Graffiti

Big Rock Limited Edition Giclée Fine Art Prints on 290gsm Entrada Paper by Graffiti Street Art and Pop Culture Artist Scott Listfield. Big Rock Giclée Print with Silkscreen Gloss by Scott Listfield 24" x 20" Giclée print with silkscreen Gloss on 290 GSM entrada paper Edition of /50 Signed

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Art in Action- Kaws Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Jeff Gillette, Street Pop Art Graffiti Legend. Signed & Numbered Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 16 x 20 Inches Release: December 03, 2021 Run of: 100

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LARIVER 2050 AP Artist Proof HPM Giclee Print by Saber Artwork Limited Edition Print on Deckled Fine Art Paper Hand Embellished PrintGraffiti Pop Street Artist. AP Artist Proof 2023 Signed & Marked AP Flat Matte Paint Marker Mixed Media Limited Edition Artwork Size 26x20 HPM Hand Embellished Giclee Print. "This piece was made based on the idea, "I wanted to create that moment of serenity I felt sitting on the banks, deep in the wild concrete of the LA River opposite of my old giant roller piece, watching the city as the sun had set... Yet, this time, the giant roller piece was repainted shortly after 2050. "..... Using flat matte paint markers, I could accentuate the highlights, colors, city lights, and details. I also busted out the reading glasses and hid some tiny tags in each one." -Saber. Reflecting Urban Tranquility: Saber's "LARIVER 2050 AP Artist Proof HPM Giclee Print" The "LARIVER 2050 AP Artist Proof HPM Giclee Print" by Saber stands out as a significant piece within the street pop art and graffiti art landscape, blending the aesthetics of urban graffiti with the serene backdrop of the Los Angeles River. This 2023 signed and marked Artist Proof captures a futuristic vision of the city, presenting a unique juxtaposition of natural tranquility and urban vibrancy. Sized at 26x20 inches on deckled fine art paper, the limited edition artwork showcases Saber's mastery in hand embellishing giclee prints with flat matte paint markers, emphasizing highlights, colors, and intricate city lights. Saber, a prominent figure in the graffiti world, is renowned for his large-scale works on the concrete banks of the LA River. This piece is an homage to the artist's experience of the river, reflecting on a moment of calm as he observed the city's transformation at sunset. The artwork imagines this scene in the year 2050, with the artist's "giant roller piece" from the past re-envisioned in a new form. The use of mixed media adds depth and dimension to the print, creating a dynamic interplay between the textural surface of the paper and the vibrant application of color. In crafting "LARIVER 2050," Saber has embedded minute tags within the artwork, a nod to the graffiti tradition of leaving a signature mark that personalizes and authenticates one's work. These hidden elements invite the viewer to engage with the print closely, discovering new details and layers of meaning. The hand embellishments ensure that each piece within the edition stands as a unique work of art with individualized accents and nuances. The print's portrayal of the LA River, a significant but often overlooked landmark, serves as a metaphor for the city itself—its resilience, constant flux, and hidden pockets of beauty amidst the urban sprawl. Saber's work challenges the notion of graffiti as mere vandalism, instead presenting it as a sophisticated form of street pop art that can capture and convey the complex narratives of city life. "LARIVER 2050" celebrates street art's evolution from its underground beginnings to its current status as a respected and sought-after form of contemporary art. The decision to use giclee printing, a method known for its high-quality reproduction of artworks, indicates the medium's acceptance within the fine art world. Saber's choice to hand-embellish each print further blurs the line between mass-produced art and unique creations, a line that street artists have been navigating and redefining over the past few decades. Saber's "LARIVER 2050 AP Artist Proof HPM Giclee Print" is a testament to the transformative power of street pop art and graffiti artwork. It reflects the artist's deep connection to the urban environment and his ability to capture its essence in a visually striking and emotionally resonant way. As a limited edition piece, it serves as a collector's item and a piece of cultural commentary, encapsulating the spirit of Los Angeles and the ever-evolving narrative of street art.

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Against All Odds- Pink Limited Edition 2-Color Silkscreen Print on Mint Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art.

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Double Feature Hand-Embellished Limited Edition Archival Pigment Print Art on 290gsm Moab Entrada Rag Bright Paper by Artist Ces One- Rob Provenzano Contemporary Pop Artwork. 2022 Signed & Numbered HPM Hand Embellished Limited Edition of 13 Artwork Size 16x20 Double Feature • Autographed archival pigment print • Additional hand-painted elements on Moab Entrada Rag Bright 290 GSM archival paper • 16 x 20 inches Hand-embellished, signed and numbered by CES in a limited embellished edition of 13

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On the Duck Hunter Dog Limited Edition Archival Pigment Fine Art Prints on Canvas by Graffiti Street Art and Pop Culture Artist Dave Pollot. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x20 Ducker Hunter 8-Bit Stylized Nintendo NES Dog & Flying Realistic Lake Ducks. On the Duck Hunter Dog: Limited Edition Archival Pigment Print by Dave Pollot On the Duck Hunter Dog is a 2022 limited edition archival pigment fine art print by graffiti street art and pop culture artist Dave Pollot. Signed and numbered as part of an edition of 100, this artwork measures 24x20 inches and features an iconic 8-bit dog from the Nintendo NES classic video game Duck Hunt. The dog, rendered in its nostalgic, pixelated form, is juxtaposed against a meticulously painted, realistic landscape where ducks soar above a peaceful lake. Pollot’s ability to merge the whimsical, digital world with the tranquility of traditional art highlights his mastery in combining pop culture references with classical aesthetics, making this piece a standout example of street pop art. The Blending of Pop Culture and Fine Art Dave Pollot has gained recognition for his seamless blending of pop culture icons into classical or traditional settings. On the Duck, Hunter Dog exemplifies this approach by taking an 8-bit, low-resolution character from a beloved 1980s video game and placing it within a beautifully painted pastoral scene. The artwork captures the essence of both worlds—digitally pixelated nostalgia from the gaming era and the serenity of fine landscape painting. The dog from Duck Hunt is one of the most recognizable video game characters for a generation of gamers. Famous for its mocking laughter whenever players miss shooting a duck, this character holds a mix of fondness and frustration for those who grew up playing the Nintendo game. Pollot’s decision to incorporate the dog into a realistic setting adds a layer of humor and transforms the dog from a mere game character into a piece of fine art. The transition from the 8-bit pixelated world into the traditional environment becomes a commentary on how modern culture, particularly digital and gaming culture, has left an indelible mark on society. Street Pop Art and Graffiti Influence in Pollot’s Work Pollot’s work often reflects the bold, accessible elements of street pop art, which incorporates widely recognized symbols from popular culture and everyday life. On the Duck Hunter Dog takes advantage of this approach by using the instantly familiar imagery of the Duck Hunt dog, a playful nod to the audience’s shared memories of the game. Street pop art, like graffiti, relies on the universal nature of its imagery, making art available and understandable to a broad audience, and Pollot’s inclusion of an iconic video game figure achieves precisely that. While Duck Hunt might not have roots in street art, the dog and ducks, when placed within this delicate art setting, mimic the disruptive nature of graffiti. Just as graffiti challenges the traditional norms of where and what art should be, Pollot’s piece similarly challenges the viewer to question the boundaries between high art and low art. By inserting a symbol of mass entertainment into an idyllic landscape painting, Pollot brings the street art philosophy into the gallery space, showing that art can come from anywhere and can evoke emotion or nostalgia regardless of its origins. The pixelated style of the dog further reinforces this connection to street art and graffiti. The clean lines and sharp edges of the 8-bit design stand in stark contrast to the softness of the painted landscape, creating a visual and conceptual tension between the two styles. The juxtaposition of digital and analog art forms is central to Pollot’s work, and in On the Duck Hunter Dog, it mirrors the way graffiti often disrupts and challenges its environment. The Influence of Nostalgia and Playfulness Pollot’s choice of subject matter taps into a powerful sense of nostalgia, particularly for those who grew up playing Duck Hunt on the original NES console. The game was a staple of early home gaming, and its simple yet addictive gameplay left a lasting impression on generations of gamers. By bringing the Duck Hunt dog into a delicate art setting, Pollot captures not only the visual aesthetic of the game but also the emotions it evokes—fond memories of childhood, early experiences with video games, and the frustrating hilarity of the dog’s iconic laugh. The playful nature of this artwork extends beyond its nostalgic appeal. Pollot frequently uses humor in his work, and On the Duck Hunter Dog is no exception. Seeing a pixelated video game character interacting with a realistic landscape is inherently amusing, and it invites viewers to reconsider the boundaries of art and entertainment. The absurdity of the 8-bit dog standing by the water, eagerly watching the ducks in their hyper-realistic form, evokes a sense of playfulness that is central to Pollot’s artistic style. This blending of humor, nostalgia, and fine art creates a unique viewing experience, where the familiar and the unexpected collide. Pollot’s ability to combine these elements in a single piece speaks to his talent for bridging cultural gaps and making art accessible to a wide audience. Archival Pigment Printing and Craftsmanship On the Duck Hunter Dog is created using archival pigment printing, a method known for its high-quality reproduction of colors and details. This process ensures that the artwork retains its vibrancy and precision over time, with minimal risk of fading. The use of a fine art canvas further enhances the richness of the piece, providing a textured surface that contrasts beautifully with the flat, pixelated nature of the 8-bit dog. Pollot’s attention to detail is evident in the crispness of the pixel art and the smooth gradations of the landscape painting, which together create a visually dynamic composition. The limited edition nature of this print, with only 100 copies made, adds to its exclusivity and collectibility. Each print is signed and numbered by Pollot, ensuring that no two pieces are exactly alike. This level of craftsmanship is essential to Pollot’s work, as it reinforces the idea that even though the artwork incorporates mass culture, it remains a unique, handmade object in its own right. On the Duck Hunter Dog by Dave Pollot is a masterful blend of street pop art, graffiti influences, and classical painting. By juxtaposing the iconic 8-bit dog from Duck Hunt with a realistic, serene landscape, Pollot challenges the viewer’s expectations of both art and pop culture. The piece is playful, nostalgic, and expertly crafted, making it a valuable addition to any collection of contemporary art. Through humor, craftsmanship, and cultural references, Pollot continues redefining the boundaries of what art can be.

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Street Shatter Art Epoxy Wood Mixed Media on Street Signed Framed Sculpture/Painting Artwork by street pop culture artist Sechor. 2021 Signed Artwork Size 20x20 Ready To Hang Framed Original Mixed Media Wall Art Sculpture made of epoxy mixed with wood chips on a real "Do Not Enter" street sign in a handmade frame, ready to hang.

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After Dark Archival Print by Jessica Hess Limited Edition on 290gsm Moab Entrada Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2024 Signed & Numbered Print Limited Edition of 50 Artwork Size 24x20 Archival Pigment Fine Art  The Allure of Street Pop Art and Graffiti Artwork Street Pop Art and Graffiti Artwork have emerged as vibrant staples in modern art galleries, embodying the pulsating energy and raw expression of urban environments. These forms of artistic expression have transcended their rebellious origins to be celebrated in high-end art markets and esteemed exhibitions. Among the artists who have championed this movement, Jessica Hess stands out with her meticulous renditions of graffiti and urban landscapes. Her works, such as the "After Dark Archival Print," continue to dazzle collectors and enthusiasts with their attention to detail and striking visual narratives. Jessica Hess: A Modern Chronicler of the Urban Canvas Jessica Hess, an American artist, brings the ephemeral nature of street art into a permanent state through her archival prints. The limited-edition "After Dark" print is a testament to her ability to capture the raw essence of street culture. Created on 290gsm Moab Entrada Fine Art Paper, this artwork demonstrates the delicate balance between graffiti's impermanence and fine art's longevity. Born in the United States, Hess is still active in the art scene, contributing to the contemporary narrative of street-inspired artworks. Her skillful hands translate the graffiti-splashed walls into works that command contemplation and admiration. The "After Dark" print is particularly notable for portraying the urban landscape as a canvas of nocturnal beauty. Limited to a series of 50, each piece is signed and numbered by Hess, offering a sense of exclusivity and connection to the artist's vision. The artwork's size, 24x20, provides a substantial window into the scene, allowing viewers to immerse themselves in the detailed interplay of shadows, light, and the vibrant graffiti adoring the city walls. The Intersection of Fine Art and Urban Expression Jessica Hess's "After Dark" print exemplifies the evolution of graffiti from street corners to the white walls of galleries. This shift signifies a broader acceptance and appreciation for street pop art as a legitimate and profound form of fine art. By presenting graffiti in an archival pigment fine art print, Hess not only preserves the fleeting nature of street art but also elevates it to a form that can be reversed over time. The limited edition nature of "After Dark" underscores the fine art world's practice of rarity and collectability, yet the subject matter remains staunchly grounded in the accessible and democratic roots of street art. Hess' approach to capturing these street scenes is more than mere replication; it is an act of homage and preservation. Her fine art prints, including "After Dark," serve as a conduit between the rugged street corners and the polished gallery spaces, enabling a dialogue between two worlds that were once considered opposing forces. This dialogue is essential in the ongoing discourse surrounding the value and impact of street pop and graffiti artwork within the larger art community. In examining "After Dark," one can see a vibrant example of the complex interplay between urban decay and artistic creation. The graffiti is not simply an act of vandalism but a form of self-expression, a voice given to the voiceless, and a color splash against the monochrome fabric of the urban landscape. Hess captures this dynamic through her archival prints, giving it a permanence that street art often lacks. Preservation of the Ephemeral: The Significance of Archival Prints Archival prints like "After Dark" are critical in preserving street art. While the original graffiti may fall victim to weather, city clean-up, or other graffiti artists, Hess' prints offer a way to immortalize the art beyond its physical lifespan. High-quality Moab Entrada Fine Art Paper ensures that the prints resist degradation, allowing the rich colors and intricate details of the original work to endure through the ages. The archival pigment ensures that each print retains the vibrancy and clarity of the original scene, becoming a piece of history itself. The significance of Jessica Hess's work lies in the aesthetic appeal of her prints and in her contribution to documenting and preserving an often transient form of art. "After Dark" and similar works are historical records, capturing a specific moment and place in the ever-changing cityscape. They witness the urban transformations and communication layers etched onto the walls by anonymous artists. The "After Dark Archival Print" by Jessica Hess offers a glimpse into the nuanced world of Street Pop Art and Graffiti Artwork, encapsulating the ephemeral nature of street art within the permanence of fine art. Hess's ability to bridge these two worlds in her archival prints elevates the status of street art within the art hierarchy. It preserves the cultural significance of these urban markings for future generations. As limited edition pieces, each print from Hess is a cherished artifact, a piece of urban history, and a testament to the rich dialogue between the streets and the galleries.

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Break Free 29 Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Fine Art Paper by Jessica Hess Graffiti Street Artist Modern Pop Art. Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 24 x 20 Inches Release: July 26, 2019 “Break Free” is part of a new series of paintings focusing on the strange abstraction of manmade structures through disuse, decay, and demolition in contrast with the beauty of their reclamation by nature. All will return to the Earth one day." - Jessica Hess Jessica Hess’s Break Free 29: The Architecture of Decay and the Language of Graffiti Jessica Hess’s Break Free 29 is a hand-embellished archival pigment print measuring 24 x 20 inches, released in 2019 as part of a series that documents abandoned urban architecture overtaken by graffiti and natural elements. Printed on 290gsm Moab fine art paper, this limited edition exemplifies Hess’s mastery in photorealistic painting and her ability to transform urban ruin into visual poetry. The image captures a collapsed interior space—possibly a warehouse or industrial relic—where nature begins to reclaim its territory, and every visible surface is layered in tags, murals, and weathered pigment. The work is not a simple celebration of street art. It is a nuanced meditation on impermanence, resilience, and transformation. Hess does not stylize or exaggerate the graffiti; she paints it faithfully, respecting it as an honest record of human mark-making. The decaying beams, broken floorboards, and skeletal remains of the roof add to the visual complexity. Everything in the composition is in flux. The structure is failing, yet the surfaces breathe with new life. Green plants push through the cracks. Bright sprays of color resist silence. The collapse is not an end, but an evolution. Photorealism as Preservation of Street Pop Ephemera Jessica Hess’s work functions as a form of visual preservation. By painstakingly recreating graffiti-covered ruins in photorealistic detail, she immortalizes temporary art in the face of time, destruction, and erasure. In Break Free 29, no surface is left untouched—pillars, window frames, pipes, and debris are covered in overlapping layers of aerosol marks, stickers, and paint drips. Each tag is an anonymous voice, part of a larger visual conversation layered over time. Hess does not edit or curate these voices. She captures them in all their raw complexity. The technique of hand-embellishment in each print adds to the authenticity of the piece. It reinforces the physical nature of graffiti itself—built through layers, retouches, and repetition. The painted elements do not merely replicate; they reactivate the image. Hess’s use of high-fidelity realism and handwork bridges the worlds of graffiti and fine art without compromising either. It reflects her deep respect for the spaces and the artists who have left their imprint there. Entropy, Memory, and the Rewilding of Urban Space Break Free 29 contributes to the ongoing dialogue within Street Pop Art & Graffiti Artwork about the meaning of space, decay, and authorship. Hess doesn’t paint the act of graffiti in motion—she paints its aftermath, its documentation. The structure she depicts is no longer defined by its original function. It is a new environment shaped by collapse, intervention, and neglect. The architecture becomes an accidental canvas, and nature slowly encroaches as a silent collaborator. There is no central human figure in the scene, but human presence is everywhere—in the spray lines, in the tags, in the layers of messages written across time. The graffiti doesn’t just decorate the ruins; it gives them meaning in their disuse. Hess’s framing of this space reveals an alternate kind of beauty—one not built on design, but on decomposition and reoccupation. Plants grow through concrete. Sunlight filters through the broken roof. The manmade yields, and the earth begins to rewrite the structure’s story. Through Break Free 29, Jessica Hess presents ruin not as loss but as transformation. It’s a portrait of impermanence painted with care and precision, reminding us that nothing is truly static—not cities, not art, not nature. Everything is in motion, and everything eventually breaks free.

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What A Graffiti Writer Sees Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by LushSux Graffiti Street Artist Modern Pop Art. Signed & Numbered Limited Edition of 40 Artwork Size 16x20 Graffiti Urban Industrial Street Scene Depicting Various Graffiti Throw Ups & Tags in Black & White. Insight into LushSux's "What A Graffiti Writer Sees" LushSux, the notorious graffiti street artist, presents a candid visualization of the urban landscape through the eyes of a graffiti writer with his work "What A Graffiti Writer Sees." This limited edition artwork, produced in a series of 40 archival pigment prints on 310gsm Museum Natural Fine Art Paper, measures 16x20 inches and is a signed and numbered offering from the artist. In black and white, the piece depicts a street scene brimming with various graffiti throw-ups and tags, capturing the raw essence of the graffiti artist's vision. Decoding the Urban Canvas in LushSux's Art The artwork is a monochromatic tribute to the graffiti culture, embodying the visual language and symbols that graffiti writers imbue in the urban environment. In this piece, buildings are not merely structures but potential canvases, bristling with opportunity and awaiting the artist's mark. LushSux translates the three-dimensional world into a flat surface yet retains the depth and complexity of the graffiti artist's perspective. Each element, from the roller tags to the dripping paint, is rendered authentically, highlighting the artist's intimate understanding of this art form. LushSux and the Graffiti Narrative Through "What A Graffiti Writer Sees," LushSux makes a poignant statement about perception and the often overlooked details in our surroundings. The piece transcends a simple depiction of graffiti; it explores the artist's psyche, the subcultural codes, and the often invisible dialogue between graffiti writers. It is a reflective piece, inviting the viewer to step into the shoes of those who see the city as a playground of expression. LushSux, as both a participant and observer in the graffiti scene, uses his artwork to bridge the street and the gallery, merging the visceral experience of street pop art with the contemplative space of fine art viewership. This artwork is not just a representation of a physical space; it is a window into the cultural and social underpinnings of the street art movement, a modern pop art phenomenon that continues to evolve and provoke.

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Headless Horseman PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP Printers Proof 2020 Signed & Marked PP Artwork Size 16x20

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Vandalism Print on Wood Panel Framed Ready to Hang by Nick Walker Street Art Modern Pop Artist. 2018 Vandalism Stencil Wood HPM Print by Nick Walker Framed 17 x 20 in. (43.18cm x 50.80cm) Vandalism by Nick Walker DCon exclusive limited edition of 50 fine art wood prints each hand-signed and numbered. Each print comes with a signed and numbered Certificate of Authenticity Fine art wood print on 1/2" sustainable Birch, Bright White finish

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Full Force Silkscreen Print by Indie184- Soraya Marquez Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. 2021 Signed & Numbered Limited Edition of 199 Artwork Size 35x20 Hand Deckled Full Force by Indie184 – Color, Confidence, and Culture in Street Pop Art & Graffiti Artwork Full Force is a 2021 hand-pulled silkscreen print by Soraya Marquez, professionally known as Indie184. Printed on 320gsm Coventry Rag paper, this vibrant edition measures 35 x 20 inches and is hand deckled for a raw, authentic finish. Produced in a limited edition of 199 signed and numbered prints, the work embodies Indie184’s explosive style—an energetic mix of graffiti layering, pop portraiture, and personal empowerment themes. The centerpiece of the image features a mirrored pair of classic Hollywood-style female profiles, each accented with stylized lightning bolts extending from their heads. These powerful figures are framed by technicolor graffiti splashes, starbursts, bubble lettering, and paint drips, building a high-impact visual language that defines Marquez’s contribution to the Street Pop Art & Graffiti Artwork movement. Empowerment Through Street Art Feminism Indie184, born Soraya Marquez in New York City, is a self-taught street artist with Dominican roots whose work is rooted in female empowerment, hip-hop culture, and graffiti heritage. In Full Force, the symmetrical female portraits symbolize strength and reflection, offset by bold lightning bolts and surrounded by graffiti chaos that communicates vitality, resilience, and creative force. The title Full Force is painted in large, expressive graffiti lettering across the bottom of the print, reinforcing the theme of power—emotional, creative, and cultural. Indie184’s ability to balance beauty, rebellion, and personal voice places her at the forefront of contemporary urban art, where women’s perspectives are increasingly asserting space and defining aesthetics within a historically male-dominated visual landscape. Technique, Texture, and Visual Energy The print utilizes traditional silkscreen methods to apply multiple layers of color, texture, and graphic components, each with high opacity and crisp detail. The 320gsm Coventry Rag paper provides both durability and an absorbent surface, ideal for capturing the complex interplay of hand-drawn elements, graffiti marks, and portrait stenciling. The hand deckled edges of the paper add an organic frame that enhances the street-born energy of the composition. Indie184’s print technique mirrors her large-scale mural work, translating the expressive power of wall art into a fine art format without compromising intensity. The result is a piece that is equally at home in a gallery or in a collector’s urban-inspired interior. Indie184’s Fusion of Street Grit and Pop Glamour Full Force represents Indie184’s approach to cultural fusion—where graffiti tagging meets high fashion, classic film icons meet spray paint aesthetics, and feminine elegance meets the raw voice of the streets. Her use of bold colors and layered design speaks to the spirit of the city, while her incorporation of figures, text, and symbols reflect themes of identity, transformation, and visibility. The work is not just decorative; it is declarative. It states that graffiti can be glamorous, that pop can be political, and that femininity can be fierce. In the broader world of Street Pop Art & Graffiti Artwork, Full Force exemplifies the power of visual expression to challenge, celebrate, and shift culture. Indie184 continues to expand her influence across continents while staying true to her roots—bold, unapologetic, and always in full force.

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Mario Trece Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Bob Dob. 2020 Signed & Numbered Limited Edition of 30 Artwork Size 16x20 Signed 2020 giclee print 16 x 20 inches signed and numbered edition of 30 with graffiti by Greg 'Craola' Simkins inspired by Mario Bros.

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Luigi Trece Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Bob Dob. 2020 Signed & Numbered Limited Edition of 30 Artwork Size 16x20 Signed 2020 giclee print 16 x 20 inches signed and numbered edition of 30 with graffiti by Greg 'Craola' Simkins inspired by Mario Bros.

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Fuck The Law Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 16x20 on Unstretched Canvas

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Await Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Kevin Peterson. 2019 Signed & Numbered Limited Edition Await Edition of 100 26x20 inches / 66x50.8 cm Fine art print on 290gsm paper Hand signed and numbered by the artist Kevin Peterson’s Await: Urban Isolation and the Quiet Power of Companionship Kevin Peterson’s Await, released in 2019 as a signed and numbered giclée limited edition of 100, captures a hauntingly tender moment within the decayed remains of an urban structure. Measuring 26 x 20 inches and printed on 290gsm fine art paper, the work brings together hyperrealistic detail and narrative symbolism through the lens of Street Pop Art & Graffiti Artwork. A young boy sits on the floor of an abandoned building, his body language quiet and contemplative. He is not alone—a fox rests by his side, and two crows linger near a shattered window. Behind them, vibrant graffiti commands the wall, asserting presence in a space otherwise forgotten. Peterson continues his thematic exploration of childhood resilience in fractured environments. The child, dressed in a blue shirt and sneakers, becomes the emotional center of the piece, gazing into the distance as if waiting for something uncertain. The fox—calm, alert, and intimate—sits with him like a watchful companion. The crows hover on the boundary between inside and out, motion frozen mid-flight. These animals are not placed for aesthetic decoration—they are symbols. The fox often signifies cunning, adaptability, and trust in folklore, while crows bring with them meanings of observation, change, and memory. Together, they form a trio that blurs the lines between survival and stillness. Decay as a Canvas for Meaning The setting of Await is rendered in stunning detail, with cracked concrete, broken window panes, overgrown weeds, and dust-covered tile telling a story of abandonment. Yet the walls are not silent. Behind the boy, the word “UBRT” explodes in saturated graffiti. The boldness of the lettering stands in stark contrast to the muted greys and crumbling surfaces of the environment. The wall’s artwork becomes a voice—vivid, expressive, and alive—asserting that this space, though forgotten by the world, still holds energy and identity. Peterson treats the graffiti not as a backdrop, but as a character in its own right. The use of street art as part of the composition affirms the work’s alignment with Street Pop Art & Graffiti Artwork. Peterson is not merely documenting urban environments; he is mythologizing them. These ruins are not empty—they are sacred arenas where inner lives play out, where emotion survives despite absence. The boy’s paper crown, lying near his feet, adds another layer of poetic symbolism. It evokes lost innocence, imaginative sovereignty, or the fragile authority children construct in unstable realities. Stillness, Survival, and Street Pop Allegory What elevates Await beyond realism is its sense of sacred quiet. Peterson’s figures do not pose—they exist. The boy and his animal companions do not dramatize their condition; they endure it with grace. The lack of spectacle intensifies the atmosphere. The viewer is invited not just to look, but to sit with the scene, to inhabit its silence. The title itself, Await, implies anticipation—but for what remains unknown. The answer is left to the viewer, suspended like the crows midair, fluttering at the edge of an open window. Peterson’s work belongs to a school of Street Pop Art that replaces the bombast of rebellion with narrative intimacy. He shows us that the city, even when broken, remains a place of encounter, symbolism, and inner transformation. Await is not about spectacle—it is about presence. In a world often moving too fast to notice moments like this, Peterson slows time down just enough for us to see the waiting, the watching, and the quiet beauty in staying still.

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Heidelberg Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Stephanie Buer.

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Against All Odds- Blue Limited Edition 2-Color Silkscreen Print on Medium Weight Off-White Colored Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art.

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T-Bone Artwork Giclee Limited Edition Print on 290gsm Moab Entrada Cotton Rag Paper by Pop Culture Graffiti Artist Low Bros. Edition of 75 16x20 inches Fine art print Hand signed and numbered by the artists

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Full Force AP Artist Proof Silkscreen Print by Indie184- Soraya Marquez Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. AP Artist Proof 2021 Signed & Marked AP Limited Edition Artwork Size 35x20 Hand Deckled Full Force AP by Indie184 – Feminine Power and Urban Color in Street Pop Art & Graffiti Artwork Full Force AP is a 2021 artist proof silkscreen print by Soraya Marquez, known globally under the name Indie184. Measuring 35 x 20 inches, this piece is hand-pulled on 320gsm Coventry Rag fine art paper and features hand-deckled edges, accentuating its studio-crafted quality and tactile authenticity. Marked AP for artist proof and signed by the artist, this version carries a unique rarity beyond the standard edition, making it particularly significant for collectors of Street Pop Art & Graffiti Artwork. The artwork explodes with layers of vibrant color, classic film iconography, graffiti motifs, and urban symbolism, presenting a full-spectrum statement on femininity, resistance, and visual culture. Portraiture, Empowerment, and Visual Echo The composition centers on mirrored grayscale portraits of a glamorous, vintage-styled woman whose expressions and posture communicate strength and introspection. Her image is doubled and placed within a landscape of graffiti tags, starbursts, paint splatters, and vivid lightning bolts—elements that create both chaos and cohesion. The lightning bolts, one orange and one yellow, emerge from each figure’s head like symbols of mental energy or forceful clarity. The phrase Full Force blazes across the bottom in colorful bubble letters, tagged in graffiti style with hearts and dots, standing as both a title and a declaration. Indie184 transforms these women into icons of power, placing them at the center of the visual noise that typically overwhelms feminine presence in urban culture. Technique and Texture in Artist Proof Craftsmanship The use of hand-pulled silkscreen printing on heavyweight 320gsm Coventry Rag paper allows each color and layer to remain distinct while also embracing texture and slight imperfections that add life to the work. The hand-deckled edges reinforce the piece’s raw character, contrasting the refined photographic imagery with street-inspired surface disruption. Every paint drip, tag, and layer of spray-effect coloring is deliberate yet expressive, embodying Indie184’s ability to channel mural-scale energy into fine art dimensions. As an artist proof, this print represents an early and personal take from the artist’s own studio, with minor variances that reflect the organic nature of silkscreen production. It is more than a reproduction—it is a part of the process. Indie184 and the Rhythm of Rebellion in Urban Feminism Born in New York City, Soraya Marquez blends her roots in graffiti and hip-hop with an unmistakable pop sensibility. Through works like Full Force AP, she channels that background into a form of creative resistance—where glitter, glam, and graffiti collide without compromise. Her characters are not passive objects but focal forces, navigating and commanding the visual field rather than being consumed by it. With every sticker-like heart, hand-tagged phrase, and explosive splash of color, Indie184 speaks to women who exist with pride in public space, carving their own definitions of beauty, strength, and voice. In the landscape of Street Pop Art & Graffiti Artwork, Full Force AP stands not only as a celebration of aesthetic but as a declaration of presence, where art meets attitude and culture is rewritten in full color.

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Don't Draw Dirty Pictures 1 Artwork Giclee Limited Edition Print on 305gsm Archival Cold Press Cotton Rag Print by Pop Culture Graffiti Artist Roger Gastman. Roger Gastman Don't Draw Dirty Pictures 1 18" x 20" Pigment Print on Archival Cold Press Cotton Rag 305 GSM Edition of 250 Signed and numbered by Roger Gastman

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Piano Concerto 1 Limited Edition Graffiti Artwork Off-Set Screen Print on Thin Glossy Art Paper by Street Artist Crash- John Matos. 2021 Signed & Numbered Limited Edition of 35 Artwork Size 16x20 The artwork titled "Piano Concerto 1" is a limited edition piece by the renowned street artist Crash, whose real name is John Matos. It's a dynamic example of how graffiti transcends the street context, entering the realm of fine art with boldness and authenticity. Created in 2021, this piece is part of an exclusive series, with only 35 signed and numbered editions, making each print a coveted item for collectors. The artwork size is 16x20 inches, a substantial format that allows the intricate details and vibrant colors to stand out, encapsulating the viewer in its visual rhythm. Crafted with off-set screen printing on thin glossy art paper, the piece reflects Crash's roots in the subway graffiti movement of New York City in the early 1970s. His work is characterized by a mastery of color and shape, bringing together the raw energy of the streets with the precision and skill of a classically trained artist. In "Piano Concerto 1," the influence of pop art is evident, with the inclusion of comic-strip motifs and bright, contrasting colors that pop against the glossy finish of the paper. Each print from the series showcases the unique blend of abstract and figurative elements that Crash is known for. What's particularly striking about this piece is the sense of movement conveyed through the composition — a symphonic burst akin to the musical crescendo of a piano concerto, hence the title. There's a playful yet deliberate layering of elements, from the cartoon-like hands to the splatters and drips, which creates an almost three-dimensional effect. This work is not just a static image; it captures the liveliness and improvisation central to street art and musical performances. "Piano Concerto 1" stands as a representation of how graffiti art continues to influence and be a significant part of the contemporary art scene. It demonstrates how artists like Crash can navigate street and studio spaces, creating works that resonate with a broad audience and contribute to the ever-evolving narrative of urban art culture.

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Don't Draw Dirty Pictures 2 Artwork Giclee Limited Edition Print on 305gsm Archival Cold Press Cotton Rag Print by Pop Culture Graffiti Artist Roger Gastman. Roger Gastman Don't Draw Dirty Pictures 2 18" x 20" Pigment Print on Archival Cold Press Cotton Rag 305 GSM Edition of 250 Signed and numbered by Roger Gastman

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Stacked Bubble Throwies- Pink 2-Color Hand-Pulled Deckled Limited Edition Silkscreen Print on 335gsm Coventry Rag Fine Art Paper by Cope2 Rare Street Art Famous Pop Artwork Artist. Signed 2018 2-Color Screen Print on Hand-Deckled 335gsm Coventry Rag Fine Art Paper Size: 16 x 20 Inches Release: August 04, 2018 Run of: 20 It’s all by nature, not by art school. It’s from my very soul, with all my energy. Everyone is great in his special way. My way is to be an artist.”, he claims in one of his interviews. He started as part of the underground scene of New York and, even though tagging of walls and subway trains brought him to jail, this further extended his reputation and never discouraged him from writing. On the contrary, such legal issues led him to be open about experimenting with paintings canvas as an alternative to street art.

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