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Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

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Flags AP Artist Proof Hand-Pulled 9-Color Silkscreen Print on 290gsm Coventry Rag Paper by Pop Graffiti Artist Dalek- James Marshall Rare Street Art Limited Edition Artwork. AP Artist Proof 2018 Signed & Marked AP Limited Edition Size 24x18 Screen Printed by Serio Press. Limited Edition Artwork by Dalek: A Study in Street Pop Art and Graffiti Dalek, the moniker for artist James Marshall, represents a confluence of street pop art and graffiti artwork that has significantly impacted the contemporary art scene. His 2018 release, an Artist Proof (AP) titled "Flags" is a hand-pulled, 9-color silkscreen print on 290gsm Coventry Rag Paper. It is a rare and exquisite example of his mastery in blending the rawness of street art with the finesse of pop art through silkscreen printing. Dalek's "Flags" - A Vibrant Display of Color and Form "Flags" by Dalek is a compelling visual narrative, showcasing his quintessential Space Monkey character in a repetitive, almost rhythmic arrangement. This limited edition piece, Screen printed by Serio Press, is signed by the artist and marked as an Artist Proof, highlighting its rarity and value to collectors and enthusiasts alike. The artwork spans 24x18 inches, a size that allows each element to command attention while contributing to a cohesive whole. Artistic Technique and Execution The process of creating "Flags" is as meticulous as it is creative. The 9-color silkscreen print is a testament to Dalek's skillful use of color theory and his precision in the manual printing process. The choice of Coventry Rag Paper, known for its durability and luxurious texture, underscores the quality and longevity of the artwork. Each color is laid down with care, ensuring that the vibrancy Dalek is known for is present in every inch of the piece. Influence and Significance in Street Pop Art In the landscape of street pop art and graffiti, "Flags" is a cultural artifact that embodies the spirit of both movements. Dalek has taken the rebellious energy of graffiti and channeled it through a process typically associated with more traditional forms of pop art, creating a bridge between two worlds often seen as disparate. The result is an artwork that is both a statement piece and a fine art collectible, reflecting the evolving nature of street-inspired art. Collectibility and Impact The collectibility of "Flags" is enhanced by its status as an Artist Proof, a distinction given to prints pulled before the regular edition for the artist's personal use. These proofs are often used to verify the quality and color of the print and are typically kept in smaller numbers, making them more desirable to collectors. Dalek's signature and the AP marking further authenticate the print as original and exclusive. Dalek's Ongoing Legacy Dalek's "Flags" is more than just a piece of artwork; it is a narrative about the journey of an artist who continues to push the boundaries of street pop art and graffiti. Through this piece and others like it, Dalek challenges perceptions, invites engagement, and broadens the understanding of what street art can be. His works are cherished for their aesthetic appeal and their capacity to provoke thought and conversation about the art world's status quo. "Flags" by Dalek is a remarkable addition to street pop art and graffiti artwork discourse. It encapsulates the dynamism of Dalek's artistic vision and serves as a beacon for the potential of street art to permeate and elevate the fine art domain. With its layered colors, iconic imagery, and limited availability, this print continues to captivate audiences and solidify Dalek's position as a trailblazer in the art world.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – White Edition of a Stark Political Allegory in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a 2022 signed and numbered hand-pulled silkscreen print, produced in a limited edition of 75. Measuring 18x18 inches and printed in black ink on pristine white 290gsm Arches rag paper with hand-deckled edges, this piece delivers a powerful statement using minimalism to reveal the mechanics of authoritarian control and capitalist dominance. The design features three militarized figures marching in unison beneath a dollar-sign emblazoned banner. Each figure salutes with one hand while gripping a weapon in the other, marching in lockstep toward a future defined not by democracy or justice, but by obedience to power shaped through wealth. The precision of the stark black-on-white imagery reinforces the rigidity and dehumanization portrayed, highlighting the shift from collective governance to capitalist-driven authoritarianism. Cleon Peterson’s American Vision of Modern Power Structures Cleon Peterson, an American artist born in 1973, is renowned for his distinctive graphic style that merges the brutal directness of street art with a pop art sensibility. His works are not decorative—they are confrontational, morally urgent, and reflective of systemic violence. Money and Power exemplifies Peterson’s ability to distill complex socio-political realities into singular, unforgettable images. This white edition removes any distraction and allows the viewer to focus entirely on the content and message. The absence of color echoes the perceived erasure of nuance in modern governance, where decisions are no longer dictated by ethical considerations but by financial allegiance. Peterson uses his background in design and graffiti to strip down the message to its essence—those who control money control the message, the law, and the people. Symbolism of Marching Figures and the Banner of Capital The figures in Money and Power are reduced to symbols of conformity and control. With robotic movements and identical expressions, they act not as protectors of the public, but as agents of a system that prioritizes wealth preservation over civic duty. The gun in each hand is not just a weapon—it is a metaphor for the threat that sustains the hierarchy. The saluting gesture, typically a sign of honor or loyalty, is here rendered as a chilling submission to corrupt ideology. Above them, the banner with a dollar sign takes the place of national or moral symbols, declaring money as the new flag under which modern societies march. This image captures what Peterson describes as gangster capitalism—an economy and government fused into a singular corrupt force that erodes public agency and the very foundation of democracy. Money and Power as a Landmark of Street Pop Art & Graffiti Artwork This edition of Money and Power exists as both a work of fine art and a political poster, calling attention to the social decay born of greed and power consolidation. It stands firmly within the tradition of Street Pop Art & Graffiti Artwork, using accessible imagery to convey truths that are often ignored or downplayed in institutional settings. Peterson’s decision to limit the edition to 75 hand-pulled prints adds gravity to its message, making each piece a personal call to awareness and resistance. As street art evolved from rebellion to collectible, artists like Peterson have held firm to the medium’s roots—using public-facing visuals to voice dissent. This piece does not seek to comfort or beautify, but to warn. It captures a world where money no longer funds democracy but replaces it, revealing a cycle where power begets power and the people are simply marched along.

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Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1994 Signed by Kozik & Numbered Limited Edition of 500 Artwork Size 22x18 Silkscreen Print Band Gig Poster by Frank Kozik. Reverend Horton Heat Tenderloin Twang Rang Hi-Fi Road Burners Metro Chicago, Illinois 9-17-1994 The "Reverend Horton Heat Tenderloin Twang Rang Hi-Fi 1994 Chicago IL" silkscreen print is a vibrant representation of the intersection where music meets visual art, crafted by the renowned artist Frank Kozik. Dated in 1994, this limited edition piece, with only 500 signed and numbered prints, captures the essence of the concert gig poster with a distinct pop art flair. Measuring 22x18 inches, it was created to promote a live music event on September 17, 1994, featuring the Reverend Horton Heat alongside Tenderloin and Twang Rang Hi-Fi Road Burners at the Metro in Chicago, Illinois. Kozik's use of bold colors and a cartoonish fox wearing a cowboy hat embodies the energy and eccentricity of the bands, particularly the headlining psychobilly band known for its lively and raucous performances. This artwork is more than a mere announcement of an event; it is a piece of history, a testament to the culture of the mid-90s, and a collector's item for enthusiasts of music, pop art, and street art alike. Frank Kozik's style is evident in the poster's design, which features thick outlines, flat areas of color, and an absence of shading reminiscent of comic book art—a hallmark of Kozik's work. Such posters are not only advertisements but also artifacts of cultural significance. They represent a time when street art was becoming increasingly recognized as a legitimate art form, blurring the lines between the highbrow and the accessible, the elite and the streetwise. These prints also speak to the nature of street art's fleeting existence. While street art is often temporary, subject to the whims of weather and the ever-changing urban landscape, silkscreen prints like this capture ephemeral quality and preserve it in a form that can be collected, traded, and displayed. Kozik's work, especially this print, serves as a physical snapshot of the street art movement as it began to infiltrate and influence the broader pop culture, reflecting a time when the underground started to surface and claim space on the walls of fans and collectors worldwide.

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Born on the 4th Giclee Print by Risk Rock Artwork Limited Edition Print on 290gsm Heavy Cold Press Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 30x18 4th of July American Flag Risk Rock – Born on the 4th in Street Pop Art & Graffiti Artwork Born on the 4th by Risk Rock is a 2023 limited edition giclée print that merges patriotic symbolism with the kinetic force of graffiti. Printed on 290gsm heavy cold press cotton rag fine art paper, this 30x18 inch artwork is a signed and numbered edition of 50. As one of the foundational figures in American graffiti, Kelly Graval—known as Risk Rock—channels decades of visual rebellion into a piece that reflects on identity, memory, and national mythology. With the American flag as its base, overlayed by glowing butterflies and wild-style script lyrics, the work delivers a layered commentary on freedom, heritage, and transformation. The flag is rendered in expressive textures, saturated reds and blues, and stars blurred into bursts of light. Atop the stripes, Risk overlays dense, handstyle calligraphy referencing lyrics from Creedence Clearwater Revival’s Born on the Bayou—a gritty, reflective Southern anthem. The use of handwritten text, characteristic of graffiti, becomes a form of protest and remembrance, embedding personal and cultural history into a national symbol. The choice of lyrics anchors the work in themes of place, nostalgia, and longing, while simultaneously questioning the cost and complexity of American identity. This fusion of visual intensity and personal message is a hallmark of Street Pop Art & Graffiti Artwork. Graffiti Aesthetics Intertwined with Patriotic Imagery The most striking aspect of Born on the 4th is the collision of visual languages: the structured, iconic format of the American flag is interrupted by dynamic spray textures and gestural text. Risk employs his signature handstyle with fluid precision, making every line feel like a freestyle verse across a national canvas. The use of butterflies—painted in vibrant oranges, blues, and golds—adds a contrasting softness and becomes a symbol of freedom, metamorphosis, and fragility. Their presence floating across the flag challenges the rigidity of the structure they inhabit. They seem to represent untamed hope within a framework of constraint. This push and pull between containment and flight mirrors graffiti’s own relationship with authority and space. By reclaiming the flag—often a symbol of establishment—and remixing it with subversive lyricism and street-coded aesthetics, Risk reframes national pride through the lens of rebellion and individuality. This gesture is in direct conversation with the goals of street art: to reclaim public symbols and inject them with alternative narratives and truths. Risk Rock’s Legacy in Street Pop Visual Culture Risk Rock began his career painting freeway overpasses and freight trains in Los Angeles during the 1980s, becoming one of the first to take graffiti from underground subculture into the realm of commercial and gallery art without compromising its raw aesthetic. His work has always balanced fine art execution with street authenticity. Born on the 4th is a continuation of that legacy—layered, polished, and unflinchingly honest. The giclée printing process enhances the saturation and detail, preserving the energy of aerosol textures and brushwork that define his style. In the context of Street Pop Art & Graffiti Artwork, Risk’s flag is not a patriotic celebration alone—it is a visual poem of contradictions, stitched together by memory, struggle, and transformation. It captures the spirit of American graffiti: resistant, self-aware, and defiantly beautiful. The limited edition format adds collectible weight to the message, ensuring the piece remains both art object and cultural statement. Risk Rock’s Born on the 4th stands as a vibrant meditation on place, power, and the stories we write across the banners we inherit.

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Money and Power- Black Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – A Stark Allegory of Corruption in Street Pop Art & Graffiti Artwork Money and Power is a powerful black hand-pulled 1-color silkscreen print created by Cleon Peterson in 2022. Produced in a limited edition of just 75 signed and numbered pieces, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, emphasizing its artisanal quality and rarity. The stark yellow figures and flag, laid over a deep black background, serve as a searing visual metaphor of political decay and societal control. With simplified, militaristic forms, Peterson’s composition marches forward in rigid formation, symbolizing a collective submission to authoritarian rule driven by capitalist greed. The central banner bearing a dollar sign encapsulates the theme in one potent glyph: money has become the new god, the flag under which societies now march. Cleon Peterson's Street Pop Art & Graffiti Artwork – A Violent Mirror of Power Structures Cleon Peterson, born in the United States in 1973, is known globally for his uncompromising and provocative style that merges elements of street art, pop iconography, and a graffiti aesthetic into biting social commentary. His work does not rely on subtlety but instead confronts the viewer with raw and unsettling imagery. In Money and Power, Peterson explores how capitalist motives have become indistinguishable from systems of governance. The faceless, weapon-wielding figures invoke totalitarian control, with each character's uniformity and march-step illustrating the erasure of individual thought and freedom. Peterson’s use of a single bold color evokes propaganda art, recalling wartime posters and dictatorial regimes, reinforcing the critique that today’s economic elites and political figures have blended into a single oppressive force. Money and Power as a Visual Manifesto Against Gangster Capitalism This piece stands as a visual thesis against what Peterson terms gangster capitalism. He expresses the idea that leaders are no longer elected to serve the public good but instead owe their power to financial interests. These interests then dictate policy, ensuring that the cycle of wealth consolidation and systemic inequality continues unchecked. In the artwork, the figures do not march for justice or liberty, but for power sustained by money. The gun in each figure's hand underscores how violence or the threat of it is now a normalized tool for maintaining order in this corrupt structure. As law and accountability fade, Peterson’s image becomes a grim prophecy, showing a society where control is absolute and voices of dissent are methodically extinguished. A Defining Work in Modern Political Street Pop Art & Graffiti Artwork Money and Power exemplifies the essential mission of street pop art and graffiti artwork: to challenge viewers, provoke thought, and expose uncomfortable truths. Peterson uses minimalist design to deliver a maximalist message—every line, posture, and symbol communicates urgency and danger. The limited nature of the piece and the labor-intensive silkscreen technique elevate its importance as a collectible while preserving the raw authenticity central to street and graffiti art origins. It operates not merely as a print but as a declaration—one that distills Peterson’s disdain for performative democracy and unregulated capitalism into a concise, unforgettable image. The work’s impact lies in its clarity and its refusal to soften the critique, marking it as a seminal moment in Peterson’s body of work and a critical reflection of our time.

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Money and Power- Yellow Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson Money and Power by Cleon Peterson – Yellow Edition Silkscreen Print in Street Pop Art & Graffiti Artwork Money and Power by Cleon Peterson is a visually forceful hand-pulled 1-color silkscreen print produced in a striking yellow edition. Created in 2022 as a signed and numbered limited edition of only 75, this 18x18 inch artwork is printed on 290gsm Arches rag paper with hand-deckled edges, reinforcing its raw and crafted authenticity. Set against a saturated yellow background, the black silhouettes of uniformed figures march in unison beneath a banner marked with a dollar sign. This aggressive formation of faceless, weapon-bearing agents symbolizes how capital and authority have become intertwined forces shaping modern life. The contrast of black on yellow sharpens the urgency of the message, evoking caution signs and industrial warnings, reflecting the dangers of unchecked power. It is a bold statement, stark and deliberately unambiguous in its critique of political and economic systems. Cleon Peterson’s Visual Protest Against Gangster Capitalism American artist Cleon Peterson, born in 1973, has become known for creating art that exposes the mechanics of dominance, submission, and systemic violence. In Money and Power, Peterson addresses what he terms gangster capitalism—the merging of financial interest and authoritarianism. This yellow edition is not merely an aesthetic variation; it magnifies the intensity of the warning. The figures are rendered without individuality, acting not as civil servants or protectors but as enforcers of a corrupt economic order. Each character, with one hand saluting and the other gripping a firearm, marches without deviation under a banner where money is the emblem. Peterson’s use of militarized repetition critiques the dehumanization that occurs when loyalty is bought and dissent is extinguished by force. The visual simplicity masks a deeply complex message: society has drifted from democratic ideals into a structure where the value of life is weighed against the price of power. Symbolism and Execution in the Yellow Silkscreen Edition This edition’s choice of yellow background plays a crucial role in reinforcing the thematic content. Yellow, typically associated with visibility and warning, brings a harsh clarity to the disturbing unity of the figures. It forces the viewer to confront the image directly, without distraction or ambiguity. The hand-pulled technique and 1-color silkscreen process ensure that each print carries the physical presence of the artist’s vision, resisting digital detachment. Hand-deckled paper adds an organic imperfection that contrasts with the mechanical rigidity of the marchers, underscoring the tension between individual craftsmanship and institutional conformity. The entire composition operates as a visual manifesto, presenting a world where money is not simply a tool but a banner under which violence, obedience, and corruption are normalized. Money and Power as a Defining Work in Street Pop Art & Graffiti Artwork Money and Power belongs squarely in the tradition of Street Pop Art & Graffiti Artwork. It communicates political urgency through direct visual language, staying rooted in the protest origins of graffiti and the bold iconography of pop art. Peterson’s work challenges systems of authority by confronting viewers with uncomfortable truths, using art not for decoration but for disruption. This yellow edition distills contemporary disillusionment into one unforgettable image, showing how democracy erodes when capital becomes the highest power. As with all of Peterson’s most impactful works, it does not ask for quiet reflection—it demands awareness and accountability. It stands as a limited yet forceful artifact of protest, frozen in print but echoing across modern political consciousness.

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Flags Hand-Pulled 9-Color Silkscreen Print on 290gsm Coventry Rag Paper by Pop Graffiti Artist Dalek- James Marshall Rare Street Art Limited Edition Artwork. 2018 Signed & Numbered Limited Edition of 50 Size 24x18 Screen Printed by Serio Press The Intricacies of "Flags" by Dalek - James Marshall The "Flags" silkscreen print by Dalek, the pseudonym of James Marshall, is a vibrant example of contemporary Street Pop Art and graffiti Artwork. This nine-color hand-pulled print on 290gsm Coventry Rag Paper embodies the fusion of street culture and fine art, a hallmark of Dalek's work. Created in 2018, the limited edition of 50 pieces showcases Marshall's unique aesthetic, which has become widely recognized in art. Dalek's Signature Style and Technique Known for his space monkey character, a central figure in his works, Dalek's style is characterized by bold colors, geometric patterns, and animated forms that draw from his background in graffiti, Japanese pop art, and urban street culture. The "Flags" artwork, measuring 24x18 inches, is a testament to his meticulous silkscreen technique, requiring precise layering of colors to achieve the depth and texture evident in the print. Limited Edition and Collectibility Each print in the "Flags" series is signed and numbered, underscoring the exclusive nature of this limited run. Collectors of street pop art and graffiti artwork are often drawn to such pieces for their rarity and the prestige associated with owning a work by an artist like Dalek. The signature authenticates the print and signifies the artist's direct involvement in its creation. The Role of Serio Press in Production Serio Press, known for their expertise in screen printing, produced the "Flags" series. Their reputation for excellence ensures that each print meets the highest standards of quality, from the colors' vibrancy to the images' precision. The collaboration between Dalek and Serio Press highlights the importance of craftsmanship in producing limited-edition prints. Artistic Impact of "Flags" "Flags" is more than just an aesthetic statement; it carries the weight of Dalek's exploration into identity, society, and the individual's place. The repetition of the space monkey holding a flag is a metaphor for various interpretations, ranging from unity to division, from individual expression to mass culture. It reflects Dalek's ability to convey complex ideas through simple yet powerful imagery. Dalek's "Flags" silkscreen print significantly contributes to the genres of Street Pop Art and graffiti Artwork, bridging the gap between subversive street culture and the fine art printmaking tradition. As a limited edition piece, it embodies the urban experience's essence while holding a mirror to the broader human condition through its striking visual language.

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