Gas Fuel & Oil

4 artworks


  • Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Red Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $528.00

  • Endless Power Petrol Palace- Blue Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Endless Power Petrol Palace- Blue Silkscreen Print by Shepard Fairey- OBEY

    Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

    $528.00

  • Downward Trajectory Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Downward Trajectory Silkscreen Print by Shepard Fairey- OBEY

    Downward Trajectory Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x24 “Downward Trajectory is one of the many new works featured in my 30th-anniversary show in Los Angeles, “Facing the Giant: Three Decades of Dissent and New Works,” -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

    $539.00

  • An Empire In Decline Archival Print by Al Diaz

    Al Diaz An Empire In Decline Archival Print by Al Diaz

    An Empire In Decline Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Rag Bright Paper by Modern Pop Street Graffiti Artist Al Diaz x Jilly Ballistic. Al Diaz & Jilly Ballistic "AN EMPIRE IN DECLINE" - Limited Edition, Archival Print - 8 x 24" AN EMPIRE IN DECLINE • Autographed archival pigment print • Printed on Moab Entrada Rag Bright 290 GSM archival paper • 8 x 24 inches Hand-signed and numbered by artists Al Diaz and Jilly Ballistic in a limited edition of 40

    $394.00

Gas Fuel & Oil Graffiti Street Pop Artwork

Gas, Fuel, and Oil in Street Pop Art

Graffiti art and street art have always been powerful mediums of expression, often reflecting the societal issues and concerns of the artists who create them. Gas, fuel, and oil have become increasingly relevant subjects within this sphere, given the ongoing environmental and political issues surrounding the world's dependency on fossil fuels. This growing interest has spurred a proliferation of graffiti art prints and street art prints that center on gas, fuel, and oil as primary themes. From a visual perspective, artists utilize a variety of symbols and imagery to represent gas, fuel, and oil. Iconic motifs such as gasoline pumps, fuel tanks, barrels, and pipelines are often portrayed in these works, either as standalone subjects or woven into a larger narrative. Gas, fuel, and oil have long been subjects of critical commentary in street pop art and graffiti artwork. These themes often surface in the works of artists who aim to highlight issues such as environmental impact, corporate dominance, and consumer culture. Street art, with its roots in subversion and public messaging, becomes a canvas for this discourse, transforming gas stations, oil barrels, and brand logos into symbols of reflection within the urban landscape.

Artists' Reflection on Energy Consumption

Artists like Banksy and Shepard Fairey have tackled the subject by integrating imagery of gas masks, fuel pumps, and oil spills into their work, merging the aesthetic of pop art with the grit of the street. These pieces serve as a visual critique of the dependence on fossil fuels and the often overlooked consequences of their pervasive use. By placing these works in public spaces, the artists invite an immediate and communal engagement with these critical issues. The subject of gas, fuel, and oil remains relevant in contemporary street art, reflecting ongoing concerns about climate change and sustainable living. Street artists continue to engage with this theme to provoke public thought and encourage a dialogue about the future of energy consumption and its global implications. The power of street pop art lies in its ability to repurpose commercial symbols like the Shell logo into a commentary on the intersection of industry, environment, and society. Color palettes for these pieces tend to be dominated by earth tones and shades of black, reflecting the raw, natural essence of fossil fuels, while also evoking the smog, pollution, and environmental degradation associated with their extraction and consumption. The connection between graffiti art, street art, and gas, fuel, and oil is both contextual and historical. In many ways, these mediums have served as outlets for socio-political commentary, drawing attention to the unequal distribution of resources, the influence of corporate power, and the devastating environmental consequences of fossil fuel dependency. This commentary is often sharp and provocative, highlighting the urgency of these issues and challenging the status quo. One notable example of this intersection is the work of British street artist Banksy, who frequently employs themes of consumerism, capitalism, and environmental destruction in his art. In one piece, Banksy depicts a grim, industrial landscape with smokestacks spewing pollution and pipelines snaking through the ground, while children play innocently nearby, oblivious to the environmental catastrophe unfolding around them. This striking juxtaposition highlights the contrast between our seemingly carefree daily lives and the serious consequences of our fossil fuel-based society. Another influential artist in this realm is Shepard Fairey, known for his iconic "Obey Giant" imagery. Fairey's work often critiques the power structures behind the global oil industry, showcasing the insatiable hunger for profit that drives these corporations. His pieces frequently incorporate images of oil barrels and fuel pumps, overlaid with bold, commanding text that challenges the viewer to question their own complicity in this cycle of consumption and environmental harm. As the environmental and political concerns surrounding gas, fuel, and oil continue to gain prominence, graffiti art and street art prints will undoubtedly continue to explore these themes in new and innovative ways. For some, these pieces will serve as a reminder of the pressing need for change, while for others, they may be a call to action, inspiring grassroots activism or personal efforts to reduce dependency on fossil fuels. The marriage of gas, fuel, and oil themes with graffiti art and street art prints has proven to be a powerful and evocative combination. These works offer a striking visual commentary on the pressing issues of our time, drawing attention to the environmental and socio-political implications of our global fossil fuel dependency. By utilizing powerful imagery and thought-provoking narratives, these artists have carved out an important niche within the broader art world, engaging audiences with challenging and meaningful works that inspire reflection and, in some cases, action.

© 2024 Sprayed Paint Art Collection,

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