Gas Fuel & Oil

2 artworks


  • Can't Sleep Clowns Will Eat Me- 17 x 17 Archival Print by Ben Frost

    Ben Frost Can't Sleep Clowns Will Eat Me- 17 x 17 Archival Print by Ben Frost

    Can't Sleep Clowns Will Eat Me- 17 x 17 Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Ben Frost Graffiti Street Artist Modern Pop Art. "The world is run by clowns. Moronic and colorful, they dance across our television screens touting surreal propaganda and advertising slogans in a bizarre theatrical performance without intermission. No wonder I have trouble sleeping.? I use mini-dialogues that come together to make up an overall pastiche, that reflects how I see the world – especially as it is delivered to us through the media. In these 'mash-up' paintings, countless characters exist and interact within the same picture plane, to create a frenetic snapshot of the chaos that we endure in our every-day lives. " - Ben Frost Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

    $820.00

  • Sanctuary Archival Print by J.A.W. Cooper

    J.A.W. Cooper Sanctuary Archival Print by J.A.W. Cooper

    Sanctuary Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Sanctuary was created in 2013 as part of my solo show "Laid Bare" which explored vulnerability as both a source of strength and discomfort. The setting for the piece is of personal significance, a verdant cave at the top of a waterfall in Big Sur. This cave is full of stacked rocks left by previous visitors though in all of my visits I never encountered anyone inside, and so it has the air of a place of significance for many people traveling along parallel lines but not intersecting. The purpose of a "sanctuary" is to provide asylum in a time of stress or danger and this cave gave me peace at a time when I was letting go of one facet of my life and fostering the growth of a new one; the severed stag head and the fawn." - J.A.W. Cooper

    $209.00

Gas Fuel & Oil Graffiti Street Pop Artwork

Gas, Fuel, and Oil in Street Pop Art

Graffiti art and street art have always been powerful mediums of expression, often reflecting the societal issues and concerns of the artists who create them. Gas, fuel, and oil have become increasingly relevant subjects within this sphere, given the ongoing environmental and political issues surrounding the world's dependency on fossil fuels. This growing interest has spurred a proliferation of graffiti art prints and street art prints that center on gas, fuel, and oil as primary themes. From a visual perspective, artists utilize a variety of symbols and imagery to represent gas, fuel, and oil. Iconic motifs such as gasoline pumps, fuel tanks, barrels, and pipelines are often portrayed in these works, either as standalone subjects or woven into a larger narrative. Gas, fuel, and oil have long been subjects of critical commentary in street pop art and graffiti artwork. These themes often surface in the works of artists who aim to highlight issues such as environmental impact, corporate dominance, and consumer culture. Street art, with its roots in subversion and public messaging, becomes a canvas for this discourse, transforming gas stations, oil barrels, and brand logos into symbols of reflection within the urban landscape.

Artists' Reflection on Energy Consumption

Artists like Banksy and Shepard Fairey have tackled the subject by integrating imagery of gas masks, fuel pumps, and oil spills into their work, merging the aesthetic of pop art with the grit of the street. These pieces serve as a visual critique of the dependence on fossil fuels and the often overlooked consequences of their pervasive use. By placing these works in public spaces, the artists invite an immediate and communal engagement with these critical issues. The subject of gas, fuel, and oil remains relevant in contemporary street art, reflecting ongoing concerns about climate change and sustainable living. Street artists continue to engage with this theme to provoke public thought and encourage a dialogue about the future of energy consumption and its global implications. The power of street pop art lies in its ability to repurpose commercial symbols like the Shell logo into a commentary on the intersection of industry, environment, and society. Color palettes for these pieces tend to be dominated by earth tones and shades of black, reflecting the raw, natural essence of fossil fuels, while also evoking the smog, pollution, and environmental degradation associated with their extraction and consumption. The connection between graffiti art, street art, and gas, fuel, and oil is both contextual and historical. In many ways, these mediums have served as outlets for socio-political commentary, drawing attention to the unequal distribution of resources, the influence of corporate power, and the devastating environmental consequences of fossil fuel dependency. This commentary is often sharp and provocative, highlighting the urgency of these issues and challenging the status quo. One notable example of this intersection is the work of British street artist Banksy, who frequently employs themes of consumerism, capitalism, and environmental destruction in his art. In one piece, Banksy depicts a grim, industrial landscape with smokestacks spewing pollution and pipelines snaking through the ground, while children play innocently nearby, oblivious to the environmental catastrophe unfolding around them. This striking juxtaposition highlights the contrast between our seemingly carefree daily lives and the serious consequences of our fossil fuel-based society. Another influential artist in this realm is Shepard Fairey, known for his iconic "Obey Giant" imagery. Fairey's work often critiques the power structures behind the global oil industry, showcasing the insatiable hunger for profit that drives these corporations. His pieces frequently incorporate images of oil barrels and fuel pumps, overlaid with bold, commanding text that challenges the viewer to question their own complicity in this cycle of consumption and environmental harm. As the environmental and political concerns surrounding gas, fuel, and oil continue to gain prominence, graffiti art and street art prints will undoubtedly continue to explore these themes in new and innovative ways. For some, these pieces will serve as a reminder of the pressing need for change, while for others, they may be a call to action, inspiring grassroots activism or personal efforts to reduce dependency on fossil fuels. The marriage of gas, fuel, and oil themes with graffiti art and street art prints has proven to be a powerful and evocative combination. These works offer a striking visual commentary on the pressing issues of our time, drawing attention to the environmental and socio-political implications of our global fossil fuel dependency. By utilizing powerful imagery and thought-provoking narratives, these artists have carved out an important niche within the broader art world, engaging audiences with challenging and meaningful works that inspire reflection and, in some cases, action.

© 2024 Sprayed Paint Art Collection,

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