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Blackjack HPM Hand-Embellished Mixed Media Silkscreen Art on Framed Canvas by Artist Steve Kaufman SAK Contemporary Pop Artwork. 2000 Signed & Numbered on Back HPM Hand Embellished Limited Edition of 25 Artwork Size 16x16

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HIVE B-006H.Battle Limited Edition Vinyl Sculpture Artwork by Fine Pop Modern Artist Vectormobb. 2021 1/2 Scale 16" [40.5cm] Vinyl Sculpture Lightup honeycomb and Eyes Limited 300pcs only Designed by Johnny from Vectormobb. ZCWO x VECTORMOBB HIVE B-006H. Bees are what help the world flourish through pollination. They're amazing insects who only attack when they feel threatened, so they deserve a proper hive that would scare away intruders who only want their honey. HIVE B-006H Battle Star Wars Sculpture Art Toy by Vectormobb The Artistic Buzz: HIVE B-006H Battle by Vectormobb In a world where pop culture and environmental consciousness collide, Vectormobb's HIVE B-006H Battle is a monumental piece of modern pop art that encapsulates more than just aesthetic allure. Designed by Johnny from Vectormobb, this 1/2 scale 16" vinyl sculpture embodies the fusion of ecological awareness with the striking visuals of science fiction, specifically the iconic imagery from "Star Wars." Intersecting Themes: Environmentalism Meets Pop Iconography The HIVE B-006H Battle is not merely a collectible but a statement. Limited to 300 pieces, this artwork features a light-up honeycomb and eyes, bringing the piece to life in a way that is both visually compelling and thematically resonant. Bees, known as crucial pollinators in our ecosystems, are represented here in a form that is both a sanctuary and a warrior, reflecting their vital role in our world and the need to protect these industrious insects. The use of a Stormtrooper helmet reimagined as a beehive draws upon the widespread recognition of the "Star Wars" franchise and casts these characters in a new light. It suggests a narrative where the natural and the artificial merge, where the typically faceless soldiers of a galactic empire become guardians of nature, symbolizing a potential harmony between technology and the environment. VECTORMOBB's Creative Vision: A Synthesis of Art and Advocacy The creative vision of Vectormobb, particularly within this piece, is symbolic of the transformative power of street pop art. The HIVE B-006H Battle traverses the boundary between art and advocacy, harnessing the evocative power of popular icons to comment on real-world issues. It is a physical manifestation of the dialogue between human advancement and the natural world, which is increasingly pressing in our contemporary society. This vinyl sculpture is a beacon of the street pop art ethos, which often takes the familiar and twists it into something new and thought-provoking. Through this piece, Vectormobb propels the conversation into spaces frequented by art enthusiasts and collectors alike, sparking discussions on conservation, coexistence, and the roles we play in the stewardship of our planet. The artistry behind HIVE B-006H Battle is a testament to the role of modern artists in shaping public discourse through creative expression. By integrating the beloved visuals from "Star Wars" with the critical issue of bee conservation, Vectormobb presents a work that is as impactful in its message as in its design. This piece is a potent reminder that art can reflect our passions and catalyze change, encouraging us to consider the delicate balance between preserving our cultural touchstones and safeguarding our environmental future.

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Life After Death Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Ken Flewellyn. 20x16 inches / 51x41 cm Edition of 40 Fine art print on 290gsm paper Hand-signed and numbered by the artist Ken Flewellyn’s Life After Death: Baroque Symbolism in Street Pop Art Form Ken Flewellyn’s Life After Death presents a meticulously rendered still life that fuses classical painting traditions with the language of Street Pop Art & Graffiti Artwork. Released as a 20 x 16 inch giclée print on 290gsm fine art paper in a signed and numbered edition of 40, the piece takes aesthetic cues from 17th-century vanitas while layering in modern hip-hop and pop culture references. With photographic precision, Flewellyn constructs a visual narrative about legacy, excess, identity, and mortality—turning familiar symbols into philosophical statements. A gold-plated skull wearing a crown rests atop a stack of magazines, evoking both royalty and finality. The juxtaposition of this memento mori with luxury objects—a Versace-styled boombox, thick gold rope chain, designer sunglasses, a spilled wine glass—highlights the tension between materialism and impermanence. The broken cigar, empty jewelry case, and antique pocket watch on a satin ribbon extend this commentary, nodding to the fragility of status and time. Like Dutch vanitas painters who used decaying fruit and extinguished candles to hint at life’s brevity, Flewellyn replaces those metaphors with consumer goods, packaging the same message for a contemporary audience. Hyperrealism as a Tool of Cultural Synthesis The precision of Flewellyn’s painting style is not just a technical flex—it’s a deliberate choice that elevates the visual weight of every object on the table. Each item is treated with reverence and clarity, forcing the viewer to examine them individually and collectively. Hyperrealism in this context becomes a method of preservation, much like how historical paintings immortalized wealth, nobility, or religious conviction. Here, the objects preserved are relics of urban culture, hip-hop mythology, and fashion-driven self-construction. This synthetic approach to visual storytelling is one of Flewellyn’s strengths. Rather than lean into abstraction or expressive distortion, he paints with clinical sharpness. The boombox, decorated with intricate Medusa heads and gold patterning, becomes a sacred totem. The magazines, showing muscle-bound figures and flashy headlines, serve both as cultural archive and pop commentary. The reflection in the polished orb at left even contains the outline of the artist’s studio space, collapsing the illusion of classical detachment and re-inserting the viewer into the act of creation. Rewriting the Still Life Through Street Pop Language Ken Flewellyn’s background in pop culture study and urban visual language allows Life After Death to operate as a cross-genre artwork. Though not made with aerosol or on public walls, its structure and symbols place it firmly in the lineage of Street Pop Art & Graffiti Artwork. The work reframes the aesthetics of graffiti—where hierarchy, identity, and legacy are constantly negotiated—through the composition and technique of high art traditions. It does not imitate graffiti stylistically; instead, it honors its values through symbolism and narrative. By reconstructing a still life with hip-hop’s material vocabulary, Flewellyn bridges historical and contemporary methods of cultural storytelling. The table becomes a battlefield of symbols—power, time, excess, fame—and the viewer is invited to read the relics for what they reveal about the pursuit of permanence in a transient world. The crown, worn by a skull, reminds us that all power is borrowed. The spilled drink, the tangled chain, the tooth—each item carries encoded meaning, transformed by the hand of the artist into a modern-day parable. Ken Flewellyn’s Life After Death captures the essence of contemporary Street Pop Art by combining the rigor of fine art painting with the immediacy of cultural critique. Through composition, symbolism, and visual clarity, it serves as a statement on mortality, self-image, and what survives after the noise fades.

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Orientations of the Night I Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of 50 Artwork Size 12x16 Silkscreen Print. Orientations of the Night I by Cleon Peterson Orientations of the Night I is a 2025 silkscreen print created by contemporary American artist Cleon Peterson. Produced as a signed and numbered limited edition of 50 on hand-deckled 290gsm Coventry Rag fine art paper, this artwork measures 12 by 16 inches. With a stark contrast of black and white figures on a shimmering gold background, the piece speaks to Peterson’s longstanding exploration of dominance, submission, and the conflict between order and chaos. Known for his unsettling yet elegant style, Peterson crafts a visual language that feels both timeless and urgent, aligning with the tradition of Street Pop Art & Graffiti Artwork that pushes political and psychological boundaries. Visual Style and Symbolic Structure The print features Peterson’s signature figures rendered in flat silhouettes with smooth yet aggressive curves. In Orientations of the Night I, a black figure and a white figure are locked in a visually intense and ambiguous pose, emphasizing power dynamics and emotional tension. The golden backdrop contrasts sharply with the monochromatic bodies, heightening the theatricality and symbolic charge of the scene. The composition captures a sense of fluid motion and struggle while maintaining a rigid, almost classical structure. Peterson’s use of minimalism, symmetry, and stark abstraction invites viewers to question what they see and how they interpret conflict and vulnerability. Medium and Production Created using a traditional silkscreen process, this print reflects Peterson’s meticulous control over production. The gold background, layered beneath matte black and bright white inks, is printed on Coventry Rag paper, which is known for its archival quality and soft, deckled edges. This choice of materials not only enhances the visual impact but also reinforces the historical connection between fine art and street culture, where silk screening has long served as a vehicle for political posters, zines, and graffiti-based messages. The limited edition nature of the piece heightens its status within the Street Pop Art & Graffiti Artwork world, transforming a graphic aesthetic into a collectible fine art object. Cleon Peterson’s Role in Street Pop Art & Graffiti Artwork Cleon Peterson, born in the United States, has built a distinct and confrontational visual voice in contemporary art. His work draws from both classical composition and raw, urban immediacy. While not traditionally a graffiti writer, his practice is rooted in the spirit of street art, using visual boldness and social critique to question power, justice, and societal control. His figures are often seen in dystopian scenarios where authority and resistance clash violently. Orientations of the Night I embodies this duality, depicting a struggle that feels psychological, mythological, and institutional all at once. The piece is a reflection of Peterson’s ongoing interest in exploring systems of dominance and the thin line between protection and oppression within modern life. Through his precise technique and symbolic storytelling, Peterson continues to contribute to the evolving discourse of Street Pop Art & Graffiti Artwork with uncompromising force.

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Filthy Limited Edition 2-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Nu-Nile Die-Cut Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Fine Art Paper by Artist Darien Birks Urban Street Artwork. 2022 Signed & Numbered Limited Edition of 25 Artwork Size 16x16 "I think these images belong on a stamp because of their nostalgic value amongst those that grew up in a community similar to my own. The thought of what they represent make most people smile when they see the art. They bring back memories of when we wanted to look our best, how we wanted to present ourselves to the world at that particular time. When one pomade didn't give us the look that we were trying to achieve (primarily waves), we'd switch to another one—it would create debates about which was the best. The bold colors and interesting use of typography on the tin can packaging were other details of interest, they were iconic, and I wanted to recapture that." –Darien Birks

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