Framed Art Ready to Hang

Vincent Price Original Graphite Pencil Hand Drawing on Fine Art Paper by modern trending street art artist Joe King. 2010 Signed Original Graphite Drawing Artwork Size 8.x11, Framed in ornate frame with mat.

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Praying Frog Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist. Naoto Hattori's Praying Frog: A Fusion of Surrealism and Street Aesthetics The 'Praying Frog' original hand-drawn art drawing is a compelling illustration of Naoto Hattori's capacity to intertwine the whimsical aspects of surrealism with the grounded, accessible elements characteristic of street pop art and graffiti artwork. This piece, brought to life in 2012, is a one-of-a-kind pencil/graphite drawing that has been carefully framed and matted by the artist, underscoring Hattori's personal involvement and artistic dedication to his work. Set in a square frame measuring 8.5x8.5 inches, the artwork occupies a 3x5 inch space on hand-deckled aged art paper, chosen for its textured quality and how it contributes to the overall aesthetic of the piece. The 'Praying Frog' stands out in its simplicity and the depth of its expression. The choice of subject, a frog caught in a moment of anthropomorphic posture, implies a narrative that goes beyond the visual, prompting reflection and inviting personal interpretation. This is a common thread in street pop art, where the imagery often serves as a portal to deeper contemplation, engaging the viewer in a dialogue that transcends the artwork itself. Hattori's decision to custom frame and mat the piece enhances its intimacy, suggesting that this small window into a surreal world is a complete universe in and of itself. The Intimacy of Hattori's Art in the Public Domain of Street Art The realm of street pop art and graffiti artwork is typically associated with large-scale works that command public spaces; however, Hattori's 'Praying Frog' challenges this notion by presenting a world contained within the modest dimensions of a small-scale drawing. The piece's intimacy reflects the ethos of street art, which is often about making personal statements in the public sphere. Hattori's work brings this sensibility into the private domain, allowing for a one-on-one interaction between the art and the viewer. The detailed graphite work, combined with the hand-deckled edges of the aged paper, creates a tactile experience that invites the viewer to lean in and engage with the subtle textures and shades that define the drawing. The artwork's presentation, with slight signs of handling and the artist's touch in its framing, resonates with the authenticity sought in street art. While serving to protect and showcase the drawing, the frame also bears witness to the passage of time, evidenced by the gentle marks and scuffs that tell of the artwork's journey from creation to curation. These marks of age and handling imbue the 'Praying Frog' with a history and presence often found in the patinated surfaces of urban street art. Transcending Boundaries: The 'Praying Frog' in the Context of Street Pop Art Naoto Hattori's 'Praying Frog' is a profound example of how the boundaries between different art forms can be transcended, creating a space where the surreal can coexist with the urban aesthetic of street pop art and graffiti artwork. Though confined to a small scale, the drawing is expansive in its emotional and imaginative reach. It captures the viewer's attention in much the same way that a mural might seize the gaze of passersby on a bustling street, proving that impact is not limited by size. The artwork's meticulous attention to detail and the thoughtful selection of aged paper demonstrate Hattori's reverence for materials with inherent stories within their fibers. This parallels how street art often incorporates the character of the urban landscape into its narrative, allowing the environment to become part of the artwork itself. Though removed from the city's walls, the' Praying Frog' carries the spirit of street art in its essence, bridging the gap between the gallery and the alleyway. 'Praying Frog' is a microcosm of Hattori's artistic philosophy, blending the dreamlike qualities of his surrealism with the grounded, emotive pull of street pop art. This piece not only represents a visual exploration of thematic depth but also serves as a physical artifact of Hattori's journey as an artist—a journey marked by the convergence of imagination and the tactile, textured world in which we live.

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Captain America HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2018 Signed Custom Framed Spray Paint, Acrylic Paint Mixed Media HPM Embellished Artwork Size 36.5x48.5. Stylistic Comic Book Cover of Marvel Comics Superhero Captain America with Tons of Colorful Spray Paint & Paint Hand-Embellished. Custom Ornate Antiqued hammered Style Bronze Colored Frame Size 46.5x58.5 Thierry Guetta's Artistic Interpretation of Captain America In Street Pop Art and Graffiti Artwork, 2018 witnessed an extraordinary fusion of comic book heroism and urban visual language with Thierry Guetta, known in the art world as Mr. Brainwash, presenting his unique creation, "Captain America." This piece exemplifies the daring blend of classic superhero imagery with the raw, expressive power of street art techniques. Thierry Guetta's work frequently disrupts the conventional boundaries between high art and popular culture, drawing upon familiar symbols from our collective consciousness and reimagining them through a lens of gritty realism and vibrant abstraction. In "Captain America," Guetta showcases his distinctive style of high-energy, mixed-media artistry, which has become a hallmark of his oeuvre. This stunning, hand-embellished silkscreen print brings the iconic Marvel Comics superhero to life on a deckled fine art paper background. The dynamic use of spray and acrylic paints further accentuates the artwork, which drapes the superhero in a cascade of vivid, dripping color. This is not just a representation of Captain America; it is an embodiment of the character's essence, rendered through the prism of street art sensibility. Composition and Craftsmanship in "Captain America" Guetta's "Captain America" represents the artist's skill in manipulating form and content to deliver a powerful visual statement. The composition borrows the layout of a stylistic comic book cover, yet it is fractured and reassembled with a controlled chaos characteristic of Guetta's work. The artwork is a limited edition piece carrying the artist's signature, which attests to its authenticity and the prestige of owning a Guetta original. The size of the artwork, measuring 36.5x48.5 inches, provides a grand canvas for Guetta's explosive creativity. In contrast, the custom ornate antiqued hammered-style bronze-colored frame, sizing 46.5x58.5 inches, gives it a sturdy and majestic enclosure. The impact of Street Pop Art, as seen in Guetta's "Captain America," is profound, signaling a shift in how contemporary society consumes and appreciates art. Through the lens of this genre, icons like Captain America are not merely subjects to be depicted; they are canvases onto which the complexities of our time are projected. Guetta's work, with its thick layers of paint and dramatic splatters, challenges the viewer to see beyond the surface to engage with the symbols of our culture in a way that is both critical and celebratory. Collecting and Valuing Guetta's Street Pop and Graffiti Artwork As a cultural artifact, "Captain America" carries significant weight. The superhero is an emblem of justice, freedom, and the American spirit, ideals consistently resonating with audiences worldwide. Guetta's interpretation does not shy away from these connotations but embraces and amplifies them. By applying the anarchic motifs of street art to this symbolic figure, Guetta invites discourse on the role of such heroes in today's society. The result is an artwork that is as thought-provoking as visually arresting. Collectors and fans of art and comic book lore are drawn to pieces like Guetta's "Captain America" for their aesthetic appeal, investment potential, and cultural resonance. The convergence of street art's accessibility and pop art's mass appeal has created a fertile ground for artists like Guetta to flourish. His works, particularly those that engage with iconic figures, become not just art to be hung on a wall but conversations to be had, questions to be asked, and histories to be written. Thierry Guetta's "Captain America" vividly illustrates the power of street pop art and graffiti artwork to communicate, revolutionize, andmemorialize. It is a piece that captures the zeitgeist, a piece that is as much about the storied past of a beloved superhero as it is about the ongoing narrative of street art's place in the annals of art history. As Guetta's work continues to intrigue and inspire, it is a poignant reminder of the evolving dialogue between art and society. This conversation is rendered in bright colors, bold strokes, and the indelible ink of a silkscreen print.

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Obey Icon VSE #12 HPM Stencil Spray Paint Original by Shepard Fairey x Ernesto Yerena Montejano x Hecho Con Ganas x Obey Hand-Painted Multiple Unique Graffiti Street Artist Modern Pop Art on 100% Cotton Rag Fine Art Paper Framed. 2022 Signed & Numbered Edition #12 HPM Unique Original Spray Paint Artwork Size 20.5x26.5 VSE- Variable Stencil Edition Custom Mated and Framed "The "OBEY Icon" (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Yerena. Each piece is a stencil painting with unique variations in background painting and relief texture created with a thick application of acrylic medium through pattern stencils. The Obey Icon face evolved at the end of 1995 out of the desire to move further away from the association with Andre the Giant and toward a more streamlined and universal "Big Brother" (as in George Orwell's 1984) image." –Shepard Fairey Obey Icon VSE #12: Shepard Fairey and the Evolution of Surveillance Imagery in Street Pop Art Obey Icon VSE #12 represents a critical moment in the visual trajectory of Shepard Fairey, created in collaboration with artist Ernesto Yerena Montejano in 2022. This edition—part of the Variable Stencil Edition (VSE) series—is a 20.5 x 26.5 inch original spray paint piece on 100% cotton rag fine art paper. Signed and numbered, each print is unique, layered with hand-applied stencil work and spray-painted backgrounds. This version, labeled HPM #12, builds upon Fairey’s now-iconic Obey face by incorporating organic floral motifs, distressed textures, and a visually assertive red OBEY logo near the bottom. The central figure is the evolved version of Fairey’s original Andre the Giant icon, streamlined into a symbol with ambiguous power. As Fairey moved away from direct association with celebrity and toward ideological critique, this face became a representation of omnipresent authority. Influenced by George Orwell’s concept of Big Brother, the image no longer functions as parody—it has become an emblem of anonymous control and propaganda. The stencil format reinforces its reproducibility, aligning it with graffiti’s tradition of mass visual intervention while also preserving the aesthetic refinement found in Street Pop Art & Graffiti Artwork. Stencil Method as Commentary on Repetition and Power The hand-painted stencil technique used in Obey Icon VSE #12 is a deliberate visual language in itself. Fairey and Yerena build each work with layers of patterned textures and colored washes beneath the stark black facial features. These underlayers—often containing floral, ornamental, or textile-like patterns—soften the image’s authoritarian undertones while introducing visual contradiction. The face is harsh and emotionless, but the background is rich with cultural detail, especially in Yerena’s contributions which often draw on Mexican-American visual traditions. This clash reinforces the tension between systemic control and grassroots creativity. Spray paint drips, stencil misalignments, and layering imperfections are retained as aesthetic decisions rather than errors. These marks echo the history of street-based image-making where precision is often sacrificed for immediacy and message. Yet within this edition, those street elements are placed within the polished context of fine art materials—cotton rag paper, archival spray mediums, and custom framing. That duality plays with the boundaries between institutional art and insurgent expression. Collaborative Resistance and the Role of the Icon The collaboration between Shepard Fairey and Ernesto Yerena adds depth to the cultural subtext of Obey Icon VSE #12. Yerena’s Hecho Con Ganas movement is rooted in Chicano identity, social activism, and visual empowerment. The shared visual territory between Fairey and Yerena in this work situates the Obey face not just as a commentary on media and control, but as a multicultural symbol—one that can carry meaning in spaces impacted by surveillance, displacement, and systemic inequality. The image does not demand literal interpretation. Its power lies in its ambiguity. It recalls propaganda posters, corporate logos, revolutionary iconography, and even police sketches. Viewers project meaning onto it, shaped by their experiences with authority and imagery. In that way, the Obey face becomes a mirror of the visual systems that govern daily life—branding, ideology, control. Its framing and repetition across cities and galleries alike challenge the idea that art is separated from power. Obey Icon VSE #12 carries forward the legacy of Street Pop Art & Graffiti Artwork by balancing aesthetic force with conceptual weight. It refuses to choose between rebellion and refinement. The image stares back, unchanged and unblinking, forcing a question: Is this face watching us—or are we the ones obeying its silent command?

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Draw Four- Gold Foil Artwork Giclee Limited Edition Framed Print on Ivory Board Stock Paper by Pop Culture Graffiti Artist Ben Frost. Matted and framed under glass. Ben Frost (b. 1975) Draw Four (Gold Foil), 2021 Giclee in colors on Ivory Board Stock paper 23-1/2 x 16-1/2 inches (59.7 x 41.9 cm) (sheet) Ed. 7/10 Signed and numbered in ink along lower edge Published by the artist. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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Untitled from Blame Game- #10 Hand on Brow Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With a Large Custom Frame and Mat, Slight Feather Scuff To Lower Middle White. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York The Expressive Nuance of KAWS' "Untitled from Blame Game - #10 Hand on Brow" The "Untitled from Blame Game - #10 Hand on Brow" stands as a significant piece within the oeuvre of KAWS, the artistic alias of Brian Donnelly. This piece is part of a limited series, a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper, known for its exceptional quality and resilience. The artwork, measuring 35 x 23 inches, is one of a limited edition set of 100, each signed, numbered, and dated by the artist in pencil along the lower edge, showcasing his direct involvement and personal touch in each piece. Released in 2014 and published by Pace Prints in New York, this work is framed within a large custom frame and mat, which elegantly encases the artwork and enhances its display. The "Hand on Brow" motif featured in print indicates KAWS' unique and recognizable visual language, frequently including bold colors, graphic shapes, and the reimagined characters that have become central to his art. The slight feather scuff to the lower middle white of the print may suggest the hands-on process involved in creating these works, emphasizing their handmade nature and the authenticity of the screen printing process. KAWS: Bridging Street Art and the Fine Art Sphere KAWS' journey from a graffiti artist tagging the streets of Jersey City to a global art phenomenon encapsulates the transformative power of street pop art and its ability to permeate the fine art world. His background in graffiti is evident in the freeform and expressive quality of his work, yet there is a sophistication to his approach that aligns with delicate art sensibilities. His "Untitled from Blame Game - #10 Hand on Brow" vividly represents this crossover, presenting a visual dialogue that is accessible yet complex, playful yet profound. Using an 11-color palette in the silkscreen process is particularly noteworthy, allowing KAWS to layer colors with precision and create images with depth and vibrancy. The choice of Saunders Waterford Hi-White paper reflects his commitment to quality, as it is a preferred substrate for fine art prints due to its superior texture and durability. Like many in KAWS' body of work, this piece is a sophisticated confluence of street art's edginess and pop art's mass appeal. Cultural Resonance of KAWS' Limited Edition Prints KAWS' prints, especially those within the "Blame Game" series, resonate culturally due to their commentary on social constructs and individual experience. The recurring themes in his work, including isolation, companionship, and contemplation, are universally relevant, allowing his art to speak to a diverse audience. His "Untitled from Blame Game - #10 Hand on Brow" encapsulates these themes, employing his iconic crossed-out eyes and abstracted figures to invite introspection and emotional response. As a limited edition piece, this artwork occupies a special place in street pop and graffiti art narratives. Collectors and enthusiasts value KAWS' prints for their artistic merit, rarity, and investment potential. The art of KAWS, particularly pieces like "Untitled from Blame Game - #10 Hand on Brow," continues to influence the trajectory of street-inspired art, commanding attention in urban environments and refined gallery spaces. In conclusion, "Untitled from Blame Game - #10 Hand on Brow" is a testament to KAWS' masterful blend of street art's spontaneity with the calculated craft of fine art printmaking. This piece symbolizes the artist's capacity to engage with viewers on multiple levels, offering a visual feast that is as thought-provoking as aesthetically pleasing. As street pop art continues to evolve, the work of KAWS is a pivotal point of reference, blurring the lines between subcultures and mainstream art forms.

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M&Ms Dots Limited Edition Hand-Embellished HPM 5-Color Serigraph Print on Canvas Framed by Steve Kaufman Graffiti Street Artist Modern Pop Art. 2008 Signed Custom Frame. "M&Ms" is a limited edition hand-pulled silkscreen mixed media on canvas by Andy Warhol protege Steve Kaufman (1960-2010). This piece is numbered and HC/50 and hand signed inverso. Measures approximately 16" x 47" (image). Known for his association with Andy Warhol, Steve Alan Kaufman (December 29, 1960 - February 12, 2010) were a great American pop artist, activist, and humanitarian. With the encouragement of his mother, Kaufman had his first show at the age of 8 at a Jewish Temple in the Bronx where he grew up. At just 14 he attained a scholarship to the Parsons School of Design while going on to attend Manhattan’s School of Visual Arts (SVA) where he met contemporary artists such as Keith Haring and Jean-Michel Basquiat.

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Union Pacific Chilled Express Original One of a Kind Acrylic Paint Painting Artwork on Studded Distressed Cradled Wood by Popular Street Graffiti Artist Lyric One. 2019 Signed Hand-Painted Ready To Hang Original Acrylic Paint Wood Panel With Realistic Raised Rivets Size: 24 x 36 Inches Release: August 15, 2019 Capturing the Essence of Transient Motion in Street Art The 'Union Pacific Chilled Express' is a striking original acrylic painting by the famous street graffiti artist Lyric One. This 2019 hand-painted piece on a studded distressed cradled wood panel, with realistic raised rivets, measuring 24 x 36 inches, embodies the fusion of street pop art and graffiti artwork. It resonates with the movement and commercial vibrancy that are the lifeblood of the railroads, an homage to the transient nature of both freight and art. Industrial Narratives in Lyric One's Work Lyric One's artistic endeavor into the world of transportation and industry is encapsulated in this significant work. The subject matter – a Union Pacific refrigerator car used for transporting perishable goods across vast distances – is not a common muse for artists. However, Lyric One elevates this everyday industrial object to a piece of art, meticulously capturing the textures and surfaces that tell a story of travel, trade, and the passage of time. The artwork, signed and ready to hang, was released on August 15, 2019. It reflects the artist's deft ability to translate street pop art's ethos onto various canvases. The choice of distressed wood and the attention to detail, such as the raised rivets, are reminiscent of the textures found in urban environments. These rivets add a tactile element to the piece and echo the industrial nature of rail transport – each one could represent the countless connections and junctions found along the rail networks. Symbolism and Aesthetics in Graffiti Artwork In 'Union Pacific Chilled Express,' the contrast between the practical function of the chilled express service and the vibrant expression of graffiti art is striking. The bold, ice-blue lettering against the stark white background captures the viewer's attention, drawing them into a world where the industrial and the artistic collide. Snowflake motifs not only signify the refrigeration aspect but also add an element of fragility, a subtle nod to the impermanence often a theme in street art and the world of commerce. Lyric One's work is a testament to the dynamism of street pop art. With each brush stroke on the cradled wood, the artist brings to life the hum of the railway lines, the chill of the cargo holds, and the omnipresence of industry in our daily lives. The artwork is not just a static piece to be admired; it is an active participant in the dialogue about the role of industry in society and the omnipotent influence of commerce in our visual culture. This piece by Lyric One reminds us that street pop art and graffiti artwork are not confined to walls and alleyways but are dynamic forms that can transform any surface into a narrative. The 'Union Pacific Chilled Express celebrates this versatility and the ability of street artists to capture the essence of motion, industry, and life's transient nature in their work.

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Super Saver! 2 Limited Edition Hand-Embellished 6-Color Screen Print on Framed 350gsm Cotton Fine Art Paper by Denial Daniel Bombardier. Custom Framed 2015 Signed Limited HPM Edition of 40 Artwork Size 28x22 "I originally painted a version of this in Wynwood at Art Basel this year (2015). Like a lot of working artists I put the entire trip on my credit card and had to deal with it after I got the "bill." It's basically a statement on living day to day and trying to figure it all out. Like how to make art and travel and live with some balance to it all.I have an affinity, as many people do to superheroes. I really think they are a beautiful sentiment to a very messed up world/existence." - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Pop Tart- Yellow Hand-Pulled 7-Color Framed Silkscreen Print on 410gsm Somerset Satin White Paper by Artist D*Face- Dean Stockton Limited Edition Fine Art Artwork. 2007 Signed & Numbered Framed Limited Edition of 125 Artwork Size 30x29 Framed With a Large Custom Frame & Mat. Pop Tart (Yellow), 2007 Screenprint in colors on paper 30 x 29 inches (76.2 x 73.7 cm) (sheet) Ed. 125 Signed and numbered in pencil along the lower edge. Published by Black Rat Press D*Face Dean Stockton Pop Tart Yellow Silkscreen Print 2007 The 2007 Pop Tart Yellow silkscreen print by British artist Dean Stockton, professionally known as D*Face, is a seminal example of his satirical take on Street Pop Art & Graffiti Artwork. Measuring 30 x 29 inches and pulled by hand in seven colors on 410gsm Somerset Satin White paper, this limited edition of 125 was published by Black Rat Press, one of London’s most influential print studios for contemporary street artists. Each piece is signed and numbered by the artist in pencil along the lower edge, affirming its authenticity and collectible status. Iconography and Cultural Critique The imagery in Pop Tart Yellow is unmistakably drawn from Andy Warhol’s famous Marilyn Monroe portraits, yet DFace overlays the glamorous visage with his own irreverent twist. Marilyn’s face is partially transformed into a skull, with hollowed eyes and dripping paint effect that speaks to both the fragility of celebrity and the inevitability of decay. Wing-like cartoon details sprouting from her head add a surreal, satirical touch, a reminder of the way fame often elevates cultural figures to mythical status even as it dehumanizes them. This duality between beauty and mortality is a recurring theme in DFace’s practice, amplifying the critique of idolization and mass media’s manipulation of public perception. Technique and Execution Executed as a seven-color silkscreen, the work combines bold flat colors with the grittier textures of drips and distressed detailing. The canary yellow background heightens the pop art vibrancy while creating sharp contrast with the black skeletal overlay and Marilyn’s bright red lips. D*Face’s choice of Somerset Satin 410gsm paper underscores the print’s status as fine art, marrying street aesthetics with museum-quality execution. This approach reflects his ability to bring graffiti-inspired design into the gallery setting without losing the edge and immediacy that characterizes his outdoor interventions. D*Face’s Role in Contemporary Street Art Dean Stockton, born in London in 1978, has established himself as a central figure in the global street art movement, blending punk-inspired graphics, comic book aesthetics, and pop culture satire. His works often interrogate themes of fame, consumerism, love, and mortality, using recognizable cultural icons as vehicles for commentary. Pop Tart Yellow stands as a key example of his strategy to remix the imagery of Warhol and Monroe, figures who themselves embody the commodification of beauty and celebrity. By injecting darker undertones and irreverent humor, D*Face transforms a pop art classic into a piece that resonates with contemporary audiences while questioning the very foundations of fame-driven culture. This limited edition silkscreen remains one of his most iconic fine art releases, bridging his graffiti roots with the collectible print market.

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Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

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3 Lil Piggies- Pink Pasadena Limited Edition Hand-Embellished HPM 5-Color Silkscreen Prints on Somerset Hot Press Paper by OG Slick Graffiti Street Artist Modern Pop Art. Framed 2015 Signed OG Slick (b. 1967) 3lilpigs 3 Lil Piggies (Pink Pasadena), 2015 Screenprint in colors with hand-embellishments on Somerset Hot Press paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 21/25 Signed and dated in pencil along lower edge Published by Big Dicks Hardware, Los Angeles. Framed under glass. Framed Dimensions 25 X 25 Inches

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Untitled Crying Eyes Original Concrete Spray Painting by Snik One of a Kind Artwork by Street Art Pop Artist. 2018 Signed Spray Paint Painting Framed Original Artwork on Concrete Ready to Hang Size 15.25x15.25 Untitled Crying Eyes by Snik – Silent Emotion and Surface Precision in Street Pop Art & Graffiti Artwork Untitled Crying Eyes is a 2018 original spray paint painting by UK-based stencil duo Snik, framed and executed directly on a 15.25 x 15.25 inch slab of concrete. Signed by the artists, the work captures a close-up of a woman's face, rendered in black and white with diagonally sliced stencil precision that distills both depth and vulnerability through layers of minimalist contrast. The composition isolates the eyes, brow, and nose, with special emphasis on the emotional presence within the gaze. The tears are not literal but implied through texture, shadow, and line. The rawness of the concrete acts as both background and active element, amplifying the piece’s quiet power. Within the space of Street Pop Art & Graffiti Artwork, this painting exemplifies how raw materials, tight technique, and controlled execution can transform surface into soul. Hand-Cut Stencil Craft and Emotional Fidelity Snik’s meticulous hand-cut stencil technique is on full display in this piece. Every contour of the eyes, every arch of the brow, and every soft transition in tone is created through layered spray work applied with exacting care. The use of diagonally cut lines adds a cinematic quality—like a paused film frame or a memory fading into texture. What might seem like a technical abstraction at first glance is, in truth, a deeply human expression delivered through a nonverbal visual code. The eyes, framed by shadows and glints of light, tell a story of containment and release. There is tension held beneath the surface. In the tradition of Street Pop Art & Graffiti Artwork, this method of telling emotional truths through stencil craft and surface texture has become Snik’s unmistakable signature. Concrete as Emotional Conduit Rather than choosing canvas or panel, Snik works here directly on concrete, reinforcing a commitment to the street-based origins of their medium. Concrete carries with it the memory of walls, sidewalks, and cities—an unspoken biography of surfaces touched by time, weather, and wear. This material choice is both conceptual and aesthetic. The visual grain and imperfections of the concrete interact with the spray layers, producing moments of erosion and fracture that mimic the emotional undercurrent of the piece. The face is partially obscured by the very nature of its foundation, making it feel like a memory etched into infrastructure. Within Street Pop Art & Graffiti Artwork, this decision ties the personal to the public, giving form to emotion in a setting that evokes the weight of urban life. Snik and the Precision of Emotional Stillness Untitled Crying Eyes distills Snik’s core artistic ethos into a single image: poetic clarity delivered through methodical labor. This is not a work of spectacle, but one of sustained gaze. It slows the viewer down. It doesn’t beg for attention—it holds it. The quiet sadness within the piece is elevated by its craft, and the rawness of the concrete gives it truth. Through balance, texture, and visual silence, Snik continues to redefine how emotion is handled in Street Pop Art & Graffiti Artwork. Their approach combines the mechanical edge of stencil work with the painterly flow of light and feeling. This piece does not tell a story—it offers a face to one. Framed, grounded, and ready to hang, Untitled Crying Eyes is a moment of precision carved into permanence, whispering across surface and time.

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Hand Painted LA River AP 8 Limited Edition Spray Paint Hand-Embellished HPM Giclee Print on Fine Art Paper Custom Framed by Saber Graffiti Street Artist Modern Pop Art. AP Artist Proof Spray Paint Embellished Custom framed and metallic silver matted in a massive silver ornate frame, measuring 47x36

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Late Night Study II Original Ink Hand Drawing on Fine Art Paper by modern trending street art artist Sheefy McFly. 2020 Signed Original Marker Drawing Artwork Size 18x24 Framed Late Night Study II, 2020 Ink on paper 24 x 18 inches (61 x 45.7 cm) (sheet) Signed and dated along right edge. Framed Dimensions 27.5 X 21.5 Inches

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Japanese School Girl Flag Limited Run Hand-Distressed Multiple HPM on Wood Cradled Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2012 10x10 Signed Numbered on Verso Edition of 20

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Fish Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5 Custom Framed & Matted By Artist, Slight Scuffing To Frame Consistent to Age. The Artistic Journey of Naoto Hattori's Fish Original Drawing Naoto Hattori's unique contribution to the art world often finds a comfortable residence at the intersection of surrealism and street art. The 'Fish Original' hand-drawn art piece on framed hand-deckled aged art paper is a distinct representation of this artistic blend. Crafted in 2012, this original pencil/graphite drawing is a testament to Hattori's intricate style and ability to create depth and narrative within the confines of minimalist subject matter. The artwork, housed within a custom 8.5x8.5 inch frame, showcases an image size of 3x5 inches, offering a glimpse into the artist's surreal perspective through the lens of street pop art and graffiti artwork. This singular piece by Hattori is a signed, original, one-of-a-kind drawing showcasing monochromatic art's subtle yet powerful impact. The decision to create this work on hand-deckled aged art paper indicates Hattori's reverence for the textural qualities that the paper brings to the artwork. The deckled edges add an element of antiquity and an organic feel to the piece, enhancing the visual experience and complementing the simplicity of the subject—a single fish. The drawing, while straightforward in its representation, is imbued with a sense of motion and life, capturing the subject's essence with a delicate realism often associated with Hattori's work. Exploring the Nuances of Hattori's Surrealism in a Street Art Context The 'Fish Original' piece by Naoto Hattori is a subtle nod to the fluidity of street pop art and the evocative nature of graffiti artwork. While Hattori's work is primarily rooted in surrealism, the influences of street art are evident in the way he approaches his subjects. This drawing has a certain rawness and directness, qualities frequently celebrated in street art. The pencil work is precise, yet there is an undercurrent of freedom and spontaneity that aligns with the spirit of graffiti art. Custom framed and matted by the artist, the 'Fish Original' drawing reflects Hattori's hands-on approach to his art from inception to presentation. The slight scuffing on the frame, consistent with its age, adds character to the piece, suggesting a history beyond its visual content. This kind of patina often draws admirers of street art to such pieces, as it provides a rich and personal narrative. The scuffs are not flaws but marks of a journey, much like the weathered walls that serve as canvases in street art.  Street Pop Art, Graffiti Artwork, and the Intimacy of Small-Scale Works The world of street pop art and graffiti artwork is known for its boldness and large-scale visibility. However, pieces like Hattori's 'Fish Original' challenge this convention by bringing the intimacy of small-scale artwork into focus. Through this drawing, Hattori communicates that the essence of street pop art is not confined to size but is found in the authenticity and expressive power of the piece. Hattori's choice of framing and matting further personalizes the artwork, making it a complete piece that offers a narrative, much like street art, which often tells stories in the public domain. The 'Fish Original' by Naoto Hattori bridges the often disparate worlds of fine art and street art, marrying the intricacy of pencil drawing with the accessible, emotive drawing of street pop art. It exemplifies how art can transcend boundaries and speak to a diverse audience. This drawing, with its meticulous craftsmanship and the textured backdrop of aged paper, is a cherished piece in contemporary art, offering a moment of contemplation and connection in the bustling dialogue of street pop art and graffiti artwork. It stands as a beacon of the potential that lies in the fusion of different artistic disciplines, as seen through the visionary eyes of Naoto Hattori.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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Catalyst Original Hand Drawn Art Drawing on Framed Hand Deckled Aged Art Paper by Surreal Artist Naoto Hattori. 2012 Signed Original One-of-a-Kind Pencil/Graphite Drawing Framed Artwork Frame Size 8.5x8.5 Image Size 3x5. Custom Framed & Matted By Artist Naoto Hattori's "Catalyst": A Surreal Intersection of Imagery and Emotion "Catalyst," an original hand-drawn art piece by the surreal artist Naoto Hattori, represents a unique convergence of delicate pencil work and emotive surrealism captured on hand-deckled aged art paper. This 2012 one-of-a-kind pencil/graphite drawing is a testament to Hattori's skill in portraying complex, dream-like visions within a compact space. The framed artwork, with an image size of 3x5 inches and a frame size of 8.5x8.5 inches, has been custom framed and matted by the artist, adding a personal touch that complements the intimate scale of the work. This drawing stands apart from conventional urban art's execution and presentation. While street pop art and graffiti artwork are typically associated with large-scale, public displays, Hattori's "Catalyst" invites a more personal interaction. The piece is imbued with the intricacies of fine art while resonating with the accessibility and visceral impact often found in street art. Hattori's work does not scream from the walls; instead, it whispers, drawing the viewer into a one-on-one dialogue with the art. Exploring the Artistic Detail in "Catalyst" The meticulous detail in "Catalyst" showcases Hattori's masterful control of pencil and graphite, revealing an otherworldly creature that seems to emerge from the very fibers of the aged paper. The hand-decked paper highlights the artist's appreciation for the tactile qualities of his materials and his intent to merge the traditional with the surreal. Each stroke and shadow in the drawing contributes to an overall sense of depth and dimension, breathing life into the fantastical subject. The creature depicted combines familiar elements with the enigmatic, challenging the viewer's perception of reality. The intimate size of the image, contrasting with the more substantial frame, emphasizes the artwork's precious nature, akin to a relic or a talisman. This sense of preciousness is often sought in street pop art and graffiti artwork, where the transient nature of the medium contrasts sharply with the desire to create something lasting and impactful. Hattori's "Catalyst," while not a typical street art piece, captures the essence of what many street artists strive for—an enduring connection with the audience. Naoto Hattori's "Catalyst" is a profound piece of art that transcends the boundaries between the various disciplines of pop art, street art, and surrealism. It encapsulates the ethereal, tangible, imagined, and accurate, inviting viewers to ponder the unknown depths of their psyche. The meticulous craftsmanship, coupled with the unique presentation, makes "Catalyst" a valuable addition to contemporary art discourse, highlighting the breadth and diversity within the realm of artistic expression.

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Diaspora Rua Original Painting Enamel and Acrylic on Plexiglass by Askew One Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting Artwork Size 20x14 Custom Framed "Back in April/May of 2014, I spent around 6 weeks based in Los Angeles making these paintings for my solo show at Known Gallery. I was living and working above the TSL store, trying my best to make enough work to fill the space which was a pretty daunting task. The pieces themselves are a combination of head portraits painted in what I would say are my signature style and then also a series of smaller abstract works that signify the idea of migration through the Pacific, both in a historic and recent sense. The model for the portraits was my friend Sereima aka Stelly, who’s Sydney-based and of Fijian descent. To me, she really represents the changing face of the Pacific in many ways. Following on from a really successful show in Sydney, ‘The Evolving Face’ I wanted to move away from the mugshot poses of the previous body and bring more attitude and exuberance and Sereima was perfect because she is the absolute embodiment of those things." - Askew One Diaspora Rua Original Painting by Askew One Diaspora Rua is a captivating 2015 original painting by renowned graffiti and Street Pop Art artist Askew One. Created using enamel and acrylic on plexiglass, this piece showcases Askew One’s ability to combine bold abstraction with cultural commentary. Custom framed and measuring 20x14, this signed artwork forms part of a series that explores themes of migration and identity in the Pacific. The work’s intricate layering and dynamic patterns make it a striking example of Askew One’s innovative approach to modern pop art. The Concept Behind Diaspora Rua Diaspora Rua was conceived during a significant period in Askew One’s career, while he was preparing for a solo exhibition at Known Gallery in Los Angeles. Spending six weeks immersed in the creative process, Askew One developed a series that blended head portraits and abstract works. This series reflects the idea of migration across the Pacific, both from a historical and contemporary perspective. Diaspora Rua, as part of the abstract works in this series, signifies the movement of people and cultures, using bold shapes and vivid colors to convey the fluidity and energy of migration. The series draws inspiration from Sereima, a Sydney-based model of Fijian descent, who represents the evolving identity of the Pacific. Her energy and cultural background informed much of the work, embodying the intersection of traditional and modern influences. Askew One’s shift away from mugshot-style portraits to more dynamic compositions reflects his desire to capture not only the visual aspects of identity but also its inherent vibrancy and transformation. Artistic Techniques in Diaspora Rua Diaspora Rua exemplifies Askew One’s mastery of combining graffiti-inspired techniques with refined artistic practices. The use of enamel and acrylic on plexiglass creates a sleek, glossy finish that enhances the vibrancy of the colors. The circular design within the painting draws the viewer’s attention inward, evoking a sense of motion and connection. The layering of shapes and patterns, along with the contrast of neon hues against black, creates a compelling visual narrative. This work is emblematic of Street Pop Art’s ability to transform everyday materials into fine art. The influence of graffiti is evident in the bold lines and spontaneous energy of the composition, while the meticulous execution speaks to Askew One’s dedication to craftsmanship. The abstract nature of Diaspora Rua allows it to transcend literal representation, engaging viewers in a deeper exploration of its themes. The Cultural Significance of Diaspora Rua Diaspora Rua stands as a testament to Askew One’s commitment to using art as a means of storytelling and cultural preservation. Through its abstract forms and vibrant colors, the painting captures the spirit of migration and the interconnectedness of cultures in the Pacific. It reflects the evolving identity of the region, celebrating its history while embracing its modern, dynamic nature. As part of a pivotal series in Askew One’s career, Diaspora Rua highlights the artist’s ability to merge personal narrative with broader cultural themes. Its combination of bold aesthetics and meaningful content ensures its place as a significant piece within contemporary Street Pop Art. For collectors and admirers of urban art, this painting represents not only a masterful work of creativity but also a powerful commentary on the fluidity of identity and the beauty of cultural exchange.

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Venus Unique #13 Unique Original HPM 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr. Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 HPM Signed & Numbered Hand Painted Original Unique One of a Kind Deckled Artwork Size 16x16. Custom Frame & Mat. Each print is signed plus numbered 1/1 by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash. The Intersection of Classical Imagery and Contemporary Street Pop Art in Mr. Brainwash’s Venus Unique #13 Thierry Guetta, artistically known as Mr. Brainwash, has been a transformative force in modern art, bridging the gap between street art's rebellious energy and pop art's iconic imagery. His work, Venus Unique #13, is a testament to this fusion, embodying the spontaneous creativity of Graffiti Street Artists Modern Pop Art. Released in 2021, this hand-pulled silkscreen print is part of an original series that infuses the classic depiction of Venus with a burst of contemporary life, underscored by the vibrant disruption of a Rubik's cube pattern. Venus Unique #13 is a symbolic piece within Mr. Brainwash's oeuvre. It is a 6-color silkscreen print, underscored by the Artist's hand-painted embellishments on hand-torn archival paper, which gives it an organic and tactile feel. The artwork is encased in a custom frame and mat, enhancing its visual appeal and preserving its condition. This particular print is marked 1/1, signaling its status as a unique work within the series. It is further authenticated by Mr. Brainwash's signature and thumbprint on the reverse, hallmarking its originality. Capturing Art Historical References with a Modern Twist Mr. Brainwash's penchant for juxtaposing classic art historical references with modern elements is evident in Venus Unique #13. The artwork reimagines the Roman goddess Venus, an enduring symbol of beauty and love, through the lens of modern-day iconography and urban artistry. By overlaying the serene and timeless figure of Venus with the chaotic, colorful patterns of a Rubik's cube, Mr. Brainwash creates a dialogue between the past and the present, between enduring ideals and contemporary challenges. The use of the Rubik's cube is remarkably evocative, as it is a pop culture icon and a metaphor for complexity and the human endeavor to solve puzzles. It suggests that the interpretation of beauty and art is itself a complex puzzle, a challenge that evolves with time and perspective. Mr. Brainwash cleverly employs the cube's colors and forms to fracture and reinterpret the classical imagery, giving it a new context and relevance in today's visual language of Street Pop Art and Graffiti Artwork. The Signature Style and Cultural Commentary of Mr. Brainwash Mr. Brainwash's signature style is characterized by his bold use of color, eclectic iconography, and seamless blending of various artistic techniques. Venus Unique #13 is imbued with this signature approach, showcasing a harmonious blend of spray-painted graffiti with refined silkscreen printing. The piece is as much a celebration of the Artist's technical skill as it is of his conceptual ingenuity. By integrating elements like comic strips, street signs, and pop culture ephemera into the backdrop of Venus, Mr. Brainwash comments on the inundation of media and advertising in our daily lives. His artwork becomes a canvas where modern-day consumerism and the timeless quest for meaning and beauty intersect. Including such diverse and seemingly disparate elements is a nod to the complex visual landscapes we navigate, suggesting that art and beauty can be found in the most unexpected places. Collectability and Influence in Contemporary Art The collectability of Mr. Brainwash's work, particularly pieces like Venus Unique #13, is significant. As a unique, one-of-a-kind piece with the Artist's direct involvement, it holds aesthetic value and a high degree of collectible appeal. The artwork's size, 16x16 inches, makes it a versatile piece for collectors, suitable for various spaces and settings. These qualities make Mr. Brainwash's work highly sought after by enthusiasts of Street Pop Art and Graffiti Artwork. Venus Unique #13 is more than just a visual statement; it reflects the current era where art history receives a contemporary remix. Mr. Brainwash's approach to art challenges viewers to see beyond the surface and appreciate each piece's layers of meaning and craftsmanship. In doing so, he has cemented his place within the modern art movement, inspiring both admiration and critical thought about the role and interpretation of art in contemporary society.

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Street Shatter Art Epoxy Wood Mixed Media on Street Signed Framed Sculpture/Painting Artwork by street pop culture artist Sechor. 2021 Signed Artwork Size 20x20 Ready To Hang Framed Original Mixed Media Wall Art Sculpture made of epoxy mixed with wood chips on a real "Do Not Enter" street sign in a handmade frame, ready to hang.

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Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami TM/KK Hand-Pulled on Wove Fine Art Paper Framed Limited Edition Screenprint Artwork. 2003 Signed & Numbered Louis Vuitton x Takashi Murakami Limited Edition of 50 Artwork Size 6.9x11.75 Silkscreen Print in Custom Copper Style Frame. Eye Love Superflat Pink Silkscreen Print by Louis Vuitton x Takashi Murakami The Eye Love Superflat Pink silkscreen print, created in 2003 by Takashi Murakami in collaboration with Louis Vuitton, represents a critical moment in the convergence of high fashion and contemporary street pop aesthetics. This hand-pulled silkscreen, produced in a limited edition of 50, is printed on wove fine art paper and features Murakami’s signature fusion of luxury iconography and playful visual language. Measuring 6.9 x 11.75 inches, this artwork exemplifies the Japanese artist’s influential position within the movement of Street Pop Art & Graffiti Artwork during the early 2000s. Murakami’s Superflat Philosophy in Fashion and Art This print merges the bold branding of Louis Vuitton with Murakami’s signature Superflat style, a term he coined to describe the aesthetic and cultural flattening of traditional and digital art, consumerism, and fine art. The work presents a centrally aligned vertical composition featuring Louis Vuitton emblems—two Monogram Flowers and the iconic LV initials—framing Murakami’s jellyfish-eye motif at the center. The eye, detailed with contrasting jewel tones and dynamic, cartoon-like lashes, is one of Murakami’s recurring characters, reflecting both playfulness and cultural commentary. The stark contrast between the clean white vertical strip and the surrounding off-white border amplifies the minimalist elegance of the piece. Framed in a lavish copper-toned custom frame, the presentation further highlights the intersection between Murakami’s subversive artistry and the world of luxury branding. The juxtaposition of street culture aesthetics with the world-renowned Louis Vuitton brand underscores a larger commentary on consumerism and identity in the 21st century. Collaborative Cultural Significance The collaboration between Louis Vuitton and Murakami was a landmark event in the evolution of both street pop and luxury branding. Murakami’s reinterpretation of the LV monogram led to an iconic rebranding of the fashion house’s image, energizing it with a youthful, irreverent tone. The Eye Love Superflat series became a crucial collectible component of this moment, celebrated for its rare print editions and its position at the forefront of fashion-art collaborations. Each silkscreen is signed by Takashi Murakami and marked with edition numbering, reinforcing its status as a museum-quality fine art multiple. The use of hand-pulled silkscreen techniques gives the work a tactile and layered depth, contrasting the flatness of the Superflat theory while embracing the visual simplicity of Murakami’s cartoon-inspired visual storytelling. Legacy and Collectible Appeal This print, created during the height of Murakami’s engagement with global luxury, continues to resonate with collectors and cultural institutions alike. Its value is driven not only by its scarcity—limited to just 50 signed pieces—but by its historical significance as part of an artist-brand alliance that changed the dialogue around fashion, art, and consumerism. The framed presentation elevates it beyond print into the realm of formal art display, reinforcing the seriousness of Murakami’s playful yet incisive visual commentary. As an emblem of Street Pop Art & Graffiti Artwork, the Eye Love Superflat Pink silkscreen remains a pivotal expression of postmodern art culture.

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From The Ground Up Round 2- #22 Original Hand-Painted Multiple 2-Color Screen Print on Reclaimed Wood ready to hang by Meggs Graffiti Street Artist Modern Pop Art. 2015 From The Ground Up Round 2 #22 Original HPM Painting Print by Meggs Ready To Hang Meggs Adapting his street art and graffiti to fine art has granted Meggs extensive opportunities to travel, professionally exhibit his work, and participate in mural festivals around the globe. His street art and gallery works are recognized nationally and internationally in cities such as Melbourne, Sydney, London, San Francisco, Paris, Tokyo, Hawai‘i, Mexico, Los Angeles, and Hong Kong. Meggs’ artworks are included in the permanent paper collections of the National Gallery of Australia and the Victoria & Albert Museum of London.

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Standing Sky Bear Original Painting on Fine Art Paper, Custom Framed by Phil Lumbang Graffiti Street Artist Modern Pop Art. Original one-of-a-kind painting of a standing white bear in big blue sky.

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Goonie 037 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. The Distinctive Fusion of Surrealism and Street Pop Art in Goonie 037 by Naoto Hattori Naoto Hattori's original watercolor painting, "Goonie 037," presents a compelling narrative within the spectrum of Street Pop Art & Graffiti Artwork despite its more traditional medium and surrealistic approach. Diverging from the typical urban landscapes and politicized messages of street art, Hattori encapsulates an enigmatic presence that resonates with the peculiar and profound characteristics that align with the whimsical and the bizarre. The small-scale image size of 3x3 inches, housed within an 8.5x8.5-inch frame, commands attention through its intimacy and intricacy, a testament to Hattori's meticulous craftsmanship. Crafted in 2013, this one-of-a-kind watercolor painting brings forth the imaginative realms Hattori is renowned for while also hinting at the essence of Street Pop Art through its unique presentation and the artist's choice to custom frame and matt the piece himself. This personal involvement in the presentation echoes the hands-on approach of street artists, who often control every aspect of their work, from conception to installation. The artwork's intricacy and bespoke framing suggest a dialogue with the viewer, an intimate exchange often sought after in street art. Hattori's "Goonie 037" does not explicitly borrow from the visual language of graffiti but instead infuses the personalized, often subversive spirit of graffiti art into a more surreal and fantastical realm. This piece, signed and validated by the artist, showcases his skill in rendering otherworldly subjects with a precision and depth that is palpably felt. Although the work is rooted in fine art traditions, its spirit of non-conformity and the surprise element inherent in its surreal subject resonates with the disruptive ethos of Street Pop Art & Graffiti Artwork. Naoto Hattori's Artistic Legacy and the Intersection with Urban Aesthetics While "Goonie 037" might at first glance seem distant from the raw vibrancy of street art, its singular nature aligns with the one-off pieces that adorn city walls, often never to be replicated or seen elsewhere. Hattori's decision to engage with watercolor—a medium often perceived as delicate and requires a systematic approach—parallels the precision street artists apply with their spray cans and stencils. The artwork's surreal character challenges the viewer's perception and invites interpretations as varied as the audience that encounters it, akin to the diverse viewership of Street Pop Art & Graffiti Artwork. The convergence of Naoto Hattori's work with the sensibilities of Street Pop Art & Graffiti Artwork lies in the shared ethos of both realms to evoke emotion, challenge norms, and captivate through visual storytelling. "Goonie 037," with its rich textures and profound depth, embodies a visual monologue that speaks to the onlooker on multiple levels. The artwork encourages a pause, a closer inspection, and a moment of reflection, much like street art that compels passersby to stop and ponder. In examining the legacy of Naoto Hattori and his creation "Goonie 037," one can see the threads that connect his work with the larger tapestry of Street Pop Art & Graffiti Artwork. His oeuvre reminds us that art cannot be confined to a single category or style but is a fluid and ever-evolving entity that draws from myriad influences and manifests in various forms. "Goonie 037" thus stands as a bridge between the worlds of surrealism and street art, embodying the transformative power of art to transcend boundaries and engage with viewers across diverse spectrums.

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Pink Skull Flower Print on Laser Cut Wood Panel Framed Ready to Hang by Tara McPherson Modern Pop Artist. Artist Proof AP. 9.6 x 14 in. (24.384cm x 35.56cm) Fine art wood print on 1/2" sustainable birch wood, bright white finish Limited edition of 20 hand signed and numbered fine art wood canvas print. DesignerCon 2019 exclusive.

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Mini Abstract Shadowbox 01_1a Original Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Paper Framed by Street Art Pop Artist. 2022 Signed Mixed Media Spray Paint Acrylic Colored Pencil Original Painting Size 7x5. Each box is hand sanded. Each piece is signed and titled, Each shadowbox comes ready to hang "These are little gems! This series was particularly interesting when my son shined a black light on them. I stumbled upon these shadow boxes, which inspired me to work on different series. The pieces are leftover paper tears from handpainted multiples from my past. I save the painted paper scraps that I like. Each one is an original piece, and I enjoyed spending time working with each miniature painting." -Saber

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Blackjack HPM Hand-Embellished Mixed Media Silkscreen Art on Framed Canvas by Artist Steve Kaufman SAK Contemporary Pop Artwork. 2000 Signed & Numbered on Back HPM Hand Embellished Limited Edition of 25 Artwork Size 16x16

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Naivety Scene Era 12 Original Marker Drawing Canvas by Blake Jones Modern Street Pop Artwork. 2019 Signed Original Color Marker on Hand Drawing Size 12x12 Naivety Scene Era 12 by Blake Jones – Playful Chaos in Street Pop Art & Graffiti Artwork Naivety Scene Era 12 is a 2019 original 12 x 12 inch hand-drawn color marker artwork on canvas by American artist Blake Jones. Signed by the artist, the work serves as a condensed visual playground filled with Jones’s signature characters, graphic gestures, and whimsical abstractions. The surface is a chaotic and joyful composition of colorful iconography rendered in bold, cartoonish lines, each figure interacting with the others in a free-flowing rhythm. Lightning bolts, abstract cubes, cake slices, smiling ghosts, three-eyed faces, bunny ears, jellyfish, and doodle lettering all coexist in a dense tapestry of imagination. These forms are drawn with intentional spontaneity using a variety of colored markers, creating a visual language that captures the essence of youth, spontaneity, and low-stakes play with high-impact composition. The Language of Icons and Innocence Blake Jones’s work consistently focuses on accessible characters and nostalgic aesthetics without sacrificing depth or intention. In Naivety Scene Era 12, the artist channels the visual memory of childhood drawings, sticker books, and doodles on notebook margins into a curated chaos that resonates beyond its surface charm. These drawings, while appearing naïve, are placed with deliberate design. Each element contributes to the rhythm and flow of the canvas, offering multiple focal points that encourage playful exploration. Jones’s ability to balance graphic flatness with layered spontaneity reflects his deep roots in Street Pop Art & Graffiti Artwork, where repetition, symbolism, and immediacy drive both the message and the aesthetic. His linework, free of digital polish, is a declaration of hand-drawn authenticity in an image-obsessed culture. Color Theory and Street-Inspired Technique The piece’s vibrancy stems not from complex shading or perspective, but from confident color play and an understanding of balance in clutter. The colors—neon pinks, bright yellows, cool blues, and jet blacks—are used sparingly and effectively. Each hue pops against the canvas’s white ground, giving every doodle space to breathe while also contributing to a shared vibrational field. The use of color marker as medium reinforces the idea of immediacy and improvisation, both hallmarks of graffiti sketch culture. Blake Jones bridges studio work with the ethos of the streets by treating each surface like a page in a blackbook—unfiltered, raw, and expressive. Blake Jones and the Comfort of Visual Noise With Naivety Scene Era 12, Blake Jones captures the feeling of a world that is busy but never burdensome. The energy is light yet infectious, the lines are imperfect but confident, and the visual clutter is strangely calming. His work speaks to a contemporary moment where overstimulation is standard, yet his imagery responds not with critique, but with comfort. In the broader context of Street Pop Art & Graffiti Artwork, this canvas serves as a meditation on creativity unbound—pure mark-making that honors intuition over precision. Blake Jones does not ask the viewer to decipher meaning. Instead, he invites them to find joy in the patterns, humor in the absurd, and wonder in the ordinary. This piece is not simply an artwork; it is an experience in visual freedom.

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Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cosmos, 2000 Offset lithograph in colors on smooth wove paper 23-3/8 x 23-3/8 inches (59.4 x 59.4 cm) (sheet) Ed. 125/300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo Print Grade: 10/10 Matted and framed under acrylic. No apparent condition issues. Not examined out of frame. Framed Dimensions 32 X 32 Inches The "Cosmos" offset lithograph print by Takashi Murakami, created in collaboration with Kaikai Kiki in 2001, is a fine example of the Japanese artist's unique and influential work. Murakami is known for his signature "Superflat" style, which is characterized by a blend of Japanese pop culture, traditional art, and Ms Flower flowers.. In the "Cosmos" print, Murakami explores the concept of the universe, with vibrant colors, bold lines, and intricate patterns. The artwork is populated by his iconic Ms FLowerand motifs, such as smiling flowers and vines, which are deeply rooted in Japanese manga, anime, and the otaku subculture. As an offset lithograph print, the piece is created using a printing technique that involves transferring an inked image from a plate to a rubber blanket and then onto the final printing surface, usually paper. This process allows for high-quality reproductions of the original artwork, making it more accessible to a wider audience. The "Cosmos" print is a sought-after piece by collectors and fans of Takashi Murakami's work. It showcases the artist's incredible ability to merge traditional and contemporary elements, creating a visually striking representation of the universe that is uniquely his own.

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Untitled from Blame Game- #3 Upside Down Face Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York Unveiling KAWS' "Untitled from Blame Game - #3 Upside Down Face" In the dynamic intersection of street pop art and graffiti artwork, few names are as resonant as that of KAWS, the pseudonym of American artist Brian Donnelly. Born in 1974, KAWS has become an icon of contemporary art, bridging the worlds of art and mainstream culture. His piece, "Untitled from Blame Game - #3 Upside Down Face," is a compelling demonstration of his prowess in the art form. Created in 2014, this artwork is part of a limited edition of 100 hand-pulled 11-color silkscreen prints on Saunders Waterford Hi-White paper, each bearing the artist's signature, number, and date along the lower edge. Published by Pace Prints, New York, this piece exemplifies the seamless blend of commercial and fine art that KAWS is renowned for. The artwork is a bold expression of KAWS' unique aesthetic, featuring a signature character with an 'X' for each eye, a motif he has become famous for. This print, which is 35 x 23 inches, is framed with a large custom frame and mat, enhancing its visual impact. The 11-color silkscreen printing technique is a testament to KAWS' dedication to craftsmanship and quality, ensuring that each print offers a rich, vibrant palette and meticulous detail. The choice of Saunders Waterford Hi-White paper, known for its high quality, contributes to the artwork's premium feel and longevity. KAWS and the Evolution of Street Pop Art KAWS' journey in the art world is marked by his transition from a graffiti artist in the streets of New York to a towering figure in the global art scene. His work is celebrated for its fluidity in moving between various subcultures, including street art, pop art, and commercial imagery. The "Untitled from Blame Game" series perfectly illustrates how KAWS has transformed street art sensibilities into something that can be appreciated both in the buzzing city alleyways and the hushed galleries of fine art. His characters, though simplistic in form, convey a deep resonance with the viewer, often embodying themes of humanity, vulnerability, and isolation. KAWS' ability to evoke such emotion while maintaining a playful, accessible aesthetic is a hallmark of his work. This duality has endeared him to diverse audiences, from street art lovers to high-brow collectors. The Cultural Significance of KAWS' Artwork Beyond its visual appeal, the work of KAWS is deeply embedded in the cultural zeitgeist. His art captures contemporary life's essence, reflecting its complexities and simplicities. "Untitled from Blame Game - #3 Upside Down Face," like much of his work, is imbued with introspection, challenging the viewer to look beyond the surface. His pieces' recurring themes of deconstruction and recontextualization invite a dialogue about the nature of identity and recognition in a saturated media environment. Moreover, KAWS' influence extends beyond the canvas, impacting the broader design, fashion, and commercial branding landscape. His collaborations with major brands have pushed the boundaries of what is considered art, making his vision accessible to a broader audience and redefining the concept of what street pop art can be. "Untitled from Blame Game - #3 Upside Down Face" is not just a testament to KAWS' technical skill and artistic vision but also a symbol of the evolving narrative of street pop art and graffiti artwork. As a limited edition piece, it holds a special place in the annals of contemporary art, representing a moment in time where the lines between high art and street culture are not just blurred but beautifully intertwined.

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Signs Of The Crimes- Sky Blue Art Framed Archival UV-Cured Print on Varnished HD Aluminum Panel Artwork by street pop culture artist Ron English- POPaganda. 2020 Signed Limited Edition of 100 Artwork Size 24x24 Framed Ready To Hang Ron English- POPaganda is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist, and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Goonie 038 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's "Goonie 038": A Vision of Surreal Introspection "Goonie 038" by Naoto Hattori is a profound statement of surreal introspection, a masterpiece that seamlessly blends the essence of watercolor finesse with the depth of surrealistic imagination. Signed and completed in 2013, this original, one-of-a-kind painting is a testament to Hattori's commitment to the craft and his ability to evoke emotion through his art. The framed artwork, confined within an 8.5x8.5-inch boundary and showcasing a 3x3-inch image, is a microcosm of Hattori's vast artistic universe, thoughtfully custom framed and matted by the artist. The work diverges from street pop art and graffiti artwork in form and presentation yet shares an intrinsic connection with these genres through its capacity to captivate and communicate profound messages. "Goonie 038" may not adorn a public wall or shout its existence through sprawling murals, but it commands attention through its intimate scale and the powerful presence of its subject matter. Unraveling the Symbolism in "Goonie 038" In "Goonie 038," Hattori presents a creature that defies ordinary classification—a being at the intersection of human-like emotion and unbelievable features. This hybrid form is a hallmark of Hattori's style, where familiar traits are interwoven with extraordinary elements. The intricate watercolor work accentuates the textures and contours of the subject, drawing the viewer's gaze into the complexities of its expression. The creature's eyes hold a world-weariness that belies its otherworldly appearance, prompting reflection on the shared experiences that transcend the boundaries of reality. Hattori's custom framing and matting are not merely protective measures but integral components of the artwork's overall impact. The decision to frame the piece underscores the importance of context in presenting art. For Hattori, the frame is a gateway, inviting the viewer into the surreal world he has created on paper. It symbolizes the transition from the artist's mind to the viewer's world, allowing "Goonie 038" to reside within a space that honors its unique character. Naoto Hattori's "Goonie 038" is a small yet mighty representation of the artist's surreal vision, offering a window into a world that challenges and expands the viewer's perception. While it may occupy a different space than traditional street pop art and graffiti artwork, it shares the same spirit of rebellion against the ordinary and a desire to disrupt and enchant. Through "Goonie 038," Hattori has created a piece that stands as a compelling contribution to the world of surreal art, which holds the power to mesmerize and provoke thought in equal measure.

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Punch Cigar Limited Edition Hand-Embellished HPM Serigraph Print on Canvas Framed by Steve Kaufman Graffiti Street Artist Modern Pop Art. Custom Frame. Arguably the most sought-after cigar piece by Steve Kaufman. Steve Kaufman (American, 1960-2010) "Punch Cigar", hand embellished serigraph, Edition 37/150 and signed in monogram en verso. Ht: 16.5" Wd: 35" By the early 90’s, Kaufman’s work was highly in demand, but he wanted to remain in touch with a broad, public audience. He staged a one-man, one-night show painting 55 “Racial Harmony” murals in New York and appeared on TV and radio to promote racial tolerance. He also created an AIDS memorial in New York City and draped red fabric over the letter “D” of the Hollywood Sign in remembrance of everyone who had died of AIDS.

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Trippinfrog Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper in Bronzed Frame by Pop Culture Graffiti Artist Naoto Hattori. 2014 Signed by Naoto Hattori & Numbered Limited Edition of 50 Artwork Size 6x8 in Bronzed Frame Size 8x10. Exploring the Surreal World of Naoto Hattori's Trippinfrog Artwork The sphere of contemporary art is continuously evolving, merging various genres and forms to create new expressions that challenge and delight the senses. In this rich tapestry, Naoto Hattori stands out as a pop culture graffiti artist whose work infuses the fantastical elements of surrealism with the vibrant, rebellious energy of street pop art and graffiti artwork. One of Hattori's remarkable creations is the 'Trippinfrog' artwork, a giclee limited edition print that has captivated audiences with its intricate detail, imaginative composition, and striking aesthetic. This piece is more than just a visual treat; it's an expedition into a dream-like dimension where the conventional rules of nature and physics do not apply. Released in 2014, the 'Trippinfrog' limited edition is a testament to Hattori's mastery of his medium and ability to translate the subconscious into a tangible form. Each of the fifty prints in this limited series is signed by Naoto Hattori, adding a personal touch that collectors and admirers of street pop art cherish. The artwork size, at 6x8 inches, is modest, yet it packs a profound visual punch that draws the viewer in for a closer look. In contrast, the bronzed frame size of 8x10 inches complements and contains the artwork without overshadowing its complexity. The limited edition prints are produced on 100% cotton rag fine art paper, a material choice that speaks volumes about the quality and durability of the work. This type of paper is revered for its ability to hold color and detail, ensuring that each nuance of Hattori's vision is preserved. The use of a bronzed frame further enriches the viewing experience, adding a classic touch that contrasts with the modern, avant-garde nature of the artwork itself. The Signature Style of Naoto Hattori Naoto Hattori's style is a unique blend that straddles the line between the whimsical and the grotesque, a hallmark of his artistic vision. 'Trippinfrog' is a prime example of this, where the surreal and the real collide in a dance of colors, shapes, and forms. The artwork features an amalgamation of elements — eyes, tentacles, and amorphous shapes — all spiraling out of a central, frog-like creature that seems disintegrating and coming together simultaneously. This paradoxical imagery is a staple of street pop art and graffiti artwork, where the unexpected becomes the norm, and viewers are encouraged to interpret the pieces through their lenses. The colors Hattori chose are at once earthy and ethereal, creating a mesmerizing contrast. The background of the 'Trippinfrog' evokes a serene landscape, a stark juxtaposition to the chaos that the central figure embodies. This duality might be seen as a commentary on the nature of existence — harmonious and chaotic, orderly and unpredictable. Hattori's work challenges the viewer to consider these dualities not as opposites but complements. The Cultural Impact of Street Pop Art and Graffiti Artwork Artworks such as 'Trippinfrog' are essential pieces in the narrative of street pop art and graffiti artwork, genres that have gained significant momentum and recognition in the art world. These art forms are rooted in the expression of cultural identity, social commentary, and a desire to break away from traditional modes of art presentation. They are often seen on public walls, in galleries, and as part of private collections, representing a voice for the unheard and a canvas for the disenfranchised. Naoto Hattori's work, particularly 'Trippinfrog,' fits perfectly within this narrative. It provides a visual escape and an introspective journey for those who engage with it. The limited edition nature of the print makes it an exclusive artifact of contemporary street pop art and graffiti artwork, allowing it to serve as a cultural touchstone for this moment in art history. Collectors and enthusiasts of Hattori's work are not only obtaining a piece of art; they are preserving a fragment of the cultural zeitgeist. The 'Trippinfrog' artwork by Naoto Hattori is a captivating piece that stands as a testament to the innovative and transformative power of street pop art and graffiti artwork. Its limited edition status on fine art paper, the artist's signature, and its presentation in a bronzed frame all contribute to its desirability and significance. Hattori's ability to weave the surreal with the street, the dream-like with the tangible, places 'Trippinfrog' among the notable works that continue to shape and inspire the trajectory of modern art.

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Old Glory- Archival Paper Limited Edition Hand Deckled 6-Color Hand-Pulled Silkscreen Print on Archival Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 80 Artwork Size 32x26 Medium: Silkscreen on archival paper. Size: 26 x 32 inches Edition: 80 Signed, numbered and thumb printed. In celebration of Independence Day, Mr Brainwash- Thierry Guetta has announced his latest Editions. Old Glory is reminiscent of the nation’s hard-fought journey to independence and reminds us to reflect on the importance of its past. The silkscreen edition print will be available on Archival Paper and Framed Canvas. Each print is numbered, signed and thumb printed by the artist.

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Non-Volley Zone II Original Acrylic Painting by Dave Pollot One-of-a-kind Artwork on Vintage Canvas Framed by Street Art Pop Artist. 2022 Signed Acrylic on Original Pickleball Paddle Reclaimed Vintage Painting Size 23x18 Including Frame. Framed Ready To Hang In a unique blend of classical artistry and contemporary wit, "Non-Volley Zone II" emerges as a prime example of Dave Pollot's vision, where vintage aesthetics meet modern narratives. This original acrylic painting showcases Pollot's signature style of repurposing thrift art, introducing unexpected modern elements to otherwise traditional canvases. Created in 2022, this work features a charming still life that has been playfully disrupted by the addition of a pickleball paddle, a modern sports reference that Pollot has cleverly incorporated into the scene. At the heart of this piece is Pollot's mastery in combining two seemingly disparate worlds. The artist breathes new life into a reclaimed vintage painting by juxtaposing the timeless beauty of a floral arrangement with the unexpected intrusion of a pickleball paddle lying at the forefront, symbolizing perhaps the collision of past and present or the intrusion of the contemporary into the serene stillness of history. The playful inclusion of the paddle is a nod to his keen eye for pop culture references, making the artwork resonate with a sense of humor and relevance. The canvas size, at a notable 23x18 inches framed, allows viewers to immerse themselves in the textural contrasts and vivid colors that Pollot masterfully preserves and enhances. His work is not merely about altering the old. Still, it is a dialogue between the original artist and himself, creating a layered narrative where every brushstroke is a word in a story that spans generations. "Non-Volley Zone II" is more than just an acrylic painting; it is a one-of-a-kind artwork that showcases Pollot's ability to transform forgotten pieces of art into contemporary conversations. This framed piece, ready to hang, carries the hallmark of Pollot's ingenuity and serves as a testament to the evolving nature of art. Through such pieces, Pollot establishes himself not just within the realm of street and pop art but also as a custodian of the past, repurposing it to speak to the present.

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Quinqueflor Mordida #09 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Goonie 040 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3. Custom Framed & Matted By Artist Naoto Hattori's Miniature Mastery in "Goonie 040" Naoto Hattori's "Goonie 040" is a singular gem in surreal art, a miniature watercolor painting that captures a vast imagination within a diminutive space. Signed and crafted in 2013 by Hattori, this original one-of-a-kind piece is framed and matted personally by the artist, underscoring the intimate connection between the creator and his creation. The artwork, measuring just 3x3 inches and encased in an 8.5x8.5-inch frame, is an exquisite example of Hattori's meticulous technique and fascination with the surreal. While Hattori's art diverges from the typical urban sprawl of street pop art and graffiti artwork, it shares a kindred spirit with the transformative power of these art forms. "Goonie 040" conveys a deep sense of introspection and wonder, inviting the viewer to delve into a realm where the boundaries of reality are fluid and subjective. Like much of Hattori's work, this piece suggests a world where the fantastical becomes possible and the lines between the conscious and subconscious are blurred.  The Deep Symbolism in "Goonie 040" In "Goonie 040," the depicted subject is more than a mere figment of fantasy. It is a vessel for the exploration of deeper psychological and existential themes. Hattori's choice to present this watercolor painting within a custom frame speaks to the artwork's preciousness, akin to a relic or artifact meant to be pondered and treasured. The image's size draws the viewer closer, demanding a personal engagement that more significant works might not command. The framing and matting by the artist himself further exemplify the craftsmanship and care that goes into each of Hattori's pieces. In the broader art world context, "Goonie 040" is a testament to the enduring appeal of handcrafted art in an age increasingly dominated by digital creation and mass production. It is a beacon of individuality and the unique touch of the human hand. Naoto Hattori's "Goonie 040" is a masterful intersection of technical skill and boundless creativity, an artwork that holds its own in the discourse of contemporary surrealism and beyond. It showcases a small-scale piece's profound impact, inviting viewers to engage with art on a personal level and find meaning within the layers of paint and paper. Through works like "Goonie 040," Hattori continues to enchant and engage audiences, contributing to the rich tapestry of modern art.

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Subway Series- 10 Photo Original OTP Archival Pigment Print on 310gsm Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed Orignal 1 of 1 Unique Subway Graffiti Photo Framed “I’ve always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I’ve been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It’s what made me Cope2. But me, I like to change it up and show all my different styles. So with this show, I’m able to show my evolution of style and how I’ve progressed. “Versatile” shows where I came from and what I’m doing now,” Cope2 said from his studio in New York. -Cope2 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Rubik Camouflage Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 812 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-2. Enhance your art collection with the striking "Rubik Camouflage Rubikcubism Metal Giclee Prints" by the renowned street artist Invader. These ready-to-hang prints are a fusion of vibrant colors and intricate design, each crafted from an assembly of Rubik’s Cubes to bring Invader’s acclaimed series to life. The art prints are expertly Diasec-mounted, ensuring a high-quality giclée finish that enhances the visual depth and color fidelity. Set against a robust, laser-cut aluminum composite panel, these pieces measure an impressive 100 x 100 cm and have a solid presence at 13.5kg each. Elevate your space with these conversation-starting prints that blend pop culture with sophisticated artistry.  Innovative Fusion in Invader's Rubik Camouflage Rubikcubism Series The Rubik Camouflage pattern created by Invader symbolizes the artist's legacy as an urban disruptor. Over several decades, he has left his mark on cities across the globe by installing pixelated mosaics, often influenced by classic video games from the 8-bit era. The Rubik's Camouflage design features a white creature reminiscent of Space Invader set against a vibrant blue, red, yellow, and orange backdrop arranged in a military-style camouflage. Invader has commented that this artwork represents the infiltration of modern technology into our daily lives. The Rubik Camouflage Rubikcubism Metal Giclee Print represents Invader's innovative approach to street pop art and graffiti artwork. The pseudonymous French artist Invader has long been celebrated for uniquely incorporating digital and gaming elements into the public sphere. His limited edition series, comprising four color-filled prints, exemplifies his distinctive style known as 'Rubikcubism'—a term he coined to describe his art made from Rubik's Cubes. These works are visually striking and embody a complex interplay between pop culture, technology, and traditional street art aesthetics. Each print in the series is a testament to Invader's mastery of blending classical art techniques with contemporary mediums. The choice of Rubik's Cubes as the basis for these prints is a nod to the nostalgia of the 1980s, re-envisioned through a modern lens. The cubes are meticulously arranged to create an image that, upon closer inspection, reveals the complexity of its construction. This method is reminiscent of pointillism, where small, distinct dots of color are applied in patterns to form an image. Invader's technique, however, is uniquely futuristic, utilizing the cubic form and the inherent challenge of the Rubik's Cube to dictate the aesthetic outcome. The metal giclee prints are a further exploration of material and medium. By mounting the giclée prints on Diasec—a process where the print is bonded to acrylic glass—and then onto an aluminum composite panel, Invader ensures durability and an almost three-dimensional visual effect. This innovative use of materials reflects the street artist's understanding of the importance of longevity and the impact of texture and depth in visual art. Cultural Commentary and Artistic Merit Invader's artworks are more than mere decorative pieces; they are rich in cultural commentary and artistic merit. The limited edition series, with each piece signed and numbered by the artist, becomes a collectible item that holds value both in the art market and within the community of street art enthusiasts. The specific edition size of 812 may allude to a personal or thematic significance, adding mystery and exclusivity to the series. These prints intersect art and puzzle, a duality that challenges the viewer to engage with the artwork on multiple levels. They also represent the broader movement of street pop art, which often repurposes elements of popular culture to create something entirely new and unexpected. Invader's work disrupts the traditional narrative of street art being ephemeral and instead offers a vision of it as something that can be preserved, collected, and treasured. The Rubik Camouflage Rubikcubism Metal Giclee Print series is ready to hang, which speaks to the artist's intention of these works being accessible and enjoyed by a broad audience. The robust construction and careful consideration of the mounting process mean that these pieces are aesthetically pleasing, practical, and ready for display. The Evolution of Street Art in Invader's Practice Invader's practice represents a significant evolution in the field of street art. He bridges the gap between street art and fine art by moving beyond the walls and into the realm of tangible, collectible art objects. His work challenges the perception of street art, expanding it to include the creation of physical artifacts that carry the spirit of the streets into private collections and galleries. The use of Rubik's Cubes objects is intrinsically linked to the idea of problem-solving and intellectual challenge within his art, inviting a dialogue about the interconnectivity of art, play, and cerebral engagement. Invader's pieces are not passively consumed; they require active participation from the viewer, both intellectually and emotionally. The playful aspect of his work does not diminish its seriousness; rather, it enhances the viewer's connection to the art. Invader's Rubik Camouflage Rubikcubism Metal Giclee Print series is a remarkable contribution to street pop art and graffiti artwork. It is a testament to the artist's ingenuity and ability to push the boundaries of what is expected in this art form. These limited edition prints are not only a celebration of the artist's iconic style but also a significant marker of the progression of street art into new and exciting territories.

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Mur Original One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas by Popular Street Art Pop Culture Artist Copyright. 2000 Signed Framed Original Painting Size 32x40 Framed Dimensions 41.5 X 33.5 Inches

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Destroy, Rebuild, Repeat AP HPM Artist Proof 3D Print Framed on Wood Cradled Panel ready to hang by Quiccs Graffiti Street Artist Modern Pop Art. AP Artist Proof Signed, Small Drawings & Marked AP Framed Artwork Size 12x16 Frame Larger. 12 x 16 in. (30.48cm x 40.64cm) Three-layered fine art wood print, hand-signed and numbered by Quiccs This first of its kind three-layered fine art birch wood print starts with a 3/4" wood print. It’s then layered with a 1/2" custom shape pop-out pieces, then finished with a 1/4" custom cut layer to create a unique fine art piece. Layered Expression Through Precision Destroy, Rebuild, Repeat by Filipino graffiti and street pop artist Quiccs is a standout three-dimensional fine art wood print that encapsulates the ethos of transformation through destruction and creativity. Built from three distinct layers of wood — a 3/4-inch foundational panel, a 1/2-inch set of precision-cut pop-out pieces, and a final 1/4-inch top layer — the structure of this artwork mirrors its conceptual narrative. Each tier contributes to the visual complexity, bringing dynamic depth to a high-octane scene that merges elements of mecha, hip-hop, street culture, and toy aesthetics. Framed and ready to hang, this artist proof version measures 12 by 16 inches with the frame extending slightly larger to encase the sculptural form. Signature Characters in Street Pop Fusion At the heart of the piece is Quiccs’ iconic character TEQ63, rendered with bold outlines, heavy saturation, and mechanical armor stylings that fuse Japanese super robot design with urban cultural codes. A bandana-wrapped skull face, accented by skeletal insignias, and battle-worn mechanical limbs clash with elements like sneakers and vinyl spray marks — blending the militant with the playful. What sets this artist proof apart is the additional small hand-drawn character at the top right, a uniquely placed skull and crossbones sketched directly on the surface, reinforcing its rarity and giving insight into the artist’s own shorthand visual lexicon. Material Language and Conceptual Strength Executed on birch wood using archival printing methods, Destroy, Rebuild, Repeat captures the hard-edged sensibilities of graffiti culture while exploring new material possibilities in fine art editions. The decision to build on wood rather than canvas or paper grounds the work in craft traditions, while the digital print techniques and spray paint effects point forward toward urban futurism. The layered build mimics the complexity of Quiccs’ message — a repeating cycle of construction and collapse, identity and reinvention, that defines the experience of creators navigating a world of social chaos and resilience. Limited Rarity in Contemporary Street Pop Art This piece is part of a signed and numbered artist proof run marked AP 08/08 and features original embellishments and framing. As an experimental iteration of Quiccs’ art objects, it bridges collectible design with gallery-ready installation. The framed silhouette and physical texture highlight its significance not just as a visual spectacle but as a sculpture with weight and story. Created in 2018 during a time of widespread cross-pollination between streetwear, designer toys, and pop surrealism, Destroy, Rebuild, Repeat reflects the strength of Quiccs’ voice in the movement of Street Pop Art & Graffiti Artwork.

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20TwentyMinutes #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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Coati The Gang is an Original Acrylic Graphite Pencil Painting by Dulk—Antonio Segura Donat. It is one of a Kind of Artwork Framed on Japanese Handmade Fine Art Paper by a Street Art Pop Artist. 2023 Signed Pencil & Acrylic Paint Original Painting Artwork Custom Framed by Artist Size 9.84x12.2 Unframed 7.09x9.46 Dulk's Fusion of Naturalism and Fantasy: "Coati The Gang" In the piece "Coati The Gang," Dulk, the artistic alias of Antonio Segura Donat, transports us to a realm where wildlife and imagination intertwine. This original artwork, brought to life through acrylic and graphite pencil on Japanese handmade fine art paper, demonstrates Dulk's unique ability to fuse elements of street art pop with classical painting techniques. Artistic Craftsmanship of Dulk's Original Painting This one-of-a-kind painting, meticulously framed by the artist, measures 9.84x12.2 inches with a slightly smaller canvas size of 7.09x9.46 inches when unframed. The bespoke nature of the frame enhances the viewing experience, tailored to accentuate the intricate details and delicate paper choice. The selection of Japanese handmade fine art paper for "Coati The Gang" mainly tells of Dulk's dedication to quality and craftsmanship, providing a subtle texture that complements the detailed brushwork and graphite precision. Captivating Imagery by Antonio Segura Donat "Coati The Gang" is a testament to Dulk's storytelling through visuals, with its central figure, the coati, portrayed in stunning detail amidst a cast of enchanting characters. The artwork is steeped in the rich tradition of naturalist illustration yet is distinctly modern in its execution and style. Dulk's narrative merges the organic world with a touch of the surreal, inviting the viewer to delve into a story that unfolds with every gaze. The use of acrylic paint brings a vibrancy to the artwork, while the pencil's subtlety allows for fine gradations and texture that give depth and life to the creatures within. The meticulous brush strokes and careful shading underscore the thematic elements of street pop art and graffiti artwork, where the message is often conveyed through the potency of the image itself. The "Coati The Gang" original painting is more than a piece of artwork; it is a window into Dulk's imaginative world, where the boundaries of street pop art and fine art beautifully collide. It represents the artist's commitment to bringing the wonders of the natural world into the urban art dialogue, establishing Dulk as a vanguard in the space where pop culture and wildlife conservation meet.

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Decycled Coach Limited Edition Hand-Embellished HPM Archival Pigment Prints with Collage, Aerosol, Pencil, and Varnish Embellishments on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2021 Signed Limited Edition Numbered & Custom Framed Archival Pigment Print with Collage, Aerosol, Pencil, and Varnish Embellishments Size: 17.8125 x 23.75 Inches Release: December 09, 2021 Run of: 4 Denial’s Decycled Coach: Pharmaceutical Luxury and Brand Disruption in Street Pop Art Denial’s Decycled Coach is a mixed-media archival pigment print that merges collage, aerosol, pencil, and varnish techniques into a hand-embellished visual attack on luxury branding. Released in 2021 as an extremely limited edition of only 4, each print is signed, numbered, and custom framed, measuring 17.8125 by 23.75 inches. At the center of the composition lies a stylized capsule—rendered in clean, glossy layers—branded with the Coach logo. Its form is both pharmaceutical and sculptural, set against a fragmented background of splattered paint, screenprint halftones, and broken gradients that suggest movement, chaos, and intentional vandalism. The pill, labeled 100MG, serves as a pointed metaphor. It reframes luxury as medication, treating identity, insecurity, and social status as symptoms to be relieved by consumption. This is not a critique from the outside; it is a surgical strike from within. Denial borrows from the brand’s own aesthetic language—its serifed typeface, equestrian motif, and minimal labeling—then disrupts it with gestures that belong to graffiti: sprayed arcs, color streaks, intentional imperfections. The capsule becomes a fetish object, reduced to something digestible, addictive, and ultimately disposable. Corporate Logos as Emotional Currency Denial’s recurring use of logos in his work is not about parody; it is about exposure. In Decycled Coach, the brand’s heritage and refinement are stripped of context and placed into an environment of instability. The work becomes an autopsy of commercial trust. Coach, like many fashion houses, trades on nostalgia, elegance, and aspirational identity. By embedding it within the shape of a pill, Denial questions what it means when a logo provides emotional relief. The suggestion is not subtle—brands function like medicine, numbing pain and offering belonging in exchange for loyalty. The background’s visual noise reinforces this dissonance. Torn patterns and abrupt texture shifts interrupt the central figure, refusing to let the viewer settle into comfort. A traditional ornate gold frame surrounds the chaos, an ironic nod to classical portraiture. It presents the artwork as something precious, even regal, despite its abrasive content. This friction between polish and resistance defines much of Denial’s work in Street Pop Art & Graffiti Artwork. Material Hybridity and Street-Informed Technique What makes Decycled Coach stand out is its physicality. Unlike digitally composed editions, this hand-embellished multiple incorporates real layers of texture through collage and varnish. Each print becomes a hybrid between printmaking and painting. The surface is manipulated with street-level tools—spray paint and pencil—suggesting the rapid, instinctual mark-making of graffiti writers. Yet the pill shape remains controlled and pristine, emphasizing the clash between authority and rebellion, product and protest. Denial, whose real name is Daniel Bombardier, continues to expand the vocabulary of Street Pop Art by interrogating how capitalist culture manufactures meaning. His art exists not just in critique, but in confrontation. Decycled Coach exemplifies this through its fearless dismantling of visual systems. The framed artwork becomes a mirror to modern consumer logic, where even rebellion can be bought, and where the cure to identity confusion is offered in branded, digestible doses.

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New World Revolution Print on Wood Panel Framed Ready to Hang by Mear One Graffiti Street Artist Modern Pop Art. 13.5 x 18 in. (34.29 x 45.72 cm) Exclusive fine art wood print on 1/2" sustainable Birch, bright white finish hand signed and numbered by Mear One. Limited Edition of 20 prints "With Mother's Day". "Her golden halo bathes us in a warmth of spiritual wisdom, positivity, and choice, fist raised in the sky, not in anger, but universal solidarity and strength, perhaps serving as a reminder to us all that a revolutionary time is upon us, drawing focus upon the courageous role that women and children play in this politically charged era." - Mear One

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