Gig Poster & Events

Good Morning Coffee, Second Edition Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Good Morning Coffee. Second edition. Different colors from the first edition. 8 by 10 inches. Four screens printed on French Speckletone stock. Signed and numbered edition of 190. Released 28 November 2014.

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Just A Minor Threat Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed by Glen E Friedman x Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print Depicting Punk Rock Music Band Minor Threat & Ian MacKaye Stylized Raging Concert Photo by Glen E Friedman "I first heard Minor Threat in 1985 when I had been skateboarding and listening to punk and hardcore for a year. I was quickly becoming more confident, outspoken, and energized by D.I.Y. culture, and I was voraciously hungry for things that fuelled my emotional and intellectual evolution. Minor Threat was rocket fuel for my journey. Not only is their music a ferocious explosion of energy, but their playing is tight, and Ian MacKaye’s lyrics are intelligent and provocative. On top of that, Minor Threat created their own label, Dischord Records, to put out their music as well as records by other D.C. bands. Minor Threat and Dischord are profound influences on me, so I was very excited to collaborate with Glen on a Minor Threat print to celebrate the release of his new book “Just a Minor Threat.” Glen has the most intimate and powerful photos of Minor Threat, so it was possible to craft an illustration with strong images of all the band members. I’m also incredibly grateful to have the blessing of the members of Minor Threat." -Shepard Fairey- OBEY "Minor Threat is obviously one of the great foundations of hardcore punk rock. Inspiration for legions around the world, including Shepard and myself. As we’ve done with my last several books, Shepard and I got together and collaborated to make a print celebrating the release of the new publication. Shepard is one of my designing confidants and often gives me advice during my process of bookmaking so it makes sense that once the project comes to fruition, we enthusiastically make these prints of artists that inspire both of us. This print is based on separate images of each individual in the band as well as the always omnipresent audience that were a major part of incredible Minor Threat gigs. The book came out great and is different from previous books; it has its own voice, not only through the trove of never-before-seen photographs but also through the incredible essays throughout. Be inspired." -Glen E Friedman Just a Minor Threat Silkscreen Print by Shepard Fairey The Just a Minor Threat silkscreen print is a 2023 collaboration between Shepard Fairey (OBEY) and legendary punk photographer Glen E. Friedman. Hand-pulled on cream Speckletone fine art paper, this 18 x 24 inch print was released as a signed and numbered limited edition of 550, bearing the signatures of both Fairey and Friedman. The work depicts the iconic Washington, D.C. hardcore punk band Minor Threat, fronted by Ian MacKaye, rendered through Fairey’s graphic lens and grounded in Friedman’s historic concert photography. Punk Energy, D.I.Y. Culture, and Visual Urgency The composition captures the raw intensity of a Minor Threat performance, placing Ian MacKaye front and center in a moment of confrontation and release, microphone clenched and voice projected outward. Surrounding band members and the tightly packed audience form a dense, kinetic backdrop that reinforces the communal force of hardcore shows. Fairey’s limited palette of black, white, and aggressive red heightens the sense of urgency and resistance, echoing the band’s uncompromising sound and message. The layered textures and high-contrast rendering preserve the grit of Friedman’s original imagery while translating it into a bold, poster-driven visual language rooted in punk flyers, protest graphics, and street art traditions. Legacy, Collaboration, and Cultural Impact This print celebrates more than a band; it honors the enduring influence of Minor Threat and the D.I.Y. ethos they helped define. For Fairey, Minor Threat and Dischord Records were formative forces that shaped his creative confidence, political awareness, and commitment to independent culture. Glen E. Friedman’s intimate access to the band provides an authenticity that elevates the collaboration beyond tribute into historical document. Just a Minor Threat stands as a convergence of music history, photography, and contemporary Pop Street Art, making it a highly significant collectible for fans of punk, Shepard Fairey’s OBEY body of work, and the broader legacy of underground culture that continues to inspire artists worldwide.

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Mans Ruin Zeke AP 1998 Cocodrie San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1998 Signed by Kozik & Marked AP Artwork Size 18x30.5 Silkscreen Print Band Gig Poster by Frank Kozik Zeke, Hammerlock, Jack Saints, Cocodrie, San Francisco CA 4-03-1998

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Head In The Clouds Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Maria Smith pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Portugal. The Man Seattle 2013 Music Limited Edition Gig Poster 10-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Smith for Portugal. The Man. AP Artist Proof

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Andrew Bird Hands of Glory- Yellow 2013 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl.

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Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

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Knowledge Hand-Pulled 2-Color Silkscreen Print on Cotton Rag Paper by Artist Dave Kinsey Limited Edition Pop Art Artwork. 2007 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Published by BLK/MRKT Editions Visual Communication Knowledge Silkscreen Print by Dave Kinsey is a limited edition artwork created by the artist Dave Kinsey, in collaboration with BLK/MRKT Gallery. Dave Kinsey is an American contemporary artist known for his unique style that combines street art, graphic design, and fine art. He has been widely recognized for his thought-provoking works that often deal with social, political, and environmental issues. BLK/MRKT is an art gallery and creative agency that was founded in 1997 by Kinsey and his wife, Amanda Fairey. They represent various contemporary artists and work closely with them to produce limited edition prints, original artworks, and other creative projects. The gallery is dedicated to promoting and supporting emerging artists who challenge traditional artistic boundaries. The "Knowledge" silkscreen print features a bold and colorful composition that showcases Kinsey's signature style. The artwork's theme revolves around the concept of knowledge, exploring its importance and how it shapes our understanding of the world around us. The piece features a combination of abstract shapes, patterns, and textures, giving it a vibrant and dynamic appearance. The limited edition print is typically signed and numbered by Dave Kinsey, making it a sought-after collectible for art enthusiasts and fans of his work.

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Damn Them All Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 24.1x27.6 Jamie Reid's "Damn Them All" is an evocative masterpiece that vividly embodies the essence of pop culture, graffiti, and street art. Crafted in 2019, this artwork is a testament to Reid's enduring influence in the realm of contemporary art, offering a captivating blend of vivid hues, intricate collage elements, and pointed socio-political commentary. The artwork stands as a limited edition giclee print, with only 300 pieces ever produced, each impeccably printed on premium 290gsm Hahnemühle bamboo paper. This meticulous choice of medium not only ensures the artwork's longevity but also accentuates its vibrant details. Each piece is hand-signed and numbered by Reid, making every print a unique collector's item. Delving into the artwork's history provides an intriguing context. The piece draws its inspiration from an original collage Reid created for a magazine publication by The Guardian, which delved deep into the themes of republicanism. Furthermore, the iconic image resonates with punk aficionados, as it was employed for the cover of the 1977 "God Save the Queen" by The Sex Pistols, a song that shook the foundations of the British establishment. Each detail, from the playful juxtaposition of cultural symbols to the rebellious undertones, encapsulates the spirit of a time when art and music sought to challenge societal norms. Measuring at 24.1 x 27.6 inches, "Damn Them All" is not just a visual treat but a historic statement, exemplifying Jamie Reid's unparalleled ability to intertwine art with cultural and political discourse. Edition of 300, printed on 290 gsm Hahnemühle bamboo paper, signed & numbered. Artwork image used for the cover of God Save the Queen in 1977 by The Sex Pistols. Damn Them All is a limited edition giclee print by Jamie Reid. Derived from an original collage made for a magazine issued by The Guardian with a lead story on republicanism. From an edition of 300, printed on 290 gsm Hahnemühle bamboo paper, the piece is signed and numbered by the artist. 24.1 x 27.6in

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Devil's Night 2013- Halloween Limited Edition 1-Color Hand-Pulled Silkscreen Print on Orange Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Devils Night Halloween Music Event, 2013 Featuring Dance Party

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Chemical Brothers 1997 Union Station Seattle WA Silkscreen Print by Frank Kozik 1997 Hand-Signed by Kozik & Numbered Limited Edition of 400 Artwork Size 21.75x17.75 Silkscreen Print Band Gig Poster by Frank Kozik. Chemical Brothers Union Station Seattle Washington 5-7-1997. Printed on Both Sides.

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Icons Show- Charlie Chaplin Madonna Artwork Giclee Limited Edition Print on Glossy Paper by Pop Culture Graffiti Artist Mr Brainwash- Thierry Guetta. Super Rare Promo Poster in Great Condition From Mr. Brainwash's 2010 "Icons" show in NYC. Dimensions: 89 x 58.5 cm / 36 x 24 inches Offset lithograph print on glossy thin stock paper. Signed in the plate. 2010

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Endless Power! Limited Edition Hand Pulled 4-Color Serigraph Print on 100% Cotton Rag Archival Paper w/ Deckled Edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. The Provocateurs (Chicago) Event Shepard Fairey Print. 24 x 36-inch Serigraph Signed and Numbered Edition of 200 ART ALLIANCE publishing chop on the bottom left corner. Petrol Unlimited Future with Lung Tonic.

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Travis Scott Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. AP Artist Proof. Rapper Travis Scott.

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Pandemonium Silkscreen Print by TOMO77 x Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by TOMO77 & Shepard Fairey & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print "TOMO77 has documented a period marked by isolation and confusion, from the earliest anxious days of the pandemic through more than a year of political and social unrest. Amid this graphic testimony of uncertainty, uproar, and division, TOMO77 leaves us with one question: Where do we want to go from here?" -Shepard Fairey- OBEY. Pandemonium by TOMO77 x Shepard Fairey Pandemonium is a collaborative silkscreen print by French street artist TOMO77 and Shepard Fairey (OBEY), created as a visual response to the global instability of the pandemic era. The composition centers on a powerful, red, hammer-wielding figure set against an ornate, circular backdrop, evoking cycles of collapse, resistance, and reckoning. Drawing from protest graphics, mythic symbolism, and political poster design, the image confronts a world gripped by crisis while refusing to look away from its underlying causes. Visual Language and Symbolism The stark contrast of black, white, and red reinforces the urgency of the message. TOMO77’s raw, expressive mark-making collides with Shepard Fairey’s precise, graphic framing, resulting in a piece that feels both chaotic and controlled. The central figure suggests labor, struggle, and collective action, while the surrounding decorative elements echo historical propaganda, religious iconography, and revolutionary printmaking traditions. Together, they create a visual tension that mirrors the social, political, and psychological unrest of the period it documents. Edition Details and Cultural Context Hand-pulled on cream Speckletone fine art paper, Pandemonium is a 2021 signed and numbered limited edition of 300, bearing the signatures of both TOMO77 and Shepard Fairey. Measuring 18 x 24 inches, the print functions as both a standalone artwork and a historical artifact of a turbulent moment in contemporary culture. As Fairey notes, the piece ultimately poses an open-ended question to the viewer, challenging us to consider not just what we have lived through, but where we choose to go next.

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Aquarian Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Rag Bright Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. Aquarian Jimmi Hendrix archival pigment print Printed on Moab Entrada Rag Bright 290 GSM archival paper 18 x 24 inches Hand-signed and numbered by artist Robert Mars

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Bias by Numbers- Large Format 30X42 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Bias by Numbers 30 inches by 42 inches Edition of 89 June 3, 2019 “Bias by Numbers” addresses racial bias in policing, criminal justice, and media culture. Racial bias in policing and criminal justice has a long history, including stats like – black people being five times more likely to be stopped and searched than white people, and four times more likely to be subjected to unnecessary use of force, or four times more likely to be killed by the police when unarmed. The statistics revealing racial bias in prosecution and sentencing are compelling as well. Though recreational drug use is equally common in both predominantly black communities and predominantly white communities, convictions for drug possession are almost six times higher for blacks. Blacks frequently receive longer prison sentences than whites contributing to African Americans being incarcerated at more than five times the rate of whites.

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Stains Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. A fictional band from movie Ladies and Gentlemen, the Fabulous Stains.

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Coco Chanel Riskoleum Artwork Giclee Limited Edition Print on Coventry Rag Archival Paper by Pop Culture Graffiti Artist Risk. AP Artist Proof Signed & Marked AP Giclee Print on Coventry Rag Archival Paper. A special commission print for LA Fashion week 2017, dated 2016. Hand-signed & numbered. 18x14in Riskoleum: Fashion Meets Graffiti in a Limited Edition Tribute The Coco Chanel Riskoleum limited edition print by graffiti pioneer Kelly Graval, known as Risk, captures the energy of fashion and street culture in one striking composition. Created as a special commission for LA Fashion Week 2017, the piece merges the high-fashion elegance of Chanel with the gritty authenticity of spray can iconography. Measuring 18 by 14 inches and printed on Coventry Rag archival paper, this artist proof giclée is hand-signed and marked AP, reflecting the collectible nature of both the subject and the medium. In classic Risk style, it transforms a utilitarian object—the spray can—into a canvas for fashion commentary. Risk’s Signature Fusion of Color and Culture Risk emerged from the graffiti scene in Los Angeles during the 1980s and became a central figure in bringing graffiti from the streets into galleries. His work often plays with the aesthetics of branding, color theory, and popular symbolism. The Riskoleum series, a parody of commercial paint brands, is one of his most recognizable contributions to the crossover of Street Pop Art & Graffiti Artwork into the mainstream art world. With the Coco Chanel edition, Risk injects luxury into this urban framework, blending the iconic elegance of Chanel with the rawness of aerosol culture. The spray can becomes a metaphor for self-expression, empowerment, and redefinition of style. The Dialogue Between Fashion and Graffiti The artwork does more than just feature the Chanel name. It represents how graffiti artists have reimagined traditional fashion tropes through the lens of street culture. The stencil-style layering, color fields, and spray techniques used in the Riskoleum format contrast sharply with the legacy of haute couture. Yet, it is precisely this tension that gives the work its power. The overlay of Coco Chanel’s influence on a street tool of expression invites reflection on how style evolves from both sidewalk and runway. Risk shows that graffiti and high fashion are not opposites, but collaborators in a new visual era. A Celebrated Edition for Collectors and Culture Enthusiasts As an artist proof from a limited run, this Coco Chanel Riskoleum print stands as both a critique and celebration. Commissioned for a prominent fashion event, it connects the world of design with the rebellious edge of graffiti. Printed on Coventry Rag paper using archival inks, the giclée process gives depth and longevity to the piece, while preserving the vibrant layers that Risk is known for. The work is not just a visual pun—it is a statement about individuality, beauty, and the power of art to cross cultural boundaries. Risk continues to shape the conversation around Street Pop Art & Graffiti Artwork, proving once again that style can be both sprayed and sewn.

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StarFucker- Fun Fun Fun Fest 2012 Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Clint Wilson for StarFucker.

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Blondie Live at the Roundhouse- Black 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Live at the Roundhouse (Black) Screen Print 18 x 24 inches Edition of 150 June 23, 2017 It measures 18" x 24". Blondie the Punk Rock Music Artist Live Performance At The Roundhouse London England 2017 Gig Poster.

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Fuzz Fest 2014- Orange Yellow Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Orang Yellow Variant, April 10 11 12 2014

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NOS 2011 Huf USA x Challenger Japan Limited Edition Silkscreen Skateboard deck art by street pop culture artist. NOS 2011 Art Deck by Huf Skateboards x Challenger Japan Tokyo-based clothing company, Challenger, sees one connection behind many of the street-cultures that influence street-wear and fashion today: the American garage. As the brand explains, “the American garage was where all of our favorite artists originally hung out: from loud motors, to punk-rock music, to graffiti-writing skateboarders, the forefathers of these sub-cultures 'came up first' out of this underground garage scene, and created identities that went on to inspire the street-wear brands we see today.”

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The Lonesome Crowded West Apt Block Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print Apartment Block Urban City Building Stylized. "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY In the pantheon of street art, few names are as synonymous with the movement's thrust into mainstream culture as Shepard Fairey. His collaboration with the band Modest Mouse for their tour poster celebrates a milestone—the 25th anniversary of their seminal album, "The Lonesome Crowded West." In true Fairey fashion, he interprets the album's ethos with a limited edition silkscreen print, meticulously hand-pulled with five colors on Cream Speckletone fine art paper. This process ensures each of the 825 pieces is imbued with the artist's personal touch. Measuring 18x24 inches, this signed and numbered print presents an apartment block—an urban icon that exemplifies the crowded isolation in the album's title. Fairey's stylized depiction of the apartment block resonates with the band’s exploration of the paradoxical loneliness of urban existence, embodying the spirit of Modest Mouse's music through visual art. His work is not merely an artistic rendition but a narrative of city life's juxtapositions—connectivity and isolation, sound and silence. This collaboration is particularly significant for Fairey, who has been a fan of Modest Mouse since 1998. The album left an indelible mark on him, with its tonal shifts from the raucous "Teeth Like God's Shoeshine" to the more subdued "Trailer Trash." Fairey extols Isaac Brock's songwriting, acknowledging the profound depth and poetic nature of his lyrics, especially considering Brock's youth. The two tracks that stood out to Fairey, "Doin' the Cockroach" and "Cowboy Dan," exemplify the album's range and Brock's lyrical prowess. Fairey's history with Modest Mouse dates back to the 2000 "Black Glass" tour poster, reinforcing his long-standing connection with the band. This print is another chapter in that narrative, solidifying the kinship between his visual art and their musical expression. The artwork is a tangible piece of pop culture history, intertwining the legacy of Fairey's street art with Modest Mouse's contribution to music. Collectors of Fairey’s work and fans of the band alike cherish this print as a symbol of the enduring relevance of "The Lonesome Crowded West" and the power of art to transcend mediums, capturing the essence of an era.

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French Connection Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. The French Connection Movie Screening at Michigan Theater June 27th & 29th 2010.

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Eddie Vedder Sao Paulo Brazil 2014 Music Limited Edition Gig Poster 7-Color Hand-Pulled Silkscreen Print Artwork on Mint Speckletone Paper by Jeff Soto for Pearl Jam with Glen Hansard. Jeff Soto's beautiful poster for the first night of Eddie Vedder's solo tour in South America that happened in Sao Paulo, Brazil.

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Star Skull- 2015 SDCC Exclusive Limited Edition Vinyl Art Toy Collectible Artwork by Urban Pop Artist Ron English- POPaganda. 2015 Limited Edition Size 7" Tall

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Tomorrow's Another Night Blue PP Printers Proof 3-Color Hand-Pulled Limited Edition Silkscreen Print on 320gsm Natural Coventry Rag Vellum Paper by Modern Artist Niagara x Shepard Fairey x Niagara. PP Printer Proof 2019 Signed & Numbered Blue Limited Edition of 150 3-Color Screen Print on 320gsm Natural Coventry Rag Vellum Size: 18 x 24 Inches Release: July 02, 2021. "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights.'" – Shepard Fairey-.OBEY Niagara and Shepard Fairey's 'Tomorrow's Another Night': A Striking Silkscreen Collaboration 'Tomorrow's Another Night,' a captivating blue PP Printer's Proof silkscreen print, stands as a testament to the collaborative genius of Niagara and Shepard Fairey. This limited edition piece, hand-pulled on 320gsm Natural Coventry Rag Vellum paper, encapsulates the essence of modern street pop art and graffiti with its bold imagery and nuanced undertones. Each print, part of a limited edition run of 150, is signed and numbered, underscoring its exclusivity and the meticulous craftsmanship invested into every screen. Released on July 2, 2021, the artwork measures 18 x 24 inches, allowing intricate details and striking color contrasts to command attention. The print portrays two figures, Ron and Niagara, in a complex interplay of visual tension and harmony. Shepard Fairey's description of the piece reveals a deliberate balance between the overt aggression shown by Ron's direct eye contact and raised fist and Niagara's ostensibly gentle embrace. Yet, as Fairey notes, the true power lies with Niagara, whose understated demeanor masks a controlling presence, symbolized by the switchblade subtly caressed by her finger. This addition by Fairey amplifies the femme fatale motif and ties in with his original concept for the print, suggesting a narrative of concealed strength and influence. Exploring the Visual and Conceptual Depth of 'Tomorrow's Another Night' In creating 'Tomorrow's Another Night,' Fairey and Niagara delve into the dynamics of power, control, and the role of iconography in art. The piece's title and the imagery together weave a tale of anticipation and the recurring cycles of life's drama. The use of a limited color palette accentuates the graphic strength of the work. At the same time, the choice of a high-quality silkscreen process ensures that each color pops against the paper, offering a texture and depth that resonate with the layered meanings of the artwork. The collaboration between the two artists brings together distinct styles and perspectives, marrying the raw edge of street art with the finesse of fine art printmaking. Fairey's background in street pop art and activism and Niagara's punk rock aesthetic combine to create a print that is both a visual feast and a piece of social commentary. The contrast between Ron's defiant gesture and Niagara's subtle dominance challenges traditional gender narratives and invites viewers to look beyond appearances to the complex stories beneath. Cultural Significance and Artistic Legacy of the Print 'Tomorrow's Another Night' is more than just a piece of art; it is a cultural artifact that captures a moment in the evolution of street art and its intersection with pop culture. The collaboration between Niagara and Shepard Fairey represents a bridging of generational talents, fusing the spirit of punk rock with contemporary street art to create something nostalgic and fresh. The Printer's Proof status of the print adds to its cultural weight, as these proofs are typically reserved for the artist's and printer's archives, representing the gold standard of the print edition. Collectors and enthusiasts of street pop art and graffiti artwork value PP editions for their closeness to the artist's original intent and the fine quality of the print. In essence, 'Tomorrow's Another Night' is a shining example of the vibrant and transformative power of collaboration in street pop art and graffiti. It reflects the ongoing narrative of rebellion and the subversion of societal norms that street art embodies. Through this print, Fairey and Niagara offer a thought-provoking and visually impactful piece, solidifying their roles as influential figures in contemporary art.

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The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

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Icons Show- Lady Liberty Artwork Giclee Limited Edition Print on Glossy Paper by Pop Culture Graffiti Artist Mr Brainwash- Thierry Guetta. Super Rare Promo Poster in Great Condition From Mr. Brainwash's 2010 "Icons" show in NYC. Dimensions: 89 x 58.5 cm / 36 x 24 inches Offset lithograph print on glossy thin stock paper. Signed in the plate. 2010

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The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

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Bad Influences Show Print- Black & White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by House33 Rare Street Art Famous Pop Artwork Artist. 24x18 2021 Signed and Numbered Edition of 33

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Writing on the Wall- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2010 Signed & Numbered Screen Print Writing on the Wall (Red), 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles The illustration(minus spray can) is based on a photo by my friend Jim Jocoy who did a great book of late 70’s punk photos called “We’re Desperate”. Pick the book up if you can. -Shepard

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Skeleton and Roses- Airbrushed Embellished Limited Edition Hand-Embellished HPM 1-Color Silkscreen on Fine Art Paper by Stanley Mouse Low Brow Street Artist Modern Pop Art. 2021 Signed & Numbered Artwork Size 17x22 Original one-of-a-kind airbrushed skeleton with roses embellished HPM from Grateful Dead music fame.

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Gaslamp Killer Artist Proof 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof. Signed & Numbered, Shepard Fairey (b. 1970) Gaslamp Killer, 2008 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 400) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. I Spit On Your Grave. “My art for the Gaslamp Killer mix was inspired by a combination of the music and personality of the Gaslamp Killer. The GLK is into dark and psychedelic sounds, so that, combined with his name, called for a hippie/horror salad tossed with a blood vinaigrette. The flavor was only enhanced by the Gaslamp Killer’s more sinister personal look, having shaved his dreads and grown an unruly beard and sideburns combo worthy of the most savage maniacs. You must wade through boiling pools of blood to get to the promised land, but the journey the Gaslamp Killer takes you on is all part of the destination.” Shepard Fairey

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MUSACK Terry Hall Tribute Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on True White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print. Lynval Golding & Team Specials, Billy Idol, Jane Wiedlin, Tim Armstrong, Tony Kanal, Tom Dumont, Adrian Young, Fishbone, Jerry Harrison, Tre Cool, Fred Armisen, Jesse Michaels. Donita Sparks.The Jg All-Stars. Bite Me Bambi. Record Safari Gig Poster "Terry Hall, singer of the Specials, one of my favorite bands, died of pancreatic cancer a little less than a year ago. This past Saturday, Musack did an amazing tribute to Terry with a bonkers lineup, including Horace Panter and Lynval Golding of the Specials, Jane Wiedlin of the Go-Go’s, Fishbone, No Doubt (except Gwen), Tom Morello, Tim Armstrong and Jesse Michaels of Operation Ivy, Donita Sparks of L7, and others! I fell in love with the Specials in the summer of 1989, around the time I started listening to Operation Ivy and Fishbone, so to have members of all those bands celebrating Terry was incredible! I was also able to do the poster for the event based on a beautiful photo by Chalkie Davies. There are two versions of the print, one with the event lineup included and another that is a simpler tribute to Terry. The black and white print are editions of 325, but the show lineup print is a smaller quantity (edition of 300) because many were sold at the event, and all proceeds from those benefit Musack, an excellent music charity for kids. On a personal note, Terry came by my studio a couple of times, and we talked for hours. He was kind, thoughtful, and very open about life’s ups and downs. We talked about kids, mental health, insecurity, relationships, the therapeutic benefits of creativity, and many other heavy topics. He was a kindred spirit who I thought I’d be friends with for many years. This print was done with love… thanks for the tunes Terry!" -Shepard Fairey- OBEY MUSACK's tribute to the legendary Terry Hall, the iconic singer of the Specials, is encapsulated in a visually arresting silkscreen print crafted by Shepard Fairey, renowned for his OBEY art movement. This piece, hand-pulled in 2-color on True White Speckletone Fine Art Paper, is a testament to the profound influence Terry Hall had on the music industry and its fans. The artwork is an exquisite fusion of pop art, street art, and graffiti art, embodying the very essence of Terry Hall's spirit and impact on the world. Released in 2023 as a signed and numbered limited edition, with only 300 prints in circulation, the artwork measures 18x24 inches. The artistry is profound, drawing inspiration from a poignant photograph Chalkie Davies took. Two versions of this print exist, one showcasing an event lineup and the other serving as a more streamlined homage to Hall. While the black and white prints are available in editions of 325, the one bearing the event lineup is more exclusive, with a count of 300, many of which were already acquired during the event. The backstory of this piece is equally captivating. MUSACK's heartfelt tribute event celebrated Terry's life, boasting a staggering lineup of eminent musicians, from Horace Panter and Lynval Golding of the Specials to Jane Wiedlin of the Go-Go’s, Fishbone, and members of No Doubt, among others. Shepard Fairey's interactions with Terry add depth to the artwork. Terry, in his visits to Shepard's studio, revealed layers of his personality, discussing topics ranging from mental health to the therapeutic nature of creativity. Shepard saw him as a kindred spirit, and their interactions were laden with deep understanding and mutual respect. This artwork, hence, is not just an aesthetic masterpiece but a heartfelt tribute, reverberating with the essence of Terry Hall's life and legacy.

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Designer Con 2019 Limited Edition Gig Poster 8-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by time Doyle. Metallica, Music, Rock N Roll, Band, Concert, Bucharest, Romania, Monster, Griffin

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Hi-Fi AP by Shepard Fairey: A Tribute to Punk and Graffiti Pop Street Art The Hi-Fi Artist Proof silkscreen print by Shepard Fairey is a bold exploration of the intersection between music, rebellion, and Street Pop Art. Created in 2011, this limited-edition Artist Proof measures 13 by 13 inches and was hand-pulled as a one-color silkscreen print on fine art paper. Signed and marked as an Artist Proof by Fairey, this piece is a rare collector’s item that pays homage to the aesthetic and cultural impact of punk music and album art. The design features a figure with a sharp, stylized jacket adorned with music-inspired elements. The phrases Burn It Down, Lost Souls, The Enemy, F.S.U., and Movin On cascade down the image like a punk rock playlist, evoking the raw energy of the punk scene. A leopard-print border adds texture and contrast, reflecting the bold, unapologetic attitude associated with punk culture. Fairey’s meticulous use of line work and negative space emphasizes the dynamic interplay between the central figure and the surrounding design elements, creating a visually arresting composition. The Influence of Music on Shepard Fairey’s Art Shepard Fairey has often credited music as one of the most significant influences in his artistic journey. Hi-Fi AP exemplifies his ability to channel the spirit and energy of music into visual form. The design draws heavily on the DIY ethos of punk rock, where album covers and merchandise served as canvases for artistic expression. Fairey’s work reflects this connection by incorporating elements that evoke the tactile and immediate qualities of vinyl records, zines, and handmade posters. The leopard-print motif and gritty typography reinforce the rebellious aesthetic of punk, while the inclusion of track titles creates a narrative that connects music to the emotions and experiences it represents. Fairey’s ability to encapsulate the cultural significance of music in his work highlights his deep understanding of its role as a unifying force. Hi-Fi AP is not just a piece of art; it is a visual celebration of the energy, individuality, and community that music fosters. The Craft of Silkscreen Printing The silkscreen printing process used for Hi-Fi AP is a testament to Shepard Fairey’s dedication to his craft. Each print is meticulously hand-pulled, allowing for a high level of precision and detail. The one-color design emphasizes the bold contrasts and sharp lines that define Fairey’s style. Printed on fine art paper, the piece achieves a refined finish that enhances its visual and tactile appeal. As an Artist Proof, this print holds a special significance within the edition, often representing the artist’s experimentation and refinement of the design. The choice of silkscreen printing aligns with Fairey’s roots in graffiti and street art, where stencils and hand-pulled prints are integral to the medium. This traditional approach, combined with modern graphic sensibilities, makes Hi-Fi AP a compelling example of contemporary Street Pop Art. Shepard Fairey: Elevating Graffiti Pop Street Art Shepard Fairey has become a pivotal figure in the evolution of Street Pop Art and Graffiti Artwork. His ability to blend bold graphic elements with cultural commentary has established him as a voice for individuality and social awareness. Hi-Fi AP reflects his commitment to exploring the intersections of music, art, and activism, creating pieces that resonate with audiences on multiple levels. Through works like Hi-Fi AP, Fairey demonstrates the enduring influence of punk culture and its ability to inspire new forms of artistic expression. This piece is a celebration of the raw energy and democratic spirit that define both music and art, making it a significant addition to Fairey’s body of work and a must-have for collectors and fans of contemporary Street Pop Art.

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Andrew WK- Austin TX 2004 Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Todd Slater. 24 x 24 – 2 color silkscreen – S/N edition of 100 "I dropped a stack of these off at Emo’s and heard Peaches doing her soundcheck with that track from “Lost in Translation”. I was getting married the next day and Graham from Emo’s offered to let my friends and I in free as a sort of spontaneous bachelor party. The night would not be forgotten as I ended up writing a screenplay of the night’s events that ended up in Todd Phillips hands and eventually became “The Hangover”. Long live the party indeed. Actually, I politely declined his offer and was in bed by 10 that night but you get the idea." -Todd Slater

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Pearl Jam Nov 18th Melbourne Gig Poster Silkscreen Print by Ben Frost Hand-Pulled on Fine Art Paper Limited Edition 6 Color Screenprint Artwork. 2024 Signed & Numbered Limited Edition of 100 Artwork Size 24x18 Silkscreen Print Official Pearl Jam Holographic Sticker on Back. Pearl Jam, Pixies & Teen Jesus and the Jean Teasers, Marvel Stadium, Melbourne, Australia. Pearl Jam Melbourne Gig Poster by Ben Frost The Pearl Jam November 18th 2024 Melbourne gig poster by Ben Frost is a striking silkscreen print that merges the visual voltage of contemporary Street Pop Art & Graffiti Artwork with the live energy of one of rock’s most iconic bands. This officially licensed concert print commemorates Pearl Jam’s appearance at Marvel Stadium in Melbourne, joined by legendary alternative rock band Pixies and rising Australian act Teen Jesus and the Jean Teasers. Hand-pulled on fine art paper using six vibrant colors, this limited edition print is signed and numbered by Ben Frost and comes with an official Pearl Jam holographic sticker affixed to the back, affirming its authenticity. Visual Energy and Symbolism The artwork presents an explosive mirrored composition featuring two yellow cockatoos—native to Australia—locked in a bold and symmetrical confrontation. Their wings are ablaze with flames, rendered in a high-contrast palette of crimson, amber, and electric yellow. The birds’ feathers pulse with intensity, each form carefully delineated through Frost’s precise graphic technique. Their talons meet at the center, interlocking to form a clenched gesture that suggests solidarity, power, and resistance. Between the wings, flames rise upward, forming the spiritual and literal heat of the print—mirroring the fire and urgency that has always defined Pearl Jam’s music. Emblazoned on one wing is the date of the concert, NOV 18 2024, while the other wing marks the venue: MARVEL STADIUM MELBOURNE. The typography is seamlessly integrated into the design, serving both function and form, rooted in graffiti styling but refined through the lens of fine art silkscreen work. Artist Background and Street Pop Context Ben Frost is an internationally recognized Australian artist known for his ability to appropriate pop culture, pharmaceuticals, corporate logos, and advertising language into subversive and often satirical compositions. Through his Street Pop Art & Graffiti Artwork, Frost explores consumer culture, identity, and rebellion. This poster carries those same hallmarks of his wider body of work—exaggerated color palettes, clean linework, and a dense sense of visual stimulation. While Frost is renowned for his critiques of media saturation and capitalist spectacle, this piece celebrates a specific cultural moment. The visual style reflects his skill at mixing commercial and countercultural influences into something both collectible and critical, blending the immediacy of street art with the polish of screenprinted fine art editions. Concert Culture and Contemporary Collectibles As with all official Pearl Jam gig posters, this print serves as a functional keepsake but transcends into the realm of visual art. At 24x18 inches, the scale is significant, ideal for collectors and fans who appreciate not just the music but the iconography it inspires. Limited to only 100 hand-signed and numbered prints, it represents an exclusive collaboration between music and visual art communities. Pearl Jam has consistently aligned themselves with socially conscious and artistically progressive projects, and their ongoing partnership with artists like Ben Frost reinforces their legacy. With added support from the Pixies and Teen Jesus and the Jean Teasers on this tour stop, the print also captures a cross-generational exchange within alternative music. Ben Frost’s poster is more than promotional material—it is a symbolic totem of sound, culture, and resistance, crystallized through the fire of silkscreen artistry.

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Skrillex NY Takeover 5- 2012 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Features Skrillex, Skream & Benga, Koan Sound, and Tokimonsta at Termina 5 Poster features "X" of Skrillex's name. In 2012, Skrillex did a 5-night takeover of NYC with a series of highly sought-after parties and underplays. While the shows happened, the posters were never released. Together, the posters spell out Skrillex's name in a collage of lighting, cosmos, and terrain, in an attempt to capture the intensity of seeing Skrillex live. 18 x 24 inches Spot Color Offset Print Fluorescent Yellow, Fluorescent Green, Black Archival Bright White Paper Limited Edition of 200 Signed by MFG- Matt Goldman Printed in 2012

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Schoolboy Q Concrete 2014 Rap Music Event Limited Edition Gig Poster 4C Digital Print Ultra High Gloss Archival Photo Paper by MFG- Matt Goldman Max Goldman for Music Artist Skrillex . Lineup Featured Schoolboy Q | Gaslamp Killer | Salva | Nosaj Thing | Groundislava | Them Jeans | Keltronix | SUS BOY 16 x 20 inches 4C Digital Print Ultra High Gloss Archival Photo Paper Limited Edition of 100 Released 2014 . One of the most fun shows I produced, Schoolboy Q, and a handful of artists took over both floors of Los Globos in Silverlake for an unforgettable event. SUS BOY created original show visuals, and the poster is a collaboration between him and MFG- Matt Goldman .

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Street Weapons Danceright Music Club Event Limited Edition Metallic Gold Ink Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. Shepard and I ran a club night in Downtown LA from 2006 to 2014 called Dance Right. During that time, I created a flyer every week and from those flyers came a bunch of designs that ended up becoming clothing designs for OBEY Clothing and a collab poster that Shepard and MFG- Matt Goldman released in 2006. 18 x 24 inches Screen Print Black, Dark Red, Metallic Gold Cream Speckletone Paper Edition of 300 Signed and numbered by Shepard Fairey & MFG- Matt Goldman Released 2006

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Electric Instrument Co- Silver Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 57 "Electric Instrument Co.- Metallic Silver Edition" by artist Jacob Borshard. Print measures 16x30 inches. Signed and numbered in a limited edition of 57. Hand deckled edges on the left side of the print.

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Flatstock 33 2012 Event Music Limited Edition Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Yellow Fine Art Paper by Jeremy Wheeler. Number 71 of 71. SXSW American Poster Institute March 14-17 2012 Austin Convention Center Texas

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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