Giclee Fine Art Print

Unholy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque.

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Beyond Thunderdome- Blaster Limited Edition Giclee Print on Fine Art Paper by Andy Fairhurst counter-culture street artist art. Mad Max Beyond Thunderdome movie featuring Mel Gibson.

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Goddess In Us Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Handiedan. 2020 Signed & Numbered Limited edition of 55 giclée signed and numbered print by the artist. "Creating these multi-layered mixed media collages gives me the opportunity to explore the complex layers of life and energy. I always hope for a beautiful interaction with the viewer's eye and heart." -Handiedan

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Isolation Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Meagan Magpie Rodgers. 2021 8”x10" signed and numbered giclee print on fine art paper. Only 80 will be made.

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Punk Skunk Artwork Limited Edition Giclee Print on Fine Art Paper by Propaganda Artist Ron English- POPaganda. 2017 Signed & Numbered Limited Edition of 25 Artwork Size 30x24 "Punk Skunk" is a vibrant and evocative work by the celebrated pop artist Ron English- POPaganda, known for his unique blend of pop art with street art under the banner of Propaganda. This piece is a fine art giclée print, characterized by English's characteristic fusion of high and low cultural touchstones, playing with themes of subversion and counterculture. Created in 2017, this particular artwork is part of a signed and numbered limited edition series, with only 25 pieces in existence, each measuring 30x24 inches, making it a rare collector's item. Ron English- POPaganda's "Punk Skunk" features a cartoonish skunk, an emblematic figure within his art, illuminated against a backdrop swirling with psychedelic colors and patterns. The character is infused with a rebellious spirit, encapsulated by the punk aesthetic of the skunk's design, including its prominent tail that morphs into a stylized marijuana leaf – a clear nod to the rebellious subcultures that challenge societal norms. The background is a kaleidoscopic array of colors, swirling in a manner that suggests motion and a particular fluidity of thought and being, which complements the central figure's stance on freedom and nonconformity. This artwork stands out for its bold color palette, a hallmark of English work, which uses color to evoke a sense of movement and energy. Each print is meticulously crafted, with the giclée technique ensuring that each color is vividly captured, replicating the artist's original vision with precision and clarity. Fine art paper provides a high-quality base that holds the inks with fidelity, giving each piece a durability that suits its status as a collectible art object. By releasing "Punk Skunk" in such a limited run, Ron English- POPaganda underscores the exclusivity and inherent value of the print, mirroring the ethos of street art, where the fleeting nature of a piece can often amplify its impact. Collectors of this edition acquire not just a piece of art but a statement that reflects on the boundaries between the elite world of art collecting and the lawless world of street art. English's work has consistently played with this boundary, and "Punk Skunk" is a compelling example of his skill in blending these realms to create thought-provoking and visually arresting.

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The Big Battle- Silver Limited Edition Giclee Print on Fine Art Paper by Tim Doyle counter-culture street artist art. 'The Empire Strikes Back' inspired 'The Big Battle' by Tim Doyle, is 12" x 24", in a signed and numbered limited edition. The print was hand-drawn on Bristol board and then scanned and colored. It is part of Tim's 'Unreal Estate' print series.

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It's a Nightmare Charlie- Freddy Krueger Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Raid71. Peanuts Sally & Charlie Brown Halloween Costumed Winnie the Pooh Bear & Flowers. 5" x 5" Giclee Signed, Numbered. It’s a Nightmare Charlie- Freddy Krueger Artwork Giclee Print by Raid71 – Street Pop Art & Graffiti Artwork Raid71 once again masterfully blends nostalgia with horror in It’s a Nightmare Charlie- Freddy Krueger, a limited edition giclee print that transforms an iconic childhood cartoon into a surreal, darkly humorous reimagining. Released as a signed and numbered edition, this 5x5-inch fine art print presents a clever juxtaposition of innocence and fear, reinterpreting beloved Peanuts characters with a sinister twist that merges pop culture and Street Pop Art & Graffiti Artwork. The artwork features a seemingly harmless scene at first glance, depicting a character standing next to the familiar doghouse of Snoopy. However, the scene takes a darker turn as Charlie Brown is no longer himself, but rather has been transformed into the infamous Freddy Krueger from A Nightmare on Elm Street. His signature fedora, burned face, and deadly clawed glove replace his usual gentle expression, turning him into an unsettling presence. Snoopy, however, remains unbothered, lounging atop the doghouse as if unaware of the nightmarish figure standing beside him. The composition is simple yet powerful, relying on strong, clean linework, a minimal color palette, and the instantly recognizable Peanuts aesthetic to lull the viewer into a false sense of comfort before revealing the disturbing reality. This contrast between the familiar and the horrifying is what makes the piece so striking, turning childhood nostalgia into an eerie reflection of fear and humor. The Artistic Duality of Horror and Nostalgia Raid71 has built a reputation for manipulating pop culture imagery to create new narratives that challenge perceptions and expectations. It’s a Nightmare Charlie- Freddy Krueger continues this trend by taking a lighthearted cartoon and injecting it with the essence of classic horror cinema. The combination of Peanuts with slasher movie villains taps into a collective cultural memory, forcing viewers to reconcile two drastically different worlds. The transformation of Charlie Brown into Freddy Krueger is particularly effective because of the stark contrast between the two characters. Charlie Brown is often seen as a symbol of childhood struggles, representing innocence, failure, and perseverance. Freddy Krueger, on the other hand, is a terrifying figure who haunts dreams and embodies relentless fear. By merging these two figures, Raid71 creates a unique piece that forces viewers to question the nature of fear, storytelling, and cultural nostalgia. The Precision of Giclee Printing in Contemporary Urban Art The choice of giclee printing ensures that It’s a Nightmare Charlie- Freddy Krueger maintains the sharpness and vibrancy necessary for a piece that thrives on clean lines and striking contrasts. Giclee prints are widely used in Street Pop Art & Graffiti Artwork due to their ability to capture the fine details of digital and hand-drawn work while maintaining museum-quality archival standards. The small 5x5-inch format enhances the sense of intimacy, making it feel like a collectible piece that brings a twisted version of childhood into any collection. Raid71’s precise use of color, particularly the warm beige background and the bold red of the doghouse, allows the artwork to maintain its connection to traditional Peanuts visuals while still delivering a fresh, unsettling experience. The limited edition nature of the print adds to its desirability, making it a must-have for collectors who appreciate the fusion of horror, nostalgia, and pop culture deconstruction. The Impact of Horror Mashups in Street Pop Art & Graffiti Artwork Artists who work within the realm of Street Pop Art & Graffiti Artwork frequently draw upon the intersection of nostalgia and contemporary themes, using well-known imagery to create new, often subversive narratives. It’s a Nightmare Charlie- Freddy Krueger is a perfect example of how beloved cultural icons can be reinterpreted in ways that challenge perceptions, provoke thought, and entertain simultaneously. By combining childhood innocence with horror, Raid71 taps into the universal experience of growing up—where fears, both real and imagined, begin to take hold. The fusion of classic Peanuts with slasher film iconography is not just a clever visual gimmick but a reflection of how pop culture evolves, where characters from different eras and genres blend into new forms of storytelling. Raid71’s ability to seamlessly merge these worlds makes this piece a standout example of Street Pop Art & Graffiti Artwork. It’s a Nightmare Charlie- Freddy Krueger is more than just a playful mashup—it is a cultural commentary on the way nostalgia and fear coexist in the collective imagination, proving that even the most innocent characters can take on new, chilling forms in the hands of the right artist.

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Unicorn Man Limited Edition Giclee Print on Fine Art Paper by Mike Mitchell counter-culture street artist art. 2014 Signed & Numbered Limited edition of 100 Artwork Size 8x10 Man Nude with Unicorn Horn Thinking Giclee Print by Mike Mitchell Unicorn Man in Street Pop Art & Graffiti Artwork Unicorn Man, a limited edition giclee print by Mike Mitchell, exemplifies the artist’s signature fusion of humor, surrealism, and contemporary pop art. Released in 2014 as a signed and numbered edition of 100, this artwork encapsulates the whimsy and satire characteristic of modern street pop art. With its clean lines, soft pastel color palette, and absurd yet contemplative subject, the piece challenges conventional artistic norms while making a statement about self-perception and fantasy in everyday life. The Playful Absurdity of the Image Unicorn Man depicts a seated, nude male figure in a tranquil, meditative pose. The subject’s chubby physique, childlike facial features, and small mustache add a comedic and endearing quality to the character. The most striking element, however, is the unicorn horn protruding from his forehead, glistening with sparkles and blending into the character’s soft golden hair. A small unicorn tail further reinforces the mythical transformation, subtly suggesting that this figure, despite his mundane humanity, sees himself as something more magical. Mike Mitchell’s work often highlights the absurd in a way that is both humorous and strangely thought-provoking. Unicorn Man is no exception. By placing an otherwise ordinary man into an extraordinary context, the piece questions notions of identity, self-acceptance, and the need for escapism. Street pop art frequently uses such exaggerated depictions to engage audiences in a playful yet meaningful dialogue about modern life. Stylistic Elements and Pop Surrealism The composition of Unicorn Man adheres to the principles of pop surrealism, a movement that blends elements of pop culture with dreamlike or nonsensical imagery. The clean, almost cartoon-like lines reflect a highly polished digital aesthetic, a common trait in contemporary street pop art. The limited color palette, dominated by warm beige and soft pink hues, lends a gentle and inviting quality to the artwork, making the character appear approachable despite the oddity of his transformation. Mitchell’s signature style involves a combination of illustration techniques that evoke nostalgia while maintaining a modern edge. The flat, bold colors and expressive simplicity of the figure create a sense of immediacy, making the artwork easily digestible yet layered with deeper meaning. The dreamlike glow surrounding the unicorn horn emphasizes the surreal nature of the character’s self-perception, drawing the viewer into his imagined world. Symbolism and Cultural Commentary Unicorn Man extends beyond visual humor and enters the realm of cultural commentary. In Street Pop Art & Graffiti Artwork, fantasy is often used as a means of questioning reality. The figure’s peaceful, meditative pose suggests an acceptance of his unique identity, no matter how absurd it may seem to others. This could symbolize the struggle for self-expression and individuality in a world that often demands conformity. The unicorn itself has long been associated with purity, magic, and unattainable ideals. By juxtaposing this mythical symbolism with an everyday human figure, the piece highlights the tension between aspiration and reality. It suggests that everyone, in their own way, harbors a desire to be seen as extraordinary, even if that fantasy exists only in their own mind. The Enduring Appeal of Unicorn Man Unicorn Man continues to captivate collectors and fans of contemporary pop art due to its blend of whimsy, satire, and thought-provoking themes. The limited edition nature of the print makes it a highly sought-after piece within the street pop art and graffiti artwork communities. Mike Mitchell’s ability to infuse humor with artistic sophistication ensures that his work remains relevant and engaging. This artwork stands as a reminder that creativity thrives in the unexpected. By merging the ridiculous with the serene, Unicorn Man invites viewers to embrace their inner absurdities and find magic in the mundane. Whether seen as a lighthearted character or a deeper metaphor for self-perception, the piece reinforces the power of street pop art to challenge perspectives while making people smile.

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Risky E Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24. From the first "Beyond The Streets" exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat. Risk Rock's "Risky E Graffiti Alphabet Letter" and Its Place in Street Pop Art The "Risky E Graffiti Alphabet Letter" giclée by Risk Rock is a vibrant piece that encapsulates the dynamic interplay between typography and abstraction in street pop art and graffiti artwork. As a limited edition fine art paper print from 2012, this work forms part of the exclusive "Beyond The Streets" exhibit collection, showcasing the evolution of street art from public spaces into galleries. Limited to 100 signed and numbered editions, the artwork measures 24x24 inches, offering a substantial visual statement in size and impact. Although there is minor to light yellowing on the margins of the museum-quality paper, the image remains pristine—a testament to the lasting power of street art when transferred to a more permanent medium. Risk Rock, a celebrated figure within the street art community, is known for his bold use of color and innovative approach to graffiti lettering. The "Risky E" is a prime example of his style, blending graffiti's raw, kinetic energy with the precision of printmaking. The giclée process, renowned for its high fidelity to the original artwork, allows the piece's intricate details and vibrant colors to be preserved, creating a lasting impression akin to that of a mural encountered on the street. The Cultural Resonance of Risk Rock's Artistic Expression The "Risky E Graffiti Alphabet Letter" is more than a mere decorative piece; it is a cultural statement that resonates with the ethos of street and pop art. It represents a moment when graffiti, once relegated to the fringes of the art world, began to be recognized for its artistic value and cultural significance. The piece, birthed from the "Beyond The Streets" exhibit, symbolizes graffiti's transition from an act of rebellion to a form of artistic expression embraced by museums and collectors alike. Risk Rock's contribution to the street art movement is immortalized in this print, reflecting the artist's mastery over form, color, and composition. The letter "E" is transformed into a standalone piece of art, showcasing the potential of typography to transcend its functional roots and become a medium for creative expression. This transformation is characteristic of street pop art, where everyday elements are recontextualized to challenge perceptions and engage viewers in a dialogue. The Significance of Giclée in Preserving Street Art Aesthetics Giclée prints like "Risky E" have played a significant role in preserving the aesthetics of street art for future generations. By capturing the vibrancy and detail of the original artwork on fine art paper, the giclée process ensures that the transient nature of street art can be enjoyed long after the original piece might have faded or been painted over. With its limited edition status, this print elevates the ephemeral nature of graffiti into a collectible form, allowing fans and new audiences alike to own a piece of street art history. The slight aging of the paper's margins does not detract from the artwork's value; instead, it adds a layer of authenticity reminiscent of the aging walls that host graffiti art in the urban landscape. The promise that the image can be easily matted and preserved speaks to the adaptability of street art and its ability to find new life in different contexts and formats. Risk Rock's "Risky E Graffiti Alphabet Letter" giclée is a testament to the enduring appeal and significance of street pop art and graffiti artwork. As a limited edition print, it represents the intersection of street culture and fine art, embodying the spirit of an art movement that continues to influence and redefine the boundaries of artistic expression. The piece is a tribute to the artists who have brought the language of the streets into the galleries and the collectors who have helped pave the way for graffiti to be recognized as a legitimate and impactful art form.

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WODH #2 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Aaron Glasson x Celeste Byers. WODH, World Oceans Day Hawaii 2015 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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Not Easy Being Green Limited Edition Giclee Print on Fine Art Paper by Chet Phillips counter-culture street artist art. Godzilla x Kermit

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Risky J Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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Shrug Limited Edition Giclee Print on Fine Art Paper by Phil Lumbang Graffiti Street Artist Modern Pop Art.

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Kwame Did It Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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Once Upon A Time In Utopia Giclee Print by Rhymezlikedimez- Robin Velghe Artwork Limited Edition Print on Bright White Moab Entrada Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 23.4x15.68 Travis Scott Rap Music Utopia Album Stylistic Art "Once Upon A Time In Utopia" by Rhymezlikedimez, the artistic alias of Robin Velghe, is a captivating giclée print that explores the thematic and stylistic boundaries of graffiti, pop, and street art. Signed and numbered, this limited edition piece is printed on bright white Moab Entrada fine art paper. It is renowned for its ability to present vibrant colors and sharp details, capturing the essence of Velghe's digital art in a tangible form. The artwork serves as a visual narrative for the concept of Utopia, interpreted through the lens of Travis Scott's musical artistry. Velghe's illustration is rich with allegory and symbolism, merging elements of fantasy and reality to depict a surreal landscape where the rules of the physical world are reimagined. Through his use of a radiant color palette and dynamic characters, Velghe invites viewers into a realm where imagination and music coalesce into a visual symphony. Each character and element within the print contributes to the story of Utopia, a place of idealized perfection and harmony. The central figure, illuminated and powerful, represents the energy and creativity that music can inspire. Surrounding characters engage in a dance of motion and emotion, with elements of traditional street art, such as exaggerated forms and expressive lines, infusing the scene with a sense of movement and rhythm. This limited edition print not only reflects the musical and lyrical themes of Travis Scott's work but also embodies the spirit of contemporary street pop art. Velghe's work is celebrated for its ability to transcend the digital screen and become a part of the physical art landscape, bridging the gap between virtual creation and real-world appreciation. "Once Upon A Time In Utopia" is a testament to the convergence of music, art, and culture, capturing the vibrant essence of Rhymezlikedimez's artistry and the ongoing dialogue between different forms of creative expression. The artwork celebrates the boundless potential of the imagination, encapsulating the ethos of a generation that finds solace and inspiration in the intersection of auditory and visual experiences.

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Playbot 1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. Signed limited run for Sneaker Con 2021

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Anatomy of the Shark Artwork Giclee Limited Edition Print on Hot-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Max Dalton. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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Wynwood Walls 10th Year Commemoration Giclee Print by Inti Castro Artwork Limited Edition Print on 305gsm Cold Press Acid-Free 100% Cotton Paper Graffiti Pop Street Artist. 2015 Signed & Numbered Limited Edition of 75 Artwork Size 26.5x16 Published by Goldman Global Arts, Miami

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Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting Giclee Print by Damien Hirst Artwork Limited Edition Print on Poly-Cotton Canvas Graffiti Pop Street Artist. 2023 Signed The Beautiful Paintings Unique Original Print Edition Artwork Size 15.75x15.75 (40cmx40xm) Round Titled: Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting.  Damien Hirst's "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting" Damien Hirst's artwork, "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting," is a distinctive giclée print that captures the essence of contemporary street pop art & graffiti artwork. As part of "The Beautiful Paintings" series, this 2023 original print edition is a limited release, signed by the artist, ensuring its status as a collectible piece. The circular format, measuring 15.75 inches in diameter, offers a window into Hirst's exploration of motion and emotion, articulated through the vibrant language of color and form. Mounted on birch plywood stretchers, this piece transcends the traditional canvas to create a tactile and visually dynamic object of art. The poly-cotton artist canvas chosen for these giclée prints provides a superior surface for the high-resolution detail and color saturation that Hirst's works are renowned for. With its centrifugal composition of radiating colors, this round painting evokes the feeling of a merry-go-round in motion, encapsulating the viewer in a whirlwind of sensory stimuli. Hirst, a leading figure in the Young British Artists movement, has continuously challenged the conventions of art with his innovative approaches and thought-provoking creations. "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting" is emblematic of his style, where the aesthetics of street art and the precision of fine art printing converge. The title suggests a narrative of conflicting emotions and states of being, encouraging a discourse that goes beyond the work's visual impact. In the context of street pop art & graffiti artwork, Hirst's piece is a celebration of the genre's ability to engage with a broad audience, combining the rawness of graffiti with the sophistication of gallery art. Giclée printing technology allows this artwork to maintain the spontaneous energy of street art while achieving the archival quality expected in fine art circles. The round format of the painting challenges the viewer to engage with the artwork from a multidimensional perspective, where every angle presents a new facet of the explosive central motif. Through "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting," Hirst continues to delve into the themes of life, death, and the human condition. With its kaleidoscopic burst of colors, the artwork serves as a metaphor for the chaotic beauty of existence. It's a piece that stands out in Hirst's oeuvre as a testament to his artistic journey and as a beacon of modern art's potential to resonate with and reflect the complexities of contemporary life. Collectors and enthusiasts of Damien Hirst's work will find "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting" a compelling addition to their collection. As part of a limited edition series, it holds the promise of rarity and exclusivity, while its aesthetic vibrancy and thematic depth make it a notable piece for critical appreciation and discourse. The artwork is a synthesis of Hirst's artistic legacy and his continuous pursuit of challenging the boundaries of visual expression.

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Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Mario's Regret Artwork Giclee Limited Edition Print on Watercolor Fine Art Paper by Pop Culture Graffiti Artist Nick Derington. KICKSTARTER STRETCH GOAL! "Mario's Regret" is an 8x10 archival quality giclee print, on cold press natural watercolor paper, signed and numbered by Nick Derington.

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Starring Bill Murray as... Herman Blume Limited Edition Giclee Print on Fine Art Paper by Matthew Rabalais counter-culture street artist art. Inspired by actor Bill Murray's movie performance in Rushmore.

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The Final Solution- Atomic Bomb Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist SSUR- Ruslan Karablin. 2014 Signed Limited Edition Artwork

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Killer Rabbit Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ryan Berkley. Ryan Berkley - "Killer Rabbit" limited edition fine art digital print signed and numbered edition of 50 copies 8" x 10"

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Blokes Neon Acrylic LED Giclee Print by Futura 2000- Leonard McGurr Artwork Limited Edition Print Graffiti Pop Street Artist. 2023 Light Up LED Neon Print on Acrylic Plastic & COA Limited Edition of 100 Artwork Size 25x20 Includes Remote Welcome to the exclusive world of limited edition creations - this masterful LED neon sign is one of only 100 pieces worldwide. Each piece is unique, individually numbered, and comes accompanied by an officially sanctioned Certificate of Authenticity, guaranteeing the artwork's provenance and adding a further touch of exclusivity to the ownership experience. The artwork is a stunning amalgamation of abstract artistry and dazzling light. It stands as a testament to the artist's unique ability to tap into a realm of unexplored creative potential. Vivid hues of blue, yellow, red, white, and hot pink converge and diverge, creating a vibrant dance of color and form that is both hypnotic and exhilarating. Fluid lines weave across the sign, creating intricate patterns that confound, excite, and entrance in equal measure. Each piece, with its dimensions measuring 25 x 20 inches or 64 x 52 cm, serves as a doorway to a scintillating universe of artistic expression. It's an invitation to step beyond the confines of everyday reality and immerse oneself in a radiant spectacle of abstract brilliance. The result is a mesmerizing composition that breaks away from the traditional norms, offering viewers an immersive journey into a dazzling realm where art meets technology. Our LED neon artwork is not just about impressive visuals, it also speaks to sustainable practices. The energy-efficient tubing ensures that the artwork illuminates your space with minimal environmental impact. But it doesn't stop there; the printed backing proudly features Futura's artwork, adding yet another layer of depth and complexity to this remarkable piece. Designed to radiate beauty, this avant-garde piece not only brightens your living space but also stands as an illuminating testament to the intersection of modern technology and timeless artistry. Witness how it transforms an ordinary space into a vibrant art gallery, beckoning onlookers with its brilliant colors and hypnotic charm. Leonard McGurr, better known as Futura 2000, is a pioneering figure in the world of street art. He is particularly renowned for his unique ability to merge pop art, graffiti art, and street art, creating pieces that are visually striking and deeply emotive. One of his most compelling works is the "Blokes Neon Acrylic LED Giclee Print." This vibrant creation harmoniously blends the raw energy of street art with the polished aesthetics of gallery presentations. The piece itself boasts a riot of color, using neon acrylics that serve as a callback to the neon lights often associated with city life and urban culture. Its electrifying palette is magnified through the use of LED lighting, which is ingeniously incorporated into the Giclee print. The merging of the traditional printing method with modern technology is symbolic of Futura 2000's work - a seamless blend of old and new, tradition and innovation. The subject of the work, "Blokes," could be interpreted as a commentary on the everyday person's place within the vibrant, chaotic world that Futura 2000 portrays. Each figure is rendered in his signature abstract style, a nod to his graffiti roots, and the neon colors add a pop art twist, drawing in the viewer's attention. This piece, like many others by Futura 2000, explores the boundaries between high art and street art. It reaffirms his place in the art world as an artist unafraid to push boundaries and challenge conventions. The "Blokes Neon Acrylic LED Giclee Print" serves as a testament to Futura 2000's creativity and innovation, a luminous beacon within the realm of contemporary art.

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Tranquility Giclee Print by Royyal Dog- Chris Chanyang Shim Artwork Limited Edition Print on 310gsm Cotton Rag Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 10 Artwork Size 12x23 "Tranquility" is a giclee print by Royyal Dog, an artist whose real name is Chris Chanyang Shim. The term "giclee print" refers to a high-quality, fine art digital print made with an inkjet printer. These prints are known for their vibrant colors, longevity, and attention to detail. Chris Chanyang Shim, or Royyal Dog, is a South Korean artist who has gained recognition for his incredible talent in creating hyper-realistic and vibrant portraits. His artwork often features intricate details and bold color palettes that capture the essence of his subjects. Royyal Dog's works have been exhibited in numerous galleries and exhibitions worldwide, and he has garnered a substantial following for his distinctive style. "Tranquility" showcases the artist's signature style and mastery of his medium. As with many of his other works, the subject of the piece is a portrait of a woman that exudes a sense of calm, serenity, or contemplative depth. As with any artwork, individual interpretation is essential, and the title of the piece suggests that the viewer should experience a sense of peace and stillness when engaging with it.

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Action Jackson Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ron English- POPaganda. Ron English- POPaganda's tribute to artist Jackson Pollock Ron English- POPaganda’s tribute to artist Jackson Pollock was a customized 12″ tall (1/6th Scale) action figure in Clutter Magazine’s (In)Action Figure Show, entitled “Action Jackson”. Entitled “Action Jackson,” this amazing piece is signed by English on the back. Ron has created an extremely limited 12″ x 16″ Giclée print based on the 1/6th scale figure. Signed and numbered by English, only 10 numbered copies of this print were made.

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Venus De Milo Giclee Print by Adam Lister Artwork Limited Edition Print on 300gsm Hot Press Matte Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 8x10 The Venus de Milo is an ancient Greek sculpture, widely recognized for its beauty and grace. It is thought to depict Aphrodite, the Greek goddess of love and beauty, and dates back to around 130-100 BCE. The statue is made of marble and is famous for its missing arms, which have been lost to history. In his reinterpretation of this iconic sculpture, contemporary artist Adam Lister has created a giclee print called "Venus de Milo" in his signature pixelated, 8-bit style. Lister's artwork captures the essence of the original statue while showcasing his own unique artistic vision. The print features the Venus de Milo figure rendered in simplified geometric forms, with the distinct pixelation bringing a modern and digital aspect to this classic work of art. A giclee print is a high-quality reproduction of an original artwork, created using a specialized inkjet printer. The process involves spraying microscopic dots of pigment-based ink onto archival-quality paper or canvas, resulting in a long-lasting, vibrant, and highly detailed print. This method allows art enthusiasts to appreciate and collect Adam Lister's take on the "Venus de Milo" at a more accessible price point than an original painting.

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Luigi Trece Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Bob Dob. 2020 Signed & Numbered Limited Edition of 30 Artwork Size 16x20 Signed 2020 giclee print 16 x 20 inches signed and numbered edition of 30 with graffiti by Greg 'Craola' Simkins inspired by Mario Bros.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Marvin Berry and the Starlighters 1.21 Gigawatts Limited Edition Giclee Print on Fine Art Paper by Robin Boyden counter-culture street artist art. New Rule collective presents, 1.21 GIGAWATTS, an illustrated tribute to the classic movie trilogy Back To The Future! The classic tale of young Marty McFly and Doc Brown as they haphazardly travel through the space-time continuum inspired a generation of sci-fi and time travel fanatics around the world, and still stands up as a defining piece of cinema from the 80s.

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Grace Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 11.75x16.5 Stylized Tribal Geometric Tattooed Young Woman in Thought. Grace Giclee Print: A Confluence of Introspection and Street Pop Art The 'Grace Giclee Print' by Bec Winnel is a remarkable testament to the artist's ability to convey deep introspection through Street Pop Art and Graffiti Artwork. This limited edition print, restricted to a count of only 25, captures the essence of contemporary art's dialogue with traditional forms of expression. Each print, measuring 11.75x16.25 inches, is meticulously signed and numbered by Winnel, asserting its authenticity and value in the art market. Bec Winnel's Artistic Journey and Signature Style Bec Winnel, an Australian artist, has steadily etched her name into the global art scene with her distinctive approach to Street Pop Art. The 'Grace Giclee Print' exemplifies Winnel's signature style, often featuring young women adorned with stylized tattoos with tribal and geometric aesthetics. Similar to graffiti, these tattoos act as symbolic armor, representing resilience and vulnerability. They serve as a visual bridge between the subject's inner world and the outer reality, a theme prevalent in Winnel's body of work. Her ability to encapsulate complex emotional states through such imagery makes her work resonate with a diverse audience. Understanding the Essence of Street Pop Art and Graffiti Artwork The 'Grace Giclee Print' is not merely an object of beauty but a narrative piece that speaks volumes about the intricacies of human expression. Winnel's work is a canvas where the personal and the universal meet, much like the ethos of Street Pop Art and Graffiti Artwork. These art forms, traditionally seen on public platforms, are recontextualized in Winnel's work to explore the private contemplations of the individual. This juxtaposition invites viewers to reflect on the interplay between public exhibitionism and private introspection, a dynamic central to understanding street art's influence on contemporary culture. The Cultural Significance of Limited Edition Artworks Limited edition prints such as 'Grace Giclee Print' hold a special place in the art world due to their exclusivity and the connection they forge between the artist and the collector. The scarcity of such artworks elevates their desirability and, by extension, their potential as cultural artifacts. Winnel's choice to limit the print run to 25 pieces adds an element of urgency and prestige to the acquisition of 'Grace,' making each print a cherished possession for those fortunate enough to own one. Beyond their aesthetic appeal, limited edition prints like this one symbolize the ongoing evolution of street art as they continue to permeate the more formal realms of art collection and critique. The 'Grace Giclee Print' by Bec Winnel is a compelling representation of the fusion between traditional portraiture and Street Pop Art's raw, expressive power. Winnel's dedication to her craft and ability to distill complex emotions into her artwork ensure that her pieces are visually stunning and intellectually and emotionally stimulating. The limited edition nature of 'Grace' adds to its mystique, promising to hold a place of honor in the annals of contemporary Street Pop Art and Graffiti Artwork.

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Gross Rider Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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The High Ground Giclee Print by Dave Pollot Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 20x13 Star Wars May the 4th Special Edition Print on Rolled Canvas. The High Ground Giclee Print by Dave Pollot: Star Wars in the American Wilderness The High Ground is a 2025 giclee print by Dave Pollot, a limited edition artwork measuring 20x13 inches on rolled canvas. Signed and numbered by the artist, this special edition was released to mark Star Wars Day, combining sci-fi iconography with classic Americana. Dave Pollot, known for recontextualizing pop culture into traditional landscapes and thrift store finds, brings Darth Vader, stormtroopers, and mallards into a serene wilderness hunting scene, transforming fan art into a contemplative and visually satirical piece within Street Pop Art & Graffiti Artwork. Star Wars and American Nostalgia Collide This artwork channels the quiet stoicism of mid-century American wildlife paintings, a genre associated with stillness, solitude, and reverence for nature. However, Pollot introduces an unexpected yet humorous disruption—Darth Vader, dressed in full regalia, holds a camouflage duck call and lifts his hand as ducks scatter across a frosty marsh. In the backdrop, stormtroopers pose as hunters with rifles raised, as if unaware they are participants in a parody. The distant trees and subdued color palette create a tranquil environment that is cleverly unsettled by these fictional intrusions. The Death Star hovers faintly in the misted moon, replacing the sun like an all-seeing presence. The balance between humor and reverence is where Pollot excels, subtly critiquing the commercialization of mythology while celebrating it at the same time. The Satirical Language of Dave Pollot Dave Pollot is an American artist celebrated for taking discarded art and reimagining it through the lens of popular culture. His works often remix vintage aesthetics with modern characters from video games, films, and television, turning forgotten or ignored canvases into sharply observed commentaries. The High Ground follows this trajectory by preserving the painting’s original sentiment—peaceful wilderness and natural observation—but replacing the human subjects with galactic legends. This method turns the familiar into the surreal and invites viewers to reassess both the imagery and the context. It functions both as a homage and a gentle subversion, seamlessly embedding Star Wars lore into the pastoral. Modern Street Pop Art on Traditional Canvas The High Ground is not just a novelty print for science fiction fans; it is a deliberate exploration of cultural layering. In the context of Street Pop Art & Graffiti Artwork, it utilizes mashup aesthetics to reflect how pop culture infiltrates memory and collective nostalgia. By printing on canvas and mimicking classical wildlife art, Pollot bridges the distance between digital-age fandom and analog artistic traditions. Released as a limited edition for Star Wars May the 4th, the print resonates beyond franchise loyalty. It becomes a narrative about cultural saturation, about how icons like Darth Vader are not simply fictional—they inhabit our landscapes, our metaphors, and our humor. Dave Pollot’s The High Ground embodies this ethos with cleverness and craftsmanship, making it a notable piece within contemporary collectible fine art.

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LA River Artwork Giclee Limited Edition Print on Pearl Fine Art Paper by Pop Culture Graffiti Artist Saber. 2019 Signed & Numbered Limited Edition of 100 Pearlescence Paper 27x19.25 Los Angeles has always been a hub for creativity, diversity, and innovation. Among its most influential and audacious forms of expression is street art, notably graffiti, which has made its indelible mark on the city's sprawling urban landscapes. A testament to this vibrant culture is the LA River Artwork Giclee print, an exceptional piece crafted by the renowned pop culture graffiti artist Saber. Hailing from Los Angeles, Saber has been an integral force in graffiti art, pushing boundaries and setting new standards for the genre. His dynamic and intricate designs encapsulate the energy, complexity, and authenticity of the urban environment. The LA River Artwork is a shining example of his prowess and unique aesthetic. This limited edition piece is a testament to the dedication and precision Saber pours into his art, capturing the transformative nature of graffiti as it breathes life and narrative into mundane city structures. Crafted in 2019, this giclee print boasts impeccable quality and detail. Limited to just 100 copies, each print has been meticulously signed and numbered by Saber, underscoring its exclusivity and value as a collector's item. The choice of pearlescence paper measuring 27x19.25 inches augments the vibrancy of the artwork, giving it a shimmering finish that adds depth and dimension. The medium, often favored in fine art reproductions, ensures longevity, clarity, and an immersive visual experience for the viewer. Graffiti art, often dismissed in its nascent stages as mere vandalism, has evolved to be recognized as a genuine form of artistic expression, with Saber at its forefront. The LA River Artwork is a testament to the genre's transformation and its ever-evolving relationship with pop culture. This piece is not just an artwork; it's a narrative, a piece of Los Angeles's soul, immortalized in color and form by one of its most iconic artists.

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Sweetheart Artwork Giclee Limited Edition Print on 100% Cotton Rag Archival Paper by Pop Culture Graffiti Artist Barnaby Ward. This is a gallery-quality giclée art print on 100% cotton rag archival paper, printed with archival inks. Each art print is listed by sheet size and features a minimum one-inch border.

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Spark Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Rodrigo Rod Luff. Rodrigo Rod Luff - "Spark" limited edition fine art giclee print signed and numbered by the artist edition of only 50 copies 14" x 17"

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WODH #1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Aaron Glasson. WODH, World Oceans Day Hawaii 2015 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean.

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ASVP Figure No 14 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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Target Practice Giclee Print by Dave Pollot Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2025 Signed & Numbered Limited Edition of TBD Artwork Size 20x16 Star Wars May the 4th Special Edition Print on Rolled Canvas. Target Practice Giclee Print by Dave Pollot: Sci-Fi Clashes with American Pastoral Target Practice by Dave Pollot is a 2025 limited edition giclee print on canvas measuring 20x16 inches. Released as part of a special May the 4th celebration of Star Wars, this signed and numbered artwork captures the artist’s signature approach to remixing classical Americana with iconic science fiction imagery. The composition sets imperial stormtroopers mid-blaster battle within a tranquil forest scene, as if plucked from a forgotten cabin painting or vintage thrift store canvas. This juxtaposition of hypermodern conflict against a nostalgic natural backdrop establishes the work as a prime example of Street Pop Art & Graffiti Artwork. Classical Aesthetic Interrupted by Galactic Warfare Dave Pollot's Target Practice paints a quiet wooded creek framed by white birch trees, calm waters, and a distant waterfall. At first glance, it might be mistaken for an unassuming landscape painting. But upon closer inspection, stormtroopers emerge from behind the trees, caught in an intense laser exchange with cardboard cutouts of iconic Star Wars characters. Darth Vader stands stiffly behind a cutout of a blaster-wielding Ewok, both seemingly being used for weapons practice. The absurdity of this scenario is further amplified by the pristine natural setting, highlighting the artificiality of conflict and myth when placed into the raw context of earthbound scenery. The scene captures the tension between fantasy violence and natural peace, drawing laughter and reflection at once. Dave Pollot and the Remix Tradition in Pop Surrealism Dave Pollot is a New York-based contemporary artist known for repurposing vintage paintings by inserting figures and elements from video games, movies, and TV. By placing pop culture icons into works once relegated to thrift store shelves, Pollot reinvents their meaning and challenges their cultural shelf life. In Target Practice, the comedic staging of stormtroopers treating fictional cutouts as real targets reveals a deeper commentary on training, conditioning, and simulation. It’s a playful yet sharp observation about how fiction saturates daily consciousness and how entertainment narratives often eclipse real-world depth. Through this technique, Pollot doesn’t destroy the original mood of the painting—he repurposes it to provoke new meaning. Modern Art Commentary Meets Fan Culture Collectibility This limited edition canvas print stands at the intersection of fandom and critique, operating on multiple levels as art object, social observation, and collectible merchandise. Its release as part of a Star Wars celebration grounds it in pop culture festivity, while its giclee print technique on canvas lends it permanence and fine art quality. The artwork’s layered commentary, combined with its technical craftsmanship, places it firmly within the domain of Street Pop Art & Graffiti Artwork. Target Practice succeeds not only as a decorative piece but as a conceptual one—where war, fiction, nostalgia, and humor meet in the woods under the shadow of a galaxy far away.

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My Money!- 18x24 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x24 Japan Print

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Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Bunny the Humper Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Preservation- Sustain Series Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Dave Kinsey. Fine art giclée prints on Italian produced cold press watercolor paper with hand deckled edges. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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ASVP Figure No 10 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist ASVP. Limited edition print based on one of the first designs from our SUPER MATTER series. Embossed, Signed & Numbered on face in pencil Year: 2018 Edition: 100 Size: 18” x 24" Medium: Ultrachrome Inkjet Print Stock: Epson Legacy Etching, 300 gsm, 100% Cotton Rag

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God Save Us All Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 82 x 58 - 32.3in x 22.8 God Save Us All is a timely comment on the state of American politics, as the safety-pinned British figurehead is swapped for a swastika-eyed President Trump. Against a distressed US flag, Reid adds his signature cut-up collage text.

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Choking Hazard Artwork Giclee Limited Edition Print on 310gsm Canson Aquarelle Paper by Pop Culture Graffiti Artist Leon Keer. 18 x 24 Inches Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 50 Signed + Numbered

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