Up They Rise 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fabriano Cotton Paper by Jamie Reid Rare Street Art Famous Pop Artwork Artist. PP Printers Proof. Up They Rise, 2007 Screenprint in colors on Fabriano Cotton paper 27-1/2 x 19-3/4 inches (69.9 x 50.2 cm) (sheet) P.P. (aside from an edition of 50) Signed, numbered, and titled in pencil along lower edge

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Credit Limit- Bank of Ugh-Merica Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Credit Limit- Bank of Ugh-Merica Credit Card Themed Money Art. Numbered, Signed, Stamped on Reverse, Edition of 25, 24x18, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Credit Limit: Bank of Ugh-Merica by Denial Credit Limit: Bank of Ugh-Merica is a powerful archival pigment fine art print created by street pop art and modern culture artist Daniel Bombardier, known as Denial. This artwork, released in a limited edition of 25, reflects Denial's sharp critique of consumerism and the financial systems that dominate modern life. Printed on 290gsm MOAB fine art paper, this 24x18-inch piece combines vivid colors, pop culture references, and satirical imagery to challenge the viewer’s perception of wealth, credit, and societal values. Each print is signed, numbered, and stamped on the reverse, making it a highly collectible piece within the street pop art and graffiti artwork community. The Visual Commentary on Consumerism Credit Limit: Bank of Ugh-Merica transforms the iconic design of a credit card into a biting critique of financial systems and American consumer culture. The central figure—a woman with the American flag painted across her face—symbolizes the allure and burden of patriotism tied to economic identity. Her exaggerated expression conveys disillusionment, mirroring the emotional weight of consumer debt and financial dependence. The replacement of the credit card’s typical branding with Denial’s satirical take highlights the disconnect between the promises of prosperity and the realities of economic inequality. This artwork encapsulates the power of street pop art to deliver meaningful social commentary through familiar visual cues. Denial’s Approach to Modern Pop Culture Art Daniel Bombardier, a Canadian artist, has built a career on critiquing consumerism, politics, and societal norms through his street pop art and graffiti artwork. Credit Limit: Bank of Ugh-Merica exemplifies his signature style of combining bold graphic elements with thought-provoking themes. By appropriating the imagery of a credit card—a symbol of wealth and status—Denial invites viewers to reconsider the systems they take for granted. His meticulous attention to detail, from the crisp archival pigment print to the high-quality MOAB fine art paper, ensures that the message is delivered with both clarity and impact. The Cultural Relevance of Credit Limit This artwork resonates in an era where conversations about economic disparity, debt, and consumer habits are more relevant than ever. Credit Limit: Bank of Ugh-Merica not only critiques the structures that perpetuate inequality but also questions the cultural obsession with material wealth and financial power. The limited edition nature of this piece enhances its significance, making it a statement of both artistic and cultural value. As a representation of Denial’s ability to merge humor, critique, and pop culture into a cohesive and impactful artwork, this piece stands as a testament to the enduring power of street pop art and graffiti artwork in challenging societal norms.  

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Anarchy Symbol- Glow in the Dark Bloody Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2008 Signed Edition of 250 GID Black Bloody Jumango

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Open Minds 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OPEN MINDS 36 inches by 24 inches Edition of 675 February 3, 2022 Handling Creases to Bottom Left & Right Margins. This “Open Minds” print references the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon impact of the gas itself, contaminates groundwater, pollutes the air, and creates strains on water resources because of the high volume of water required for the fracking process. Open-mindedness about any of those detrimental impacts of fracking and other fossil fuel extraction is absurd if one cares about the environment, air and water quality, and global warming. Powerful corporations and their lobbyists spend exorbitant sums to distract from and discredit the science-based conversation about the environment. I’m all for open minds and open eyes when it comes to putting science and the welfare of the planet before corporate profits. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change. – Shepard

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RFK Robert F Kennedy Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print From Friends of LAHSA

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Make Art Not War 18x24 2009 Offset Lithograph Print by Shepard Fairey Limited Edition Graffiti Artwork on Semi Glossy Fine Art Paper. 2009 Make Art Not War Size 18x24 From Shepard Fairey's Art Show in Boston, MA Out of Print

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Riot Cop 100% & 400% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure by Brandalism. 2022 New In Box Brandalised x Medicom Toy x Banksy 2022 Medicom Toy Popular artist Banksy returns with the Riot Cop Bearbrick! This is the third collaboration between Medicom Toy and Brandalism. Water transfer technology ensures unique print placements. The 100% and 400% size Bearbricks stand at 7cm and 28cm tall respectively.

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Humans Are A Virus Designer Art Toy by Joan Cornellà Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition Artwork Size 5x10.2 New In Box Printed Signature on Foot. Joan Cornellà's "Humans Are A Virus" and Its Commentary in Art In street pop art and graffiti artwork, Joan Cornellà has established himself as a distinctive voice known for his striking and often discomforting visual commentary on modern life. His "Humans Are A Virus" designer art toy represents his satirical approach, merging the innocence associated with toys with a stark and thought-provoking message. Released in 2023 as a limited edition collectible, this vinyl sculpture showcases Cornellà's printed signature on the foot, marking it as a genuine piece from the artist's collection. The piece presents a character in an orange suit, arms wide open, with the phrase "#HumansAreAVirus" emblazoned above. The artwork resonates with the duality of human existence and the impact of humanity on the planet, a recurring theme in Cornellà's work. Like much of his other work, this art toy acts as a mirror to society, reflecting the often-ignored truths about human behavior and its consequences. The Artistic Significance of Cornellà's Vinyl Collectibles The "Humans Are A Virus" art toy by Joan Cornellà is not just a collectible item; it's a slice of contemporary art that encapsulates the ethos of street art and the broader pop art movement. Once relegated to the realm of child play, vinyl toys have been transformed by artists like Cornellà into powerful vehicles for artistic expression. These limited edition pieces, often launched with great anticipation and fanfare, have become coveted items for collectors and art enthusiasts alike. Cornellà's work is particularly renowned for its ability to provoke a visceral reaction. By using the medium of toys, he disrupts the viewer's expectation of what is playful and innocent, instead delivering a visually striking and intellectually stimulating piece. The size of the piece, modest yet substantial, allows it to stand out in any collection, drawing attention to its underlying message about humanity's self-destructive tendencies. Joan Cornellà's Influence on Contemporary Pop and Street Art Joan Cornellà has cemented his position as a significant figure in the world of pop and street art. His work transcends traditional canvases and gallery spaces, finding its way into the urban environment where it is accessible to a broader audience. The "Humans Are A Virus" sculpture symbolizes how Cornellà has bridged the gap between art and social commentary, delivering aesthetically unique and rich meaning. In street art, where the goal is often to challenge passersby and provoke thought or dialogue, Cornellà's vinyl figures stand as three-dimensional manifestations of these aims. They are tangible representations of the ideas that street artists typically convey through murals and graffiti. As such, Cornellà's contributions have broadened the scope of what street pop art can be, demonstrating that the impact of this art form can be just as powerful when held in hand as when it's encountered on a city wall. Joan Cornellà's "Humans Are A Virus" designer art toy is a profound piece of contemporary art that encapsulates his work's satirical and often cynical essence. It stands as a commentary on human impact, a critique wrapped in the playful form of a toy, and a collectible that captures the imagination and provokes thought. Through this and other works, Cornellà continues to influence and shape the conversation in street pop art and graffiti artwork, challenging viewers to see the world through a lens that is as critical as it is comical.

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Che- Green Limited Edition Hand Pulled 3-Color Serigraph Print on 320gsm Coventry Rag Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Size 31.25x22.25 Title: “Che” (GREEN) Artist: ERNESTO YERENA Medium: SERIGRAPH Colors: 3 Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 31.25″ x 22.25” Live Art Size: 27” x 18.25”

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Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

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Broken Page Original Hand-Painted Multiple Mixed Media Spray Paint Artwork on Laser Cut Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Heist Eyes HPM Stencil Spray Paint Silkscreen by Prefab77 Hand-Painted Multiple on 300gsm Somerset Fine Art Paper Unique Graffiti Street Artist Modern Pop Art. 2023 Signed & Numbered Edition of 60 HPM Unique Hand Painted Spray Paint Stencil Artwork Size 15x22 Silkscreen of Close Up of Woman's Eyes With Pop Culture Figures. Diving deep into the world of modern pop and street art, one can't help but be captivated by the hand-painted creations of PREFAB77. The artist, known for blending unique graffiti techniques with elements of pop culture, has yet again introduced an exceptional piece titled “Heist Eyes”. This artwork is a brilliant amalgamation of stencil spray paint and silkscreen techniques, seamlessly marrying the two art forms. Set on a high-quality 300gsm Somerset Fine Art Paper, the “Heist Eyes” showcases a close-up of a woman's gaze, fierce and mysterious. The eyes, being the windows to the soul, are central in this artwork, perhaps symbolizing the depth and layers of our modern culture. What's unique about this particular piece is its intricate details. Not only does it present the intense gaze, but it also intricately intertwines elements of pop culture, serving both as a reflection of contemporary society and a warning of the fleeting nature of fame and recognition. This piece is not just any regular print; it's a hand-painted multiple (HPM). This means each piece, though part of a series, has its own unique touch. The utilization of seven distinct colors brings life to the print, and the luxurious layer of UV black ink against a hand-painted background only adds to its allure. With only 60 pieces in existence, each signed, stamped, and numbered, it truly is a testament to PREFAB77's dedication to craftsmanship and exclusivity. In the realm of pop art, street art, and graffiti art, such works emphasize the evolution of traditional art forms. They signify a move from the conventional to the contemporary, bringing in fresh perspectives while keeping rooted in authentic techniques. The “Heist Eyes” is not just a piece of art; it's a narrative of the times we live in, urging viewers to delve deeper, to look beyond the surface, and to interpret the myriad of stories it seeks to tell.

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This Is America PP Archival Print by Denial- Daniel Bombardier Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 18x18 Archival Pigment Fine Art The Provocative Narrative of Denial's "This Is America" "This Is America" by Denial, the pseudonym of artist Daniel Bombardier, is a profound example of street pop art's capacity to engage with contemporary social issues. Released as a Printer's Proof (PP) in 2020, this limited edition print on 290gsm Moab Entrada fine art paper utilizes archival pigment to ensure lasting quality. Measuring 18x18 inches, each piece in this series is signed and marked by the artist, signifying its authenticity and exclusivity as part of a limited edition run. The artwork's stark, graphic quality and poignant textual message combine to form a piece that is both a visual statement and a commentary on the nation's state. Denial's work is known for its bold aesthetic that employs pop art and graffiti elements to convey messages about consumerism, politics, and social justice. "This Is America" is no exception, with its graphic depiction that plays on themes of identity, representation, and the American experience. The artwork's title, a question loaded with social and political undertones, invites viewers to ponder the reality of America's promise versus its actuality, especially concerning racial and social dynamics. Denial's Artistic Influence and Technique In the pop art tradition, Denial utilizes bright, arresting colors and stark contrasts to draw the viewer's eye and provoke a reaction. His technique is reminiscent of screen printing pioneers but with a modern twist that often incorporates elements of street art, such as stenciling and spray paint. The use of 290gsm Moab Entrada fine art paper in "This Is America" speaks to Denial's commitment to quality; the paper's substantial weight and smooth texture make it an ideal substrate for the archival pigment, ensuring that the colors and details of the print remain vibrant over time. The Printer's Proof designation of the print is significant within the art collecting community. Traditionally, Printer's Proofs are considered rare and valuable due to their limited number and the artist's direct involvement in the printing process. Denial's decision to sign and mark each print as PP sets it apart from standard editions, creating a deeper connection between the artist and the work and adding to the print's collectability. Street Pop Art and Its Role in Cultural Discourse Street pop art, as a hybrid of pop art's focus on mass culture and street art's raw, public-facing expression, has become an influential force in cultural discourse. Artists like Denial leverage the visibility and accessibility of street art to bring critical social issues to the forefront of public consciousness. "This Is America" serves as a visual catalyst for discussions about race, equality, and the American dream, effectively using the visual language of pop art to engage a broad audience in these conversations. The piece's direct and aggressive style is characteristic of street pop art's ability to challenge perceptions and inspire dialogue. Denial's work, particularly in this print, harnesses the power of graphic representation to address complex societal issues, making it a poignant example of how art can reflect and influence the times. In sum, "This Is America" by Denial is more than just a piece of modern artwork; it is a statement, a question, and a reflection of the times. Its place in the continuum of street pop art and graffiti artwork is solidified by its provocative imagery and the discussions it sparks. As a PP archival print, it stands as a testament to the enduring power of visual art to comment on and engage with the pressing issues of the day.

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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Damn Them All Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 24.1x27.6 Jamie Reid's "Damn Them All" is an evocative masterpiece that vividly embodies the essence of pop culture, graffiti, and street art. Crafted in 2019, this artwork is a testament to Reid's enduring influence in the realm of contemporary art, offering a captivating blend of vivid hues, intricate collage elements, and pointed socio-political commentary. The artwork stands as a limited edition giclee print, with only 300 pieces ever produced, each impeccably printed on premium 290gsm Hahnemühle bamboo paper. This meticulous choice of medium not only ensures the artwork's longevity but also accentuates its vibrant details. Each piece is hand-signed and numbered by Reid, making every print a unique collector's item. Delving into the artwork's history provides an intriguing context. The piece draws its inspiration from an original collage Reid created for a magazine publication by The Guardian, which delved deep into the themes of republicanism. Furthermore, the iconic image resonates with punk aficionados, as it was employed for the cover of the 1977 "God Save the Queen" by The Sex Pistols, a song that shook the foundations of the British establishment. Each detail, from the playful juxtaposition of cultural symbols to the rebellious undertones, encapsulates the spirit of a time when art and music sought to challenge societal norms. Measuring at 24.1 x 27.6 inches, "Damn Them All" is not just a visual treat but a historic statement, exemplifying Jamie Reid's unparalleled ability to intertwine art with cultural and political discourse. Edition of 300, printed on 290 gsm Hahnemühle bamboo paper, signed & numbered. Artwork image used for the cover of God Save the Queen in 1977 by The Sex Pistols. Damn Them All is a limited edition giclee print by Jamie Reid. Derived from an original collage made for a magazine issued by The Guardian with a lead story on republicanism. From an edition of 300, printed on 290 gsm Hahnemühle bamboo paper, the piece is signed and numbered by the artist. 24.1 x 27.6in

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Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. AP Artist Proof 2021 Signed & Marked AP Limited Edition Print Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art.  Burn Your Wonder Bra: A Bold Statement in Street Pop Art by Denial Burn Your Wonder Bra is a striking limited edition archival pigment fine art print created in 2021 by Denial, a celebrated street art and modern pop culture artist. Known for pushing boundaries with his provocative and satirical art, Denial has established himself as an influential figure in the Street Pop Art and Graffiti Artwork movements. The piece was released as a limited artist proof edition, signed and marked AP by the artist, and printed on premium 290gsm MOAB fine art paper, highlighting its status as a sought-after collectible. Reimagining Iconic Imagery Through Pop Culture Burn Your Wonder Bra pays homage to the classic Wonder Woman figure, an enduring icon in both comic book history and contemporary popular culture. Denial reinterprets this symbol of strength and femininity with a rebellious and satirical twist. The bold, comic-style composition features Wonder Woman in her recognizable blue and red attire, but with a cheeky and unapologetic depiction that challenges traditional notions of beauty and female representation. This work reflects Denial’s signature style, combining elements of vintage comic book art with modern, socially charged commentary. The phrase Burn Your Wonder Bra emblazoned at the top of the piece adds another layer of meaning, referencing the feminist movement of the 1960s and 70s that rejected societal expectations imposed on women. By merging this historical context with a pop art aesthetic, Denial creates a provocative visual dialogue about empowerment, freedom, and gender roles in today’s society. The use of bright, primary colors, thick black outlines, and halftone shading techniques draws inspiration from the works of Roy Lichtenstein while infusing it with the grit and attitude of street art. Denial: A Voice in Modern Street Pop Art and Graffiti Artwork Denial, whose real name is Daniel Bombardier, is a Canadian artist who has made a significant impact on the international art scene. His work is recognized for its bold, colorful visuals and its biting commentary on consumerism, politics, and popular culture. By creating art that is both visually arresting and intellectually engaging, Denial challenges viewers to question societal norms and values. His art often draws from graffiti culture and pop art traditions, making his work resonate with urban audiences and collectors alike. Burn Your Wonder Bra exemplifies Denial’s ability to reinterpret familiar imagery through a critical lens. It showcases his skill in blending fine art techniques with street art influences, producing a work that is both rebellious and refined. The print’s limited artist proof edition further enhances its rarity and appeal to collectors of Street Pop Art and Graffiti Artwork. The Impact of Burn Your Wonder Bra in Contemporary Art Burn Your Wonder Bra stands as a powerful statement within the Street Pop Art movement, reflecting Denial’s unique ability to merge comic book nostalgia with modern themes of feminism, freedom, and resistance. By using Wonder Woman as a symbol, Denial transforms a classic pop culture figure into a representation of liberation and self-expression. The provocative title encourages viewers to reject outdated standards and embrace individuality, resonating deeply with contemporary social issues. The archival pigment print’s high-quality production on 290gsm MOAB fine art paper ensures its durability and richness, making it a lasting addition to any collection. This work highlights Denial’s ongoing contribution to the evolution of Street Pop Art and Graffiti Artwork, solidifying his role as an artist unafraid to challenge conventions while celebrating iconic imagery.  

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Stop The Virus Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 28 x 19" black and red screen print. Printed on 290gsm Arches Rag paper with decked edges. Each print is signed and numbered. Limited edition of 100. Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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In Response To... Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Eddie Colla. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 21, 2019

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AR-15 Lily- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

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Occupy Protester A.P. 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey, Rare Street Art OBEY Pop Artwork Artist. A.P. Artist Proof 2012 Signed & Numbered Occupy Protester, 2012 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 450) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. Occupy Wall Street Shepard Fairey's 'Occupy Protester': A Beacon of Street Pop Art and Activism Shepard Fairey's 'Occupy Protester' is a poignant representation of the artist's involvement with the Occupy Wall Street movement and his continuous impact on street pop art and graffiti artwork. As an artist-proof (A.P.), this 2012 silkscreen print in colors on speckled cream paper was apart from the main edition of 450, enhancing its rarity and desirability among collectors and enthusiasts of the genre. Measuring 24 x 18 inches, the print is significant not only for its artistic merit but also for its strong political message. The 'Occupy Protester' features a figure wrapped in a scarf, with only the eyes visible, set against a backdrop of bold red and black stripes. This image is striking and filled with emotion, reflecting the intensity and urgency of the Occupy movement. The number "99%" prominently displayed in the artwork resonates with the movement's message, which protested against economic inequality and the disproportionate power of the wealthiest 1% of the population. Fairey's choice of speckle-tone paper adds an organic feel to the work, suggesting the grassroots nature of the protests. Cultural and Political Impact of Fairey's Work Shepard Fairey has long been an artist who uses his work to comment on social and political issues. 'Occupy Protester' continues this tradition, embodying the spirit of resistance and the call for change that defined the early 2010s. Published by Obey Giant, Los Angeles, the print serves as a historical document of the time, encapsulating the widespread feelings and sentiments among the participants of the Occupy Wall Street movement. Fairey's ability to communicate powerful messages through his art has solidified his position as a pivotal figure in the street pop art movement. The legacy of 'Occupy Protester' extends beyond its initial release. As a piece of street pop art, it has been instrumental in demonstrating the potential of art to influence public discourse and act as a catalyst for social change. The artist’s signature and numbering along the lower edge of the print serve as a reminder of the personal commitment and the voice of the artist behind the work. It is a testament to Fairey's dedication to his craft and his unwavering support for movements that seek to challenge the status quo. Legacy of 'Occupy Protester' in Street Art Shepard Fairey's 'Occupy Protester' is more than just a piece of art; it symbolizes a pivotal moment in contemporary history. It represents the synergy between art and activism and how street pop art can transcend traditional canvases to become a part of the collective consciousness. As an A.P. screenprint, it holds a special place in the chronicles of street art, signifying a moment when art and the artist stepped out of the shadows and into the arena of political activism. The print remains a powerful piece of visual communication, reflecting the ethos of a movement that sought to redefine power and privilege in the modern world.

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Protect the eARTh HPM 2 Hand-Embellished Limited Edition 11-Color Silkscreen & Acrylic Paint on Fine Art Paper by Artist Hijack Graffiti Street Pop Artwork. 2022 Signed 1 of 1 Unique HPM Hand Embellished Limited Edition of 10 One of a Kind Silkscreens Artwork Size 22.5x30 Custom Framed Silkscreen of Man With Broken Umbrella Walking By Graffiti Wall. A striking manifestation of contemporary street art, "Protect the eARTh HPM 2" by Hijack offers viewers a penetrating gaze into environmental consciousness, seamlessly woven into urban settings. The piece, crafted in 2022, showcases not only the artist's commitment to highlighting pressing global issues but also his refined expertise in blending different artistic mediums. At the heart of this artwork is a lone figure, attempting to navigate an urban expanse with a vivid, broken blue umbrella as his shield. The umbrella, fragmented yet distinctly prominent in its hue, symbolizes Earth's endurance amidst the adversities thrust upon it. The deep blue, reminiscent of the planet's boundless oceans and skies, stands in stark juxtaposition against the monochromatic city background. This backdrop, depicting a graffiti-laden wall, offers a raw depiction of urban decay, further accentuated by the figure's shadowy presence. Amid the chaotic jumble of spray paint and scribbles, certain inscriptions like "Protect eARTh" and "I LOVE EARTH" boldly emerge, acting as poignant reminders of the work's central theme. With "Protect the eARTh HPM 2", Hijack embarks on a quest to bridge the seemingly disparate worlds of urban decay and environmental conservation. This 1 of 1 unique hand-embellished edition, limited to just ten silkscreens, spans a canvas measuring 22.5x30 inches, inviting viewers to pause, reflect, and reconsider their relationship with the environment. Every brushstroke and silkscreen imprint echoes Hijack's signature style, culminating in a piece that is as thought-provoking as it is visually arresting.

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Top Elite Faschions 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 x 24 Screen Print Signed and Numbered Edition of 450, Signed and numbered by Shepard Fairey in pencil, this silkscreen art print is on medium weight off white colored paper.

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Dead Che Purple Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 Purple Che Variant. The "Dead Che Purple Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant purple vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Destroy America- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. What’s alarming for Peterson in our world is not the poverty, injustice, and cruelty by themselves, but the lack of reaction to them.

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3 Lil Piggies- Pink Pasadena Limited Edition Hand-Embellished HPM 5-Color Silkscreen Prints on Somerset Hot Press Paper by OG Slick Graffiti Street Artist Modern Pop Art. Framed 2015 Signed OG Slick (b. 1967) 3lilpigs 3 Lil Piggies (Pink Pasadena), 2015 Screenprint in colors with hand-embellishments on Somerset Hot Press paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 21/25 Signed and dated in pencil along lower edge Published by Big Dicks Hardware, Los Angeles. Framed under glass. Framed Dimensions 25 X 25 Inches

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Dead Che SDCC Orange Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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TRUTH- What Have We Lost Hand-Pulled 2-Color Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Rise Against the System- Orange 8-Color Hand-Pulled Limited Edition Silkscreen Print on 300gsm Bristol Paper by MAD Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 30 Artwork Size 19.7x27.6 "Rise Against the System - Orange" presents itself as a profound visual statement in the portfolio of the artist known as MAD, whose identity often remains as enigmatic as the messages embedded within their art. This piece is particularly remarkable, not only for its vibrant aesthetic but also for its rarity and the technique used in its creation. It is a limited edition silkscreen print with only 30 pieces, each meticulously signed and numbered by the artist. It underscores its value to collectors and enthusiasts of street art and pop art alike. The artwork spans a generous 19.7x27.6 inches and is printed on robust 300gsm Bristol paper, a choice that speaks to the durability and high quality of the print. The artwork is an eight-color hand-pulled silkscreen, a traditional technique that imbues each print with a unique touch, diverging from the uniformity of mass-produced art. The image itself—a figure entrapped within a bottle—acts as a metaphor for the constraints and pressures of societal systems. The use of an Orange palette not only draws the eye but also may represent the idea of 'going Orange, a theme often explored in contemporary street art. The figure's pose, one of active resistance against the confines of the bottle, is symbolic of the fight against oppressive structures, a recurring theme in street art's lexicon, which often seeks to challenge the status quo. MAD's piece resonates within the broader context of pop art through its accessible imagery and bold coloration, yet it retains the edginess and subversion characteristic of street art. This duality ensures "Rise Against the System - Orange" speaks a universal language, appealing to a broad audience while remaining deeply rooted in the cultural and political commentary that defines much of the street art movement. Through this work, MAD offers a compelling narrative on personal agency and liberation, creating a lasting visual impact that transcends the moment of its creation, cementing its place in the discourse of modern art.

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Flint Eye Alert Globe 4-Color Hand-Pulled Limited Edition Silkscreen Print on French True White Art Paper by Artist Shepard Fairey Artwork. 2017 Signed & Numbered Limited Edition of 450 Size 18x24 “This piece is based on a painting I did for my ‘Earth Crisis’ show in Paris. The entire body of work for that show used these shades of blue/turquoise as a connection to the air and water that is essential to sustaining life on planet Earth. This piece is more specifically about the idea that we need to see what is right in front of us, that we are dependent on nature and I used the blooming flower as a symbol of both beauty and growth. If we keep ruining the air and water, things won’t grow, not to mention we’ll all get sick.”

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Save The World Deck- Multi-Color Limited Edition Silkscreen Skateboard deck art by street pop culture artist Rip N Dip. Limited Run Designer Skateboard Deck.

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Voting Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of Fannie Lee Chaney captures the day she found out her son, James Chaney, and two of his friends died at the hands of the Ku Klux Klan for registering African Americans to vote.

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Dead Che SDCC Orange Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 San Diego Comic Con SDCC California Orange Variant. The "Dead Che Orange Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant orange vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Protect the eARTh Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Pop Graffiti Artist Hijack Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 22.5x30 Silkscreen of Man With Broken Blue Umbrella Walking By Graffiti Wall. Hijack's "Protect the eARTh" serves as a profound reflection on the intersection of urban life and environmental consciousness. Crafted in 2022, this artwork, confined to a limited edition of 50 pieces, demonstrates the artist's knack for capturing the zeitgeist of our contemporary world. Spanning a canvas of 22.5x30 inches, the print communicates a tale both intimate and universal through its evocative imagery. A key component of the composition is the solitary figure, navigating an urban landscape with a broken blue umbrella. This umbrella, damaged yet still fulfilling its role, is emblematic of the Earth's resilience in the face of human-induced challenges. Its vibrant blue color, a symbol of the planet's vast waters and clear skies, contrasts starkly with the gritty, grayscale urban setting. The backdrop, an old graffiti wall, underscores the impermanence of human endeavors. Amidst the myriad of tags and markings, the words "Protect eARTh" and "I LOVE EARTH" stand out, echoing the piece's overarching theme. Through these seemingly random but carefully chosen scribbles, Hijack emphasizes the importance of cherishing and preserving our environment. "Protect the eARTh" is more than a captivating visual; it's an urgent plea. While it draws from the aesthetics and ethos of pop graffiti art, the piece transcends the genre, becoming a universal statement about our collective responsibility towards the planet. In this print, Hijack masterfully converges the immediacy of street art with a timeless message, creating a poignant reminder of the world's fragility and our role within it.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Poopy Pants Designer Art Toy by Joan Cornellà Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2021 Limited Edition of TBD Artwork Size 5x10.2 New In Box Printed Signature on Foot. Statue of a man in pink suit with fist up holding two signs reading: Stop Being Poor & Fiught The Power-Less. Joan Cornellà's "Poopy Pants" Designer Art Toy is a testament to the audaciousness and satirical depth characteristic of much of today's pop and street art. This limited edition vinyl sculpture released in the spring/summer of 2021 presents a provocative and simultaneously comedic vision. Depicting a figure in a bright pink suit, pants embarrassingly pulled down to his ankles, the artwork wields a directness in its messaging. A bold sign draped over the figure's torso declares, "Stop Being Poor," juxtaposed with another sign he holds aloft proclaiming, "Fight The Powerless." The imagery here is rife with paradox and contradiction. On one hand, the call to "Stop Being Poor" might be a sarcastic commentary on the oversimplification of societal ills and the ignorance of those in power. On the other, the message to "Fight The Powerless" lampoons the misdirection of societal rage and the frequent scapegoating of those least equipped to defend themselves. The use of the pink suit, a non-traditional and flashy color, further emphasizes the piece's defiance of convention. Joan Cornellà's artistry delves into the sometimes uncomfortable realm of social commentary, forcing viewers to confront and question established norms and values. This vinyl sculpture, with its printed signature on the foot, serves as both a collector's item and a powerful conversation piece. Standing proudly at 5x10.2 inches, the "Poopy Pants" figure is emblematic of the continued evolution of pop and street art, blurring the lines between humor, commentary, and protest.

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Just Future Rising 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered, Just Future Rising 18 inches by 24 inches Edition of 450 June 23, 2021 "I created for the Time “VOTE” cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for one’s fellow citizens, and a sign that the wearer believes in science." -Shepard Fairey The "Just Future Rising" is a striking silkscreen print by Shepard Fairey, an artist renowned for his profound impact on street and pop art through the OBEY series. This limited edition artwork, measuring 18 by 24 inches, was released on June 23, 2021, in a numbered series of 450 pieces. Each print is hand-pulled, utilizing four colors on fine speckle tone paper, highlighting Fairey's signature style that merges art with social commentary. This piece is an extension of his engagement with contemporary issues, as it initially accompanied the Time magazine “VOTE” cover crafted in the lead-up to the 2020 election. Fairey's work consistently echoes themes of political activism and cultural critique, and "Just Future Rising" is a vivid representation of that ethos. The image reflects the turbulent climate of its creation: a nation grappling with the COVID-19 pandemic, societal upheaval stemming from racial injustice, the challenges to democracy through voter suppression, and deep-seated political polarization. In this print, the image of a woman with a bandana covering her face symbolizes a multifaceted narrative—transforming a traditional sign of rebellion into a symbol of safety and solidarity in the face of a public health crisis. The bandana, adorned with intricate patterns, carries a badge that reads "The Future is Unwritten," reinforcing the message that change is possible and the future is in the hands of the people. Fairey's choice to depict the bandana, a classic rebel icon, as a protective mask denotes a profound shift in cultural symbols due to the pandemic. It reflects a respect for science and an acknowledgment of the collective effort required to navigate the crisis. The artwork transcends mere aesthetics, embodying the message that caring for one's community and being considerate of public health are now acts of rebellion in their own right. This resonates deeply with the artist's long-standing commitment to using his craft to support social and political change. In the portfolio of Shepard Fairey's creations, "Just Future Rising" is not just a piece of pop artwork; it is a cultural artifact born out of an era defined by upheaval and a call to action. It stands as a reminder of the power of art to influence discourse, inspire action, and reflect the complexities of the human experience in times of adversity.

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God Save Margaret Thatcher Giclee Print Record CD Box Set by Billy Childish x Jamie Reid Artwork Limited Edition Print With Safety-pin On Distressed Fine Art Paper Graffiti Pop Street Artist. 2013 Signed & Numbered Limited Edition of 200 Artwork Size 27.6x20.5 2013 Thatcher's Children Boxed Record CD & Letter Box Set Plus L-13 Brown Bag The collaborative artwork "God Save Margaret Thatcher" by Billy Childish and Jamie Reid is a sharp and provocative commentary rendered through the lens of street pop art and graffiti artwork. The limited edition giclee print, part of a collection that includes a boxed record CD and letter box set, is a fusion of political narrative and artistic expression that captures the cultural zeitgeist of its time. Political Satire and Artistic Expression The giclee print is a bold statement within the pop art movement, a genre known for blurring the lines between high art and popular culture. Billy Childish and Jamie Reid, known for their aggressive aesthetics, use the iconography associated with Margaret Thatcher, the former Prime Minister of the UK, to create a layered discourse on power, policy, and patriotism. The artwork, sized 27.6x20.5 inches, employs the distressed look typical of street art and the precision of fine art printing techniques, with the addition of a safety pin that punctuates the piece with an emblem of punk culture. The image of Thatcher, presented with a stylized rendition of the Union Jack and the phrase "God Save," evokes the nationalistic fervor and divisive politics of her era. The choice of giclee printing ensures that each piece in the limited edition of 200 retains the vibrancy and detail of the original work, making it not just a political statement but also a collector's item. Reid and Childish's Distinctive Styles Jamie Reid, famously associated with the punk rock band the Sex Pistols, brings his characteristic ransom-note typography to the collaboration, complementing Childish's raw and expressive style. The layered text over Thatcher's image creates a visual cacophony that mirrors the social and political turbulence associated with her tenure as Prime Minister. The aesthetics of the print are reminiscent of Reid's work on album covers, while Childish's influence is evident in the vibrant and unrefined quality of the imagery. This limited edition print, signed and numbered by the artists, is a testament to their shared ethos of challenging authority and convention through art. The use of distressed fine art paper adds a layer of authenticity, emulating the ephemeral nature of street art and graffiti while simultaneously offering the permanence of fine art. Boxed Record CD and Letter Box Set Accompanying the giclee print is the "Thatcher's Children" boxed record CD and letter box set, an extension of the narrative explored in the print. This set, a combination of visual art and music, encapsulates the multifaceted approach to storytelling that both Childish and Reid employ. Including music and the written word with the optical components enriches the dialogue initiated by the print, offering a more immersive experience of the artwork's thematic content. Cultural Packaging: The L-13 Brown Bag The entire collection is presented in an L-13 brown bag, a packaging choice that is both practical and symbolic. The unassuming brown bag, often associated with the bland transportation of goods, is a vessel for transporting powerful artistic and political statements. The L-13 stamp on the bag indicates the involvement of the L-13 Light Industrial Workshop, known for supporting avant-garde and counter-culture artists, further aligning the collection with the spirit of rebellion and dissent. Significance in Modern Art The "God Save Margaret Thatcher" giclee print and accompanying items hold a significant place in the narrative of modern art. They represent a confluence of street art's accessibility, pop art's use of popular imagery, and the personal touch of graffiti art. The collection is not only a reflection of the political climate of the 1980s but also a timeless exploration of the power dynamics and societal structures that continue to shape contemporary discourse. Billy Childish and Jamie Reid's collaborative effort in creating the "God Save Margaret Thatcher" collection is a masterful blend of street pop art and graffiti artwork that resonates with cultural and political relevance. The print's limited edition nature, the giclee medium's quality, and the boxed set's comprehensive nature all contribute to the collection's appeal as a significant piece of art history and a poignant commentary on the social and political landscape.

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Presidents Day- Chaplin 6-Color Hand-Pulled Limited Edition Silkscreen Print on Hand-Deckled Fine Art Paper by Mr Brainwash- Thierry Guetta Rare Street Art Famous Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 50 Artwork Size 18x22 In recognition of President's Day, Mr. Brainwash is proud to announce the release of a new screenprint honoring America's first president, George Washington. An image depicting four different poses was designed by Mr. Brainwash. A 6 color screenprint on hand-torn archival art paper. Also available will be individual prints of the four images that make up the large print. Each screenprint is on hand-torn archival art paper and is signed and numbered, with a thumbprint on the back. Individual print size: 22 x 18 in

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Chinese Soldier 2 TP Test Print Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Thin Art Paper Limited Edition Artwork Obey Pop Culture Artist. TP AP Artist Test Proof Print 2006 Unsigned. Testing Out The Process From Shepard Faireys Then Workshop. Black Mono Print, Unsigned, No Markings. Artwork Size 18x24 Silkscreen Print. TearsBending & Creasing throughout The Margins, Working Artist Copy. Crease Across Lower Right Facing Side. Shepard Fairey's "Chinese Soldier 2 TP Test Print" is a compelling piece that exemplifies the intersection of street art and political commentary, hallmarks of Fairey's work. As an iconic figure in pop and graffiti art, Fairey has long been recognized for his ability to provoke thought and stir public discourse through his art. This particular silkscreen print is a test proof from 2006, emanating from the artist's experimentation with printmaking techniques. Hand-pulled and comprising five colors on thin art paper, this limited edition artwork carries the signature visual style of Fairey's Obey series, which commands attention to the themes of propaganda, control, and societal obedience. The print, depicting a Chinese soldier with a flower protruding from the barrel of his rifle, challenges viewers to question the juxtaposition of military power with peace—a dichotomy often explored in anti-war art and literature. The raw and unrefined nature of this test print adds to its authenticity and makes it a unique collector's piece, especially considering it is a black mono print and is unsigned, with no markings. The lack of signature is particularly notable as it speaks to the essence of street art, where the message often takes precedence over the artist's identity. Measuring 18x24 inches, this print is sizable, allowing for an immersive viewing experience that draws the eye to the stark contrasts and the compelling imagery that has become synonymous with Fairey's work. Fairey's influence on street art extends beyond his visual work; his methods and approach have inspiremanyof artists to see the urban landscape as a canvas for commentary and change. His test prints, such as "Chinese Soldier 2," offer a glimpse into his process and an understanding of the experimentation behind his finished pieces. This artwork, while a test piece, stands alone in its powerful message and aesthetic, encapsulating the energy and defiance of street art culture.

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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God Save Us All Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 82 x 58 - 32.3in x 22.8 God Save Us All is a timely comment on the state of American politics, as the safety-pinned British figurehead is swapped for a swastika-eyed President Trump. Against a distressed US flag, Reid adds his signature cut-up collage text.

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Bureau of Public Works Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Shepard Fairey is a renowned contemporary street artist, graphic designer, and activist known for his thought-provoking and often politically charged artwork. Born Frank Shepard Fairey in 1970, he first gained notoriety in the late 1980s with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant phenomenon. Fairey is also known for creating the iconic "HOPE" poster for Barack Obama's 2008 presidential campaign. The Bureau of Public Works Silkscreen Print is a piece of artwork by Shepard Fairey that likely showcases his signature style, which includes bold colors, impactful typography, and propaganda-inspired imagery. In his work, Fairey frequently combines elements from different cultural and artistic movements, such as constructivism, pop art, and graffiti, to create visually striking pieces that also deliver a strong social or political message. It is important to note that Fairey's silkscreen prints are typically produced in limited editions, making them highly sought-after collectibles. Owning a print like the Bureau of Public Works Silkscreen Print by Shepard Fairey - OBEY means owning a piece of contemporary art history, as well as supporting the work of an influential artist who uses his platform to raise awareness about important issues. As a collector or an enthusiast, it's essential to verify the authenticity of the print before purchasing, as forgeries have been known to appear in the market. When acquiring a Shepard Fairey print, look for an artist's signature, edition number, and any accompanying documentation that verifies its provenance.

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Emperors of the North Watch the Clock 7-Color Hand-Pulled Limited Edition Silkscreen Print on Classic Crest White Paper by Tim Doyle Rare Street Art Famous Pop Artwork Artist. Emperors of the North Watch the Clock by Tim Doyle Limited Edition of 150 each (signed & numbered) 7-color screenprint on classic Crest White 36" x 18" Printed by Nakatomi Inc. "The idea of rising sea levels, and the animals of the sea (mythic or otherwise) coming into areas they aren't normally seen is fascinating to me" -Tim Doyle

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The Gipper Ultra-Violence- Glow In The Dark Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. 2019 Limited Edition of 50 Artwork Size 6x18 Glow in the Dark Displayed With Box Vinyl Bust of Ronald Regan Destroy Sculpture. We knew what really lurked behind Reagan’s benign smile and twinkling eyes… Now Frank Kozik embodies the spirit of America’s 40th president with the brilliant Gipper Bust. Standing 16" tall, the Kozik Gipper Bust comes with a detachable DESTROY sign, which gives you the option of staring straight into the face of evil. Plus, the Glow in the Dark colorway casts a ghastly glow when you turn out the light. The spirit of the 80s is alive on your shelf, day or night. The Glow in the Dark Kozik Gipper Bust was produced in a limited edition of 50. The Gipper Ultra-Violence Glow In The Dark by Frank Kozik The Gipper Ultra-Violence Glow In The Dark Vinyl Art Toy is a captivating and satirical creation by Frank Kozik, a trailblazer in the world of street pop art and graffiti artwork. Released in 2019 as a limited edition of 50, this glow-in-the-dark vinyl bust stands at an impressive 16 inches tall. It reimagines Ronald Reagan in Kozik’s signature style, blending bold critique with pop culture aesthetics. The piece comes with a detachable "Destroy" sign, offering an interactive element that allows collectors to engage directly with the provocative theme. A Glow-in-the-Dark Statement This unique version of the Gipper Bust elevates its presence with a luminous glow-in-the-dark finish, ensuring it makes an impact whether displayed in light or darkness. The glowing effect casts an eerie radiance, amplifying the sinister undertones of the bust’s design. Kozik’s depiction of Reagan, complete with his trademark grin, serves as a biting commentary on the duality of charm and power. The detachable "Destroy" sign across the eyes reinforces the message, inviting viewers to confront their perceptions of authority and the legacy of the 1980s political landscape. The Vision of Frank Kozik Frank Kozik, born in Spain in 1962 and later based in the United States, was a revolutionary artist who challenged traditional art norms with his bold, subversive creations. His works often delved into political and cultural themes, using humor and sharp commentary to provoke thought. Kozik’s art spans posters, sculptures, and designer toys, all marked by his distinctive aesthetic. The Gipper Ultra-Violence series encapsulates his ability to blend satire with high-quality craftsmanship. Kozik passed away in 2023, leaving behind a legacy that continues to inspire artists and collectors worldwide. A Rare and Collectible Masterpiece With only 50 pieces in existence, the Glow In The Dark Gipper Bust is a highly sought-after collectible. Each bust is meticulously crafted from durable vinyl and comes with a custom-designed box featuring Kozik’s iconic artwork. Its large size and interactive design make it a standout piece for any collection of street pop art or political commentary. The glowing feature adds an extra layer of intrigue, ensuring it remains a conversation starter in any setting. The Gipper Ultra-Violence Glow In The Dark by Frank Kozik is more than just a collectible; it is a provocative work of art that challenges viewers to reflect on the intersections of politics, power, and culture. Its limited availability, bold design, and glowing finish make it a must-have for fans of street pop art and graffiti artwork. This sculpture continues to embody Kozik’s unyielding spirit and his ability to turn familiar symbols into powerful statements.

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The High Cost Of Free Speech Limited Edition 2-Color Hand-Pulled Silkscreen Print on Speckled Cream Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. Punk rock ignited a lot of creative and philosophical things for me, and punk principles continuously remind me that speaking truth to power and questioning authority is paramount in life. The Dead Kennedys, The Clash, Black Flag, and the Circle Jerks are just a few of the groups that referenced injustices such as police brutality and abuse of power in their songs, inspiring me to speak out about the same subjects through my art. I have made a lot of lasting friendships through punk rock and its cultural offshoots. One of those friends is Sean Bonner, who began ordering my prints in the ’90s while he was art director for punk label Victory Records.

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Anarchy Symbol- Murder Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Blood Jumango

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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