Florida

Untitled III Original Acrylic Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Acrylic Painting Original Artwork Size 12x12 Smiling Atomik Orange Untitled III by Atomik: The Smiling Orange as Icon of Street Pop Art & Graffiti Artwork Untitled III is a 12 x 12 inch original acrylic painting on canvas by Atomik, a Miami-based artist widely recognized for his recurring character—the grinning orange with exaggerated features and slick green leaves. Created in 2020, this one-of-a-kind signed piece captures the energy and wit that defines Atomik’s work in the worlds of Street Pop Art & Graffiti Artwork. The subject, affectionately known as the Atomik Orange, emerged as a response to the demolition of Miami’s Orange Bowl in 2008 and has since evolved into a vibrant symbol of community memory, local pride, and artistic defiance. In Untitled III, the orange character is presented in a tightly cropped view, its cartoonish grin stretched across the lower canvas, eyes glinting with thick, comic-style highlights. The paint is layered with precision, bold black linework creating a crisp barrier between vivid orange and lime green tones. Shades of blue and white bring depth to the character’s eyes and smile, while the use of directional hatching nods to print-era comic illustrations. The background, rendered in a calm sky blue, allows the character’s electric palette to explode off the canvas. This color relationship enhances the orange’s buoyant personality, which is humorous, manic, and defiant all at once. The Atomik Orange and the Language of Urban Reclamation The character at the center of Untitled III represents more than just visual branding—it is a reclamation of space and memory. When the Orange Bowl was razed, a piece of Miami’s identity was lost. Atomik, born and active in the United States, responded with a visual intervention that turned grief into vibrancy. His orange character began to appear across the city on walls, mailboxes, rooftops, and abandoned buildings, acting as both a tribute and a defiant marker of presence. In canvas form, as seen here, the character retains all of its street energy while transitioning into a collectible artifact. The cheeky grin and raised brow act as visual shorthand for Miami’s blend of attitude, warmth, and creative resistance. Atomik’s work embodies the style and function of Street Pop Art & Graffiti Artwork, where characters serve as symbolic graffiti tags, social commentary, and public avatars. His orange exists in multiple states—rebel, clown, mascot—and its simplicity is its power. The use of expressive line, exaggerated proportion, and strategic highlights is directly linked to the language of muralism and comic book art, both of which feed into graffiti’s visual vocabulary. From Street to Canvas: Atomik’s Expansion into Gallery Culture Untitled III represents an important aspect of Atomik’s practice: the movement of street-born characters into formal art spaces without sacrificing edge or identity. By bringing his orange to canvas, Atomik maintains the same boldness and accessibility found on city walls. The work is not diluted but concentrated, focusing all its pop intensity into a contained format. The painting retains the urgency and charm of its graffiti roots, made sharper through studio technique and acrylic detail. This transition from public wall to private collection is central to many Street Pop Art & Graffiti Artwork artists, who continue to operate in both spheres simultaneously. Atomik remains prolific in Miami’s streets, but his gallery pieces like Untitled III allow collectors to engage with the movement in intimate, long-lasting ways. These pieces become cultural documents, embodying not only the energy of a character but the broader movement it represents. Visual Identity and Cultural Commentary in the Work of Atomik Atomik’s orange is more than an aesthetic motif—it is a cultural signal. The bold grin, the splash of citrus color, and the playful features all contribute to a language of visual activism. It communicates joy while remembering loss, mischief while asserting presence. Untitled III, with its clean composition and signature style, preserves this energy on canvas in a way that invites repeated viewing. The piece pulses with the same character-driven ethos that has defined pop art figures since the mid-twentieth century, while remaining grounded in graffiti’s rebellious tradition. As a singular work of Street Pop Art & Graffiti Artwork, Untitled III captures a moment in time when characters were not just imagined but lived across a city’s architecture. Atomik’s orange continues to smile—on walls, on canvases, in print, and in spirit—reminding viewers that personality and protest often share the same line.

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Miami Connection- White Limited Edition Event Gig Poster 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Print made for the Michigan Theater's showing of Drafthouse Film's Miami Connection Movie, in conjunction with The Action Show- an action movie themed art show at Eisner Award-Winning Vault of Midnight. Screenprint Made at by VGKIDS!

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Hungry Eyes Original Pen Pencil Paint Drawing by Atomik Modern Street Pop Artwork. 2025 Signed Original Ink Paint Pencil Graphite on Paper Drawing Size 5x8 of the Famous Miami Florida Atomik Orange. Hungry Eyes Original Drawing by Atomik: A Raw Expression of Graffiti Culture in Street Pop Art The 2025 piece titled Hungry Eyes by Miami-based graffiti artist Atomik is a potent example of raw Street Pop Art & Graffiti Artwork captured in traditional media. Known globally for his animated orange character, Atomik channels his origins from the streets of Florida into this expressive 5x8 inch work executed in pen, pencil, ink, and white paint on paper. The drawing preserves the energetic curves, exaggerated facial features, and strong iconography that define his visual language, yet it diverges by focusing on depth, texture, and mood rather than public wall space or train cars. This signed original holds particular weight because it brings Atomik’s explosive style into a more intimate and tactile dimension, highlighting the same mischievous gaze and stylized emotion that viewers typically encounter on a city wall or boxcar. The Miami Influence and the Evolution of Atomik’s Orange Atomik, born and based in Miami, Florida, has been a key figure in the visual evolution of graffiti across the southeastern United States. His signature orange character was born out of a tribute to a lost local landmark—the Miami Orange Bowl—and has since morphed into a universal symbol of urban rebellion, humor, and resilience. Hungry Eyes strips down that icon into its most fundamental parts. Drawn with ballpoint pen, graphite, and accented with sharp white strokes, this piece introduces nuance and technique often overlooked in outdoor works. Swirls and crosshatch marks surround and define the facial contours, merging classical drawing skills with street sensibility. The background of kraft-tone paper gives the composition a raw, unpolished energy, consistent with the artist’s handstyle and sense of immediacy. Even in this format, the image demands attention as if it were wheatpasted across a city block. Street Pop Art Translated to Fine Drawing While Atomik’s graffiti legacy is built upon bright enamel hues and fatcap spray lines across highly visible surfaces, Hungry Eyes functions as an alternate lens into the graffiti psyche—quiet, detailed, and full of coded visual emotion. The angular ink strokes channel years of tagging and can control, while the whimsical circular gradients embedded in the eyes mimic bubble letters and aerosol flares. The use of hand-drawn highlights instead of reflective gloss draws from a comic-book aesthetic while simultaneously staying grounded in graffiti's DIY tradition. This drawing proves that Street Pop Art & Graffiti Artwork can exist with just as much presence and weight on paper as it does on steel or concrete. Signature and Collectibility in Contemporary Street Art The reverse of the artwork is inscribed in pencil with the artist’s signature, a stylized flourish of the name Atomik and the date 25. This mark authenticates the piece not only in terms of authorship but also as a deliberate object within the continuum of street artist editions and originals. Collectors and fans of graffiti culture recognize works like Hungry Eyes as evidence that street artists are not limited to spray paint and murals. Atomik’s ability to transfer his identity onto fine art media makes this piece a collector-worthy addition for any serious archive of modern graffiti or pop-inspired street visuals. The drawing stands as a reminder that graffiti is not only about location or defiance—it is about mark-making, identity, and the ability to repurpose commercial and personal symbols into resonant visual statements.

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Kelly Shoppach/Masked Villain- Rays Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Kelly Shoppach/Masked Villain- Rays

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Railroad Wholecar PP Printers Proof Skateboard Art Deck by Atomik Limited Edition Print From Artist on Wood Pop Street Graffiti Sports Object Artwork. PP Printer Proof 2019 Signed & Marked PP Artwork Skateboard Size 8x31 Skateboard Art Deck Printed Art Object. Railroad Wholecar PP Printers Proof Skateboard Art Deck by Atomik The Railroad Wholecar PP Printers Proof Skateboard Art Deck by Atomik presents a fusion of movement, surface, and street language captured on a wooden canvas. Created in 2019 as part of the 1xRUN Artist Skate Deck Series, this signed and marked PP proof represents a unique collaboration between graffiti and board culture. The artist Atomik, a graffiti artist with deep roots in Miami’s visual landscape, brings the raw energy of freight train graffiti directly into the hands of collectors through this limited edition 8x31 inch art object. The board displays a vibrant, high-resolution print of a real freight train tagged with a wholecar mural, bringing graffiti’s impermanence to the enduring form of maple skate deck. Graffiti and Locomotion as Canvas The deck’s image features a full-train piece painted by Atomik, easily recognizable by his signature orange character with large teeth. This motif, originally inspired by a tribute to a lost friend, has since evolved into a stylized street icon across the Americas. The mural’s placement on a moving freight train underscores the transient nature of graffiti and how train cars have long served as moving billboards for street artists. By printing this entire boxcar mural onto a deck, the work immortalizes a moment that might otherwise have disappeared as the train rumbled into the horizon or was buffed by a railway crew. Street Pop Art & Graffiti Artwork in Skateboarding This piece operates on multiple levels of street culture—graffiti, sports, and collectible fine art. As a PP proof, this edition exists outside the numbered run, signifying a rare and often first-pulled example for color calibration. Atomik’s signature next to the 1xRUN imprint and the cartoon spray can mascot confirms the artist’s direct hand in the production. Street Pop Art & Graffiti Artwork, particularly on skateboards, has historically bridged the sensibilities of rebellious youth, practical design, and visual storytelling. From the Dogtown era to modern collaborations, skateboards have become a prominent medium for street artists to translate wall-to-wood narratives. Atomik’s Artistic Influence in Street Culture Atomik’s graffiti character and typography reflect decades of street-based practice and icon development. While many graffiti writers evolve away from raw tagging into more polished canvas work, Atomik maintains strong ties to the freight scene and urban surfaces, ensuring his output remains connected to its roots. The Railway Wholecar deck embodies this ethos, capturing his vibrant, animated letterforms across the length of a train while providing collectors and street art enthusiasts a static, displayable slice of the ephemeral. This skateboard stands as a preserved artifact of contemporary graffiti art, frozen in motion yet loud with the aesthetics of motion and rebellion.

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Glow in the Dark Blue SuperKranky Limited Edition Superplastic Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist Sket-One. GID Glow in the Dark Limited Run SuperKranky Janky Superplastic Vinyl Art Toy. 2021 This Wynwood Walls EXCLUSIVE partnership “GLOW IN THE DARK BLUE” glows n tha dark & shines brighter than the oiled up booties of Miami. This 8” vinyl masterpiece has a removable lid, real rattle, n behaves like an absolute BEACH

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Sirena Tiburon Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Tatiana Suarez Graffiti Street Artist Modern Pop Art. Tatiana Suarez is an artist based in Miami, Florida. Her charming style is distinctive -- the trademark eyes draw the viewer into a beautiful and surreal world. Rich with symbols that stem from her Brazilian and El Salvadorian heritage, subjects appear as if they are underwater, frozen in lovely stillness. The doe-eyed figures look childlike, but also exude sexual overtones, ornamented with plants, insects, and other unsettling accompaniments. Beauty is presented concurrently with exotic -- even creepy -- creatures to create enchanted narratives.

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Wynwood x Wilson SBLIV Football- Above Limited Edition NFL Sports Sculpture Artwork by modern street artist pop graffiti artist Tavar Zawacki (Above). 2019 Numbered Edition of 100, Print on Football Wynwood Walls, Wilson, and the NFL have teamed up to create limited-edition footballs for Super Bowl LIV. In collaboration with Wynwood Walls artists, Wilson and the NFL created these limited-edition footballs inspired by Miami's iconic style and colorful culture. Using artists based around the world, these footballs put an international perspective on a uniquely American game that has become a global spectacle. Wynwood x Wilson SBLIV Football: A Fusion of Sports and Street Pop Art The Wynwood x Wilson SBLIV Football is not just a piece of sports equipment; it's a limited edition piece of art that epitomizes the intersection of athletic enthusiasm and creative street art. Created for Super Bowl LIV, this football results from a unique collaboration between Wynwood Walls, Wilson, and the NFL, featuring the distinctive touch of renowned modern street and pop graffiti artist Tavar Zawacki, also known as Above. This collaboration represents a vibrant celebration of Miami's iconic style and rich, colorful culture, with a 2019 edition limited to only 100 pieces. Each football is a playable item, a sports sculpture, and a collector's item symbolizing the cross-pollination of sports and art in contemporary culture. The Wynwood Walls, known for its dynamic street art and murals, brought its artistic vision to sports, transforming the classic football into a canvas for artistic expression. In doing so, the football transcends its traditional role and becomes a statement piece reflecting Miami's pulsating energy. Wilson, a staple name in sports, and the NFL, the governing body of American football, demonstrate their recognition of the global spectacle that the sport has become, reaching beyond American borders and resonating with a worldwide audience. Global Influence on American Football Through Art The artists involved in creating the Wynwood x Wilson SBLIV Footballs were selected from around the world, ensuring a diverse array of styles and perspectives contributing to American football's global narrative. Tavar Zawacki's work on this football reflects his signature style, characterized by bright colors, bold lines, and geometric patterns, which align perfectly with the energy and vibrancy of Miami — a city known for its rich tapestry of cultures and artistic vitality. The choice of Zawacki, an artist who has significantly impacted the street art scene, reinforces the message that American football is not only a sport but also a part of the cultural and artistic dialogue that transcends geographical boundaries. This piece of Street Pop Art & Graffiti Artwork exemplifies how sports can serve as a conduit for cultural exchange, with American football as a canvas for international artistic talent. The artwork on the football encapsulates the spirit of the city it honors, the grandeur of the event it celebrates, and the universal language of art it speaks. It stands as a testament to the power of collaboration across different domains — sports, art, and culture — and highlights how art can add depth and dimension to the world of sports. Artistic Legacy and Collectibility of the Wynwood x Wilson SBLIV Football The collectibility of the Wynwood x Wilson SBLIV Football stems from its limited edition status, the artist's renown, and its significance as a piece of Super Bowl memorabilia. The Super Bowl, an event that garners international viewership, is the perfect occasion to showcase this melding of sport and art, offering a fresh narrative to an event steeped in tradition. The footballs serve as a physical reminder that the Super Bowl is not only a championship game but also a cultural phenomenon encompassing various forms of expression, including art. The collaboration has set a precedent for how sporting events can incorporate art to enhance their cultural impact. It suggests a future where limited edition sports memorabilia created by artists becomes a norm, adding a layer of prestige and meaning to the items that fans and collectors cherish. The Wynwood x Wilson SBLIV Football by Tavar Zawacki is an artifact of a time when sport and art converged to celebrate a city's cultural heritage and the universal appeal of a game. It is a sports sculpture that captures the essence of Street Pop Art and Graffiti Artwork, marking a momentous occasion in sports and art.

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Temper Tot Wynwood Walls 10th Year Commemoration Artwork Giclee Limited Edition Print on Cold Press Acid-Free 100% Cotton Paper by Pop Culture Graffiti Artist Ron English. EDITION OF 75 Signed and numbered by the artist, 2015 10” x 18” Archival Giclee print on Cold Press Acid-Free 100% Cotton Paper / 305 gsm / 200lb Published by Goldman Global Arts, Miami. 8” x 16” with 2" borders on Archival Giclee print on Cold Press Acid-Free 100% Cotton Paper / 305 gsm / 200lb

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Rich People Shit Original Spray Paint Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Massive Artwork Size 80x100 Small Cute To Right Area "Rich People Shit," an original spray paint painting by Atomik, represents an explosive convergence of pop art, street art, and graffiti art. Atomik, a Miami-based artist known for his vibrant orange, bold visuals and irreverent approach to societal norms, has once again pushed the boundaries with this work. Distinguished by its unflinching commentary on wealth disparity and consumer culture, the painting is awash with Atomik's characteristic bright colors, which serve to highlight its potent message. The title of the work, "Rich People Shit," directly conveys its subject matter. It teases apart the excesses and indulgences of the upper crust, showcasing Atomik's biting satire and his knack for stirring dialogue through his art. The narrative embedded within the painting brings to life the often surreal experiences and commodities associated with immense wealth, boldly questioning the societal structures that uphold such a lifestyle. As an amalgamation of pop art, street art, and graffiti art, "Rich People Shit" exhibits all the crucial elements of these genres. From the populist appeal and familiar imagery of pop art, the gritty spontaneity and defiance of street art, to the unconventional canvas and daring statements of graffiti art - Atomik deftly blends these into a powerful commentary. The artist's prolific use of spray paint not only anchors the piece firmly within the graffiti art tradition but also infuses it with a raw energy that lends an immediacy to its critique. This painting, through its vivid imagery and incisive commentary, has managed to spark a broad conversation about the societal implications of wealth and its distribution. Atomik's "Rich People Shit" remains a significant piece in the contemporary art scene, serving as a bright beacon of subversive thought in the crossroads of pop, street, and graffiti art.

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Modest Mouse- Orlando 2014 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Fugscreens. 2014 Numbered Limited Edition Artwork Size 18x24 Modest Mouse Music Band, Orlando FL 2014 Beacham Theater. Modest Mouse, Orlando, Flordia, 2014, Beacham Theater, Music, Walkman, Cassette Tape, Band Modest Mouse Orlando 2014 Music Limited Edition Gig Poster by Fugscreens The Modest Mouse Orlando 2014 gig poster by Fugscreens is a striking example of how street pop art & graffiti artwork can merge with music culture to create a visually compelling and collectible piece. This hand-pulled silkscreen print was designed to commemorate the band’s performance at the Beacham Theater in Orlando, Florida. Produced in a limited edition and numbered, this 18x24-inch artwork captures the nostalgia and energy associated with both Modest Mouse’s music and the aesthetic of analog-era sound. The careful craftsmanship of the print, combined with its raw and textural feel, makes it a standout piece in both the world of gig posters and modern street pop art. The Artistic Style and Composition of the Gig Poster Fugscreens’ design for this poster is both minimalistic and deeply evocative, using a limited color palette and bold outlines to create a sense of vintage authenticity. The central image features an old-school Walkman cassette player and a pair of headphones resting on a textured surface. The device itself carries the label Orlando, grounding the piece in its specific concert location while also evoking the personal and intimate nature of listening to music on cassette. The composition places heavy emphasis on nostalgia, making it feel like a snapshot from an era when music was deeply personal and portable in a tangible way. The typography used for Modest Mouse is organic and hand-drawn, with a rough, textured quality that mirrors the do-it-yourself aesthetic of street pop art & graffiti artwork. The uneven, hand-rendered lettering reinforces the raw and unpolished ethos that has always defined Modest Mouse’s sound. The print’s frame, made of thick, uneven lines, gives the illusion of a worn-out music poster, further emphasizing the theme of analog culture and imperfection as an artistic choice. Music and Nostalgia in Street Pop Art & Graffiti Artwork Street pop art & graffiti artwork often draws on themes of nostalgia, repurposing images of outdated technology and cultural artifacts to evoke emotional connections with the past. This gig poster does precisely that, using a Walkman as its centerpiece to reference a time when physical media shaped music consumption. The tactile nature of silkscreen printing enhances this effect, giving the artwork a physical depth that echoes the texture of old album covers and worn-out cassette cases. The sense of impermanence that comes with gig posters and street art is also reflected here, as these prints exist as a momentary documentation of a specific event, much like how street art often responds to a fleeting moment in time. Fugscreens’ work aligns with the ethos of gig posters that have long been associated with underground music scenes and independent artistry. Like street artists tagging walls with unique designs, gig poster artists create one-of-a-kind visuals that both promote and commemorate live performances. The direct, almost hand-made quality of this print ties it back to the roots of punk, indie rock, and alternative music, where visuals play just as big a role in shaping a band’s identity as their sound does. The Impact and Collectibility of the Limited Edition Silkscreen Print As a numbered limited edition piece, the Modest Mouse Orlando 2014 gig poster carries a sense of exclusivity that enhances its desirability among collectors. The 18x24-inch format makes it a substantial yet easily displayable artwork, perfect for music lovers who appreciate the intersection of street pop art & graffiti artwork with music culture. The hand-pulled silkscreen process adds another layer of authenticity, as each print contains slight variations, making every piece unique. Fugscreens has a reputation for blending urban aesthetics with detailed screenprinting techniques, and this poster is no exception. The merging of music history, personal nostalgia, and a distinctly handmade approach make this print more than just a concert souvenir—it becomes an artistic statement. The continued appreciation for gig posters as an art form ensures that works like this remain culturally significant, capturing moments in music history while embracing the raw, expressive qualities of street pop art & graffiti artwork.

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Hello There Orange Original Spray Paint Art Can by Atomik Sculpture Drawing Artwork by Iconic Pop Culture Modern Artist.  2025 Signed Original Magic Marker Atomik Orange Smiling Face Reclaimed Spray Paint Can Painting Artwork Size 3x8 Hello There, Orange Original Spray Paint Art Can by Atomik The Hello There Orange Original Spray Paint Art Can by Atomik is a distinct piece of Street Pop Art & Graffiti Artwork that exemplifies the artist’s commitment to transforming ordinary objects into personalized statements of identity and expression. Created in 2025 and signed by the artist, this artwork is drawn directly on a reclaimed spray paint can using a magic marker. The work features the iconic grinning orange face that has become synonymous with Atomik’s visual language. With bold black linework over a used Montana spray can, the piece merges the raw energy of graffiti materials with the intimate immediacy of a hand-drawn illustration. Atomik’s instantly recognizable orange face peeks forward with oversized, cartoonish eyes and a mischievous smile, encapsulating the spirit of his Miami-based street art heritage. Reclaiming the Tools of Expression as Art Objects Spray paint cans are a staple in graffiti and street art culture. They are tools of resistance, freedom, and self-expression. Atomik’s decision to turn a spray can into the canvas itself reflects a deeper ethos in Street Pop Art & Graffiti Artwork. Rather than discarding the medium once emptied, he reclaims it—transforming the functional into the collectible. The resulting artwork stands as both an homage to graffiti’s tactile process and a rebellion against traditional notions of fine art. Every dent, scratch, and warning label on the can becomes part of the finished aesthetic, grounding the orange character in the lived reality of street-level artmaking. This practice not only preserves a piece of graffiti history but recasts it as a standalone object worthy of admiration and discourse. The Smiling Orange and the Miami Identity The smiling orange has its roots in Atomik’s personal response to the demolition of Miami’s beloved Orange Bowl stadium, a landmark of civic pride. Atomik reimagined the orange as a graffiti character that pays tribute while asserting a uniquely Floridian flavor. Over the years, it has appeared on freight trains, abandoned buildings, and murals, becoming one of the most widely recognized characters in contemporary graffiti. On this specific spray paint can, the orange floats in contrast against a sea of fine print, warnings, and hazard symbols. This juxtaposition of regulatory text and unruly character speaks to the tension between control and freedom, legality and expression. It also reflects the artist’s ongoing commentary on reclaiming space and materials for cultural storytelling. Graffiti as Sculpture and Collectible Commentary This hand-drawn reclaimed can is not only a visual piece but a sculptural one. The cylindrical form allows the artwork to live in three dimensions, giving viewers the opportunity to see how street art evolves when it enters a more permanent and collectible format. Unlike traditional canvas or digital prints, the use of the spray can physically and conceptually connects the viewer to the graffiti process. Atomik’s signature on the base further authenticates the piece, anchoring it in his artistic lineage and practice. As Street Pop Art & Graffiti Artwork continues to push boundaries, works like the Hello There Orange Spray Can stand at the forefront, showing that even a once-discarded object can become a celebrated artifact when touched by the right artist’s hand.

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Expert Supervision Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Bask Graffiti Street Artist Modern Pop Art. Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

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Ween 13- Fort Lauderdale FL 2008 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 32 – 3 color silkscreen – S/N edition of 200

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Wynwood Walls 10th Year Commemoration Giclee Print by Inti Castro Artwork Limited Edition Print on 305gsm Cold Press Acid-Free 100% Cotton Paper Graffiti Pop Street Artist. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 26.5x16 Published by Goldman Global Arts, Miami

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Loud Mouth Soup 1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Nekoes Graffiti Street Artist Modern Pop Art. "This piece is inspired by my lack of patience and understanding of my brother's mental illness which is a combination of schizophrenia and bipolar disorder. I went about creating the piece by watching my brother smoke a ton of cigarettes and asking him a ton of questions about what the voices tell him and what his hallucinations are of. Then I just started to apply paint to the canvas. This piece (and 4 others) were created in January 2014 right after moving to Florida. From start to finish I would say this piece took about 2 weeks. I tend to stay working on a painting until it's done. I hate starting something and stopping then coming back to it." - Nekoes

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