Frank Kozik

Watermelon Pimp- Orange Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. The Bird is the Word Pop Art Toy.

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Che No Vive- Green Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.

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Dr. Bomb Stealth Monkey Business Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Frank Kozik. AP Artist Proof of 3, 2006 Signed, From The Personal Collection of Kozik Heavily Discounted Due To Board Paint Damage, Flaking to Signature & Paint On Bottom, Marks To Top, See Images!

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Che No Vive- Red Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.

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Toyer Z Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Frank Kozik SIGNED 2010 Toy2R 11" Toyer Z LE 500 Figure AUTOGRAPHED

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The Clarke Nova Stiff Richards AP 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1995 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. The Clarke Nova Stiff Richards Loudspeaker The Kilowatt Club San Francisco California 10-19-1995 The Clarke Nova Stiff Richards gig poster, created by the renowned artist Frank Kozik in 1995, is a quintessential piece of pop and street art history. As a silkscreen print, it captures the vibrant energy of San Francisco's underground music scene of the mid-90s. Kozik's work is widely recognized for its strong visual impact and its commentary on culture, which is vividly displayed in this particular artwork. Limited to an artist-proof (AP) edition of only 50, each piece was meticulously hand-pulled on fine art paper, ensuring a high level of quality and individuality. Measuring 17.5x22.5 inches, the print features bold colors and a cartoonish design characteristic of Kozik's style during that era. It reflects an intersection of music and art that Kozik navigated so well, capturing the essence of the performances by The Clarke Nova, Stiff Richards, and Loudspeaker at The Kilowatt Club on October 19, 1995. Frank Kozik's approach to band gig posters was instrumental in defining the visual language of pop art within the music industry at the time. The striking use of color and the playful imagery are not only indicative of the pop art style but also convey the dynamism of the San Francisco street art movement. The artwork has become an iconic piece, sought after by collectors and enthusiasts who see Kozik's prints as a valuable part of the narrative that documents the alternative culture and its influence on the aesthetics of the time. This particular silkscreen print not only advertised an event but also served as a standalone piece of art, merging commercial intent with artistic expression. Its collectibility lies not just in its visual appeal but also in the unique story it tells about a specific time, place, and subculture within San Francisco. The gig poster has become a historical reference point, an artifact that encapsulates the spirit of a vibrant scene and continues to influence contemporary pop and street artists.

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Medivac- Red Labbit 4-Color Hand-Pulled Limited Edition Silkscreen Print on Glossy Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. #50 of 50. Medivac 2004 Art Print 21x24 Print Signed and Numbered by Frank Kozik Run of 50. Red Variant of Smoking Labbit, US FLag, and Medical Cross.

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Red Max Voodoo Liquor Hotrod Tour 1997 Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17.5x22.5 Silkscreen Print Event Gig Poster by Frank Kozik Red Baron-like monster flying bi-wing plane drinking beer. Frank Kozik is a renowned graphic artist widely known for his distinctive style that's been instrumental in reviving the lost art of the concert poster. His creations are typically vibrant and often use a blend of cultural references, creating unique and intriguing visual narratives.

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Che No Vive- Yellow Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.

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Mecha Banana- Yellow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Wacko x Frank Kozik. 2011 Limited Edition of 50 Artwork Size 18x10 New in Box Frank Kozik is an influential artist known for his concert posters, graphics, and vinyl art toys. Vinyl art toys, also known as designer toys or urban vinyl, are often produced in limited quantities, making them quite collectible. They're created as a form of artistic expression, rather than as traditional children's toys. These toys often carry the signature style of the artist and are marketed to adults as art pieces.

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Smorkin Labbit 10- Red Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Sooo shiny. Slick, sleek, and smorkin’ hot, this 10-inch luscious Labbit is a super smooth version of Frank Kozik's beloved chain smoker. Adorned with a matte cigarette and gloss coating (for improved aerodynamic action), the Smorkin' Labbit 10" Vinyl Figure by Frank Kozik - Lustre Gloss Red Edition is truly the look of the future.

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Mens Club Zen Guerilla Crutch 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 17x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Men's Club Zen Guerilla Crutch The Kilowatt Club San Francisco, California 6-14-1997

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Dead Kozik- Bronze Limited Edition Vinyl Art Sculpture Collectible Artwork by Modern Pop Culture Artist Frank Kozik x Kevin Gosselin. 2012 Limited Edition of 50 "Bronze" Vinyl Bust of a Skeleton Frank Kozik Smoking. RIP. Dead Kozik by Frank Kozik Design and Sculpt by Kevin Gosselin Produced by 3D Retro Limited to 50 Produced Bronze Edition Soft Vinyl Size: 15" Tall The Dead Kozik Bust was designed and sculpted by Kevin Gosselin for the Kozik Tribute Show at the 1 AM Gallery in San Francisco in 2012

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The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

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Dwarves Big Chief Sub Pop NMS Showcase 1992 New York Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik Dwarves Big Chief Green Magnet School Supersuckers Rein Sanction Pond DJ Larry T and Love Machine Xenon New York City NY

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Watermelon Pimp- Yellow Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. The Bird is the Word Pop Art Toy.

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Antiseen Shiv Stepsister Zen Guerilla 1995 Cleveland Ohio Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 18x23 Silkscreen Print Band Gig Poster by Frank Kozik. Antiseen Shiv Stepsister Zen Guerilla Euclid Tavern Cleveland, Ohio 9-15-1995 In concert promotion, Frank Kozik's distinctive silkscreen prints stand as coveted pieces for collectors and fans of the pop and street art movements. His creation for the Antiseen, Shiv, Stepsister, and Zen Guerilla gig, dated September 15, 1995, at the Euclid Tavern in Cleveland, Ohio, is an exemplary piece of this niche. The limited edition print, with only 650 copies signed and numbered by Kozik, showcases the raw and energetic visual language synonymous with Kozik's style. With dimensions of 18x23 inches, this print was more than an announcement; it was a piece of art that captured the spirit of the musical acts it promoted. The imagery is quintessentially Kozik, blending anthropomorphic characters and a whimsical yet provocative arrangement, radiating the punk and hardcore essence of the headlining band Antiseen. Such visual elements are characteristic of Kozik's art, reflecting the underground music scene's gritty and rebellious ethos. The cow and wolf figures, dressed in human attire and engaging in a mock marriage ceremony, serve as a satirical comment, perhaps on the state of society or the inflammatory nature of the bands. In the corner, a pig appears content, contributing to the print's eccentric narrative. This work serves not just as an advertisement for a one-night event but as an artifact that speaks to the cultural and artistic milieu of the mid-90s. Kozik's work is a bridge connecting the subcultural to the mainstream, using the accessible medium of the gig poster to disseminate his unique brand of visual art. These silkscreen prints stand as an intersection where the transitory nature of street art is given permanence, where the voice of underground music is visualized, and where the collectible quality of fine art meets the democratic spirit of street art. This print from the Euclid Tavern event celebrates that union, immortalizing a moment in the continuously evolving narrative of pop and street art.

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Treepeople 7-Year Bitch Gnome Nubbin 1992 Seattle WA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed by Kozik & Numbered Limited Edition of 250 Artwork Size 11x35 Silkscreen Print Band Gig Poster by Frank Kozik. Treepeople 7 Year Bitch Gnome Nubbin RKCNDY Seattle Washington 5-15-1992 In the vibrant landscape of early 90s pop culture, Frank Kozik's "Treepeople 7-Year Bitch Gnome Nubbin" silkscreen print emerges as a vivid artifact of the era's music scene, particularly that of Seattle, Washington. Dated May 15, 1992, and designed for a concert at the now-legendary venue RKCNDY, the poster represents a visual symphony of the zeitgeist, highlighting the grit and raw energy that defined the grunge movement. This hand-pulled print on fine art paper is a limited edition, with Kozik signing and numbering each of the 250 pieces, underscoring the exclusivity and cultural value of the work. With its size stretching to an impressive 11x35 inches, the artwork presents a striking design that embodies the anarchic spirit associated with Kozik's work and the music of the featured bands—Treepeople, 7 Year Bitch, Gnome, and Nubbin. The central figure in the print is a clown-like character, a recurring motif in Kozik's work, which often blends the grotesque with the whimsical. The figure's exaggerated features and the explosion of colors around it create a sense of celebration and parody, a duality that often permeates street art. Such pieces are more than mere promotional items; they are snapshots of a cultural moment. They reflect the aesthetic and ethos of the underground music scenes of the time, where the visual art was as much a part of the experience as the music itself. Kozik's prints, like this one, connect the energy of live performances with the tangible world of art collecting, offering fans a piece of history that encapsulates the sound, mood, and rebellion of the period. The poster's inclusion in the annals of pop, street, and graffiti art is undeniable. It captures the do-it-yourself essence and the anti-establishment stance that the visual and musical arts expressed during the early nineties. For collectors and enthusiasts alike, it stands not just as a piece of memorabilia but as a symbolic work that continues to influence the aesthetic trajectories of street and pop art to this day.

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Unsane Sweet Diesel Lollipop 1996 The Kilowatt San Francisco Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Unsane Sweet Diesel Lollipop The Kilowatt San Francisco Ca March 9, 1996

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Che No Vive- Pink Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. 2021 Carded Art Toy Figure Sculptured by George Gaspar Dead Che.

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen Print by Frank Kozik The Red Hot Chili Peppers Primus 1989 Fillmore silkscreen print by Frank Kozik is an iconic piece of Street Pop Art & Graffiti Artwork that embodies the rebellious energy of late 1980s underground music and poster culture. Created for the Red Hot Chili Peppers' performance at the legendary Fillmore in San Francisco, this 13x19-inch hand-pulled silkscreen print was commissioned as part of the Bill Graham Presents concert series. Featuring bold colors, surrealist imagery, and an unmistakable punk aesthetic, this piece captures the raw intensity of the era’s alternative rock movement. The inclusion of supporting acts Primus and Mary’s Danish further cements its significance as a relic of an explosive time in live music history. Visual Composition and Artistic Style Frank Kozik’s artistic style is instantly recognizable in this print, with its bold neon hues, high-contrast linework, and provocative subject matter. The composition features a flaming skeleton with an exaggerated grin, clad in a polka-dotted bikini bottom, with its tongue out in a defiant gesture. The presence of a stylized, curvy female figure in the background adds a surreal, almost psychedelic touch, reinforcing the wild, chaotic energy associated with the Red Hot Chili Peppers' music. The background consists of swirling patterns in bright pink and purple, creating a hypnotic effect that draws the viewer into the image. The heavy use of black outlines and exaggerated cartoonish elements reflect Kozik’s influence from underground comics, skate culture, and punk zine aesthetics. The typography follows a classic gig poster format, with large block lettering announcing the headlining act in bright pink against a dark background, while additional text in cyan provides details of the event. This mix of playful, irreverent imagery and structured design highlights Kozik’s mastery in blending controlled chaos with striking visual appeal. Street Pop Art & Graffiti Artwork Influence Frank Kozik’s work stands at the crossroads of Street Pop Art & Graffiti Artwork, merging countercultural aesthetics with fine art printmaking techniques. The poster's aggressive, high-contrast design is reminiscent of graffiti stencils, while the hand-pulled silkscreen process ensures that each print carries a unique, raw texture. The exaggerated punk-inspired figures, combined with psychedelic color palettes, align with the visual language found in 1980s street art and underground concert promotion. This piece reflects the DIY spirit of gig poster culture, where artists crafted promotional artwork that doubled as collectible art. Kozik’s ability to merge lowbrow sensibilities with high-impact design has made his prints some of the most sought-after in the gig poster scene. His background in self-published artwork and street-level design tactics translates into compositions that feel alive, rebellious, and unfiltered. Collectibility and Cultural Impact As an official Fillmore poster, this silkscreen print holds immense historical and artistic value. The late 1980s were a defining era for the Red Hot Chili Peppers, as they blended funk, punk, and rock to create a sound that would later dominate alternative music. The collaboration with Primus, a band equally known for its genre-defying sound, adds to the poster’s significance as a symbol of musical innovation. Frank Kozik’s gig posters have become highly collectible, with limited-edition prints from this era commanding high demand among both art collectors and music fans. The handcrafted nature of the silkscreen process ensures that each piece has its own unique character, reinforcing the authenticity and individuality of the work. Kozik’s influence continues to shape modern poster design, and this print remains a testament to his ability to translate the raw energy of live music into visually arresting artwork. This piece is not just a concert advertisement; it is a statement of the era, an artifact of underground culture, and a masterpiece within the world of Street Pop Art & Graffiti Artwork.

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Mover Record Release Party 1997 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 300 Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik 7-10-1997

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Charles Manson Everything Charlie Silkscreen Print by Frank Kozik Hand-Pulled 2-Color on Fine Art Paper Limited Edition Pop Street Art Artwork. 1992 Signed & Numbered Limited Edition of 666 Artwork Size 22.5x29.5 Silkscreen Print Frank Kozik's "Charles Manson Everything Charlie" is a provocative silkscreen print that embodies the raw and often controversial energy of pop and street art. Released in 1992, this artwork reflects Kozik's edgy aesthetic, a bold confrontation of cultural icons and societal motifs that challenge the viewer. The print features a repeated portrait of Charles Manson, infamously known for leading the Manson Family and orchestrating a series of gruesome murders in the late 1960s. With a limited run of 666 pieces, a number playfully nodding to the subject's notoriety, each 22.5x29.5 inch print is signed and numbered by Kozik, asserting its authenticity and rarity. Crafted through a hand-pulled process, the 2-color print starkly contrasts the vibrant orange of Manson's face against a deep blue background, surrounded by what appears to be radiating lines or aura. This choice of color and repetition creates a visual echo chamber, amplifying the unsettling impact of Manson's gaze multiplied across the paper. The artwork encapsulates the spirit of the early '90s alternative scene and the burgeoning interest in street art as social commentary. Kozik's decision to immortalize Manson in this way taps into the vein of pop art tradition, reminiscent of Warhol's depictions of Marilyn Monroe. Yet, it subverts the norm by focusing on a figure associated with darkness and infamy rather than glamour or pop culture innocence. "Everything Charlie" is a stark example of how street art and pop art can converge in a single piece, bringing the outsider ethos and inflammatory messages to the fore. This is street art not confined to the alleys or hidden corners of the city but elevated to fine art, meant to hang on a wall, confront, and provoke. As with much of Kozik's work, the piece is not just a visual stimulus but a conversation starter, a powerful reminder of art's ability to encapsulate complex narratives within simple imagery. It's a window into the era it was produced, a snapshot of the zeitgeist, and a reflection on the culture's fascination with figures like Manson.

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-ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 600 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik. Beyond the Criminals Red Max Knickerbocker's, Lincoln, NE 8-15-1996 -ISMFEST '96 Night 1 Beyond the Criminals Red Max Silkscreen Print by Frank Kozik -ISMFEST '96 Night 1 is a hand-pulled silkscreen print by legendary artist Frank Kozik, created for the August 15, 1996, concert featuring Beyond the Criminals and Red Max at Knickerbocker's in Lincoln, Nebraska. Measuring 22.5 x 17.5 inches, this limited-edition print was produced in a numbered edition of 600 and is signed by the artist. Known for his bold, irreverent style, Kozik’s work is a defining example of Street Pop Art and Graffiti Artwork, blending underground music culture with the aesthetics of punk rock and lowbrow art. This gig poster encapsulates Kozik’s signature visual language—an electrifying color palette, exaggerated cartoon imagery, and an unapologetic embrace of counterculture aesthetics. The design features a grinning, intoxicated blue dog with drool dripping from its mouth, attached to a beer tap pouring directly into its tongue. The background bursts with vibrant red and yellow rays, enhancing the chaotic energy of the piece. The typography is oversized and confrontational, drawing inspiration from punk zines and DIY screen printing traditions. Every element in this artwork exudes raw energy, aligning perfectly with the rebellious nature of the underground music scene it represents. Frank Kozik and His Influence on Street Pop Art and Graffiti Artwork Frank Kozik is one of the most influential figures in modern poster art, widely credited with revitalizing the concert poster scene during the late 1980s and 1990s. Originally from Spain and later based in the United States, he began his artistic career creating DIY flyers for punk and alternative bands before evolving into a leading name in silkscreen printmaking. His work often draws from underground comics, psychedelic rock posters, and vintage advertising, merging them with an unfiltered punk ethos. This print exemplifies Kozik’s ability to capture the spirit of a moment in time—ISMFEST '96 was not just another concert, but an event that embodied the underground music culture of the era. The design’s mix of absurdity, humor, and confrontational visuals reflects Kozik’s knack for transforming promotional materials into collectible works of art. His contributions to Street Pop Art and Graffiti Artwork extend far beyond the music scene, influencing everything from contemporary poster design to vinyl toy culture. The Art of Silkscreen Printing in Music Poster Culture Silkscreen printing has played a crucial role in the history of concert posters, particularly within the punk and alternative rock movements. Unlike mass-produced digital prints, silkscreen posters are hand-pulled, meaning each piece carries unique imperfections and variations that add to its authenticity. This technique allows for intense, saturated colors and bold contrasts, which are essential in creating visually striking designs that stand out in a crowded promotional landscape. The printing process involves layering different colors one at a time, requiring precise alignment and expert craftsmanship. In this particular piece, the interplay of neon-like hues and bold black outlines demonstrates Kozik’s mastery of the medium. The thick ink application gives the print a tactile quality, reinforcing the handcrafted nature of the work. These qualities make silkscreen concert posters highly collectible, as they represent not only a historical moment in music but also an artistic achievement in printmaking. Collectibility and Cultural Impact of -ISMFEST '96 Night 1 As a signed and numbered limited-edition print, -ISMFEST '96 Night 1 is a sought-after piece for collectors of Street Pop Art and Graffiti Artwork. Kozik’s posters are revered not only for their visual impact but also for their role in shaping the aesthetics of underground music culture. His work has been featured in galleries and museums worldwide, solidifying its place as an important part of contemporary art history. Concert posters like this one serve as artifacts of a bygone era, where hand-printed promotional materials were essential to the identity of a band or event. Unlike today’s digital flyers and social media advertisements, these posters were tangible, often plastered on city walls or collected by fans as mementos. The humor, rebellion, and rawness embedded in this piece ensure that it remains relevant decades later, resonating with those who appreciate both the artistic craft and the cultural movement it represents. Frank Kozik’s influence extends beyond posters, impacting the worlds of graffiti, pop art, and designer toys. His ability to blur the lines between commercial art and fine art has made his work enduringly popular among both street artists and contemporary art collectors. -ISMFEST '96 Night 1 is a prime example of his legacy—a work that continues to inspire, provoke, and celebrate the unapologetic spirit of underground creativity.

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Concrete Blonde 1991 Los Angeles CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik at Wiltern Theater. The Wiltern Theater, an iconic Los Angeles landmark, teams up with Frank Kozik, the renowned rock poster artist and toy designer. This collaboration brings an incredible fusion of music, art, and culture to Southern California. Kozik's distinctive style infuses the Wiltern's Art Deco elegance with a vibrant, contemporary edge. Attendees can expect exclusive merchandise and installations that encapsulate the spirit of both the historic venue and Kozik's edgy aesthetic. This alliance brings a fresh dimension to LA's live music scene, making the Wiltern an unmissable spot for all art and music enthusiasts.

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Zeni Geva Zen Guerrilla Black Manna 1996 San Francisco California Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. October 13, 1996 Das Kilowatt in San Francisco, California Capturing the raw energy and unbridled spirit of the 1990s San Francisco music scene, Frank Kozik’s silkscreen print for the Zeni Geva, Zen Guerrilla, and Black Manna gig on October 13, 1996, stands as a significant piece of pop and street art. Kozik, well-known for his contribution to the visual side of rock culture, has infused this piece with a compelling blend of political commentary and vivid imagery, hallmark traits of street art and his style. The limited edition print, measuring 17.5x22.5 inches, was meticulously hand-pulled on fine art paper, underscoring the artist's commitment to quality and the traditional methods of printmaking. With only 650 signed and numbered editions, this artwork is a treasure for collectors and enthusiasts. Its depiction of the Statue of Liberty, surrounded by figures wearing gas masks and holding flags, offers a subversive take on American iconography. The use of iconic symbols juxtaposed with elements that suggest upheaval reflects the era's punk and alternative rock ethos, resonating with themes of resistance and independence prevalent in the genres associated with the bands featured. The event, hosted at Das Kilowatt in San Francisco, California, is immortalized in Kozik’s signature style—where the text is as much a part of the art as the images. His choice of vibrant colors and bold lettering reflects the energy and intensity of the bands, making the poster a visual shout that echoes the music it advertises. This piece is more than promotional material; it's a snapshot of when street art began crossing into mainstream consciousness, blurring the lines between commercial art and political statements. Kozik’s work with this print serves not just to announce a concert but to stake a claim in the ongoing dialogue between art and society, where the streets become a canvas for messages that are as likely to provoke thought as they are to promote an event. In the world of street art, such pieces are vital—they challenge, they commemorate, and they often become a part of the history they depict.

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Dead Che SDCC Orange Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Happy Stache Labbit 10 Inch Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. These gorgeous 'Stache labbits are perfect modern accessories for your home. These glossy beauties will bring a smile to you and your guest's faces daily.

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Barney X 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Barney Malcolm X crossover from the 2014 riots/protests. Barney X Burn Baby Burn ! ! 18″ x 23 14/16″ Designed & Signed by Frank Kozik Limited Edition of 50

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Strangekiss Anarchy Black Cat Qee Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2007 Signed Limited Edition of 300 Artwork Size 8" Tall Frank Kozik SIGNED Toy2R 8" Strangekiss Anarchy Black Cat Qee With Box Strangekiss Anarchy Black Cat Qee by Frank Kozik – Street Pop Art & Graffiti Artwork The Strangekiss Anarchy Black Cat Qee, created by street pop art legend Frank Kozik, stands as a pivotal collectible in the world of vinyl toy art. Released in 2007 by Toy2R and distributed by Strangekiss, this figure combines the aesthetic force of punk anarchy with the underground appeal of graffiti street culture. Limited to only 300 pieces worldwide, each piece is signed by Frank Kozik himself, enhancing its significance as both an artwork and a cultural time capsule. This 8-inch tall vinyl figure is not only a toy but a sculptural embodiment of rebellion, creative dissent, and design-forward commentary. Kozik’s use of stark black, pale green accents, and minimalist facial expression channels the spirit of punk zines and DIY ethics, anchored in a fine art object suitable for collectors and enthusiasts alike. Frank Kozik’s Signature Style in Street Pop Art & Graffiti Artwork Frank Kozik, born in Spain and active primarily in the United States until his death in 2023, became a renowned figure for his unapologetic visual language that spans posters, music ephemera, and vinyl figures. Known for merging political satire with subcultural aesthetics, his work consistently infused the irreverent energy of punk, underground comics, and graffiti. The Strangekiss Anarchy Black Cat Qee showcases Kozik’s penchant for mixing bold graphics with lowbrow art influences. Featuring sharp angular brows, an anarchy symbol on the forehead, and a cigarette jutting from the figure’s mouth, this character represents a defiant stance against sanitized mainstream design. The exaggerated feline form is softened with rounded limbs and oversized paws, creating a humorous contrast to the figure’s otherwise aggressive demeanor. Qee Platform Toys as Fine Art Objects in Graffiti and Pop Culture The Qee platform, developed by Toy2R in Hong Kong, has been a mainstay of the designer toy movement since the early 2000s. Serving as a blank canvas for some of the world’s most creative graffiti and street pop artists, the Qee series has housed custom designs by heavyweights such as Shepard Fairey, Sket One, and Kozik. The Anarchy Black Cat Qee taps into this tradition while pushing the limits with its politically charged symbolism and expressive attitude. Each piece in the limited edition run was packaged in a vibrant pink and yellow box emblazoned with phrases like The Future Is Stupid, reflecting Kozik’s tendency to challenge authority and consumerism while engaging collectors through provocative humor and subversion. Street Pop Art & Graffiti Artwork in the Vinyl Art Movement This limited edition Qee is a testament to the cross-pollination of street pop art, graffiti artwork, and designer toy culture. By taking cues from countercultural symbols and recontextualizing them through the form of collectible vinyl figures, Frank Kozik forged a new visual language that thrives in both gallery spaces and streetwear scenes. His collaborations with brands like Toy2R made it possible for a new wave of artists to enter the art market with three-dimensional works that echo the impermanence and edge of graffiti. The Strangekiss Anarchy Black Cat Qee, standing with its anarchist stance and smirking defiance, remains one of the most striking examples of how artist-led toy design helped shape the direction of urban art in the early 2000s. This figure is not just a piece of vinyl; it is a sculpted narrative of anti-establishment ethos rendered through the lens of pop-infused graffiti expression.

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Biohazard Downset Stompbox 1994 Seattle WA AP Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1994 Signed by Kozik & Limited Edition of AP Artwork Size 18x22.5 Silkscreen Print Band Gig Poster by Frank Kozik Nuke Tank Biohazard Military-Themed Gig Poster. Moore Theater November 18th 1994 Seattle Washington. Frank Kozik is an internationally recognized artist, best known for revitalizing the concert poster scene in the 1990s with his distinctive, edgy designs. Born in Madrid, Spain in 1962, Kozik emigrated to the United States at the age of 14, where his love for punk rock and counter-culture aesthetics began to shape his artistic vision. In the 1980s, he moved to San Francisco, CA, where he began creating concert posters for alternative bands, ultimately designing artwork for major acts such as Nirvana, Pearl Jam, and The Red Hot Chili Peppers. His work, characterized by saturated colors, cartoonish figures, and a subversive, often dark humor, became emblematic of the grunge era. In addition to poster art, Kozik has also made significant contributions to the world of designer toys, most notably with his creation of the Labbit character for Kidrobot. His work across various mediums has earned him a global following, making him a key figure in contemporary pop culture and art.

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Dead Che SDCC Orange Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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U.V.B.C. Love Thy Neighbor 1997 Montreal Canada Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1997 Signed by Kozik & Numbered Limited Edition of 350 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. U.V.B.C. Paper Route Tricky Woo Bionic S.S.G. Showcase 3-8-1997 Immersed in the distinctive visual culture of the late 20th century, the "U.V.B.C. Love Thy Neighbor" silkscreen print by Frank Kozik stands as a testament to the artist's influential role in pop art, street art, and graffiti movements. Created for a musical showcase in Montreal, Canada, on March 8th, 1997, this piece is a striking amalgamation of rock 'n' roll ethos and a call for communal harmony, encapsulated by the phrase "Love Thy Neighbor" prominently displayed across a montage of band memorabilia. The hand-pulled print on fine art paper exudes Kozik's signature style—bold, graphic, and often imbued with a sense of irony. The limited edition print, with only 350 copies signed and numbered by Kozik, presents a collection of items traditionally associated with the punk and rock subcultures, including a grenade and a knuckle duster. These symbols, entwined with the olive branches and the commandment to love one's neighbor, create a juxtaposition that challenges viewers to question societal norms and the often contradictory nature of human behavior. This artistic expression goes beyond simple concert promotion, delving into the realm of social commentary while remaining rooted in the visual language of pop and street art. The event itself, featuring U.V.B.C., Paper Route, Tricky Woo, and Bionic at The 360 in Queen West, is memorialized in a manner that elevates the ephemeral nature of a gig poster to a lasting piece of art. Kozik's work, including this print, serves as a cultural milepost that captures the zeitgeist of its time—a visual lexicon for the music and the message, embodying the D.I.Y. aesthetics that define the era's underground music scenes. The print's size and the vibrancy of its colors command attention, with each element meticulously chosen to convey the artist's vision and immortalize a moment in Montreal's vibrant music history.

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Anarchy Symbol- Glow in the Dark Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. GID Jumango

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Dead Che Purple Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 Purple Che Variant. The "Dead Che Purple Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant purple vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Let Us Prey- G(u)ilt Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Standing as a 10” representation of how pop culture devotes time to mirror our current economy and social standings, the “Let Us Prey” Vinyl Art Figure by Frank Kozik makes the perfect piece to remind ourselves of the balance between our social networked personalities and our true goals for self-actualization.

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Anarchy Symbol- Black Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Signed 2009 Limited Edition of 800 Black Jumango

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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The Gipper Ultra-Violence- Yellow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Signed Limited Edition of 50 Displayed with Box Yellow Vinyl Ronald Regan Destroy Bust Artwork The Gipper Ultra-Violence Yellow Limited Edition Art Toy by Frank Kozik The Gipper Ultra-Violence Yellow Vinyl Art Toy is an exceptional creation by Frank Kozik, a pioneering figure in street pop art and graffiti artwork. Released in 2019 as a signed limited edition of only 50 pieces, this sculpture exemplifies Kozik’s ability to merge sharp political commentary with visually striking designs. The bust, rendered in vibrant yellow vinyl, pays homage to Ronald Reagan while challenging viewers to confront deeper questions about authority, culture, and history. A Bold Fusion of Art and Critique Frank Kozik’s Gipper Ultra-Violence series stands out for its audacious take on political figures, and the yellow variant is no exception. This piece reimagines Reagan’s likeness as an exaggerated, almost cartoonish bust that blends humor with biting critique. The detachable green DESTROY sign adds an interactive component, inviting collectors to consider themes of power and destruction. The bright yellow finish amplifies the artwork’s pop art aesthetic, making it a bold statement in any collection. Kozik’s ability to fuse vibrant visuals with provocative messaging highlights his mastery in street pop art and graffiti-inspired works. The Vision of Frank Kozik Frank Kozik, born in 1962 in Spain and later based in the United States, was a visionary artist whose work pushed boundaries across multiple mediums. Known for his contributions to music poster art, designer toys, and graffiti-inspired creations, Kozik infused his work with a rebellious spirit and sharp wit. He passed away in 2023, leaving behind a legacy that continues to influence the world of contemporary art. The Gipper Ultra-Violence series reflects his unique ability to turn familiar imagery into powerful cultural statements, blending satire with an unmistakable pop art aesthetic. A Rare and Coveted Collectible The Gipper Ultra-Violence Yellow Bust is a testament to Kozik’s dedication to limited-edition, high-quality creations. With only 50 pieces produced, each bust is hand-signed by the artist, emphasizing its exclusivity and value to collectors. The accompanying box, designed with Kozik’s signature graphic style, enhances the artwork’s overall presentation. Measuring an imposing size, the bust is a standout in any display, captivating both art enthusiasts and collectors of street pop art. This yellow vinyl bust is not just a collectible but a work of art that challenges conventions and sparks dialogue. Through bold design, interactive elements, and cultural critique, it embodies the spirit of street pop art and graffiti artwork. The Gipper Ultra-Violence Yellow Bust is a striking reminder of Kozik’s ability to use art as a medium for both entertainment and reflection.

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