Framed Art Ready to Hang

In Bloom I Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by ARTIST graffiti street Meggs modern pop art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed Australian artist David “Meggs” Hooke for his solo exhibition Spoiled Rotten. The exhibition of over 40 new paintings and multiples explores the wondrous decay of social morality stemming from modern society’s obsession with pop culture and overindulgent materialism, and continues Meggs’ perpetual fascination with dualism and finding beauty in tragedy.“Detroit is a city of duality more so than many other cities I have been to. I sought to incorporate this by using objects and surfaces that imply decay, in what I consider to be a beautiful way. Old wooden materials and signs with layers of paint tell a story of their own. Although the colors and textures are aesthetically beautiful, I think it’s about giving these materials a new life, a second purpose.” - Meggs

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Check Original Collage Stencil Spray Paint Painting by Pipsqueak Was Here!!!  One of a Kind Artwork on Stretched Canvas by Street Art Pop Artist. 2021 Signed Mixed Media Spray Paint Stencil & Collage Painting Original Artwork Size 17.5x17.5 Check by Pipsqueak Was Here!!! – Stenciled Defiance and Found Texture in Street Pop Art & Graffiti Artwork Check is a 2021 original mixed media painting by the Dutch street art duo Pipsqueak Was Here!!!, created using stencil, spray paint, and collage on stretched canvas. Measuring 17.5 x 17.5 inches and signed by the artists, the piece is a striking example of layered urban narrative embedded in raw texture and symbolic juxtaposition. The central focus is a solemn, sharply rendered stencil portrait of a young girl, her gaze direct and almost confrontational. Surrounding her are collaged fragments of vintage advertisements, chemical warning labels, torn print ephemera, and bits of painted abstraction. The work fuses the language of caution, childhood, and consumer memory into a tightly composed field of urban poetics, emblematic of Pipsqueak Was Here!!!’s practice within Street Pop Art & Graffiti Artwork. Portraiture as Conscience and Confrontation The young girl at the center of Check is not passive. Her expression is serious, grounded, and quietly challenging. Rendered through crisp black and flesh-toned stencils, her presence stands in contrast to the chaotic noise of the background, giving the viewer a fixed point of emotional gravity. This figure, like many in the artists’ body of work, carries symbolic weight—youth positioned in a world already marked by danger and contradiction. Behind her, the image of a classic yellow cab ad and a “Miscellaneous Dangerous Goods” warning label creates a tense visual irony. The surrounding collage becomes more than aesthetic—it acts as commentary. Within the larger conversation of Street Pop Art & Graffiti Artwork, this portrait becomes a voice, one that challenges systems with quiet resolve rather than shouted slogans. Collage Construction and Found-Object Composition True to the aesthetic roots of street assemblage, Check incorporates found visual language through its collage layers. There is a fusion of urban memory and forgotten media: weathered typography, faded newspaper headlines, chemically coded symbols, and the layered build-up of spray and stencil. These textures mimic the walls of real cityscapes, where wheatpaste posters and public signage are constantly ripped, painted over, or tagged. The artists use these materials to form a narrative field, a conversation between safety and danger, visibility and erasure. This tactile collage method reinforces the connection between surface and story, ensuring that each component of the piece contributes not just visual interest, but historical resonance. It captures the energy of decay and renewal central to the ethos of Street Pop Art & Graffiti Artwork. Pipsqueak Was Here!!! and the Logic of Visual Protest With Check, Pipsqueak Was Here!!! continues to refine their unique balance of visual elegance and street-level urgency. The work radiates meaning through contrast—childhood innocence in the face of a world saturated with warnings and advertisements. The title itself implies confrontation, verification, or disruption. Every compositional choice speaks to power, placement, and perception. This painting is not just about form or beauty—it is a message embedded in image. As practitioners of Street Pop Art & Graffiti Artwork, the duo remains focused on environmental, social, and human vulnerability, making each artwork a kind of visual protest in the language of collage, spray, and symbol. Check is a potent reminder that art in public or private space has the ability to reveal truths, evoke empathy, and carry resistance through the everyday iconography of our shared environments.

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