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Casque d'Or Golden Heart Original Metal French Mailbox Letterbox Sculpture by C215- Christian Guémy Artwork by Graffiti Street Artist. 2014 Signed Original Metal Hand Made Sculpture One of A Kind Artwork. Created in 2014, Casque d'Or is a spray-painted artwork on a reclaimed postal box measuring 47 x 12 x 12 inches (119.4 x 30.5 x 30.5 cm), with the artist’s signature and title inscribed on the top as "C215 / Casque d'Or." Part of a series honoring French cinema, this piece pays tribute to director Jacques Becker and features a striking portrait of Simone Signoret, the celebrated star of Becker’s 1952 film Casque d’Or ("Golden Helmet"). Casque d'Or Mailbox Sculpture by C215 – French Cinema Immortalized in Street Pop Art & Graffiti Artwork Created in 2014, Casque d'Or is a one-of-a-kind hand-painted sculpture by renowned French street artist Christian Guémy, known globally as C215. Measuring 47 x 12 x 12 inches, this imposing artwork is constructed from a reclaimed French metal mailbox, transformed into a monumental tribute to French cinema and urban heritage. The sculpture features luminous spray-painted portraits, most notably a hauntingly beautiful depiction of actress Simone Signoret, the star of Jacques Becker’s 1952 cinematic masterpiece Casque d’Or. With its vivid yellows and splattered patina, the mailbox retains its identity as a utilitarian public object, while C215 repurposes it as a canvas of homage and cultural memory. The piece is signed and inscribed on the top as C215 / Casque d'Or, anchoring it as both a personal expression and historical artifact within the artist's body of work. C215 and the Urban Poetics of the Forgotten Object Christian Guémy, born in France, has established a powerful voice in Street Pop Art & Graffiti Artwork through his use of layered stencils and emotionally resonant portraiture. Known for elevating everyday city elements—doors, utility boxes, abandoned walls—into platforms for human connection, C215 approaches this sculptural mailbox with the same reverence. His stencils are cut by hand, revealing a meticulous craftsmanship that balances street spontaneity with academic control. In Casque d'Or, Guémy turns attention to Simone Signoret not only as a film legend but as a symbol of strength and complexity. His line work captures her cinematic allure while the placement on a government-issued mailbox speaks to the intersection of national identity, communication, and nostalgia. It is a bold reclaiming of the public surface as sacred ground for cultural storytelling. Spray Paint as Medium, the Mailbox as Canvas Spray paint remains the primary medium in Casque d'Or, reinforcing the graffiti artist's vocabulary while pushing it into sculptural and archival territory. The bright orange and yellow hues reference the classic French postbox color but are intensified by Guémy’s application style—layered, textured, and aged. The mailbox itself, complete with slots and embossed lettering, retains its utilitarian geometry, grounding the fantastical imagery in physical infrastructure. It becomes a sculpture not through removal from the street, but through reinterpretation. The pedestal elevates it further, suggesting monumentality without separating it from its roots in civic architecture. As part of the larger tradition of Street Pop Art & Graffiti Artwork, this transformation embodies the genre’s power to repurpose the familiar as a vessel for personal and collective myth. Cinema, Identity, and the Legacy of French Culture Through Street Art Casque d'Or belongs to a broader series by C215 that celebrates French cinema icons, a project rooted in cultural reverence and creative activism. By choosing a symbol of public communication—the letterbox—as the foundation of this work, Guémy underscores the idea that art can speak from the street just as powerfully as from the screen. The portrait of Signoret carries with it layers of French history, femininity, and media influence, while the sculptural format makes it portable and permanent. This fusion of fine portraiture, graffiti tradition, and historic reference places the work firmly in the center of contemporary Street Pop Art & Graffiti Artwork. It is not only a tribute to a film, but a reminder that the city itself is a gallery, its surfaces waiting to speak, to remember, and to reimagine.

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C3PO Laser Etched Copper Metal by Joshua Budich Graffiti Street Artist Modern Pop Art. Title: "C3PO" Copper edition Medium: Laser etching on copper Edition: 100 copies Markings: Signed and numbered on verso

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Filthy Limited Edition 2-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Dave Kinsey Graffiti Street Artist Modern Pop Art. BLK/MRKT

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Ezekiel 25:17 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Signed & Numbered. Briefcase from Pulp Fiction Cult Classic Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Embrace Limited Edition Hand-Embellished Archival Pigment Print with Foil Embellishments on 300gsm Fine Art Paper by Craww Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition HPM of 25 Artwork Size 12x18 Craww - "Embrace" hand embellished with gold leaf by the artist fine art giclee print signed and numbered edition of 25 12" x 18"

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Orientations of the Night I Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2025 Signed & Numbered Cleon Peterson Limited Edition of 50 Artwork Size 12x16 Silkscreen Print. Orientations of the Night I by Cleon Peterson Orientations of the Night I is a 2025 silkscreen print created by contemporary American artist Cleon Peterson. Produced as a signed and numbered limited edition of 50 on hand-deckled 290gsm Coventry Rag fine art paper, this artwork measures 12 by 16 inches. With a stark contrast of black and white figures on a shimmering gold background, the piece speaks to Peterson’s longstanding exploration of dominance, submission, and the conflict between order and chaos. Known for his unsettling yet elegant style, Peterson crafts a visual language that feels both timeless and urgent, aligning with the tradition of Street Pop Art & Graffiti Artwork that pushes political and psychological boundaries. Visual Style and Symbolic Structure The print features Peterson’s signature figures rendered in flat silhouettes with smooth yet aggressive curves. In Orientations of the Night I, a black figure and a white figure are locked in a visually intense and ambiguous pose, emphasizing power dynamics and emotional tension. The golden backdrop contrasts sharply with the monochromatic bodies, heightening the theatricality and symbolic charge of the scene. The composition captures a sense of fluid motion and struggle while maintaining a rigid, almost classical structure. Peterson’s use of minimalism, symmetry, and stark abstraction invites viewers to question what they see and how they interpret conflict and vulnerability. Medium and Production Created using a traditional silkscreen process, this print reflects Peterson’s meticulous control over production. The gold background, layered beneath matte black and bright white inks, is printed on Coventry Rag paper, which is known for its archival quality and soft, deckled edges. This choice of materials not only enhances the visual impact but also reinforces the historical connection between fine art and street culture, where silk screening has long served as a vehicle for political posters, zines, and graffiti-based messages. The limited edition nature of the piece heightens its status within the Street Pop Art & Graffiti Artwork world, transforming a graphic aesthetic into a collectible fine art object. Cleon Peterson’s Role in Street Pop Art & Graffiti Artwork Cleon Peterson, born in the United States, has built a distinct and confrontational visual voice in contemporary art. His work draws from both classical composition and raw, urban immediacy. While not traditionally a graffiti writer, his practice is rooted in the spirit of street art, using visual boldness and social critique to question power, justice, and societal control. His figures are often seen in dystopian scenarios where authority and resistance clash violently. Orientations of the Night I embodies this duality, depicting a struggle that feels psychological, mythological, and institutional all at once. The piece is a reflection of Peterson’s ongoing interest in exploring systems of dominance and the thin line between protection and oppression within modern life. Through his precise technique and symbolic storytelling, Peterson continues to contribute to the evolving discourse of Street Pop Art & Graffiti Artwork with uncompromising force.

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Serpents PP Printer Proof Letterpress Print by Gats- Graffiti Against The System Limited Edition 3-Color on Hand Deckled 250gsm Lenox Art Paper Graffiti Street Pop Artwork. PP Printer Proof 2016 Signed & Marked PP Limited Edition Artwork Size 12x18 Letterpress Print Gats- Graffiti Against The System' "Serpents": A Letterpress Legacy in Street Pop Art The "Serpents" by Gats- Graffiti Against The System, an acronym for Graffiti Against The System, is a symbolic work that encapsulates the raw essence and socio-political underpinnings of street pop art and graffiti. As a Printer's Proof (PP) letterpress print from 2016, this artwork showcases the distinct visual language for which Gats- Graffiti Against The Systemby has become renowned. It is a limited edition, three-color print on hand deckled 250gsm Lenox art paper, meticulously signed and marked by the artist, signifying its importance within the edition. The 12x18-inch size allows the intricate details and the stark contrasts of the letterpress technique to shine, emphasizing the artistry and message conveyed by the piece. Gats- Graffiti Against The Systemby is known for his iconic mask imagery, which is prevalent throughout his work and serves as a symbol of anonymity and universality. The "Serpents" print continues this thematic exploration, with the mask motif taking center stage, surrounded by serpentine forms that could be interpreted as literal and metaphorical representations. Letterpress printing adds a tactile depth to the work, harking back to a time when print was both a craft and a form of communication for the masses. Letterpress Printing and Its Resonance in Gats- Graffiti Against The System' Work The choice of letterpress for "Serpents" is particularly significant in the context of Gats- Graffiti Against The Systemby's oeuvre. Letterpress printing, with its origins in traditional craftsmanship, brings a historical weight to the work, juxtaposing the transience of graffiti with the permanence of printed art. The hand-deckled edges of the Lenox art paper contribute a delicate, almost antique quality to the print, suggesting that its message is timeless and enduring. Gats- Graffiti Against The Systemby's work is often laden with social commentary, and "Serpents" is no exception. The piece reflects Gats- Graffiti Against The Systemby's engagement with the urban environment, his critique of societal systems, and his contemplation of the individual's place within the larger context. The layered meaning within the print, combined with the striking aesthetic, indicates the power of street pop art to capture the viewer's gaze and provoke thought and discourse. The Cultural Impact of Gats- Graffiti Against The System' "Serpents" In street pop art and graffiti artwork, Gats- Graffiti Against The Systemby is a figure who bridges various artistic worlds. His work "Serpents" is not merely a static image but a dynamic interaction of historical printmaking techniques and contemporary street art sensibilities. As a limited edition PP print, it occupies a unique niche within the art market, appealing to collectors of fine art prints and fans of street art. In summary, "Serpents" by Gats- Graffiti Against The Systemby exemplifies the artist's dedication to a form of expression rooted in the history of printmaking while being deeply entrenched in the discourse of modern street art. His utilization of letterpress printing on high-quality Lenox paper underscores a commitment to craft in an age of mass production. Through works like "Serpents," Gats- Graffiti Against The Systemby continues to contribute to the narrative of street pop art, offering visually captivating and intellectually stimulating pieces. The print stands as a testament to the potential of street art to transcend its temporary nature and establish itself as a significant and lasting form of cultural expression.

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