the series is meticulously signed and numbered, highlighting its exclusive nature, with only 25 editions released, measuring 18x22 inches. Dr. Revolt's Signature Style and Influence Dr. Revolt is renowned for his pioneering contributions to the graffiti movement that emerged from the subway culture of New York City in the 1970s. His style is characterized by vibrant hues, dynamic lettering, and cultural motifs that capture the spirit of an era that revolutionized visual culture. His prints often reflect his graffiti heritage while being infused with the aesthetic of pop art, exemplifying a genre that he helped to define. Symbolism in the Archival Print The "Dr. Revolt Print" showcases a spray paint can amidst flames, a symbol of the graffiti artist's primary tool, set against a backdrop that features the iconic New York City skyline. This image conjures the rebellious energy of street art, its capacity to ignite conversations, and its fiery impact on urban spaces. The choice of the spray can as the central element signifies the power of art to transform and challenge the status quo. At the same time, the flames suggest both the controversy and passion that graffiti has historically ignited. Cultural Significance of Dr. Revolt's Work As a limited edition archival pigment fine art print, Dr. Revolt's work transcends the temporary nature of street art, capturing a moment in time within the permanence of fine art. The "Dr. Revolt Print" not only serves as a piece of visual artistry but also as a historical document that records the influence of graffiti on contemporary art and popular culture. It reflects the journey of street art from the fringes to the mainstream, from ephemeral urban expressions to coveted collectibles. Dr. Revolt's "Archival Print" celebrates the fusion of street art with pop art sensibilities. It is a tangible reminder of the impact of street pop art and graffiti artwork as legitimate forms of modern artistic expression. The limited edition nature of the print underscores the importance of preserving and honoring the legacy of street art and its practitioners, who continue to shape and color our visual landscape.

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Breathe Right Original Painting Oil On Linen w/ Custom Walnut Frame by David Molesky Graffiti Street Artist Modern Pop Art. 2014 Signed & Custom Framed Original Oil Painting Artwork Size 24x20 "This painting is from my series of paintings based on media images of the revolution in Kiev. Its the largest of the eight paintings so far and the one that I spent the most time on. I feel like the figure captures the energy that originally drew me into the subject matter. The paintings of this series are a departure from my earlier figurative painting. For the last decade or so I had tried to depict universal time and avoided man-made objects. I’ve dropped that dogma. I love that the subject is current, and also contains elements that seem from another era." - David Molesky

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Two Truths Silkscreen Print by Andrew Ghrist Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered Limited Edition of 45 Artwork Size 12x24  Silkscreen Print Two Truths Silkscreen Print by Andrew Ghrist Andrew Ghrist's Two Truths silkscreen print stands as a striking example of street pop art & graffiti artwork, merging intricate linework, surrealist themes, and a monochromatic palette that draws the viewer into a world of cosmic mystery. Created in 2013 as a hand-pulled, signed, and numbered limited edition of 45, this 12x24-inch silkscreen print showcases Ghrist’s ability to blend the urban aesthetic of street art with the dreamlike qualities of surreal illustration. His signature style, often seen in large-scale murals and fine art prints, is recognized for its dense patterns, flowing organic elements, and detailed rendering of mechanical and natural objects intertwined. Symbolism and Surrealist Influence The imagery in Two Truths plays with the contrast between science, mythology, and the unknown. A massive telescope, richly adorned with intricate carvings, points toward a star-streaked sky, creating an immediate sense of curiosity and exploration. The observatory appears aged and abandoned, while a single figure stands in the background, silhouetted against a full moon, possibly representing the eternal search for knowledge. The presence of crumbling ruins, overgrown roots, and surreal cosmic elements adds to the feeling of discovery and decay coexisting in the same space. The phrase "Two Truths" suggests a dual nature of reality, a concept deeply embedded in philosophy, science, and art. The piece challenges the observer to consider different perspectives—what is known and unknown, what is seen and hidden. The presence of mystical swirling clouds and intricate celestial objects hints at a deeper universal narrative, where the idea of absolute truth is questioned. Technique and Execution Ghrist’s line-heavy, meticulously detailed style aligns perfectly with the ethos of street pop art & graffiti artwork, where artists utilize high-contrast, graphic-heavy compositions to captivate the audience. The silkscreen process enhances the sharpness and depth of the illustration, allowing each intricate detail to stand out. His monochromatic color choices with subtle shades of gray and black lend a timeless, almost etching-like quality to the piece, reminiscent of classic scientific illustrations mixed with modern street art aesthetics. This piece is a testament to Ghrist’s ability to bridge fine art printmaking with contemporary street art motifs, ensuring that his work is not just visually arresting but also intellectually engaging. The layering of mythological and scientific imagery, combined with a sense of deterioration and rebirth, makes Two Truths a compelling piece within his portfolio. Impact in Street Pop Art & Graffiti Artwork As an artist with roots in both gallery work and large-scale murals, Andrew Ghrist has successfully infused elements of street art into fine art printmaking. His works are often found in urban spaces, whether through murals or collaborative exhibitions, reinforcing the connection between the ephemeral nature of graffiti art and the permanence of printmaking. Two Truths, with its blend of architectural decay, celestial wonder, and scientific curiosity, fits seamlessly into the larger conversation within street pop art & graffiti artwork, where artists explore themes of knowledge, perception, and the fleeting nature of time. Collectors of contemporary print art, especially those drawn to meticulously detailed compositions with deep narrative layers, find Two Truths to be a standout example of Ghrist’s craftsmanship and thematic depth. Its place in the broader movement of street-inspired fine art prints ensures that it remains both relevant and thought-provoking within the ever-evolving landscape of modern urban art.

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Dumpster Fire- Black Friday Chrome Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Kidrobot. Last year Kidrobot brought you the 2020 Edition to commemorate the Dumpster Fire of a year! This year Kidrobot will bring you the Black Friday 2021 Chrome Edition of the Dumpster Fire collectible - like the hood ornament of the speeding car that is modern life. Shiny, sleek, reflective chrome. Going places fast. Still a box of trash on fire. Based on the popular gif and pin by 100% Soft, this Kidrobot x 100% Soft Dumpster Fire Chrome Edition vinyl collectible is a Black Friday Exclusive.

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Eruption PP Archival Print by DAIM Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2016 Signed & Marked PP Limited Edition Artwork Size 14x21 Archival Pigment Fine Art DAIM's Eruption PP Archival Print: A Fusion of Street Pop Art and Fine Artistry The "Eruption PP Archival Print" by the artist DAIM is a striking example of the fusion between street pop art and the meticulous approach of fine art printmaking. This particular work, part of a limited edition on 310gsm museum fine art paper, showcases the artist's expertise in creating depth and movement on a two-dimensional surface. Known for his dynamic and geometrically complex graffiti works, DAIM has transferred his skill to fine art prints, capturing the spirit of graffiti in a form that allows for preservation and collection. The term 'PP' refers to 'Printer's Proof,' akin to an Artist's Proof but typically reserved for the collaborators in the printmaking process. The printers often retain these proofs as a reference for the quality and color of the print edition. The "Eruption PP Archival Print" from 2016 bears the mark of DAIM's involvement and approval, signed and designated as a PP, further emphasizing its uniqueness beyond the standard edition prints. This print, sized at 14x21 inches, is manageable and highly collectible, making it a sought-after piece for enthusiasts of modern street pop art and graffiti artwork. Technique and Cultural Significance in DAIM's Archival Prints DAIM's mastery in creating complex, 3D-style graffiti is evident in the "Eruption PP Archival Print," where the illusion of protruding shapes and bursting elements is palpable. The use of archival pigment ensures that the vibrancy of the colors and the precision of the details are maintained over time, mirroring the longevity and historical significance of the street art from which it draws inspiration. The technique also allows the artwork to stand the test of time, just as street art's messages and impact continue to resonate within urban landscapes and cultural dialogues. This artwork represents more than just an aesthetic pleasure; it encapsulates the evolving narrative of street art into a more formalized art setting. Through his print, DAIM challenges the traditional separation between the renegade spirit of street art and the curated walls of art galleries. The inclusion of such prints in the art market reflects the changing perceptions of graffiti art, acknowledging its rightful place within the broader spectrum of significant cultural productions. The Impact of Limited Edition Prints in the Art World The introduction of limited edition prints has markedly transformed the world of street pop art and graffiti artwork. These prints allow artists like DAIM to reach a wider audience, offering a piece of their art that is both accessible and exclusive. The "Eruption PP Archival Print" exemplifies this shift, as it is a piece of DAIM's large-scale graffiti legacy and a collectible artwork that can be owned privately. The concept of Printer's Proofs such as this extends the idea of exclusivity and provides collectors with a tangible connection to the artist's original vision. Limited editions like DAIM's print bridge the transient nature of street art and the permanence sought by collectors. As such, they play a crucial role in sustaining the artists and their creative endeavors while ensuring that the art itself is preserved to the elements and the passage of time. In the context of modern art, these prints are more than just reproductions; they are original creations that carry the essence of the artist's hand and the vibrancy of street art culture. In summarizing the importance of DAIM's "Eruption PP Archival Print," it is crucial to recognize the confluence of artistic technique, cultural impact, and market dynamics it represents. This print is a snapshot of DAIM's creative journey, a celebration of street art's influence on contemporary culture, and a testament to the enduring appeal of street pop art and graffiti artwork within the fine art community.

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Supreme Sekintani La Norihiro Deck- Pink Limited Edition Skateboard deck art by Designer Brand Supreme SS19 2019 Japanese artist Sekintani La Norihiro’s artwork is known for its provocative imagery, often portraying distorted images, organs, and bright color combinations to portray almost stomach-turning motifs. The Supreme Sekantani La Norihiro Skateboard Deck Pink showcases La Norihiro’s artwork on a Supreme skate deck. The deck depicts a partially naked woman and a devil-like figure looking over her. Distorted motifs are evident throughout the underside of the deck in line with La Norihiro’s style. The Supreme Sekantani La Norihiro Skateboard Deck Pink was released during Spring/Summer 2019

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Samiyam- The Blind Pig 2011 Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Samiyam, Raj Mahal, Mogi Grumbles, Josef Deas, A Bomb, DJ Dick Jones, Charles Trees at The Blind Pig on May 26th 2011

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The Children Of War Limited Edition Giclee Fine Art Prints on Archival Photo Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe.

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Super Match Box Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Naoshi. 2014 Signed in Verso with Hand-Drawn Face Limited Edition of 100. 11.75x8.5 Based on Sunae Sand Art.

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New Clear Power 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "New Clear Power, my first solo art show in Germany (@amuseum_Munich) addresses systems, forms, and notions of power that we must all carefully consider as we pursue our vision for an ideal personal and collective future. In my visual strategy, I choose colors, patterns, and icons that powerfully engage the viewer, and I write the text for my pieces using words that have the power of clear and concise communication. The concept of power is almost always present in my art. Forms of power addressed in the subject matter of New Clear Power include abuse of power, power concentrated under capitalism, renewable power, political power, the power of creativity, power over information, and the power of controlling narrative." -Shepard Fairey "New Clear Power Silkscreen Print" is a work of art by the renowned American street artist Shepard Fairey, also known by his moniker, OBEY. The "New Clear Power Silkscreen Print" is a limited edition artwork created with Fairey's signature silkscreen printing technique. Silkscreen printing, also known as screen printing, is a process that involves applying layers of ink through a mesh screen to create an image on various surfaces. Shepard Fairey frequently uses this method to create his distinctive, bold, and highly detailed artworks. Fairey's work often explores political and social themes, with powerful imagery and messages to provoke thought and discussion. The "New Clear Power Silkscreen Print" incorporates similar themes and is intended to raise awareness about a specific issue or idea. Since the title plays with the words "New Clear Power" (sounds like "Nuclear Power"), it may address topics such as the use of nuclear energy, its potential benefits, and its risks to society and the environment. The artwork probably features Fairey's recognizable style, which typically combines elements of graphic design, illustration, and street art. As with many of Fairey's limited edition prints, the "New Clear Power Silkscreen Print" is highly sought after by art collectors and fans of the artist's work.

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Baby Huey- Blue Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. It’s all about that fade baby! Pretty hard to step into your Dad’s shoes, even if you have teeny tiny little feet, but a real playa has to try. Relish the opportunity to possess a little whiny evil dictator all your own, this 8″ figure comes in Supervillain Blue from the twisted mind of Frank Kozik!

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Calamity is All I See Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Caitlin Hackett. Artist: Caitlin Hackett Title: "Calamity is All I See" Medium: Archival Pigment Print Edition: 40 Markings: Signed and numbered by the artist Dimensions: 11" x 14"

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Cinderella’s Dress Limited Edition Archival Pigment Fine Art Prints on Hahnemuhle Photo Rag Paper by Graffiti Street Art and Pop Culture Artist Jeff Gillette. 2016 Signed Cinderella’s Dress Archival Pigment Print on Hahnemuhle Photo Rag Paper Edition of 60 Signed and Numbered by the artist 13 x 20” (paper), 11 x 19” (image) 2016

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Who's The King?- Gold 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Paper by Alexander-John Rare Street Art Famous Pop Artwork Artist. 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Size: 16.5 x 24 Inches Release: May 07, 2021 Run of: 30 "This piece is made to trigger the collector into a social experiment based on color and choice. This print can be hung either way, which represents the concept of equality. No matter what our differences are (represented by the weapons in this piece), we are all Kings." -Alexander-John

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Out of the Circle Limited Edition 4-Color Hand-Pulled Silkscreen Print on 270gsm Fine Art Paper by Lucy McLauchlan Graffiti Street Artist Modern Pop Art. 4 layer screen print including gloss, matt, and metallic inks. Hand printed in Birmingham with Mission Print, 2018

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Crash Test Kalis- 8.38 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. 7-ply Maple with Assorted Stain Veneers / Full Graphic Bottom / Top Screen Graphics / Josh Kalis Professional Endorsed Skateboard / 8.38" Width x 32.15" Length / 14.5" Wheelbase

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I'm No One- Night 7-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Doyle Rare Street Art Famous Pop Artwork Artist. 2022 Signed Open Edition Out of Print 30x20

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Landfall PP Printers Proof Artwork Giclee Limited Edition Print on 290GSM Fine Art Paper by Pop Culture Graffiti Artist Josh Keyes. PP Printers Proof Signed & marked PP 18x26 inches / 46x66cm Fine art print on 290gsm paper Hand signed and numbered Artist proof working copy, small bump to lower mid white margin bottom. The hybrid world that Keyes has created steps on surrealism and photorealism, a mix that unsettles the viewers, making us feel unsafe and exposed to an uncertain and mischievous future. At the core of work exists the concern for our survival and the earth's future. This preoccupation is highlighted through the display of animals lost and displaced from their natural settings. They are in peril and away from their natural ecosystem, relocated in dioramic fantastical situations.

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Britney Bomb Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Joe King. Ultra limited number 6 of 7.

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Lawrence of Arabia Silkscreen Print by Justin Van Genderen Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 50 Artwork Size 18x24 Location, Location, Location Series Silkscreen Print of Desert Middle East Man in the Head of a Match Flame from Movie Lawrence of Arabia . Lawrence of Arabia Silkscreen Print by Justin Van Genderen Lawrence of Arabia Silkscreen Print by Justin Van Genderen is a visually striking 2013 limited edition artwork that captures the essence of the classic film Lawrence of Arabia through a bold, minimalist design. Hand-pulled on fine art paper, this 18x24-inch silkscreen print features a signed and numbered edition of 50. The image merges the sweeping landscapes of the Middle East with the iconic matchstick imagery from the film, symbolizing both the ignition of war and the relentless pursuit of destiny. With its use of stark contrasts and warm desert hues, this print stands as a testament to the power of Street Pop Art & Graffiti Artwork in reinterpreting cinematic history. Minimalism and Symbolism in Film-Inspired Artwork This print takes a minimalist approach to capturing the spirit of Lawrence of Arabia. Instead of directly replicating a film still, the composition distills the film’s themes into a single, evocative image. A lone figure stands atop a sand dune, engulfed in the head of a match flame, which dominates the frame. This reference to the film’s famous match-cut scene, where a burning match transitions into a vast desert sunrise, is instantly recognizable to cinephiles and art lovers alike. The use of a match flame as a compositional element creates a powerful metaphor. It suggests both the literal fire of battle and the burning ambition of T.E. Lawrence, the film’s protagonist. This blending of iconography and storytelling is a hallmark of Street Pop Art & Graffiti Artwork, where the goal is to communicate complex narratives through simple yet arresting visuals. The stark color palette of gold, orange, and sand-toned hues enhances the warmth and isolation of the desert, while the flat, screenprinted texture reinforces its connection to classic film posters. Color Theory and Composition in Modern Silkscreen Prints The print’s use of color is carefully chosen to evoke both the heat of the desert and the psychological intensity of the film’s story. The bold contrast between the flame and the muted background makes the central figure feel isolated yet significant, much like Lawrence’s character within the film. The layering of warm oranges and yellows mimics the blinding effect of sunlight reflecting off the sand, an element that played a major role in the cinematography of Lawrence of Arabia. The horizon lines within the flame create an illusion of depth, mimicking the endless dunes of the desert. The matchstick base grounds the composition, serving as a reminder of the film’s pivotal scene while also acting as a structural element that balances the composition. This kind of thoughtful design work aligns with the best traditions of Street Pop Art & Graffiti Artwork, where bold shapes and clean lines drive the visual impact. Reimagining Film History Through Street Pop Art & Graffiti Artwork This piece exemplifies how classic films can be reinterpreted through the lens of Street Pop Art & Graffiti Artwork. Rather than relying on traditional portraiture or detailed realism, this print embraces abstraction and symbolism to evoke the emotional core of the movie. This approach is common in modern street art, where artists use iconic imagery to spark recognition while adding layers of new meaning. By reducing the film’s narrative to a single burning match, Justin Van Genderen captures the essence of Lawrence of Arabia without relying on direct likenesses or conventional poster design. This stripped-down approach allows viewers to engage with the piece on multiple levels, whether they are familiar with the film or simply drawn to its striking visual composition. The blend of classic cinematic elements with contemporary screenprinting techniques ensures that this print stands out as both a tribute to film history and a compelling work of modern art. Lawrence of Arabia Silkscreen Print by Justin Van Genderen exemplifies the power of visual storytelling in Street Pop Art & Graffiti Artwork. Through careful use of color, symbolism, and minimalism, this print distills one of cinema’s greatest epics into a single, unforgettable image. Whether displayed as a film lover’s centerpiece or a bold statement in a modern art collection, this piece continues the tradition of translating classic stories into fresh, visually compelling artworks.

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NØISE/SSI Resurrectionem Ex-Mortuis Remix 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 18 inches Edition of 400 March 30, 2021 About I have been friends with John Goff for 25 years. He was a fan of my art and used to generously help me print. We often bonded over music from the Melvins, to Kraftwerk, to RUN-DMC. John has been a musician most of his life, playing in several different music projects over the years, including SSI which is a collaboration between John and his brother Will. When I started DJ’ing John would help me with the production of remixes. Eventually, we started producing some music together, and with the valuable addition of Merritt Lear and Joe Cassidy, we formed Nøise. -Shepard Fairey

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Character Skateboard Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Kenny Sharf x The Hundreds. Paint dipped skateboard Kenny Sharf artwork photo printed Made in the USA 8.5”

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The New Standard Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 20. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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