Framed Art Ready to Hang

MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25

Read more less

Super Saver! 2 Limited Edition Hand-Embellished 6-Color Screen Print on Framed 350gsm Cotton Fine Art Paper by Denial Daniel Bombardier. Custom Framed 2015 Signed Limited HPM Edition of 40 Artwork Size 28x22 "I originally painted a version of this in Wynwood at Art Basel this year (2015). Like a lot of working artists I put the entire trip on my credit card and had to deal with it after I got the "bill." It's basically a statement on living day to day and trying to figure it all out. Like how to make art and travel and live with some balance to it all.I have an affinity, as many people do to superheroes. I really think they are a beautiful sentiment to a very messed up world/existence." - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

Read more less

Decycled Versace Limited Edition Hand-Embellished HPM Archival Pigment Prints with Collage, Aerosol, Pencil, and Varnish Embellishments on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed Limited Edition Numbered & Custom Framed Archival Pigment Print with Collage, Aerosol, Pencil, and Varnish Embellishments Size: 17.8125 x 23.75 Inches Release: December 09, 2021 Run of: 15 Denial’s Decycled Versace: The Medicine of Branding in Contemporary Street Pop Art Denial’s Decycled Versace, released in 2021 as a hand-embellished archival pigment print, continues the artist’s sharp interrogation of brand worship, identity construction, and the seductive aesthetics of consumerism. Each edition in this 15-print run measures 17.8125 by 23.75 inches, uniquely altered with collage, aerosol, pencil, and varnish layers. Centered within a baroque gold frame, the work features a large, stylized capsule—branded with the iconic Versace Medusa head—set against a background of jagged patterns and fractured color fields. The capsule is marked 100MG, reinforcing its identity as both visual object and conceptual drug. Denial, also known as Daniel Bombardier, uses the pill as a central form throughout his Decycled series to comment on the addictive nature of status and the role luxury logos play in modern identity. By embedding the Versace logo inside the capsule, the work equates brand consumption with self-medication. The gesture is neither glorification nor condemnation—it is exposure. The logo becomes an ingredient, the dosage carefully calculated to deliver an emotional or social high. In this way, Decycled Versace critiques not only the brand but the cultural systems that elevate such symbols to near-mythological status. Visual Noise and Symbolic Disruption The background of Decycled Versace is composed of sharp diagonal slices, splatter textures, halftone fields, and expressive spray lines. These elements reference both traditional graffiti techniques and digital design aesthetics. The layering creates visual tension that denies stillness or easy resolution. Against this chaotic backdrop, the sleek and glowing pill shape appears almost sterile in contrast. The effect is disorienting but intentional—luxury, the work seems to suggest, thrives when placed above the messiness it claims to erase. The Medusa head, a long-standing Versace emblem tied to Greek mythology and themes of desire and danger, is reclaimed here as an icon of consumer hypnosis. Placed inside the pill, it becomes an object of internalization. Denial’s use of halftones and rough stenciling techniques further destabilizes the polished aura of the brand, reminding viewers that behind every clean logo is a constructed illusion. In the context of Street Pop Art & Graffiti Artwork, the work reclaims visual space from marketing systems and redistributes it as artistic critique. The Framed Illusion of Power and Permanence The ornate gold frame surrounding Decycled Versace plays a critical role in the piece’s messaging. Traditionally associated with classical portraiture and gallery sanctity, the frame lends artificial authority to the artwork. But that reverence is undercut by the content inside—messy, chaotic, ruptured. The pill format, designed to look sleek and scientific, floats inside this field like a sacred relic. The dissonance between material refinement and conceptual rebellion is where the piece gains its weight. Denial’s manipulation of the fine art object mirrors the dual lives of luxury brands, which often straddle the lines between exclusivity and mass visibility. Decycled Versace exists as both critique and artifact of the very system it exposes. By transforming brand logos into medicinal metaphors, Denial forces a reevaluation of how identity is consumed, and how branding operates as both symptom and cure in modern culture. Within the language of Street Pop Art & Graffiti Artwork, this piece functions not just as commentary but as a dose of visual clarity in a culture addicted to image.

Read more less

Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

Read more less

The Promise Silkscreen Print by Kaws- Brian Donnelly Framed Hand-Pulled Screen Print on 250gm Stonehenge Steel Grey Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 16x20 Custom Ornate Frame The Significance of Kaws' The Promise Silkscreen Print In modern art, Kaws, the pseudonym of Brian Donnelly, has risen as a luminary bridging contemporary aesthetics with street sensibilities. His work "The Promise" silkscreen print epitomizes the convergence of pop culture and art, standing as a testament to the dynamism of street pop art and graffiti Art. Created in 2022, this piece is part of a limited edition series that has garnered significant attention from collectors and enthusiasts alike. Characteristics of The Promise by Kaws "The Promise" features Kaws' iconic characters, recognized for their ability to evoke emotional depth despite their simplified and stylized forms. These figures, reminiscent of cartoons, are often interpreted as commentary on the nature of humanity and connectivity. In this print, the characters engage with a globe, suggesting stewardship and global responsibility themes—a reflection of contemporary issues that resonate on a universal scale. This particular silkscreen print is pulled by hand on 250gm Stonehenge Steel Grey Art Paper, a choice that contributes to the texture and depth of the piece. The use of high-quality art paper not only enhances the visual appeal but also ensures the longevity of the print, making it a valuable collector's item. The artwork measures 16x20 inches, a dimension that allows for intimate viewing while still asserting its presence as a statement piece. Limited Edition and Exclusivity The exclusivity of "The Promise" is underscored by its limited run of 500 signed and numbered prints. This deliberate scarcity amplifies the artwork's desirability and highlights its significance within Kaws' oeuvre. Collectors who own a piece of this limited series possess a segment of Kaws' artistic journey and a snapshot of Street Pop Art history. Custom Framing and Presentation Each print of "The Promise" is complemented by a custom ornate frame. The framing is not merely a protective enclosure but an extension of the artwork, carefully selected to enhance the piece's aesthetic and thematic elements. The frame elevates the print, ensuring it commands attention and respect, befitting its status as a work of art. The Position of The Promise in Street Pop Art & Graffiti Artwork Kaws' "The Promise" is distinctive in Street Pop Art and graffiti Artwork. It embodies the artist's fluent dialogue between the street and the gallery, which challenges traditional boundaries and hierarchies within the art world. By bringing the rawness of the street into a refined gallery context, Kaws disrupts expectations and invites viewers to reconsider the value and place of Street Pop Art in the broader art historical narrative. Brian Donnelly's "The Promise" is a remarkable piece that captures the essence of Kaws's artistic vision and the spirit of street pop art and graffiti artwork. Its limited edition status, hand-pulled screen printing technique, and custom framing all contribute to its uniqueness as a work of art. As a collectible, it holds aesthetic value. It represents a crucial intersection between street culture and high art, making it a coveted piece for any serious collector or fan of contemporary art.

Read more less

Water Fall Brick Wall Tats Cru Original Spray Paint Painting by BG183 One of a Kind Artwork on Gallery Wrapped Canvas by Street Art Pop Artist. 2017 Spray Paint Painting Original Ready to Hang Artwork Size 12x12 Water Fall Brick Wall by BG183 of Tats Cru – Original Spray Paint Artwork in Street Pop Art & Graffiti Artwork Water Fall Brick Wall is a 2017 original spray paint painting on a 12 x 12 inch gallery wrapped canvas by BG183, a founding member of the legendary graffiti collective Tats Cru. This one-of-a-kind piece is a visual embodiment of New York’s graffiti legacy, blending illustrative mastery with the texture and iconography of urban decay. The title references both a literal cascade of water and the rhythmic flow of paint across a weathered surface, evoking the layered history of graffiti walls where years of tags, buff marks, and new burners converge into visual sediment. BG183 channels that history through a meticulously controlled aerosol technique, using soft gradients, bold shapes, and textured overlays to mimic the depth and permanence of a brick wall weathered by time, spray, and spirit. BG183 and the Tats Cru Tradition As one of the core members of Tats Cru, BG183 has played a key role in redefining what graffiti can be both on the street and in gallery spaces. Known for his technical range, from wildstyle burners to hyper-detailed characters, BG183’s work always maintains the energy of the street even when translated to canvas. Water Fall Brick Wall reflects that ability to carry raw graffiti aesthetics into the language of fine art without diluting its power. The composition is bold and balanced, structured with layers that feel both spontaneous and composed, a characteristic mark of a writer with decades of experience navigating walls, trains, and community murals. Tats Cru’s influence on hip hop visual culture, public art, and muralism flows directly into this piece, grounding it in authenticity and authority. Spray Paint Texture and Surface Depth The surface of Water Fall Brick Wall is alive with texture—misty edges, hardline fades, and drip formations that simulate the stratification of layered graffiti over time. BG183 uses the canvas not as a flat background but as a sculptural element, giving visual weight to each spray layer. The color palette leans into cool blues and warm earth tones, referencing water movement against brick decay, while still maintaining vibrancy. The edges of the piece echo the softness of aerosol dispersal, blending into the gallery-wrapped sides in a way that allows the work to exist without a frame. This ready-to-hang presentation reinforces the idea of street art entering fine art space without losing its connection to outdoor surfaces and uncurated expression. Urban Energy in Street Pop Art & Graffiti Artwork Water Fall Brick Wall stands as a concentrated burst of graffiti’s raw language reassembled for interior contemplation. It is a homage to the layers of city infrastructure—walls that hold names, messages, and identities built up over time. BG183 does not attempt to replicate graffiti; he reinterprets its essence, offering a piece that is both a portrait of a wall and a standalone visual narrative. In the broader conversation of Street Pop Art & Graffiti Artwork, this painting represents the bridge between street-coded authenticity and studio execution. It holds graffiti’s visual rhythm, spatial awareness, and cultural reverence in every layer of paint and in every inch of surface tension. It is not just an artwork—it is a declaration from a writer who has earned his mark, signed in spray and built from brick and motion.

Read more less

The Godfather Limited Edition Hand-Embellished HPM Serigraph Print on Canvas Framed by Steve Kaufman Graffiti Street Artist Modern Pop Art. Ready to hang Gallery Wrapped. Medium: Hand-Embellished Silkscreen on Canvas Title: Godfather Size: 37.5" x 31" Canvas Year: 2000 Edition: 100 Signature: Hand Signed by Kaufman on Verso He eventually moved his studio to Los Angeles and in true Kaufman form, hired over a 100 ex-gang kids to assist him in his studio. During this time he created a new style called “Comic Book Pop Art,” where he used original paintings of super heroes as icons. He also worked with the Martin Lawrence Gallery where he created limited editions of such icons as Beethoven and Marilyn Monroe, breaking sales records for a new artist.

Read more less

Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cosmos, 2000 Offset lithograph in colors on smooth wove paper 23-3/8 x 23-3/8 inches (59.4 x 59.4 cm) (sheet) Ed. 125/300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo Print Grade: 10/10 Matted and framed under acrylic. No apparent condition issues. Not examined out of frame. Framed Dimensions 32 X 32 Inches The "Cosmos" offset lithograph print by Takashi Murakami, created in collaboration with Kaikai Kiki in 2001, is a fine example of the Japanese artist's unique and influential work. Murakami is known for his signature "Superflat" style, which is characterized by a blend of Japanese pop culture, traditional art, and Ms Flower flowers.. In the "Cosmos" print, Murakami explores the concept of the universe, with vibrant colors, bold lines, and intricate patterns. The artwork is populated by his iconic Ms FLowerand motifs, such as smiling flowers and vines, which are deeply rooted in Japanese manga, anime, and the otaku subculture. As an offset lithograph print, the piece is created using a printing technique that involves transferring an inked image from a plate to a rubber blanket and then onto the final printing surface, usually paper. This process allows for high-quality reproductions of the original artwork, making it more accessible to a wider audience. The "Cosmos" print is a sought-after piece by collectors and fans of Takashi Murakami's work. It showcases the artist's incredible ability to merge traditional and contemporary elements, creating a visually striking representation of the universe that is uniquely his own.

Read more less

Untitled from Blame Game- #8 Hand on Eye Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge and published by Pace Prints, New York. KAWS' "Untitled from Blame Game - #8 Hand on Eye": A Symbol in Street Pop Art In the diverse and vibrant world of street pop art, KAWS, the artistic moniker of Brian Donnelly, is a name that resonates with innovation and cultural relevance. His "Untitled from Blame Game - #8 Hand on Eye" is a prime example of his artistry, which merges the realms of graffiti, pop art, and commercial imagery. This piece is a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper and part of a limited edition series released in 2014. Each print from this series is part of an exclusive collection, limited to 100 signed and numbered editions, making it a coveted piece for collectors and enthusiasts alike. The artwork's dimensions, 35 x 23 inches, allow for an immersive viewing experience, with the enormous custom frame and mat serving to accentuate its bold visual impact further. KAWS' signature style is evident in the interplay of colors and the iconic imagery that has become synonymous with his name — particularly the crossed-out eyes, which have become a powerful symbol within the lexicon of contemporary art. This imagery is not just a hallmark of his design but speaks to a more profound commentary on society, identity, and emotional experience. Technique and Cultural Commentary in KAWS' Art The technical proficiency of KAWS is on full display in "Untitled from Blame Game - #8 Hand on Eye," where the precision of the silkscreen process highlights his meticulous attention to detail. The 11-color format reveals a complex layering that adds depth to the image, with each hue selected to contribute to the overall narrative of the piece. The use of Saunders Waterford Hi-White paper is a deliberate choice that ensures the colors' vibrancy and the print's longevity, considerations that reflect the artist's dedication to his craft. More than just visually striking, KAWS' works often convey significant cultural commentary. The recurring themes in his pieces often reflect contemporary life's saturation with media and imagery, offering a critique of how we consume and interact with visual stimuli. His works bridge the gap between high art and popular culture, making bold statements that resonate with a broad audience and ensuring his place as a pivotal figure in the evolution of street pop art. KAWS: Influencing the Trajectory of Street Art and Beyond KAWS' contributions to the art world extend beyond his prints and paintings. His influence permeates various sectors, from mainstream commercial collaborations to high-end fashion and design, challenging traditional boundaries and expanding the scope of street art. The "Untitled from Blame Game" series, specifically "#8 Hand on Eye," exemplifies this crossover, merging street art's aesthetic with fine art's finesse. By signing, numbering, and dating each print along the lower edge, KAWS personalizes each edition published by Pace Prints, New York. This personal touch, combined with the limited availability, adds to the allure and value of the artwork. These elements have solidified KAWS' position in the art world and made his works highly sought after in the market. KAWS's "Untitled from Blame Game - #8 Hand on Eye" is a testament to the artist's ability to elevate street pop art to a form that transcends traditional graffiti artwork. Its production, presentation, and profound cultural resonance underscore KAWS's artistry's transformative power. As street art continues to evolve and influence contemporary culture, KAWS' works, such as this piece, will remain integral in shaping the narrative and appreciation of this dynamic art form.

Read more less

Absolute Ali Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed Custom Framed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 48.5x35.5. Famous Boxer Muhammad Ali Raising Hands in Boxing Sports Victory with Tons of Colorful Spray Paint & Paint Hand-Embellished. Custom Ornate Gold Frame Size 57x45 Evolution and Impact of Mr. Brainwash's Street Pop and Graffiti Artwork The vibrant and irreverent energy of Street Pop Art and Graffiti Artwork has radically transformed the visual landscape of urban culture. These forms of artistic expression, which have their roots deeply embedded in the subversive countercultures of the past, have now ascended to the pantheon of high art, thanks to the works of visionaries like Thierry Guetta, also known as Mr. Brainwash. His unique approach to art, which combines elements of both street art and pop art, has resulted in creations that are not only visually stunning but also rich in cultural commentary. Mr. Brainwash burst onto the art scene with his innovative blend of street art sensibilities and pop art aesthetics. His work often incorporates iconic figures and familiar motifs, recontextualizing them within street art's urban grit and spontaneous energy. His 2017 "Absolute Ali" piece is a powerful testament to this style. By using silkscreen printing and hand embellishments with spray and acrylic paints, Mr. Brainwash creates a multi-layered texture that echoes the complexity of the cultural icon it depicts: the legendary boxer Muhammad Ali. "Absolute Ali" - A Masterpiece of Mixed Media "Absolute Ali" stands as a stunning example of Mr. Brainwash's artistry. This piece showcases a limited edition, mixed media screen print on fine art paper featuring the heavyweight champion Muhammad Ali. The artwork captures the triumphant moment of Ali raising his hands in victory, immortalizing the emotion and power of the sports legend. Through the application of vibrant and chaotic splashes of color, the artwork is infused with a sense of movement and dynamism characteristic of both Ali's boxing style and Mr. Brainwash's artistic approach. This work is not just a mere portrait but a celebration of triumph, diversity, and the indomitable spirit of the human will, as embodied by Ali. The backdrop of the composition is a veritable collage of imagery and color, with each layer of paint and each silkscreened element building upon the last to create a rich tapestry of visual stimuli. The piece is a feast for the senses, with the hand-embellished splatters of paint not only adding texture but also creating an almost palpable energy that radiates from the canvas. The Role of Street Pop and Graffiti Artwork in Contemporary Art Artworks like "Absolute Ali" are pivotal examples of how Street Pop Art and Graffiti Artwork have shifted the boundaries of traditional art. They reflect the cultural zeitgeist, encapsulating the streets' voices, struggles, and victories. By bringing such work into galleries and the realm of fine art, artists like Mr. Brainwash challenge preconceived notions of what art can be and who it is for. This democratization of art has led to a more inclusive and diverse art world where the line between high art and street culture is increasingly blurred. The limited edition nature of "Absolute Ali," coupled with its hand-embellished features, ensures that each piece is a unique treasure, representing Mr. Brainwash's vision. The artwork's custom ornate gold frame further enhances its allure, juxtaposing the traditionally luxurious connotations of gold and the raw, unrefined essence of street art. For collectors, owning a piece like "Absolute Ali" is not just an investment in art; it is an investment in cultural history, a snapshot of when street art rose to prominence and reshaped the art world. "Absolute Ali" is more than just a work of art. It is a cultural artifact that embodies the essence of Street Pop and Graffiti Artwork. Through the fusion of silkscreen printing and spray paint, Mr. Brainwash has created an artwork that vibrates with life, encapsulating the spirit of Muhammad Ali and the essence of street art. It is a bold statement in the ongoing narrative of art history, highlighting the ever-evolving nature of artistic expression and the power of art to capture the human experience.

Read more less

George Washington One Dollar Bill Original One of a Kind Oil Painting on Canvas by Steve Kaufman SAK modern pop artist. 2002 Signed Original Custom Framed & Stretched Canvas Original Artwork Size 27x44

Read more less

Longear Tiger P-40 Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art for sale. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 17x16 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

Read more less

Saint Paul De Vence Original Pen Ink Drawing Art on Archival UV Protected Matt Paper by Modern Pop Art Artist Mark Powell. 2021 Signed  Original Ballpoint pen drawing Size: 43cm x 59cm Framed Drawing is protected by an archival UV protective matt varnish spray 16.9x23.2. Hyper Realistic & Photorealistic Image of a Man's Face The Penmanship of Mark Powell: Capturing Essence on Paper Mark Powell, a contemporary artist renowned for his unique approach to modern pop art, brings hyper-realism to the streets that often goes unseen in the typical vibrancy of street pop art and graffiti artwork. His piece "Saint Paul De Vence" is a prime example of his mastery with a simple ballpoint pen, creating depth, texture, and emotion on archival UV-protected matt paper. The artwork, signed and completed in 2021, measures 43cm x 59cm and showcases an intense, hyper-realistic image of a man's face, a testament to the human condition and the stories etched within. Street Realism: The Raw and Intimate in Mark Powell's Art Powell's "Saint Paul De Vence" represents more than just a technical achievement; it is a journey into the soul of its subject. The artwork, framed and safeguarded with an archival UV protective matt varnish spray, presents an individual whose life experiences are mapped out across the canvas of his face. Every line, wrinkle, and expression is rendered with meticulous detail, bringing the subject to life. This level of realism is often associated with high art, yet Powell's choice of materials – ballpoint pen and paper – roots his work in everyday life, making it accessible and relatable. The intimacy of the portrait invites viewers to contemplate the stories behind the eyes of the subject. It is this storytelling aspect that aligns Powell's work with the ethos of street art. The narratives of life, often unseen or overlooked, are brought to the forefront, compelling the audience to acknowledge the unspoken tales that unfold around them daily. Hyper-Realism in Street Pop Art While not commonly associated with street pop art and graffiti, hyper-realism finds a place in Powell's artistic lexicon. His technique challenges the notion that its bold lines and bright colors define street art. Instead, "Saint Paul De Vence" suggests that street art can be a space for subtlety and nuance. Powell's intricate shading and attention to detail pay homage to the very essence of street art: the ability to reflect reality and provoke thought. The emotion captured in the artwork transcends the medium, creating a connection with the viewer that is both immediate and profound. The subject's gaze penetrates beyond the surface, asking questions and evoking empathy. This level of emotional engagement is the hallmark of both street art and Powell's work, serving as a bridge between the viewer and the viewed. Mark Powell's "Saint Paul De Vence" is a remarkable piece within the street pop art and graffiti art world. It showcases the power of traditional techniques applied in new contexts and the ability of art to uncover the depths of human experience. As the painting hangs, protected, and preserved, it continues to speak volumes, reminding us that the stories of the streets are as varied as the people who walk them and that art is a language that can talk about life's intricacies in the stroke of a pen.

Read more less

Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami TM/KK Hand-Pulled on Wove Fine Art Paper Framed Limited Edition Screenprint Artwork. 2003 Signed & Numbered Louis Vuitton x Takashi Murakami Limited Edition of 50 Artwork Size 6.9x11.75 Silkscreen Print in Custom Copper Style Frame. Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami The Eye Love Superflat Pink silkscreen print, created in 2003 by Takashi Murakami in collaboration with Louis Vuitton, represents a critical moment in the convergence of high fashion and contemporary street pop aesthetics. This hand-pulled silkscreen, produced in a limited edition of 50, is printed on wove fine art paper and features Murakami’s signature fusion of luxury iconography and playful visual language. Measuring 6.9 x 11.75 inches, this artwork exemplifies the Japanese artist’s influential position within the movement of Street Pop Art & Graffiti Artwork during the early 2000s. Murakami’s Superflat Philosophy in Fashion and Art This print merges the bold branding of Louis Vuitton with Murakami’s signature Superflat style, a term he coined to describe the aesthetic and cultural flattening of traditional and digital art, consumerism, and fine art. The work presents a centrally aligned vertical composition featuring Louis Vuitton emblems—two Monogram Flowers and the iconic LV initials—framing Murakami’s jellyfish-eye motif at the center. The eye, detailed with contrasting jewel tones and dynamic, cartoon-like lashes, is one of Murakami’s recurring characters, reflecting both playfulness and cultural commentary. The stark contrast between the clean white vertical strip and the surrounding off-white border amplifies the minimalist elegance of the piece. Framed in a lavish copper-toned custom frame, the presentation further highlights the intersection between Murakami’s subversive artistry and the world of luxury branding. The juxtaposition of street culture aesthetics with the world-renowned Louis Vuitton brand underscores a larger commentary on consumerism and identity in the 21st century. Collaborative Cultural Significance The collaboration between Louis Vuitton and Murakami was a landmark event in the evolution of both street pop and luxury branding. Murakami’s reinterpretation of the LV monogram led to an iconic rebranding of the fashion house’s image, energizing it with a youthful, irreverent tone. The Eye Love Superflat series became a crucial collectible component of this moment, celebrated for its rare print editions and its position at the forefront of fashion-art collaborations. Each silkscreen is signed by Takashi Murakami and marked with edition numbering, reinforcing its status as a museum-quality fine art multiple. The use of hand-pulled silkscreen techniques gives the work a tactile and layered depth, contrasting the flatness of the Superflat theory while embracing the visual simplicity of Murakami’s cartoon-inspired visual storytelling. Legacy and Collectible Appeal This print, created during the height of Murakami’s engagement with global luxury, continues to resonate with collectors and cultural institutions alike. Its value is driven not only by its scarcity—limited to just 50 signed pieces—but by its historical significance as part of an artist-brand alliance that changed the dialogue around fashion, art, and consumerism. The framed presentation elevates it beyond print into the realm of formal art display, reinforcing the seriousness of Murakami’s playful yet incisive visual commentary. As an emblem of Street Pop Art & Graffiti Artwork, the Eye Love Superflat Pink silkscreen remains a pivotal expression of postmodern art culture.

Read more less

Old Glory- Archival Paper Limited Edition Hand Deckled 6-Color Hand-Pulled Silkscreen Print on Archival Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 80 Artwork Size 32x26 Medium: Silkscreen on archival paper. Size: 26 x 32 inches Edition: 80 Signed, numbered and thumb printed. In celebration of Independence Day, Mr Brainwash- Thierry Guetta has announced his latest Editions. Old Glory is reminiscent of the nation’s hard-fought journey to independence and reminds us to reflect on the importance of its past. The silkscreen edition print will be available on Archival Paper and Framed Canvas. Each print is numbered, signed and thumb printed by the artist.

Read more less

Tanuki Fighter Original One of a Kind Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Nicole Gustafsson. 2014 Custom Framed & Matted Signed Original Image 3x3 Frame 8.5x8.5 Nicole Gustafsson's Artistic Vision Gustafsson's work, including "Tanuki Fighter," is often marked by an infusion of vibrant colors and imaginative elements that speak to the innocence of childhood fantasies and the complex narratives in urban street art. Her technique involves using acrylics—a medium known for its bright, opaque colors and quick drying times—allowing for the dynamic and layered compositions that have become her signature. The "Tanuki Fighter" is a testament to her skill in manipulating this medium, resulting in a visual spectacle that is as much a fine art piece as an emblem of pop culture. The "Tanuki Fighter" is an original acrylic painting on fine art paper by Nicole Gustafsson, whose work has significantly influenced street pop art and graffiti artwork. This particular piece, created in 2014, is a quintessential example of Gustafsson's unique aesthetic, which merges the whimsy of pop art with the raw edge of street art, creating a distinctive and recognizable oeuvre that has captivated a global audience. Depiction and Symbolism The painting depicts a tanuki, a creature often found in Japanese folklore, known for its mischievous spirit and shapeshifting abilities. Gustafsson has given this mythical creature a contemporary twist, portraying it as a fighter with a determined expression and a fighting stance. The choice of a tanuki as the subject matter is a nod to the playful and often fantastical themes prevalent in street pop art while also embodying graffiti artwork's transformative and rebellious spirit. The tanuki is presented in a simplistic yet expressive style, with attention to the textural details that give the character a lifelike presence. Its pose and attire are reminiscent of a sumo wrestler, adding a layer of cultural reference and humor to the piece. Using a monochromatic color scheme for the tanuki against a contrasting vibrant green background emphasizes the figure, drawing the viewer's eye directly to the subject. Composition and Framing "Tanuki Fighter" is not just notable for its subject and style but also for its presentation. The original image, measuring 3x3 inches, is custom framed and matted to an overall size of 8.5x8.5 inches. This deliberate framing choice highlights the artwork's intimacy and intricacy. The piece's scale, when paired with the boldness of its content, plays with the viewer's perception, demanding a closer look and personal engagement with the work. The framing choice also speaks to Gustafsson's understanding of her artwork's role as standalone pieces and as part of a larger narrative in someone's living space. A framed piece of art carries a different weight and presence compared to unframed street art, and "Tanuki Fighter" bridges these two worlds, bringing the raw energy of street art into the curated environment of home galleries. Cultural Impact and Collectibility As an original piece by a famous street graffiti artist, "Tanuki Fighter" holds significant value for collectors and enthusiasts of street pop art. Original works represent a tangible connection to the artist's vision and narrative, offering an authentic slice of the culture and era that produced it. Moreover, the piece's status as a one-of-a-kind artwork elevates its desirability, making it a sought-after item for those looking to own a piece of contemporary art history. The work's uniqueness is further solidified by Gustafsson's hand in its creation, with the artist signing the piece. This assures its authenticity and marks it as an integral part of Gustafsson's artistic journey. Collectors of such pieces often view them as investments, not just in financial terms but also as cultural artifacts that capture the essence of a particular artistic movement or style. In summary, Nicole Gustafsson's "Tanuki Fighter" embodies the playful spirit and cultural blending that defines street pop art and graffiti artwork. Its clever use of folklore, combined with a modern aesthetic and presentation, makes it a standout piece that captures the imagination and reflects the evolving nature of contemporary art. As an original, signed, custom-framed piece, it holds a special place within Gustafsson's body of work and the broader context of street-inspired art.

Read more less

Graffiti for Sale One of a Kind 1 HPM Painted Silkscreen by Hijack Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Street Art Artwork. 2022 Signed #1 of One of a Kind Edition of 5 HPM Custom Framed Hand Painted Artwork Size 30x22 Hijack's "Graffiti for Sale" is a distinctive artwork that boldly merges the worlds of commercialism with the unbridled spirit of street art. Created in 2022, this one-of-a-kind hand-pulled 15-color screen print exemplifies the artist's ability to juxtapose societal commentary with vibrant urban aesthetics. Using fine art paper as its canvas, the piece measures an impressive 30x22 inches, large enough to capture the intricate detailing and bold strokes that are trademarks of Hijack's style. As a testament to its exclusivity, "Graffiti for Sale" is signed as #1 in a very limited edition series, an HPM or Hand-Painted Multiple, where only five such pieces exist. Unlike traditional prints where each piece is a replica of the original, an HPM means that while the print may be the same, each artwork has unique hand-painted elements, making each one distinct. This specific artwork, being custom framed, adds an additional layer of sophistication, preserving its vibrancy and ensuring longevity. Delving deeper into the artwork's narrative, one is immediately drawn to the central figure, a poised individual holding a sign that reads "Street Art for Sale." This statement acts as a satirical nod to the commodification of street art, a once underground movement now showcased in galleries and auction houses worldwide. Surrounding the central figure is a whirlwind of colors, shapes, and forms - a chaotic representation of the bustling world of graffiti. Hijack's piece is not just art; it's a conversation, a statement, and a reflection on the ever-evolving world of street and pop art.

Read more less

Quinqueflor Mordida #09 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

Read more less

Sexphyllum Classicum #14 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

Read more less

Vandalism Print on Wood Panel Framed Ready to Hang by Nick Walker Street Art Modern Pop Artist. 2018 Vandalism Stencil Wood HPM Print by Nick Walker Framed 17 x 20 in. (43.18cm x 50.80cm) Vandalism by Nick Walker DCon exclusive limited edition of 50 fine art wood prints each hand-signed and numbered. Each print comes with a signed and numbered Certificate of Authenticity Fine art wood print on 1/2" sustainable Birch, Bright White finish

Read more less

L From Alphabet Series Original Acrylic Spray Paint Painting by Risk Rock One of a Kind Artwork on Framed Wood by Street Art Pop Artist. 2011 Signed Spray Paint & Acrylic Original Painting on Wood Size Framed 48.5x48.5 L, from Alphabet series, c. 2011 Acrylic and spray paint on wood 48-1/2 x 48-1/2 inches (123.2 x 123.2 cm) Stencil to front. Framed without glass. Framed Dimensions 56 X 56 Inches.

Read more less

Late Night Study II Original Ink Hand Drawing on Fine Art Paper by modern trending street art artist Sheefy McFly. 2020 Signed Original Marker Drawing Artwork Size 18x24 Framed Late Night Study II, 2020 Ink on paper 24 x 18 inches (61 x 45.7 cm) (sheet) Signed and dated along right edge. Framed Dimensions 27.5 X 21.5 Inches

Read more less

Draw Four- Gold Foil Artwork Giclee Limited Edition Framed Print on Ivory Board Stock Paper by Pop Culture Graffiti Artist Ben Frost. Matted and framed under glass. Ben Frost (b. 1975) Draw Four (Gold Foil), 2021 Giclee in colors on Ivory Board Stock paper 23-1/2 x 16-1/2 inches (59.7 x 41.9 cm) (sheet) Ed. 7/10 Signed and numbered in ink along lower edge Published by the artist. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

Read more less

Andy Warhol's 84 Yellow Original Oil Painting by Peter Keil is a one-of-a-kind artwork on framed canvas by The Wild Man of Berlin, a famous contemporary artist. 1984 Signed by Peter Keil & Dated Oil Painting on Foam Core Panel Vintage Framed Original Framed Artwork Size 19.5x23.5. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Stylized Andy Warhol. Decoding the Vibrant Legacy of Peter Keil Through "Andy Warhol's 84 Yellow" "Andy Warhol's 84 Yellow" is a striking exemplar of Peter Keil's contribution to contemporary art, particularly within pop and street art. A unique piece on framed canvas, this original oil painting captures the essence of Keil's distinct style, known for its vigorous application of paint and bold color choices. Created in 1984, this signed, dated work by The Wild Man of Berlin reflects Keil's dynamic approach to portraiture, underpinned by a deep understanding of the pop art movement. Peter Keil, a celebrated figure in the landscape of modern art, earned his moniker through his untamed style and the vivid expressionism that courses through his creations. His portrayal of Andy Warhol, an icon of pop art, in "Andy Warhol's 84 Yellow" is a testament to Warhol's influence on Keil's artistic journey. The painting's dimensions, 19.5x23.5 inches, frame Warhol's stylized visage, depicted with a palette emphasizing striking yellows, suggesting the luminosity and complexity of the subject's character. The Impact of Peter Keil's Artistic Techniques on Collectability One of the defining characteristics of Keil's work is his use of thick paint, which lends a textural depth to his paintings that is visual and tactile. This method, which often leads to some paint flaking, is not a detriment but rather a signature aspect of Keil's work, reflecting the authentic passage of time and the organic nature of his materials. Collectors of Keil's art are drawn to these peculiarities, finding beauty in the imperfections that echo the artist's raw energy and enthusiasm for his creative process. Keil's "Andy Warhol's 84 Yellow" is more than a mere depiction; it is an immersive experience, inviting the viewer to delve into the psyche of both the artist and the subject. The painting's distinct aesthetic bridges street pop art and graffiti artwork with the more traditional oil medium on canvas, creating a piece that is as at home in a gallery as it would be on the vibrant streets where street art thrives. In acquiring a work like "Andy Warhol's 84 Yellow," one engages with a slice of art history, a moment captured by Keil's brush that speaks to the enduring dialogue between artists across generations. It is an artwork that holds its value in its visual appeal and its place within the narrative of art's evolution. "Andy Warhol's 84 Yellow" encapsulates Peter Keil's raw and expressive approach to art that has cemented his reputation as a prominent contemporary artist. With its thick layers of vibrant paint and stylized depiction of Andy Warhol, this painting is a passionate ode to the influences and intersections of pop art, street art, and graffiti artwork. Keil's works, sought after for their expressive power and historical significance, continue to resonate with collectors and enthusiasts around the globe.

Read more less

Woman 84 Green Orange Original Oil Painting by Peter Keil One of a Kind Artwork on Framed Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1984 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 16.5x24.5. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Green & Orange Long-Haired Stylistic Women Head Bust. Embracing the Vivid Essence of Peter Keil's Portraiture "Woman 84 Green Orange" is an original oil painting by Peter Keil, an artist famed for his energetic and dynamic style, often referred to as The Wild Man of Berlin. His 1984 creation is unique on a framed Masonite panel, showcasing his signature expressionist strokes. The artwork measures 16.5x24.5 inches and is a vibrant depiction of a woman's head bust, characterized by a vivid interplay of green and orange hues. Keil's signature and the date are prominently displayed, confirming the authenticity and period of this one-of-a-kind work. Peter Keil's artwork is renowned for its bold use of color and the impasto technique, where thick paint is applied to create a textured surface rich in depth and intensity. This particular painting, with its striking color contrasts and stylized representation, is a testament to Keil's ability to capture more than the physical likeness of his subjects. Instead, he conveys a sense of the subject's inner life, evoking emotion and narrative through the abstracted form. The Dynamic Influence of Street Pop Art and Graffiti on Keil's Work The influence of street pop art and graffiti artwork is evident in how Keil's "Woman 84 Green Orange" painting communicates directly and powerfully. The artwork is imbued with a sense of immediacy often found in street art, where the viewer is confronted with bold imagery in public spaces. Like much street art, Keil's painting is a visual spectacle and an interactive experience that invites the viewer to engage with the piece on a deeper level. As with many of Keil's works, the thick layers of paint have resulted in some flaking over the years, which adds to the character and story of the piece. This natural aging process is a reminder of the work's journey through time and is akin to the weathering of outdoor murals and graffiti, which often change and degrade as part of their life cycle. "Woman 84 Green Orange" by Peter Keil is a powerful embodiment of his artistic vision, merging street art's raw expression with the sophistication of oil painting. With its distinctive style and emotional resonance, Keil's work continues to captivate collectors and art lovers, securing his place as a notable figure in contemporary art.

Read more less

Hand Painted LA River AP 8 Limited Edition Spray Paint Hand-Embellished HPM Giclee Print on Fine Art Paper Custom Framed by Saber Graffiti Street Artist Modern Pop Art. AP Artist Proof Spray Paint Embellished Custom framed and metallic silver matted in a massive silver ornate frame, measuring 47x36

Read more less

Some Windows Block Out The Sun Original Pen Ink Drawing Art on Reclaimed Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Framed. Ballpoint pen drawing on a 1912 sketch for a church stain glass window Size 57cm x 40cm Drawing is framed in a bespoke frame Drawing is protected with a matt varnish UV protective archival spray. 15.7x22.4

Read more less

Rubik Country Life Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 431 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-3. Enhance your space with the "Rubik Rubikcubism Metal Giclee Prints" by the distinguished Invader, a set of four color-drenched, ready-to-hang masterpieces. This acclaimed selection from Invader's Rubik's Cube series transforms playful nostalgia into high art. Each limited edition print is masterfully Diasec-mounted, offering a superior giclée finish on a precision-cut aluminum composite panel. These substantial art pieces measure an impactful 100 x 100 cm and have a notable weight of 13.5kg, ideal for creating a modern and engaging atmosphere. Dive into the world of street pop art with these prints that celebrate Invader's innovative fusion of classic gaming and cutting-edge artistry. Capturing the Essence of Nostalgia: Invader's Rubik Country Life Series The "Rubik Country Life Rubikcubism Metal Giclee Print" by Invader is a modern tribute to the idyllic pastoral scenes, reimagined through the pixelated lens of Rubik's Cubes, bringing a unique fusion of nostalgia and contemporary art to the fore. As a leading figure in the graffiti pop street art movement, Invader's work continues to challenge and redefine the boundaries of art and technology. His 2023 signed and numbered limited edition of 431 pieces, each measuring 100cm by 100cm, represents a bold statement in the art community, marrying the playful simplicity of the Rubik's Cube with the complexity of fine art. Each print in the "Rubik Country Life" series is an intricate composition of Diasec-mounted Giclée on a laser-cut aluminum composite panel weighing 13.5kg. The choice of material speaks to the durability and longevity of the artwork, ensuring that the vibrant mosaics of rural life endure as a lasting piece of cultural expression. These ready-to-hang prints showcase Invader's artistic skill and encapsulate his vision of bringing street pop art and graffiti artwork into a new realm of recognition and appreciation. Invader's Artistic Journey and the Innovation of Rubikcubism Invader's artistic journey is marked by his innovative approach to street pop art, which he has aptly named "Rubikcubism." This technique involves using the iconic Rubik's Cube to create elaborate mosaics that, from a distance, merge into recognizable images. With the "Rubik Country Life" series, Invader weaves a visual narrative that resonates with the tranquility and beauty of rural landscapes, transformed into a grid of colored squares that captivate and intrigue the viewer. The artist's signature method is a technical feat and a conceptual bridge connecting the tactile engagement of solving a Rubik's Cube with the visual experience of appreciating a work of art. Each cube is a pixel, a single component in a larger image that collectively presents a cohesive and striking depiction of country life. This approach pays homage to the early days of digital art and the historical genre of landscape painting, reinterpreted through a modern-day prism. The Cultural Significance of Invader's Limited Edition Prints The limited edition nature of the "Rubik Country Life" series elevates these prints beyond mere artistic creations; they become cultural artifacts. Each signed and numbered piece signifies its place in the lineage of street pop art, marking Invader's impact on the art world. Collectors and enthusiasts of Invader's work can own a segment of this historical narrative, as each print becomes a testament to the evolving landscape of street art. Invader's prints are important for their visual impact and their role in the discourse of street art's place within the art historical canon. The "Rubik Country Life" series and its counterparts demonstrate the potential for street art to transcend its temporary nature and to be celebrated and preserved as high art. This reflects the shifting perceptions surrounding graffiti and street pop art, with Invader at the forefront of this transformation. The "Rubik Country Life Rubikcubism Metal Giclee Print" series is a vibrant example of how street pop art intersects with traditional art forms to create something entirely new and profoundly impactful. Invader's work, with its distinctive aesthetic and cultural resonance, continues to inspire and challenge viewers, cementing his status as an innovator and a pivotal figure in contemporary art.

Read more less

Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel by Joe Conzo Jr Ready to Hang Graffiti Street Artist Modern Pop Art. 2020 Signed Unique 1-of-a-Kind Print on Metal Mounted To Wood Cradle Frame Print Artwork Size 12x8.5 of Cold Crush Brothers Hip Hop Rap Music Artists in a Club Performing. Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel The Cold Crush Brothers Metal Plate Photo Print on Cradled Wood Panel by Joe Conzo Jr. is a one-of-a-kind modern art piece that captures the raw energy of early hip-hop culture. Created in 2020, this signed, unique print is mounted on a durable wood cradle frame and showcases a dynamic performance scene of the legendary Cold Crush Brothers in a club setting. The artwork measures 12x8.5 inches and is ready to hang, blending the timeless aesthetics of Street Pop Art and Graffiti Artwork with the vivid history of hip-hop music. This piece not only immortalizes a pivotal moment in music history but also reflects the artistic vision of Joe Conzo Jr., a pivotal figure in documenting the rise of urban culture. The Iconic Cold Crush Brothers and Their Influence The Cold Crush Brothers were instrumental in shaping the early hip-hop scene, bringing unparalleled charisma, lyrical prowess, and stage presence to their performances. As pioneers of the genre, their influence extended far beyond music, inspiring graffiti artists, dancers, and fashion trends that defined urban culture. Joe Conzo Jr., often called hip-hop’s first photographer, captured these defining moments through his lens, creating a visual archive of this groundbreaking era. This particular print depicts the group performing in a packed club, surrounded by an electrified audience, illustrating the cultural significance and infectious energy of their performances. Joe Conzo Jr. and the Intersection of Music and Street Pop Art Joe Conzo Jr., born in 1963 in New York City, is celebrated for his role in preserving the history of hip-hop and graffiti culture through photography. His work is deeply rooted in the ethos of Street Pop Art and Graffiti Artwork, focusing on the authentic and unfiltered expression of urban life. This metal plate photo print is a testament to his talent for capturing the vibrancy and resilience of the Bronx during the birth of hip-hop. The juxtaposition of Conzo’s crisp black-and-white imagery with the industrial feel of the metal plate adds a contemporary edge to this artwork, making it a bridge between past and present. The Artistic and Collectible Value of the Metal Plate Photo Print Mounted on a cradled wood panel, this artwork combines craftsmanship with functionality, ensuring durability and ease of display. The use of a metal plate as the medium gives the photograph a sleek, modern aesthetic while preserving the raw intensity of the image. Signed by Joe Conzo Jr., this unique, one-of-a-kind piece holds significant value for collectors of Street Pop Art, Graffiti Artwork, and hip-hop memorabilia. Its intimate size of 12x8.5 inches allows it to fit seamlessly into any art collection or living space while commanding attention as a cultural artifact. This artwork serves as a vivid reminder of the artistic and cultural revolution driven by hip-hop, graffiti, and street art during the late 20th century.

Read more less

Vandalism Print on Wood Panel Framed Ready to Hang by Johnny Rodriguez (KMNDZ) Street Art Modern Graffiti Pop Artist. Nothing New Under the Sun Wood Panel Archival Print by Johnny Rodriguez (KMNDZ) 11 x 14 in. (20.32 x 25.4 cm) Fine art wood print on 3/4" sustainable Birch, bright white finish Hand signed and numbered edition of 50 A special release for Designer Con 2014

Read more less

The End Of The End Original Hand-Painted Multiple Spray Paint Aerosol on Framed Birch Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition of 10 Artwork Size 24x36 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

Read more less

New World Revolution Print on Wood Panel Framed Ready to Hang by Mear One Graffiti Street Artist Modern Pop Art. 13.5 x 18 in. (34.29 x 45.72 cm) Exclusive fine art wood print on 1/2" sustainable Birch, bright white finish hand signed and numbered by Mear One. Limited Edition of 20 prints "With Mother's Day". "Her golden halo bathes us in a warmth of spiritual wisdom, positivity, and choice, fist raised in the sky, not in anger, but universal solidarity and strength, perhaps serving as a reminder to us all that a revolutionary time is upon us, drawing focus upon the courageous role that women and children play in this politically charged era." - Mear One

Read more less

Grin Bulb Green PP UV Archival Metal Print by Ron English- POPaganda Limited Edition Print on Framed Aluminum Panel Pop Artist Modern Artwork. PP Printers Proof 2022 Signed & Marked PP Limited Edition Artwork Size 8x11 UV Archival Pigment Fine Art of Ron English- POPaganda's Crypto Light Bulb Skeleton Grin Smiley Ready to Hang. Grin Bulb Green PP UV Archival Metal Print by Ron English- POPaganda The Grin Bulb Green PP UV Archival Metal Print is a striking piece of contemporary Street Pop Art and graffiti artwork by the iconic artist Ron English- POPaganda. This limited edition print, created in 2022, reflects English’s mastery in blending subversive imagery with popular culture. The piece features a unique and surreal design: a yellow light bulb with a grinning skeletal mouth, juxtaposed against a vivid green background. The use of bold colors and macabre humor encapsulates English's renowned style of thought-provoking and visually arresting art. The artwork is presented on an aluminum panel, framed and ready to hang, ensuring both durability and a sleek aesthetic. Measuring 8x11 inches, it was created using UV archival pigment, guaranteeing its vibrant colors and sharp details endure over time. This piece is marked as a Printers Proof (PP), a designation that makes it even more exclusive among limited edition collectors. Each print is hand-signed by Ron English- POPaganda, adding a personal touch to this unique edition. English, a pioneer in Street Pop Art, frequently incorporates motifs of consumerism, branding, and societal critique into his creations, and the Grin Bulb series is no exception. The Art of Ron English- POPaganda Ron English- POPaganda, born in the United States in 1959, is a pivotal figure in modern Street Pop Art and graffiti artwork. English has gained international recognition for his ability to transform familiar cultural symbols into provocative and satirical masterpieces. Known as the Godfather of Street Art, he has created iconic works that challenge viewers to question the underlying messages of advertisements, media, and consumer culture. English's playful yet poignant art has been exhibited worldwide and resonates deeply with fans of both pop culture and counterculture. The Grin Bulb Green artwork is an excellent example of English’s ability to take mundane objects and inject them with layers of meaning. The light bulb, often associated with ideas and innovation, is transformed into a commentary on modern society’s fixation with consumerism and artificial happiness. The skeletal grin beneath the smiling face reflects a duality that is both humorous and unsettling, a signature element in English's body of work. Significance of Street Pop Art and Graffiti Artwork Street Pop Art and graffiti artwork have long served as platforms for cultural commentary, blending the accessibility of street art with the commercial appeal of pop art. Ron English- POPaganda’s contributions to this genre stand out for their complexity and wit. His ability to subvert and recontextualize familiar imagery invites viewers to engage with his work on multiple levels, from surface aesthetics to deeper societal critiques. This fusion of bold visuals and intellectual depth makes English’s work particularly relevant in today’s art landscape. The Grin Bulb Green piece exemplifies this dynamic by combining high-quality craftsmanship with a playful yet critical perspective on modern culture. The choice of medium, a UV archival pigment print on aluminum, aligns with the contemporary aesthetic of Street Pop Art, while the limited edition nature of the piece adds to its appeal as a collector’s item. The framing and ready-to-hang format also make it a versatile addition to any modern art collection. Collecting Limited Edition Ron English- POPaganda Artwork For collectors and enthusiasts, acquiring a Printers Proof of Ron English- POPaganda's work is a rare and valuable opportunity. These editions often represent the final stages of an artist’s creative process and are highly sought after for their exclusivity. The Grin Bulb Green print, with its vibrant colors, innovative design, and cultural significance, is a testament to English’s enduring impact on the art world. Displaying this piece not only showcases a keen appreciation for contemporary Street Pop Art but also highlights the collector’s engagement with thought-provoking and transformative artwork.

Read more less

Invaded Cube Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 459 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-1. Discover the dynamic "Invaded Cube Rubikcubism Metal Giclee Print" collection by the elusive and iconic street artist Invader. This ready-to-display quartet of prints is a standout addition to any art enthusiast's gallery. Each piece from Invader's highly praised Rubikcubism series encapsulates the artist's signature use of Rubik's Cubes, transformed into stunning, color-rich prints. These artworks are visually striking and constructed for longevity, featuring Diasec-mounted giclée prints affixed to precision-cut aluminum composite panels. Sized at a bold 100 x 100 cm and with a weight of 13.5kg, they make a substantial and stylish statement. Perfect for collectors and admirers of contemporary street pop art, these prints marry classic artistry with modern technique. Unveiling the Invaded Cube Rubikcubism Metal Giclee Print by Invader The "Invaded Cube Rubikcubism Metal Giclee Print" is a testament to Invader's groundbreaking journey in street pop art and graffiti artwork. This limited edition piece, signed and numbered by Invader himself, is a collector's item, symbolizing the fusion of classical artistry with contemporary street culture. Limited to just 459 pieces, each artwork measures 100cm by 100cm, encapsulating the essence of Invader's artistic philosophy. The Invader Artwork Limited Edition Print is meticulously crafted on a Diasec-mounted aluminum composite panel, ensuring a premium quality that resonates with art fans and collectors alike. Invader's choice of medium, the Rubik's Cube, is not accidental. It embodies the complexity and playful nature of his work. Each cube, a building block of the larger image, is carefully positioned to create the pixel-like aesthetic reminiscent of the 8-bit graphics that dominated the early era of video gaming. This intricate process, which Invader refers to as Rubikcubism, is a nod to both the digital culture of the past and the analog craftsmanship of puzzle-solving. The artwork is a dialogue between the viewer and the urban landscape, a characteristic of Invader's style. The boldness of the colors, the precision of the layout, and the sharpness of the print quality all contribute to a sense of immediacy and presence. This piece is not just meant to be viewed; it's meant to be experienced, to become a part of the environment in which it resides.  In the image, a Rubik's Cube is shown from a close-up frontal perspective, and it is clear that the Invaded Cube design bears the unmistakable signature of Invader. The artist's iconic 8-bit video game character is prominently printed on the white center square of the cube. The rest of the cube comprises six identical plastic blocks in blue, green, orange, yellow, and red. These colors dominate the image and create a remarkably harmonious chromatic arrangement. Invader's Influence on Modern Street Art Invader's contribution to modern street art is monumental, and the "Invaded Cube Rubikcubism Metal Giclee Print" vividly illustrates his influence. Invader challenges the conventional boundaries of graffiti and street art by bringing the playful elements of pop culture into a severe art form. His works are displayed not only on the streets but also in art galleries, showcasing the versatility and adaptability of street art in contemporary settings. The unique aspect of Invader's art is its interactive nature. His works often encourage audience participation, whether by solving a puzzle or through digital engagement via apps that allow viewers to discover and interact with his installations around the globe. This interactivity has secured Invader a place in the hearts of a diverse audience, bridging the gap between art enthusiasts and the general public. Collectibility and Legacy of Invader's Artwork The "Invaded Cube Rubikcubism Metal Giclee Print" is not just an artwork; it's an investment in the legacy of street pop art. The limited edition nature of this piece adds to its collectibility, making it a sought-after item for those who appreciate the historical and cultural significance of Invader's work. Each print, with its signature and unique number, carries a piece of the artist's enigmatic persona. Invader's artwork is a reflection of the changing perceptions of street art. Once viewed as a form of urban decay, it is now celebrated as a vibrant and essential component of the cultural conversation. Invader has been instrumental in this shift, and his works have become a part of the historical tapestry that tells the story of street art's evolution. In the "Invaded Cube Rubikcubism Metal Giclee Print," Invader offers more than just an image; he provides a narrative, a slice of the zeitgeist that speaks to street art's heritage and future. The piece encapsulates the artist's commitment to pushing the boundaries of what is possible in art, making it a timeless addition to any collection. As street pop art and graffiti continue to carve out their place in the annals of art history, Invader's "Invaded Cube" stands as a beacon of innovation, creativity, and cultural resonance.

Read more less

Double Metamorphosis Hand-Pulled Silkscreen Print on Wove Fine Art Paper by Jewish Contemporary Art Artist Yaacov Agam Rare Limited Edition Artwork. 1980 Signed & Numbered Framed Limited Edition of 99 Artwork Size 14x10 Mild light and time staining. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 20 X 24 Inches Double Metamorphosis by Yaacov Agam in Street Pop Art & Graffiti Artwork Double Metamorphosis is a hand-pulled silkscreen print by Yaacov Agam, a leading figure in kinetic and optical art. This rare limited edition artwork, created in 1980, showcases Agam’s mastery of transformation, movement, and shifting perspectives. Signed and numbered as part of an edition of 99, this framed piece highlights Agam’s signature approach to creating interactive visual experiences. The print is matted and enclosed under acrylic, enhancing its layered structure and dynamic illusionary effects, making it a key example of street pop art & graffiti artwork that explores movement within static imagery. Visual Transformation and Optical Illusion in Street Pop Art Agam’s Double Metamorphosis reflects his fascination with constant motion and evolving compositions. The piece is constructed using geometric shapes, contrasting colors, and layered grids, creating an optical effect where the image shifts depending on the viewer’s angle. This approach is highly influential in urban mural art and graffiti artwork, where visual distortions and layered perspectives captivate street audiences. The technique used in this silkscreen print resonates with the vibrant, interactive qualities of contemporary street pop art, which often incorporates hidden images, lenticular illusions, and perspective-based compositions. These techniques mirror the dynamic energy of street murals and public art installations, where changing vantage points alter the perception of the piece. The interplay of color and motion in Double Metamorphosis is an extension of urban graffiti techniques that manipulate light, texture, and visual distortion. Yaacov Agam’s Influence on Street Pop Art & Graffiti Artwork Agam’s artistic philosophy has had a strong impact on public installations, large-scale graffiti murals, and street pop art compositions. His exploration of continuous movement, transformation, and interactive perception aligns with modern muralists and graffiti artists who create multi-layered works in urban spaces. Artists incorporating lenticular street art, digital projection graffiti, and dynamic mural techniques draw inspiration from Agam’s kinetic principles. His approach also connects with experimental printmaking and street-based optical illusions, where artists integrate changing hues, shifting angles, and lenticular layering to create artwork that responds to the surrounding environment. Agam’s impact can be seen in contemporary graffiti artwork that blends traditional spray-paint techniques with digital optical enhancements, creating hybrid forms of street pop art that interact with city landscapes. Collectibility and Cultural Significance of Double Metamorphosis This limited edition silkscreen print is a highly collectible piece that reflects the evolution of kinetic art within modern street pop art movements. The meticulous hand-pulled silkscreen process aligns with the craftsmanship found in high-end graffiti stencil work, screen-printed street posters, and fine art editions inspired by street aesthetics. With only 99 editions, this framed piece is a rare representation of Agam’s experimental visual philosophy. As contemporary street pop art & graffiti artwork continues to evolve, Agam’s innovations in visual perception, layered movement, and dynamic compositions remain highly relevant. His ability to create images that transform depending on perspective serves as a foundation for urban artists incorporating motion, interactivity, and optical distortions into large-scale city installations. Double Metamorphosis stands as a testament to Agam’s legacy and his lasting impact on modern pop art, kinetic mural techniques, and interactive graffiti styles.

Read more less

Pink Skull Flower Print on Laser Cut Wood Panel Framed Ready to Hang by Tara McPherson Modern Pop Artist. Artist Proof AP. 9.6 x 14 in. (24.384cm x 35.56cm) Fine art wood print on 1/2" sustainable birch wood, bright white finish Limited edition of 20 hand signed and numbered fine art wood canvas print. DesignerCon 2019 exclusive.

Read more less

Escape Original Mixed Media Painting by Snik One of a Kind Artwork Framed on Panel by Street Art Pop Artist. 2018 Signed Mixed Media Painting Original Artwork Size 15.5x9.5 Framed 18.5x11.5 Escape by Snik – Frozen Descent and Poetic Stillness in Street Pop Art & Graffiti Artwork Escape is a 2018 original mixed media painting by the UK-based artist duo Snik, measuring 15.5 x 9.5 inches and presented in a custom frame at 18.5 x 11.5 inches. Executed with meticulous stencil layering and spray technique on panel, this one-of-a-kind work captures a suspended female figure mid-fall or mid-flight, her body arched in a moment of release, struggle, or transcendence. The blackened background becomes a void, while the figure, rendered in stark tones and delicate surface detail, floats like a ghost tethered to the edge of control. Known for their hand-cut stencil mastery and emotionally charged portraiture, Snik creates a composition in Escape that embodies tension, grace, and haunting visual poetry. In the space of Street Pop Art & Graffiti Artwork, the piece speaks to physical fragility and spiritual rupture using only the language of form and light. Layered Craftsmanship and Dimensional Emotion Snik’s signature process is grounded in precision: each layer of stencil is hand-cut and individually sprayed, allowing for a depth of detail and realism that transforms the spray medium into something near sculptural. In Escape, the folds of the subject’s dress, the flowing strands of her hair, and the delicate articulation of her limbs are all built through this exacting method. Her body is both grounded and weightless—tied in places, partially obscured, with limbs caught between movement and stillness. The tension created by the ropes suggests confinement, yet her airborne posture evokes release. This duality is central to Snik’s visual language: moments of beauty held within systems of restraint. In Street Pop Art & Graffiti Artwork, this emotional precision redefines what is possible with spray-based portraiture, pushing beyond the visual into the psychological. Blackened Void and Emotional Isolation The dark void that surrounds the figure in Escape is not merely background—it is conceptual space. It isolates the subject from any specific setting or context, forcing the viewer to focus only on form and feeling. This stark negative space amplifies the floating quality of the figure, making her appear suspended in thought or dream, rather than trapped by gravity. Subtle surface textures, fine spray line edges, and highlights along the limbs and fabric folds reveal a practiced control of light and atmosphere. The blackness becomes a mirror to the unknown—symbolic of trauma, transcendence, or the silent aftershock of an escape long attempted. This use of minimalism within Street Pop Art & Graffiti Artwork shows how absence can become as emotionally potent as visual excess. Snik and the Anatomy of Release Escape distills everything Snik is known for: masterful technique, female-centered storytelling, and a persistent exploration of emotional stillness through physical motion. The work is theatrical but never overdone, symbolic but rooted in real feeling. It reflects themes of vulnerability, personal confinement, and the bittersweet sensation of letting go. With Escape, Snik reaffirms their ability to create work that is both compositionally exact and emotionally unflinching. The piece invites viewers to interpret their own version of what is being fled from or toward, using only the pose, the silhouette, and the void. As a singular expression within Street Pop Art & Graffiti Artwork, Escape proves that beauty, when rendered with patience and purpose, can speak softly and still leave a lasting mark.

Read more less

Pop Tart Yellow Unique HPM Original Collage Silkscreen Print by D*Face- Dean Stockton Screen Print on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2007 Signed & Numbered Collage HPM Embellished Unique Original Artwork Size 30x29 Framed Exploring the Vibrant Convergence of Street Pop Art & Graffiti Artwork The fusion of street pop art and graffiti artwork often creates a vivid tableau that not only captures the eye but also provokes thought and commentary on societal issues. The "Pop Tart Yellow Unique HPM Original Collage Silkscreen Print" by the renowned British artist D*Face, whose real name is Dean Stockton, exemplifies this dynamic. Produced in 2007, this limited-edition work is an engaging piece that is visually arresting and thematically complex. Dean Stockton and the Allure of Screen Printing Dean Stockton, better known as D*Face, has become a standout figure in contemporary street art. His work often critiques the consumerist culture, the mechanization of modern life, and the omnipresent media that shape our realities. Born in London, Stockton is alive as of my last update, and his work continues to influence the trajectory of street art globally. The "Pop Tart Yellow" work showcases"his distinctive approach to street pop art, infusing elements of graffiti with traditional pop art aesthetics. The silkscreen process, a hallmark of pop art since its popularization by figures like Andy Warhol, is central to the visual impact of "Pop Tart Yellow." "t allows Stockto" to layer colors and images, creating an almost tangible texture. This method, which entails pushing ink through a screen to transfer an image onto a substrate, adds to the uniqueness of each piece, especially when hand embellishments are involved. The Cultural Commentary of "Pop Tart Yellow" U" on observing" "Pop Tart Yellow" p" int, one is str"ck by its bold use of color and the juxtaposition of a skeletal figure adorned with cartoon-like features. The artwork is a veritable cornucopia of social commentary, steeped in the visual language of both street and pop art. The yellow backdrop serves as an eye-catching element and a symbol of caution, mirroring the cautionary tales often told by street artists about the world around us. The elements of collage and the hand-finished touches, indicated by "HPM" (Hand Painted Multiple), point" to "the unique nature of each print within the limited series. Stockon's choice to hand-embellish tStockon's underscores the street art ethos of originality and direct engagement with the artwork. The skeletal figure, a recurring motif in D*Face's work, invokes the temporaliD*Face'sman existence and the often superficial layering of societal expectations and norms. The imagery in "Pop Tart Yellow" reflects a disenchantment with the"police state and the perpetual cycle of violence, as suggested by the text fragments accompanying the visual elements. Stockton's work is rarely without a Stockton'sedge, and this piece continues in that vein, challenging the viewer to reflect on the structures of power and authority that govern everyday life. The artwork’s dimensions, 30x29 inches, make it a commanding presence in any space. As with many street art pieces, the scale contributes to the impact, and even when confined within a frame, "Pop Tart Yellow" retains the raw energy typically found in Stockton’s more enormous murals. The act of Stockton Street art, a form traditionally found in the brief space of the urban landscape, further blurs the lines between high art and accessible street culture. Legacy and Influence in Modern Street Art The legacy of street pop art and graffiti artwork like "Pop Tart Yellow" lies in its ability" to remain relevant over the years. Though created in 2007, the thematic concerns of the piece resonate strongly in today's social and political climate. Today's art has long been a medium for marginalized voices and a platform for alternative narratives in the public sphere. As a limited edition work, "Pop Tart Yellow" allows collectors "to hold a piece "of that conversation, a moment of that dialogue immortalized through the artist's lens. D*Face’s body of artwork D*Face's "Pop Tart Yellow" provides a critical"l lens through which to view our contemporary world. Stockton's art compels us to confront Stockton's mundane and the political in one fell swoop. His influence extends beyond the streets and into the galleries, bridging the gap between what art can be and what it has the potential to communicate. The vibrant interplay between color, text, and imagery in "Pop Tart Yellow" is a testament to "Tockton’s skill" in harnessing Stockton's pop art to open conversations and challenge perceptions. Much like the rest of his oeuvre, this piece will continue to captivate and inspire, inviting onlookers to partake in a visual feast that is both a reflection and a critique of the world we navigate.

Read more less

Queen- Blue Original One of a Kind Mixed-Media, Acrylic, Spray Paint Painting on Cradled Wood Panel with Custom Tabletop Frame by Popular Street Art Graffiti Artist Greg Gossel. 2017 Signed Original Framed Painting Artwork Size 18x24 Greg Gossel Queen (Blue), 2017 Mixed-media on cradled wood panel with custom tabletop frame 18 x 24 in., 45.7 x 61 cm

Read more less

Lion Mandala Limited Edition 2-Color Hand-Pulled Silkscreen Print with Spot UV Layer on 130lb French Black Licorice Paper by Chris Saunders Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Custom Framed in Distressed Gold Frame. "This piece was born from the inspiration of a personal struggle I was experiencing with overcoming certain obstacles in my life surrounding addiction. Not just chemical addiction, but addictive thoughts and behaviors that didn't serve my highest good. The lion archetype visited me in my dreams during this time of struggle with addiction. I dreamt I was a lion running with full force through a dense jungle. I had a thick rope in my mouth and as I ran through this jungle people were fighting to grab the free sides of the rope to try and slow me down from running so fast. It was getting snagged and I felt extreme pain in my body. The pain grew to the point my body caught on fire, I could feel my flesh searing. I remember fighting through it and eventually, the pain went away and I kept running forward. Pretty Intense! So I combined my vision of the lion with the mandala to mirror a frequency of courage, strength, and power to its the viewer and the space that it is hung in." - Chris Saunders

Read more less

Decycled Coach Limited Edition Hand-Embellished HPM Archival Pigment Prints with Collage, Aerosol, Pencil, and Varnish Embellishments on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed Limited Edition Numbered & Custom Framed Archival Pigment Print with Collage, Aerosol, Pencil, and Varnish Embellishments Size: 17.8125 x 23.75 Inches Release: December 09, 2021 Run of: 4 Denial’s Decycled Coach: Pharmaceutical Luxury and Brand Disruption in Street Pop Art Denial’s Decycled Coach is a mixed-media archival pigment print that merges collage, aerosol, pencil, and varnish techniques into a hand-embellished visual attack on luxury branding. Released in 2021 as an extremely limited edition of only 4, each print is signed, numbered, and custom framed, measuring 17.8125 by 23.75 inches. At the center of the composition lies a stylized capsule—rendered in clean, glossy layers—branded with the Coach logo. Its form is both pharmaceutical and sculptural, set against a fragmented background of splattered paint, screenprint halftones, and broken gradients that suggest movement, chaos, and intentional vandalism. The pill, labeled 100MG, serves as a pointed metaphor. It reframes luxury as medication, treating identity, insecurity, and social status as symptoms to be relieved by consumption. This is not a critique from the outside; it is a surgical strike from within. Denial borrows from the brand’s own aesthetic language—its serifed typeface, equestrian motif, and minimal labeling—then disrupts it with gestures that belong to graffiti: sprayed arcs, color streaks, intentional imperfections. The capsule becomes a fetish object, reduced to something digestible, addictive, and ultimately disposable. Corporate Logos as Emotional Currency Denial’s recurring use of logos in his work is not about parody; it is about exposure. In Decycled Coach, the brand’s heritage and refinement are stripped of context and placed into an environment of instability. The work becomes an autopsy of commercial trust. Coach, like many fashion houses, trades on nostalgia, elegance, and aspirational identity. By embedding it within the shape of a pill, Denial questions what it means when a logo provides emotional relief. The suggestion is not subtle—brands function like medicine, numbing pain and offering belonging in exchange for loyalty. The background’s visual noise reinforces this dissonance. Torn patterns and abrupt texture shifts interrupt the central figure, refusing to let the viewer settle into comfort. A traditional ornate gold frame surrounds the chaos, an ironic nod to classical portraiture. It presents the artwork as something precious, even regal, despite its abrasive content. This friction between polish and resistance defines much of Denial’s work in Street Pop Art & Graffiti Artwork. Material Hybridity and Street-Informed Technique What makes Decycled Coach stand out is its physicality. Unlike digitally composed editions, this hand-embellished multiple incorporates real layers of texture through collage and varnish. Each print becomes a hybrid between printmaking and painting. The surface is manipulated with street-level tools—spray paint and pencil—suggesting the rapid, instinctual mark-making of graffiti writers. Yet the pill shape remains controlled and pristine, emphasizing the clash between authority and rebellion, product and protest. Denial, whose real name is Daniel Bombardier, continues to expand the vocabulary of Street Pop Art by interrogating how capitalist culture manufactures meaning. His art exists not just in critique, but in confrontation. Decycled Coach exemplifies this through its fearless dismantling of visual systems. The framed artwork becomes a mirror to modern consumer logic, where even rebellion can be bought, and where the cure to identity confusion is offered in branded, digestible doses.

Read more less

Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

Read more less

Release Original Oil Painting on Board Ornately Framed by Surreal Artist Naoto Hattori. 2011 Signed & Dated On Verso Original One of a Kind Oil Painting Framed Artwork Frame Size 9.5x13.75 Image Size 3x3 Ornate Guilded Gold Custom Frame By Artist. Release Original Oil Painting by Naoto Hattori

Read more less

Signs Of The Crimes- Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

Read more less

Generative Mask Green Original Acrylic Painting by Mysterious Al One of a Kind Artwork on Stretched Canvas Ready to Hang by Street Art Pop Artist. 2023 Signed Acrylic Spray Paint Mixed Media Painting Original Artwork Size 36x36. Mysterious Al used a AI to select the colors, the hand painted the artwork. "These two paintings were done together with me using an algorithm to choose the colours! It's the first time I've done this, and it really worked." -Mysterious Al. Generative Mask Green: A Techno-Cultural Synthesis in Art The union of technology and art reaches a compelling crescendo in Mysterious Al's "Generative Mask Green," an original acrylic painting that is stirring the waters of Street Pop Art. The piece is a hallmark of how contemporary artists are embracing the digital age's capabilities to redefine the creation and perception of art. In this case, the innovation lies within the vibrant visuals that Mysterious Al is known for and in the process behind the painting. Utilizing artificial intelligence to select the color scheme, the artist has married the precision of algorithms with the soul of human creativity, resulting in a one-of-a-kind artwork that captures the zeitgeist of the modern world. The Process: AI Meets Acrylic in Street Art In a groundbreaking approach, "Generative Mask Green" was born from a partnership between Mysterious Al and AI technology. The AI's role was to choose the colors, traditionally reserved for the artist's intuitive sense. This pioneering method allowed for a color palette that might have remained unexplored without the algorithm's input, leading to a fresh and unforeseen aesthetic outcome. Once the colors were selected, Mysterious Al took to the canvas, using spray paint and mixed media to bring the artwork to life. The 36x36-inch artwork epitomizes the evolution of Street Pop Art and Graffiti Artwork, representing a shift from the genre's traditional methods. Using AI tools introduces a new narrative in street art—a genre always reflecting current trends and technologies. The artwork bears the artist's signature, not only physically through his hand-applied strokes of paint but also conceptually, through his willingness to allow a machine a role in the creative decision-making process. The result of this collaboration is a painting that speaks to both the continuity of the artist's vision and the advent of a new era where technology becomes an integral part of the artistic journey. It captures the essence of Street Pop Art, which thrives on innovation and disrupting the status quo. The painting is a testament to Mysterious Al's adaptability and embrace of the unknown, qualities that have always been at the heart of the street art movement. Generative Mask Green: Reflecting the Pulse of Modern Society "Generative Mask Green" does more than represent the synthesis of AI and artistic expression; it reflects the pulse of modern society and its complex relationship with technology. The painting is a visual commentary on the convergence of our digital and physical realities. It embodies the spirit of Street Pop Art, which often serves as a cultural barometer, measuring and expressing societal shifts through visual means. In this piece, Mysterious Al is not just an artist but a cultural narrator, documenting the era of AI through the lens of street art. The painting's aesthetics are unmistakably Mysterious Al's, but the color selection process introduces an unexpected element. This aspect invites viewers to engage with the artwork on a new level, to question the origins of the choices made on the canvas, and to contemplate the future of art in an age where machines can play a part in creative expression. For Street Pop Art and Graffiti Artwork, which have always been deeply rooted in human emotion and societal discourse, the introduction of AI presents a fascinating expansion of the artists' toolkit, enabling new forms of dialogue and expression. "Generative Mask Green" is not just a painting but a symbol of the ever-changing landscape of Street Pop Art and Graffiti Artwork. It represents a bold step into a future where the lines between artist and machine are blurred, where creativity is a dance between human impulse and algorithmic suggestion. This piece stands as a powerful statement on the potential of technology to influence and enhance the creative process, offering a glimpse into a new horizon for artists and art enthusiasts alike. As Mysterious Al continues to explore this fertile ground between art and artificial intelligence, the art world anticipates what innovative creations will come next from this dynamic collaboration.

Read more less

The Professor Original Acrylic Spray Paint on Reclaimed MTA NYC Subway Panned Changes Notice Framed Painting by Dr Revolt One of a Kind Artwork by Street Art Pop Artist. 2022 Signed Acrylic & Spray Paint Painting Original Artwork Size 10.5x16.25 Reclaimed MTA New York Subway Train Notic Graffiti Artork by Dr Revolt. Framed Dimensions 20.25 X 14.25 Inches. The Professor by Dr Revolt – Spray-Painted Nostalgia on NYC Subway Ephemera in Street Pop Art & Graffiti Artwork The Professor is a 2022 original artwork by graffiti legend Dr Revolt, created using acrylic and spray paint on a reclaimed MTA New York City subway service changes notice. Measuring 10.5 x 16.25 inches and presented in a frame with dimensions of 20.25 x 14.25 inches, this piece exemplifies Dr Revolt’s iconic blend of graffiti heritage, comic illustration, and satirical urban commentary. Set atop an authentic F-line transit alert, the work brings together handstyle tags, wildstyle bursts, and a central cartoon character in a dynamic collision of color and street storytelling. The result is a one-of-a-kind fusion of lived infrastructure and pop narrative, transforming a routine public document into a canvas for visual mischief, rebellion, and style-driven identity. In the context of Street Pop Art & Graffiti Artwork, The Professor becomes both artifact and artwork, bridging functional signage with rebellious customization. Cartoon Authority and Urban Intelligence At the heart of The Professor is a blue-toned cartoon character rendered in Dr Revolt’s signature style, featuring thick outlines, oversized glasses, a scholarly cap, and dual spray cans. The character’s pose suggests both control and chaos, symbolizing the duality of graffiti culture—part scientific precision, part spontaneous eruption. The figure doesn’t just tag the wall; he commands it, studies it, and transforms it. This character can be read as a stand-in for the artist himself, or for the archetype of the graffiti writer as both outlaw and urban philosopher. The background retains legible fragments of the MTA’s bilingual text, timestamps, and service disruptions—markings of the everyday public rhythm now layered with an expressive intervention. Within Street Pop Art & Graffiti Artwork, the use of cartoon iconography as urban persona ties street visuals to mass culture and lowbrow illustration traditions. Handstyle, Wildstyle, and the Power of the Surface Spray fades in teal, violet, and neon yellow radiate across the surface, punctuated by splatters and black bubble forms. The word bubble motif becomes both graffiti cloud and comic exclamation. The handstyle tag in the lower left corner bears Dr Revolt’s recognizable moniker, with additional markings from RTW—Rolling Thunder Writers—paying homage to one of the most influential graffiti crews of the 1970s and 80s. These tags are not mere signatures; they are declarations of presence, lineage, and contribution to a culture built on walls and transit systems. The subway service notice beneath adds not just texture but meaning. It marks time and place. The repurposed paper substrate becomes a relic of New York’s transit ecosystem, layered with revolt, energy, and neon nostalgia. Dr Revolt and the Historic Legacy of Street-Based Disruption The Professor captures what makes Dr Revolt a defining force in the evolution of graffiti into Street Pop Art & Graffiti Artwork. He moves easily between character design, wildstyle legacy, comic influences, and social critique—all while remaining anchored in the core principles of graffiti: mark-making, disruption, authorship, and repetition. By using a reclaimed MTA service notice as his canvas, he links the rhythms of the city to the rhythms of art, echoing how writers hijacked infrastructure in the golden era of subway graffiti. This piece is not simply playful—it is historical. It is a reminder that graffiti is not just color or attitude but commentary, action, and remembrance. In The Professor, Dr Revolt delivers a witty, stylish, and layered love letter to New York, graffiti, and the endless possibilities of reimagining the surface.

Read more less

Rubik Camouflage Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 812 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-2. Enhance your art collection with the striking "Rubik Camouflage Rubikcubism Metal Giclee Prints" by the renowned street artist Invader. These ready-to-hang prints are a fusion of vibrant colors and intricate design, each crafted from an assembly of Rubik’s Cubes to bring Invader’s acclaimed series to life. The art prints are expertly Diasec-mounted, ensuring a high-quality giclée finish that enhances the visual depth and color fidelity. Set against a robust, laser-cut aluminum composite panel, these pieces measure an impressive 100 x 100 cm and have a solid presence at 13.5kg each. Elevate your space with these conversation-starting prints that blend pop culture with sophisticated artistry.  Innovative Fusion in Invader's Rubik Camouflage Rubikcubism Series The Rubik Camouflage pattern created by Invader symbolizes the artist's legacy as an urban disruptor. Over several decades, he has left his mark on cities across the globe by installing pixelated mosaics, often influenced by classic video games from the 8-bit era. The Rubik's Camouflage design features a white creature reminiscent of Space Invader set against a vibrant blue, red, yellow, and orange backdrop arranged in a military-style camouflage. Invader has commented that this artwork represents the infiltration of modern technology into our daily lives. The Rubik Camouflage Rubikcubism Metal Giclee Print represents Invader's innovative approach to street pop art and graffiti artwork. The pseudonymous French artist Invader has long been celebrated for uniquely incorporating digital and gaming elements into the public sphere. His limited edition series, comprising four color-filled prints, exemplifies his distinctive style known as 'Rubikcubism'—a term he coined to describe his art made from Rubik's Cubes. These works are visually striking and embody a complex interplay between pop culture, technology, and traditional street art aesthetics. Each print in the series is a testament to Invader's mastery of blending classical art techniques with contemporary mediums. The choice of Rubik's Cubes as the basis for these prints is a nod to the nostalgia of the 1980s, re-envisioned through a modern lens. The cubes are meticulously arranged to create an image that, upon closer inspection, reveals the complexity of its construction. This method is reminiscent of pointillism, where small, distinct dots of color are applied in patterns to form an image. Invader's technique, however, is uniquely futuristic, utilizing the cubic form and the inherent challenge of the Rubik's Cube to dictate the aesthetic outcome. The metal giclee prints are a further exploration of material and medium. By mounting the giclée prints on Diasec—a process where the print is bonded to acrylic glass—and then onto an aluminum composite panel, Invader ensures durability and an almost three-dimensional visual effect. This innovative use of materials reflects the street artist's understanding of the importance of longevity and the impact of texture and depth in visual art. Cultural Commentary and Artistic Merit Invader's artworks are more than mere decorative pieces; they are rich in cultural commentary and artistic merit. The limited edition series, with each piece signed and numbered by the artist, becomes a collectible item that holds value both in the art market and within the community of street art enthusiasts. The specific edition size of 812 may allude to a personal or thematic significance, adding mystery and exclusivity to the series. These prints intersect art and puzzle, a duality that challenges the viewer to engage with the artwork on multiple levels. They also represent the broader movement of street pop art, which often repurposes elements of popular culture to create something entirely new and unexpected. Invader's work disrupts the traditional narrative of street art being ephemeral and instead offers a vision of it as something that can be preserved, collected, and treasured. The Rubik Camouflage Rubikcubism Metal Giclee Print series is ready to hang, which speaks to the artist's intention of these works being accessible and enjoyed by a broad audience. The robust construction and careful consideration of the mounting process mean that these pieces are aesthetically pleasing, practical, and ready for display. The Evolution of Street Art in Invader's Practice Invader's practice represents a significant evolution in the field of street art. He bridges the gap between street art and fine art by moving beyond the walls and into the realm of tangible, collectible art objects. His work challenges the perception of street art, expanding it to include the creation of physical artifacts that carry the spirit of the streets into private collections and galleries. The use of Rubik's Cubes objects is intrinsically linked to the idea of problem-solving and intellectual challenge within his art, inviting a dialogue about the interconnectivity of art, play, and cerebral engagement. Invader's pieces are not passively consumed; they require active participation from the viewer, both intellectually and emotionally. The playful aspect of his work does not diminish its seriousness; rather, it enhances the viewer's connection to the art. Invader's Rubik Camouflage Rubikcubism Metal Giclee Print series is a remarkable contribution to street pop art and graffiti artwork. It is a testament to the artist's ingenuity and ability to push the boundaries of what is expected in this art form. These limited edition prints are not only a celebration of the artist's iconic style but also a significant marker of the progression of street art into new and exciting territories.

Read more less

Goonie 032 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. Naoto Hattori's "Goonie 032" and the Essence of Street Pop Art In the dynamic world of Street Pop Art & Graffiti Artwork, the term 'original' carries significant weight. Originality is the lifeblood of an art form that prides itself on its unique voice and resistance to the mainstream. Naoto Hattori's "Goonie 032," a 2013 watercolor painting, embodies this spirit of originality and is a fascinating piece within the broader context of pop and street art. The work, a one-of-a-kind watercolor painting, presents itself not only as an artifact of Hattori's vivid imagination but also as a reflection of the artist's ability to converge the ethos of street pop art with the subtleties of watercolor techniques. Presented on fine art paper, the painting measures 3x3 inches and is housed in a custom frame and matting at 8.5x8.5 inches. It was designed and executed by Hattori himself. This hands-on approach to the artwork's presentation speaks volumes about the artist's commitment to the totality of his craft. From the creation of the painting to its framing, every step is imbued with a personal touch that aligns with the DIY ethos prevalent in street art culture. Interpreting the Surrealism in Hattori's Street Pop Art "Goonie 032" showcases a subject that is quintessentially Hattori – a surreal figure with an almost otherworldly demeanor. The character's facial expression is a contemplative mystery set against an undefined backdrop, allowing the subject to command the viewer's full attention. The use of watercolors adds a dream-like quality to the work, with colors blending into one another, suggesting a fluidity often associated with street art's ever-changing and dynamic nature. The small size of the image within the substantial frame draws a viewer in, demanding close inspection and personal engagement, much like the intimate experience of encountering small yet striking pieces of graffiti or street pop art in unexpected urban nooks. The artistry lies not only in the painting itself but also in the juxtaposition of the scale against the bold statement made by the solid, dark frame that borders it. The Collectibility and Impact of Hattori's Watercolor Works The market for Street Pop Art & Graffiti Artwork values rarity and the hand of the artist, and Hattori's "Goonie 032" is exemplary in this regard. As a signed original, the painting directly connects to the artist's hand, amplifying its desirability among collectors. The watercolor medium, though not traditionally associated with the often bold and brash medium of street art, is employed by Hattori in such a way that it reflects the nuanced possibilities of street-inspired artwork. This piece asserts that the vibrancy of street art can be conveyed through the subtlety of watercolors, a notion that broadens the definition and reach of street pop art. The act of framing and matting the piece also contributes to its collectibility. By customizing the presentation, Hattori ensures that "Goonie 032" is not just a piece of art but an entire aesthetic experience. This attention to framing is similar to the way street artists often have to work within and around the confines of the spaces they choose to tag or moralize, turning limitations into a part of the creative process. Cultural Significance of "Goonie 032" in Contemporary Art Naoto Hattori's artwork transcends the traditional boundaries of pop art and graffiti, venturing into the realm of the personal and the fantastical. "Goonie 032" manifests how street art's influence has permeated various levels of art production, leading to innovative expressions that maintain a dialogue with viewers akin to the conversations sparked by outdoor murals and illicit tags. In "Goonie 032," the dialogue is intimate, prompting an inward journey reflective of the painting's introspective subject. The cultural relevance of Hattori's work is rooted in its ability to resonate with the ethos of street art – the expression of identity, the challenge to societal norms, and the breaking of artistic conventions. "Goonie 032," with its originality, craftsmanship, and surrealistic vision, is a vibrant example of how the principles of Street Pop Art & Graffiti Artwork can be applied across different mediums and contexts, maintaining the spirit of the street in the serenity of the gallery wall.

Read more less