Geometric Abstraction

Undercurrents Limited Edition Hand Pulled 6-Color Serigraph Print on 250 gsm Stonehenge Paper by Erik Otto Graffiti Street Artist Modern Pop Art. 6-color hand-pulled serigraph featuring gradients, translucent, and UV responsive inks. The layers of the print were drawn and painted directly on acetate or cut and torn from black paper in order to produce the screens with a final layer applied directly over the printed layers in alcohol-based paint. Printed in collaboration with fine art printer Mark Herschede of Haven Press in Brooklyn, NY. 14 x 18 in. / 35 x 46 cm. (final print size) 250 gsm Stonehenge paper in Pearl Grey Signed edition of 50

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Untitled 101 Silkscreen Print by Dalek- James Marshall Hand-Pulled 38-Color on 320gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 26x26 Abstract Silkscreen Print Exploring the Geometric Dynamism of James Marshall's Silkscreen Art James Marshall, widely recognized by his moniker Dalek, channels the spirit of street pop art and graffiti artwork through his visually arresting silkscreen prints. One such piece, known for its intricate geometric patterns and bold color play, captures the essence of movement and depth often associated with urban street art's kinetic energy. The piece, while untitled, speaks volumes through its complex interlocking shapes and the vibrant contrast of blues and greens, making it a compelling example of contemporary pop art. Marshall's work in this realm showcases a sophisticated understanding of color theory and spatial dynamics, employed to create a sense of three-dimensional space on a two-dimensional plane. His silkscreen prints do not merely represent the urban aesthetic; they reimagine it, presenting a fusion of precise technique and the unpredictable nature of street art. The result is a body of work that resonates with graffiti's vibrancy and pop art's polished finish. James Marshall's Contribution to Street Pop Art and Graffiti Aesthetics The aesthetic contributions of James Marshall to the street pop art and graffiti movement are marked by his signature style, which combines elements of both genres to produce something unique. His prints, characterized by an almost digital precision, are reminiscent of the meticulous stenciling techniques found in graffiti while drawing on pop art's clean, impactful design. This blend of styles has allowed Marshall to carve out a distinctive niche within the art world, bridging the gap between street-level expression and high art. Marshall's art is not confined to the walls of galleries; it encapsulates the essence of street art by bringing the same sense of accessibility and public engagement to the viewer. Through his prints, he democratizes art, making it available to a broader audience, much like street art's public presence allows for an uninhibited consumption and interpretation by the masses. In summary, James Marshall's untitled silkscreen print is a testament to the dynamic and evolving world of street pop art and graffiti artwork. His unique fusion of geometric precision and bold coloration exemplifies the innovative potential of street-inspired art to captivate and engage, transcending the boundaries between the street and the gallery. Through his work, Marshall continues contributing to the dialogue surrounding contemporary art, challenging perceptions and inspiring new ways of seeing.

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Praxis Of Confusion- Blue Original Painting Acrylic & Cut Wood Assemblage by Kwest Graffiti Street Artist Modern Pop Art. Kwest was born and raised in Toronto, Canada starting his art career as a graffiti artist in the early 1990s. For over twenty years he has been active in developing a unique and complex style of lettering that he can call his own, a fluid and tight mechanical typography that appears to be born of the very structures he chose to paint them on. His primary canvas has been freight trains and he has painted well over 5000 individual works of art, relinquishing any hold on them as soon as they are completed, destined to travel the vast web of rails that crisscross North America. It is thru his solitary practice of working rapidly in an outdoor environment that Kwest has fine-tuned his visual language and similarly gained recognition and respect from his peers.

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Veil System Limited Edition Etching with Aquatint Print on Fine Art Paper by Pauline Aitken pop art graffiti famous artist art. 1969 Signed Limited Edition Veil System Aquatint Etching by Pauline Aitken Pauline Aitken Veil System – 1969 Print – etching, with Aquatint 31” x 23.5” As a woman artist, Pauline Aitken has explored the feminine inner vision, and also a unique view of science and its relationship to art. As a young artist her work was recognized in 1968 at the British International Print Biennale. Continuing through the years winning awards, she has recently received the Arts Business and Employees and the Arts, Business and the Smaller Budget (2000 and 2001) in the UK This series by Aitkin uses biological and chemical terminology as the inspiration for abstract prints. These colorful embossed prints demonstrate a mastery of printmaking technique rarely seen nowadays.

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Multi Tags Series 8465 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2023 Signed on Back Original Multi Tags Series Acrylic & Spray Paint Painting Size 52x34 Original canvas from SEEN, Multi Tags Series, 2023. The actual painting size is 34" x 52" (86,3 x 132 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 30" x 48" (61 x 122 cm) // UN- stretched size is 34" x 52" (86,3 x 132 cm). Multi Tags Series 8465 is an original graffiti painting by legendary street artist Seen UA, whose real name is Richard "Richie" Mirando. A pivotal figure in the graffiti and street art movement, Seen UA rose to prominence in the 1970s and 1980s. Originally from the Bronx, New York, Seen UA began his artistic career by tagging subway trains and quickly gained recognition for his unique style and skillful lettering. In the Multi Tags Series, Seen UA showcases a variety of graffiti styles, techniques, and forms, creating a visually captivating composition. As the title suggests, the painting features multiple tags, a signature element of graffiti art. These tags often represent the artist's street name or the name of their crew. The work showcases Seen UA's distinct talent for incorporating bold, vibrant colors and intricate designs, blending them harmoniously in a dynamic and energetic composition. Through this piece, the artist continues to push the boundaries of graffiti art, demonstrating its legitimacy as a powerful form of artistic expression. UA's artwork has been exhibited in galleries and museums worldwide, and his influence on the graffiti and street art scene is undeniable. Collectors and enthusiasts alike appreciate the cultural and historical significance of his works, as they represent the origins and development of this vibrant art movement.

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Change Starts Within Hand-Embellished Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Erik Otto. Erik Otto - "Change Starts Within" hand-embellished by the artist signed and numbered fine art giclee print edition of 10 copies

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Optichrome112p Geometric Street Artwork Limited Edition Giclee Print on 300gsm Cotton Rag Paper by Urban Graffiti Artist Felipe Pantone. 2022 Signed & Numbered Limited Edition of 200 Artwork Size 19.67x27.56 Felipe Pantone OPTICHROMIE112p, 2022 Gicleé Print Edition Printed on Archival cold press cotton rag 300GSM Straight Cut Edges 19.67 x 27.56 in (50 x 70 cm) Signed and Numbered Edition of 200

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Vader Blue Archival Print by Jayson Atienza Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 18x18 Archival Pigment Fine Art May the 4th

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Multi Tags Series 8609 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 20x34 Multi Tags Series 8609: Original Graffiti Painting by Seen UA Multi Tags Series 8609 is a 2023 original painting by the graffiti artist Seen UA. Known as one of the pioneers of graffiti culture, Seen UA, born Richard Mirando, gained notoriety for his work on subway trains and urban landscapes during the early days of the graffiti movement in the 1970s. This piece is part of his ongoing Multi Tags Series, a collection that explores the expressive power of tagging in its raw, repetitive form. Measuring 20x34 inches, the artwork is crafted using acrylic paint and spray paint on unstretched canvas, emphasizing the street art origins of Seen’s work. The Art of Tagging in Street Pop Art and Graffiti Culture Tagging is one of the most fundamental elements of graffiti culture. A tag, typically a stylized signature or name, is the artist’s mark left on a surface, often as a form of identity or declaration of presence. In street pop art, tagging transcends its initial association with urban vandalism and becomes a form of visual expression and artistry. UA’s Multi Tags Series, 8609, captures this ethos, presenting a wall of repeated tags layered over one another rhythmically and chaotically. The repetition of tags in the series can be seen as both an assertion of identity and a commentary on the nature of urban life. The layering of tags, with overlapping colors and textures, mirrors the layering of voices, identities, and experiences in the urban environment. This dense field of repeated tags evokes the sensation of walking through a city covered in graffiti, where each tag competes for attention while simultaneously blending into the collective hum of the urban landscape. UA’s use of color in Multi Tags Series 8609 further enhances this effect. The painting is dominated by a palette of blues, grays, and whites, with each tag applied in quick, gestural strokes. The color variations suggest a gradient effect, where the tags seem to move in and out of focus, creating a sense of depth and movement. This visual layering invites the viewer to engage with the piece as a whole and on a more detailed, individual level, much like how street art is experienced in public spaces. Graffiti as an Artistic Language UA’s career has been defined by his ability to elevate graffiti from its underground roots into the wider art world. In the early days of graffiti, tags were often seen as acts of rebellion or defiance, expressions of a counterculture that rejected the norms of mainstream society. However, artists like Seen have demonstrated that tagging can also be a sophisticated form of visual language. Multi Tags Series 8609 exemplifies this idea, using tags as markers of identity and tools for creating intricate compositions. In this piece, Seen UA employs acrylic and spray paint, two mediums central to graffiti culture. Combining these materials allows for a range of textures and effects, from the smooth, controlled lines of the acrylic to the more spontaneous, unpredictable bursts of spray paint. The contrast between the two mediums reflects the tension between control and chaos often present in street art. The acrylic tags are precise and deliberate, while the spray paint adds an element of raw energy, evoking the feeling of graffiti created quickly in public spaces. The unstretched canvas in Multi Tags Series 8609 further connects the work to its graffiti roots. Unlike traditional gallery paintings, which are typically stretched and framed, the unstretched canvas recalls graffiti's impermanent, transient nature. Graffiti is often created on surfaces subject to weathering, removal, or destruction, and by choosing an unstretched canvas, Seen UA embraces this sense of impermanence. Much like the graffiti tags it depicts, the artwork feels as though it could be rolled up, moved, or even erased, underscoring the temporary and ever-changing nature of street art. Seen UA: A Legacy of Graffiti and Street Pop Art UA’s influence on the graffiti movement cannot be overstated. Often referred to as the “Godfather of Graffiti,” his work has been a cornerstone of the street art scene for decades. Starting as a young artist tagging subway cars in New York City, Seen UA helped shape the visual language of graffiti, bringing it from the streets into galleries and museums worldwide. His transition from illegal tagging on subway trains to producing fine art pieces like Multi Tags Series 8609 reflects the evolution of graffiti as an art form. Despite his success in the art world, Seen UA has always remained true to the ethos of graffiti culture. His Multi Tags Series continues to celebrate street art's raw energy and rebellious spirit, even as it is displayed in more formal settings. By repeating his tags repeatedly in this series, Seen UA reminds viewers of the persistence and resilience of graffiti culture. Tags are often removed, painted over, or buffed out by city authorities, but graffiti artists continue to create, leaving their marks wherever possible. In this sense, Multi Tags Series 8609 can be seen as a celebration of the enduring nature of graffiti and the artists who create it. The Visual Power of Repetition One of the most striking aspects of Multi Tags Series 8609 is its use of repetition as a visual device. Repetition is a powerful tool in street pop art, where the constant reiteration of symbols, images, and motifs helps to reinforce their meaning. In this piece, Seen UA’s repeated tags create a hypnotic pattern that draws the viewer’s eye across the canvas. Each tag is distinct and part of a larger whole, creating a sense of unity within the chaos. The repeated tags also evoke the act of tagging itself, which is often done in quick, repetitive motions. This physicality is reflected in the gestural quality of the tags, which appear to have been applied rapidly, with energy and urgency. The viewer can almost imagine the artist’s hand moving across the canvas, repeating the same mark repeatedly to leave a lasting impression. Multi Tags Series 8609 is a testament to Seen UA’s mastery of graffiti as a visual language and artistic expression. Using repetition, color, and texture, Seen UA creates a dynamic, engaging work that captures the essence of graffiti culture while pushing the boundaries of what street pop art can be.

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Multi Tags Series 8579 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 24x30 Multi Tags Series 8579 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Miraneen. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Multi Tags Series" is a collection of works that showcase the artist's signature lettering, blending street art with traditional fine art. In Multi Tags Series 8579, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Praxis Of Confusion- Red Original Painting Acrylic & Cut Wood Assemblage by Kwest Graffiti Street Artist Modern Pop Art. Kwest was born and raised in Toronto, Canada starting his art career as a graffiti artist in the early 1990s. For over twenty years he has been active in developing a unique and complex style of lettering that he can call his own, a fluid and tight mechanical typography that appears to be born of the very structures he chose to paint them on. His primary canvas has been freight trains and he has painted well over 5000 individual works of art, relinquishing any hold on them as soon as they are completed, destined to travel the vast web of rails that crisscross North America. It is thru his solitary practice of working rapidly in an outdoor environment that Kwest has fine-tuned his visual language and similarly gained recognition and respect from his peers.

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Queen Of Bicycle Day Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English- POPaganda pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Untitled Simulator Interface IV Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Psychedelic Spiral- 01 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

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Let Love In HPM Unique Collage Print by MCXT- Monica Canilao x Xara Thustra 8-Color Screen Print on Recycled Upcycled Paper & Fabric Textile Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Screen Print, Collage, Gouache, Cloth & Thread HPM Embellished Limited Edition of 30 Artwork Size 9.5x25 on Recycled Upcycled Paper, Mixed Media & Fabric Textile.  The Essence of Mixed Media in Street Pop Art Monica Canilao and Xara Thustra, known for their vibrant contributions to street art and pop culture visuals, have embraced mixed media's eclecticism to its fullest. The artwork is a culmination of various recycled papers, thread, trim, fabric, pink vinyl, acrylic paint, silk screen ink, gouache, and other mixed media, all coming together to create a textural symphony that is as much about the medium as it is about the message. The "Let Love In HPM Unique Collage Print" by the collaborative artistic duo MCXT, which comprises Monica Canilao and Xara Thustra, is a riveting piece of art that stands at the intersection of pop art, street art, and graffiti artwork. This unique artwork is part of a limited edition series, with only 30 pieces created, each bearing its distinct characteristics due to the handcrafted nature of the prints. Exclusivity and Technique Each print in the series has been treated with an 8-color screen printing process, laying the foundation for the following intricate collage work. After the initial printing, the artists have taken to collaging, sewing, and hand painting on each print, ensuring that every print is unique. This technique not only underscores the exclusivity of each piece but also reflects the street art ethos of creating something unique and personal, a direct contrast to the mass-produced images that often characterize the consumer culture critiqued by pop art. Dimensions and Physicality The tangible aspect of the artwork is notable, with its dimensions stretching to 9.5x25 inches. Using recycled and upcycled materials is not just an artistic choice but also a statement on sustainability and the reusability of often discarded materials. The incorporation of cloth and thread adds a dimension of domesticity and handiwork, which contrasts with graffiti art's traditionally masculine and urban connotations, thus offering a commentary on gender roles within the art world and beyond. Collaborative Synergy The collaboration between Monica Canilao and Xara Thustra melds minds and styles, which is evident in the work. Canilao's background in creating detailed, intricate worlds full of personal symbolism complements Thustra's bold, graphic approach, which often includes textual elements and a clear, strong message. The synthesis of these two approaches results in a piece that is layered not just in its physical makeup but also in its conceptual depth. Cultural and Artistic Significance "Let Love In HPM Unique Collage Print" is a testament to the power of street pop art and graffiti artwork to comment on and interact with the broader cultural discourse. With its handcrafted individuality, the artwork challenges the notion of art as a commodity and reasserts it as a means of personal expression and social commentary. It's a celebration of the DIY ethos and the cultural significance of street art as a form of public dialogue and resistance. This limited edition artwork by MCXT is a powerful piece that captures the essence of street pop art and graffiti through its use of mixed media, its handcrafted nature, and collaborative spirit. The artwork serves as both a visual feast and a sociocultural commentary, bridging the worlds of fine art, street aesthetics, and environmental consciousness.

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Charlotte PP Printers Proof Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. PP Printer Proof 2019 Signed & Marked PP Limited Edition Artwork Size 18x18 Archival Pigment Print Artwork. Exploring 'Charlotte' by Tavar Zawacki-ABOVE: A PP Printers Proof Limited Edition Tavar Zawacki, under the moniker ABOVE, has significantly impacted the street pop art and graffiti art scene with his distinctive, geometrically charged artworks. The 'Charlotte PP Printer's Proof Limited Edition Archival Pigment Print' is a prime example of his work, marrying the spontaneity of street art with the precision of fine art printmaking. Produced in 2019, this artwork celebrates ABOVE's visual language, executed on 290gsm Moab Rag Fine Art Paper, renowned for its durability and exceptional color fidelity. The term 'PP,' or Printer's Proof, denotes a particular subset within a print edition, traditionally kept by the printers as a benchmark of the print run's quality. However, in modern practice, these proofs often become coveted collectibles due to their rarity and the insight they provide into the printmaking process. ABOVE's decision to create a Printer's Proof edition underscores his meticulous attention to detail and reverence for printmaking. ABOVE's Artistic Vision and Technique in 'Charlotte' The 'Charlotte' print reveals ABOVE's ability to create depth and optical illusions on a flat surface, encouraging viewers to engage with the piece actively. The 18x18-inch artwork features a mesmerizing spiral that pulls the eye inward, surrounded by angular shapes and bold colors that create a sense of movement and vitality. This print showcases ABOVE's signature style and represents his ongoing exploration of the possibilities within street pop art and graffiti artwork. Each signed and marked PP print signifies ABOVE's direct involvement and approval of the piece, offering collectors a personal connection to the artist's creative process. ABOVE has always been fascinated by the interaction between art and its audience, and 'Charlotte' manifests this interest. The artwork demands attention and contemplation, posing an implicit invitation to the viewer to decode its layers and the potential symbolism within its vibrant vortex. This level of engagement elevates ABOVE's work from mere wall decoration to a dynamic participant in the space it occupies. Cultural Resonance of ABOVE's PP Archival Pigment Prints ABOVE's foray into archival pigment prints with 'Charlotte' reflects the evolving landscape of street art. The permanence afforded by the high-quality archival paper and pigment inks ensures that the vibrancy and precision of the original artwork are preserved over time, much like the lasting impact street art aims to have on its urban canvases. This transition from ephemeral street art to enduring fine art print enables the dialogue started by the original piece to continue and expand within the collector's space. Moreover, the limited edition nature of 'Charlotte' amplifies its value within the art community, positioning it as a significant piece within ABOVE's oeuvre. Collectors and admirers of street pop art and graffiti artwork often seek out limited editions like this for their exclusivity and their inherent statement about preserving and celebrating street art. In essence, 'Charlotte' by Tavar Zawacki-ABOVE is a confluence of artistic innovation, technical skill, and cultural conversation. The PP Printer's Proof is a testament to the artist's dedication to his craft and his understanding of the collector's desire for intimacy with the art they choose to bring into their lives. It is a vibrant homage to the spirit of street art, encapsulating the energy of the streets while securing its place in the annals of modern pop art.

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Vader Pink Archival Print by Jayson Atienza Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 18x18 Archival Pigment Fine Art May the 4th

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Tomorrow's Another Night Blue PP Printers Proof 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. PP Printer Proof 2019 Signed & Numbered Blue Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Niagara and Shepard Fairey's 'Tomorrow's Another Night': A Striking Silkscreen Collaboration 'Tomorrow's Another Night,' a captivating blue PP Printer's Proof silkscreen print, stands as a testament to the collaborative genius of Niagara and Shepard Fairey. This limited edition piece, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, encapsulates the essence of modern street pop art and graffiti with its bold imagery and nuanced undertones. Each print, part of a limited edition run of 150, is signed and numbered, underscoring its exclusivity and the meticulous craftsmanship invested into every screen. Released on July 2, 2021, the artwork measures 18 x 24 inches, allowing intricate details and striking color contrasts to command attention. The print portrays two figures, Ron and Niagara, in a complex interplay of visual tension and harmony. Shepard Fairey's description of the piece reveals a deliberate balance between the overt aggression shown by Ron's direct eye contact and raised fist and Niagara's ostensibly gentle embrace. Yet, as Fairey notes, the true power lies with Niagara, whose understated demeanor masks a controlling presence, symbolized by the switchblade subtly caressed by her finger. This addition by Fairey amplifies the femme fatale motif and ties in with his original concept for the print, suggesting a narrative of concealed strength and influence. Exploring the Visual and Conceptual Depth of 'Tomorrow's Another Night' In creating 'Tomorrow's Another Night,' Fairey and Niagara delve into the dynamics of power, control, and the role of iconography in art. The piece's title and the imagery together weave a tale of anticipation and the recurring cycles of life's drama. The use of a limited color palette accentuates the graphic strength of the work. At the same time, the choice of a high-quality silkscreen process ensures that each color pops against the paper, offering a texture and depth that resonate with the layered meanings of the artwork. The collaboration between the two artists brings together distinct styles and perspectives, marrying the raw edge of street art with the finesse of fine art printmaking. Fairey's background in street pop art and activism and Niagara's punk rock aesthetic combine to create a print that is both a visual feast and a piece of social commentary. The contrast between Ron's defiant gesture and Niagara's subtle dominance challenges traditional gender narratives and invites viewers to look beyond appearances to the complex stories beneath. Cultural Significance and Artistic Legacy of the Print 'Tomorrow's Another Night' is more than just a piece of art; it is a cultural artifact that captures a moment in the evolution of street art and its intersection with pop culture. The collaboration between Niagara and Shepard Fairey represents a bridging of generational talents, fusing the spirit of punk rock with contemporary street art to create something nostalgic and fresh. The Printer's Proof status of the print adds to its cultural weight, as these proofs are typically reserved for the artist's and printer's archives, representing the gold standard of the print edition. Collectors and enthusiasts of street pop art and graffiti artwork value PP editions for their closeness to the artist's original intent and the fine quality of the print. In essence, 'Tomorrow's Another Night' is a shining example of the vibrant and transformative power of collaboration in street pop art and graffiti. It reflects the ongoing narrative of rebellion and the subversion of societal norms that street art embodies. Through this print, Fairey and Niagara offer a thought-provoking and visually impactful piece, solidifying their roles as influential figures in contemporary art.

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Echoes Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm Astropack White Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 50 Artwork Size 19.6x27.5 Silkscreen Print Add Fuel's works are characterized by a geometric and symmetrical approach, with intricate patterns and designs that evoke the beauty and complexity of traditional Portuguese azulejos (tiles). He often incorporates his signature characters, which are based on the classic Portuguese rooster (Galo de Barcelos), adding a playful and whimsical touch to his works. One of the most distinctive features of Add Fuel's art is his use of vibrant and contrasting colors, which give his works a sense of depth and dynamism. He also plays with perspective and optical illusions, creating intricate patterns and designs that seem to pop out of the walls and interact with their surroundings. Add Fuel's art is not only visually stunning but also carries a message of cultural identity and social commentary. By incorporating traditional Portuguese elements into his works, he celebrates his heritage and cultural roots, while also exploring themes such as globalization, consumerism, and identity in the contemporary world.

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Kofie- Frisco Green Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Growing up in Los Angeles and very active in the West LA Graffiti scene since 1993, KOFIE, as he became to be known, is a skillful and well-respected mixed media and street artist. Drawing on his early craft of Graffiti lettering he has developed an abstraction of his earlier works that goes beyond the traditional 3 dimensions of our known world into crafted compositions that build upon themselves. He has the innate ability to combine an appreciation of the past and his vision of a developed future both in his murals as well as his studio, being an original contributor of the Graffuturism movement.

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Gold Silver Cubic Mandala 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x24 Gold Silver & Copper Metallic Ink

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The Empresses- H10-3 Theodora Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst. 2022 Signed & Numbered In Verso on Label Limited Edition of 3315 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet Exploring 'The Empresses - H10-3 Theodora': A Fusion of History and Modernity Incredibly intricate and dynamic, 'Theodora' pays homage to the influential Byzantine empress who used her intellect and understanding to bring about enduring transformation within the empire. Born to the most humble class in Byzantine society, Theodora (497-548 CE) ascended to power in 527 CE after marrying Emperor Justinian. She made a lasting impact on the region, primarily by enacting new religious and social policies. Theodora's influence over the empire led many to question whether she, rather than Justinian, held the reins. In 'Theodora,' an absorbing asymmetrical pattern is formed from red and black butterfly wings, making it the only piece in the series. Shimmering red lines, visible only up close, bisect the composition vertically and horizontally, dividing it into halves and thirds and forming a circle in the upper portion. The lower horizontal band, the circle, and the vertical line stand out most prominently, evoking the female gender symbol. This symbolism harks back to some of Theodora's groundbreaking policies that improved the lives of women, such as banning the trafficking of young girls and revising divorce laws to grant women greater rights. 'Theodora' distinguishes itself through its orchestrated disorder, with wings positioned individually or in pairs throughout the piece. The meticulous asymmetrical arrangement generates the visual impression that these wings are not inert specimens displayed for the viewer's delight but rather living creatures pulsating with energy, caught in motion as they traverse (and seemingly beyond) the depicted space. The piece 'The Empresses - H10-3 Theodora' is a striking example of how street pop art and graffiti artwork can encapsulate the essence of historical figures through the lens of contemporary art. Damien Hirst, an artist renowned for his urban graffiti and modern artistic approaches, crafts a narrative around Theodora, the influential Byzantine empress known for her intelligence and legislative impact. This limited edition artwork, part of a series that honors powerful women from history, stands out for its use of giclee and glitter screenprint on aluminum, a signature technique of Hirst's that combines traditional artistry with a modern substrate. Visual Symbolism and Asymmetry in 'Theodora' 'The Empresses - H10-3 Theodora' is not merely a collection of butterfly wings arranged for aesthetic pleasure; it is a carefully orchestrated representation of Theodora's tumultuous rise from humble beginnings to becoming an empress who enacted transformative changes in Byzantine society. The asymmetry in the arrangement of red and black wings breaks away from the symmetry found in the other series pieces, much like Theodora, who broke the mold of societal expectations in her time. The shimmering red lines that bisect the composition evoke the female gender symbol, a nod to Theodora's groundbreaking policies that significantly improved the status of women. These include the prohibition of the trafficking of young girls and the revision of divorce laws to provide women with more rights. The vertical and horizontal lines divide the space into halves and thirds, creating a circle at the top, subtly suggesting Theodora's holistic and inclusive approach to governance. 'Theodora': A Lively Tableau of Empress's Legacy In 'Theodora,' each butterfly wing seems to pulsate with energy, creating the impression of a living, breathing tableau rather than a static piece of art. The arrangement suggests movement, indicating Theodora's dynamic presence and the enduring changes she implemented. This choice reflects Hirst's intention to capture the essence of Theodora's character and reign, rendering them in a medium that transcends time. The artwork, signed and numbered by Hirst, is part of a larger narrative that challenges the viewer to consider how the historical and the contemporary intersect. 'The Empresses - H10-3 Theodora' is a testament to the lasting influence of an empress whose policies and actions continue to resonate through the centuries. As a piece of street pop art and graffiti artwork, it bridges the realms of ancient history and modern expression, inviting reflection on the power of leadership and the indomitable spirit of one of history's most remarkable women. Through this piece, Damien Hirst contributes to the narrative of street pop art. This genre continually redefines itself and expands the parameters of what art can communicate and commemorate.

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Papel 25 3-Color Hand-Pulled Limited Edition Silkscreen Print on 330gsm Somerset Radiant White Paper by Tavar Zawacki- Above Rare Street Art Famous Pop Artwork Artist. 2022 Singed & Numbered TAVAR ZAWACKI PAPEL 25 (EDITION), 2022 3 color screen print on Somerset Radiant White 330gsm 70 x 70 cm 27 1/2 x 27 1/2 in Edition of 50

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Copper Caught Limited Edition 5-Color Hand-Pulled Silkscreen Print on 270gsm Fine Art Paper by Lucy McLauchlan Graffiti Street Artist Modern Pop Art. 5 layer screen print including gloss, matt, and metallic inks. Hand printed in Birmingham with Mission Print, 2018

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Double Metamorphosis Hand-Pulled Silkscreen Print on Wove Fine Art Paper by Jewish Contemporary Art Artist Yaacov Agam Rare Limited Edition Artwork. 1980 Signed & Numbered Framed Limited Edition of 99 Artwork Size 14x10 Mild light and time staining. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 20 X 24 Inches Double Metamorphosis by Yaacov Agam in Street Pop Art & Graffiti Artwork Double Metamorphosis is a hand-pulled silkscreen print by Yaacov Agam, a leading figure in kinetic and optical art. This rare limited edition artwork, created in 1980, showcases Agam’s mastery of transformation, movement, and shifting perspectives. Signed and numbered as part of an edition of 99, this framed piece highlights Agam’s signature approach to creating interactive visual experiences. The print is matted and enclosed under acrylic, enhancing its layered structure and dynamic illusionary effects, making it a key example of street pop art & graffiti artwork that explores movement within static imagery. Visual Transformation and Optical Illusion in Street Pop Art Agam’s Double Metamorphosis reflects his fascination with constant motion and evolving compositions. The piece is constructed using geometric shapes, contrasting colors, and layered grids, creating an optical effect where the image shifts depending on the viewer’s angle. This approach is highly influential in urban mural art and graffiti artwork, where visual distortions and layered perspectives captivate street audiences. The technique used in this silkscreen print resonates with the vibrant, interactive qualities of contemporary street pop art, which often incorporates hidden images, lenticular illusions, and perspective-based compositions. These techniques mirror the dynamic energy of street murals and public art installations, where changing vantage points alter the perception of the piece. The interplay of color and motion in Double Metamorphosis is an extension of urban graffiti techniques that manipulate light, texture, and visual distortion. Yaacov Agam’s Influence on Street Pop Art & Graffiti Artwork Agam’s artistic philosophy has had a strong impact on public installations, large-scale graffiti murals, and street pop art compositions. His exploration of continuous movement, transformation, and interactive perception aligns with modern muralists and graffiti artists who create multi-layered works in urban spaces. Artists incorporating lenticular street art, digital projection graffiti, and dynamic mural techniques draw inspiration from Agam’s kinetic principles. His approach also connects with experimental printmaking and street-based optical illusions, where artists integrate changing hues, shifting angles, and lenticular layering to create artwork that responds to the surrounding environment. Agam’s impact can be seen in contemporary graffiti artwork that blends traditional spray-paint techniques with digital optical enhancements, creating hybrid forms of street pop art that interact with city landscapes. Collectibility and Cultural Significance of Double Metamorphosis This limited edition silkscreen print is a highly collectible piece that reflects the evolution of kinetic art within modern street pop art movements. The meticulous hand-pulled silkscreen process aligns with the craftsmanship found in high-end graffiti stencil work, screen-printed street posters, and fine art editions inspired by street aesthetics. With only 99 editions, this framed piece is a rare representation of Agam’s experimental visual philosophy. As contemporary street pop art & graffiti artwork continues to evolve, Agam’s innovations in visual perception, layered movement, and dynamic compositions remain highly relevant. His ability to create images that transform depending on perspective serves as a foundation for urban artists incorporating motion, interactivity, and optical distortions into large-scale city installations. Double Metamorphosis stands as a testament to Agam’s legacy and his lasting impact on modern pop art, kinetic mural techniques, and interactive graffiti styles.

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Trip Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Raws pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Teal Mandala 1-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2010 Signed Limited Edition of 40 Artwork Size 18x24

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Hirst Dots- Red Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and art master Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

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Tunnel Vision Version 2- Alternate Gold Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2018 Signed by Shepard Fairey & Numbered Limited Edition of 700 Artwork Size 18x24 Shepard Fairey (b. 1970) Tunnel Vision 2018 Screenprints in colors on speckled cream paper 18 x 24 inches (45.7 x 61 cm) Ed700 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. Tunnel Vision Version 2 Gold Silkscreen Print is a limited-edition artwork created by American contemporary street artist Shepard Fairey, who is best known for his OBEY Giant campaign and the iconic Barack Obama "Hope" poster. Fairey's work often combines street art aesthetics with political messages, drawing inspiration from graphic design, propaganda, and counterculture. The Tunnel Vision Version 2 - Gold Silkscreen Print features an eye-catching design with Fairey's signature style. The print showcases a mixture of geometric patterns, bold lines, and contrasting colors, with the blue colorway offering an alternative to the original print. Like many of Fairey's works, the piece has a thought-provoking theme that encourages the viewer to question societal norms and the status quo. As a silkscreen print, the artwork is produced using a stencil-based printing process that involves applying ink through a mesh screen onto a substrate. This method allows for vibrant colors and sharp, precise details, making it a popular choice for artists and printmakers. Since it is a limited-edition print, collectors and fans of Shepard Fairey's work should act quickly to secure a copy before they sell out.

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Half Perfumed Helter Skelter Square The Beautiful Paintings Giclee Print by Damien Hirst Artwork Limited Edition Print on Poly-Cotton Canvas Graffiti Pop Street Artist. 2023 Signed The Beautiful Paintings Unique Original Print Edition Artwork Size 27.56x27.56 (70cmx70xm) Square Titled: Beautiful Half Perfumed Helter Skelter Painting. H12-6-150 Exploring the Vivid World of Damien Hirst Damien Hirst's "Beautiful Half Perfumed Helter Skelter Painting" stands as a vibrant testament to the intersection of street pop art & graffiti artwork with the refined techniques of modern printmaking. This 2023 artwork, part of 'The Beautiful Paintings' series, is a limited edition giclée print on poly-cotton artist canvas, a choice that ensures durability and color fidelity. Hirst uniquely signs each print, emphasizing its originality and the artist's personal touch. The artwork spans a perfect square, measuring 27.56 inches on each side, a size that allows the intricate details and explosive color palette to command the viewer's full attention. Mounted on birch plywood stretchers, Hirst's work transcends the traditional print format, offering a depth and presence akin to that of a painting. The title, "Beautiful Half Perfumed Helter Skelter Painting," suggests a fusion of sensory experiences and a dizzying descent into the artist's psychedelic aesthetic. Hirst, a pivotal figure in the Young British Artists movement, is known for challenging the boundaries of art with his unconventional methods and thought-provoking themes. Damien Hirst's Unique Contribution to Contemporary Art "Beautiful Half Perfumed Helter Skelter Painting" encapsulates Hirst's exploration of the chaotic beauty inherent in the world, a theme recurrent throughout his work. The giclée printing process, known for its high-quality art reproduction, perfectly complements Hirst's intricate designs. The poly-cotton canvas for these prints presents a textured surface that adds a tactile dimension to the visual experience. The mounting on birch plywood gives the artwork a sturdy base, bridging the gap between traditional canvas paintings and contemporary art prints. The piece is a colorful explosion that mimics the centrifugal force of a helter-skelter, a spiraling amusement ride, drawing viewers into a vortex of color and form. Hirst's work is often a commentary on the complexities of human existence, and this piece is no exception. Through his art, Hirst invites us to ponder the cyclical nature of life, the interplay between order and chaos, and the fragility of our perceptions. In the realms of street pop art & graffiti artwork, Hirst's "Beautiful Half Perfumed Helter Skelter Painting" is a monumental piece that marries the accessibility of street art with the exclusivity of limited edition prints. This work, and others in 'The Beautiful Paintings' series, reflect Hirst's status as an artist who continuously pushes the envelope in terms of technique and concept. The square format of the piece, often associated with balance and symmetry, is disrupted by the tumultuous swirl of colors, a juxtaposition that is quintessentially Hirst. Damien Hirst's "Beautiful Half Perfumed Helter Skelter Painting" is a must-consider for lovers of modern art looking to capture a slice of the artist's famed oeuvre. The print is a bold statement, blending the artist's signature use of vivid color with the precision of giclée printing, resulting in a piece that is as thought-provoking as it is visually arresting. As part of a limited edition, this artwork stands as a beacon of Hirst's innovative spirit and his unwavering commitment to exploring the aesthetic potentials of contemporary art.

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The Empresses- H10-4 Suiko Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst. 2022 Signed & Numbered In Verso on Label Limited Edition of 3310 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet Empress Suiko's Legacy Through Damien Hirst's Vision Suiko, a captivating composition, embodies the essence of life in numerous ways and is named after Japan's first documented empress. Although folklore suggests that several women had ruled before Empress Suiko (554-628 CE), her ascension to power following the assassination of her brother Sushun in 592 CE challenged the tradition of male rulership. Suiko is recognized for the Chinese and Korean influences she introduced to Japan, such as the adoption of the Chinese calendar, the arrival of Chinese and Korean artisans, and, most notably, the establishment of Buddhism. In the artwork, variously sized paired wings radiate from the center, forming a symmetrical, concentric circle that mirrors Buddhist symbolism and life cycle. This circular pattern is strikingly accentuated by shimmering diagonal red lines that extend from the center to each corner. Set against a red backdrop, these lines intersect the pairs of detached wings, seemingly passing through where the bodies once resided. As with every piece in this series, Suiko presents a continuous metamorphosis, with the butterflies appearing to move and evolve the longer one observes the work. While the details are best appreciated up close, the composition assumes a new vitality from a distance. From this perspective, Suiko unveils a swelling configuration of wings, organized around the central concentric circles and enhanced by additional external wing arrangements. This composition resembles biological or molecular structures reminiscent of the living organisms it portrays. 'The Empresses - H10-4 Suiko' is a profound piece of street pop art by Damien Hirst, a renowned British artist whose works often delve into themes of life, death, and beyond. This artwork is a giclee and glitter screenprint on an aluminum sheet, encapsulating the historical significance and spiritual depth of Empress Suiko, Japan's first documented empress. The piece, signed and numbered by Hirst, embodies Empress Suiko's transformative impact on Japanese society by integrating Chinese and Korean cultural elements and establishing Buddhism as a foundational spiritual practice. Spiritual Symbolism in 'The Empresses - H10-4 Suiko' The artwork mesmerizes with concentric circles of butterfly wings, evoking Buddhist symbolism and the concept of life's cyclical nature. Each pair of precisely placed wings creates a sense of harmony and balance, reflecting the orderly universe Suiko sought to establish through her reforms. The shimmering diagonal lines traversing the composition echo the Buddhist paths of enlightenment, leading from the tumultuous human experience to the serenity of Nirvana. Hirst uses these lines to draw connections between the spiritual journey and the temporal power wielded by Empress Suiko, who navigated the intricacies of court politics with a vision of peace and progress. Set against a vibrant red backdrop, the wings' arrangement transcends mere aesthetic appeal, inviting contemplation of life's transient beauty and the spirit's enduring nature. This duality aligns with the principles of Buddhism, which Suiko championed. This faith acknowledges the fleeting beauty of the physical world while urging the pursuit of more profound, lasting truths. A Metamorphosis of Art and History Observing 'The Empresses - H10-4 Suiko', one experiences a metamorphosis that mirrors the transformative era of Suiko's reign. The continuous evolution of the artwork, where butterflies symbolize change and rebirth, speaks to the empress's role in reshaping Japan's cultural and religious landscape. From a distance, the composition pulses with life, the concentric circles expanding outward, reminiscent of Suiko's policies' rippling effect across her empire and through time. The biological and molecular resemblances in the arrangement of the wings suggest the interconnectedness of all living things, a concept at the heart of Buddhist teaching. Hirst's masterful integration of historical narrative with contemporary art challenges the viewer to consider how the past informs the present and how figures like Empress Suiko continue to influence modern thought and art. In 'The Empresses - H10-4 Suiko', Damien Hirst offers more than just a visual spectacle; he presents a philosophical inquiry wrapped in street pop art and graffiti artwork. This piece is a testament to Hirst's ability to weave together the threads of history, spirituality, and contemporary art into a tapestry that captures the imagination and prompts introspection. Empress Suiko's legacy, as interpreted through Hirst's artistic vision, becomes a bridge connecting the ancient to the modern, the spiritual to the secular, and the individual to the universal.

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Shelter Limited Edition Hand-Embellished HPM 6-Color Screen Print on 290gsm Coventry Rag Fine Art Paper by Erik Otto Graffiti Street Artist Modern Pop Art. Signed & Numbered Hand-Embellished 6-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Size: 16 x 20 Inches Release: May 26, 2021 Run of: 45 "This print includes multiple printing techniques - gradient, spot gloss, and metallic. Furthermore, I added a subtle spray of metallic silver and a hit of pink spray paint over an incidental marking made of colored correction tape. Lastly, I stamped my signature circle floating off the top edge of the composition signaling another day is around the corner." –Erik Otto

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In HDL We Trust PP Printers Proof Silkscreen Print by Hygienic Dress League Hand-Pulled 3-Color on 290gsm Coventry Rag Vellum Fine Art Paper Limited Edition Pop Street Art Artwork. PP Printer Proof 2020 Signed & Marked PP Limited Edition Artwork Size 18x11 Silkscreen Print Exploring the Intricacies of "In HDL We Trust PP Printers Proof" by Hygienic Dress League The "In HDL We Trust PP Printers Proof" silkscreen print is a captivating piece of street pop art encapsulating contemporary socio-economic commentary's essence. Created by the Hygienic Dress League (HDL), a duo known for their intelligent and satirical take on corporate culture and consumerism, this artwork stands out as a limited edition print that delves deep into the fabric of modern society's values. This piece was hand-pulled, utilizing a three-color process on 290gsm Coventry Rag Vellum fine art paper. This choice underscores the quality and attention to detail the HDL invests in its artwork. The limited edition nature of this print, marked PP for Printer's Proof and signed by the artists, points to its exclusivity and collectibility. Measuring 18x11 inches, the print showcases the HDL's iconic visual language, often featuring figures in gas masks. This motif anonymizes individuals while commenting on themes of environmental degradation and protection. The figure is poised, presenting a pigeon against an ornate, golden circular pattern that evokes a coin — directly referencing the title "In HDL We Trust." This imagery is a clever twist on the phrase "In God We Trust," traditionally found in US currency, suggesting a critique of the deification of corporate entities in modern culture. Symbolism and Technique in HDL's Silkscreen Print The Hygienic Dress League's print of "In HDL We Trust" is not just a visual treat; it's a narrative layered with symbolism. The juxtaposition of the pigeon, often seen as an ordinary or even pesky creature, with the superb, almost religious iconography creates a dichotomy that invites interpretation. It could be seen as a statement on the value placed on the mundane or overlooked aspects of life, as contrasted with the grand narrative of corporate trust and power that HDL critiques. The choice of silkscreen printing, a method with roots in both commercial and street art, further bridges the gap between high art and the more rebellious forms of street pop art. The technique used in this artwork, silkscreen printing, is particularly significant in street pop art and graffiti artwork. This method, known for its bold, clear lines and vibrant colors, is ideally suited to the graphic style of HDL. The three-color process in creating "In HDL We Trust" allows for a high level of detail and a range of tonalities that give the piece depth and texture. Using Coventry Rag Vellum fine art paper, a heavyweight and durable medium, ensures that the artwork has a quality feel and can stand the test of time. In summary, "In HDL We Trust PP Printers Proof" is a thought-provoking example of street pop art that demonstrates the power of this medium to challenge and critique. The artwork's limited edition status, sophisticated technique, and deep symbolism make it a significant piece for both art collectors and those interested in the intersection of art, society, and cultural commentary. Through this print, the Hygienic Dress League continues to question and redefine the boundaries of street pop art and graffiti artwork, offering a fresh perspective on the role of art in reflecting and shaping public consciousness.

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Angles Of Elevation Limited Edition Archival Pigment Prints on 300gsm Fine Art Paper by Vans The Omega Graffiti Street Artist Modern Pop Art. "‘Angles of Elevation’ was the prize geometric piece of my recent show "Into The Light" and is the amalgamation of the past 7 years of trial and error, research and development painting geometric illusion within my fine artworks both in the studio and on large scale walls. I think this piece represents discovery within and the journey we make during life. The science behind geometry in the healing arts isn’t readily taught but is something I have spent many years studying and being open to on a personal and professional level. My belief and knowledge of the healing power that Art creates is a large goal of my practice in Art, both for others and myself alike. Apart from the piece serving an aesthetic appeal, the greatest aim is to reveal something about yourself while taking in the work. Visually this work came together through a series of visions that I have strived to fulfill. The dimension of this piece was my greatest challenge while giving a mixture of etheric and harder edges to push and pull the eye through space so that harmony is met." - Vans The Omega

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Multi Tags Series 7912 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size 30x42 Multi Tags Series 7912" is an original graffiti painting by Seen UA, an influential artist. Seen UA, also known as Richard Mirando, is a pioneer in graffiti with a career spanning over four decades. He started in the late 1970s, tagging New York City's subway trains and streets with his iconic, dynamic lettering style. As the name suggests, "Multi Tags Series 7912" is likely part of a series of works featuring multiple graffiti tags in different styles and colors. The series might showcase Seen UA's diverse graffiti techniques and the evolution of his style over the years. UA's work has gained international recognition, and he has transitioned from the streets to the fine art world. His art has been exhibited in galleries and museums globally, earning him a place among history's most respected graffiti artists. Collectors appreciate Seen's work for its vibrant colors, bold lettering, and intricate designs, reflecting the energy and spirit of the urban landscape.

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The Empresses- H10-1 Wu Zetian Pop Street Artwork Limited Edition Giclee & Giltter Screenprint Print on Aluminum Sheet by Urban Graffiti Modern Artist Damien Hirst. 2022 Signed & Numbered In Verso on Label Limited Edition of 2853 Artwork Size 39.37x39.37 Giclee & Giltter Screenprint Print on Aluminum Sheet The Butterfly Effect in Street Pop Art: 'The Empresses - H10-1 Wu Zetian' In the landscape of street pop art, the works of Damien Hirst stand as monumental achievements that merge historical reverence with modern artistic practices. One such work, 'The Empresses - H10-1 Wu Zetian' by Hirst, is a splendid example of how contemporary art can pay homage to historical figures while employing modern techniques and mediums. This limited edition artwork, signed and numbered by Hirst, is a collector's piece and a profound visual narrative that encapsulates the essence of Wu Zetian's rule. At the core of 'Wu Zetian,' a vibrant artwork inspired by the cunning and effective Chinese ruler, lies a unique arrangement of butterfly wings. Wu Zetian (624-705 CE) ascended to power as empress in 655 CE when she married Emperor Gaozong. Her reign witnessed brutal eliminations of political opponents but also stabilized the Tang Dynasty during a critical period. The central element of the piece is a solitary set of butterfly wings encircled by pairs of wings, forming a striking and symmetrical hexagonal pattern. The composition emphasizes the number six, a recurring symbol of good fortune in Chinese culture. Additionally, the hexagon symbolizes the six directions (North, South, East, West, Heaven, and Earth), signifying completeness, harmony, and balance. These notions reflect Wu Zetian's rule, marked by her intelligence, courage, and firm decision-making. Elaborate red-winged butterfly arrangements fill the canvas's four corners, featuring a seamless interplay between singular and paired wings. This complex composition lends an alluring dynamism to the artwork, creating an impression of perpetual change and imbuing the butterflies with a lifelike sense of movement. 'Nūr Jahān' is another artwork featuring intricate patterns of single or paired butterfly wings rendered in stunning red and black hues. The symmetrical designs radiate from the center, forming mesmerizing, kaleidoscopic patterns. At the composition's heart lies a focal square that encloses the central set of wings, drawing the viewer's eye inward. This refined configuration echoes the architectural mastery of Nūr Jahān and the exquisite mosaic tiles adorning the Agra tomb. A continuous metamorphosis characterizes the arrangement of 'Nūr Jahān.' As viewers observe the artwork and shift their position, they uncover new sequences of extraordinary wing patterns. The large black and red pairs encircling the composition create a distinctive, uneven frame. This imbues the structured composition with energy and vitality, capturing the butterflies in a moment of multidirectional flight. Symmetry, Significance, and Symbolism At the heart of 'The Empresses - H10-1 Wu Zetian', viewers are enveloped in a spectacle of symmetry and symbolism. Damien Hirst, an English artist whose work has often sparked dialogue within the art community, crafts a visual representation of Wu Zetian, the only female emperor in Chinese history. The artwork is meticulously constructed with butterfly wings arranged to form a hexagonal pattern, a shape deeply rooted in Chinese symbolism. The hexagon represents the harmonious union of the six directions, embodying Wu Zetian's strategic prowess and the balance she maintained during her reign. The solitary set of wings at the center of the piece may signify Wu Zetian herself, surrounded by the intrigues and courtiers that defined her rule. The intricate patterns of single and paired wings, rendered in striking red hues, resonate with power, passion, and transformation themes. Red, a color of great importance in Chinese culture, symbolizes good fortune and joy, which intricately ties the aesthetic choice to the cultural context of the artwork. Artistic Techniques and Contemporary Interpretations Damien Hirst's choice of medium—giclee and glitter screenprint on an aluminum sheet—further enhances the luminosity and texture of the work, allowing the intricate details and reflective qualities to shine. This choice aligns with his fascination with unconventional materials and methods, a hallmark of his approach to art. The aluminum surface lends the piece a contemporary edge, aligning with the ethos of street pop art, where traditional graffiti has evolved into a sophisticated form of artistic expression. The artwork's technique and composition invite an interactive experience. As the viewer's perspective shifts, so does the appearance of the wings, suggesting the fluidity of power and the fleeting nature of life, themes that were all too familiar to Wu Zetian as she navigated the treacherous waters of political intrigue. The work's dynamic nature reflects the constant motion and change inherent in street pop and graffiti artwork, where the context and environment play crucial roles in interpreting the art. In synthesizing the historical narrative of Wu Zetian with the transformative medium of street pop art, Hirst allows for a contemporary reimagining of a figure who shaped history. This piece does not merely represent a figure from the past; it brings her into the present, allowing for reflection and discourse on the nature of power, the role of women in history, and the enduring impact of a legacy left behind centuries ago. Through 'The Empresses - H10-1 Wu Zetian', Hirst contributes to the narrative of street pop art. This genre continues to redefine itself and expand the parameters of what art can communicate and commemorate.

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Arrows #6 Limited Edition Hand-Embellished HPM Archival Pigment Prints & Spray Paint on Fine Art Paper by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art.

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Smiley Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mike Giant pop culture LSD artwork. "The Smiley graphic is one of my graffiti throw-ups, a “GI”. I started writing it on walls in the mid-1990s. This is 1 of 6 LSD graphics I illustrated in early 2017 after reminiscing about my days as a regular LSD user (at least once a week). 3 of the 6 graphics in this series were based on real LSD that I ate and sold. The other 3 are things I thought would work great as blotter art. I researched blotter art and found some that I remember eating and selling. The others I made up. They’re really special when compared to what I usually offer and I’ll bet they’ll be worth some money someday as this is the only time I’ve drawn LSD blotter art." - Mike Giant

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AZ397 Trippin' Grey Blotter Paper Archival Print by Add Fuel Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2022 Signed & Numbered Limited Edition of 75 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Green Mandala 4-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 100 Artwork Size 18x24 Split Fountain

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Flower Diamond 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Kai + Sunny Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered by Shepard Fairey & Kai + Sunny Limited Edition of 450 Screen Print 'Flower Diamond' Artwork Size 18x24. Shepard Fairey x Kai + Sunny: Synthesis of Street Pop Art in 'Flower Diamond' The collaboration between Shepard Fairey and Kai + Sunny has birthed a masterpiece in the form of 'Flower Diamond,' a two-color hand-pulled limited edition silkscreen print that showcases the confluence of street pop art and graffiti artwork. Released in 2021, this piece is a signature representation of how the medium of street art can transcend the confines of urban spaces and find its place within the sophisticated realm of fine art galleries. Limited to a series of 450, the print is a testament to these artists' meticulous craftsmanship and creative synergies. Artistic Merit and Design of 'Flower Diamond' The 'Flower Diamond' stands out with its 18x24 artwork size, a dimension that allows the intricate details and the bold contrasts to be fully appreciated. The fine speckle tone art paper serves as a canvas that adds a subtle texture to the print, enhancing the visual depth of the artwork. Using two colors in the silkscreen process is a deliberate choice that showcases Fairey and Kai + Sunny's ability to create complex imagery through minimalistic means. The geometric precision and the central motif of the piece reflect a harmony between natural forms and structured design, a duality often explored in both pop art and street art. The significance of 'Flower Diamond' in the cultural landscape of street pop art cannot be overstated. Signed and numbered by Shepard Fairey and Kai + Sunny, the artwork becomes a piece of visual splendor and a collector's item that carries the weight of the artists' legacies. Fairey, known for his OBEY campaign and his public art and activism work, brings a certain gravitas and socio-political commentary to the collaboration. Meanwhile, Kai + Sunny adds their signature style of line work and natural motifs, creating an aesthetically pleasing and thought-provoking piece. A Union of Styles and Philosophies In 'Flower Diamond,' one finds a seamless union of styles and philosophies that characterizes the best street pop art and graffiti artwork. The limited edition nature of the print ensures that each piece is a slice of art history, encapsulating the meaningful collaboration between these renowned artists. It is a piece that captures the evolving narrative of street art, its potential for cooperation, and its place in the larger conversation of contemporary art. As collectors and enthusiasts seek to own a part of this narrative, 'Flower Diamond' stands as a beacon of what is possible when the rebellious spirit of street art meets the reflective poise of fine art.

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Tomorrow's Another Night Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. 2021 Signed & Numbered Red Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Shepard Fairey's Collaboration with Niagara: 'Tomorrow's Another Night' 'Tomorrow's Another Night' is a testament to the dynamic collaboration between Shepard Fairey and Niagara, two pivotal figures in modern street pop art and graffiti artwork. This limited edition silkscreen print, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, showcases Fairey's masterful screen printing technique alongside Niagara's provocative artistic vision. Released on July 2, 2021, each print in the series is meticulously signed and numbered, indicating the exclusive nature of this artwork. The 18 x 24 inches dimensions make it ideal for collectors who appreciate the nuanced intersection of pop culture and fine art. The artwork features iconic imagery that reflects the rebellious spirit of the punk rock movement, imbued with a sense of in-your-face aggression and subtle manipulation. Ron's direct gaze and clenched fist are juxtaposed with Niagara's calculated and serene posture, a duality that Fairey emphasizes with the strategic placement of a switchblade. This element augments Niagara's allure nod to Fairey's original concept of the duo as a modern-day Bonnie and Clyde, suggesting a narrative of power and seduction that belies their outward appearance. Exploring the Visual Narrative and Artistic Merit of 'Tomorrow's Another Night' Shepard Fairey's decision to work with Niagara on 'Tomorrow's Another Night births a rich visual narrative of contrast and complexity. The stark black-and-white imagery is accented by the thoughtful use of three colors, which adds depth and draws the viewer into the story unfolding within the print. The art piece resonates with the energy of the street, where graffiti art traditionally challenges societal norms and provokes thought through visual storytelling. The screen print is a visual exploration of the dichotomy between appearance and reality, power dynamics, and the role of women as unseen orchestrators in a male-dominated society. Fairey's description of Niagara as someone who appears demure yet is 'pulling the strings' is a powerful commentary on the multifaceted nature of female strength and agency. Thus, the artwork becomes a platform for aesthetic appreciation and engagement with broader themes of gender and control. The Cultural Impact of Fairey and Niagara's Artistic Fusion 'Tomorrow's Another Night' represents a cultural milestone in street pop art and graffiti artwork. The collaboration between Shepard Fairey and Niagara bridges generations and artistic styles, creating a piece that is both a tribute to the past and a relevant commentary on contemporary issues. The limited edition nature of the print adds to its cultural significance, offering a snapshot of a moment when two artists from different backgrounds and with distinct voices came together to create something unique and impactful. Moreover, the piece contributes to the ongoing discourse about the place of street art within the broader context of art history. By bringing street art aesthetics into fine art through silkscreen printing, Fairey and Niagara challenge traditional boundaries and invite a reevaluation of what constitutes art in the modern era. 'Tomorrow's Another Night' is an artwork to be enjoyed for its visual appeal and a conversation starter that encourages viewers to delve deeper into the stories behind the images. In essence, 'Tomorrow's Another Night' is a vibrant embodiment of the collaborative spirit that defines street pop art. Through this print, Shepard Fairey and Niagara offer a piece steeped in the ethos of street culture while maintaining a polished finesse that appeals to the fine art collector. The artwork is a testament to the power of artistic collaboration and the enduring allure of street-inspired art.

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Capsule Collection #5 Original One of a Kind White Acrylic Painting Artwork on Black Mixed Media Paper by Popular Street Graffiti Artist HoxxoH- Douglas Hoekzema. 2021 Signed On Back Capsule Collection #5 From A Unique Hand Painted Series of 25, Each Different. Size 18x24

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Sun Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Mike Giant pop culture LSD artwork. "The Sun graphic is based on LSD that I used to eat in the late 1990s. The only difference being the ones I ate were on yellow paper. This is 1 of 6 LSD graphics I illustrated in early 2017 after reminiscing about my days as a regular LSD user (at least once a week). 3 of the 6 graphics in this series were based on real LSD that I ate and sold. The other 3 are things I thought would work great as blotter art. I researched blotter art and found some that I remember eating and selling. The others I made up. They’re really special when compared to what I usually offer and I’ll bet they’ll be worth some money someday as this is the only time I’ve drawn LSD blotter art." - Mike Giant

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Geometric Dove Tile- Black Dream Editions Series Limited Edition Archival Pigment Fine Art Print on Tile With Cork Base by Graffiti Street Art and Pop Culture Artist Shepard Fairey. Geometric Dove (Black) Shepard Fairey Edition of /225 + 25 AP Digital print on a tile. Tile with cork base Laser signature and numbering 15 × 15 cm 5.9x5.9in 2021 "The Dream Editions series challenges invited artists to dig deep into their imagination to create pieces that they have always dreamt of, but never really got the chance to accomplish - until now. As an innovative and ground-breaking initiative will be pushing these abilities to the max, showing just how accomplished this industry has become. Over the years, Underdogs have developed countless limited editions and unique pieces, encompassing a wide variety of mediums, shapes, materials and processes." -Underdogs

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Arrow Pulse Spring Original Hand-Painted Multiple Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki- Above Graffiti Street Artist Modern Pop Art. "The Arrow Pulse was one of the many popular designs I made for my recent solo exhibition, Remix in Detroit. I decided to make a smaller-sized edition (5) of the Arrow Pulse arrows as this design is a popular and iconic style of the arrow. I had designed the cut files on my computer with Adobe Illustrator, then had them laser cut to ensure their perfection and unison in shape. After the cuts were made I individually removed each pulse and assigned it a specific color. What you see in the finished piece is a colorfully, composed wooden arrow pulse." - Above

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Multi Tags Series 7749 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Multi Tags Series Acrylic & Spray Paint Painting Size Multi Tags Series 7749 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Multi Tags Series" is a collection of works that showcase the artist's signature lettering, blending street art with traditional fine art. In Multi Tags Series 7749, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 7749 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Psychedelic Fusion- 03 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

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