Giclee Fine Art Print

Violent Treasure Neon Acrylic LED Giclee Print by Futura 2000- Leonard McGurr Artwork Limited Edition Print Graffiti Pop Street Artist. 2023 Light Up LED Neon Print on Acrylic Plastic & COA Limited Edition of 50 Artwork Size 30.3x39.3 Includes Remote Violent Treasure Neon Acrylic LED Giclee Print by Futura 2000 The Violent Treasure Neon Acrylic LED Giclee Print by Futura 2000 is a striking fusion of Street Pop Art and graffiti artwork, combining vibrant colors, dynamic forms, and modern neon technology. Created by Leonard McGurr, widely known as Futura 2000, this 2023 limited-edition piece captures the spirit of innovation and rebellion that has defined the artist’s career. With an edition size of only 50, this print is a collectible work of art and a bold statement on the evolution of urban visual language. Futura 2000: A Pioneer in Abstract Graffiti Art Futura 2000, born Leonard McGurr in 1955 in New York City, is celebrated as one of the pioneers of abstract graffiti art. Unlike many of his contemporaries who focused on lettering and traditional tagging, Futura brought a new perspective to the streets. His use of abstraction, vibrant color palettes, and futuristic shapes transformed graffiti into a more conceptual art form. Over the decades, his work has transcended the streets, influencing gallery spaces, fashion, and global pop culture. Violent Treasure is a testament to Futura’s ability to blend traditional graffiti aesthetics with cutting-edge materials and techniques. By incorporating neon LED lights into this artwork, Futura bridges the physicality of graffiti with modern digital energy, creating a visually captivating experience that speaks to the future of urban art. The Impact of Technology on Street Pop Art The Violent Treasure print takes Street Pop Art and graffiti artwork into new dimensions through its innovative use of LED lighting and acrylic materials. Measuring 30.3 by 39.3 inches, the piece employs a combination of giclee printing and neon technology, which adds depth and luminosity to its abstract forms. The inclusion of a remote control allows viewers to interact with the artwork, adjusting the neon illumination to create varying moods and interpretations. This interactivity mirrors the participatory nature of graffiti and street art, which often invites public engagement. The glowing neon elements of Violent Treasure echo the urban nightscapes where graffiti thrives. These neon accents highlight the bold pink hues and chaotic, layered textures that characterize Futura’s style. The interplay of light and shadow enhances the artwork’s energy, capturing the vibrancy of city life and the raw power of graffiti culture. Limited Edition as a Contemporary Collectible As a limited edition of 50, the Violent Treasure Neon Acrylic LED Giclee Print holds significant value for collectors and enthusiasts of Street Pop Art and graffiti artwork. Each print has a certificate of authenticity, ensuring its provenance and exclusivity. The acrylic plastic medium enhances the artwork’s durability while maintaining a sleek, modern aesthetic that complements its neon components. This piece exemplifies Futura’s ability to push boundaries while remaining true to his graffiti roots. The abstract forms and dynamic composition evoke the motion and unpredictability of the urban landscape, making it a standout in contemporary urban art. Violent Treasure captures the essence of Futura’s creative legacy while pointing to the limitless possibilities of technology in street art.

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Sueño de Día en El Desierto de Cactus Giclee Print by Alexis Mata Daydream in the Cactus Desert Artwork Limited Edition Print on Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of 50 Artwork Size 27.5x39.3 Sueño de Día en El Desierto de Cactus by Alexis Mata: Surreal Fragmentation in Street Pop Art & Graffiti Artwork Sueño de Día en El Desierto de Cactus is a 2025 limited edition giclée print by Mexican artist Alexis Mata, widely recognized under the name Ciler. This signed and numbered edition of 50, printed on Hahnemühle fine art paper and measuring 27.5 x 39.3 inches, reflects Mata’s ongoing exploration of fragmentation, surrealism, and visual distortion within the context of Street Pop Art & Graffiti Artwork. The image is a dreamlike desert landscape drenched in golden sunlight, where natural beauty is digitally unraveled. In the midst of this vast terrain of cactus and color, Mata disrupts the illusion with vertical glitch-like distortions that slice through the scenery, turning cacti, shadows, and flora into stretched chromatic bands. The peaceful warmth of the desert is pulled apart, reassembled in skewed data-like structures, reflecting a visual language that speaks equally to nature and code. The top portion of the composition presents a cinematic vision of a glowing desert sun suspended in a sky of volatile, painterly clouds. Jagged rock formations and mesas rise in the distance like totems. Yet beneath this traditional beauty, Mata introduces a digital intervention that fractures the organic flow. The middle and lower halves of the work are invaded by thick, vertical pixel drags—like the desert is melting through corrupted memory. Cactus forms and flowering succulents are caught mid-glitch, their textures pulled downward in colored bands. This contrast between smooth, atmospheric painting and mechanical disruption defines the emotional structure of the piece. Symbolic Terrain and Digital Manipulation in Ciler’s Visual Practice Alexis Mata’s approach to landscape is both reverent and confrontational. By introducing digital disintegration into an otherwise idyllic desert, he reminds viewers that memory, history, and land are not fixed. The artwork’s glitches are not flaws—they are intentional ruptures in perception. The desert, often romanticized as still and eternal, becomes unstable and morphing. These distortions mirror the influence of media saturation, environmental exploitation, and emotional fragmentation. Mata turns the terrain into both a physical and psychological map, where natural beauty coexists with collapse. This strategy aligns with the sensibility of Street Pop Art & Graffiti Artwork, which often reclaims imagery and injects urban energy into spaces of tradition. Mata’s piece disrupts the expectations of landscape art by applying techniques derived from the visual language of error—compression artifacts, pixel drag, color interference. The result is a visual push-and-pull between harmony and chaos. The sun still burns above, but the ground no longer obeys gravity or realism. The desert is awake, but its dream is unstable. Alexis Mata and the Evolution of Landscape in Street Pop Art Mata has long operated within the territories of collage, urban decay, and symbolic erasure. While his earlier work often focused on portraiture and politically charged disruptions of identity, Sueño de Día en El Desierto de Cactus marks a shift in subject while preserving his core approach. The cactus desert becomes a new surface for resistance. By reinterpreting the land through digital breakdown, Mata questions authenticity, memory, and permanence. It is not destruction for its own sake, but a reflection of contemporary instability—where even nature is glitched by systemic pressure. The tension in the work is beautifully managed. The distortion never fully overwhelms the landscape, but neither does the desert escape unscathed. Mata balances painterly craft with modern interference, capturing the moment when tradition gives way to transformation. The giclée format ensures that every brushstroke and digital fracture is preserved in high resolution, emphasizing texture, hue, and depth across the printed surface. Each piece in the edition is a precise and immersive artifact of this visual narrative. Sueño de Día en El Desierto de Cactus as Emotional Terrain and Cultural Signal This work functions not only as an aesthetic experiment but as a meditative disruption. Sueño de Día en El Desierto de Cactus turns the desert into a symbol of contested memory, where natural forms are encoded with meaning and then partially corrupted. Alexis Mata does not simply present beauty—he investigates it, challenges its endurance, and repositions it within the language of graffiti, digital manipulation, and conceptual resistance. As part of the growing movement within Street Pop Art & Graffiti Artwork, this print expands what landscape can mean in the age of distortion. It acknowledges nostalgia while confronting digital decay. The desert becomes a mirror for emotional fragmentation, its surface caught in the middle of loading, collapsing, or transforming into something new. Mata’s work reminds us that beauty is not immune to interference—and that dreams, even in daylight, are never completely stable.

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